#no sewing skills so all purchased pieces | Explore Tumblr Posts and Blogs

morri-draws · 3 months

Text

Gwaine x Reader - 'The Threads That Bind Us' - Chapter 13

Story Summary:

You, a humble dressmaker from Camelot’s lower town, are commissioned to make a new gown for Queen Guinevere. Impressed by your skills, she offers you the position of Royal Clothier. During your time in the castle, you catch the eye of one of the knights of King Arthur’s inner circle, Sir Gwaine. What starts as a sweet courtship is turned upside down when misfortune strikes and you must deal with the aftermath, as well as an unwelcome visit from Gwaine’s unpleasant sister.

Rating: Mature

Tags: Female Reader/Gwaine, set between seasons 4 and 5, fluff, angst, hurt/comfort

Words: 3,795

Chapter 1 | Chapter 2 | Chapter 3

Chapter 4 | Chapter 5 | Chapter 6

Chapter 7 | Chapter 8 | Chapter 9

Chapter 10 | Chapter 11 | Chapter 12

Read on Ao3

The next morning after breakfast, you draft a pattern for your new gown, then start making a mock-up. By sunset, the mock-up is sewn and has been tried on about four times, adjustments being made in between, until at last you are happy with it.

The next day, you cut the pattern pieces from silk and begin sewing the proper gown, working non-stop after breakfast until you are interrupted by a knock at your door. You put down your needle and cross the room, opening the door to find Gwaine looking back at you.

“You’re up and about!” You exclaim.

“And glad of it too. I was beginning to wonder if one could die of boredom,” He replies. “Anyway, want to walk down to the market with me and get some lunch?”

“Isn’t it a little early for lunch?”

Gwaine quirks a brow. “I don’t believe so. This is about the usual time,”

“I’m sorry, I’ve been so focused, I didn’t realise how much time has passed,”

“You’ve been working? I thought you’d finished the king and queen’s attire?”

“I did. I’m working on something for myself,”

“For the feast?”

“Yes,”

Gwaine peers over your shoulder. “May I see?”

“No, you may not,” You give a sly smile as you close the door a little, so it’s just wide enough for your face. “I want it to be a surprise,”

He crosses his arms. “Now you’ve got me curious,”

“Well, you’ll have to be patient,” You smirk. “Wait here. I’ll just grab my shawl and then we can go,”

Gwaine asks you to show him where you bought the pies for the indoor picnic, so you lead him to the shop and he purchases one for each of you. You sit on a bench just outside the shop to eat them, before heading back up market street. Gwaine seems to take an interest in the market stalls, his eyes darting over their wares.

“Looking for something in particular?” You ask.

“Hmm?” Gwaine snaps to attention. “Oh, not really. Just taking in all that our glorious city has to offer,” He grins.

You continue up market street at a leisurely pace, allowing yourself time to peruse since Gwaine seems to be doing so.

“It’s so good to see you up and about again,” You say once you reach the end of the traders’ stalls. “Does your wound still cause you any pain?”

“Occasionally, if I move a certain way,” Gwaine replies. “But it’s mostly alright,”

“I’m so thankful Merlin helped,” You sigh, dreading to think what the outcome may have been if he hadn’t.

“Merlin?” Gwaine frowns. “It was Gaius who healed me,”

“He did initially, yes. But whatever he was doing wasn’t working fast enough. Him and Merlin argued about how to treat you, and Merlin had to apply his remedy behind Gaius’ back,”

“Well, I’ll make sure to thank Merlin then,” Gwaine smiles. “Sounds like you were quite the regular visitor to my bedside,”

“Of course I was, I was worried sick! I… thought you might die,”

Gwaine halts and takes your hand in his, giving it a firm squeeze. “It means a lot that you were there with me,” He says seriously, before smiling. “But it’ll take a lot more than bandits to get rid of me,”

Your hand remains in his as you continue up the street.

“Merlin said you tended to me while I was unconscious, helped keep my fever down,” Gwaine says.

You nod.

“Spent a lot of time seeing me shirtless,” He smirks.

Your cheeks flood with warmth.

“Did you like what you saw?” Gwaine asks, eyes twinkling with mischief.

You give him a playful shove. “Being improper, and fishing for compliments,” You shake your head, but can’t hold back a smile. “I shan’t say anything,”

“I shall take that as a yes,”

“You’ll do no such thing!”

You continue walking, biting your bottom lip to hold back your grin, while Gwaine keeps step beside you, looking very amused and pleased with himself.

It’s not until you arrive at your chambers that you realise your hand remained entwined with Gwaine’s the entire way back. He unthreads his fingers and hooks his hand under yours, raising it to his lips. He plants a soft but lengthy kiss at the base of your fingers, his eyes locked onto yours. Your heart thumps as you hold his gaze, a flare of desire tearing through your body. He pulls his lips away and he lowers your hand, but still holds it in his.

“I shall leave you to your secret business now, my lady,”

At last, he pulls his hand away from yours, agonisingly slowly, so his fingers caress your skin from your palm to your fingertips, until the contact is finally broken. Heat pools in your core, the skin on your hand buzzing, as if it can still feel his touch. Gwaine gives you a warm but slightly mischievous smile, as if he knows exactly what kind of reaction he has stirred within you, before he turns and heads down the corridor, disappearing around a corner. You step into your chambers, resting your back against the door as you close it behind you, relishing the pleasant sensation coursing through you. You raise your hand to your face, the feeling of his lips still lingering on your fingers, and press it against your cheek, longing for more of his touch. You recall the long talk between you those days ago, the feeling of his arms around you when you were upset, and wish for him to hold you again, but in a moment of joy rather than sorrow.

You stand with those feelings for a time, unaware how many minutes have passed, until your heartbeat settles and you come to your senses. You must refocus your thoughts. You have a lot of work to do before the feast.

You spend the last few hours of daylight sewing before stopping to make dinner. Your thoughts remain on the gown as you eat, visualising it finished and how you will look in it, but your imaginings stop short at one detail: your hair. What are you to do with it? You can’t wear your cap to an event like this. Not only is it inappropriate for the occasion, it will completely ruin the look. But your hair length is also inappropriate for any occasion. You would be gawked at and you’d be an embarrassment.

Once you’ve finished washing up, you go to your bedchamber and sit in front of the mirror, unpinning your cap and removing it. Your hair has grown some since it was cut, but nowhere near enough to be socially acceptable. Your mood darkens as you wonder if you should bother continuing with the gown, and the part of you that still fears Gwaine will find your true appearance repellent rises to the surface.

You stare back at your reflection, hair flat and frizzy from being under the cap all day. You tear your gaze away, fists clenched, and prepare for bed.

You continue on the gown the next day, though your mind drifts and progress is slow, since your previous ambition has dwindled. As your length of thread is running short, you finish your current line of stitching and fiddle with the needle between your fingers, trying to decide whether you should rethread it or stop for the day, when there’s a knock at your door. Placing the needle down, you stand and cross the room, opening the door to find Gwen.

“I just thought I’d check in,” She smiles. “I haven’t seen you since receiving my gown,”

“I’m sorry, I’ve been busy. Though I still should have made time for you,” You step aside to allow Gwen to enter.

“It’s quite alright. Have you been spending a lot of time with a certain knight?” She raises a brow mischievously.

“I have,” You admit, a smile tugging at the corners of your lips. “But I’ve also been working on my own gown for the harvest feast,”

“Oh, may I see?”

You nod and lead Gwen to your work table where the gown is currently laid out, though a bit crumpled.

“That’s coming along nicely,” Gwen carefully smooths out the fabric with her hands, inspecting your work. “I can’t wait to see when it’s finished,”

She looks up at you with a smile, but upon seeing your expression, and your lack of response, her smile falters.

“Are you not happy with it?”

“It’s not that, it’s just,” You sigh. “I don’t know what to do about this,”

You remove your cap, hair falling against your neck and brushing along your collarbones. Gwen approaches, lifting a hand and running a lock of your hair through her fingers.

“It’s grown some,” She says.

