#not a lot of action in this one
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newttxt · 1 year ago
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this is opla!zoro, to me 🙂
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beif0ngs · 1 year ago
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everyone on tumblr @Buggy the 🤡 right now 
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mintypsii · 1 year ago
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i can't believe one piece invented gay people
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keferon · 3 months ago
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I’m so fucking insane about them you have no idea.
Listen. L i s t e n. My headcanon is. If only Optimus was there when Prowl got mind controlled by the Decepticons. If he was there he would be able to tell the difference. Every other bot just looked at Prowl and went …oh well I guess this asshole is evil I’m not surprised and never liked him anyway. But Optimus would see it. He fucking would
The comics I took these screenshots from are “Optimus Prime” and “Combiner wars”
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fuckyeahisawthat · 8 months ago
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Oh I realized a thing about the Paul/Feyd-Rautha fight. So usually if you have a big fight scene, but especially if you do something like have a character get injured in a way that would definitely be fatal if they weren't cursed with inescapable Main Character Energy, you follow up the fight scene with some moment of comfort or relief or something, which serves to release the tension for the audience and let them know whew, that was scary, but it's okay now. Your character is hurt but they're gonna survive. (Or alternately, if they're dying heroically, it was worth it and what the narrative demanded.)
But here there's nothing. Paul is surrounded by devoted followers; his mother; his lover; one of his oldest teachers and a loyal servant of House Atreides. No one steps forward to offer a shoulder to lean on or help him to his feet. He's left them all behind. He's not a person who got hurt in a fight anymore; he's a myth that people shrink back from. So he pulls the knife out by himself. He stands up by himself. Other than the emperor very begrudgingly touching his hand to kiss the ring, I don't think anyone touches him at all for the rest of the movie. He's completely alone. They never release that tension, because Paul's alive but it is very much not going to be okay.
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elaenim · 1 year ago
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There’s a nami tab today, time to join in
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maranull · 9 months ago
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anyway, Elden Ring is about love and hope
Marika burns everything she has build out of sorrow
Ranni banishes the Outer Gods and also fucks off the Lands, giving agency back to the normal beings of the Lands
Fortissax endlessly fights Death for his friend/lover
Melina burns herself and Erdtree in hopes of a better world in the hands of the Tarnished
Blaidd fights against the very reason he was created out of love for his sister
Ranni and Rykard always keep an eye on their mother, protecting her
Radahn evokes so much love from his troops that they organise a whole festival to give him a honorable death even in his madness
Radahn learns an entire new school of magic in order to still ride his favourite horse
Boc's love for his mother, his mother's love for him
How all but two endings are build on the hope that this new era (whatever it might be) will be good
Miquella attempting to create an whole new world-tree to host the forsaken and the damned
Miquella turning on the faith he was raised and even believed in to an extent, when it was unable to cure his sister's curse
The Cleanrot's loyalty to Malenia and their endurance of the Rot, only to stay in her service
Malenia marching through the entire continent in search of her brother
Finlay traveling all the way back on her own, carrying the incapacitated demigod on her back
Tanith's love for Rya
Dialos' entire questline
Edgar being driven mad after his daughter dies
Vyke embracing, to a point, the Frenzied Flame in order to save his finger maiden
or you know, that's just how I see it
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one piece (live action) + text posts
(2 3)
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dykedvonte · 27 days ago
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I think depictions of Anya being cruel to Curly or drawing out his suffering are artful and chilling but completely miss the point of the story and her character.
I'm not saying she doesn't deserve to have that "I told you so" moment with him but not in something callous or cold. Even if that is how it happened, she'd immediately feel guilty cause at that point she's not tormenting her tormenter or even the person truly at fault. She's doing something cathartic, similar to how Jimmy likely hits Curly to release rage he can't against the rest of the crew. She'd see herself as no different when she'd come back from the moment and see Curly cowering at her. She wants someone to take responsibility but how does being cruel to the defenseless help? Why would she want the power Jimmy has over her over Curly?
The idea of her extending someone else's pain is just so against the struggles she already faces and how she can't even bring herself to cause someone pain even to help them. Her very desire is to release herself from her own suffering and I doubt she'd even fine some sort of guilty release in being cruel to another.
