#no really so many people just post that kinda stuff to go “no see i'm sooo not antisemitic i love jews”

[unhappy-sometimes]

a 2024 reading retrospective

so. i read a lot of fics in 2024. here are some of my favorites.

before i get started, please note that these are not in any particular order and these are not all of my favorites!!!!!!!! i wanted to include so many more but i just wasn't able to! also please don't roast me for reading stuff from more than two years ago :(((

anyway, here we go!!

1. Air by Cantare

as always, @cantareincminor knocks it out of the park. i'm a sucker for alternate first meeting AUs and Air is one of the good ones!! i find that it can be hard to find authentic sounding banter between yor and twilight, but cantare manages it somehow! they have such great and natural sounding dialogue. it's just a one chapter fic, but maybe if we ask nicely enough, cantare will continue one day 😏

2. like the wild geese by anonymous_viscacha

okay in all honesty, i read this for the first time last week and i scrambled to add this one to the list. it's a short one shot about a shared lunch break between yor and loid, but it's so sweet and endearing that i just had to put it on. i love love love it when people let loid and yor catch up on the childhood they lost because they deserve it. i'm kinda obsessed with this fic right now.

3. what happens outside by aerequets

it's kinda unfair that @aerequets gets to be a great artist and author but here we are. i'm not complaining tho because what happens outside is a delightful read. i enjoy exploring post reveal pre relationship twiyor and this fic is perfect for that!! it's also just really cute and reading things from yor's perspective is super endearing.

4. chaos theory by sarsaparillia

so ngl this one scared me at first because i do NOT like major character death fics and this one really seems like it, but this fic was unexpectedly wholesome and has a happy ending!!! it's short but bittersweet so i can't really talk about it without spoiling it any more. go read it! it's short!

5. eventually i fall into you, you attack my heart by princessguard

i know this is a controversial (and somewhat ironic) take but i usually really don't like eden AUs but. this fic is proof that there are always exceptions to the rule. this one is a short little story about a serious student at eden and the weird girl he keeps meeting in trees. i don't know exactly why i love this one so much but it do. it's cute and the epilogue got me grinning like a fool.

6. like real people do by Puolain

once again another alternative meeting AU. i dunno, man, it's just so much fun to see twilight and yor having the chance to be real people and accidentally fall in love which each other. i eat that up every time. great work @loveroma!

7. I'll Be There in a Minute, Dear by fluffmelange

i was SO CLOSE to putting fluffmelange's "Leave No Trace of Yourself" here because that one is SO FUNNY but alas, this delightful fic barely won out in the end. you know what you should do? read both. fluffmelange is keeping us all fed with short and sweet fics that are so much fun to read. this one is a favorite simply because the premise is so goofy and simple but i could 100% see it being canon lol. we are in your capable hands @fluffmelange.

8. I've Been Throwing Bricks At Your Window Like There's No Better Way To Say Hello by thesmallestfishinthesea

this fic has such a silly and simply premise but i love it so so so much. it's about the three times yor forgets her keys (plus one extra time loid forgets!!!!) and it's so cute to have a view inside yor's (often frazzled) mind. i don't know what else to say other than READ IT RIGHT NOW!!! great work @smallest-fish-inthesea!

this is not all!! i really wanted to include the wonderful works of @whateversawesome, @briefhottubcoffee, @spencer-is-alive, luinel, and more (ao3 literally went out just as i was typing this UGH what awful timing) but i wanted to do something to give back to this awesome community. fun fact, today is my birthday and there's a tradition in my family where the birthday person gives presents to others. so this is my present to everyone!! thanks for everything you guys and here's to another great year!

oh oh oh one last thing, i tried to link everyone's tumblr if they have one, so if there's an author on here who has a tumblr that i didn't link, let me know and i'll link them.

okay! thanks everyone!