“But not nearly enough,”

Gwen’s gaze wanders over your hair thoughtfully. “Have you ever curled your hair before?”

“No,”

“I wonder if we should try it, then it wouldn’t look so flat. I think once it’s got a bit of curl to it, it could look quite pretty,”

“Perhaps,” You shrug. “But I don’t know how to do that. I’ve never been good at styling hair,”

“Well, I am. I did used to be a lady’s maid,” She smiles and glances toward your fabric shelves. “Do you have any linen scraps?”

“I should have something,” You walk over to the shelves and rummage through the collection of fabric, until you find a square scrap of white linen. “Will this do?”

“That will do very nicely,” Gwen holds out her hand and you pass her the linen. “May I borrow your scissors?” She asks.

“Of course,” You retrieve them from your sewing box and give them to her.

Gwen thanks you and she lays out the piece of fabric on a clear section of your work table, before cutting it into strips. Once all the fabric is cut, she stacks the strips into a neat pile.

“Wet your hair tonight,” She says. “But don’t soak it. It needs to be just damp. I’ll come back after dinner and show you what to do. This can be a trial run. If you like the results, we can repeat the process the night before the harvest feast. If not, we can try something else,”

Gwen arrives at your chambers about an hour after you finish your dinner, and you carry a chair to your bedchamber, Gwen refusing one for herself since she says it’ll be easier to do the process while standing. You place the chair in front of the mirror and sit, while Gwen arranges the fabric strips and comb on the vanity. She takes a section of hair in one hand, and with the other, places one of the strips, which is much longer than the hair, beside it, then wraps the lock of hair round the strip in a spiral. Once the entire length of the hair has been coiled around, Gwen holds it in place with one hand, while with the other, she wraps the remaining length of fabric around the hair, working from the bottom up this time, until the hair is completely covered, then ties the two ends of the strips together, securing the hair inside. She repeats this process until all your hair is secured.

“While you sleep tonight, your hair shall dry and set into the curls,” Gwen says, looking at you through the mirror, a hand on your shoulder. “Take them out tomorrow and see. It might look silly at first, as they will require a fair bit of brushing, but I think you will like the result,”

You reach up and rest your hand over Gwen’s. “Thank you for this,”

“You are welcome,” She smiles. “I shall leave you to enjoy the rest of your night. I might stop by tomorrow to see how our little experiment has gone,”

After breakfast the next morning, you return to the mirror and remove the rags from your hair, revealing tight ringlets. You are alarmed at first, but remember what Gwen said about brushing, so you pick up your hairbrush from beside the basin and begin working on your hair. At first, the curls seem to just bounce back to exactly how they were once the brush has run through them, but after a time, you notice them begin to soften.

After about fifteen minutes of continuous brushing, the hair has taken on some kind of style. You put down the brush and turn your head side to side, inspecting yourself in the mirror. You still look odd compared to other women about the castle, but… perhaps you could be seen like this?

You rush from your bedchamber and grab your unfinished gown, returning to hold it in front of you before the mirror. With a little squinting and imagination, you envision the final look and think it may just work. You leave your bedchamber again, gown draped over one arm, with a renewed vigour for sewing, when there’s a knock at your door. Placing the gown down, you move to answer it, before remembering your hair and stopping in your tracks.

“Who is it?” You call out.

“It’s Gwen,” A voice says from the other side of the door.

You continue to the door and open it, Gwen gasping when she sees you.

“(Y/N), that looks lovely!”

You grin and show her inside, closing the door behind her.

“I just came by to see how it went, but I can see right away that it’s gone very well!” She beams.

“You think so?”

“I do!”

“So, you think I could go to the feast like this?”

“(Y/N), you can go to the feast however you like. I know you are afraid of being different, but different doesn’t mean bad. I don’t believe anyone there will think poorly of you. If anything, they will be intrigued by your unique beauty,”

You chuckle. “I’m not so sure about that,”

A thought occurs to you and in an instant, your newfound excitement dissipates. There could be someone there who thinks very poorly of you.

“Will Gwaine’s sister be at the feast?” You ask.

Gwen frowns. “The nobility are invited, so I suppose she will be,”

“I can’t possibly go if she is going to be there,” You shake your head and begin to pace.

“I’m sure you will still have a good time,”

“I don’t think I could have a good time with her there. I wouldn’t be able to ignore her, I’d be waiting for her to say something unkind, or do something. Who knows, she might purposely spill her wine on my gown or something,”

“I’m sorry, (Y/N). I wish I could tell her she can’t attend, but I’m afraid I cannot,” Gwen purses her lips thoughtfully. “Perhaps I could engage her in conversation for the whole evening, so she won’t have the chance to do or say anything to you,”

You cease your pacing. “But then your night would be unpleasant,”

Gwen shrugs. “I have gotten rather good at talking to people I don’t like since becoming queen,”

“I don’t know,” You sigh. “That is a kind offer Gwen, thank you, but I think I should work this out myself,”

“Alright, but please don’t let the prospect of Erika being there quell your excitement. Your hair is going to look beautiful, and I can already tell that your gown is going to be stunning. Not to mention, you’ll be going with Sir Gwaine. He’s known for being lots of fun, not to mention the fact that he adores you. Everything will work out,” Gwen smiles and gives your arm a reassuring squeeze. “But if you are still feeling apprehensive, please talk to Gwaine about it. Don’t keep your feelings to yourself, alright?”

“Alright,” You nod. “I will speak with him today,”

“Good,” Gwen smiles. “I shall leave you to it,”

After working on your gown for another two hours or so, you leave your chambers to see Gwaine.

You reach his door, raising your hand to knock, but falter. You shouldn’t bother him with this. It’s your issue, so you should work it out for yourself. Besides, what do you expect him to do? You lower your hand and turn around, taking a few steps back the way you came, when you hear a door unlatch and someone call your name. You turn around to see Gwaine standing at his chamber door.

“Is everything alright?” He asks.

“Yes, I’m fine,” You force a smile.

Upon hearing approaching footsteps, you turn to see Sir Elyan striding down the corridor. He nods in your direction and smiles.

“Good day, (Y/N),” He says, before disappearing into presumably his own chambers.

Gwaine steps out into the corridor, dressed very casually in his grey tunic and trousers, with only socks covering his feet, and closes the gap between you.

“If there’s something on your mind, I’m happy to hear it,” He offers.

The sound of approaching chatter has you turn around again to see Sirs Leon and Percival appear at the end of the corridor. They incline their heads in your direction as they advance, as Sir Elyan did.

“Good morning, (Y/N),” Leon says kindly.

His hair is damp, some of his curls sticking to his sweaty forehead. They must have just come back from training.

“I hope you’re well?” Percival says from beside Leon, with a grin, his gaze flicking between you and Gwaine beside you.

“I am well, thank you,” You reply.

Gwaine grimaces and watches his comrades until they enter their respective chambers, before addressing you again.

“Would you like to come inside?” He takes a step back toward his chamber door. “Then we might have some privacy,” His eyes flick to the entrances to the other knights’ rooms.

You nod and follow him inside, where he invites you to sit at the table. You take a seat and he closes the door before sitting down across from you.

“I shouldn’t bother you with it,” You say quietly.

“(Y/N),” Gwaine smiles sadly. “You never have, and never could, bother me. What’s the matter?”

You sigh. “I just realised today that… well, it hadn’t occurred to me that Erika would be at the harvest feast,”

“Ah,” Gwaine crosses his arms. “I spoke with her today,”

“You did? What about?”

“Just… everything you and I spoke of. I suppose I wanted to confront her, but also try to understand why she did what she did,”

“I see,”

“I needn’t speak of it,” Gwaine shakes his head.

