#no. 1 is the one we're using

[sparingiscaring]

sigh... i guess my dnd PC is too hot... every attempt to print his mini goes horribly horribly wrong... too beautiful for this world.....

[sethdomain]

[deoidesign]

I'm so mad that post was misinformation because there is actually an EXTREMELY important conversation to have about the production schedules artists are forced into. There's no need for exaggeration, the conditions are bad.

I work for webtoon. My publication schedule is weekly. While publishing I'm required 10-15 pages a week. Fully colored.

This means I'm finishing a 150 page fully colored graphic novel every 10-15 weeks.

When my comic is not updating, I am not getting paid. Any time writing, editing, or off is out of my own pocket. I don't get healthcare. They do not provide any assistants. They expect me to promote myself; they chose to deprioritize me before I even launched and gave me an end date half a year in. I never had a chance.

And this is the industry standard! Every company has artists forced into crunch hours, overtime, and burnout. Artists are literally dying early due to it. So many of my friends can't afford to go to the doctor.

It's unsustainable and untenable, and it's also the expectation our audiences have.

If we want to have this conversation, there's plenty of conversation to be had with the realities of the situation. It's bad as is.

[ricky-mortis]

Hatchetfield @femslashfortnight Day 1: Make It Sapphic AU

[chalkrub]

return of my funniest fella

[a2zillustration]

We lived.

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[mysticalfg]

How do you call this. Bloodtavweave? Tavstarigale?? Either way im ill

Gale's outfit inspired by @lazylittledragon's comics! 😌

[diggitydangletmelive]

zolu aroace positivity post!!! because if you're aroace and you celebrate the gift that is zolu, I want to share why they mean so much to me as an aroace.

what makes zolu so special to me is because first and foremost, zoro and luffy went out to the vast open seas of the world to chase after their dreams. luffy wants to be the pirate king, zoro wants to be the best swordsman. even after being recruited, even after all they went through, they never stopped having their dreams as the forefront of their characters. but it just so happens that both their dreams are intertwined with each other, the best swordsman in the world's most fitting place is by being right next to the pirate king, and the pirate king believes that he would reach his goal by having the best by his side.

the reason why I believe zoro and luffy's relationship is so strong is because by fighting for their own dreams, they also strengthen their bond with the other. zoro wants to be strong to be the best swordsman, but it's also to protect the crew and to best support luffy as he guns for the title of pirate king. luffy wants to be strong to be pirate king, but it's also to protect the crew, but also? by being strong, he proves time and time again that his crew did not make the wrong decision to follow him, that he is a Captain that deserves to obtain the one piece (i think of luffy aiming to be strong so that his crew will never have to falter about his leadership, especially after water 7).

as an aroace, this feels like the best way to showcase love and devotion and trust with each other. knowing that someone's dream becomes a part of your own, that every time you fight for yourself and you aim to be a better version of yourself, you're not only working for your own sake but for the better of you and your partner. that i come to love my partner because they understand me, and they know why i fight so hard to reach my goal. and not only that, they fight as equally hard for their own goal. together, both of our dreams ultimately help each other become the best version of ourselves.

knowing that zoro believes in luffy wholeheartedly that he fought for his dream too, enough to put his life on the line for luffy. knowing that luffy can leave his most precious family and crew to zoro because he trusts zoro wholeheartedly to win.

to me, this is how I envision love. it's about getting to know each other, understanding each other, loving each other to the point that their dreams become yours, and fighting together side by side to make that dream come true.

zoro and luffy have that in spades. imo, zoro and luffy's appeal as a relationship is that they are intertwined with each other, and they go through hell and back and fight for each other and their dreams together. it's no wonder that aroace people like me are drawn to them, their love and bond transcends just having an attraction to each other. because it's also about having this person change and inspire me to be better.