#anya is not a character i see taking agency or indulging in cathartic behaviors#not knowingly like i see her as a character trapped in her head and maybe in the scenario she's cruel to Curly she is envisioning Jimmy#in his place but its not a story about justice or those deserving of punishment and those not like its the opposite of people projecting#their issues on the wrong people and saying things to the wrong people and doing things they shouldn't but anya uniquely falls out of it as#she is subjected to a lot of it but it is also not something she wants to subject another person to like you are doing what Jimmy does and#placing ur rage into another persons and viewing their actions through your eyes like she'd more likely yell at him than do harm or#cause him more pain like at least make it in character#but also she clearly doesn't want to see jimmy or curly in the same light and doesnt because she still repeatedly goes to Curly for comfort#and protection and god there's like concepts that need to be applied to characters individually and then the story as a whole#we can not view the game through only one themed lens less we forget to inspect the compounding factor of Anya is so much more than girl#that needs to be allowed to go off but a woman that simply wants right to be done by her and no more harm like she doesn't want to be aroun#the suffering like idk but some of yall would just benefit from like understanding that people are inherently grey with the capabilities of#black n white thinking or actions#mouthwashing#mouthwashing game#anya mouthwashing#i like her the most but then again i am defensive of all women in media and hate when people change the way the character would take agency#for themselves like yes I want her to tweak out but she just wouldn't and I like seeing realistic depictions of a woman suffering the way#she is like shes not the type at the end of the movie to have a one liner but feel a shallow freedom cause she needs to realistically heal#idk but its just like there is an obbsession forming with making her character her pain and not how she handles and navigates the issue
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turtleblogatlast · 6 months ago
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I think a lot about Leo standing up for his brothers in the things that really matter to them.
Like- Leo is the one who immediately pushes Mikey and Donnie into finding Raph the second it’s clear that their oldest brother is missing because he knows Raph can’t handle being separated like that.
Leo is the one who stands up for Mikey when Mikey wants to go on a solo mission, actively vouching for him and being the one to convince Raph into letting Mikey go, because being independent and proving himself just as capable of standing on his own two feet as everyone else means so much to Mikey.
And Leo defends Donnie’s honor in particular when his brothers’ intelligence is insulted because Leo is well aware of how important Donnie’s smarts are to him - and how important having those smarts valued and acknowledged is as well.
All this goes right into just how well Leo knows his brothers. For as much as he’ll tease or fight with them, he knows them, and he loves them.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt leo#rottmnt headcanons#rise leo#listen Leo loves his family SO MUCH#and like it’s no accident that Leo is consistently the one to give pep talks that#very notably#are less ‘everyone as a group’ and more ‘all of you individually’#it’s heartening to see honestly and like#it works with how he is as both a person and as a fighter#he knows people he knows them so well he knows how they work what they’re like#which is SO USEFUL for subterfuge AND portal/teleportation strategy#my guy is charming his charisma comes from his understanding of people at an individual level#when he wants to be he is very very good at that#he’s still a teen who is too cocky for his own good at times but that does not negate his stellar other moments#he can be selfish he can be mean he can be rude but when push comes to shove he is so quick to stand up for his family#Mikey’s statement at the end of the movie about how Leo NEVER gave up on THEM is so important because it’s not JUST about the movie!!#that’s Leo as a whole he will never give up on his bros#portal jacked is telling of this too because although it has a lot of comedic moments#never once does Leo stop looking for a way to get his bros back#they’re everything to him#he’s the face man he’s a people person and he’s the number 1 pet turtle which I will discuss the implications of in this essay-#Will also say that when Leo does these moments of standing up for his bros he’s never expecting praise for it#he’s just glad they find Raph he just smiles when Mikey tells him he loves him he never mentions defending Donnie#leo has a tendency to show off fancy glittery moves but his real actions and feelings are sooo much more lowkey#that you have to be actively looking for them to catch them all#and I really really like that about him it’s so interesting HE is so interesting
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ruescott · 2 months ago
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like I know the original post is unserious and love languages are Not Real but I made the mistake of thinking about ogata hunting and now it's all over for me
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kuravix · 1 year ago
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Based on the comments I've seen.