“No… I would like to know what she had to say for herself,”

“Alright,” Gwaine straightens in his chair. “It turns out she’s been bitter all these years about me leaving home when I did. She felt I left her to fend for herself, while I had an easy escape. She’s been cruel to you because you make me happy and she thinks I don’t deserve to be happy. She came to Camelot to try to find a place for herself here. Supposedly none of the men back home are good enough for her,”

“When I overheard her in the courtiers’ wing, her companion mentioned something about Erika’s ‘quest’, and Erika replied, saying something about someone falling in love with her,”

Gwaine nods. “She’s been speaking to the other knights, clearly trying to gain their favour. Leon, Percival and Elyan have all had her approach them. They’ve all managed to shrug her off, though she was quite persistent for a time,”

“So, she was hoping to secure one of the knights and what, get married and live in Camelot? What about your mother?”

“If Erika was to settle here, I would see about finding a place for my mother as well. That is if she’d even want to live here,”

“Why wouldn’t she? Isn’t she in, please excuse the term, a reduced position?”

“Not so much anymore,”

You raise your brows in question.

“Since I became a knight,” Gwaine continues. “I’ve been sending her a portion of my wages in an attempt to better her and Erika’s circumstances,”

“And still Erika treats you so poorly?”

Gwaine shrugs. You reach a hand across the table and he places one of his own around it.

“Sending part of my wages was the least I could do after I ran away. There was no money being sent to them then,”

“You mustn’t punish yourself for your past mistakes, especially since you are doing what you can now,”

“You are kind to say so,” He gives your hand a gentle squeeze. “Anyway, back to the matter at hand: Erika being at the feast,”

“Do you think she’ll behave, now that you’ve spoken to her?”

Gwaine sighs, running a hand over his chin. “I don’t know. She never actually said she was sorry,”

“Oh,” Your heart sinks.

“I’ll work something out,” He strokes the back of your hand with his thumb. “I won’t let anyone spoil our night,”

Gwaine waits beside the courtyard steps, greeting his fellow knights as they approach, chests heaving and brows sweaty from their afternoon training.

“Enjoy your respite while you can, Gwaine,” Percival grins, giving Gwaine a playful slap on the shoulder as he passes.

About a quarter of an hour goes by, and the man he’s been waiting for comes into view, a bundle of swords and shields slung over his back.

“Merlin!” Gwaine calls out as he crosses the courtyard to meet his friend. “Let me help you with that,”

“You shouldn’t, it could aggravate your injury,” Merlin says in a strained voice.

“I think I can manage carrying a few swords,” Gwaine says, already taking some from Merlin’s bundle.

Merlin nods in thanks and keeps walking.

“Everything alright?” He asks as they climb the courtyard steps.

“Yes and no,” Gwaine replies. “(Y/N) is going to the feast with me,”

“I heard,” Merlin grins. “I’m glad you two were able to sort things out,”

Gwaine smiles. “Me too. There is a problem though. My sister is going to be there and it’s making (Y/N) anxious. Honestly, it’s making me anxious too,”

“You’re worried she’ll try to ruin yours and (Y/N)’s night?” Merlin asks, stepping inside the castle and turning down a passage.

“I am,”

“What are you going to do?”

“I wondered if you, being the physician’s apprentice, might know of something that could… prevent Erika from attending,”

Merlin stops in his tracks. “What, like poison?” He says in an alarmed whisper.

“No! Who do you think I am, Merlin?” Gwaine shakes his head, wide-eyed. “I mean something that might make her a bit… unwell, or unsightly, so she won’t want to be seen in public,”

Merlin purses his lips thoughtfully. “Leave it to me,”

#gwaine x reader #reader x gwaine #merlin fic #bbc merlin #merlin bbc #bbc merlin fic #gwaine #sir gwaine #reader insert #my writing

34 notes · View notes

the-tardis-in-221b-baker-street · 1 year

Text

Lord Flashheart's (Blackadder Goes Forth) Costume

I don't think it comes to many as a surprise that I was going to do some sort of Flashheart costume. I've had people ask me after my last cosplay "So what's next? Oh please say it's Flashheart!". For a character who only appears once a series, he is well loved amongst the Rik Mayall fans and I happen to be one of them. So, strap yourself in, go get yourself a cup of tea and a biscuit because we're in for a long haul flight. We're doing this a bit back to front, usually I'll release a photoshoot all in one go but as I ran out of time to photograph myself before going to the con I'm going to, I thought I would post them after the con. The photoshoot is in the works, keep your eyes peeled!

When deciding which era of Flashheart I wanted to do, I settled with the WWI era as to my knowledge pre research, it was going to be the easiest of the bunch to do. As much as my heart sings out to Elizabethan Flashheart, my sewing skills are nowhere near good enough for that yet. I knew I wanted to get this costume totally right so I gave myself a fairly big budget and indeed the biggest budget so far in my cosplaying journey.

Go big or go home, I researched into actual Royal Flying Corps uniforms people were selling and saw just how difficult they were to find. I visited a local war memorabilia shop armed with a few questions about RFC uniforms. When I explained what I was doing, they smiled and laughed fondly about Blackadder. They very quickly informed me that finding an actual RFC uniform that's not in a museum is extremely slim and they were totally right. I had a back up plan though, I had found a company that did tailormade historical re-enactment uniforms from all sorts of eras and rather perfectly, a RFC tunic and trousers. I got myself measured by my lovely tailor friend and purchased them. I actually purchased the drill trousers instead of the breeches as the colour looked more correct. (not pictured, you'll see those when I take proper photos of me wearing it.)

The breakdown of the costume: The Royal Flying Corps tunic.

The RFC tunic was going to be a huge part of the costume and in my eyes all of the tiny elements of the costume to bring it together had to be properly researched. The base of the jacket only came with the RFC patch on the right side of the jacket so everything else had to be found. For the first part and actually the first purchase I made for this project was the collar pins. These are original WWI RFC collar pins that came in perfect condition. I also went back to the same local war memorabilia shop again and very luckily, they had a full matching set of original WWI captain's shoulder pips, with metal pins. It makes this costume more special to know I have an actual piece of history on my shoulders.

As I was informed, all pips during WWI were as standard and the more pips you have, the higher the rank. As Flashheart is a Wing Commander he technically holds the rank of captain, meaning he has 3 pips on each shoulder. With both the collar pins and the pips, I had to attach these extremely carefully. I was told that either I would need to sew them on (meaning I would have to tack them on and they wouldn't lie flat to the jacket) or I would need to pierce holes and put them in. I opted for piercing. So with an extremely delicate hand (and because this tunic was expensive) I carefully measured each one out and cut slits with a scalpel. The length of the blade was perfect because I could poke the loops through and it be in enough that if a pin slides out, I won't lose the pip. The collar pins didn't come with pins to keep them in place but the lovely gentleman I bought the pips from gave me some to cut down.

The medals:

The medals I struggled to find for a bit of time. I had researched a bit and found that someone had identified a few of Flashheart's many medals which helped but my original plan was to find actual medal bars. However, I came across a gentleman who recreates medals and could do custom medal bars of any medals I wanted. I immediately messaged them and showed them the photo that had all the identified medals on. He said he was able to do it and whether I wanted the medal that someone hadn't identified yet that was just slightly poking out of the jacket in the reference photo. I couldn't believe it! And i'm so glad that medal was identified by him because it turned out to be a good addition to the bar. Now I know Flashheart has a lot more medals than what I've got here, but trying to get all of them would be a nightmare and rather expensive so I got the ones that are visible kind of when he wears his coat.

(top left) OBE, (top middle) Royal Victorian Order, (top right) Distinguished Service Order, (bottom far left) Military Cross, (bottom middle left) Ashanti War Medal, (bottom middle right) India General Service Medal and (bottom far right) 1914 Star medal.

I did research into them and what they all mean but this post will get even longer if I put all the info. I do encourage you to have a look into them if you're interested though! What I find fascinating is the level of detail Blackadder's costume designer went to. I found out that the Distinguished Service Order medal was apparently just short of being awarded a Victoria Cross (which is an extremely prestigious award) and were normally given 'for service under fire or under conditions equivalent to service in actual combat with the enemy'. However between 1914 and 1916, a number of awards were given to individuals, often officers, for circumstances not under fire. This caused a lot of resentment towards those who got it and especially from front line officers. Which to me, makes me think no wonder Blackadder didn't really like Flashheart! That did make me laugh a little bit.