[alxastrx]

When you're one of the most selfish mc who only saves people because it's part of a job you never wanted and did not get to chose or you would've died, who took your co-workers' morals and ideals because you didn't have any and desperately wanted to fit in somewhere, be it with the heroes or the villains, who's activelly haunted by one the most tragic past to have been created and suffer from a psychosis so bad (dare I say schizophrenia) that even your enemies acknowledged that you are mentally ill and objectively flawed in your judgement, never hesitated to try to kill anyone and has the most egoistic reason to be a good person but the fandom still thinks you're just a kind crybaby "I don't know what a gun is" homosexual twink.

[stopper-my-heart]

Nothing like Heartstopper S2E8 removing some of Taylor Swift's "seven" lyrics just so that the singing can specifically come back in at "Or hide in the closet" while Isaac is processing difficult emotions related to the book he's reading (i.e., Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex by Angela Chen).

Did I mention "Or hide in the closet" hits just as the camera focus finishes shifting away from Isaac?

This is fine

[clowndensation]

it's like. louis attempted to tell this story to daniel the first time, broke down, and attacked him before he could finish it.

and then decades later he's convinced himself that it was leaving the story unresolved that's holding him back from living his life fully now. so he invites daniel back again. and louis is sitting poised and put together, confident in his ability to recite his history in a pretty, poignant, neat little narrative that will resolve all the guilt and yearning and emptiness inside of him. that if he can just tell a compelling, satisfying story, maybe it will actually be that, and not the life he lived through, with all the pitfalls of his own failures lurking inside.

and then season 1 ends with him once again being forced to confront that the story he wants to imagine and the life he actually lived aren't the same thing. the boundaries around his narrative are shredded and he's left exposed, and subsequently able to face his past for the first time since that original interview. and you think, you think, "well this is it. they've crossed the event horizon. there's no use hiding the truth anymore, not after it's come flooding out into the open like this"

and then season 2 opens. not only is it back to the original, practiced distance, we now have armand literally enforcing that distance. a man sitting at the table who's interjections must be disregarded, an intentional interruption to the flow of the story. he doesn't exist to aid or add detail, he exists to distract louis when he gets too deep in the story. the only time we do get louis allowing any deep truth to come out is when armand leaves the room.

it's like. louis wants a story that's true, and the truth is what he's convinced will leave him satisfied. armand wants a story that will satisfy louis, to the extent louis will accept it's true.

[deoidesign]

One of my first digital pieces (2010) versus one of my recent ones (2024)

We all start somewhere!

[itsnobodysproblem]

Most Sherlock Holmes adaptations I've seen tend to place their Final Problem towards the mid point of the series (or even a bit earlier) - it's also in my opinion the best way of going about it, so you have time enough for the characters to adjust after the reunion but they know each other well enough for the events of Fina to be devastating.

Sherlock & Co is done with 20 of the adventures. How many are there? Fifty-something? Almost sixty? Let's say we'll be entering mid-point territory after the 25th story.

So let's pretend for a moment that we have 5 more stories until The Final Problem. Ok.

Estimating an adventure at 3 episodes each, that would mean little over 3 months - maybe 3 and a half? Starting, of course, from the end of Sign of Four, which will be somewhere in December.

So let's say 3, maybe 4 months into 2025. That would be, what? Late march, early april?

Early april?

John having to tell the listeners that Sherlock is dead, in early april?

Quick calendar search reveals what I was praying it would - the 1st of april will be on a Tuesday next year.

So what I'm saying

What I'm saying is Sherlock &Co has the opportunity to do the funniest fucking thing

[matchalovertrait]

Look who is fashionably late to the paw-ty!

For @la-llama-sims A Party to Die For ૮⍝• ᴥ •⍝ა

Thank you @changingplumbob for the template 🤍

[kirby-the-gorb]

[glitchlight]

it's a difficult position to be in as an environmental scientist and a leftist, and i always try to stay aware of how in the us especially there's a reflexive backlash to this kind of language but: some of yall are fucking delusional about what a sustainable future looks like, and refuse to acknowledge the fact that some of the creature comforts americans have grown used to need to go away. Public transit systems usually kind of suck but it's better than cars. We need to be building a lot more kind of shitty apartments and a lot less private homes. You are setting the AC too damn low. And the entire agriculture and food economy is grossly distorted because people love eating meat and fruit out of season.