(ALSO DON'T MAKE FUN OF HOW DIFFERENT SOME OF THE DRAWING STYLES LOOK IN SOME OF THE ILLUSTRATIONS, I WAS EXPERIMENTING WITH DIFFERENT TECHNIQUES AND THEY LOOK STUPID ALL PUT TOGETHER LEAVE ME ALONE😭😭😭😭😭😭)

[velvetvexations]

Idk if it's hard to see the size of the forest from within it or nt but like. Is this TRF crap waxing or waning? Kinda waiting for it to be over

I've said this before at least once but I really have started seeing different trans women speaking up about transandrophobia and calling out radfem shit like, every day for awhile now. This is supported by the fact that I've also started seeing TRFs themselves start commenting on there being an honest to God contingent of transfems who are apparently not "transfeminist" where they used to literally make jokes about me being the only one, which was never actually true, but it did feel lonelier for sure because it seemed like we may have really been the minority at times.

This December I've felt so much better about being a trans woman than I have...maybe all year, to be honest. It was hard looking around and seeing radfem rhetoric, radfem rhetoric, "it's okay to call other minority groups slurs," radfem rhetoric.

But in the past month or so it feels like the trans women I'm personally aware of who reject and go against that bullshit have exploded! It really feels like it has to have been something that caused it and not just me being unperceptive, because all the TRFs started complaining about it at the exact same time when it used to be impossible to get them to admit it was possible for trans women to disagree with them without being a TERF psyop. That means there's so many of us now they can't keep hiding it and pretending otherwise.

It would be so funny if the Dropout stuff pushed TMA/TME discourse into way more people's feeds.

But whatever the reason, oh, glory day, it makes me so happy.

*I stand by taking that one post personally though because they were still unambiguously defining "every very popular transfem" as their imagined version of me as a super popular transfem blogger who fills my blog with nothing but TME pandering lol

[hilacopter]

if I see you saying stuff like "jews please call me out and correct me if I ever post something antisemitic!" you better be willing to actually listen and take to heart stuff you might not like hearing

[momentomori24]

I don't believe liking immoral and downright evil characters says anything about you as a person, but I think acting like this definitely does.

"The HH fanbase will defend Valentinoto the moon and back" this and "Val is praised by a majority of the fandom" that, except said majority of the fandom fucking HATES that moth and fans have been harassed, had their art scribbled on to "fix" it, repeatedly called "rapist apologists" and "abuse romanticisers", get questioned or accused about condoning him irl, received graphic death/rape threats and are in general mistreated by the fandom. A Val cosplayer was mistreated and had a gun pulled on them IN REAL LIFE not even a year ago. Even the VA got repeatedly asked or assumed to be like the character he plays because "why else would he want to voice a rapist??" and told they deserve for choosing that role (fucking WILD btw). People that like Valentino as a character are the minority of the fandom, and even there NO ONE defends him. We all realise he's a disgusting individual whose actions shouldn't be defended in any capacity. What kinda bullshit lie is that?

I'm also in the Mouthwashing fandom, and it too has a bunch of issues. Infantilising Curly and minimising his actions, making Swansea to be better than he actually is and ignoring that he knew of the SA, people still debating or not realising that Jimmy raped Anya in the first place, shipping Jimmy and Curly (which isn't even a bad thing or a real problem but this person would see it that way), ect. But sure, conveniently don't bring that up. Anything for the Hazbin Hotel hate, right 💀

These next comments especially piss me off (nevermind how they're talking about an abuse survivor which is gross already). This might be a hot take and I don't care if that's the case, but I think people refusing to call Jimmy by name and excluding him from the cast is not show of a "good" fandom, actually. Jimmy has a lot more to him besides being a rapist. Rape culture, toxic masculinity, capitalistic exploitation, misogyny, male dominance-- there's sooo much more to explore and discuss about his character besides him being a rapist. And he's an incredibly disturbing character in a fucking horror game. If you can only refer to him by some stupid nickname (which takes away the seriousness of his character imo), ignore the significance of his role and themes in the story and the rest of his character and reduce him to a single trait that's BAD. That's not a good thing, and in fact, probably makes you worse than the people that do like his character because they can at least separate fiction and reality and not scrap well written disturbing characters for the sake of "comfort" or moral standing (again, in a horror game of all things). People shouldn't feel bad for liking Jimmy because he's a very good character, and ignoring that completely and acting like there aren't people who could like him... kinda sucks?

