#nor never will

[astridhobbit]

Parenting this way is definitely more WORK (takes a lot less effort to smack a kid than it does to explain why over and over for different things) but it's not any HARDER. The hard part is internalizing 1) that your kid is a full human, 2) that full human does not mean adult, so temper your expectations appropriately, 3) an understanding that you will not always be bigger and stronger than they are, so coercive force will not always work, so you better not rely on it, and 4) humility and a willingness to apologize and let some stuff go.

It also requires doing some work around asking YOURSELF why you do or don't do certain things, or why some things are harder for you than others. Which I think a lot of people don't do, and so are not very practiced at it.

I am exceptionally lucky in that my parents never hit me, grounded me, confiscated my things, banned me from my hobbies or threatened any of these actions to make me behave as a kid. as an adult it has made me realise how very very long a road most people have to traverse before they can take a statement like 'no rule that must be enforced by threat is legitimate' seriously.

[notesbynor]

No one:

Absolutely no one:

D20 cast: makes the most transcoded characters ever

(Also hi d20 fandom im trying to be more active here so expect more d20 art, maybe ill make the whole cast)

[a-scary-lack-of-common-sense]

My Great Grandma who loved her babies very much

Reference that I used for the face!

[dead-inside-demiboy]

Im sorry but being aromantic and/or asexual is such a beautiful, complex identity that opens up almost endless possibilities and interpretations about sex and romance and relationships and struggles within those,

and i will always absolutely LOATHE how both the outside and the aro/ace community itself have boiled these identities down to just "doesnt have sex" and "doesnt date"

[egophiliac]

don't think I'm not still obsessing over 7-12

[avanii]

Handmade Hisuian Typhlosion plush! He measures 70 cm nose to bum (95 cm to tail tip) and is weighted in all paws + knees. Features hand-painted eyes and magnets in each spot. At a later point I will make the faux fur flames that will attach via magnets. A super soft and cuddly plush! Gives extra warm hugs thanks to a removable heat pad made of cherry stones in his belly.

See how I made him here!

[nadiasna7]

Immediately after 1-5: Rise from the Ashes

And then canon still happened

[elitisim]

so, i hit 1k sometime in the beginning of June ✨🥳. Which means my incessant yapping about absolutely nothing on every post I make and multiple months-long unannounced hiatuses didn't scare all of you off yet, so thanks for that y'all.

No, but for real tho, I genuinely want to express my gratitude to each and every one of you for putting up with me and all my BS, so my 1k+ gift exclusively consists of hairs requested by YOU!  Which is totally about giving back to the community that has supported me and NOT just an excuse to dump all the requests that have been sitting here piling up for months.

there are only 7 hairs in the preview image but a bunch of these are from sets, so all-in-all you're getting 17 female hairs!

INFORMATION:

None of this is my original work! All mesh credit goes to @sheabuttyr, @ebonixsims, @daylifesims, @simstrouble!

Set contains 17 hairs for for Teen ➤ Elder Females

due to how the meshes where made the Poloma Passion Twists and Monae Beads don't have root/tip controls so they’re only 2 channels the rest are 4 like normal.

credits, preview pictures, links to originals, poly counts and individual download links for every hair is under the cut.

polycounts are ALL over the place. Lowest hair is +10k, Highest one is +32k. Please reference the list under the cut before downloading!

Files comes in two flavors: Merged and Unmerged

Both types contain the exact same type of stuff (package file and preview images) except version one is one big merged file and the version has individual files.

[DOWNLOAD MERGED]

[DOWNLOAD UNMERGED]

[PICK AND CHOOSE]

Tagging list: @pis3update, @naturalhair-sims3, @xto3conversionsfinds, @kpccfinds

@simstrouble Adeline Braids//22.2k poly// requested by @paigeywaigeyy

[DOWNLOAD]

@sheabuttyr: London Locs // 16.2k Poly //requested by @thesirensims

[DOWNLOAD]

@daylifesims: Honey Sun Clover Dreadlocks v1// 10.8K Poly //requested by anon

[DOWNLOAD]

@daylifesims: Honey Sun Clover Dreadlocks v2// 10.9K Poly // Under hats // fully recolorable// 1 channel// requested by anon