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poorly-drawn-mdzs · 10 months ago
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Turtle Takedown Teamwork.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wei wuxian#lan wangji#tulu xuanwu#Something about changing the action sequence to something gentle is hilarious to me.#The lesson here is “Be nice to turtles. They are gentle creatures. And many are very endangered.”#don't get me wrong here; I love this scene a lot. LWJ's string technique is one of my favoyrite things.#We do get a fair amount of LWJ fighting but I always loved how the theme of strings comes into play.#There is actually a lot to unpack with LWJ being associate with 'strings'.#The musicianship: Of dedication and rigor in one's practice.#The tension between following along a path or composing your own way forwards (playing what has been written vs composing)#A string is a tightly coiled/taunt entity; The same tension that makes it sing so beautifully can be it's downfall if pushed too hard.#And as a non-musical string - something that binds. Be it to his sect and family or how he binds his fate to WWX -#LWJ cannot exist without his binds. It is not something which ties him down though. It keeps him together.#And he himself *is* a bind. He 'ties wwx down' in ways that are initially negatively viewed ('come to gusu' - feels like: come be trapped)#But later it is shown how (despite being introduced as a free spirit) WWX truly wants to be bound to something and someone.#Marriage is a bind he wants. He wants to be tied and grounded by LWJ.#It's starting to sound like innuendo. Let's call his fondness for being literally tied up smart thematic writing.#Finally. Sex scenes that are important to the plot and characters
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audliminal · 26 days ago
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Survivability Bias Pt 3
Masterpost
Content warning: This chapter involves depiction of a train derailment and subsequent fire throughout. There is also brief mention of death. I will be putting a brief summary in the description if you prefer not to read this part.
Danny jolts up from his fitful sleep. He’s intangible and invisible before he’s even fully sitting up and he’s in the air before he registers the loud boom that woke him. Any concerns about his bright transformation are made totally irrelevant by the warning sirens blaring in his head.
Wait, no. Those are real sirens.
In the distance, lights are now accompanying the sirens; flashing as they speed down what looks like main street. It’s pretty clear where they’re going too, from the violent orange glow cascading over the tops of the nearby buildings.
I knew it, Danny thinks, flying towards whatever disaster is unfolding. probably it’s stupid to get involved, when he still knows so little about this place, but- well, old habits die hard. It doesn’t take long for the problem to become obvious, and Danny freezes as he struggles to process the scene before him.
The metal carnage is nothing like Danny’s ever seen before; what looks to be a freight train has derailed at the worst possible location, sending its cars careening into the various apartment buildings and stores on the east side of town, and to make matters worse, one of them has clearly crashed straight into the gas station by the freeway, and fire is spreading faster than Danny could have imagined.
Danny can already see two buildings blazing, but he quickly focuses his attention towards the carnage of the train itself. Luckily it’s fairly obvious what direction it was headed, and Danny moves fast, looking for the engine. In ghost form, physical sensations always feel a little more distant but even through that, Danny can feel his heart rabbiting in his chest. Luckily it takes less than a minute to find the engine, but as he approaches it, the presence of death catches in his throat, and he immediately knows it’s a lost cause.
He can’t sense any actual ghosts, though, so instead Danny whips around to stare at the derailed cars. He’s far more used to fighting than he is rescues, but he can hardly just ignore the possibility of people trapped, so he carefully begins phasing through the wreckage, searching and listening for signs of anyone. Already, people are starting to gather outside; both those who were nearby and those who have managed to escape on their own, and Danny is careful to maintain his invisibility as he works. 
Danny’s made it through about half the wreck by the time he spots the firetrucks arriving, he’s pretty certain that nobody’s trapped under any of the cars, and he’s also thinking more clearly. The fire has also gotten worse now, and Danny watches as fully equipped firefighters spill out onto the street, already jumping to work as the fire chief shouts out orders. Some rush to start battling the flames, but others head towards the crowd.
They’re getting headcounts, Danny realizes. It seems so obvious in retrospect, but of course, Danny would have to be visible to check with anyone. And now that they’re here, anything he tries to do in secret would probably just make things harder. There is, of course, an easy solution to that, but- Danny has yet to find any evidence that all the meta stuff is anything but propaganda.
Even as Danny considers the dilemma, he knows what he’s going to do. He’s survived danger before, after all, and if he can keep people from assuming ghost, then he’ll have an advantage on them even if it comes to the worst. Besides, there’s that whole great powers-great responsibility thing, so in a way, it’s kind of his responsibility...
Danny floats out of the wreckage before shifting into visibility, figuring it’s probably polite to approach in their field of sight.
“What can I do to help?” Danny asks, causing most of the crowd to stare in shock. Belatedly he realizes he’s still floating, but actually that’s probably a good thing. Makes it clear he’s a meta right off the bat, at least
“New hero, huh? Powerset?” The man responds promptly, leveling Danny with an even gaze. Probably the lack of shock is a good thing. Probably.
“Uh, flight obviously, enhanced strength as well, and um... The ability to turn people and things intangible?” Danny responds promptly. It’s far from his full set, but he figures those are the most relevant, and keeping most of his tricks under his sleeve makes him feel better about what he’s doing.
“Is the fire gonna hurt you? I’m not sending some kid in there to die of third degree burns or smoke inhalation.” The man frowns, giving Danny the distinct feeling he’s not particularly impressed with Danny’s answer.
