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#none of them are perfect
carolinagirl80 · 1 day
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question why do you guys fight against criticism against Jared but allow criticism against Jensen and even Misha to happen. whether you like it or not but Jared algae done about it things in the past that deserves to be criticised over and don’t say he apologised because we both know he never apologised. Now I am NOT SAYING JENSEN OR MISHA IS PERFECT BECAUSE THEY ARE DEFINITELY NOT PERFECT but it seems that criticism about Jared is not allowed and mental health only matters when it comes to Jared and no one else
Yeah, you’re right anon. None of them are perfect. No one is.
That being said, the amount of hate that gets thrown Jared’s way is disproportionate compared to the hate flung at Jensen or Misha. Jared’s transgressions, which I’m sorry, are honestly minor, are never forgiven and used against him on a regular basis years after they occurred. Along with the near constant amount of people wishing death on him or his family. That is not ok. So forgive us for wanting to defend him. That doesn’t mean we don’t know he’s done less than savory things in the past. We know it, we’ve accepted it, he’s not continued to do it and we’ve moved past it. Just wish others could do the same.
While Misha could be out there killing puppies and his fans would somehow find a way to say “oh, it was just a joke”. Misha’s behavior hasn’t been blemish free over the years. Though even the AntiMisha crowd doesn’t typically resort to death threats against him the way Jared Anti’s do to him.
Jensen’s fans (mainly the AA crowd), treat him like a Ken doll. They have him living in a fairy tale world where he can do no wrong. I know that’s not true, and my friends and I on SM platforms regularly discuss his shortcomings and are not afraid to call it out. We do it all the time. I am a J2 fan, but Jensen holds my heart and I’m not afraid to say he’s done wrong.
Moral of the story, they’ve all done things they shouldn’t. This fandom is toxic as hell. We defend Jared a little harder because he gets it worse than anyone else and deserves it the least. Sorry not sorry on that one.
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avvail-whumps · 1 year
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should i just make picrews for leo and roy because at this point i’ve given up trying to find irl faceclaims
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autisthottygoth · 1 month
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I feel like a lot of danmei readers often equate "selfless" with "morally correct" and that causes ..... issues
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lilislegacy · 1 month
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hot take: people on here hold percy to WAY too high of a standard. they either refuse to accept he has a real flaw or they call him a terrible person anytime he’s not the epitome of loveliness
like… he’s an asshole sometimes. why can’t people see that? why can’t people accept that? we don’t have to justify everything he does. has he been an asshole to annabeth? yes. has he been an asshole to nico? yes. was he TRYING to be mean? NO. he was either upset or uninformed or focused on bigger things. does it explain it? yes. does it excuse it? no. but it doesn’t mean he’s a horrible person. he’s just a PERSON.
it’s the same with annabeth. yes she’s prideful and condescending sometimes. okay…? AND?? she’s still a kinder and braver person than most of us will ever be. and same with nico. he is an amazing person but he has also done some things that are absolutely not okay. you know why? because no one is perfect. it’s okay to accept that our favorite characters do bad stuff but are still good people.
THEY ARE 50% HUMAN. WHY CAN’T THEY BE HUMAN?? LET THEM BE HUMAN. ITS OKAY TO NOT BE PERFECT ALL THE TIME 😭😭
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bartholomew-junior · 1 month
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i was listening to exclusively chappell roan while drawing this
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silverwhittlingknife · 4 months
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So you're a go to source for all things Dick&Tim bros and you tend to write primarily from Dick's POV. So, odd question, but if you were to summarize their relationship from his POV in FIVE panels which panels would you pick? Keeping in mind that one specific aspect of their relationship that you love needs to be clearly represented by each panel (loyalty, trust etc). I hope this is a fun challenge and not an annoying question so if you don't want to answer that's cool! Have a wonderful day!
