#no really so many people just post that kinda stuff to go “no see i'm sooo not antisemitic i love jews”

[hilacopter]

if I see you saying stuff like "jews please call me out and correct me if I ever post something antisemitic!" you better be willing to actually listen and take to heart stuff you might not like hearing

[momentomori24]

I don't believe liking immoral and downright evil characters says anything about you as a person, but I think acting like this definitely does.

"The HH fanbase will defend Valentinoto the moon and back" this and "Val is praised by a majority of the fandom" that, except said majority of the fandom fucking HATES that moth and fans have been harassed, had their art scribbled on to "fix" it, repeatedly called "rapist apologists" and "abuse romanticisers", get questioned or accused about condoning him irl, received graphic death/rape threats and are in general mistreated by the fandom. A Val cosplayer was mistreated and had a gun pulled on them IN REAL LIFE not even a year ago. Even the VA got repeatedly asked or assumed to be like the character he plays because "why else would he want to voice a rapist??" and told they deserve for choosing that role (fucking WILD btw). People that like Valentino as a character are the minority of the fandom, and even there NO ONE defends him. We all realise he's a disgusting individual whose actions shouldn't be defended in any capacity. What kinda bullshit lie is that?

I'm also in the Mouthwashing fandom, and it too has a bunch of issues. Infantilising Curly and minimising his actions, making Swansea to be better than he actually is and ignoring that he knew of the SA, people still debating or not realising that Jimmy raped Anya in the first place, shipping Jimmy and Curly (which isn't even a bad thing or a real problem but this person would see it that way), ect. But sure, conveniently don't bring that up. Anything for the Hazbin Hotel hate, right 💀

These next comments especially piss me off (nevermind how they're talking about an abuse survivor which is gross already). This might be a hot take and I don't care if that's the case, but I think people refusing to call Jimmy by name and excluding him from the cast is not show of a "good" fandom, actually. Jimmy has a lot more to him besides being a rapist. Rape culture, toxic masculinity, capitalistic exploitation, misogyny, male dominance-- there's sooo much more to explore and discuss about his character besides him being a rapist. And he's an incredibly disturbing character in a fucking horror game. If you can only refer to him by some stupid nickname (which takes away the seriousness of his character imo), ignore the significance of his role and themes in the story and the rest of his character and reduce him to a single trait that's BAD. That's not a good thing, and in fact, probably makes you worse than the people that do like his character because they can at least separate fiction and reality and not scrap well written disturbing characters for the sake of "comfort" or moral standing (again, in a horror game of all things). People shouldn't feel bad for liking Jimmy because he's a very good character, and ignoring that completely and acting like there aren't people who could like him... kinda sucks?

Moving over, Valentino is not and has NEVER been portrayed in a positive light in the show. I can't wrap my head around people that genuinely think that. Whenever I hear people say that the arguments I always see are "he shouldn't be attractive" and "he's just a cartoon villain" and "he acts silly and quirky even tho he's a rapist" among other things, and I don't think these people realise they're spouting eugenics bullshit and demonstrating that they don't know anything about his character simultaneously. No, Valentino isn't a "positive" portrayal of a rapist because he's attractive (way to tie morality to appearance btw). No, Valentino isn't a positive portrayal of a rapist because he acts goofy and funny and silly. Those traits are intentional and important to his character. Val is the Overlord of lust and depravity, hell's most famous pimp. His beauty is how he lures in unsuspecting sinners, and his personality is how he gains their trust and gets them to sell their souls for him to exploit (notice how Angel signed his soul away willingly). He's supposed to be appealing. He's supposed to be charming. He's entire persona is meant to be disarming. If he were like Jimmy or just a one-note unlikeable guy, his position in the show and his relationships with the characters wouldn't make sense, so he isn't. That doesn't make him a more positive portrayal or anything, it just means he's more fleshed out and written more complex than you want him to be. He's a very real depiction of an abuser, of their two-faced nature and how being attractive and charming to others doesn't make you less of an abusive monster to someone else. For context, I have been abused by someone extremely similar to Val, so his depiction feels very real to me and it's extremely tiring seeing a bunch of assholes who have probably not even seen the show or have been abused act like he's "romanticised" or "unrealistic" or "bad" simply because he was written by Vivziepop (who's ALSO an SA survivor like what is wrong with you 💀).

This is a broader point and not entirely related to this specific case, but we don't give people shit like this over people liking murderers and serial killers-- acting like all a sudden liking a rapist character says something negative about their writing or about the people that like them is INCREDIBLY stupid. People don't talk like this about Alastor and Vox-- who are both VERY despicable people. Both of them are also abusers among other horrible things, but they're not (or at least Alastor isn't) rapists so they're "not as bad". This is a sentiment I see all the time in both the fandom and hatedom whenever Valentino discourse comes back up, and this line of logic that rapists are a unique evil that can't be liked as characters in fiction but murderers and cannibals and serial killers are totally Ok is so dangerous and backwards. Liking evil characters says nothing about you as a person aside from the fact that you're a freak in the fun way. Liking evil characters but then going after others who do as well because you consider their character "too evil" and watering down the crimes of yours to justify liking them says a lot about you tho. Saying that the characters you like says something negative you in general does too.

We seriously need to stop bringing morality into fiction and saying that "normal" people wouldn't like certain immoral characters. We need to stop ostracising people for their "problematic" ships, proudly brag about ostracising them and justify it by calling them "weirdos". We need to stop saying villains are "badly written" because they're not written how YOU want them to be written, regardless of whether or not that opinion is valid (which in this case it isn't). We need to stop putting fandoms in some weird competition with each other about how characters are written and spit on people who actually enjoy them, are comforted by them or felt seen by them (gestures at the whole Angel dust situation barely a week ago). And honestly we need to stop giving attention to people like this, who spread a false narrative and kick others down for being fans of a media they don't like or know squat about for whatever reason. Who spread lies about the media or fandom in question in way that's blatantly in bad faith.

This crappy post is sitting a 17k while I'm typing this. The way people can just say ANYTHING about Hazbin Hotel and its fandom-- doesn't matter if it's valid or true or if they watched the show or know anything about the fandom at all, it just has to be negative-- and others will eat it up no questions asked needs to be studied at this point. We saw that in the months the show first aired. We saw that with the Angel Dust video. We're seeing this again here. I don't think we should be harassing anybody over fiction and in general (and needless to say don't harass any of these people) but calling out bad actors who pull shit like this more often and making it uncool to shittalk Hazbin Hotel and its fandom (and any fandom from unapologetically dark media where the people deal with enough bullshit already) for no reason and in bad faith is a change I'd be down with. Like, wash your mouth of its name and disappear into the shadow realm, goddamnit.

[changeling-droneco]

Hi I'm that person who made the original post about "no doesn mean no" when a small bit of the mr beast company document was leaked, well, now we have the full document (thanks rosanna) so I'm going to go over it. Please note I am not a lawyer or a business man, I'm in college for psychology, so I might misunderstand some things or make the wrong conclusion. However, if this is a document made for the average mr. beast employee, if I cannot understand it properly, then im sure some employees also struggled

First of all, the opening paragraph. Like I get it's supposed to be like, to put people at ease, but

This is so strange? Like, first of all, this is your EMPLOYEE MANUAL, you should have run it through like, a spell check? Or had someone edit it? This is already incredibly unprofessional. Also the promising of a thousand dollars if you pass a quiz on it? It's bizarre and I'd love to see if it's an actual quiz.

Jimmy, hun, please god get an editor for this you're already trying my patience.

YOU SHOULD, you genuinely should, while interconnected these are all COMPLETELY different jobs, if you think you could write a separate manual for each branch you SHOULD

I'm sure I'm about to get an answer but what the fuck is the best YOUTUBE video then? If it's not comedy, its not production, its not quality, its not look, then what the hell is left? (monetization, it's monetization)

First of all, Jimmy, why are you using internet lingo in this, it's not a text message, this is not a place for, idc, and lol, and not capitalizing your headers correctly??? Also like I said, he's chasing trends for monetization, and also he's just wrong, there are plenty of hollywood level shows and the like on youtube. You fully admit you do not care about trends and actively rush things?

This is just fucked??? Like of COURSE IT MATTERS??? Results based company is bullshit, your employees that worked for five weeks and failed aren't "lesser" then James, it's a structural failure! They still worked for HOURS to try and succeed?? That shows merit and loyalty??? What the fuck???

Rosanna covers this one in her video but it's worth restating that this is FUCKED??? It's clear overwork "your job is your family" culture. Especially the use of the word obsessive? If you do not OBSESS over your work, you are considered poisonous. NO WONDER we have so many reports of employees doing things they feel is dangerous or unsafe, if they don't they're considered POISON to the company.

The formatting in this doc continues to fucking kill me, what are you DOING man GET AN EDITOR

This feels like such an easy fix of just...make the thumbnail after the fact? Or only make a rough draft of one first? Like if production makes a red bouncy castle instead of a yellow one, that feels like an easy fix to the thumbnail OR a communication error, and again, that's on management

A lot of the next stuff is like analytics stuff that for the most part I can't really speak on as someone who does not do any of this stuff. There are a few things though

Which like???? what??? a lull??? what do you mean "watching a video without even realizing they are watching a video??" That doesn't scream good or even mediocre content to me. If I'm actively tuning out as I watch a video, that's bad. Especially because there have been plenty of times I've been like half way through a video i go "hey this sucks actually" and click off. They actively want their audience to not be paying attention to the video so it runs all the way through, that's kinda pathetic.

I don't actually know if this is common or not in this industry, but as an outsider this seems INCREDIBLY micromanaging to me, to an immense degree.

Jimmy why are you putting swears in your employee manual?? sir??? and also something about this whole thing icks me out, I don't quite have the words but the whole emphasis on "im different im special no one else can be me" just reeks of something kind of manipulative

Why is production changing so much Jimmy??? Infinite growth is the mindset of a cancer cell Jimmy! This is incredibly unstable working conditions! Also again with the word obsession, if you take time out of your own day on your own time to watch hulu, that's seen as not being obsessed enough for the company. This is nonsensical!

Again, this is INSANELY micromanaging, and also so fucking unhinged??? "God himself couldn't stop you from making this video on time" is NOT a healthy work mindset, things HAPPEN!!!

In this segment he's actually talking normal things but I did just want to highlight his use of "freaken" who the hell puts that in an EMPLOYEE MANUEL

Again with the micromanaging, and the immense pressure on employees for problems OTHER people do. While he's not fully wrong that you should be in more contact with the contractor then the example, this is too much in the other direction. How much time in the day does he think people have?!

My kingdom for a fucking paragraph break dude, my fucking eyes. Also this is a lot of "im so great and do everything and you should do more for me and if i dont know something that's your fault" for something titled "I am not always right"

I'm getting lazy with my highlighting, but again, the micromanaging? If you're SOOO busy, the first question should be the ideal? it's quick and makes a quick decision, while the second one meanders and meanders

Again, Jimmy is pushing blame for HIS mistakes on OTHER PEOPLE. For again, a section called "i am not always right" hes taking NO accountability for that and just making the SAME excuses he's berating in other places.

I can't even tell what he means here AN EDITOR JIMMY

Autism Hell tm, PLEASE email me so I can DOUBLE CHECK IT, things in writing are SO useful

Again the language towards "C-Players" which as mr beast has said, are the people who y'know, are NORMAL employees who DON'T live and breathe this company

Okay first of all, a Lamborghini is like 300k so that's already A REALLY hard task, and i sure hope don't usually put typos in the tasks. SECOND of all the fact he thinks its okay to go "hey if the studio is literally on fire around you and you stop working to get the Lamborghini, you're not doing good enough" even if he claims it as a joke is NOT OKAY what the FUCK

We've covered this before, but to reiterate this segment is named after a sexual assault reference when it could have been named ANYTHING ELSE and harasses employees and pressures them to break rules, don't do that.

I'm not an editor, so maybe this is normal, but as someone from the outside it seems strange to put this much emphasis on dividing focus between so many videos at once.

Jimmy, hun, are you paying extra for this? Because if I'm an editor and you want me FILMING stuff then i want to be paid more for doing TWO jobs and I probably still wont be as skilled a TRAINED CAMERA MAN

First of all now THAT'S a type, consteatants. Also the fact they are aware that leaving contestants out in the sun is bad, why are you not doing MORE TO STOP IT BEYOND "hey maybe giving them three hours of heatstroke is bad, try only two next time"

Don't we love favoritism, more shitty unprofessional writings, and a completely unstable work environment?

If your people have to pull all nighters period something is wrong, and if something happens to an employees car that could have seriously hurt someone, i sure hope you care more then just "LOL FUNNY" Who's picking up the broken glass? Who's reimbursing the car owner? That one meme of "your first care should be commitment to the bit" is a MEME jimmy, it's not ACTUAL ADVICE

Ah shit I hit image limit, well, you've seen enough screenshots to know these are screenshots, we're almost done I'll put them in as quotes

"Let’s say you are tasked with finding us a castle to live in for 50 hours and while doing research you find a castle and a number to call for the owner. So you do call, and he answers. Only problem is he says he quit the castle renting business to pursue his dream of building a 100 foot tall lego catapult. You can obviously tell where i’m going with this. Ideally you’d recognize that’s badass as fuck and try to convince him to let us use it when we do find a castle. This is a bad example because it’s so obvious but if you’re doing your job right you will be doing an absurd amounts of calls and data collecting. While trying to complete your prios and prepare for the video you should always be on the lookout for new things you can bring to your creative team to inspire them. Because just like me, they don’t know what they don’t know and you can’t just say “i’m in production and i’m not very creative” because that’s literally the equivalent of saying I suck at what I do. You also need to apply this same mindset when problem solving because many people lose sight of this stuff when in the weeds. If a problem appears, always always always ask yourself if your new plan is whats best for creative, not just the easiest bandaid."