Moving over, Valentino is not and has NEVER been portrayed in a positive light in the show. I can't wrap my head around people that genuinely think that. Whenever I hear people say that the arguments I always see are "he shouldn't be attractive" and "he's just a cartoon villain" and "he acts silly and quirky even tho he's a rapist" among other things, and I don't think these people realise they're spouting eugenics bullshit and demonstrating that they don't know anything about his character simultaneously. No, Valentino isn't a "positive" portrayal of a rapist because he's attractive (way to tie morality to appearance btw). No, Valentino isn't a positive portrayal of a rapist because he acts goofy and funny and silly. Those traits are intentional and important to his character. Val is the Overlord of lust and depravity, hell's most famous pimp. His beauty is how he lures in unsuspecting sinners, and his personality is how he gains their trust and gets them to sell their souls for him to exploit (notice how Angel signed his soul away willingly). He's supposed to be appealing. He's supposed to be charming. He's entire persona is meant to be disarming. If he were like Jimmy or just a one-note unlikeable guy, his position in the show and his relationships with the characters wouldn't make sense, so he isn't. That doesn't make him a more positive portrayal or anything, it just means he's more fleshed out and written more complex than you want him to be. He's a very real depiction of an abuser, of their two-faced nature and how being attractive and charming to others doesn't make you less of an abusive monster to someone else. For context, I have been abused by someone extremely similar to Val, so his depiction feels very real to me and it's extremely tiring seeing a bunch of assholes who have probably not even seen the show or have been abused act like he's "romanticised" or "unrealistic" or "bad" simply because he was written by Vivziepop (who's ALSO an SA survivor like what is wrong with you 💀).

This is a broader point and not entirely related to this specific case, but we don't give people shit like this over people liking murderers and serial killers-- acting like all a sudden liking a rapist character says something negative about their writing or about the people that like them is INCREDIBLY stupid. People don't talk like this about Alastor and Vox-- who are both VERY despicable people. Both of them are also abusers among other horrible things, but they're not (or at least Alastor isn't) rapists so they're "not as bad". This is a sentiment I see all the time in both the fandom and hatedom whenever Valentino discourse comes back up, and this line of logic that rapists are a unique evil that can't be liked as characters in fiction but murderers and cannibals and serial killers are totally Ok is so dangerous and backwards. Liking evil characters says nothing about you as a person aside from the fact that you're a freak in the fun way. Liking evil characters but then going after others who do as well because you consider their character "too evil" and watering down the crimes of yours to justify liking them says a lot about you tho. Saying that the characters you like says something negative you in general does too.

We seriously need to stop bringing morality into fiction and saying that "normal" people wouldn't like certain immoral characters. We need to stop ostracising people for their "problematic" ships, proudly brag about ostracising them and justify it by calling them "weirdos". We need to stop saying villains are "badly written" because they're not written how YOU want them to be written, regardless of whether or not that opinion is valid (which in this case it isn't). We need to stop putting fandoms in some weird competition with each other about how characters are written and spit on people who actually enjoy them, are comforted by them or felt seen by them (gestures at the whole Angel dust situation barely a week ago). And honestly we need to stop giving attention to people like this, who spread a false narrative and kick others down for being fans of a media they don't like or know squat about for whatever reason. Who spread lies about the media or fandom in question in way that's blatantly in bad faith.

This crappy post is sitting a 17k while I'm typing this. The way people can just say ANYTHING about Hazbin Hotel and its fandom-- doesn't matter if it's valid or true or if they watched the show or know anything about the fandom at all, it just has to be negative-- and others will eat it up no questions asked needs to be studied at this point. We saw that in the months the show first aired. We saw that with the Angel Dust video. We're seeing this again here. I don't think we should be harassing anybody over fiction and in general (and needless to say don't harass any of these people) but calling out bad actors who pull shit like this more often and making it uncool to shittalk Hazbin Hotel and its fandom (and any fandom from unapologetically dark media where the people deal with enough bullshit already) for no reason and in bad faith is a change I'd be down with. Like, wash your mouth of its name and disappear into the shadow realm, goddamnit.