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No more talk. The same thoughts run through two minds... (SotB 29) / You're my equal. My closest ally. (RR 1) / I can't stop thinking how much I rely on him. (GoG 3)
25 Feelings Dick Has About Tim
This was such a kind ask & a cool challenge which I totally failed; here are TWENTY-five panels of Dick's POV on Tim sdfdsfds Look, I got carried away! Marcia and Cindy! The boys!!
OKAY SO BEFORE I GET TO THE PANELS A FEW NOTES:
WARNING THAT THERE ARE SOME NEGATIVE EMOTIONS IN HERE because I love conflict but but but you gotta remember those are not the final word!! They are complicated people and sometimes they get mad at each other BUT ultimately their relationship is so hugely important in both their lives & they love each other and rely on each other so much -!!! <3
Also I have CONCLUDING THOUGHTS at the end about what Dick's POV leaves out (mostly: a lot of Dick defending & protecting & supporting Tim, which Dick does instinctively but isn't very self-aware about most of the time)
I have loosely organized my list into 5^5 format (5 categories with 5 examples each!), so if you want to skip to a relevant one, here are the categories!!
Below the cut:
I hate him and find him infuriating (#1-5)
On second thought, he's endearing & fun (#6-10)
Grief is complicated & he's all tangled up in mine (#11-15)
I love him & think highly of him (#16-20)
I rely on him & though it's hard for me, I trust him (#21-25)
I hate him and find him infuriating (#1 - 5)
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1) He thinks he’s so smart and can psychoanalyze me and Bruce, but he doesn’t know me at all, he should get lost (New Titans 61)
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2) He thinks he’s so smart and can psychoanalyze Bruce but he doesn’t know Bruce at all, he should get lost (Gotham Knights 26)
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3) He is so nosy about stuff that is MY business (Robin 0)
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4) He sounds like an insincere suck-up half the time... but okay, fine, if you push him he's got a sense of humor about it (New Titans 65)
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5) I'm sure he's a better vigilante than me. It's my fault for being a failure, but I resent him anyway. (Nightwing 9 - Dick's having a nightmare)
On second thought, he's kinda endearing (#6-10)
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6) He worries too much and gets anxious so easily, but it makes him fun to tease (Robin 67)
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7) I'm not that competitive - okay, so maybe I'm a little competitive, I gotta make sure he doesn't get a swelled head (Prodigal)
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8) I'm supposed to be his favorite! It is not cool for him to be fanboying over my not-girlfriend's not-boyfriend!! (Birds of Prey 19)
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9) We have fun together. I can kick back and relax when it's just the two of us. Plus I get to boss him around a bit. (Prodigal)
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10) He’s always trying to reassure me, and I guess it's a little comforting, but also he doesn’t really get it. Or me. He makes excuses that he shouldn't, because he doesn't understand that I suck. (Nightwing 64)
Grief is complicated and he's all tangled up in mine (#11 - 15)
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11) He reminds me of everything I try not to think about. Sometimes the memories are so strong it hurts to look at him. (Batman 441)
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12) WHY IS HE BEING IMPOSSIBLE ALL OF A SUDDEN??? THIS IS SO FRUSTRATING (Nightwing 139)
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13) We're the same. He says all the things I don't let myself think about. It's like arguing with myself. (Nightwing 139)
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14) He thinks he gets to tell me what to do but he doesn’t, fuck him (Battle for the Cowl)
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15) Life sucks, so what. I sucked it up so he should too (RR 1)
I love him and think highly of him (#16 - 20)
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16) He’s the closest thing to a brother I’ll ever have.  If someone hurts him I will hurt them harder. (Nightwing 6)
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17) I can't handle the idea of losing him. (Nightwing 97)
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17) He’s so good and I’m not. I'm afraid I’m bad for him. (Nightwing 110)