The 1914 Star medal was awarded mainly to officers but approximately 1000 were awarded to members of the RFC which is another really good touch!

The tunic is attached with 5 buttons up the person's right side and attached with two hooks at the top near the shoulders.

The Sam Browne belt and gun holster were another important addition to the tunic. Often officers or higher would have worn a Sam Browne belt and there would be space to hook a gun holster and an ammo pouch could be added too. I didn't get an ammo pouch in the end but the gun holster was a must. Which leads me onto Flashheart's massive weapon (ooer!).

The gun Flashheart uses is a Webley MK VI. Now, I did look into these guns and there was no way on earth I was going to get a real one or an airsoft one for that matter. I looked into 3D printing instead! I had got a guy to 3D print me a gun but his printer unfortunately broke half way through meaning I had to find an alternative quick. A work colleague found me one on Etsy and it was perfect! It came in about 7 pieces that I had to carefully glue together but it was easy enough as I live in a tabletop household. Flashheart's gun has a loop on the bottom to attach a lanyard to. So me using my creative initiative, I salvaged a picture frame hook from an old frame, filed down a section in the middle so the metal part would lie flat, glued it together and bob's your uncle! a loop that looks like it was meant to be there!

The lanyard loop didn't fit in the loop so I used an old keyring loop to attach it.

The next bit after gluing was to sand the gun down slightly, prime it black and then dry brushed the metal part using Citadel's Leadbelcher silver paint. I also then used Citadel's Agrax Earthshade wash to dirty it up on the metal and then once dry, I did a couple of coats both sides of a matt varnish spray just to seal it all together and none of the paint will rub off.

Another fine detail is the hinge where, if it was a working gun, you'd pull the barrel down and load it. (I don't know the correct terminology for guns!) There was just a hole and I wasn't a fan of it. So I used the small screws from the frame I got the fixtures from and screwed one either side before priming black. It worked perfectly and looked effective.

I can't believe how much time I've put into this costume, loads of research and hard work finding and piecing everything together. I just hope I can do him justice when I wear it properly!

WOOF!

#Lord Flashheart #Blackadder #Blackadder Goes Forth #Flashheart #Flashheart Cosplay #Blackadder Cosplay #Rik Mayall #Rik Mayall Cosplay #WWI #History #Comedy #British Comedy

106 notes · View notes

creations-by-chaosfay · 5 months

Text

OMG SO, I might get a little emotional and ramble with this but it's all good things to say about @creations-by-chaosfay

So this piece is in my home now. This picture is by chaosfay, mostly since she has better lighting than I do aaaaaaand I moved and this piece is with the precious decorations in a box that I won't risk in this shorter term for my life rental unit.

I knew I wanted to honor with pieces by fellow crafter/artist/artisans when my big parrot, Boris, reached the end of his life with me. He was a goofy football sized bird, bigger than most jardines (the owner of the local bird store where I voluniand adopted this old boy from and I theorized he was of the "greater jardine" subtype of the three jar subtypes, less often seen in the pet trade around here, the other two subtypes being smaller, the "lesser Jardine" and the "blackwing Jardine" but that's just me being bird nerdy XD) and very much my big boy feather kiddo.

Chaosfay did such an amazing job working with his image, his colors, his energy in general! And I adore this piece and am keeping it safe till I settle into a longer term home for myself. Then this piece will be a prominent part of his shrine area along with his dropped feather jar, the jar of his ashes, a custom hand spun, hand crocheted piece I made in his colors and rotating offerings of what were his favorite types in life. Chaosfay was utterly wonderful to work with and her work is stellar as always. She has such an eye for color and detail that I, as a fellow artist/crafter suuuuuper appreciate seeing! Especially since my sewing and quilting skills are nowhere near as precise as hers, I'm just starting my quilting journey and honestly I wouldn't have undertaken my current quilt project without her words of advice and what information I've learned by following her work over the years I've known her. This is not the only piece I have from her but it is the biggest and what my amazed eyes see as the furthest from my own technical skills and abilities so I'm always amazed. I've also gotten some adorable mug rugs in a few different sizes and the cutest quilted magnets. One of the mug rugs even got a corner chewed up by a certain mischief filled pup I used to live with and as soon as I sewed the little hole that the dog made closed again? It still works great as a mug rug and I never stopped using it XD

Even when I can't purchase anything from her, chaosfay's Tumblr blog and everything she posts are beautiful to behold. I've always loved and been impressed by her eye for color and color pairing and how to make the gorgeous fabrics and delightful prints she finds work beautifully together. Myself? I'm a chaos gremlin when it comes to fabric pairing and matching, which is why my quilt coming along is VERY scrappy and pieced with utter chaos. If you want something quilted that is polished and beautiful or purposefully whimsical and fun you should definitely go to chaosfay. Her skill in all areas of quilting is unlike anything I've seen elsewhere and her art is a joy to own.

#review #quilt review #submission

27 notes · View notes

swordsmans · 9 months

Note

Hello! As someone who really really wants to attempt bookbinding, could I ask how you started? I am very overwhelmed with the amount of materials and equipment bookbinders use and it is not within my budget to get most of them, which is really discouraging :,)

I would love to know some cheap(er) alternatives to certain materials and which materials, in your opinion, is the most essential and worth splurging money on! I particularly have a lot of issues with using leather because it is WAYY out of both my budget and skill level haha!

Additionally, what are some of the reasources you used to learn how to bookbind? :o

Thank you!!! (It's alright if you don't respond to this! I was just wondering :])

hi, hello!!! im sorry for the late reply!!

to start with--i definitely dont use leather for the same reason!! even imitation leather is expensive, and tbh i like the ability to play around with colors and shapes that working primarily with bookcloth and paper affords me. you can either make your own bookcloth using regular fabric, a binder like HeatNBond, and tissue as long as you have an iron--or you can purchase it from places like amazon, hollander's, or other bookbinding supply companies. leather is ~fancy~ shit.

as for essential tools, that sort of depends on what youre trying to set out to do. western "cased" bindings require more material as a baseline, but glue-free bindings like coptics and japanese stabs require much less! really, as long as you have paper, a needle, thread, and cardboard, you can make a book! here are some of the tools i use, as well as some alternatives:

bonefolder(s) - i have two, a "traditional" one and a square angled one, both real bone. this is something i would consider an essential item, because you will use it for almost everything. you can buy a cheap teflon folder at your local craft store, but really anything you can use to crease your pages and evenly tuck your folds would work. a firm piece of plastic, a thick card--hell, a 6in ruler would work!

ruler(s) - god, i have so many rulers, both imperial and metric, in so many different shapes and materials. the ones i use the most are my 12in/30cm double sided metal ruler and my 3x4in/70x100cm double sided metal square, but as long as you have something you will be set. you can find cheap wooden or plastic rulers at your local dollar store!

weights - this includes freestanding weights and a press. while i do use a press, i also have some bricks from my local hardware store that ive wrapped in craft paper (because cleanliness is essential), a mason jar filled with rocks, and a giant stack of cookbooks. i use all of these for different things, but getting a few bricks would probably be your cheapest option; mine were $0.62 each at lowe's, lol! you dont need a press. anything that will get you even, heavy pressure will work!

waxed thread - you can use any sewing thread you want and wax it yourself by running the wax along the thread! small beeswax blocks are relatively inexpensive and will last quite a while, and regular sewing thread won't break the bank. you can certainly buy pre-waxed thread, but making your own works just as well.

awl - i have two awls and a punch cradle, and genuinely none of these are "essential". straight up just stick a sewing needle in a wine cork, bestie, and youve got yourself an awl. punch cradles are also totally optional; just make a guide with some cardstock so you know where to punch your signatures and youre set.

paper - this is the big rabbit hole, of course. fancy handmade papers can get REAL expensive and dont even get me started on procuring paper with the proper grain direction. HOWEVER, im currently using a mid-tier premium "printer" paper as my fill (though ill be switching to proper stuff when i run out) and you can definitely use regular sheets youd find anywhere with only minor issues. as for decorative paper--anything works! regular scrapbook paper is perfectly fine, and you can buy 12x12 booklets online or at your local craft store for cheap--it seems like theres always some on sale.