[DOWNLOAD]

@ebonixsims: Monae Beadset V1//32.7K Poly! // Under hats // Recolorable beads 4 channels//no tips or root controls due to mesh//requested by anon

[DOWNLOAD]

@ebonixsims: Monae Beadset V2//30.5K Poly! // Under hats // Recolorable// 4 channels//no tips or root controls due to mesh//requested by anon

[DOWNLOAD]

@daylifesims :Honey Sun Alfalfa Braids v1// 10.1K Poly // Under hats // fully recolorable// 1 channel// requested by anon

[DOWNLOAD]

@daylifesims :Honey Sun Alfalfa Braids v2// 10.1K Poly // Under hats // fully recolorable// 1 channel// requested by anon

[DOWNLOAD]

@sheabuttyr: Daija Dreads V1 // 28.6k Poly //requested by anon.

[DOWNLOAD]

@sheabuttyr: Daija Dreads V2 // 30.8k Poly! //requested by anon

[DOWNLOAD]

@sheabuttyr: Paloma Passion Twist V1// 25k Poly//requested by @paigeywaigeyy

[DOWNLOAD]

@sheabuttyr:Paloma Passion Twist V2// 25k Poly//requested by @paigeywaigeyy

[DOWNLOAD]

@sheabuttyr:Paloma Passion Twist V3// 25k Poly//requested by @paigeywaigeyy

[DOWNLOAD]

@sheabuttyr:Paloma Passion Twist V4// 25k Poly//requested by @paigeywaigeyy

[DOWNLOAD]

@sheabuttyr:Paloma Passion Twist V5// 25kPoly //requested by @paigeywaigeyy

[DOWNLOAD]

@sheabuttyr:Paloma Passion Twist V6// 25kPoly //requested by @paigeywaigeyy

[DOWNLOAD]

@sheabuttyr:Paloma Passion Twist V7// 25kPoly //requested by @paigeywaigeyy

[DOWNLOAD]

@sheabuttyr:Paloma Passion Twist V8/ /25kPoly //requested by @paigeywaigeyy

[DOWNLOAD]

[caffichai]

Blue Poison is the only almond at the Baja Blast factory. Is it worth it?

(full version)

[morganbritton132]

Eddie: *overhears some girls gossiping about how Steve and Nancy got in a fight in an alley and the police got involved*

Eddie: *hears someone else say that Nancy Wheeler was taken to the police station*

Eddie: *sees Steve jumpy as hell with bruises on his face*

Eddie: *notices that Steve doesn’t talk to his friends anymore. notices that Steve and Nancy always seem miserable together. notices that only one of them is trying to please the other*

Eddie: *witnesses the halloween bathroom fight*

Eddie: *sees Steve confused, beat up, bruised to hell, and single the literal next time he sees him*

Eddie: *puts the pieces together and draws a conclusion*

Conclusion: *is wrong*

Eddie, accosting Steve at lunch: Hey, did you know that if a guy is getting hit by somebody that it’s abuse? Even if it’s a girl doing it.

Steve, confused: Oh-kay?

Steve, deciding that Eddie is reaching out to him for a reason and draws the same wrong conclusion about Eddie: I mean, yeah. That’s - yeah? That’s true. And messed up. You should tell someone if that’s, uh…going on.

Eddie: Yes, exactly. You should.

[aesthetic-uni]

Miles “Who’s Morales” vs Gwen “Gwwwwanda” vs Pavtir “You seem like a nice young woman I do not know” FIGHT

[poorly-drawn-mdzs]

Wrapping up the season with a redraw (Jan 2024)!

Thank you all for these last 6 months, I have loved making so many people laugh from my silly comics B*)

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[thechekhov]

Everyone, trying to warn me: Harrow the Ninth is so complicated and so hard to get through and you won't have any idea what the hell is happening!

Me: Harrow the Ninth is peak comedy if your sense of humor is fucked beyond all sense.

[qifreyplushie]

working on some other nefarious evil hualians so please take these aggie crumbs in the meantime

[annajustdraws]

(⁠ ⁠╹⁠▽⁠╹⁠ ⁠)