#no ship is off limits

[mourningstarink]

𝔰𝔥𝔦𝔯𝔱𝔰 𝔞𝔯𝔢 𝔟𝔞𝔠𝔨

[soleminisanction]

I think my least favorite internet criticism of Meghan Fitzmartin is the idea that she "just wanted to push her ship," meaning Tim/Bernard. Because honestly? I think that's straight-up bullshit.

Having read the Urban Legends stories, the Pride Special reprint, Tim Drake: Robin and Young Justice Dark Crisis, plus what interviews and social media she's been doing as these comics came out, there is zero evidence to me to back that statement up. If that were true, the Urban Legends stories probably would've been more about bringing Bernard back and re-establishing him as a character. Y'know, building up their relationship.

But it wasn't about their relationship. It was about Tim and his feelings, his internal conflict, what he needed. That's what Fitzmartin even said in the interviews after, that she, "felt like this was something Tim needed." And that's true going into TD:R too -- yeah, Bernard is there and their relationship is a prominent subplot, but he gets about as much page time as Darcy and Detective Williams, and the focus is always on Tim's ongoing story and his developing relationships with all the people around him.

That's why I like that they went with Bernard as his "closet key." Not because I'm super devoted to the pairing or anything -- I truly could take or leave the arrangement -- but because they're tolerably cute together and, more importantly, dating a civilian supporting character comes with far less baggage than establishing a relationship with a fellow hero. By their very nature, superhero stories are more heavily weighted towards the hero characters than their civilian support, that's just a fact, and, with rare exception, civilian love interests tend to act more as sounding boards to develop and reflect the leads. Making Tim's first boyfriend an old civilian friend means the story could be about Tim's personal character growth, internal conflict, and explorations of his sexuality.

I genuinely think that's the only reason Fitzmartin went with Bernard. She only had around 30 pages to tell that Urban Legends story (and I guarantee you, she was assigned that page count before writing), so bringing back a previous civilian friend meant she didn't have to try to establish a whole new relationship on top of introducing a villain faction and telling a superhero-based investigation story. And for whatever reason, Bernard was the most popular of Tim's civilian buddies to rare-pair him with before this all happened. (Just check AO3: Prior to the release of the Urban Legends stories, Tim/Bernard had ~42 fics, Sebastian Ives got 4, and Danny Temple had 1.)

When Meghan Fitzmartin says that she went back, read Tim's old stories, and felt he needed to come out of the closet, I believe her. And I'm happy she felt that way and was allowed to act on those feelings because it's something I felt too, reading those stories. Those feelings that had nothing to do with "ships" or even with characters like Kon or Dick and everything to do with Tim and who he is as a person.

To sweep all that away as "she just wants to push her preferred ship" just feels so... dismissive and rude.

[beescake]

PLEASE PLEASE MEGADUMP THE ARASOL!!! PLEAAASEE MR BEESCAKE I AM ON MY KNEES BEGGING YOU

HFHGHD GLADLY aaa i’ve been adding notes to it here and there for months but just hesitant to post it bcs im 🧍‍♂️🧍‍♂️🧍‍♂️🧍‍♂

also this is just my own takeaway of the events, it doesn’t necessarily comply to the Ultimate Truth of Canon-Alignment or represent the actual facts of what hussie intended! v sentimental smh but hopefully its still interesting to read

i love when characters inform each other by proximity, it's one of my fave things to see in media :') it feels even more significant when two characters deliberately choose to stick together, so that when one operates, you can tell the other is similarly aligned in associative solidarity.

sollux is a keystone of this trope — whoever he aligns with is a wordless statement, a nod of approval. this stood out to me bcs the main four humans were alr friends by default, but once you reach hivebent you realize the trolls can actively choose who they want to hang out with.

and as we all know, after assessing every troll's biases/loyalties, sollux is the only one who maintains his selective preference for innately Good 👍 people.

aradia is such a beautiful character honestly, she evokes such incredible feelings in me. she might not have been consistently written with care but the best parts of her character are truly stunning. i think it's easy to remember sollux as the self-sacrificing one bc he's so open about it (and his friends frequently react to his Moments) but when you compare him to aradia, it's always struck me

how much more. raw it is

to be so alone as an agent of time, having to orchestrate immeasurably harrowing events nobody understands or gives a fuck about

with your role painted in the story as one who must tend to the needs of the narrative, responsible to match every next note

because when you're given the capabilities, it becomes your duty to carry it out.