bookcloth - mentioned above, but making your own is probably the cheapest way to do it! however--bookcloth is only essential if youre doing a cased-in binding imo. if youre doing coptics/stabs/open sewn/glue-free/etc. bindings, you dont need it.

glue - glues are tricky. traditionally people use a combination of paste and PVA. however, you can use whatever glue you want so long as youre okay with the drawbacks of using high-moisture stuff. gluesticks, craft glue, whatever. you can also make your own paste with flour and water! if youre looking for some of the things id recommend getting the "good" version of, though, i would pick PVA. i buy mine by the half-gallon and its worth it, and i actually prefer it over nori paste (what can i say--im impatient! and paste takes 24 hours to dry).

cutting tools - this is the one absolute thing i would recommend getting: a good boxcutter with replaceable blades and a large cutting mat. this is the essential tool of all time, because while you can use scissors its nearly impossible to get a straight line on anything. i have a workpro w011043a, an xacto xz3601, and three pairs of scissors of various lengths--and my workpro is what i reach for the most. cutting mats can run a little expensive, but i cant stress enough how much easier your life will be with an open blade + cutting mat as your primary cutting setup.

chipboard - i use several different thicknesses of greyboard for my covers and spines, but you can genuinely use whatever cardboard you have on-hand. got an amazon box? that works!

of course, this is by no means a comprehensive list of tools--but these are my go-to tools for every bind! a lot of the fancy stuff like edging, foiling, bookmark-making, etc, is totally optional and opting out of those will significantly reduce your overhead costs. you can also start out with the inexpensive stuff and upgrade as needed! bookbinding is daunting and yes it does have a bit of an initial investment, but there are definitely ways to make it work if youd really like to get into the hobby. you can also look at starter kits on etsy, too! theyll often come with some of the essential tools as well as materials to make your first book, so you can try it out to see if youd like the hobby without going ham.

as for resources to get started, here are some of what ive used!! also not comprehensive because everyone is different, but a great place to start.

hope this helps!!!

#answers #bad blade bindery

29 notes · View notes

thenerdysewist · 2 years

Text

Making My Morgana Cosplay

I watched Merlin for the first time in 2015/2016, and was immediately obsessed with Morgana's Season 4 Coat.

At the time, I hadn't really gotten into sewing yet. I knew how to sew, but I'd only made one project bigger than a pair of pajama pants. But then the pandemic hit, and I was stuck inside with too much time on my hands. I rewatched Merlin (and have multiple times since 2020), and realized that I likely had the skills to make that coat so it became my pandemic project.

Materials:

My first concern was the materials. The coat is full length, with full sleeves and a train. That would require a lot of specialty (expensive) material, and I was pretty broke considering I had been laid off. Plus, new fabric is also pretty bad for the environment. So my goal was to thrift any and all material I could. I got lucky.

I found a king size comforter set at the thrift store for $10, and that meant I got both the specialty material and the lining in one

I found a lace skirt at a different thrift store for the sleeves of the under-dress, and a green prom dress to modify.

After much digging and swearing I found left over fabric from another cosplay to use as the green fabric in the hood and sleeves

A friend was moving and cleaning out her closet, meaning I was able to thrift the belt buckle from a belt she was going to donate

The only material I purchased new was the trim I used for the belt.

Process:

The first step was picking apart the comforter set. I probably could have just cut it open in order to render it into two flat pieces of usable material, but I knew the yardage would be a tight fit, so I used a seam ripper to separate the three layers of fabric from the layer of batting. (I think while I introduced a friend to Merlin).

I used a combination of patterns from my stash to get the pieces I needed. I used the hood from Simplicity 1771A, and the sleeves and skirt from Simplicity 8013. Looking back I likely could have used the bodice as well, but I felt the angle of the neckline was wrong, so I drafted my own bodice pattern using a t-shirt and the angle from the neckline of McCalls M7502.

I decided to make a mock up first. I only had the fabric from the comforter to set to work with, and there wasn't a lot. I didn't want to risk cutting into it, and then realizing it didn't fit. So I used an old white sheet to make the first draft.

Initially I thought the coat was a coat-dress, but noticed the detail that when Morgana walked, you could see the lining flash at the front. So I cut the bodice on the fold, and turned the skirt backwards. The front was meant to go on the fold and the back was two pieces to accommodate for a zipper. However, knowing I needed a train, I added a train to the front panel and made that the back, and then made the two back panels the front panels. I sewed them part of the way down to give it a skirt look, but left the bottom open so that the lining would flash when I walked. It ended up looking like this.

As you can tell from my face, I didn't like how it was laying. It didn't have the same shape as her coat, at which point I realized the front should be separate to make it close like a coat would, rather than a dress would. So I seam ripped the front skirt panels apart and cut the bodice front up the middle. I tried it back on and it looked like this:

(You can also tell by image quality that my old phone gave up the ghost and I had to get a new one, which had a much better camera)

I liked this a lot better, but there were still more adjustments I needed to make. I didn't like the angle of the neckline, and I felt like the train was too long. So I made those adjustments to the pattern, and made a second mock up out of a sheet set that my mom had cannibalized for her own sewing project.

With all the adjustments, the second mock up ended up looking like this.

I was now happy with the angle of the neckline and the length of the train, and felt ready to move onto working with the actual materials I bought.

I cut out all the pieces twice; once from the specialty material and once from the black backing material from the comforter set I used for the lining. I also cut additional lining for the hood and sleeves out of the green fabric since Morgana's coat has that contrast lining. I started by stitching the specialty fabric together.

Once that was done, I stitched all the lining pieces together. Then I pinned the specialty fabric to the lining with the hood in between the two layers so that it when I turned everything inside out, the hood would be on the outside.

I ended up not liking how the hood looked.

It came from too far back on the neckline. and that meant I had to pick apart the shoulder and neck seams and redo it. I redid this step probably four times because the fabric was thick, heavy, and slippery. It refused to stay in place, and I was constantly catching parts of the fabric I shouldn't.

Next was the sleeves. Which literally made me cry from frustration. Sleeves are my kryptonite at the best of times, but I was also working with fabric that was heavy, slippery, and thick, in a narrow arm hole. After several screaming matches with my sewing machine, and a stress and frustration induced break down, my mom ended up inserting the sleeves for me. (Thank you, Mom!)

Then I finally got to see the fully assembled garment and I was thrilled! It really looked like it was shaping up to look like Morgana's coat.

I completed the hem on both the lining and specialty material and the bulk of the garment was complete! But I still needed her belt, and I wanted to make have an under-dress since you can see a flash of the skirt under the coat while Morgana walks. For that, I just adjusted a prom dress that I found at the thriftstore. I shortened it, moved the skirt to be right under the bust, and added straps. I didn't think to get photos of that process since it was mostly pinning and cutting.

I did however, have to make my own lace sleeves for the dress since you can see lace sleeves under Morgana's coat. For this I traced the sleeve of a shirt I already owned.

Then I made a mock up which was way too tight. I added a little extra width, and made another mock up which fit. So then I was able to cut the sleeves out of the lace I removed from the skirt, and I stitched it into the armhole created by adding straps to the modified dress.

As you can see it wasn't the neatest job, but I didn't care since it was going to be covered by the coat anyway. If I wanted to submit this for a contest or anything, I'd probably go through the trouble of making her under-dress too, but this works.

All that was left was her belt. For that, I had ordered a precut YaYa Hahn pleather trim and that gave me the width of my belt. It also gave me the length since there was just enough there to wrap around my waist with some overlap. I cut a strip from the green fabric I used for the sleeves and hood, and black fabric for the belt lining since I was out of the green fabric.

Stitched those together, and flipped it right side out. I left one end open so I could insert two loops to attach the belt buckle to the belt. Then I pinned the trim to the belt and ironed it on. It was iron on trim so I didn't have to sew it.