First of all it's really funny seeing all the red lines pop up, second of all this insistent blurring of everyone's job seems so strange? Again maybe this is normal, but it really feels like Jimmy wants everyone working every job, instead on focusing on what they are actually hired to do.

"What is the goal of our content?

To excite me. The goal of our content is to excite me. That may sound weird to some of you, especially if you’re new but to me it’s what’s most important. If I'm not excited to get in front of that camera and film the video, it’s just simply not going to happen."

That's fucking weirddddd, like I get that he's trying to be like "im authentic" but it always feels like a bad sign when the goal of a company is literally just "What amuses the boss" like...bad sign

"this is youtube and there are constraints. You know the video can’t be a minute so you’re obviously going to need a story to hold the viewers and there are rules to storytelling. Our audience is massive and because of that you have to be simple, for 50 million people to understand something it must be simple. Content can be anything but there is structure and rules that we must mold it into that I want to teach you about, because virality doesn’t just happen. Every frame of our videos will be seen by 10s of millions of people"

Gross

"I'd say the average MrBeast viewer is a teenage memer that likes video games."

Mr Beast is completely aware of his demographic and puts screen shots of it, he is very aware his stuff is aimed at kids, even when its about gambling or hiring people not around near minors

"I feel silly for having to write this but all the time I talk to 32 new people that have at most seen like 5 or 6 of our videos and it’s mind blowing that they don’t see a problem with that lol."

It's almost like your audience is teenage memer and that people who working here are not in fact, teenage memers.

"What you consume on social media, when you watch youtube, tv, the games you play, etc. are what I like to call your information diet.

How do you stay up to date on the latest memes? How do you know what’s going on with celebrities? What’s trending on youtube? What other creators are doing? What’s popping on tik tok? Your information diet. Consume things on a daily basis that help you write better content."

If my job as a creative writer had my boss tell me to have to see whats "popping on tik tok" as part of my job i'd quit also again, the micromanaging of someone's life as well pops up again, it's weirddd

"It’s okay for the boys to be childish

If talent wants to draw a dick on the white board in the video or do something stupid, let them. (assuming they know all the risks and arn’t missing context on why it’s not safe) People like when we are in our natural element of stupidity. Really do everything you can to empower the boys when filming and help them make content. Help them be idiots"

More favoritism

"If you’ve made it this far you are probably at least semi interested in this being your career. So I wanted to chat about it. Because if you're ambitious and want to dedicate your life to work, you picked the best company in America to do it at. I really don’t care to hoard a bunch of money and I deeply believe in rewarding the people that help this business get where it needs to be. But before I get into that, let’s talk about the future. As I write this we have 2 teams, that will grow to 4 in the next year. (and possibly 8 in the next 2 years but I can’t talk about that cause james will kill me haha). We need more leaders in the company. Weneed hard working, obsessive, coachable, intelligent, grinders that can step up and take some of these leadership spots over the next 2 years. Every single department has an opportunity for you to grow in and you’re in luck because we don’t do yearly reviews. We do whenever the fuck you want reviewes"

Lack of communication from management, and more emphasis on grinding and crunch culture, goodie, all while riddled with typos! God.

"I see a world where this company is worth billions and one day 10s of billions. And those of you that help build this will be rewarded. I want nothing more then for you to go all in, obsessive all day everyday, and become so god dam valuable this company can’t operate without you. And in return for becoming so valuable I hope to give you incredible experiences, a fun place to work, and of course, more money then you could ever dream of making at any other company."

I feel like I'm reading a fucking pyramid scheme document here, "youre so so valuable spend literally every minute of every day on this company haha" good GOD man

[yonch]

it's been 15 years and you can see better than ever

(design notes under the cut) (there are spoilers)

ok this got really long. here you go

sif:

ditched the cloak. it was collecting dust in their closet until recently, but they realized they don't need to cling to their grief so much anymore. someone else will need it more soon.

ditched the eyepatch. the prosthetic eye is a labor of love designed by isa, as is literally everything else they're wearing.

they cut their bangs finally and started braiding their hair back so it wouldn't obscure their vision as much anymore.

they like darker/tighter clothing and prefer function over form but unfortunately their gay ass boyfriend keeps treating them like a dress up doll so they're stuck wearing waistcoats and a fancy cloak. (they don't mind. it's designed to look like loop.) they keep flowers in their many pockets to give to people.

they're a woodworker in their free time. they don't usually talk about being any sort of savior so he just becomes sif the guy who's really good at carving birthday presents for people and also tags along with isa to charity parties and fundraisers

41 year old 5'1" they/he absolutely zero intention of Changing. bonded to isabeau. they adopted a kid who leo or i might post about some other time i think. her name is estelle.

isa: i'm not taking credit for the design that's by my friend @fembard /@leoweooo. i'll include his design notes

isa dresses mostly for comfort, he doesn't like wearing stuff that might get stained or ruined when he's dyeing clothes or chasing stelle around in the mud or something, all his fashion sense goes into his handiwork

he Changed a few more times over the 15yrs, eventually settled. picked up she/her pronouns again on the side but was never really able to ditch the name isabeau and he kinda ran out of names anyways...

kept the long hair, kept a few inches in height, very happy to fulfill the role of male (space) wife

can't ditch the kimono jacket it's the piece de resistance. odile influence and Wisening Of Age means its made with a little more knowledge of ka buan technique but still very clearly an Isa Design. the fabric is imported silk sif!!!!!!

39 year old Tall with a capital T he/she "i swear i'm not a weeaboo i'm just really into ka buan fashion" vaugardian indie clothing designer in your area help support this man in his attempts to use his family members as living advertisements for his brand

mira: with design input from @jastertown thank you my friend

i took a lot of inspiration for the sparkly, sheer fabric on her dress from euphrasie. she's not head housemaiden yet because she doesn't feel like she's ready but everybody knows it'll be her

speaking of inspiration. she's been taking a lot of fashion cues from a certain lady in dormont that she thought was kind of scary, but it turns out she's very nice? they're besties now.

she got rid of the earrings for a little bit but then she realized she just liked how they look on her. so now they go ding ding! it's for her and nobody else, and that's how she likes it.

moved her ornaments to her skirt because they ding ding more often there. her necklace also jingles with merriment.

38 year old she/her advanced cisgender+ legend who's realizing that people are trying to get her to be the pope but all she really wants to do is write yaoibait fiction that looks like it came straight off of ao3

odile:

my glorious hag. she started shrinking about 3 years ago. all those years of bending over books has finally caught up to her. her hips are fuuuuuucked. but she has a sick cane that sif carved for her so everything's okay

she was already pretty comfortable and settled in her sense of style when she was nearing 50 so i don't think she would change much. darker clothing maybe. ditched the high-waisted pants for some looser slacks.

she's started writing a familytale of her own. the only person she's told about it is bonbon, who caught her up way past their bedtime, and scribbled all over one of the pages. she'll pass it on to sif when the time's right, after she's written down everything she can remember about their family.

64 year old she/her wasian researcher recovering from hernia surgery who's getting really into things like "political activism" and "body craft law reformation in ka bue" and "making sure people aren't sourcing their hrt from back alleys"

bonnie:

prefers to go by boniface these days. it's cooler. more mature. please stop calling me bonbon that's a nickname from when i was 10 guys c'mon guys ugh fine frin you can still call me bonbon but not around my girlfriends ok (nobody calls them boniface except for odile)

speaking of which they have 3 butch lesbian girlfriends. this got established as a joke but i think they have it in them. they're still young!!!!!!! they should be at the club!!!!!!!!!!!!!!!!!!!

they traveled for a while with everybody but eventually settled down back in bambouche to start a little family owned restaurant with nille featuring dishes from all over the globe. people travel from all over to get a taste of boniface's good eats... bambouche is bustling. (they have a few recipes that are sourced from the country. they meet people every once in a while who find something achingly familiar about it, and they usually direct those people to jouvente to get in contact with frin.)

26 year old they/them "i dont know how tall i am but i'm taller than za" chef cooker whose restaurant keeps lighting on fire because this time i swear nille i can figure out how to do cooking craft i swear i wont explode the kitchen this time please i promise

loop:

ok. this is where lozy gets to just talk about what he thinks happens post game. i think they stick around for way longer than they really should and follow the crew around on their travels (mostly invisibly) because they're sooo fucking scared of change they're sooo scared and they're so scared of their wish fucking up beyond belief. they're kind of incapable of aging or dying in this body and theyre like permanently 26 which is what spurs them to finally move on.

i think they go back to their timeline eventually after making a Brand New Wish to "go back to their real family." alas the universe leads and we can only follow. and it turns out loop has actually made a real family in stardust's world also. this is my justification for why they can pop in between sasasap and isat worlds without much repercussion. i think they're always permanently loop shaped in isat but i imagine they can probably go back to their original body in their home timeline... might design that later. who knows. i'm fucked like that

i just think they deserve a chance for their own happy ending you know. isat's a game about how it's never too late to communicate and how you shouldn't punish yourself forever and ever. and i think theyve punished themself enough you know.

ok tank you for reading if you read this far. it's really big and long so i would understand if you didn't. but i hope you liked it. thoughts appreciated. here's a little something for the people who read all the way through.

[xamag-draws]

BBR thoughts 2024

Since I mentioned that I finally dusted off an old project of mine and was ruminating on how I'd remake it, I thought I'd elaborate a little, now that I've solidified some concepts. For funsies

This is gonna be a bit of a long and unfocused one, but I don't share my personal thoughts here often, especially the stuff about my projects I always marinate in. And for once it's something that people have existing context for, so hey why not

So for anyone who hasn't been following me for a gajillion years, The Black Brick Road of OZ was a webcomic that I posted around 2013-2015, back when I was in highschool going on college (which is kinda crazy to think about). It was sort of a darker twist on The Wonderful Wizard of Oz, although I definitely leaned a lot more into dark humor more than anything in those first few chapters

I don't think it's available to read anywhere anymore, and I know people have been asking me about it. So here's the full proper archive of BBR, as full as it can be with deceased Flash

I totally used it as an excuse to shamelessly and self-indulgently experiment. It had interactive pages and GIFs and was wayyy too overproduced for what I could handle or what was necessary, but I did have great fun making it while it lasted

Unfortunately, that excess and the fact that I've changed too much as a person by the time I was in college is what ultimately killed it. The direction I wanted to go in was practically unrecognizable from the original idea started back in 2011, so there were many old hold-ups that I felt ruined it

At the time I kinda wished I could start/rewrite it all over, but considering that I pretty much had the entire script done at that point, it felt like a pointless sisyphean task. So I just put it on a shelf and didn't look back for about 8 years, because I didn't know what else to do

Now to be fair, the nature of my art has always been iterative and cyclical; when I feel like my creative juices have run dry I prefer to leave a project to marinate and move on to something else; cycle through other old things and bring in new skills and perspectives into the mix when I'm ready again. Not very productive, but it is what makes me happy to work on my OCs; I'm doomed to hit a wall with them eventually and I need some time to be able to find a new direction

So that said, I'm glad that BBR was left to marinate for that long. I don't think I was prepared, emotionally or intellectually, to tackle it again until now. The Wizard of Oz book (and the entire series of them, really) has always been near and dear to my heart, but there's a lot of context around it that I'm only unpacking now that I'm older

I think I always inherently feel negatively about the stuff I've made in the past, like its faults always jump out to me more than the positives, especially the more time passes. I've never liked that, and I do really appreciate the kind things people have to say about BBR to this day. The fact that it still can be recognized and remembered is very sweet

When I left it, I already found it "kinda cringe", and that feeling only deepened with years. When I took my first look back at it, asking the question "how would I rewrite it now?", at first I took a very cynical approach, as in "everything would have to be torn down"

But the more I sat on it, the more I found that I still see some merit and charm in the ideas I was putting out; I just didn't know how to execute them at the time (not to pretend that I know what I'm doing now, but I certainly know more at least). Turns out a lot of my old concepts could be changed substantially with just a few small tweaks. So I'd say that's a nicer way to think about my previous work

If you haven't seen yet, I posted a first draft of my new designs for some of the characters (the main group, the Goods and the Wickeds). Definitely subject to change, but more or less how I see them now

I'm just playing with these concepts; by no means would I attempt to remake BBR right this moment. Call it a pipe dream among my other ones. But just for fun, this is the direction I'd like to take:

Nowadays I'd probably make it a visual novel, with more emphasis on the visual part than the novel because I'm no English prose writer by any means. It'd still let me play a little with the interactivity while helping cut some corners on the drawing part (only some, I imagine I'd go hog wild anyway)

I've always intended for some events inspired by the sequel books to take place in BBR's past. Stuff like Jinjur's revolt or Ozma's rule preceeds the main events here. So I think it would be fun to follow the past of a few key characters alongside the main story. One chapter focusing on the present quest to see the Wizard, then one focusing on the past events (that are maybe reflective thematically); rinse and repeat

I'm also sticking a little closer to the original text in some regards. Not everything that I enjoy from the books would be translated here, it's still just a very loose fantasy on the material; but I'd like to be closer in spirit at least

I like mature, wise and powerful Glinda, I like kind and vulnerable Tin Man, I like the Wizard being a pathetic yet loveable liar, so I'm sprinkling in more of that for example

I'd like to keep some whimsy, but make it more grounded and a bit more serious to be coherent in tone. I think the original TWWOOZ book was a more realistic fantasy in some ways, even for the standards of the time; I like its simple but vivid tactile descriptions and details like bringing attention that Dorothy needed to eat and sleep

