#no talk her she sad

[chloesimaginationthings]

I worry about Vanessa in the next FNAF movie,,

[marinewaltz]

daily life on board the ARK. even if he couldn't help cure her i think it would be nice if shadow helped maria in managing her illness

[razzafrazzle]

enough strong bads... time for strong sads (theres still a strong bad here)

[image description: a page of drawings of a human design of strong sad from homestar runner, where she is depicted as a fat, tan-skinned trans woman with gray and brown hair pulled into a bun and multiple piercings. she is wearing a gray sweatshirt, jeans, and steel-toed combat boots, and next to her is a note stating that she is trans and bisexual and that her pronouns are she/they. next to that is a drawing of her smiling and wearing a sloshy t-shirt, and above that is a comic of strong bad poking her in the stomach and saying "even her gender is my hand-me-downs", to which she stays silently angry at him. end id]

[anthyies]

the thing about disco elysium is that it has women in it. what you see on the internet about it might lie to you about that but it has women, gay women even, very compelling women even, in it.

[jakeperalta]

genuinely the way taylor clearly falls hard and fast and hopelessly in love every single time is very endearing. writing "this happens once every few lifetimes" and "no one's ever had me, not like you" on the same album that covers the breakdown of two relationships that were also seemingly destined and life changing and unmatched by anyone else is exactly what makes her so good at writing about relationships. if a songwriter doesn't feel everything with their whole chest and throw their whole being into it then I don't want it

[bluerosefox]

Saying Sorry Will Never Be Enough

Feeling a bit angsty so I had this idea.

Danny is dating one of the Bats/Birds, and everything is going great, amazing even! They know each other secrets (from powers to everything etc), they have a wonderful place to live (even if its in Gotham), Danny is in college on the way to becoming a space engineer (and he does side jobs for unrestful ghosts), he's actually getting sleep again since leaving Amity Park, gets along with their friends and family (those who Danny or his partner still talk to, up to the writer), there is even talk about marriage and perhaps adoption/kids in the future between Danny and the Bat/Bird he's dating!

Everything is setting up for a good life in his future, something Danny didn't think could have after his accident. He was happy finally, and currently packing up his old apartment because he's moving in with his partner in a few days.

So he felt like his core was being pulled out of him when he opens his apartment door one day receiving a knock to find his parents, who had hadn't seen since they kicked him out of the house after coming clean about being Phantom (their words of anger and denial that their son was 'dead' and now a monster, still hurt)

Sure they didn't attack him or proclaim he's dead but still their last words and anger HURT.

Danny didn't give them a chance to open their mouths, both looking nervous and guilty, before he slams the door close and turns invisible, grabs his phone, and fly's out of his apartment to his partner's place in a panic attack.

His partner, isn't happy.

[gallapple]

Ah yes. Me and my darling demon-belle and my microphone staff, my sentient shadow, and my hellish minions who are equally in love with her.

[tanjir0se]

Zelda having a secret room for when she "needs to concentrate" carries with it the implication that it's Link that makes it difficult to concentrate, since they pretty clearly lived together between BOTW and TOTK. A lesser zelink shipper would turn this into something romantic but I'm operating on a higher wavelength.

"Zelda Zelda Zelda look at this cool rock I found don't you think it looks like a frog? Hey Zelda do you think I could climb all the way to the ceiling without falling hey hey Zelda listen to this *makes horse noise* doesn't that sound just like Epona I'm really good at horse noises hey Zelda Zelda Ze-

[s-4pphics]

teenage!ellie not knowing how to accept that she has a crush on girl so she comes off as stoic and rude but she’s actually nervous and giddy because the girl she likes is so vibrant and loud with her affections towards her….

ellie’s crush doesn’t think she’s rude at all; she just needs some gentle guidance and she’ll nuzzle up like a kitty

baby ellie turning to mush whenever crush comes around but she’s not comfortable expressing it yet because what will people think? they’re already off put by her and now she’s gay?

she tries to protect her crush’s reputation by ignoring her; the other kids like her and think she’s funny. she shouldn’t have to sacrifice her status for ellie

[hey-heigo]

au where everything is the same but kyoko is this thangg (design by @/babirousa)

[lingerdingdong]

Marc Revelado Documentary clip and English transcript

[falsemneme]

We explicitly learn in the next chapter (Chapter 31) that High Fae pregnancies of Illyrian children are nearly always fatal. (Cassian refers to this pregnancy as a death sentence.) Rhys knows this. Cassian knows this. Madja knows this. What pisses me off in this scene is that the emphasis is on the health of the baby. Feyre is forbidden from shape-shifting because of the risk to the baby... but what of the risk to Feyre??? Feyre won't have the chance to change the colour of her hair 'cos she'll be dead!

Feyre's chances of success in bearing this baby naturally without complications are slim to none. In just a few short paragraphs, Rhys makes it clear that he is prioritising the baby, and his mate won't have a voice in her own pregnancy. She won't be given all the information, just enough information to keep her compliant (i.e., she won't be tempted to try magic).

Look, I know he came to the vision of his own child in the Christmas Special, but I have a tough time believing that the Rhysand of the original triology—who emphasised that they would be equals, that he'd no longer keep secrets from her, that she'd always have a choice—would not treat her as an equal, keep something pretty fucking important from her, and rob her of a voice and a choice. Either SJM assassinated her own character, or THIS is Rhysand. This is who he is at his core. He will tell Feyre up and down he won't keep secrets (like their mating bond, like the true risk of her pregnancy) from her, but he will. He always will. And every time she finds out, she'll be pissed off, but nothing will materially change. She'll come back. Give it a week. She'll forgive and forget. And what a sad fucking picture that paints.