I inserted the loops through the belt buckle, then tucked the ends into the belt and stitched it closed.

Reveal:

Final Thoughts:

Overall, I am jazzed by how this turned out. I think it looks so much like Morgana. I might need to fix the hem since the first time I wore it, twigs started getting caught in the hem, but that is an issue for future me. My issues are actually more with my makeup. I tried to learn contouring for this. I literally haven't worn makeup since 2019 and I only did basics then. So if anyone wants to let me know tips and tricks, my ask box is open. I also still don't know how for photos.

This project took well over a year to complete. Part of it was the amount of mock ups I did, but part of it was the process of tracking down materials. It took weeks for me to find the right green fabric and I actually bought multiple other fabrics that I returned because they weren't right for it. That it was in my own stash was such a relief while simultaneously the most annoying thing ever. The second snag was finding the belt buckle. I had to get one in the right dimensions to fit the trim for the belt, and apparently belt buckles are impossible to find in a size bigger than an inch. It was complete luck that my friend found something in her closet while she was moving. (If you have buckle resources, please hit me up. I need buckles for another project I'm working on now, and can't find buckles small enough.)

This is the biggest project I've done so far, and I am so proud of myself for it.

#bbc merlin #merlin #morgana #merlin cosplay #cosplay #sewing #cosplaying #cosplayer #morgana pendragon #the adventures of merlin #merlin tv

172 notes · View notes

the-enzyme · 4 months

Text

My Myou Bettina, wearing the first outfit I complete for him, based on Ken Kaneki, who he is supposed to be. He's a 28cm tall doll, and I am not skilled at sewing. So, I should have known making clothes for him, let alone based on anime characters, was going to be next level nightmare. I chose to recreate this one first, not because I keep forgetting to purchase size #4/#3 zippers white nylon zippers, but because I know the struggle is going to be real once I start making that outfit for him. I already made a few pieces of clothing for this doll, but finding patters that fit well is an ordeal. I also made a cloth/foam manikin, that didn't go too well. And also, an initial pattern for his awakened/battle outfit, but I am not sure it's going to go well either. I know I suck at sewing, and this doll is extremely stylized. His body is willowy and very close to skeletal-like (kind of like me, yay! Lol!). So, making anything from pre-existing fashion doll patterns needs a lot of alterations, and me making my own is an ordeal on its own.

Regardless, I am supper happy with him and how he looks with his smaller eyes! I am also liking very much how he looks as my Ken Kaneki! I knew I loved the doll, but now I love him so much more, that I know he can pull off the look, even if not anime/manga accurate (I feel maybe the manga version is more stylized, and has a larger head, but my personal preference is the anime with the smaller head, and not stubby proportions).

Unfortunately, and as I had feared. The mods I did on him are not permanent! I was fearing so, when I learned that people usually clean up mistakes when using the Vajello Plastic putty, using alcohol. I feared taht meant the product is not meant to have any kind of solvents applied to it. My fears were true. Alcohol will melt the putty right off! I was cleaning my 3D artist Leon head, and the mods came right off with the paint apps! DX Looks like I'll have to get some Aves Apoxie Sculpt Afterall! Oh, well! Live and learn, is what I keep on saying! I was actually excited about the plastic putty working for permanent mods, because I tend to not love my repaint work and rework/redo those repaints like there's no tomorrow! Now, I know! There's no substitute for Aves' Apoxie Sculpt! I kind of want to cry a little, even if it was kind of cool to find what I can and can't do, with the Vallejo filler stuff. T____T;;;

The super washed out looking photos were taken with my super old cell phone. I think I like the way that one works a bit more, but I don't like the hazy/blurriness of it all.

10 notes · View notes

theswitchsteinenigma · 1 month

Text

Yay I spent all evening on a sewing project that immediately was a huge fail and broke and I’ve never been more upset in my life I wasted time I could’ve been spending with my family working on something that now I can’t even show anyone because it failed I’m so sick and tired of trying so hard only for things I know how to do to work out so wrong it makes me feel like I never knew how to do these things in the first place. I hate everything I just feel like I’m not getting any better at anything I do I’ve been stagnant for years and in some cases I’ve degraded I feel like after 10 years my art isn’t anywhere near where I expected it to be and it’s just heartbreaking I feel like I’m just losing myself and theirs nothing I can do about it no matter what I do. I feel so ruined I don’t understand why this is happening to me.

well I’ll never have a disposable income so I really doubt I’ll ever make the art I truly want. Like I’ve found every cheap, recycle, accessible method of art supply curation and artistic creation and still theirs just something missing and it’s literally things I can’t afford that would make my art actually professional and I just don’t even understand how that’s the only issue. Like I can make anything out of anything and do so many cool skills I just don’t make things that look brand new and idk I feel like a lot of my creations are ugly it’s just annoying. Even when I buy like high quality fabric my issue is I don’t have a high quality sewing machine I have to hand sew things or just everything else is so much cheaper in comparison to the item I spent the most on that it just feels out of place and I’m just so lost on why people make making things look so easy but the reason their videos start off with a thousand dollar shopping trip of all brand new items it just magically looks a million times better. Theirs very few artist I follow or can find that create with low budgets and recycled materials I do but the few artist that do have a very established art style that incorporates that recycled look very well but makes it a brand new piece in a way it looks intentional. Like I can’t achieve perfect brand new, I can’t achieve artisan recycled, I’m stuck with just mediocre and only the stuff that has the least amount of work and the most amount of just purchased and put together things sells the best but the art I pour myself into just gets over looked or I just feel like it’s not really all that great to show off or like I don’t even want to keep it for myself because it doesn’t look the way it does in my head and I just feel bad throwing things away like I don’t have the money to just throw failed projects away so it’s just this big loop of being reminded I’ll always just be this poor artist and most of the people who buy art from me either feel bad for my situation or are utterly clueless about buying art and I was just reccomended by someone who feels bad for me so they assumed it would be a good choice and then they usually just ask for the most barren unlike me price ever and I put it out and just move along and they’re like hmm this is weird and doesn’t look like what you do because yeah even though I say I can draw anything that doesn’t mean I can promise you something in my style you asked for something you could tell by what I do that I don’t do that’s why it looks weird I tried but you like it enough to keep it just don’t really plan on getting art from me again because idk I’m not the most comissionable person for some reason despite feeling like I could make almost anything I’m asked. I’m just never asked…sadly it’s money related. My art just feels so stuck. Like I pride myself on what I’m capable of with what I have but it’s just alienating and depressing when I’m so over looked because my outcome isn’t brand new finished or perfectly artisan recycled. Too in the middle of those to look genuinely nice.

Do I even make any sense???

Xoxo- Switch.

15 notes · View notes

hotcupoteckla · 4 months

Text

You're scrolling on tiktok and you see a very large bodied woman shown browsing through a thrift shop, and in a quick montage, she pulls out 3 shirts of complementary fabric.

The audio cuts in with a soothing speaking voice of an alto pitch in pillow talk timbre

"Hello and welcome to another of my fashion edit videos where I breathe life back into ill cut clothing. I think it's very important to the environment to not cave into fast fashion or big box stores, so I love using and demonstrating my sewing skills to reuse clothes and so modify them to fit my needs. Some of you might think that these shirts won't give me enough fabric this time-"

During this part of the monologue we can see that the shirts and dress purchase are all shown to be XS, M, and S in that order. One of the tags also lists Aeropostale, and the dress is from Tommy Hilfiger.

"-but I didn't tape my measuring the fabric in the selection montage. I think we'll be fine today. Again, environmentalism is very important to me so I make sure that all pieces I select are excess clothing that nobody ever buys are used exclusively in my videos. Did you know that the Atacama desert is filled with shirts and dresses just thrown away? As a person who worked retail, I can tell you the majority of clothes that we get rid of from clearance racks are eXtra Small, Small to Medium sizes and when they don't sell, they get thrown into a box, hauled onto a trailer and shipped off who knows where. It's incredibly wasteful."