I find it funny that Baum specifically was averse to making his books scary or unpleasant, finding that unnecessary for telling a compelling kids story, but they still can get pretty dark and disturbing, at least for our modern sensibilities. Let's just say that I intend to use the Evoldo and Chopfyt storylines for my purposes. In that way, I feel like a "darker" Wizard of Oz retelling can still mostly be tonally in line with the original and balance it with enough heart and occasional humor

I slowly grew to appreciate the quaint old-timey quality of the original series, as well. The first book is both timeless and very much a product of the 1900s. Originally I tried to give it a little modern or at least anachronistic spin, but it was moreso because it's what I knew best, so these days I'd rather intentionally lean into the time period. Still not fully historically accurate by any means, but at least directly acknowledging the influence

The events of the story span across 40 years of these characters' lives, so I'm drawing inspiration from the entire so-called La Belle Epoque: the time period around 1880s-1920s. Basically I'm cooking, and my soup is old Victorian fashion morphing into Edwardian fashion and slowly inching towards flappers

Some new Dolly outfits

Lots of crazy things, political changes and innovations were happening at the turn of the century, which I think is noted and reflected by Baum in the books as well; the character of Tik-Tok might not blow any minds now, but he was one of the first robot characters in literature at that point; and don't even get me started on Jinjur, etc. Plenty of really interesting stuff one could lightly ponder in an Oz adaptation these days

Aesthetically, art nouveau has always been a big artistic influence for me, and it'd definitely be its time to shine here. John R. Neill's illustrations of the Oz books often keep me company as well. Nouveau architecture in particular fits that fairytale whimsy extremely well imo

I'd allow myself a little bit of art deco here and there, but ultimately its intimidating geometrical splendor is an antithetical to the flowery nature of nouveau and I associate it with a completely different era. Definitely fitting some characters like my Wicked Witch of the West, but shouldn't be overused

One of my main problems with the original BBR was that eventually I lost track of what it was even about; and the original ending felt too mean and unfulfilling to be worth it. Now I'd like to stick to the theme of home and family as my main theme, but in a different, more bittersweet way than in the book

An interesting connection I made is that a lot of my aforementioned older key characters (the Witches, Jinjur, the Nome King, etc) all came from the same reformatory as kids, that's how they know each other. In my recent research I learned that in those reformatories it was usually frowned upon to release the children back to the families, which were seen as the original corrupting influence regardless of the circumstance. The reformatory did everything in its power to cut that connection and make itself the only family those wayward kids were supposed to know and love. That's an unexpected tie into the theme of home that I'd like to explore as well

So yeah that's the current state of it. I have a bunch of outfit concepts I'm slowly cooking, although I'm now sure whether I'd post them... But I do miss these funny guys, and I'm glad some people still do as well :)

[shellem15]

This has been commented on many times in this fandom, but I'm using it as a springboard for my own brainrot Raphael really is just like his daddy. There's the obvious stuff—the narcissism, the dramatics, the convoluted plots and just the general messy bitchery—but there's also the stuff under the surface. Both have massive inferiority complexes, both are extremely envious and power-hungry (Mephistopheles in particular for the envy part, but we'll touch on that later), and both act extremely obsessive towards certain tools, goals, and—most relevant to this post—people.

Now Raphael is definitely weird towards Tav/Durge, but it's a bit more ambiguous as to whether he's obsessed with them in particular or just sees them as a means to an end. The situation with Hope, on the other hand, is quite explicit. Raphael is obsessed with her, even naming his home after her, but there's not really anything material he gets out of her. Him imprisoning and torturing her is not a means to an end, he just does it because he's a sadist. He wants her attention, he is entertained by her defiance, he wants to break her—he both loves and loathes her.

And what do you know! Raphael's thing towards Hope is kinda similar to how Mephistopheles acts with his object of obsession—Asmodeus. Now, if you need to know anything about Mephisto's character, it's that he's envious. Envious towards his peers, envious towards his betters, even envious towards his inferiors—he resents that others' have what he does not. Even Martinet, Asmodeus' unflappable constable, thinks so: "Were Mephistopheles to become the King of Hell, it would take him less than an hour to start wondering why he wasn’t also ruler of Mount Celestia." (Guide to Hell, p. 45)

The #1 target of Mephisto's envy is Asmodeus. The man is capital-o Obsessed with him, ya'll.  Asmo is on his mind 24/7, haunting his every thought. He lives rent-free in Mephisto's head.

Mephisto is the silver medal to Asmo's golden 1st place. Eternally living in his shadow, the Starscream to Asmo's Megatron. He is always one step behind him—like, Mephistopheles has been trying to become a god for a while now, and just when he was about to succeed, the spellplague happened and Asmodeus ate the god Azuth like an energy bar, snatching up godhood by sheer luck. And then, of course, Mephisto's godhood plan fell through so now the power divide between them is even greater than it was before.

Bro tries so hard and it just doesn't work. Like, when Mephisto was going through his rebrand phase as the Lord of Hellfire, he changed his appearance to that of the "quintessential devil". But all that ended up doing is making mortals confused about who exactly he is—a lot of mortals straight up think he is Asmodeus. Like, to the point that Asmo just went "you're the manager of my cults now lol", so now the distinction between the two is even more blurry. Also, Mephisto's wife is straight up closer to Asmo than she is to him (see my Baalphegor post), which is just another spit in the face. Bro cannot win. (This ties into another similarity between him and his son; Raphael clearly got the loser gene from him.)

Now, obviously the situation between Raphael and Hope is very different than Mephisto's relationship towards Asmo—Hope is Raphael's captive, while Asmo is Mephisto's boss; Hope's life has been upended and tormented by Raphael, while Mephisto is at most an annoyance towards Asmo (bro has repeatedly told Asmo to his face that he would usurp him and Asmo is just like "whatever, dude")—but the level of obsession is similar. Raphael hates hope but is also desperate for her affection, Mephistopheles loathes and envies Asmodeus but is also his greatest ally. Both are desperate to fu—*ahem* both are psycho-sexually obsessed with them.

So, yeah. The apple doesn't fall far from the tree.

TLDR: Raphael inherited his psycho-sexually obsessive tendencies from his daddy lol. Also you should really read the lore about Asmodeus and Mephistopheles' relationship because it's actually insane y'all. Like this shit was made for the gays people.

[sangreprince]

I wanna keep this brief (graphic design is my passion level effort but also it kinda works in a really funny way) !!! I wanna let you all know I appreciate the love you've given Zagreus and I'm so so happy to be here. You're all great and wonderful and I could say so many good things to say about each and every one of my mutuals. So fuck it, that's what I'mma do. Because you all truly deserve it. I'm super happy with Zagreus and being able to share my portrayal and have it be well received means so much !!! It's easy to say 'thank you all so much' but I want to acknowledge that I truly do appreciate and care about each and every one of my mutuals, even if my time / availability makes it tough at times. PART 1/4

@withinchains / @hercarnality : Elle you already know how much ily so I'm gonna keep this short. You're such an amazing friend and writer and you already have the screenshot about me gushing pinned so eat my shorts and play arams with me. Your Morgana is to die for and you write every character to a fucking T because of how you just interpret all their personalities and put them into words SO effortlessly.

@lasraichean : NEMO U SMELL LIKE BEEF and I think you're fantastic. You pour so much effort into all your OCs and that passion does you so much credit. You absolutely shower Annie with love in such a way that I shower everyone else with unrequested amounts of fromsoft lore so MWAH.

@blackrosesmatron : Lucy your LB is fantastic and you're so easy to talk to and communicate with. Genuinely every time we sit down and plot I find myself getting so enthralled in her antics and character. You do her so much justice

@avernusfuries : HAN You single handedly made me like Karlach and that isn't even a joke. Before we met and started writing I always thought her story was one of the weaker ones and you somehow managed to turn her into one of the more realized characters in the game. HATS OFF TO YOU and every day I beg for more of this big doofus.

@feuerwizard : Crys I know I need to get back to you for plotting things, I've just been so busy but I want to say: You and some of the other CR writers you write with are so talented and I adore reading your posts. Were it not for you guys I still probably wouldn't have any interest in CR and I'm so so excited to get started with more stuff and actually get threads going!

@soulcluster : Lilah I think all your portrayals are excellent. Your MM deserves all the attention it gets and I honestly couldn't pick a favorite muse if gave me truth serum. Plotting with you is a blast and I'm so thankful for all the ideas we pass between eachother!

@pitgritted : Your Sett, Taric, and Mutli are all so well done Jojo. I can tell you really care about all the people you write and it shines so brightly, right down the amount of detail you place into every reply and how you format things. Passion shows in the end and this is no exception!!

@palespawn : This sassy motherfucker. We've only just started writing and I still need to get to replies but you've showed interest since almost day one and I cant say how much I appreciate that. Courtney you do such a beautiful job with the twink, I almost dont wanna stab him. Almost~

@infinitysagas : I first of all wanna say thank you for writing such underappreciated characters. To see Damon get love brings me so much joy, I always take a second to read his posts when I see them come up. I know we haven't done a ton but please know that I see your writing and totally wanna do stuff, I'm just very busy skdjhf.

@deathdxnces : Irelia was a character I never cared about too much, but how you humanize her so much and have expanded on her character beyond what Riot's given us does SO much for me. I actually adore how you portray her, Mel, and I wish to get writing at some point soon!! I know you liked a starter a bit ago and I do plan to get to that, but please do not hesitate to hit me up for plotting in the meantime. It really does help and I promise I don't bite!!

@tealbeats : I know you're not super active on Ez (and I still owe you a lot of stuff actually) but I wanna say I love the amount of his personality you're able to paint into every interaction. You have such a way of making him the perfect amount of insufferable (in the best way) while still twisting it in SUCH an endearing light. I love that annoying little bug and I'm so glad you do too, because it really shows.

@agonizedembrace : Han it's been really nice to reach out and get into contact again. You're genuinely a really funny, interesting, and thoughtful person who cares about Evelynn in such a way that brings out every aspect of her character. The agony, the sex appeal, the sass, the confidence, you just nail all of it and I'm really hoping we can get stuff going soon!

@bendwill : Elder scrolls blogs are few and far between, but Miraak is absolutely one of those characters that deserves to be more written out. We haven't gotten to do a ton but please don't hesitate to hit me up and scream ideas at me, the idea of Tamrielic Zagreus is very fascinating to me. (And also I need somebody to ramble about my Oblivion D&D Campaign ideas with skdfjh)

@ofweave : First of all, trans gale is based as fuck and you have a vision. Second of all, I know you're on hiatus but once you come back I'd be so happy to get the ball rolling with this stinky wizard man!!

@kismetwilled : I'm not gonna lie, seeing how you pour effort into your headcanons and thoughtful replies kind of inspired me to do similar with my own. I also want to say that I'd love to plot more and yell ideas all day with you, your style is gorgeous and I find myself appreciating characters on your blog I've never even heard of or are barely familiar with. Seriously Dani, it's top tier and I'm so happy to be mutuals.

@enrogued : We haven't gotten anything started with but I'm so hyped. Rogue as a character has such fascinating potential with her powers, and that's not to mention her attitude towards others in general. Once stuff gets started I'm probably never gonna shut up in your DMs but like that's a constant sdfjkh STILL!!

@lunarrepel : Shadowheart my beloved. The aesthetics, writing, dialog, everything you do with her is SO on point and I can't get over it. I was already biased and liked her after Larian adjusted her a bit during the beta phase of BG3 but still. Man you just nail her and I'm so excited to develop these two out. They give wine aunt energy and THAT alone gives me so much life.

@dreadgloom / @cinderschild : I wont lie to you I was GIDDY when I found out you wrote a WoTR character. I honestly expected that fandom to have more of a presence on tumblr but I'll take what small fanclub we can get right?? And also can I comment on the takes you have from Salvatore are absolutely genius and play really well into WoTC's drow?? Genuinely fantastic worldbuilding and it's always a pleasure to see you crop up on the dash.

@nightsbloom : Your headcanons and replies have been gorgeus and I just want to say despite me being really busy and not getting around to approaching yet, I'm so excited??? Also a while back you reblogged a Qimir gifset and it's still living rent free in my head so thank you for the food chef--- Please though, if you have any thoughts or even just dynamic ideas - toss them at me at mach 5 and I will run with them because I'm HYPE.

@spiderwarden : I think you officially win the title of Minthara's #1 fan. Her performance (as I've mentioned) is absolutely captivating, as is your writing. I'm very excited to see where her interactions with Zagreus go and writing with you (or even just seeing your random hc posts and comments) is such a blast. I will always sit down and listen to you ramble about her, I think she's so fascinating and that's in no small part to how you manage to inject so much life and love into her despite all the cut content.

[antimony-medusa]

*I emerge from several weeks of talking about conceptualizing my cubitos and who else populates their world and what the precise nature of the character is* Hello. Hi. It's time for my twice-yearly thoughts on RPF.

Okay so I was one of the people who was emailing Ao3 about it when we had all of MCYT wrangled into VBRPF going please please please please can we have our own server tags pleeeeeeease I promise it's not just video blogging rpf pleeeeeeease my streamer doesn't have wings in real life pleasssssseeee— and my general stance is that writing about Dream SMP characters is writing about characters, it's not RPF.

Not quite. It's not quite RPF. There is a meaningful distinction there, but it's not a really huge one. That distinction exists and is important to me in how I conceptualize those characters and whether I'm mentally going "okay I need to study lore streams for vocal patterns" for voice research or if I'm going "okay I need to pull up technocord logs " to get techno voice right. What I consider the authoritative canon "character" is a rp guy who spawns withers, not a real streamer in california with a little white dog.

But like I do multifandom exchanges and I wander into them with my cubitos clutched tight in my palms, and I see what other fandoms look like— and importantly, I see what other rpf fandoms look like— and guys, I think that line is legitimately blurry and I think that's literally fine. If I walk into a mulltfandom space with my guys they're going to squint at me and go "rpf fandom— kinda, I think" and I can go "hahaha, not quite", but also I do not blame other people for thinking this is RPF cause like— there are a lot of similarities!