it becomes expected of you to keep experimenting and arranging the machinations to work for everyone, dusting off hundreds of necessary failures to keep going

and having to be so unwavering in your drive knowing miserably that there's no one who can help you but yourself.

or alternatively: to make things fun! so other people won't think twice about letting you go off on your own.

sure she's had some very good buds, notably thanks to Team Charge v Team Scourge antics.

and yet, at the end of the day, the one friend that kept choosing her time and time again was the friend with the highest standards.

i can see why people like to define arasol as moirails/matesprits but surprisingly i find the nondescript, unlabeled aspect of their relationship more straightforward to understand.

there's no shortage of people who would accommodate sollux. most of the surviving trolls are his oldest friends bcs he’d chosen them well. his transparency with his feelings had built him strong friendships that won’t falter or break, regardless of how much of a dick he can be. they’ve already seen and accepted him at his worst, and they still like him for who he is.

contrast that with aradia, who'd been so approachable, friendly and reliable in her exchanges it was super fun to talk to her. but the moment she became depressed, all her connections broke down.

her friends became hesitant to interact with her (until she became god tier, “happy” and amicable again) because her gloom and resignation didn’t serve them. she dealt with it alone.

there’s def something of note here abt the disparity between the way male & female characters are written+perceived in homestuck (esp parallel arasol with davejade) but i won’t go into that lmaoo

with this in mind i like to think of sollux as a gift to her, a loyal companion given to complement and commend her resolve. she's capable of doing so much alone but hussie took the time to build her and sollux's relationship as one of a unit; a set.

the ambiguity of their status does complicate things, but i do believe it makes sense with their characters. aradia's relationship with romance is a rocky one, the dubious stringalong equius had with her is a pointed reminder that her feelings of attraction are ultimately controlled by the author writing her.

unlike the other trolls who can openly address and own up to their crushes, aradia had romantic emotions forced upon her (especially when hussie implies 'she kissed equius back on her own volition'). and it seems like her character is so intrinsically neutral abt attraction that even when forced by the almighty powers above, she's unable to retain it wholly.

however, looking back to pre-game when she could actually "choose" her own feelings, she did have a crush on sollux.

their soft spots for each other were so obvious to the point where other people could see it.

taunting aside, when vriska comments on their unit as bf/gf it actually informs the audience that arasol's relationship is romantic in nature despite not aligning with the quadrant system.

even while dead, aradia could still describe her care for sollux, expressing that she would like to see him happy. if they had more time to explore their relationship on alternia, it's possible they could've settled in a quadrant once they grew older.

but going back to the lack of labels, their dynamic was affected once more when aradia became god tier.

to me, her ascension was both the perfect culmination and possible closure of her character. it's the light at the end of her journey toiling through countless of timelines where she had to actively assess and participate. that's why it's cool to see her being silly and having fun giving guidance, passively exploring and watching other people do their parts.

and yet the joy of her freedom makes it hard to explore further introspection. if we take her by her word, she'd already come to terms with the hurt she's been through and forgiven those involved.

i can't help feeling attuned to how impersonal and detached it can be, to devote and meld your identity so completely with your designated position as Maid of Time until you've become hard for your old friends (and even some readers!) to personally connect to.

idk post-canon but i assume there’s some degree of similarity to be bridged here with aradia's god tier and how the hs2 humans' Ultimate forms was described as a consolidation of all their possibilities. since aradia's classpect is inherently of service to Time, going god-tier may have elevated her beyond personhood with the "game construct" possessing her entirely. sollux doesn't realize the extent of it bcs he's still mortal, but a part of him may have subconsciously understood this.

i think there is a core aspect to aradia that was lost to the dehumanizing glory of god tier — a core aspect that may have contained an element of why sollux enjoyed talking to her in the first place.

to him, aradia hadn't just been a nice girl, she was a cool girl. despite not having much in common, he's still willing to chill next to her so she's not alone while she does what needs to get done.

back on alternia, they held a mutual and equal-level regard for each other that could've definitely settled into something permanent. but now, he's placed himself in a position where he can be kept around or left behind at will. the parameters of the relationship are largely in aradia's court, so any label she suggests to identify their relationship with he's likely to accept.