The montage of sewing clips shows how the host deftly interweaves the different fabrics into a design that is more structured than the 2 shirts were before, and it takes on a pleasing appearance. The small dress that was previously a plain blue sleeveless floor length shift conveniently provides 4 equally sized rectangles once its seams are ripped and the dress is cut in half. The panels are measured on screen. A left hand appears on screen, displays the panels weighted, and snaps their fingers to show the pattern fitted to the blocks of fabric. The pieces of paper are centered on each block, with very wide margins around the edge of the paper. Very wide as the hand runs across them to caress the pattern. Nearly as wide as the hand on screen on all sides. The fingers snap again and the pattern pieces are cut, the excess trimmings floofed into a corner.

"So you'll see today I've made the shirts into this marvelous bustier and will proceed to add some beads by hand"

The Large woman wears the two prior shirts styled into a corset top. The top itself looks neatly constructed. She is holding the beads to the camera, they will look very nice beaded onto the designs of the fabrics used and might make the complementary fabrics more cohesive. She pulls away from the camera and prepares for the final reveal of the finished piece. Her stomach & hips are wide but flattened by the top. The skirt is a wider flare than expected, perhaps the cuts were repositioned?

No matter. The video cuts back awkwardly after the beading, as the author used the jump cut, but it is amazing to behold. It sparkles, it shimmers, it IS more cohesive.

"And I really think this is amazing, probably my best work yet. Thank you so much for following along, like, share & subscribe, and let me know what you'd like me to make from selvage next time. Here's some fabric previews." Three fabrics are quickly flashed onscreen centering on pinks. "Buhbiiiiiiieeeee." The large woman tilts her head to the side and blows a kiss to the camera. You look a little closer at her face.

She seems older than you thought.

#recycled clothing #body posititivity #short fiction #thrifting #repurposing what wasnt made for you

6 notes · View notes

sheliesshattered · 9 months

Text

I did a lot of sewing in 2023, and spent more time on my sewing projects than on any of my other hobbies, even though I ended up with relatively few finished products. I drafted patterns, fitted mock-ups, and worked with specialty fabrics, several of them new to me. I'm pleased with how all of them came out, and feel like I improved my skills in both sewing and drafting. And most importantly, I had a ton of fun wearing each one of these projects!

The majority of the year was spent on my Rhaenyra Targaryen cosplay, starting last January with drafting a pattern from my measurements, sewing a mock-up, fitting the mock-up to achieve a more screen-accurate look, and adjusting the pattern accordingly. I worked with silk for the very first time, black silk organza for the underdress and red silk jacquard (woven by a small maker in India) for the main dress. I dyed lacing cords to match, hand-sewed several yards of trim, set a couple dozen grommets by hand, sewed on several different types of beads, and did a lot of handsewing to complete the whole thing. I worked on it continuously for just over seven months, in between work and alongside other sewing projects in the last month or so.

The other major sewing project last summer was the sequin shorts for my Harley Quinn/Taylor Swift mashup cosplay. I based them on the sequin shorts in the first Suicide Squad movie, but made them red and black to match both Harley's more typical color scheme and Taylor Swift's Red color scheme. I drafted a pattern by altering a swimsuit pattern I drafted in 2020, and made a lining out of swimsuit fabric to check the fit, then cut out the exterior sequin fabric. I'd worked with sequin fabric before, but never one with sequins attached in one continuous chain of stitches, which took a little while to figure out how to best handle to keep from unraveling when cut. I ended up handsewing extra sequins onto places of the shorts where the sequins had fallen off.

I purchased the Taylor Swift tshirt but added quite a lot of hand-sewn details, to make it look more like the Suicide Squad tshirt. In July and August I also finished a bunch of other small cosplay crafting items, everything from wig styling and jewelry making, to gluing rhinestones to a pair of bunny ears, repairing the beading on a purchased dress, and adding a hidden pocket to a purchased skirt, all in preparation for Dragon Con at the end of August.

After Dragon Con I needed a couple of months to recover, and while I did start (but not yet finish) a simple knitting project, I didn't do any sewing or pattern drafting again until late November. At that point I knew I wanted to make a cozy stay-at-home winter dress and get it finished just as soon as possible, so I could start wearing it as the weather turned colder.

I drafted a new dress pattern based on the pattern I drafted for Rhaenyra's dress, and a pair of funky wide legged pants from a pajama pant pattern I'd drafted in 2022. The whole project, from drafting the pattern and ordering a sample of the heavy fleece fabric I wanted to use, to the final hand stitching on the hem, took just under a month -- much faster than the Rhaenyra project, with much less fussy fabric and far fewer details. Now that I've gotten to wear it around the house over the last week and a half, there are a few small changes I may make to it in the future, but generally I'm very happy with it.

Currently I actually have two other sewing projects in process, too: hand-sewing/quilting the print from an old tshirt onto the back of a hoodie for Jack (slow going but getting close to done), and a surprise birthday gift for a family member. I'll post pictures of each once they're done, but probably won't post about the surprise project until the gift has been given.

After that, I have plans to start making some layering pieces to put over (and under) the fleece dress. I have some scrap fabric from older projects I'd like to turn into wearable things, and that bolt of cotton herringbone fabric I got a good deal on on Ebay arrived the other day, and needs to be washed and ironed and such before I start figuring out what I want to do with it.

I'm hoping to continue my streak of 2023 sewing into 2024, with that focus on more practical, everyday wearable items, rather than on cosplay. I don't know yet if I'm going to have any cosplay events to attend this year, and even if I do, I'd be quite happy bringing older projects, including those I finished in 2023, out to play again. As much as I love making those big show pieces for conventions, and pushing myself with new-to-me fabric types like silk and sequins, I'll get a lot more use out of everyday pieces, and feel better about my day to day wardrobe at the same time.

Thank you to everyone who liked and commented on my sewing posts throughout the year! I mostly post about my projects here as a way to document them for myself, but it's always so wonderful to hear that other people like my work, too. I hope 2024 treats all of us well, and to any of you out there with sewing projects you're working on, may your thread stay untangled and your scissors sharp!

#my sewing #2023 sewing retrospective #2023 mood #RRD cosplay #Harley Quinn Swiftie cosplay #winter fleece dress #Solstice dress

8 notes · View notes

gil-estel · 1 year

Text

Yennefer Coat Cosplay — Part 3: Fabric

Jacket

Decorative Skirt Panels: Gray & Gold Embroidered Fabric (Esty)

Main Jacket: Black Hopsack Linen (JoAnn)

Bodice Lining: Black Kona Quilt Cotton (JoAnn) ...I'm pretty sure

Skirt Lining: Sunlit Allium (not 100% on the color) Sew Classic Cotton (JoAnn)

Appliqués: Floral Cold Cording Black Mesh Fabric (JoAnn)

The very first fabric I purchased was the decorative fabric for the panels, after a LOT of searching for something that was both vaguely screen-accurate AND in my budget. Even though the description said gray, I took a chance since it looked black in the listing photos (and imo looked black when I received it).

Now, that actually became problematic when I finally brought it into the fabric store to match....when held up against an actually black piece of fabric fabric, it looks noticeably gray in comparison.

Thus, I had two criteria for the main coat fabric: 1) not look terrible against the fabric I had already purchased; and 2) approximate the texture visible in closeup screencaps.

After looking at what felt like every single solid black fabric in the store, I landed on the black hopsack linen (I actually liked the grey papyrus slub linen even better, but it wasn't in my budget 😞). The texture contrasts with the embroidered fabric in a way that deemphasizes the color difference. The embroidered fabric is also quite thick, so I didn't want the coat fabric to be too flimsy.