[changeling-droneco]

Hi I'm that person who made the original post about "no doesn mean no" when a small bit of the mr beast company document was leaked, well, now we have the full document (thanks rosanna) so I'm going to go over it. Please note I am not a lawyer or a business man, I'm in college for psychology, so I might misunderstand some things or make the wrong conclusion. However, if this is a document made for the average mr. beast employee, if I cannot understand it properly, then im sure some employees also struggled

First of all, the opening paragraph. Like I get it's supposed to be like, to put people at ease, but

This is so strange? Like, first of all, this is your EMPLOYEE MANUAL, you should have run it through like, a spell check? Or had someone edit it? This is already incredibly unprofessional. Also the promising of a thousand dollars if you pass a quiz on it? It's bizarre and I'd love to see if it's an actual quiz.

Jimmy, hun, please god get an editor for this you're already trying my patience.

YOU SHOULD, you genuinely should, while interconnected these are all COMPLETELY different jobs, if you think you could write a separate manual for each branch you SHOULD

I'm sure I'm about to get an answer but what the fuck is the best YOUTUBE video then? If it's not comedy, its not production, its not quality, its not look, then what the hell is left? (monetization, it's monetization)

First of all, Jimmy, why are you using internet lingo in this, it's not a text message, this is not a place for, idc, and lol, and not capitalizing your headers correctly??? Also like I said, he's chasing trends for monetization, and also he's just wrong, there are plenty of hollywood level shows and the like on youtube. You fully admit you do not care about trends and actively rush things?

This is just fucked??? Like of COURSE IT MATTERS??? Results based company is bullshit, your employees that worked for five weeks and failed aren't "lesser" then James, it's a structural failure! They still worked for HOURS to try and succeed?? That shows merit and loyalty??? What the fuck???

Rosanna covers this one in her video but it's worth restating that this is FUCKED??? It's clear overwork "your job is your family" culture. Especially the use of the word obsessive? If you do not OBSESS over your work, you are considered poisonous. NO WONDER we have so many reports of employees doing things they feel is dangerous or unsafe, if they don't they're considered POISON to the company.

The formatting in this doc continues to fucking kill me, what are you DOING man GET AN EDITOR

This feels like such an easy fix of just...make the thumbnail after the fact? Or only make a rough draft of one first? Like if production makes a red bouncy castle instead of a yellow one, that feels like an easy fix to the thumbnail OR a communication error, and again, that's on management

A lot of the next stuff is like analytics stuff that for the most part I can't really speak on as someone who does not do any of this stuff. There are a few things though

Which like???? what??? a lull??? what do you mean "watching a video without even realizing they are watching a video??" That doesn't scream good or even mediocre content to me. If I'm actively tuning out as I watch a video, that's bad. Especially because there have been plenty of times I've been like half way through a video i go "hey this sucks actually" and click off. They actively want their audience to not be paying attention to the video so it runs all the way through, that's kinda pathetic.

I don't actually know if this is common or not in this industry, but as an outsider this seems INCREDIBLY micromanaging to me, to an immense degree.

Jimmy why are you putting swears in your employee manual?? sir??? and also something about this whole thing icks me out, I don't quite have the words but the whole emphasis on "im different im special no one else can be me" just reeks of something kind of manipulative

Why is production changing so much Jimmy??? Infinite growth is the mindset of a cancer cell Jimmy! This is incredibly unstable working conditions! Also again with the word obsession, if you take time out of your own day on your own time to watch hulu, that's seen as not being obsessed enough for the company. This is nonsensical!

Again, this is INSANELY micromanaging, and also so fucking unhinged??? "God himself couldn't stop you from making this video on time" is NOT a healthy work mindset, things HAPPEN!!!

In this segment he's actually talking normal things but I did just want to highlight his use of "freaken" who the hell puts that in an EMPLOYEE MANUEL

Again with the micromanaging, and the immense pressure on employees for problems OTHER people do. While he's not fully wrong that you should be in more contact with the contractor then the example, this is too much in the other direction. How much time in the day does he think people have?!