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18) He’s better than me, and it’s kind of a relief because I know no matter what he’ll be okay. (Gates of Gotham 3)
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19) In my head he’s the responsible one.  (Gotham Knights 10)
I rely on him, and though it's hard for me, I trust him (#20-25)
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20) I know I have to trust him but I'm afraid he'll make the wrong choices and get hurt (Nightwing 139)
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21) I'm sure I know what he should do because I see myself in him - not that I can take my own advice, but he should (Blackest Night 3)
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22) I trust him.  When I’m losing my grip on things, he pulls me back. (Gotham Knights 10)
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23) I want him to trust me (Red Robin 12)
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24) He can tell when I'm lying. Sometimes he sees my weaknesses better than I wish he did. (Detective Comics 874)
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25) He’s always there when I need him. (Teen Titans / Outsiders Secret Files)
Final rambling thoughts:
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TIM: Uhh, okay, so I'm just skimming this list - do you really trust me? you're not just saying that? - but anyway, I'm confused because you left some stuff out? Like some stuff that's kinda important? DICK: No? I think I got everything? TIM (starts counting on his fingers): The time I was having a bad day but then I called you. The time I got captured by Two-Face but then you saved me. The time I fell off a train but then you saved me. The time I fell off a building but then you saved me. The time I fell off a different building - DICK: I feel like you're trying to make some kind of point but I'm not sure what it could be.
SO THE THING IS, I put 25 panels in here and not a single one has Dick catching Tim when he’s falling!!! But I think that's a central motif of their relationship from Tim’s POV, not Dick’s. I love Dick, but in some ways I think he is spectacularly un-self-aware.
And I think he especially has a lot of blind spots about Tim. He kinda intermittently gets that Tim admires him, and he enjoys it in a playful I-get-to-boss-you-around way. But Dick tends to consistently underestimate all of his own good qualities & skills, and he meets Tim at a point in his life when he's especially down on himself & his abilities. And so he's unable to see his own influence on Tim, & therefore unable to fully understand a lot of Tim's priorities and loyalties and motivations, because you can't actually understand Tim without understanding Dick's impact on him. There's a fascinating moment in Bruce Wayne: Murderer when Dick's completely blindsided & upset to discover that Tim doesn't entirely trust Bruce, even though this has been a definitive fact of Tim's whole thing ever since he showed up with his Batman needs Robin theory, and Barbara has to actively remind Dick of the obvious-to-everyone-except-Dick fact that a lot of Tim's loyalty is to Dick, and Tim loves Bruce but feels free to be more wary of him. (And to give Bruce credit: this is not something he ever begrudges.) But anyway Babs points this out, and Dick manages to sorta process it for about five seconds, but he cannot actually accept it into his worldview so instead he discards it at the speed of light and goes off and has an argument with Tim instead sdfsfdsf
All of Dick's virtues - Dick's kindness at the circus and Dick's determination to fight through grief and Dick's rigid sense of morals and Dick's vigilante skills and every time Dick has ever backed Tim up or listened to him or protected him or saved him from something or just been casually kind to a stranger in Tim's presence etc etc etc - all these things loom really large in Tim's mental story of Who Dick Is, and What Dick And Tim's Relationship Is. Tim meets Dick before he meets Bruce, trusts Dick more than Bruce, aspires to be Robin instead of Batman. And so in Tim's default version of the story, Dick is the super-special and admirable hero and Tim is... nobody in particular, a tagalong outsider who's barely managing to be a hero, not part of Dick and Bruce's family and not part of their story, who, if he's VERY LUCKY and tries REALLY HARD, might be able to fight his way to proving himself and offering something to Dick that Dick will value, if Dick doesn't get fed up with him first.
But that's not Dick's version of the story!!!