It felt wrong to put a polyester lining in a linen garment, so I ended up going with a lightweight cotton (obv. silk would be a ~good~ choice but I am Cheap and also didn't want to order it online). My hope is that the natural fibers will help counteract the fact that I'm going to be wearing a heavy, fully-lined black coat in 90°F+ heat 😅

Dress

Skirt: Rose Satin Jacquard Black (Amazon)

Bodice: (I actually haven't decided yet but either the same fabric as the skirt or I have some black cotton that I think would be nice)

Honestly this isn't going to be super visible so my two goals were a) cheap and b) vaguely screen-accurate. The fabric arrives on Monday so I'm hoping it doesn't suck 🤞🩷

All told, I've probably spent ~$200 on materials (included notions, which aren't pictured here). The two biggest expenses were the linen and the embroidered jacket panel fabric, which were about $60 each. When I "started" this project last year, I think it stalled because I wasn't really confident that my sewing skills were worthy of the material cost, but since then I have several garments I've made that I actually wear regularly (....and I've watched a lot of sewing YouTubers which really do teach you a lot of techniques and tips about garment construction lol), so I have a lot more faith in my ability to pull this off!

#estelcrafts #estelcosplays #yennefer cosplay

7 notes · View notes

sarelcon · 1 year

Text

There isn’t a perfect crafting material and one isn’t strictly “better” than the other: a blog post styled rant on why people need to stop asking which material is the best and why 3D printing pieces for cosplay is not ‘cheating’ or easier than any other method

I have seen waaaaay too many people lately (especially on the clock app) claiming that 3D printing is cheating or somehow easier than the low tech, older methods like foam work and thermoplastic crafting. This absolutely drives me crazy.

I am a fabrication girlie at heart. I am a foam gremlin to the core but started out with Worbla (a delightful classic). I have recently picked up sculpting/mold making/resin casting. I am teaching myself how to 3D model. I have put hundreds of hours into finishing the dozens of 3D printed props and bits & baubles I have for various cosplays. I have worked with air drying clays, apoxie sculpt, paper mache, and chainmail. I work both in the digital and physical spaces for patterning. I have won several major craftsmanship awards with my fabrication skills. With all that as my credentials, let me say that 3D printing is not any easier, faster, or somehow better than all the other things I mentioned.

There is no such thing as a perfect crafting material. Anyone that tells you that is trying to sell you something. Every material and it’s corresponding techniques have pro and cons- the things that it excels at the and the things that it doesn’t work so well for. Wether it is a high-tech and automated process or a low-tech process done mostly by hand, every material can be utilized poorly or expertly. What makes the difference in the quality of the finished product or what wins awards in craftsmanship contests is how the material/technique was executed. A low budget cosplay can beat one that used tools that cost upwards of $1,000. It’s all about HOW the materials and tools were used.

For every 3D printed piece, there are lots of steps. You don’t just press a button and magically have a beautifully finished sword or geometric little Genshin Impact accessory piece. No, not all.

It has to be modeled first, then run through a slicer program to be printed. There’s lot of behind the scenes calibration that has to be done on the printer and adjustments of the model to get it in the optimal position to minimize seams and support material. There’s adjusting settings on the printer, like infill, to balance strength of the finished print vs amount of filament used (and therefore the final weight of the print). After printing, you have to remove support material and clean up the raw print. Next up is the eternal limbo of filling and sanding (god, it takes forever). Depending on your seams, you may be stuck in Bondo hell for a while too. Finally there’s painting, which can range from a quick blast of spray paint but could turn into the exceedingly complicated process I like to do that ends up using about six different paints. Then there’s the clear coat to protect the finished product.

A 3D printed prop does not magically appear from the ether. Much like any other material, there is a long list of steps and so much work put into a single piece. By the nature of how 3D printing works, pieces will come out very exact and crisp with a precision that human hands can’t quite achieve. But that comes at the price of expensive equipment, a steep learning curve for 3D modeling, and countless hours invested into the entire process from beginning to end. Even with purchasing models as I often do, it’s still not easy, cheap, or fast to make 3D printed pieces for cosplay.

Foam can win over 3D printing and sewing can beat out any fabrication build. It’s not a matter of WHAT was used. It’s a matter of HOW WELL it was used. Craftsmanship is not determined necessarily by the material but by the skill of the person using it. 3D printing is just a different set of skills than what is needed for Worbla or EVA foam.

2 notes · View notes

onegirlatelier · 1 year

Text

1930s Qipao - a masterpost

Hey there!

I haven't posted on Tumblr (well, on this sideblog) in a long, long time. I have made plenty of things, just didn't have enough energy to write it all down in coherent sentences.

I think I'm going to make a new series though, since I don't have a blog elsewhere and I need a public space to organise my thoughts, on the making of a qipao in the 1930s style and tradition.

I have made two qipaos before (when I was still a baby to couture dressmaking) but whilst they were wearable, they were very messy with structural issues. Now that I'm a bit more experienced, I'm determined to a) make a proper toile/pattern, b) improve my pressing skills with a steam iron, and c) have nice and round fabric buttons and neat 'button legs'.

I won't have time to smooth out my notes, so I'm just going to reblog and add stuff in the thread or edit the post directly. I'm going to note down the methods I use as well as other methods I've learned about, since there are different ways to make things and each dressmaker develops their own techniques over time.

So for today I just want to share my choice of fabrics and notions.

Main fabric

'Pink sketchy retro garden rayon fabric' purchased at Guthrie & Ghani (a shop located in Birmingham, UK). The selvage reads 'AMSTERDAM by Anbo Textiles designed by Sholto Drumlanrig', so I guess that's the actual textile company and designer.

The website says the rayon is 'similar to viscose', but since rayon technically equals viscose, we don't actually know if the rayon used here is the old-fashioned stuff or a more eco-friendly version like Ecovero.

It feels very smooth with a good drape, a bit heavier than silk.

I got 2.5m which would be enough for a 120cm long qipao. A 1930s qipao has no shoulder seams so you cut the front and back in one piece, hence the length of fabric=2*(length of the garment). I only need 80cm in width for a short-sleeved qipao though. If you have a wide fabric width you can actually make two sleeveless/short-sleeved qipaos, or you can save the other half for something else!

Other fabric choices

The perfect choice would be silk. This is because silk drapes nicely and is very easy to stretch/shrink and be molded into 3D shapes. Of course you need a drapey silk, not too stiff and not too flowy.

Other natural fabrics, including cotton, linen, and wool, are all good. Cotton and linen will be harder to shape though.

Synthetic/semi-synthetic fabrics can be used too, just keep in mind that some are hard to shape, and some do not wash well. You want something that is very breathable, since it fits snugly around the neck, and drapey.

A medium, non-transparent fabric for a single-layered (or lined for colder weather) qipao. A transparent silk can be paired with a slip (which you would wear anyways if you follow the norm of the 30s).

If you plan to wash your finished garment you must choose a fabric that can be washed reasonably without fuss and pre-wash it.

Binding tape

Mine is a pre-made tape from Atelier Brunette. You can make your own with the fabric of your choice. It has to be on true bias (very important)!

I have eight metres in total, not sure how much I will end up using.

Stay tape

Super important. 99% of the resources I've read suggest fusible interfacing. A very thin but sturdy woven tape would work too. Sometimes I use strips of silk organza cut on straight grain (or leftover selvages), which is also what I plan to try for this project.

You need at least 4*(length of garment).

Sewing thread

I always use Fujix 100% cotton sewing thread. Also a thicker (maybe cheaper) thread for thread-marking and basting. If making surface decorations, silk threads would be nice. I don't feel the need to wax the Fujix threads but if using another brand/type I would certainly consider waxing.

Starch glue

Either buy some or make your own. Another soluble stabilizer would probably work too. This is used for the edges, especially at the neckline. If I didn't want to bother with a glue, I would leave the cutting until the last minute, baste with running stitches, and minimize the handling.

Interfacing

This is for button strips and the collar. I use a medium-soft cotton canvas. I know most people use a fusible interfacing, but I don't like it. Organza is not the most suitable, though if I needed a semi-transparent natural fabric for the style then it would be my best bet. You can also starch the fabric to stiffen it, but a starch glue washes out.

Also a lot of sharp pins and a trusted pair of scissors. Some people use spaghetti straps to make buttons, in which case you need a drawstring threader type of thing.

#qipao #sewing #sewblr #dressmaking

6 notes · View notes