What MCYT tends to classify as "RPF" is directly stories operating in a world where the characters are streamers, they post on twitter, they have lunch with the CEO of twitch. And anyone not writing that, is obviously not writing RPF. And that is not untrue, up to a point, but there is a broad category of fics that tend WAY harder into the pure fictional that are still considered RPF fandoms, if you actually check what other RPF fandoms are doing. There are 599 works in "Demon Shane Madej", many of which are in AUs that have no connection to the real world other than the character relationships, and they're still officially considered RPF.

I have a friend who's in a c-drama rpf fandom that has a rpf ship they really like, and a really popular thing is to take the various characters these actors have played (totally fictional characters from various media) and ship them together. And that's just a crossover of two fictional mediums, but because the thread connecting them is two guys in real life, that's considered RPF.

The banddom tags are absolutely COMPLETELY full of aus that are not set in the real world at all, no connection to the music industry, and what the people in those fandoms will say is like yeah, I have no idea about the real guy, I'm working with a character/persona who's put on for the stage and interviews and personas, and that guy is not REAL, who knows what the real guy is like, but like, I like the persona, I deal with the persona, and then they put that persona in an au where he kisses other personas— and this gets considered RPF.

Wrestler RPF is directly dealing with invented characters who are beating the bloody snot out of each other (hot), they have names like "the undertaker", dealing with scripted storylines, but it still get considered RPF.

And like, I look at myself as I am entering my third year of writing Technoblade most of the time, and what I'm doing here and— there are a lot of similarities in what I'm doing to what other RPF fandoms are doing. I'm a fan of the DSMP character but I'm also a fan of the guy, so I want to play in this extended universe, so I want to include nods to his other stuff. So I will pepper in a cheeky nod to the potato war here, I'll mention hypixel there, etc, kind of make an extended Technoblade universe. And I think that's not RPF (quite) because I'm working from a fictional canon that includes references to the potato war and hypixel etc, I'm just expanding on it, but like, this is literally what my friend in c-drama rpf does as well when she's writing aus about her guy. It's kind of close to RPF. That line is not really obvious to the casual viewer.

So I do not blame anyone else if they look at what we're doing and they go ah, nods wisely, you are a rpf fandom, I've seen this before, and we go um actually, hahah, you'd think that, but no, and then they nod and clearly do not understand how it's not a RPF fandom.

But the thing is it's literally fine if people think that, I think. RPF is not the end of the world. It's just a bunch of people working with people's various performancesonas and worksonas and having fun with it. Spoilers for mythbusters in the real world, but we now know that by the end of mythbusters adam and jamie were not really friends, but most of the mythbusters rpf keeps them as friends because that was the professional persona they provided for the camera, and that was the fictional world the writers wanted to live in. I don't think it's a problem if someone wants to write straight up streamer fic, you do you, and that's unequivocally RPF, but once you start getting into AUs and extended universes and bringing emduo content into qsmp and writing fic based on GIGS streams, the line legitimately gets WAY more blurry.

I think a bunch of fic (including my fic) can start to exist in a "both things are true" state where it's drawing from direct fiction but it's also drawing from a lot of stuff that other fandoms would consider RPF sources, and like, I don't mind this. I don't think it's bad if you're doing this too. We're not getting more DSMP content, the fandom police are not gonna turn up at your house if you want to pull strongly from minecraft monday for your fic. Do schlackity on QSMP. Do a DSMP extended future where tommy gets tubbo to marry him for a bit and then tubbo immediately demands a divorce. The canon of material we have to draw on is not something where big obvious lines exist between "rpf content" and "pure fiction" if you step at ALL outside of canon-compliant. Like fuck, in my very first DSMP longfic I included all these hermit cameos and mcc references which would make it RPF in any other canon, but also I was pulling mainly from the prison arc lore and beats and relationships for the core, which is NOT rpf, and at this point it is not worth the hassle in my head to draw a strong distinction between them.

It's kinda RPF. It's not quite RPF. It's fictional. It's based in the real world. It's all personas. it's drawing on off-lore-stream dynamics. It's drawing on scripted scenes where my streamer had his camera in lore mode. It's COMPLICATED to unpick and I legitimately think that's fine. RPF is literally fine, some people are gonna think we're writing RPF, it's not the end of the world. Just have fun with it.

[goldeaglefire1]

so. played the Pristine Cut a few days ago (not the first time I've played Slay the Princess, for the record; I actually got into it like a month ago and have kinda just. lurked in the background, not making any posts about it. so uh. hi guys) and. GOD this game is good for so many reasons, with even more reasons being added by the Pristine Cut, and I know a lot of people have made posts about how good Happily Ever After is already, but, since I haven't seen anyone post about it from the angle I'm looking at it...y'all mind if I ramble about how good the Happily Ever After route is from a narrative perspective. trick question, I wasn't asking; I'm going to ramble about how good the Happily Ever After route is from a narrative perspective.

so! let's talk about the Damsel for a minute. this is all fairly obvious stuff but stick with me here; we need to lay the groundwork for the main discussion. the Damsel, from a purely Doylist perspective, is the archetypical "damsel in distress" trope - the girl at the end of the villain's lair who has no agency of her own and exists purely as a reward for the hero completing his journey and beating up the villain (before you get mad, I know the Damsel is not actually like this in-universe, and that fact is actually a surprise tool that will help us later, but, again, looking at this from a purely Doylist perspective: outside the world of Slay the Princess, not in it) - fundamentally, she's there to make you happy. the Shifting Mound changes based on perception, and by treating her as the archetypical damsel in distress in Chapter 1, she actually becomes one come Chapter 2, with all her hard, unconventional edges like, to pick a random example here, "the capacity to horrifically self-mutilate herself," being sanded away for a perfect storybook ending. that's what you wanted, after all.

and, if you take everything at face value, that's exactly what you get! if you follow the Voice of the Smitten's advice and completely ignore the Narrator's nonsense about how she'll "end the world" or something, you will get exactly what you asked for, because, well. that's all there is to it! there is no deeper story here, it's just "hero saves princess, the end," end scene, move on to the next princess. but that's the Damsel route, and we're here to talk about the Happily Ever After route. and in order to properly get the Happily Ever After route, you have to horribly fuck up the extremely simple narrative presented before you. so, how do you do that? two ways - either try to question the princess's character and see what underlying motives she has, or, the method I'm choosing to focus on (both because it's the one I got when I first got the Happily Ever After route and because it better illustrates my point) - when you get near the end of the Damsel's story, right as you're about to get your Happily Ever After...you listen to the Voice of the Hero. because while the Smitten may be ignoring literally everything the Narrator says, the Hero has not been doing that, and quite frankly has some concerns about the potential end of the world thing. if she really can end the world...well, she just wants to make us happy, right? so surely nothing will go wrong if you just decide to stay in the cabin forever! it's a perfect compromise!

spoiler alert: it is not a perfect compromise. it is in fact as far from a perfect compromise as you can possibly get. makes sense, really, as there are no real compromises in Slay the Princess - you can either choose to trust the Narrator in any given route, trust the Princess in any given route, or you can choose, to quote the Contrarian in the Apotheosis, the third option that nobody wants. and the only two times the third option is any good is, well, when you're very intentionally spiting both parties - hi Contrarian - and when there's an actual third party you can appeal to, as is the case at the end of the game. every other time? you will be massively punished by the narrative for trying to find another option. try the "let's keep the princess in the cabin" maneuver in chapter 1? you get the Nightmare. try to be a smartass and avoid the "slay the princess/save the princess" issue altogether? you get the Stranger.

hell, every chapter 3 is ultimately the result of you not playing the role you're supposed to in the narrative (aside from the Razor who forces you to go to a chapter 3 no matter what but she doesn't count). if you play the role you're given in chapter 2, you'll be fine! for example - did you get the Spectre? congratulations! you get the Voice of the Cold, a cold-blooded killer - except, hmm...the princess is already dead, so no one to kill there...but there is the Narrator, who you're fairly mad at for the frankly terrible reward for doing your damn job, so how do you kill him? easy - take the princess out into the world and let her world-destroying properties do the job for you. did you get the Beast? congratulations! you get the Voice of the Hunted, a meek prey animal trying to avoid a massive predator...except, well, bad news, boss - you're the only food around here, so you're going to have to get eaten. sorry man. did you get the Nightmare? congratulations! you get the Voice of the Paranoid, a nervous wreck who, frankly, does NOT want to be here, and, well. honestly, do you expect to be able to save the world? the fact that you're even managing to stand up next to this eldritch abomination is a miracle; you might as well just let her out, because, frankly, who would blame you? and so on and so forth.

the Damsel's narrative is extremely simple. you get the Voice of the Smitten, a classic, overly dramatic, simple hero to match the simple princess you're given. your job is to swoop in, sweep her off her feet, and leave. that's it. that is all there is to it. the Narrator's talk about her ending the world does not fit into this narrative, so you have to discard it. after all, why would the hero release a world-ending monster into the world? that's preposterous! he must be lying, obviously. but, by giving the Narrator the benefit of a doubt, or trying to dig deeper into the Damsel's narrative role and find depth when there is none, you expose the cracks in that narrative...and chief among those cracks is that the Damsel is not the simple character her narrative role wants her to be.

I'm not going to do a full character analysis on the Damsel because that's not the point of this post, but even on the most surface-level reading, the Damsel has two very clear desires - she wants to make you happy, and she wants to be free. and, yeah, that's fairly straightforward, but it's more than nothing, which, ah, doesn't exactly bode well. after all, the Damsel's narrative role is that of the damsel in distress, a role most known for, very notably, having no agency, and here you are, dangling her freedom right in front of her face and snatching it away, and quite frankly, that sucks! she wants to be free! she wants to be free a LOT more than she wants to make some stranger she barely knows happy, and while normally those two desires have no conflict with each other, now they do, and while the chapter 1 princess could have done something about this situation and gone Nightmare on your ass, being a blank slate as far as the narrative goes, that's not an option anymore - you've locked her into her narrative role, now, and as a damsel in distress, she can't do shit. the worst she can do is be mildly upset but otherwise have zero objections to your proposal

luckily (or, well, unluckily depending on your point of view), that's enough for you to get your proper comeuppance in the form of Smitten. poor, poor Smitten - unlike the Damsel, he really is as simple as he appears to be on the surface. even on other routes, he is always, always madly in love with the princess, no matter how she looks or acts, and all he wants is to make her happy. a simple character for a simple narrative, who, conveniently, is NEVER forced to question the Princess' role in that narrative...until now. until you forced the fact that she is NOT the simple damsel she's supposed to be directly in his face, and that she's unhappy with your decision, well. that can't be right. she can't be unhappy, we're supposed to make her happy no matter what! something's clearly wrong here - it can't be the princess, because blaming the princess for anything is inherently not an option for Smitten; it's not in his nature. it can't be us, or at least he can't figure out how it could be us, because he's a simple character for a simple narrative, and the thought of "dangling the princess's freedom in front of her and then taking it away is a massive dick move" doesn't even occur to him, because he doesn't realize that's what we were doing. so...it must be something else. maybe the Narrator, who's been describing her as this world-ending abomination when she's clearly a maiden in need of rescue, or this cabin, because, well, why would a princess be in a cabin? she need a proper castle, obviously! he can fix this, surely, there has to be some solution here, he can make this work again...and it all begins by bearing out his heart.

or, rather, YOUR heart. which, you know, kills us. everything goes dark, and we die, etc., onto the new chapter! or epilogue, if you want to go by the title card. welcome to Happily Ever After, the reward you deserve! you goddamn bastard. this route is effectively Smitten's attempt to fix the narrative you broke - and, in many ways, his efforts can be compared to the OTHER route you get by breaking the narrative of the Damsel, that being the Burning Grey. in that route, you kill the Damsel, and, well, that very obviously breaks the narrative, so when Smitten kills you in retaliation and a new world is formed, the Damsel, now the titular Burning Grey, tries to fix it. much like Smitten can't blame her, she can't blame you, because her narrative role doesn't allow it, and she doesn't blame herself, because she did literally nothing to deserve that (aside from like. the fact that she killed you that one time but frankly if you hold that against her that's a bit of a dick move), so she comes to the same conclusion that there must be an external force responsible for derailing the story. the difference between Smitten here and the Burning Grey is the solutions they come up with: the Burning Grey, fundamentally, is part the Shifting Mound, the embodiment of change, rebirth, and death. so, naturally, the solution she comes up with is to burn down the cabin with both herself and us inside, finally being together with her love forever. by melting together her and our flesh. which, you know, sucks, but at the very least the death is...relatively quick?

the Happily Ever After route does not give you or the Princess the luxury of death. after all, Smitten is not a part of the Shifting Mound, but a part of you - the Long Quiet, the embodiment of stasis and stagnation. killing you or the princess doesn't even occur to him as an option - at least, it doesn't now that he's outside of you. and while this allows him to get something much closer to what we would associate with a happy ending, it falls apart fast. the same feasts over and over again, growing more stale and bland with time, the same games over and over again, excitement dulling into boredom as you play repeatedly with no end in sight...it's not Happily Ever After, not even close, but it's the best he can manage. after all, isn't this what you wanted? you DID save the princess, and Smitten is a simple character for a simple narrative, so, this is the only option he can think of outside of riding off into the sunset with our beloved. so, this has to be what you wanted, right?

and as for the princess? well, if she was locked by the narrative before, it's even worse now with Smitten. after all, as far as she's concerned, Smitten is us, so all she knows is that, after we dangled her freedom in front of her and took it away, and she showed even the slightest bit of resistance in response, we proceeded to make her already bad situation into a living goddamn nightmare. so, yeah, she is terrified of what could possibly happen if she shows she isn't happy with this, so she's quick to smother any and all signs of dissatisfaction in the hopes that, as long as she seems happy with all this, you can't make this worse somehow. the MOST she does in terms of resistance is wear the Pristine Blade as a necklace, which is honestly more of a vague hope of "if you won't let me free from this cabin alive, then maybe at the very least you'll let me free from this cabin in death? please? on god?"

and, well, you could in fact do that. or, hell, if you REALLY feel like being an asshole, you could decide to NOT break the facade at all. but if you really want to make it up to the princess? if you realize how badly you've fucked up and want to actually make up for your mistakes? you have to let her actually express her discomfort. you have to give her back the agency she's been denied by the narrative - the agency you took away in the first place. and once she finally has that back...she cries. in relief, because she's finally free from the hell you put her in, in sorrow because, despite it all, the facade of a happy ending was nice while it lasted, in a mix of both with the tears she'd been unable to shed for so, so long...and, at the end of the day, despite having every right to hate you...she doesn't. because you DID set her free, in the end. you realized your mistakes, you learned and changed as a person, and you actually made things right, so even though you might have made her life a living nightmare...she's willing to give things a fresh start. and whether you decide to amicably part ways or start something new together, at long last, she'll finally have her chance to dance under the stars.

this is a love story.

