#not a great time for her

[mewnekoice-mecha]

DP x DC prompt

Y’all remember that Amanda Waller got a get out of Hell free card.? But what if that card was ONLY for the DC version of Hell.

See Amanda has pissed off a LOT of people and I wouldn’t put it pass any of them to have given her that card but fail to mention that it was only for THAT version of Hell.

With All that she has done she gets sent to the Infinite Realms upon her death, finds out that that little card she worked/tried so hard to get doesn’t amount to anything, and if possible she should have just took her chances with her hell.

Cuz now she has to face judgement from the Ghost King Himself. PHANTOM

[lonepower]

yes i Am paying real money to make you all look at our new dog. we've had her for 3 hours and if anything happened to her I'd kill everyone in this room and then myself. her name is Tater Tot

[narwhalsarefalling]

my mother taught me to crochet when i was young. she was left handed, so she taught me how in the bathroom mirror so her hands would be in the right position.

she learned to crochet from her grandmother, who was right handed. her grandma was the one that originally used the bathroom mirror to teach her granddaughter properly.

i find something poetic about that. here in this bathroom mirror, through generations, we adapt to our young who have a different way of learning and interacting with the world

[tittyinfinity]

I was hanging out at the karaoke bar, chatting with a beautiful woman, and we were really hitting it off. I threw a couple of flirtatious comments her way. She giggled nervously, but abruptly stopped and looked at the floor.

She told me that she was too nervous to hit on people because she's trans and worries that people will view her as a predator and that she might get hurt.

My heart sank. I let her know that she could hit on me in whatever way she wanted and I would LOVE it. We spent the rest of the night hanging out and flirting. We ended up making out. It was great.

But I can't stop thinking about how that wasn't the first time a trans woman has said that to me. About how unsafe it is for some women that they feel the need to give out fucking disclaimers to have normal interactions with people.

We have GOT to make the world a safer place for trans women. It pisses me off that there are men at the bar who are openly predatory towards me without fear of consequence, yet a trans woman is too scared to even fucking call me pretty. And that's because she IS more likely to face worse consequences for lesser things! Like what the fuck!

You need to always check on your internalized biases. Being queer yourself doesn't absolve you of transmisogynistic thoughts and behaviors. Being bi/pansexual doesn't mean you don't hold those biases either! If you feel differently about a trans woman hitting on you than you feel about a cis woman or a man hitting on you, you need to evaluate that.

Trans women, I love you so fucking much. You should be able to express attraction and love as freely as everyone else. I hope you can always feel safe around me. And I'll never stop fighting until you can feel safe period.

[whetstonefires]

You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.

Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.

The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.

She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.

I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.

But, crucially, she has absolute faith in Jane.

The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.

(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)

And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.

And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.

Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.

But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.

That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.

She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.

This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.

Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.

Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.

Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.

😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.

[wisefoxluminary]

They have the purest father and daughter relationship. The way they are looking at each other with so much love. I think I'll cry.

[soosoosoup]

more treasure planet au (ft. Bruce & Viva!)

[egophiliac]

like mother, like son, but less wholesome this time?

(I couldn't decide whether or not to put them together, so have them in all the different ways!)

[drawnbythestream]

Obi-wan and his friend Bant Eerin having a sad moment after certain events

[pien-art]

I read @eve-is-obsessed ‘s fic “mysteriously missing moiraine” and my eyes have been opened to Moiraine / Melaine 👁️👁️ Everyone go read this fic (and every other amazing fic by eve bc hghn,, they’re really good)

I can’t wait to see Moiraine in the Aiel Waste with the Wise Ones in s3

(click image for optimal quality)

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4 (soon))

[miguxadraws]

teaching pomni how to dance

what type of music would they dance to? i dont even know! but i think dancing with your partner or teaching them how to dance is the peak of wholesomeness!! actually adorable...

astral circus AU belongs to @chelledoggo

[morningsaidthemoon]

AYDA !!!!!!!

[mychapel-004]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

[tav-marcio-leles]

Ohhh, I'm rereading Mystra's entry in the Sword Coast Adventurer's Guide... and this detail:

This means Gale was punished for trying to restore and preserve what he thought was a lost piece of Mystra's magic. Gale being Mystra's ex-lover put aside. He as her follower, she his goddess, was punished for attempting to do the one foundational rule of her faith.

I'm seething and so sad at the same time.

Edit: I used the word punish loosely, as in, toxic/abusive people will take any small mistake or action and twist it into something they can take advantage of. This post was also largely from the stand point of a toxic deity rather than a toxic partner, but both takes are valid here. Especially with the, “you didn’t stay compliant so now I’m giving you the silent treatment” part of it—from a god and a partner perspective.

[martyfive]

winner winner chicken dinner