Dick's version of the story is almost the exact opposite, a story where Dick's an outcast failure black sheep who's screwing up everything he tries, and meanwhile Tim is The Sudden New Perfect Robin Who's Better Than Me And Probably Bruce Loves Him More And Probably They Gossip About What A Loser I Am, mixed with a complicated edge of Tim Thinks He's So Smart But He Doesn't Know Me/Us At All. Dick gets much more attached to Tim over time, and Tim gets unnervingly better at the know-it-all psychoanalysis so then Dick gets to have complicated feelings about him being right instead of just annoyance at him for being wrong, plus Dick's relationship with Bruce improves a lot, so Tim stops feeling so threatening. But Dick never fundamentally changes his basic theory of their relationship in which Tim is highly impressive and capable, and Dick is not so much.
And so asking Dick about Tim is kinda like if you asked George Bailey to tell you about Harry Bailey in It's A Wonderful Life; like, you'll be there for five hours while he tells you how great Harry is, and how accomplished Harry is, and how he doesn't really get how or why Harry does the things he does, and maybe George does feel a little resentful or jealous sometimes, but that pales in comparison to all his admiration and trust for Harry who he loves so much, who's better than him in so many ways, and he's not gonna openly gripe but secretly he can't help but feel sometimes like he's such a failure in comparison to Harry, a perfect person who emerged fully formed from Zeus's head with all the virtues and also all the accomplishments, etc. etc. etc. --
-- and he will not actually remember the part where he changed and saved Harry's whole entire life unless you literally send him to an alternate timeline in order to force him to remember it. <3
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#i enjoyed thinking about this so much i wrote a novel with All My Thoughts sorry sdfsdfs#tim drake#dick grayson#somewhat tangential but as i was writing this i was thinking about zahri's post#about how different types of stories offer different kinds of emotional payoffs#and i think for me for dick and tim the main two payoffs are:#1) someone who sees & understands your grief for deaths that will never get fixed or get better#and who will face your ghosts with you EVEN WHEN you're also mad at each other#2) someone who you look at and you see all the ways that you suck & he's better & you're a loser who's failed him etc etc#but it turns out that you're wrong. that you're good enough. not that none of the failures were real or that they were all in your head#but it turns out that it's okay that you didn't always immediately do or feel the right thing#and it's okay that you weren't perfect. you can fuck up six thousand ways & everything you did right will still matter#not because of making excuses or allowances or somebody pityingly trying to make you feel better#but because in the end the things you did right are just Genuinely More Valuable than anything you did wrong#all the times you tried & everything that you tried to give - everything you think wasn't good enough - it was.#IN OTHER WORDS they are both convinced they're not good enough & they are both wrong <3#anyway dick and tim are both INCREDIBLY SIMILAR and also CONSTANTLY misreading each other and i love that for them#and like. they will sometimes totally misread each other & then never figure out the part that they misunderstood#but then they manage to keep going anyway. we love each other on purpose <333#ask tag#dick&tim
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bacchuschucklefuck · 3 days
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binging drawtectives... have u seen them. have u frickin seen them!!!
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batfossil-fr · 2 months
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in one of the absolute worst breeding projects I've ever had, after 207 failures and countless one-offs, I finally. FINALLY. have this pair
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People love talking about Annabeth and her being blonde and how it’s representation and important when it literally doesn’t matter.
Her being blonde is NOT as big as the fandom claims it is. ESPECIALLY in the first series!! She mentions it’s ONCE in HEROES OF OLYMPUS and NEVER brings its up again! And it’s all within the same book!!
She has many other character attributes and flaws and plot points that are ACTUALLY important!! Feeling abandoned, growing up neglected, having her family broken TWICE. Going to war, being a run away, having to fight monsters for as long as she can remember. Her complications with family and how that’s shaped her to who she is. ALL things that can be touched upon and expanded on in the show with Leah.
But you all want to focus on an arguably minuscule detail that’s mentioned in one page. Alright. Okay.