[gffa]

You are not only deeply knowledgeable on Star Wars, but also consistently and patiently share that knowledge, even when people seem to intentionally misunderstand you. I admire that about you and I simply wanted to express it. Kudos.

This is really sweet, thank you for such kind words! I will always admit that I am not as kind or as patient as I sometimes wish I were, I'm still human and I have limits like anyone else. But I was thinking about this again the other day and it still holds true: I have often regretted snapping at someone, even when it was fully deserved and justified. I don't like who it makes me. I don't like having to live with that anger in my veins. I have never once regretted being kind to the best of my ability. Even when the other person is an asshole and stays an asshole, I have never looked back and regretted doing my best to be patient and as gentle as I can be. Because it's not about them, seriously. It's about me. It's about the people in the fandom who I do care about and I don't want my snide remarks spilling over onto them, because they don't deserve it. And I'm nowhere near perfect at it, some people probably consistently find me super grating, but I'm at least genuinely trying and I'm okay with that. I've spent a lot of time rubbernecking drama in other fandoms and it has taught me so much about how behavior comes off to outsiders--you can have as much justification for your actions as you want, but if you act like a pill, however justified that might be, a lot of people are just going to go, "Christ, what a pill." All over some ridiculous dumbass space opera fairy tale written by some guy! It's fine to be genuinely invested in things, I love being a Star Wars nerd, but real people have to come before fandom stuff and I think it helps to remember that it's not just you in fandom, but there are a whole lot of people who are going to see the things you post. And yeah I'm annoying as hell, I'm fine with that 😂, but also I'm an annoying person who will shove as many resources and stuff at you as you're interested in reading!!! And I'm very lucky that I've found other people to share that generosity in fandom with me, thank you guys for being really cool to hang out with. You've made these last few weeks in Star Wars fandom really kinda tolerable and that's no small feat!

[impactrueno]

(thread i posted on twitter copypaste)

i think musical bj and lydia have the most interesting dynamic of the three…they go toe to toe, seem to be in perfect sync without even trying, she managed to turn his marriage threat on its head by tricking HIM back, and then a mini redemption arc? we love to see it but this also means it's hard for me to think of interesting things for them, because they already said everything that needed to be said in the musical. perfect closure too. what else is there even to tell?

thinking about this again since i've been rewatching the musical over and over. the emotional resolution and closure they had was so satisfying after offering what is probably the best (subjectively) and most balanced (objectively) dynamic of the three iterations

over at tumblr i've been talking about how cartoon bj and lydia's friendship isn't as perfect as it seems, especially in the later episodes. it's so sad to see but i'm also invested in their potential downfall and how that would go down…it's interesting to think about

but hey at least they're not movie bj and lydia lol. what….a mess of a dynamic those two have now with the sequel. it could've been handled so much better. they obviously wanted us to root for bj a little in this one, but the cool things he does amount to nothing, pretty much.

feels weird sympathizing with THIS beetleguy of all three but wow not even a reluctant "thanks i guess" or anything? idk feels like something was missing there. just one of the many things that feel like they're setting up for a third installment

thinking so hard about this because when i write them i gotta think about their motivations, feelings and why they feel that way, etc and bj saving astrid's life and exposing rory as a fraud and abuser (in an incredibly satisfying way) definitely tipped the scales in his favor.

so i'm still figuring out how lydia would feel about all that. i have this scene stuck in my head of her and astrid talking about bj. and astrid, who's really only seen him do good things, goes "…really mom?" and now i'm going "welp she's kinda got a point, lydia" NOW WHAT.

if i were in her shoes, me personally, that would've won me over or at the VERY least i would've forgiven him since he made up for the bad stuff. and i keep seeing people who feel the same way… then again, the ending does show he's still messing with her so idk. mixed feelings

trying my hardest to work with what canon gave us if you couldn't tell lol. sloppy as it was. i will try to make sense of it so i can do my stupid little comics

i guess at least she let him down easy lmao. as sarcastic her "look i'm sorry things didn't work out between us but the 600 year gap is a little much for me" line was. but he's not gonna give up that easily, is he? of course not. he's beetlejuice. he's gonna be annoying forever.

none of this would be such an issue if they had given them more screentime together to let their dynamic cook a bit and actually see how they get along 😑 hmph

anyway thanks for coming to my ted talk im done now

[yourheart-inmyhands]

Hii, just call me Skull anon. I've been very curious about how different yanderes would do so I'm asking for a request.

How would Xiao, Albedo, and Wriothesley deal with a Drug addict reader who was already in an unstable state, struggling to survive with rent and had bad trauma? The trauma could be anything you'd like.

Of course, you can deny this request if it makes you uncomfortable. No pressure or anything.

so i was a little hesitant to do this because I wasn't sure how well I could properly portray this, but going sort of off my own experience with certain things and trying to remain calm i wrote this. i can't really explain what compelled me to, but i do hope you enjoy this and please, read the warnings for this one :] <3

Warning: this post contains yandere-themes, including delusional behaviors, implied being held against will, manipulation tactics, mentions of substance abuse and recovery from it, obsessive behaviors, and other potential topics. Please Read At Your Own Risk!

Yandere!Xiao would be concerned internally but look indifferent externally. He’s conflicted, because he knows you’re struggling and that humans are a lot weaker, that you need help, but he doesn’t know how to help, he’s never had to be in this position before. He consults many people, fellow adepti, Zhongli, even the Traveler, none of whom he gives the full picture to but instead dances around the main ideas and works off vague descriptions.

Xiao’s first step in helping you was moving you in to the Wangshu Inn with him, where he could watch over you better. He has a reserved room there, though he never really uses it. Sleep is beyond his needs so he rarely rests, but you need rest so he allows you to have the room. This comes with him barging in on you whenever he sees fit though, day to night at any moment he could pop in without you even knowing. He had a strange way of doing that, a lot. He isn’t sure how to help with trauma or substance abuse, those aren’t the evils he usually fights, but he knows people he can ask about that. Xiao didn’t like admitting that he didn’t know what to do, but grumbling and giving Baizhu some vague descriptions of the situation helped him get a better idea of what to do. Xiao decides to take the soft approach of slowly weening you off the awful stuff, not wanting you to be left with more problems from quitting cold turkey. It’s a long road and Xiao was sorta kinda prepared to help you through it. He likes having you this close though, this dependent on him and his help.

Yandere!Albedo struggles with his feelings. His lack of humanity means he really only experiences feelings that are typically in abundance, meaning he doesn’t feel unless the feeling is so strong it cannot be ignored. His research is all he really knows so he takes the opportunity to offer ‘assistance.’ In exchange for staying with him and allowing him to study your responses and reactions, he would help you with your addiction.

It seemed like a good deal at first, Albedo would provide adequate housing, a quaint apartment in the heart of Mondstat, in exchange for being allowed to study you as he helped you over your drug problem. It would kill two birds with one stone no? What he didn’t tell you though was that he planned to have you quit cold turkey, wanting to watch how your body would respond to the sudden withdrawals. Of course, if anything started to border on the edge of life-threatening, he’d take preventative measures to ensure you lived, but otherwise, you were not permitted to leave or take any addictive substances. Albedo oversees all your care, meaning that for the entire recovery process, you are confined to a bedroom with him hovering over you, notepad and pencil in hand and large, unblinking eyes boring holes into you. It was unsettling, and even when you were on the upswing, finally getting to where the grass was greener, he still refused to allow you out or allow others in, saying that it could compromise the research. In reality, he just didn’t want anyone else near you, he had loved having you all to himself and didn’t want to share you ever again.

Yandere!Wriothesley is surprisingly educated on what to do. Not only had a few people in similar conditions come through the prison, but it was his job to make sure that he knew everything about everyone who passed into this place. With the help of some staff at the Fortress of Meropide, he moves you into a room in the staff wing, assigning you a set of personalized staff to help with your addictions. There were only two conditions, he would check in on you every day to ensure you were sticking to your recovery and that when you were finally okay, you would work as his assistant to pay off your debt. 

Wriothesley wasn’t worried about the money that was put towards your recovery, it was nothing to someone with the title of Duke. He was more concerned with you being alive than momentary pleasures like wealth, but he used the excuse of you needing to pay him back to keep you around longer. He checks in with you every day, typically around dinner time, he’ll take a break to eat with you and talk about your day, building a relationship and establishing a connection, but sometimes he takes short breaks to check in on you. Wriothesley also speaks with the assigned group of nurses and staff that were there specifically for you every day, getting word from them on your progress and how things are looking. He enjoys seeing you slowly getting better day by day, his hope for the future strong as he dreams of the day you become officially his. He had no intention of ever letting you leave the Fortress of Meropide, at least not without him, arm wrapped protectively around you as he escorts you around, as a partner should.

[pastrydragon]

Ok but Gale and Rolan

Like Rolan is a pretty popular character, people seem to really like him and write a lot of fan fiction about him. And obviously a lot of people love Gale too he's one of the main companions.

So why do I not see them shipped together?

Like the way Rolan talks about Lorraokan before he actually meets the fuck it feels like he kinda has a crush on him, like a little celebrity crush. So we know that Rolan is partial to what he thought Lorraokan was: A brilliant and ambitious wizard who's generous with his arcane knowledge.

And Gale very much ticks all those boxes. He was enough of a magical prodigy to be Mystra's chosen, he had a solid plan to become a GOD and the very first thing he does to try to romance you is teach you some magic.

You can't tell me Rolan wouldn't be following the party around in the tower after the battle, see Gale being king nerd very casually explaining stuff Lorrakaon didn't even vaguely understand and not go:

"Oh."

And with how many times Gale has proven to be a good person by saving the teiflings over and over, Rolan could absolutely mentally gloss over the whole "What if I used the crown of Karsus to become a god?" thing.

And I mean, Rolan could absolutely pull Gale. We know from playing the game that it is not hard to seduce Gale, to the point it's kind of annoying. Post game Rolan could just invite Gale over to look at "This fascinating new tome some adventurers sold me that was recovered from a shipwreck/ancient temple/dragon's hoard! And we haven't talked in so long, please stay for a glass of wine. Oh you write poetry? Tell me more. <3" And he's fucking genuine about wanting to hear the poetry because of course that nerd would.

Like it's not rocket science, honestly it ain't even algebra. I'd give it like 3 months tops before Rolan is bragging about his "BOYFRIEND who is a professor at BLACKSTAFF ACADEMY and did I mention he's adorable?" And he just keeps finding new things about Gale to gush about to the point Cal and Lia start to consider pushing off the roof of the tower just to get him to shut up.

Gale would also be perfectly happy in the relationship, like he really just wants someone who supports him and is a good person maybe? As a treat? And Rolan has shown to be a little heroic himself, protecting orphans, trying to rescue his family single handed and fighting with you against Lorraokan if his spirit isn't totally broken. He can even bridal carry Gale to safety with his 12 str. No really he has 12 strength, you can google it.

Like it's not the OTP to end all OTPs but it's cute. And I'm just confuzzled on why there's barely anything with these two.

[l0stfoster]

I desperately want to know more about the cursed tulsa au! Is it ok to ask you for more headcanons about it/details from the au?

Anon you have probably asked me the question that’ll give you the longest post I’ll ever have on my account because I was born to yap about this. Nothing super detailed or written out, but a lot of little things about the characters and the world around them! Take some of my written 'headcanons' with a grain of salt!! Although I'm kinda one of the writers, I don't want to call stuff canon without input from the others.

You can VERY clearly see who we talk about the most. Any additional fun facts or info will either be mentioned in reblogs or put in a new post and linked here!! EDIT: Added a read more bc it's so long I'm so sorry

TULSA

200 years ago, the area of Tulsa was cursed by a witch. This witch stated that the poorest born will be shown just as the rest of society views them. Freaks.

A majority of, if not all, of the greasers are cursed. They have to be born in Tulsa for this effect to take place. There are very few socs who are also cursed, but it's a very spl

Those born in Tulsa can leave, but their powers are weakened (or they lose them in full until they return)- this may not be an issue for the human passing ones who just want to live life normally, but folks like Fae and Harpies will likely be hunted down by the government, as their kind isn't seen around. (At least, not to the public eye.)

(Already stated this but I'll say it again) Follows the canon plot excluding Johnny and Dally’s deaths. Johnny ‘dies’ (heart stopped, declared clinically dead— gets resuscitated though) and Dally still snaps and loses it, bolts the second after he ‘died’. Dude gets shot (non-fatally on contact) by the cops, but the gang gets him to the hospital and he lives thank god.