but that's why it's so difficult to label it. because god tier aradia may not necessarily Want quadrants or relationship labels. rather than the initial romantic attachment, their commitment to each other had evolved into one fundamentally of companionship.

no label? ok fine. no matter what, he still thinks she's a good soul worth latching on to. the best, actually. aradia > everyone else.

even if it gets stilted at times. there's an unexpected struggle to connect when sollux's go-to default for talking points is his feelings about things, and aradia may not want to talk about emotions all the time.

not to mention god tier aradia became an observer, especially of chaos. but sollux's avoidance of involvement comes partially from his innate pressure to get involved if something goes wrong. and he can't always tell when something goes wrong, because aradia doesn't mind if things go wrong anymore.

it's a non-negotiable preference that causes them to take the occasional time apart, a new boundary that wouldn't have existed before the game and aradia's god tier.

but just like how his friends tolerated his moods, sollux accepts aradia as she is. with no quadrants, their connection doesn't break down because there's no implicit romantic expectations to be disappointed by or resentful over.

sometimes when i see hs content that deliberately distances sollux from aradia, i assume this is the dissonance people might have felt. people might find it "easier" to be cynical about them bcs of this strange tension.

but idc lmao. grab that shit by the neck

lack of easy resolutions and cleanly tied ribbons is pretty standard of homestuck and imo it doesn't make arasol's dynamic any less incredible. with the right affection and consideration, there's still so much potential to develop the nuance of their relationship outside of the popular quadrant-based depictions.

hs has a lot of really great character compatibilities but the way aradia and sollux are in their own special orbit is why i can write this much about them in the first place. it's that frail innocence between first loves that makes it so sweet to me, two kids who grew up too fast playing guesswork without being clear where they're going.

ultimately i do think you're meant to feel a little tragedy for just how much they care for each other, even if they can't quite establish it in simple terms.

maybe they keep taking breaks to progress their own paths. maybe they remain as anchor partners while seeing other people. but even if you decide to separate them, they're still (awkwardly) texting each other updates all the while. and when they reunite it feels like coming home.

and well. more than anything, i like to believe that they do want to be exclusive.

they're just afraid. after all, they're still learning how to love, beyond the projections of the foursquare quadrant system they had inadvertently distanced themselves from since young.

they might not have everything figured out, but they'll get there eventually if you just hold them together and write them there.

optional post-canon segment:

one of the limitations of main hs is that (monogamous) relationships are often written as the go-to solution to wrap up character growth; it's an easy "patch" to imagine characters getting their happy ending because they have a partner, and those who don't end up with someone don't get that closure (most notably jade).

hs2 reaffirms this by suggesting that aradia's character cannot progress without letting sollux go, because happily settling in a relationship automatically locks your potential.

that pathetic panel of sollux staring emptily into the sky is still my fave hs2 spoiler ngl i find the impact of their parting so emotionally provoking precisely bcs they were written in original hs to be each other's forever, coming back together again and again

but now, they're subject to the decisions of the post-canon authors who might choose to deviate from that.

it's not new for them to part, but now there's an underlying worry that her dropping him off this time might be the last time. while i think the prospect of shattering their stability to make them grow separately sounds fun on paper, no amount of me desperately hoping for a good execution is gonna guarantee it

idk. i guess prediction-wise im expecting sollux in classic dramatic-hs2 fashion to tell dave to back off aradia LMAO. otherwise it's just gon be sollux and karkat pathetically watching aradia and dave from a distance swimming in their unresolved feelings for narratively-powerful time players smh obvs it sounds corny as hell but who knows its still plausible

srsly tho i hope they take the opportunity to develop arasol's relationship in a fresh direction that doesn't hurt me too badly...... and i hope they force sollux out of his comfort zone. i like watching him struggle :-)

[kooki914]

"I never thought you were bad. I like monsters..."

Some illustrations I did for an upcoming video I'm workin on

[kaidatheghostdragon]

Prompt: Jason and Jazz are the reincarnation of Thomas and Martha Wayne

Either bruce or alfred realize it when they walk in on jason and jazz dancing in one of the lesser-used rooms in the manor to one of martha's favorite vinyl records.