“Oh! Yeah, no, I’ll be fine! I like, don’t exactly need to breathe? And I’m fine in extreme heat too, so it shouldn’t be a problem...” Danny trails off and the head firefighter narrows his eyes as he tries not to flinch at the assessing look. To Danny’s right, someone shouts and when he turns to look, he sees a firefighter wave their arm and plant some kind of flag before moving on. No longer paying attention to Danny, the chief walks over and speaks to another firefighter. Danny wonders if he’s been dismissed, but before he can do anything, the chief calls out to him.
“Alright kid, you’re up, I guess,” he says, when Danny walks over. “We don’t know how injured he is, so do not move him, but if you’re strong enough to move this stuff fast and safe, that’ll be a damn good help.” He gestures to the twisted mess that Danny’s pretty sure was the edge of a building. 
Danny nods, stepping forward to examine the rubble. The firefighter that spotted the man points to a couple beams.
“Those beams are protecting him from the worst of it right now, but we’ll need to move them in order to get him out, so you gotta make sure that there’s nothing that’ll fall on him him when you move them.” 
“Righty-o,” Danny says, stepping forward to grab the two support beams he’d pointed too. He carefully examines the rubble collapsed around and over it. It’s sort of like a puzzle, he realizes - not quite the same as fixing his parents tech; certainly nothing here is supposed to be smashed together like that, but-
Danny blinks and refocuses. If he  just moves a few things first, he thinks he can get enough cleared away and just intange the beams. He tries to be fast as he does, without forgetting the emphasis the chief had put on safety, and after a few moments, he’s ready to move the beams. He gets into a good position, and then carefully makes them intangible, ready to react if anything bad happens. When nothing does, he carefully pulls them up and away, watching as the waiting firefighters rush in and start to work on actually extracting the guy.
He watches for a bit as a backboard appears and they begin a very slow and careful process of getting the guy onto it.
“Kid,” the chief calls, pulling Danny’s attention away.The chief guides him towards one of the buildings that’s on fire. “Got two people trapped on the third floor here. The stairs are unsafe, so if you can, get yourself up there, locate them, and get them out.”
Danny nods, not waiting for further instruction. He flies up two floors, and goes straight through the wall with his intangibility. The majority of this building isn’t terribly damaged, but one side has collapsed in on itself so if that’s where the stairs were, he can understand the difficulty. The air inside is already thick with smoke, and he quickly stops breathing, belatedly remembering that he’s supposed to not get smoke inhalation. Luckily, it doesn’t take long to catch the sound of voices, and Danny follows it to a room where two people are huddled next to an open window. Right, that’s a smart way to limit the danger of the smoke.
“Rides here!” Danny announces cheerfully, dropping his intangibility. Both people startle as they spot him, but one recovers relatively quickly.
“Him first,” they say, nodding towards their companion, who definitely looks more dazed.
“Right, here we go!” Danny says, stepping forward, and scooping the person up, and wasting no time flying directly through the building, and down to the waiting paramedics. There’s no stretcher currently available, so Danny gently sets them on the ground away from the worst of the smoke, before flying back to get the other person. They’re already standing up, and waste no time in wrapping their arms around his neck as he picks them up and flies them out to the medics as well.
Danny hardly has time to set the person down, before the chief is pulling him away again. They send him in to save a couple other trapped people, but after that, it sounds like everybody is accounted for, because the chief starts focusing all their energy on putting out the fire, rather than just containing it.
Danny is surprised to find himself pulled into helping with this part too. He gets assigned to a fire attack team, and Danny trails along after the two firefighters as the enter the building and begin to fight the fire from the inside.Occasionally, one of them will point at some piece of wall or ceiling and ask him to check what’s on the other side. He goes where they say, looking for signs of the fire, and when he does spot flames, occasionally tearing stuff down so they can get to it with their fire hose. It’s honestly a fascinating process. Danny’s never been anywhere near a major fire and the fact that the firefighters actually do more damage to the building as they work echoes in Danny’s brain as a morbid refrain.
What they’re doing is clearly working though, because he can actually feel the ambient temperature going down as time goes on. He briefly wonders if he should be trying to use his ice powers when one of his teammates complains about how hot it is, but they have protection, and he doesn’t want to risk any more info on him getting out. And anyways, he’s busy enough just doing his job. By the time they leave the building, Danny is exhausted. The interrupted night’s sleep is making itself known, alongside the surprising realization that Danny has actually worked harder tonight than he ever has before.