Animalistic traits are pretty common amongst the cursed. Some have horns, others have tails, the harpies have wings, fae have pointed ears and tails, and many of them have sharp teeth.

DARRY

Fae, his power is Emotional Augmentation/Negation & Mind Manipulation. - He can calm people down, elevate their emotions, or clamp down on people's power if they're getting too out of hand. This makes it really hard for him to identify his own emotions. He also has a bad habit of using his power when he's upset, which means it pretty much rubs off on others. He's usually pretty good at keeping it down, but he struggles. - His manipulation is pretty much a workaround for the fact that the fae cannot lie. It pretty much makes him VERY convincing, mind manipulation does that. He'll tell someone something and they'll believe it. Master Gaslighter. That comes with its own issues-- he can't tell if the relationships he's made are authentic due to his manipulation, meaning they might just be telling him what he wants to hear. It bugs him really bad, and he worries that a lot of his friendships aren't as solid as they seem to be.

He had a very messy situationship and falling out with Paul. One-sided crush on Darry's end for a while throughout their friendship (Paul was in HEAVY denial of his own feelings, while Darry knew damn well he loved Paul.) Paul, being the soc he is, didn't like that Darry was "one of those freaks". That was sort of where their friendship shattered, and everything that happened after Bob's death made it beyond repairable.

REALLY hates being fae, and has done a lot of shit to try and prevent himself from being easily identifiable as something not human. He tried cutting his ears off ((due to paul's comment calling them freaks) got caught, and one ear is fucked up now), continuously tried to get his tail injured enough to be amputated (that also didn't work, but now he's got a disabled tail that hurts to move too much), and even gave filing his teeth down a go (also didn't work- made them sharper if anything.)

He doesn't wag his tail, and the gang can’t tell if it’s because he’s never happy or because the range of motion is limited due to his injury. If you’re lucky the tip of it will flick around but he also does that when angry so you can’t tell what the fuck dude is actually feeling

Fucked up his vocal cords growling all the time as a kid when trying to be intimidating, so now his growl sounds like a broken wolf's growl; he can't do it for too long or it fucks up his voice and he'll sound like a chain smoker. (Speaking of, I headcanon he used to/does smoke, just hid it well from Pony n Soda)

Purrs very rarely but when he does, he purrs like a motherfucker. Whole ass jet engine. It is LOUD and you will vibrate if he's hugging you.

His boss is the only one unaffected by his power. "You should give me a raise" 'Not gonna happen, Darrel' "FUC-"

Stole Darrel Sr's name. It's why he's junior /silly

Literally just anxiety personified, tbh. He cannot catch a break and hates himself so bad. He's equally as feral as his brothers but is just VERY good at keeping it lowkey.

All the fae are nature-linked in some way. Darry really likes the sun and warm weather. He's got Disney princess energy too, and animals adore him. (hence Two being drawn to him as a perch /silly) He gets followed home by neighborhood strays and keeps having to tell Soda that no, they can't keep them.

Not even specifically an AU headcanon but when he cracks any bones they pop like forty gazillion times. Cracks his back and it's just a solid 5 seconds of snapping.

Speaking of, he's one of the only people who can hold Two's weight because his wings are heavy. Dude's strong as fuck here for obvious reasons, he's also a little too fast compared to a human, so.

Bites his nails to high heavens. He stopped doing it for a while trying to break the habit but accidentally clawed up someone in the gang wrestling and hasn't let them get long since.

Likes to preen Two's wings, it's the repetitive nature that calms him down. If he's stressed and Two notices then he offers.

Like all the other power havers, he gets super fucking weak and a bunch of other drawbacks when overusing his power. Still developing said drawbacks but I personally imagine he either just gets overly emotional or goes completely robotic and stoic.

Jumped Paul with Dally once bc they were trying to get back all the feathers stolen from Two-Bit. Dally didn't even finish asking who was first before he answered a very flat "Paul."

He's very friendly with Ms. Mathews. She helps them a lot throughout the years and he deeply respects her-- he also finds it very funny to see all the photo album bullshit she's got for her kids. Laughs his ass off at the stupid baby photos of Two n his sister.

HE WAS SUPPOSED TO DIE ON HIS BIRTHDAY. This will be further explained in Johnny's little section but long story short, they were supposed to get into a car accident before the train tracks and Darry would've died. He's got survivor's guilt, to an extent, as his parents wouldn't have died in the crash. Only him.

Had heightened Pony's anger during their confrontation. The guilt still eats him alive.

Unlike the other greasers who's powers weaken while they're sick, Darry's power gets very unstable due to how he's commonly repressing them. The gang knows he’s sick no matter how hard he tries to hide it physically because they’ll be around him and suddenly they’re weirdly emotional, or he’ll say something and they’ll believe him even if they know better.

In alliance with my headcanon for the normal story, I personally imagine he got jumped after his friendship with Paul ended before their parents died (since that friendship breaking apart kinda ruined his alignment with any socs)

Generally just a normal hc but he's got Autism, BPD, PTSD, and a few other things like anxiety, major depressive disorder, and sensory/eating issues. Very financially insecure too.

Used to bite as a kid. That's it. Send tweet.

SODA

Fae, his power is pretty much just a Siren Song. - He can get people to do what he wants with his voice, it's as simple as that. He used it to get Sandy to confess to the fact that the baby wasn't his, uses it to get Darry or Steve to take breaks if they're working a little too hard, etc.

Used his power to get extra cake after dinner or to get teachers to lighten up on him or his friends when they got in trouble. It works very similarly to Darry's manipulation, only Soda's is physical and makes them very compelled to follow what he says. In certain circumstances, people can tell if he's caused them to do/say something. That doesn't stop him, though!

When their parents died, everyone's powers went haywire. Soda had to either scream himself mute or force himself to be quiet so he wouldn't accidentally make anyone do something. He didn't want it to be fixed.

If he overuses his magic then he can't talk for a good few days without it hurting, voice gets very raspy.

Thinks he's a bad person due to the nature of his power. I personally like to think the only time he doesn't mind using them is when it's for the benefit of his friends. He's had to coax Two down from the roof after his jumping because watching all the harpies fly just makes him feel worse. He's stopped Steve from overusing his telekinesis after too many close calls with dropping a car.

Absolutely LOVES his ears and tail. Has a ton of piercings and tries to accessorize them a lot. The polar opposite of Darry in that regard. Likes his sharp teeth too.

His claws are probably the second sharpest, as they get sharper with age IMO.

He's probably the most expressive of the fae; constantly doing stuff since he can't sit still for the life of him. Tail's either swaying, tapping, wagging, or doing something.

Has the growl of a leopard. it is terrifying, when he growled at the socs during the rumble they almost pissed themselves. It scares the shit out of Two-Bit LMAOAO.

Soda has arguably the most average purr out of his brothers, it's basic, simple like a cat's is. He purrs super hard and at pretty much any physical affection sent his way.

When asked for his name by Mr and Mrs. Curtis, he pointed at a Pepsi bottle. Eventually, he swapped it for Soda.

He was jumped by the socs once, and they gagged/muzzled him so he couldn't use his power against them to defend himself. The gang was fucking destroyed when he came home with it, they knew they weren't perceived as equal, but that's beyond cruel.

Also slightly nature-linked. I like to think bees flock to him <3 He's also very good with botany, pretty tied with Pony.

He makes little healing pastes/oils for Darry using Pony's plants when he massages his back.

Soda learned many of his extending-the-truth-to-avoid-lying tricks from Darry, so he's very good at it. Darry is one of the only people who doesn't fall for Soda's shit. Steve doesn't either, just because he feels too bad lying to his best friend.

Soda pretty much gets zoomies. He'll be practically bouncing off the walls and going batshit bonkers. It's insane. Sometimes he's on all fours too, no one knows how he can do it so well.

Arguably the most fae-linked of the brothers; a lot of the little things that don't affect his brothers get to him. All three of them are properly burned by iron, though.

Doesn't like being thanked, as it not only implies being owed something, but he also just feels that he shouldn't be thanked for being kind/having basic empathy.

He absolutely hates salt. Too white for it /j (It's another fae thing, Soda's just most impacted by it)

He's weirdly flexible and moves in super uncanny ways sometimes. No one's sure if it's a fae thing or if he's just.. built like that.

Soda's a smooth talker when using his magic but cannot for the life of him start a conversation without it.

When he found out that Steve's dad was abusive, he nonstop asked for the fucker's full name for DAYS because he was so upset that someone was hurting his best friend.

Stevepop is canon in the writer's eyes, but if you want to you can absolutely read their dynamic as platonic (won't stop us from drawing ship art of them so whoops). I try my best to keep most of the dynamics/relationships open for interpretation (On that note, no shipping the mfs who are family coded I'll actually maim you)

When he snores it rumbles off with a purr. Also sleeps halfway draped over Pony like a bigass weighted blanket.

Yet another normal headcanon thing but he's got ADHD, Dyslexia, PSTD, and DPD. Yeah all of them are a little fucked up.

He collects rocks and crystals. It's a stash he can't bring around Two-Bit because it WILL be stolen.

PONY

Fae, his power is Nature Manipulation - It's honestly just what it sounds like. He can create plants, manipulate them, etc. He's very commonly using them, and they're heavily emotion-tied. Cacti and Venus fly traps when angry, wilted plants and dead bushes when sad, etc etc. The plants he grows most are vines, as they're super useful for him. He can use them offensively or defensively as needed. They have a huge tree in their backyard that he grew.

He's benefited positively from bright sunlight and water. He's incapable of drowning, so when Bob tried to drown him in the fountain he was kinda just,, chillin'. (Unfortunately for these fuckers, Johnny did NOT know that.)

Alternatively, he gets super weak and sluggish during the winter and cold seasons. It's misery for him, he thrives on sunlight and warmth. He's got these greenish-grey eyes when it's the summer/spring and they get super dull during the colder months. Groundhog Day is for losers, the gang knows when spring's coming once Pony starts perking back up.

Plants grow in his hair, mostly little sprouts and flowers like that. Magical flower crowns!! He makes them for Johnny every now and then.

Gets followed by bees and bugs. He both enjoys and despises it because what the fuck dude why are HORNETS chasing him.

Liked to grow flowers to give their mom as a kid, he was a little gift giver to her.

On that note, a motherfucking GOBLIN as a child. Literally, chaos incarnate, absolutely horrible to try and raise because he was so fucking wild.

Does not have spring allergies, lucky fucker.

When their parents died, the house was wrapped in vines for days. Sometimes they still start to overtake and infest due to how many there had been, but Darry usually trims them down went he notices (or when he's got the free time, busy ass)

Has the fattest beef with Steve still. Will trip the guy with his vines and he bites.

He's got a squeaky purr and a squeaky growl due to being young. He growls like a snow leopard cub.

Responds really well to physical affection just like Soda, doesn't always purr to it but does really enjoy it. Avidly avoids it from Two bc the stupid bird will try to preen him and he thinks it's goofy /silly

QPR with Johnny. Pony represents life and Johnny represents death. They hold hands, are the besties ever, and are extremely codependent. Do not romanticize their relationship I'll eat your knees.

Pony knows a lot about flower meaning, as he should. He's also very good with botany too.

Instead of Tim stepping on him in the rumble, he ate shit and got smacked really hard by harpy wings. Two and Tim still aren't too sure which one of them did it.

Very little thing but he has a tooth gap.

Pony tried doing a Darry n attempted to cut his ears to look more human while at the church. It didn't work, so now he's got two little rips that look similar to if you had a piercing torn out. He's generally got mixed feelings about his features.

Tries to keep his emotions on the down low for the sake of looking like a tuff adult, but his tail is constantly giving him away.

Pony made them a fairy around the house with his plants, and it serves as a little thing that lets any of the Curtis' know if someone enters the hours whether they're at home or not. If Pony doesn't want someone at the house while they're away then his vines will yoink them out.

Choosing his name was just him saying a random word in a very ominous voice. Darry added the 'boy' to the end of it.

He makes flower crowns for the hell of it, just likes having his hands moving. Either the gang gets them or they get tossed in a misc pile.

He is SO fucking bad at trying to extend the truth, absolutely miserable at it. He cannot gaslight at all.

Due to his power being weak at Windrixville, he had tried and failed to save Johnny with his vines. Instead, they were pulling him back in a subconscious effort to save himself; plants don't go well with flame, after all.

Had to quit smoking post-Windrixville because the smell bothered him really hard. His voice was kinda fucked up after too due to the smoke inhalation as well.

He's got little burn scars on his hands from grabbing the iron gates at the cemetery where their parents are buried too many times. Darry thinks he's a moron for it.

Clings to Ace like a motherfucker during the winter because she's naturally VERY warm.

Darry has to hold this bitch down to cut his nails when they get too sharp because he'll scratch a bitch while wrestling and play dirty.

Mental stuff again; Autism, PTSD, and Sensory Issues. Also kind of an addict.

He hasn't reached the full potential of his powers because he's still going through puberty.

Poy thrives off sugar, being plant-based and all.

STEVE

Human, but his power is Telekinesis. - It's very simple to explain. He's capable of lifting this with his mind and little physical action. There technically isn't a weight limit, but if he lifts something too heavy for too long it'll drop and he'll be REALLL fucked up, it's exhausting to use too much. Alas, that doesn't really stop him. If he gets pissed off things start floating around him.

REALLY likes to throw cars. It's just showing off honestly. He likes doing little things like that for the hell of it.

His dad makes him float beers to him and he'll very bitterly do it. One time he did it a little too fast 'on accident' and held back smiling as his dad bitched about getting covered in beer.

If substitute teachers are unaccommodating assholes he hucks desks at them. Detention is very worth it.