[crustyfloor]

My night was going so wonderfully.

The headshot of this cover is just PAINFUL. They're actually acknowledging each other, they're the only ones on a cover to do that. And it's the prominent detail that Mizi looks horrified staring at Sua, even though they're clutching each other so... like they can't let go, while Sua looks reverent in the lane of that gaze, even blushing, slightly, savoring the moment. This also looks like their kiss scene...

To me, she looks just the same as the day she died because I think this cover is Sua's haunting of Mizi, because Sua's singing is just that, haunting and distant the longer she sings, she's fading out, but so gently despite its gruesomeness. And Mizi is grieving.

She's as angelic as she is in Mizi's memories..

But there's a cruelty to this because Mizi will never forget what she saw in round 1, that's why seeing Sua over and over and over again terrifies her, hence why the tone of this song is SO dark, especially in the second half when they're coming to a close, they get desperate to keep each other close, and there is a certain, but familiar ignorance to Sua's presence as if she can't see Mizi's pain even though Mizi is crying right in front of her--childish egos, Sua becomes a more honest character after her death, and in more expressive formats like this, and I like how she takes on that position in this song, the taker. (Like Till, he wanted a security blanket out of Mizi; Sua is similar in that sense.) as she takes and wants from Mizi for her own sanity.

And this newest illustration, oh my god. EXPRESSES THIS IDEA PERFECTLY, Sua looks so utterly distant, ghostly, dead.

In contrast to Ivan and Till's cure, Mizi and Sua's cure is more of a duet, and they switch places often. Mizi starts the song, she ends the song (just like in my clematis), and Sua supports it. Whereas Ivan and Till take turns leading and harmonizing, Mizi and Sua both participate.

And I believe they're interacting? Ivan and Till's cure wasn't a message to each other, something a lot more complicated than that--but Mizi and Sua transition frequently and it feels like they're singing to each other, It's more intimate.

Mizi - Allow me, to the tips of your finger

Allow me, to the ends of your feet

Dissolve me in your gaze

I don't want to let you go.

Sua - Please, leave me scars

Please, hurt me so that not a singly drop of me remains

Let me drown in you.

(The backing vocals mean so much to me, it's like a choir(?))

Mizi - Until these falling stars

Are buried in the blur of time

On your icy lips

Read my soul, yes, my soul

It wasn't spontaneous for the sake of it either, because this is a call-and-response

Sua - Even if your cold words

Carve scars beneath my eyes

May they linger on your tongue

You can break me apart

Mizi - Notice my pain

And mend me right now

To quiet my fears

I'll drown in you

-

Mizi is directly asking Sua, or the version of her she can't forget, to stay with her, calm her like she used to, as she wishes to have remained in the dark, to drown in her, or to have just not been left alone and, because even now Sua's death is not something she can accept, the portrayal of her feelings as she expresses her pain and desire to keep Sua close, even the false presence of her "On your icy lips" and "notice my pain and mend me right now" even though It's terrifying her, she doesn't want to let go.

Sua acknowledges Mizi's pain, and their shared pains after she died for her, the blame and the betrayal. Interestingly, Sua takes on the metaphorically self-destructive lyrics, Sua lives in fear, anxiety, and utter gloominess, she didn't want to be hurt by Mizi in the literal sense, but she would've rather been warmed in Mizi's soft light, her false hope and optimism, to be destroyed and to destroy Mizi's hope, even dying as the penalty of their love was far better.

Then Sua goes on to sing through the perspective of Mizi and her loneliness and grief after losing her with perfect clarity, it takes me back to the comic where Ivan scolded Sua about her plan, saying that she'd be nothing more than a trauma to Mizi after everything is said and done, she got upset at Ivan because she knew that, was devastated by the fact that she would be a burden just as she always feared, but then, what's a life without Mizi by her side, her only safety net? Her every reason for living?

This song displays their deep love and devotion, they sound melancholic but even in these horrific circumstances, Mizi's pain and hesitance, they don't drown each other out, they move together in perfect harmony just like they always do, in this way, it also feels like an apology of sorts from both sides before the bitter end, and a final goodbye.

AND THEN AT THE END WITH THE PERFECT SYNCHRONIZING OF THEIR VOICES ARGHH

And a new Sua illustration for the occasion 😭💔 (I'm gonna catch you soon Vivinos just wait.)

[space-sheep08]

Actually so tired that people mainly focus on the bdsm when they talk about La Pianiste when we literally have this dynamic right here. Like, that's insane.

What if you were a little girl in her 40's who couldn't grow up because of your mother-wife who made you sleep in her bed and forced you to repress every sexual desires and thoughts of becoming your own person just to keep you close to her ? What if you fought back and yearned for dangerous things out of her reach ? But also, what if you let her because it's all you've ever known and been taught to want ?

[lotus-pear]

rewatched madoka magica again today bc i fucking hate myself and to absolutely no one’s surprise i went through all five stages of grief in a single evening

[dootznbootz]

I'm happy that the "Helen is of Sparta, not Troy" post is getting seen and people are giving love to her as they should but I'm getting a wee bit frustrated by the Menelaus inclusion with the whole "She was a possession to others and never had a choice".

Yes, Helen is a victim of fate and multiple horrible circumstances. She gets kidnapped by Theseus and Paris. So much blame is being put on her when she really isn't at fault and doesn't have much choice.

A choice she made though? WAS MENELAUS!

The Oath of Tyndareus was all about how "If you want to have a chance of marrying her, you have to swear to respect her and her choice and defend their marriage if it's needed".

If anything, Menelaus was her "prize"! Not the other way around!!! And they are clearly shown caring for one another!!! uyfuygluhyutfugy