My kingdom for a fucking paragraph break dude, my fucking eyes. Also this is a lot of "im so great and do everything and you should do more for me and if i dont know something that's your fault" for something titled "I am not always right"

I'm getting lazy with my highlighting, but again, the micromanaging? If you're SOOO busy, the first question should be the ideal? it's quick and makes a quick decision, while the second one meanders and meanders

Again, Jimmy is pushing blame for HIS mistakes on OTHER PEOPLE. For again, a section called "i am not always right" hes taking NO accountability for that and just making the SAME excuses he's berating in other places.

I can't even tell what he means here AN EDITOR JIMMY

Autism Hell tm, PLEASE email me so I can DOUBLE CHECK IT, things in writing are SO useful

Again the language towards "C-Players" which as mr beast has said, are the people who y'know, are NORMAL employees who DON'T live and breathe this company

Okay first of all, a Lamborghini is like 300k so that's already A REALLY hard task, and i sure hope don't usually put typos in the tasks. SECOND of all the fact he thinks its okay to go "hey if the studio is literally on fire around you and you stop working to get the Lamborghini, you're not doing good enough" even if he claims it as a joke is NOT OKAY what the FUCK

We've covered this before, but to reiterate this segment is named after a sexual assault reference when it could have been named ANYTHING ELSE and harasses employees and pressures them to break rules, don't do that.

I'm not an editor, so maybe this is normal, but as someone from the outside it seems strange to put this much emphasis on dividing focus between so many videos at once.

Jimmy, hun, are you paying extra for this? Because if I'm an editor and you want me FILMING stuff then i want to be paid more for doing TWO jobs and I probably still wont be as skilled a TRAINED CAMERA MAN

First of all now THAT'S a type, consteatants. Also the fact they are aware that leaving contestants out in the sun is bad, why are you not doing MORE TO STOP IT BEYOND "hey maybe giving them three hours of heatstroke is bad, try only two next time"

Don't we love favoritism, more shitty unprofessional writings, and a completely unstable work environment?

If your people have to pull all nighters period something is wrong, and if something happens to an employees car that could have seriously hurt someone, i sure hope you care more then just "LOL FUNNY" Who's picking up the broken glass? Who's reimbursing the car owner? That one meme of "your first care should be commitment to the bit" is a MEME jimmy, it's not ACTUAL ADVICE

Ah shit I hit image limit, well, you've seen enough screenshots to know these are screenshots, we're almost done I'll put them in as quotes

"Let’s say you are tasked with finding us a castle to live in for 50 hours and while doing research you find a castle and a number to call for the owner. So you do call, and he answers. Only problem is he says he quit the castle renting business to pursue his dream of building a 100 foot tall lego catapult. You can obviously tell where i’m going with this. Ideally you’d recognize that’s badass as fuck and try to convince him to let us use it when we do find a castle. This is a bad example because it’s so obvious but if you’re doing your job right you will be doing an absurd amounts of calls and data collecting. While trying to complete your prios and prepare for the video you should always be on the lookout for new things you can bring to your creative team to inspire them. Because just like me, they don’t know what they don’t know and you can’t just say “i’m in production and i’m not very creative” because that’s literally the equivalent of saying I suck at what I do. You also need to apply this same mindset when problem solving because many people lose sight of this stuff when in the weeds. If a problem appears, always always always ask yourself if your new plan is whats best for creative, not just the easiest bandaid."

First of all it's really funny seeing all the red lines pop up, second of all this insistent blurring of everyone's job seems so strange? Again maybe this is normal, but it really feels like Jimmy wants everyone working every job, instead on focusing on what they are actually hired to do.

"What is the goal of our content?

To excite me. The goal of our content is to excite me. That may sound weird to some of you, especially if you’re new but to me it’s what’s most important. If I'm not excited to get in front of that camera and film the video, it’s just simply not going to happen."

That's fucking weirddddd, like I get that he's trying to be like "im authentic" but it always feels like a bad sign when the goal of a company is literally just "What amuses the boss" like...bad sign

"this is youtube and there are constraints. You know the video can’t be a minute so you’re obviously going to need a story to hold the viewers and there are rules to storytelling. Our audience is massive and because of that you have to be simple, for 50 million people to understand something it must be simple. Content can be anything but there is structure and rules that we must mold it into that I want to teach you about, because virality doesn’t just happen. Every frame of our videos will be seen by 10s of millions of people"

Gross

"I'd say the average MrBeast viewer is a teenage memer that likes video games."