His telekinesis makes him seem physically stronger than he actually is. When it came to Two-Bit perching on the group, the people who could do it were Dally, Darry, and Steve-- until they found out that Steve was just using his telekinesis to hold him up. He dared to do it once without and long story short they ended up on the floor.

Steve isn't super affected by Soda's magic, but he does stuff for him just 'cause Soda's his best friend.

He uses his telekinesis to fly around with Two sometimes. That sort of stops after Two's wing ends up fucked. Every now and then, though, he'd use his power to give Two-Bit the feeling of flying again. They both go home bummed, Two because he’s no longer ‘flying’ and Steve because he hates knowing he can’t actually help

He did most of the work making a prosthetic for Two, and Soda helped a hell of a ton too.

He can't lie to save his life, just 'cause. He also can't whistle.

Arguably even more autistic for cars like this because of how easy working on them becomes with telekinesis. Floats them up himself to work under them.

Speaking of that, he'll float Soda up to the ceiling if he pesters him too much while he's working on a car. Needs to be absolutely locked in and Soda interrupts that.

He may be human passing but he doesn't... look right. His limbs and fingers are too long for a person.

Was STRUGGLING after the rumble. Had to deal with the pain of bones being too stretched plus broken ribs and fucked up knuckles.

He's got a complex that he's only good for his powers. It's a big sense of insecurity for him. It doesn't help that his powers tie to his mood sometimes too. He's had too many close calls dropping a car he's underneath and almost crushing himself because something gets to him. "You good, Steve?" (literally shaking) "Yeah I'm great"

Soda has to use his magic to force him to take a break, cause Steve doesn't want to stop because he thinks they're all he's got that makes him good at what he does.

His dad was born poor and in Tulsa. Steve isn't too sure what his curse is, but he doesn't want to find out.

He's got a crush on Soda that he, for a while, keeps mistaking for a heavy amount of admiration. You don't want to be him, Steve, you want to be WITH him.

He's got fragile bones like the harpies, the only difference is that his isn't biological and is due to his telekinesis stretching his bones out.

Yeah also mentally ill. Autism, PTSD, and CDD.

Idly floats himself for the hell of it sometimes. If Soda calls him short he'll bitterly float up to match his height or be taller.

TWO-BIT

Crow Harpy. No power besides that I think

He's got all the mannerisms of a crow and of birds in general. He likes to give his family and the gang shinies; flies by and drops bottlecaps or random little trinkets and dips. Sometimes physically throws them at people.

He dives at people in the street sometimes if they have something shiny. He’ll also dive-bomb friends and just pick them up like a claw machine. Dally’s the most common victim of this.

He's very intertwined with the bird instincts too. Nests, preens, chirps, whistles, etc. Very fucking loud and will not shut up. Clicks when he's all angry and shit.

Two’s mom is a harpy and his dad is human. Neither of them took after him, and he wasn’t happy about that. Two-Bit constantly had his needs and habits as a harpy repressed by his father; this included having his feathers clipped and not being allowed to preen or nest. His mom wasn’t able to do anything about it for a while, as she was too busy working to keep a roof over their heads.

He knows she is doing her best, and he doesn't blame her for not being able to protect him from that. Two's a huge mama's boy. he used to hide in her wings when he was little.

He taught his sister to fly and had taught himself by jumping off the roof. It’s why he’s got his tooth gap.

His mom has a photo album of him and his sister as they grew, including their feathers as they molted. "Baby's first molt!" and he looks like a blended-up cotton ball. Darry loves these photo albums.

Dally calls him Songbird and Freckles. Two calls him Dimples

He likes to bleach the tips of his feathers and dyes them with his sister, since her feathers are still light enough to dye without bleach.

He preens with the gang and will also try to preen the gang. It’s a bonding activity but bc they don’t have feathers it’s usually just him fucking around with their hair. It usually ends with them wrestling a pissy bird that by god NEEDS to get that knot out of your hair or he will tweak. Pony hates it the most, Darry and Soda are the only ones who don't resist.

If Darry whistles around him he'll shoot over and perch on the guy.

Even bigger kleptomaniac in this. Always has something, Dally's been given at least six switchblades over a week.

He can mimic voices and sounds really well. Uses Johnny's voice to get Pony's attention once. "Oh so you'd get up the second Johnny calls BUT WHEN I DO YOU IGNORE M-"

Horrible flier when drunk, it's hilarious to watch.

If you throw a piece of cloth thick enough to block out light over his head, he falls asleep.

Cannot for the life of him get through doors on the west side because they aren't friendly for wings.

His heart beats like 200+ times per minute. Everyone thinks he's having a heart attack or something when they first hear it.

Alternatively, he thought Dally was dying when he first heard how slow his heartbeat was.

He goes into torpor during really cold winter days or if he's super fucking exhausted. Went into torpor right after his jumping and Dally was convinced that he was dying.

Two gets very territorial and defensive of the gang because they're "his flock". Gives people death stares if they're getting too close. He looms threateningly over the shoulders of his friends if he doesn't like the person they're talking to. It usually scares them off.

He likes to take the gang and his family for flights. Scoops em up and just goes, most of them enjoy it, the ones with a fear of heights? Not so much.

If the younger members of the gang get sick he WILL shove them in a nest and pretty much hover over the person. He gets mama-bird traits from his mom.

Alternatively, even if Darry gets sick Two will hover over that motherfucker. He will wrap that man in a blanket and not let him leave. Just swaddles all the fuckers.

He's got good timing with dive-bombing people. Darry fell off a roof once and BAM suddenly he's in the arms of a very energetic harpy.

Was a really small kid and just shot up overnight. One day he was up to Dally's chest and the next he was at his nose. Dally hated it.

He's docile by nature but when he gets violent it's HELL. He's got sharp claws and talons along with sharp teeth, my guy can do some damage.

Two hates cats and has absolute beef with them. He and the rest of the harpies are scared shitless by Soda's growl too, if Soda growls he whips his head around 180 and looks around frantic. Soda both feels bad but laughs his ass off.

Two (and the other harpies) can't see glass. He's walked into the glass at the DX and slams his head against car windows trying to look outside. He's absolutely mesmerized by glass cups because why is the water FLOATING?

He has to sit in the bed of Darry's truck because his wings don't fit.

The gang went to a mirror maze once and Two got stuck in it for 2 hours. Came out with a busted nose all pouty because those mfs left him in there how dare they.

The Curtis boys can mimic bird sounds really well, they whistle at Two-Bit and his head shoots up at attention.

He's afraid of ceiling fans.

Harpies generally don't like eating bird meat due to etiquette and cultural stuff, but Two's dad would force him to eat chicken as a kid.

He adores seafood and goes fucking bonkers for it.

He got struck by lighting once. Walked into the Curtis' house singed and just went "So I might've made a mistake." Somehow he wasn't too hurt.

He tries to puff up to look intimidating but people just laugh because it's fucking cute. If he wants to look scary all he has to do is smile, yet he doesn't.

He emotes a lot with his ear feathers, they're constantly moving.

Like most birds and other harpies, his bones are hollow. They're arguably made of stronger bone material but the insides are hollow so you can snap 'em with ease if you put enough force behind it.

His neck is like a chicken's, if you move his body his head will stay in one spot if he wants it to.

He liked to just sit and linger on Dally's shoulders when they were kids. Dally didn't mind.

His feathers travel up to the back of his neck and hair; the ones up top closer to his hair are a bit curlier.

The gang can play one-sided fetch with him if they want to. Toss a shiny and he dives after it; he just won't bring it back.

He's got a whole drawer that's just full of the shit he collects. Bones, bottle caps, coins, broken jewelry, glass, etc.

He gave everyone in the gang one of his feathers. All of them wear it on their person.

There's a rumor going around in soc society about Mothman. It's just Two-Bit in really bad lighting. He got moth man status because a soc was closing a shop one night and turned and just saw these BIG ol glowing eyes staring through the window in the darkness of the evening.

He goes after rodents and small bugs. His mom used to have to wrestle mice out of his mouth and he'd cry after.

His baby photos are 90% blurs and heaps of feathers because he ALWAYS had zoomies. The only photos he's peaceful in are the ones where he's snoozing.

If they were invented in their time, Darry would put claw caps on Two if he's resisting having his talons cut. They'll watch him try his damn hardest to just tolerate them before eventually relenting like "oKAY FINE I'LL CUT THEM."

In terms of a specific species, he's a Fish Crow.

TWO-BIT CONT.

His jumping went REAL fucking bad in this. Bev took a lighter to his wing and put her cigarette out between where they met on his back (alongside still burning his face). They didn’t go for both wings, because something was much more cruel about taking one rather than both.

That shit fucked him up for so long, not only was he unable to fly, but there was all that physical and psychological pain that came with having his freedom torn from him. He was made for the skies and now he’s forced to wander the ground with the same people who hurt him.

He self-isolated up until the rumble because he couldn’t stomach the idea of the group seeing how ‘gross’ his wing looked. His mom cried her eyes out when he came home after being jumped, even though he tried hiding the damage from her.

She tried to preen him to make him more comfortable but they couldn't get more than halfway through before he broke down sobbing. “Why couldn’t I have just been normal like dad” when his mom’s preening him bc he doesn’t want to keep feeling the pain in his wings. For a few days after he hesitated even letting her near just because the pain scared him.

HATED Marcia for a good bit after his jumping. She didn't partake in it, sure, but she watched and did nothing. It took months before he could even stomach looking at her.

When his wings recovered, he used to climb on the roof and watch the other harpies fly. He'd feel the breeze through his feathers and against his face and try to convince himself that just maybe, he was up there with them. Soda has to coax him back down with his power because he is only making himself feel worse. Two was bitter at the other harpies for a very long time.

Can't handle the smell of smoke from cigarettes, though. Fire itself in some cases (mostly Ace's fire) is fine, it's cigarettes that bother him.

School was hell on earth for a good while because tight spaces and sensitive wings don't go well. He usually ended up late to classes bc he had to wait for the halls to clear to leave. He would've dropped out over it if he wasn't afraid of upsetting his mom.

His balance was fucked up for a good while due to the difference in weight.

Steve and the rest of the gang made him a prosthetic for his wing. He cried, and it fit like a glove.

Despite getting that freedom back, though, he kind of hates it. He has to relearn to fly, and it's frustrating it causes a lot of resentment because he used to be able to fly perfectly and now he struggles. He hates that he needs to rely on this prosthetic to be free.

Two-Bit and Johnny bond over having had a part of their freedom taken and now needing aid to regain it.

There's no canon ship for Two in this but the writers fuck with Dar-bit and Mar-bit hard lmao. I'll probably be doing a lot of Dar-bit stuff for them.

AuDHD and PTSD, send tweet. Maybe ODD but I'm still thinking about that one. Major separation anxiety.

JOHNNY

Human, he's what we've been calling Death Tied - He's got a sixth sense where he can tell if, when, and how a person will die. If a person's death is coming up, he'll get flashes of the event; what killed them, their corpse, etc. It freaks him out sometimes, depending on who it is. I like to imagine he gets ‘death chills’; which is a similar thing to impending doom, only he feels it for others.

His curse was NOT biological. As a kid his parents almost killed him; Death saw this, decided it was fucked up, and decided to take in this small child as its own.

Johnny's teeth are just a little too white and his eyes a little too black sometimes. He’s got something akin to vitiligo after he received death’s blessing, and it outlines and mirrors the shape of his skeleton.

Butterflies follow him since he's death; unlike Pony, who has beef with the bees that follow him, Johnny enjoys their presence.

Doesn’t like to use his power much but (pre-jumping) absolutely will tell a soc with a flat expression when and how they’ll die.

He’d saved Darry from dying at the cost of Mr and Mrs Curtis’ lives. Initially, Darry had been planning to join their parents on the car ride to get the chocolate frosting; and Johnny had come over early to get away from home as they were getting ready to leave. He’d barely gotten to walk past the fae when he got the flashes occurred. Johnny watched everything— saw the crash, the way windows broke and metal crumpled inwards; watched the life drain from Darry’s eyes— and it freaked him out. He couldn’t for the life of him explain what he’d seen, but he wouldn’t let Darry leave; clung to him and wouldn’t let go.

Darry tried using his manipulation to get Johnny to let go, but it didn’t work, and that’s what stopped him from leaving. Their parents went alone, and it was the delay in waiting for Darry to come to the car that caused them to be on the tracks that day.

Johnny hasn’t forgiven himself for it. He thinks that maybe, he could’ve done something different and saved them all. He apologized for weeks— and still apologizes sometimes nowadays.

Johnny has never feared death, it’s hard to when you’re related to it yourself. When Bob died, he didn’t feel remorse until a few minutes after he was stuck there with the corpse. He's the boy of death, this is his normal- it’s only when his humanity returns that he realizes what he’s done.

The only time he's feared death was during/after the church fire. His power practically disabled itself due to how weak he was, and he was terrified. This was going to be it, he was going to lose his life at 16-- and then he woke up in the hospital.

While he was clinically dead, he spoke to Death. It was a simple interaction, just a reassurance that it was not his time to go yet. There was a feeling of comfort in their words, too.

Sometimes, when he sleeps, he sees Death again. One of the first times they'd spoken was when Darry was supposed to die. "Hey bud, that fae was supposed to die-" "No."

Before they could afford to get him mobility aids, Steve and Two helped him get around.

He's got a really uncanny feeling about him, people do not usually like it- Dally enjoyed it, though, 'cause he's fucking bonkers. It doesn't help that he doesn't blink.

He can easily float on the surface of bigger bodies of water because corpses float in water after they begin to decompose.

He's unnaturally cold like a corpse, the cold doesn't bother him because of that, but he does like feeling warm.

GAD, C-PTSD, and Autism. He's also selectively mute but is very vocal with the gang

Johnny still smokes, but being around the smell of smoke for too long makes him panic.