He lets himself half-collapse against a wall beside one of the fire trucks, once they finish their work putting out the fire. Beside him, his teammates are divesting themselves of their gear. it’s funny, Danny was anxious about revealing himself at first, but this whole night - and Danny belatedly realizes the sun is beginning to drift above the horizon now - he’s not been scared at all. Sure he’s been worried; with people in danger he’s hardly going to feel good, but in the last few hours he’s both worked harder than he has in any of his fights, and he’s done it without feeling terrible. Now, with just everyone accounted for and just about all of them either fine or in the hands of doctors, he feels odd.
It’s not a bad feeling or anything, kind of like when he successfully beats a hard level in a video game, or how he used to feel when he finished science projects in middle school.
Satisfaction, he realizes. And that’s what it is, though it’s far stronger than any version of it that he’s ever felt before. He does have a lot to feel proud of too. He  helped, even though he wasn’t sure it was safe to, and he might’ve actually saved somebody’s life tonight.
“You did good, kid.” One of his teammates says, echoing Danny’s thoughts. He startles a bit, feels himself flushing, and then in his embarrassment, he feels himself tumble over into a full blush. It’s always felt more embarrassing blushing in his ghost form. The way his skin actually glows with the green tinge is just so obviously inhuman, and he tries to avoid, tries his best to seem normal and alive, even when he’s a ghost.
Of course, these people don’t know he’s a ghost, but from what he’s seen, most of the heroes out there at least look functionally human, and he waits for the firefighters around him to freak out at the reminder that he isn’t even remotely one of them.
“Damn,” one whistles. Green glow is a new one. Makes your freckles real cute though.” The others laugh, and the other of his teammates steps forward to pat him gently on the back.
“Stop embarrassing my new favorite hero,” the chief says, walking up to join them. “You gotta name?” 
“Oh, yeah!” Danny answers, desperate for a distraction from this line of conversation. “I’m Danny!”
“Danny,” the chief responds flatly. he almost sounds exasperated, though Danny can’t imagine why, unless...
Unless that absolutely sounds like he just introduced himself normal and they think he’s a hero and he sounds like a dumbass without a secret identity, which- technically isn’t exactly wrong. 
“Yup!” Danny says, trying to make it sound intentional. “Danny Phantom at your service! Y’know cause of the intangibility and like. It just sounded good?” There. That sounds plausible. If he actually does end up having to be a hero, though, he’ll probably need a different first name. If he gets a civilian identity, that is.
“Well, Phantom,” the chief grins, that same assessing look from before back, but noticeably more relaxed now that there’s no immediate danger. “We’re damn grateful for all your help, and if you need anything you come let us know, alright?”
“Yeah, one of his teammates echoes. “You’re an honorary firefighter now, you should come hang out at the station sometime!” A couple of the others echo the sentiment. It’s surprisingly kind, and Danny smiles at the unrelenting wave of welcome.
“I’ll think about it,” he offers uncertainly. “For now, I think I ought to go back to sleep for a few more hours.”
“That sounds like a good idea, Danny,” the chief says. “Just make sure to get something to eat first. You’ve burned a lot of calories today.”
“Yeah, will do,” Danny offers an awkward salute to the man, and then, before he can actually fall asleep standing up, he takes off to hunt down a good spot for a nap.
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ailendolin · 29 days ago
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I need to talk about Gil-galad's reaction when he cannot save Galadriel for a moment because I cannot stop thinking about the way he looks at Elrond in that scene. He is not outright asking or ordering Elrond to help him but he is practically begging him with his eyes. It's the most open and emotional we've seen him in the show so far, I'd say, but what gets me even more is the look on his face when Elrond answers his silent plea with, "I can." Because Gil-galad knows what he is asking here and what Elrond is about to sacrifice in order to save Galadriel, and I think it is breaking his heart a little that Elrond is once again pushed into an impossible situation with only one way out - that he has to jump down the metaphorical waterfall again to save his friends.
Gil-galad's look always strikes me as one of grief, and perhaps that is because he realises in that moment that Elrond has changed and will never again be the same young Half-Elf who used to light up Lindon with his gentle smiles. And perhaps he recognises himself in Elrond in that moment as well because he too was once forced into the role of a leader and knows better than most how much it can cost on a personal level. To me, the look on his face says he wishes he could have spared Elrond that; that it hadn't been necessary to put this responsibility on Elrond's shoulders on top of everything else as well.
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torisprlng · 4 months ago
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Why do you care so much about that old thing anyway? It looks like you fished it out of the trash.
ONE PIECE (2023) | 1.02
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