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[imogenkol]

⚔️ VIOLENT DELIGHTS ⚔️

tagged by @d-esmond last week and couldn’t pass up this template for them.

tag list (ask to be added or removed!): @socially-awkward-skeleton @neonshrike @inafieldofdaisies @voidika @florbelles @adelaidedrubman @simonxriley @tommyarashikage @buggknife @aceghosts @carlosoliveiraa @risingsh0t @unholymilf @thedeadthree @cassietrn @jackiesarch @loriane-elmuerto @shellibisshe @katsigian @captastra @simplegenius042 @theelderhazelnut @g0dspeeed @strangefable @statichvm @kanos @cptcassian @euryalex @auricfog

[shikai-the-storyteller]

Missa: Speaking of flirtatious, Roier, do you know anything about a person called… What’s his name? Forever, yes, Forever?

Roier - Forever is a friendly, jealous, and cool person. Why? Do you like him?

Missa: Well, they told me that he flirts with Philza…

Roier: Well, he’s very flirtatious with everyone. Everyone on the Island has boyfriends, we’re all boyfriends here.

Missa: I would never cheat on Philza!

Roier: HAHAHAHA sorry, I don’t know why I laughed

Missa: I would never cheat on Philza, he’s the only one who tried to protect me. What have you done? You left me alone, you sent everything we had to hell and you built yourself a castle. He gave me a home.

Girl what is HAPPENING

[altschmerzes]

omgggg shipping is not arophobic in the LEAST but keep making us look like whiners with no real problems by continuing to complain about it I guess

yeah that's definitely what i said in any post ever man great job

average person who has made shipping their entire identity will see a post where someone says 'hey please don't say these specific types of things that are degrading and cruel about nonromantic relationships while enjoying your ships and maybe examine the thought processes and beliefs and prejudices that led to saying them' and be like 'oh so you're a whiner with no real problems who thinks shipping is arophobic?'

telling on yourself there bud

[warrior-of-storms]

messing around on ao3 (looking for marvel (comics) and dc (comics) crossovers specifically) and came across the unexpected but delightful ship of Elsa Bloodstone/John Constantine. would've never thought of it on my own but consider me intrigued!!

[astrid-gallivan]

Let’s talk about Bro

This is a post that I’ve been working on for a week now. It’s a post I knew I would eventually have to make, but it certainly is coming out sooner than I anticipated. This is to clarify and lay down exactly what my headspace is when I draw Eddys Brother (Bro) since I draw him a lot. It'll be a long post no matter how hard I try to cut it down. I'm sorry! ;.;

For a quick TL;DR- I do NOT ship Bro with any of the EEnE characters. PERIOD. I also do not ship the Kanker sisters with any of them. I do however understand that there is a lot of grey area in humanity and support you if you use these characters as Art Therapy for trauma. This is a hot take I’ve seen around various communities, and not everyone processes trauma in this manner, but I do not support the romanticization of these relationships in real life (especially if you are a child!). There is a distinct difference between fantasy and reality, and I am happy using fantasy to point out the abusive and toxic problems in reality so that others can recognize them. But even still, adults, don’t have kids in your fantasy! 😑 And realize that you dont have to share everything you create and that some things can still trigger others!

Okay, now for the long stuff where I break a few things down. I’m going to be fully honest with you. I hardly watched EEnE when I was a kid. But I saw the movie and Bro has stood out in my brain since then. That’s 16 years. Aside from the Eds always trying to get money for jawbreakers, he was really the only thing I remembered about the show. Finally watching the entire show (not even a year ago now) I found that I related quite a bit to Eddy. And I realized part of that was specifically because of his brother. I looked up to my abuser to the exact same degree that Eddy did with his brother.

I do like true crime and dark romance. I have a fascination with the dark side of humanity. I also love stories where the villain gets the happy ending. However! These are two very separate and distinct things and reading dark romances does not mean that you promote the toxic relations contained within or that you want to marry a serial killer.

I don’t draw Bro to be a villain who gets a happy ending. My Bro art ultimately explores the dark side of humanity and helps me to understand and cope with my own experiences that I had when I was a child. I am actually very selective on what I post with him. There's a reason I've got a lot of just Bro without another character, and the like, two I do have are with Eddy... and he's not happy. Art Therapy is a real thing, and I very much promote that. Creative outlets are a safe way to explore and understand our experiences. I want people to process their own experiences because honestly, doing so has made my life so much better! But I don’t support shipping Bro with any of the characters- aged up or not- just because they find it hot. I have seen some OC ships… that I’m more understanding of since it’s a form of projecting yourself into the story. And I know that young adults will have their own OCs be their age. I admit, I do have my own OC with Bro. But I don’t post this, and never will, because it’s only for me to work through something that happened, to release something that I’ve been too afraid and ashamed of admitting happened to me. So I can finally heal from something I’ve been carrying for 20 years. Nothing else.