DALLY

Human, he’s the only one of the gang without a curse. However, he’s recently discovered a bit of an,, unsettling change to his daily life.

Dally's been seeing things. Apparations, spirits, whatever you want to call them. He'll see them in the corner of his eye and in certain circumstances can engage with them directly. He's not a fan of it.

Born in New York, moved to Tulsa when he was around seven; Two-Bit welcomed him with a stupid amount of enthusiasm and they’ve been buddies since.

He doesn’t talk about his birth family, no matter how much prompting there is. As far as he’s aware, Buck’s probably the closest thing he’s felt to an authority figure— at least until he grew older and colder, ignoring the role the adult had in his life.

He’s only capable of holding Two’s perching weight because he’s been doing it since they were kids.

He's very good at coping with his chirps too. Likes to whistle and watch that bitch shoot up and stare.

Dally tries his damn hardest to downplay how much Two (or any of the other greasers) mean to him. Vulnerability like that makes him feel too weak, and after having shown that weakness once, he doesn't plan to do so again.

Met Death while unconscious after being shot by the cops. The only reason he's alive is because Johnny would've been destroyed, and Death didn't want to deal with that shit.

Sometimes he feels a little weird about being the only human, but it's more out of a sense of not necessarily belonging there. It's an unconscious thought, one that only manifests in the rare moments when he realizes he feels just as out of place as he did in NYC. Dallas Winston is merely a boy who has never felt at home.

Dally, funnily enough, doesn't pass well as a human. Everyone outside the gang is convinced he's a vampire because he's so pasty and his canine teeth are naturally sharp.

He successfully convinced the gang that he could talk to and control rats. Two is the only person who knows he lied because he bought him a rat once and nothing happened.

He finds out through Two-Bit and Ms. Mathews that Fae can't lie and uses it to blackmail the Curtis bros, since nobody else knows that.

Yknow how he can see ghosts? One time he woke up on the Curtis' couch to Mr and Mrs Curtis in the living room. It freaks him out so bad that he unconsciously blocks them out right after. Blinks really hard a few times until they're gone.

He's the most feral of the gang. It's the New Yorker in him. He's not supernatural, sure, but he will fuck shit up. Absolutely off his rocker, launches people, and rocks their shit.

Dally's the one who found Two-Bit after he got jumped. He's so pissed ab what happened with Pony n Johnny that he wants some sick gratitude by seeing exactly where Bob took his last breath, so that’s where he finds him. He didn't know how to react, panicked HARD.

He's arguably the closest with Johnny and Two-Bit, he's just more open about that connection with Johnny. He's also pretty good friends with Darry, as there are a lot of little things they've found mutual ground on.

He's got claw scars littered around from the harpies. The ones from Two are due to the fucker dive-bombing down to grab him with his talons a little too fast, and the others are from fist-fighting Tim.

He called Ms. Mathews mom once and has not walked physically into the house since out of pure embarrassment. He doesn't even stand on the lawn that's how embarrassed he is by it all.

More general headcanon stuff fuck you but BPD, PTSD, intermittent explosive disorder, and ODD too.

Also a general headcanon but Two-Bit convinced him to get a tattoo during one of his own sessions for his sleeve, so he's got a little switchblade on the back of his leg.

He thought Two-Bit was having a heart attack the first time he heard how fast his heartbeat was.

Non-Canon but a fun fact. If he did die to the cops, he would've come back as a ghost.

ACE

Human, arguably the least passing as one, and she's got pyrokinesis - As usual, it's very self-explanatory. She can create and control fire with the mind, but there are a few limits to it. She can't produce large flames from her hands, and so she usually has to carry a lighter to kickstart her power if needed.

Ace can make very small fires on her fingers but they're not usually big enough to be manipulated. She can go larger as needed, but it'll drain her out. Likes to just light people's cigarettes and make the flame jump from finger to finger.

When she gets super pissed off, her hair sets on fire. The gang uses her to roast marshmallows sometimes.

Ace is unofficially adopted by Ms. Mathews. Shit's been reprised, it follows her canon backstory via Tilly, but she's still very very close with Two and is practically Ms. Mathew's kid.

On that note, has a very familial relationship with Two and his sister. They grew up together, how could they not be? They're absolute fucking chaos when paired, though. She likes to call him any bird other than a crow to see him puff up all annoyed.

She used to threaten to turn him into Thanksgiving dinner if he kept pestering her.

Absolute fucking goblin. She has tried so hard to convince Cherry to help her burn half of the soc's houses down. "We'll spare yours don't worry!!" "N..No."

She can't really swim and it could arguably kill her if she's in water for too long, but if she's mad the water will boil away.

VERY warm by nature for obvious reasons, literally a space heater. Pony flocks to her in the winter because she's so warm

Looks the least human of the humans. She's got horns underneath her hair that are still growing more, and her hands are coated pretty permanently in ash. She gives off a subtle glow and her eyes/teeth look way too bright in the dark. Her eyes burn brighter when she's upset.

Normal headcanon but arguably has the second-worst criminal record in the gang.

She feels very guilty about her power due to how much trauma the others in the gang have gone through relating to it.

Unrelated to the AU itself but she's a lesbian. IDGAF what anyone says.

Ace infatuates Two-Bit by putting on a ring and waving her fire fingers in front of his face. The fire's light bouncing off it makes it look extra shiny, she uses it to get him to do stuff for her. "Oo oo you wanna buy me a Pepsi soooo bad"

Literally just bullies him. They have no clue who's older because Ace doesn't know her birthday but she's self-titled him as her little brother.

Couldn’t control her powers as a kid, the gang is quite literally the first group of people who understood that and didn’t isolate her because she kept accidentally burning them when she got too excited (its emotions tied to an extent, hence why she’s started only channeling it by bottling up her anger until she needs to burst)

If Ace uses her power too much she quite literally burns out. Can’t use any part of it for days and is super fucking exhausted. Winter is her absolute beloathed because it’s a pretty similar feeling she gets. She's very susceptible to frostbite.

She used to make jokes about burning Two’s wings off whenever he’d bother her. For a good while she’s way too afraid of even being close to him after his jumping because she doesn’t want to hurt him with her flames. Two trusts her in full even after the accident but her ass is NOT taking any risk, he thinks he pissed her off somehow for a while until it clicks when he watches her extinguish whatever little flame she’s fidgeting with on her fingers the second he walks in. “I trust you." (wearily) “Should you?”

PTSD and ADHD, along with some pretty bad sensory issues & maybe Pica.

Had a really toxic situationship with Bev. She couldn't see the red flags until Bev harmed one of her own. Their relationship was broken off the mere second she found out who hurt Two. Literally blew up at Bev and burnt herself out due to being so fucking angry. It parallels Paul's "Why would I like a freak like you" towards Darry with Ace telling Bev "I can't believe I loved a monster like you."

Rarepair/Crackship time. Ace x Cherry is canon. We call them Fireworks. They're very slow burn. Cherry needs to come to terms with her feelings and Ace needs to trust another soc again after what happened with Two n Bev.

OTHER CHARACTER THINGS

All of the Shepards are Vulture harpies.

Paul and Cherry of two of the only socs with powers. Cherry's got something akin to electrokinesis and makes little sparks with her hands similar to the way a bomb with a lit fuse would behave. Paul's a witch, but his manifested pretty late; probably post-rumble.

Cherry's fingertips are calloused from her sparks, and she's got a bit of resistance to fire. Her hair sparks like a bomb/fireworks when she gets super pissed off. Ace has tried to weaponize this for the silly.

She tries to hide her sparks. Wears gloves to keep them down and if she has to have them off will clench her fists, even if it burns her.

She's desperate to be good enough to her parents. They're ashamed of her due to her sparks, and all she wants is their approval.

Cherry's got major internalized homophobia for a while, very comphet. Eventually, she comes to terms it.

Paul tweaked the fuck out at first and had a panic attack before realizing he kinda fucked with it. Still has a huge bias against the greasers, though. It's something close to a god complex, but he just thinks he's superior due to his financial status as well. He's just got basic shit like rituals and spells.

Was convinced Darry was using his power on him when he confronted him about the Fae having loved him, cause he cried. It wasn't a heavy cry, just a bitter stare, "Why would I like a freak like you?", and silent tears. Darry still doesn't know how to feel about that.

(9/18 Edit: Take the Paul stuff ab his relationship to the greasers with a grain of salt, we’re changing stuff)

The only reason it's tolerance and not raw hate is because Paul was NOT in on Two being burned 💀Turned around to see Bev with her light and was just like "Well I guess we're cooking chicken tn????"

The socs who jumped Two wear his stolen feathers. The only socs with neat feathers are Cherry and Marcia.

Two's little sister (who I call Molly) once asked their mom (who I call Carolyn) why they couldn't give Two-Bit their molted feathers to 'fix his'

Ms. Mathews has pretty much adopted the entire group emotionally by now. She tries to help Darry with financials but Darry is. Darry.

MISC STUFF

Two-Bit used to get caught in and fly around tornados and Pony always caught sight of that shit. They liked to play a game where he tried to catch him while Two avoided his vines. If they couldn't get him down, Pony would get Soda to ask Steve to use his telekinesis bc Steve would say no if Pony asked.

They also play a game where Steve will fling a member of the gang as far as he can and Two dives after them. It's like fucked up football; Dally offered to be thrown and it was the most fun the three have had-- until they had to stop 'cause Darry caught them and almost had an aneurysm.

The DX windows used to be blank and empty but Soda and Steve started putting stuff up on them so the harpies don’t slam into the glass.

Steve puts Two-Bit in air jail if he tries snatching anything shiny from himself or Soda.

Two, Johnny, and Steve bond over having shitty fathers. Two n Steve do it the most since Johnny doesn’t like to talk about it, but Steve and Two will bitch to hell and back. Johnny's a part of the conversation but just nods and listens. If they have a rough day with their dads, the three of them end up hanging out together.

Johnny, Dally, and Two make people the most uneasy. Johnny's got these blank, dead eyes, Two's smile feels predatory, and Dally's Dally.

All the greaser Harpies look out for one another. It doesn't matter if they're not from the same gang, or if their gangs have tension; you look out for one another. They may necessarily not be each other's flock, but it’s natural for them to stick together.

The harpies love to play fight. They will absolutely beat the shit out of each other and then grab lunch as if nothing happened. All of the harpies have bird habits. Most of them sleep on their stomach.

Dally took something shiny out of Two's hands when they were kids, and Two cried.

Ace makes fun of Two-Bit's choice of men because they're lesbian and bisexual solidarity. "Thoughts?" "And prayers, you'll need them." The only time she ever was like ‘Wow you made a good pick’ was when he jokingly said it about Darry. "Thoughts?” “Your only good pick, He’s got my blessing.” ">:0"

During the real cold months when Darry has to decide between heating or food on the table, Two and Ace practically move in bc a walking blanket and space heater.

{ Tags List: @nova-drawzz @timewing06 }

[fallinglikemagic]

Okay, now that everybody's had some time to process and gotten some of the doomposting out, here's my thoughts on the whole situation.

First of all, I'm not really worried about whether or not RWBY will continue in some capacity. It's uncertain, sure, but no more than it was already. In February we got the update that they were talking to potential partners about getting volume 10 made, so clearly they weren't just relying on Rooster Teeth and Warner Brothers for it - maybe one of those companies will pick it up, maybe a different company will, either way I'm sure it *will* be picked up by somebody and unless they get real unlucky, the show won't be much worse off than it was before - if anything it might be better off, considering that WB have been shitty about animation for quite a while now (if you're not already familiar and you're up for some extra research, I recommend looking into the Coyote vs ACME situation that's been going on recently for a great example of WB's bullshit). And while it's unclear exactly how much involvement the original crew will have in the show's future, I'm pretty optimistic about it. I doubt the writers are going to let go of creative control without a fight, if for nothing else then for Monty - I don't like focusing too much on the whole Monty's Legacy stuff in general, but I do think that the crew are going to want to keep their friend's work alive and authentic and as accurate to what he wanted it to be as possible. None of this is a certainty of course, but I think RWBY is gonna be fine, things will just be kinda rocky for a bit.

With all that being said, while this may end up ultimately being a blessing in disguise for RWBY as a franchise, it sure ain't one for everybody who worked at Rooster Teeth. This entire situation is still horrible - so many people being fired on the spot, effective immediately, with no warning and with several of them only finding out by seeing articles about it being posted on Twitter, it's fucked. I know Rooster Teeth wasn't exactly lacking in controversy and problematic behaviour, to put it lightly, but there were still plenty of amazing people there who are now in a really shitty situation. On top of that, while again this isn't exactly anything new, especially for WB, it is the latest instance of a huge problem in the animation and entertainment industries. So no matter how things pan out for RWBY, we should still be really fucking mad about this.

And we definitely shouldn't be celebrating. I've seen some posts saying "good riddance" and celebrating RT's downfall, not just from people who hate RWBY (I mean don't get me wrong I'm sure the hatedom is out in full force but that's not the kind of thing I'm referring to right now), but people who like/used to like the show and just hated the company. And don't get me wrong, I didn't like a lot of things about the company either, I've actually been wanting RWBY to separate itself from RT for a pretty long time (be careful what you wish for I guess 💀), but there's a time and a place and this certainly ain't it. Plenty of people who have worked there have said that they loved their jobs, plenty of others said it was horrible and toxic and nightmarish, but either way a job is a job and in this industry work isn't always easy to find, especially in recent years. Celebrate in private if you want, but now is not the damn time to be bringing out the cake and confetti.

TLDR; I'm cautiously optimistic about RWBY's future, I'm pretty sure it'll be fine and they'll be able to keep the core crew to at least some extent, but this is still a really bad situation for everybody who just lost their jobs, don't be a dick.