Mr Beast is completely aware of his demographic and puts screen shots of it, he is very aware his stuff is aimed at kids, even when its about gambling or hiring people not around near minors

"I feel silly for having to write this but all the time I talk to 32 new people that have at most seen like 5 or 6 of our videos and it’s mind blowing that they don’t see a problem with that lol."

It's almost like your audience is teenage memer and that people who working here are not in fact, teenage memers.

"What you consume on social media, when you watch youtube, tv, the games you play, etc. are what I like to call your information diet.

How do you stay up to date on the latest memes? How do you know what’s going on with celebrities? What’s trending on youtube? What other creators are doing? What’s popping on tik tok? Your information diet. Consume things on a daily basis that help you write better content."

If my job as a creative writer had my boss tell me to have to see whats "popping on tik tok" as part of my job i'd quit also again, the micromanaging of someone's life as well pops up again, it's weirddd

"It’s okay for the boys to be childish

If talent wants to draw a dick on the white board in the video or do something stupid, let them. (assuming they know all the risks and arn’t missing context on why it’s not safe) People like when we are in our natural element of stupidity. Really do everything you can to empower the boys when filming and help them make content. Help them be idiots"

More favoritism

"If you’ve made it this far you are probably at least semi interested in this being your career. So I wanted to chat about it. Because if you're ambitious and want to dedicate your life to work, you picked the best company in America to do it at. I really don’t care to hoard a bunch of money and I deeply believe in rewarding the people that help this business get where it needs to be. But before I get into that, let’s talk about the future. As I write this we have 2 teams, that will grow to 4 in the next year. (and possibly 8 in the next 2 years but I can’t talk about that cause james will kill me haha). We need more leaders in the company. Weneed hard working, obsessive, coachable, intelligent, grinders that can step up and take some of these leadership spots over the next 2 years. Every single department has an opportunity for you to grow in and you’re in luck because we don’t do yearly reviews. We do whenever the fuck you want reviewes"

Lack of communication from management, and more emphasis on grinding and crunch culture, goodie, all while riddled with typos! God.

"I see a world where this company is worth billions and one day 10s of billions. And those of you that help build this will be rewarded. I want nothing more then for you to go all in, obsessive all day everyday, and become so god dam valuable this company can’t operate without you. And in return for becoming so valuable I hope to give you incredible experiences, a fun place to work, and of course, more money then you could ever dream of making at any other company."

I feel like I'm reading a fucking pyramid scheme document here, "youre so so valuable spend literally every minute of every day on this company haha" good GOD man

[norrisainz33]

the call pt 2 || platonic grid & gr63

summary: y/n finishes out the triple header strong after being called up to race for alpine

pairing: platonic!grid x george russell x rookie!driver!reader

fc & warnings: none and minor hate comments, bad language, and bad grammar from my end

a/n: i've never had this many people request a part 2 before so i hope y'all enjoy!! I'm going to keep her racing in the remainder of the season so keep an eye out for the rest.

part 1 | part 3

ﾟ. ✿ ୨❤︎୧⠀✿ . ﾟ

alpinef1team has made a post

liked by pierregasly, ynuser, yourbff, yoursibling, landonorris, oscarpiastri, and 876,234

alpinef1team: a point in the bag for pierre and another good drive for y/n 💼

view all 435 comments

user2: solid result for the team!!! y/n ate in her second race ever

user99: a team of losers tbh

ynuser: yay for points! let’s go pierregasly

pierregasly: we go again in brazil! points for both of us there 😉

ynuser: everyone better make sure to bet on us 🙂‍↔️

yourbff: let’s go best friend(s)!!!!

ynuser: 🫶🏻

georgerussell63: great stuff ynuser

ynuser: thanks georgie

user1: notice how he is always supporting her…. is there something here?

user2: they’ve been friends since their karting days!! if you asked me back when they were in f2 if they were tg i would’ve said yes bc they were kinda sus but now idk

user1: gonna go research the lore on their f2 days

✿

you let out a huff as you threw your padel racket on the ground and wiped the sweat from your brow, “god dammit lance! how are you so good at this!?”

laughing lance shrugged, “maybe you and george are just really bad!”

george shook his head, “no mate that can’t be it!”

you took a long drink of your water as the pair continued to bicker. “did you both see the weather for the weekend?” you asked changing the subject so they’d stop.