I think it was honestly pure genius to make him an attractive and mysterious character on the show. Why? Because he portrays the reality of the dark side of humanity. He’s the light that brings the moths into their death- even his own brother, Eddy. I admit I’m a crazy moth that is always attracted to that light. And I don’t condemn you if you are a crazy moth too. There is nothing wrong with someone liking True Crime, dark romances, or villain characters in general. But my moth friends, as you fly around the light, remember what that light represents. Remember that while bringing things into the light makes them lose their power, don’t fly too close and get burned. Balance things. Give yourself breaks. Introspect. And give yourself some grace if something has happened to you. It wasn’t your fault. You’re not stupid for it having happened. You aren’t at fault. Period.

As for the Kanker sisters, I have never been a fan of the Kankers being shipped with the Eds. I always had a very certain “ick” factor with them, because they harassed the boys all the time. I wasn’t going to include them in my comic originally because of how much I didn’t like them…but I decided to take a different direction with them and have them acknowledge what they did and mature while still teasing everyone. This approach is very rooted in reality too- people can realize what stupid and harmful things they’ve done and can change. It doesn’t mean everything is fixed or that the people they harmed should welcome them into their lives with open arms. The change doesn't erase what happened. But they can be proactive and take actions to prevent future harm. They can educate people on why they were wrong and help make the world a better place.

I don’t know what anyone’s take on this will be, but for everyone calling out problems regarding these characters, seriously good on you. You really are doing a good thing with that and problems need to be pointed out. It’s how we learn and change the world for the better. 

And if something in here doesn't make sense or is confusing, please point it out so I can clarify and update it! This post is just so long... and I still feel like I didn't get to hit everything I wanted to say... 🤦‍♀️

[thatswhatsushesaid]

/exhales

the main reason i just can't get onboard with n!eyao is probably the same reason i'm never going to be able to get on with tgcf's beefle@f: the way their dynamic is described in the fanon discourse--which, to be clear, is something i would absolutely be feral for--is just. not. remotely reflective of what is actually going on in the source material.

i'm sorry!! i'm a buzzkill, i know!! please don't @ me with "if you're just interested in what happens in canon, then why are you reading fan fiction or looking at fanart" because i promise you i have been @'d with this before, i have been lectured and condescended to PLENTY of times on this point, i'm immune to it. i am absolutely here for transformative works, and i've even described in the past the few ways i *could* get onboard with (mainly cql-canon) n!eyao. an examination of the one-sided psychosexual obsession of it all on nmj's part, for example, is actually hanging out in my drafts folder right now, i just need to summon up the energy (and the interest lbr) to finish it and smash post.

but the essential components of what makes a ship interesting to me--the mutual interest in each other, the emotional attachment that makes them seek each other out simply because it is what they want to do, the text-based evidence of a relationship--that just... is not there. i wish it was! but it isn't.

[moldy-flowers]

The interesting experience of being pro Sasuke, anti konoha, pro tobirama, anti Naruto ending, pro Sasusaku, anti Itachi, pro Sakura, anti SasuNaru, pro Tobirama×Izuna, anti Madara, pro karin, anti Orochimaru, pro Uchiha and anti Hashirama. And also as much as I hate the guy danzo was kind of hot when he was younger...

[spirited-splashes]

A puppet, an upstart

A loser who's destined to fall

I'm everything you always wanted to be

Let's deal with the issue, you wish you were me

You're nothing without me

Without me, you're nothing at all

[ethosnap]

Moralizing the Boatboys hate is so funny lol you guys do realize joel edits and puts together his own videos . Just say you're not into it and ignore it

[darkangel1791]

Tumblr fandom can be fun

Tumblr fandom can be only fun

If you feel passionate about something, then you should express yourself

But if fandom just makes you angry, and you don't need the stress, you don't have to deal with stress

Unfollow, block, curate your own experience

You don't have to make anyone happy but yourself

*hugshugshugshugshugs*