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rosalie-starfall · 2 months
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The Not Ready For Prime Time Players
Saturday Night / Saturday Night Live October 11th 1975
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novelconcepts · 1 year
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There’s a line from American Gods I keep coming back to in relation to Yellowjackets, an observation made early on by Shadow in prison: “The kind of behavior that works in a specialized environment, such as prison, can fail to work and in fact become harmful when used outside such an environment.” I keep rotating it in my head in thinking about the six survivors, the roles they occupy in the wilderness, and the way the show depicts them as adults in society.
Because in the wilderness, as in prison, they’re trapped—they’re suffering, they’re traumatized, they’re terrified—but they’re also able to construct very specific boxes to live in. And, in a way, that might make it easier. Cut away the fat, narrow the story down to its base arc. You are no longer the complex young woman who weighs a moral compass before acting. You no longer have the luxury of asking questions. You are a survivor. You have only to get to the next day.
Shauna: the scribe. Lottie: the prophet. Van: the acolyte. Taissa: the skeptic. Misty: the knight. Natalie: the queen. Neat, orderly, the bricks of a new kind of society. And it works in the woods; we know this because these six survive. (Add Travis: the hunter, while you’re at it, because he does make it to adulthood).
But then they’re rescued. And it’s not just lost purpose and PTSD they’re dealing with now, but a loss of that intrinsic identity each built in the woods. How do you go home again? How do you rejoin a so-called civilized world, where all the violence is restricted to a soccer field, to an argument, to your own nightmares?
How does the scribe, the one who wrote it all out in black and white to make sense of the horrors, cope with a world that would actively reject her story? She locks that story away. But she can’t stop turning it over in her head. She can’t forget the details. They’re waiting around every corner. In the husband beside her in bed. In the child she can’t connect with across the table. In the best friend whose parents draw her in, make her the object of their grief, the friend who lives on in every corner of their hometown. She can’t forget, so she tries so hard to write a different kind of story instead, to fool everyone into seeing the soft maternal mask and not the butcher beneath, and she winds up with blood on her hands just the same.
How does the prophet come back from the religion a desperate group made of her, a group that took her tortured visions, her slipping mental health, and built a hungry need around the very things whittling her down? She builds over the bones. She creates a place out of all that well-intended damage, and she tells herself she’s helping, she’s saving them, she has to save them, because the world is greedy and needs a leader, needs a martyr, needs someone to stand up tall and reassure everyone at the end of the day that they know what’s best. The world, any world, needs someone who will take those blows so the innocent don’t have to. She’s haunted by everyone she didn’t save, by the godhood assigned to her out of misplaced damage, and when the darkness comes knocking again, there is nothing else to do but repeat old rhymes until there is blood on her hands just the same.
How does the acolyte return to a world that cares nothing for the faith of the desperate, the faith that did nothing to save most of her friends, that indeed pushed her to destroy? She runs from it. She dives into things that are safe to believe in, things that rescue lonely girls from rough home lives, things that show a young queer kid there’s still sunshine out there somewhere. She delves into fiction, makes a home inside old stories to which she already knows the endings, coaxes herself away from the belief that damned her and into a cinemascope safety net where the real stuff never has to get in. She teaches herself surface-level interests, she avoids anything she might believe in too deeply, and still she’s dragged back to the place where blood winds up on her hands just the same.
How does the skeptic make peace with the things she knows happened, the things that she did even without meaning to, without realizing? She buries them. She leans hard into a refusal to believe those skeletons could ever crawl back out of the graves she stuffed them into, because belief is in some ways the opposite of control. She doesn’t talk to her wife. She doesn’t talk to anyone. It’s not about what’s underneath the surface, because that’s just a mess, so instead she actively discounts the girl she became in the woods. She makes something new, something rational and orderly, someone who can’t fail. She polishes the picture to a shine, and she stands up straight, the model achievement. She goes about her original plan like it was always going to be that way, and she winds up with blood on her hands just the same.