“yeah, lots of rain it seems.” lance put his racket into his bag and looked up at you with concern. “have you raced in the rain before?”

you shook your head, “no not really. i mean when i was karting yes but outside of that not really.”

“blimey y/n/n,” george ran a hand through his hair. “you’ve been going over those scenarios with your team right? there’s a chance of some really heavy rain.”

“i have, i have. i’ll be ok!” you assured them both with a smile but your friends looked anything but reassured.

✿

ynuser has posted to their story

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user2: jesus christ you’re so hot

user4: im obsessed with you holy f

georgerussell63: green is a good color on you. tho i think mercedes blue is better

ynuser: you mean alpine blue and pink

georgerussell63: nah i’d like to see you in my colors

ynuser: oh?

georgerussell63: you heard me

francocolapinto: 👀

ynuser: and you’re coming to play with us next time yea?

francocolapinto: si bonita

yourbff: H O T

ynuser: thanks bb

ynuser: also i think george might be flirting in my dms rn?

yourbff: WHAT?!

ynuser: he said he wants to see me in his mercedes kit

yourbff: oh that’s 🤭

landonorris: you look tall here

ynuser: thanks shortie 🩷

landonorris: uncalled for

user5: thanking your parents for doing it tbh

✿

holding in a yawn you turned to walk back to your garage after the brazilian national anthem. the 5am wake up for this ‘super sunday’ as they were calling it was catching up with you despite the butterflies swarming in your stomach. you had had the qualifying session of your life, which despite the cool confidence you played it off with in your interviews after, shocked you just as much as it shocked everyone else. you qualified in 4th. yes, you read that right, p4. something about the car came alive in the rain and you prayed it came alive again during the race but the rain was starting to pick up and it seemed like it was only going to get worse. you’d already seen several red flags in quali and would be lying to yourself if you said you weren’t terrified that that was about to become you in the race.... especially with the threat of the entire field behind you, including max verstappen, wanting to push forward and push forward fast regardless of the consequences.

“y/n!” a hushed voice caught your attention. george had caught up to you and had a serious look on his face. “please be careful out there,” he pleaded.

“you too george,” you squeezed his arm lightly. “i’ll see you on the podium, yeah?"

"yeah," george winked as you turned to head into the alpine garage.

your engineer, james, handed you your helmet as he went over a few more pieces of data. he was stressing over the litany of different plans the team had put together in the very short window between quali and now. the heavy rain and your heroic lap times caused just about everything your team had prepped to be turned upside down.

“right, right i’ve got it james. plan a seems the most logical if i can keep everyone behind me.” you said as you pulled your helmet onto your head and fastened the strap.

things were about to get interesting.

✿

f1 has made a post

liked by alpinef1team, yourbff, yoursibling, yourfriend, ynupdates and 435,725 others

f1: the race is stopped under the red flag for a crash….. and y/n y/l/n is our new race leader! after running a surprisingly strong p4 for the first half of the race, she took the lead when those in front pitted for new tyres. y/n is the only woman in history to lead a lap in a grand prix

view all 432 comments

user1: not them calling her performance surprising 🥴

user2: I KNOW THATS RIGHT!

user12: only gonna last a second. she can’t even compete with the likes of verstappen

alpinef1team: @ everyone behind, y/n.. can we pretty please keep it this way?

yourbff: real tears are being shed rn this is monumental

user9: god is this amazing

mercedesamgf1: we love to see this historical moment! even if we’re coming to take it back 😉

user11: literally the most amazing thing i’ve seen all day

✿

you ripped another tear off from your helmet wishing it would make it easier to see but to your dismay, you still couldn’t see a damn thing. the rain was coming down in buckets, your inters were worn, you were fighting the car even in the straight lines to keep it on the track and worst of all, you were scared shitless. you had no moment to even be happy about your current position in p1 because you were too busy trying not to send your car into the barrier.