How does the knight exist in a world with no one to serve, no one to protect, no reason propelling the devastating choices she had grown comfortable making? She rechannels it. She convinces herself she’s the smartest person in the room, the most capable, the most observant. She convinces herself other people’s mysteries are hers to solve, that she is helping in every single action she takes. She makes a career out of assisting the most fragile, the most helpless souls she can find, and she makes a hobby out of patrolling for crimes to solve, and when a chance comes to strap her armor back on and ride into battle, she rejoices in the return to normalcy. She craves that station as someone needed, someone to rely upon in the darkest of hours, and she winds up with blood on her hands because, in a way, she never left the wilderness at all.
How does the queen keep going without a queendom, without a pack, without people to lead past the horrors of tomorrow? She doesn’t. She simply does not know how. She scrounges for something, anything, that will make her feel connected to the world the way that team did. She moves in and out of a world that rejects trauma, punishes the traumatized, heckles the grieving as a spectacle. She finds comfort in the cohesive ritual of rehabilitation, this place where she gets so close to finding herself again, only to stumble when she opens her eyes and sees she’s alone. All those months feeding and guiding and gripping fast to the fight of making it to another day, and she no longer knows how to rest. How to let go without falling. She no longer wears a crown, and she never wanted it in the first place, so how on earth does she survive a world that doesn’t understand the guilt and shame of being made the centerpiece of a specialized environment you can never explain to anyone else? How, how, how do you survive without winding up with blood on your hands just the same?
All six of these girls found, for better or worse, a place in the woods. All six of them found, for better or worse, a reason to get up the next day. For each other. And then they go home, and even if they all stayed close, stayed friends, it’d still be like stepping out of chains for the first time in years. Where do you go? How do you make small choices when every decision for months was life or death? How do you keep the part of yourself stitched so innately into your survival in a world that would scream to see it? How do you do away with the survivor and still keep going?
They brought it back with them. Of course they did. It was the only way.
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sleepyzukka · 4 months
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being a zuko fan is admitting and accepting his flaws and all the terrible shit he’s done and will continue to do. redemption doesn’t just completely change someone and there will always be chances of relapsing. ignoring his journey and his arc and all of his bad shit just makes what he went through to get where he is feel fucking useless, makes it seem like he went through all of that for nothing. please stop claiming to be a fan of zuko if you cant accept who he actually is or what his character is like.
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fumifooms · 7 months
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thanks for infecting me with marchil its so so fun to just see them pair themselves up in the background now
especially love how much she picks him up like a cat (and when he has the opportunity to do it to her too he just lugs her around like a sack of oats) gosh i love them they're so funny
YAAAAAA 🎉🎉 I’m so glad to hear it welcome to the sillies corner 🤝
THEY’RE SOOO SO FUNNY
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They’re worsties that cannot get enough of each other
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mickeym4ndy · 27 days
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I know Mickey said he likes them sweet in season 1 and yes this is mostly true because Ian can be very sweet particularly in the early seasons.
but also Mickey never would’ve been so down bad for Ian from the get go if Ian wasn’t also a bit of a messy asshole who was able to give as good as he got and was just as flawed and fucked up as Mickey. and Ian wouldn’t have been as interested in Mickey if Mickey wasn’t also the messy asshole he was. Ian was immediately smitten with the wild angry guy in front of him.
I mean they literally started fucking because they were beating each other up and got turned on by it.
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ganondoodle · 4 months
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the idea of playable zelda in itself is really cool, but then i think of how her 'type' of character typically gets animated/sounds/treated and i just shrivel up inside
the only way id accept if it was like fromsofts way of doing it, which is there is literally little to no difference no matter who you play as, but we all know nintendo would never lol
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bitchslapblastoids · 2 months
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ten years of being offended on behalf of dan's dimples :(
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"they would hide you inside my dimple. I'd be sat there like that and this would just be like a giant, like a tent, and you'd just be a little mole hanging out there"
Daniel.... please.... don't you see? don't you see?? don't you see that your cheeks are perfect specimens??
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