“max is 2 seconds behind you and gaining very quickly. gasly is 1.2 seconds behind max and leclerc is 0.9 behind pierre.” james updated you on the radio which sent you into a fit of rage.

“james for fucks sake i don’t care!!! stop giving me timing updates!! i can’t see the road so i can’t do anything about it!!!” you almost screamed. "i can't even pass half throttle!"

“rain is expected to lighten in about 10 laps,” james reported ignoring your outburst.

“10 LAPS?! how am i supposed to survive 10 laps?!?!?” as you yelled you felt the rear of your car start to slide causing you to need to quickly snap it back into place. “there is so much standing water james - i can’t keep doing this. the front straight is like a swimming pool!”

“yes you can, y/n. lock in and calm down. you only have a couple of laps left in this class of rain.”

“lock in? calm down!? and what if i crash this damn car first?!” turning off your radio you tried to take a few deep breaths while focusing on the road in front of you. you couldn’t panic - that would only make matters worse. you had to stay calm. you knew your car, you knew to deviate off the racing line to avoid the slippery curbs in specific turns, and you knew that you had to make it through whether you wanted to or not. panicking was not going to help anyone but there was little way to explain just how scary it was on track at this current moment.

another snap of significant oversteer left you breathless and near tears. “james im so serious - i need wets and even then i don’t think they’re going to be enough. there's standing water on every part of this track. i can't race like this on these tyres. please talk to fia. please we need a red flag.”

“pitting doesn’t make sense right now, you’ll come out in traffic and your race will be over.”

“i care more about making it out of this race alive than coming out in traffic.”

“understood.”

✿

✿

“they couldn’t have taken any longer with that red flag could they?” you snapped as you pulled your race suit down to your hips.

“no they really couldn’t have! it was getting ridiculous out there.” pierre grabbed his water bottle, "driving couldn't have been more dangerous."

“alright you two! thats enough!" your team principal interrupted, looking very serious. "we have a real chance of keeping this double podium finish especially because george and lando pitted before this red flag and lost a lot of time," he explained. "y/n, you’re going to have to push, there’s not much chance you’ll be able to keep max behind you but we’ve got to be fast enough to keep george, charles and lando behind pierre.”

right... keep 3 of the fastest drivers on the grid behind you both.. you were going to need a real stroke of luck.

✿

alpinef1team has made a post

liked by yourbff, yoursibling, ynupdates, rubendias, jackhughes, robmcelhenney, and 843,124 others

alpinef1team: THEY DID IT!!! Y/N AND PIERRE CROSS THE LINE AS P2 AND P3! HISTORY MADE

✿

"thats p2 y/n - great job! the entire team and i are so fcking proud of you."

"AHHH YES YESSSSSSS!!!!" you screamed into the radio, banging your hands against the steering wheel, "WE DID IT!! WE DID IT JAMES!!" the emotions hit you like a brick wall, and tears quickly began falling. "thank you all so much. thank you for this opportunity. thank you to the mechanics, to everyone back at the factory, to every single one of you. thank you for believing in me when no one else did."

"you're welcome, y/n. you deserve it. you deserve it all kid."

pierre rolled up next to you to drive the remainder of the cool down lap by your side. he waved excitedly and you waved back without hesitation - you both had achieved what felt like the impossible.

you were the first woman to ever stand up on the podium and you were the first woman to score points in formula 1, but you knew you certainly weren't going to be the last. if you would do anything with your remaining races, it would be to show the world just how much women belong in this sport.

you pulled into parc ferme and shut off your car as quickly as you could. you fumbled with your straps and when you finally got them off, pierre was standing above you with his hand held out. you smiled, grabbing his hand and allowing him to pull you out of the car. "we did it, p -" you said just loud enough for him to hear over the cheering.

"we did it, y/n/n." pierre replied and with that, you both turned and ran hand in hand to your team who was waiting with open arms to greet their heroes.

✿

ynuser has made a post

liked by georgerussell63, landonorris, pierregasly, lewishamilton, oscarpiastri, yourbff, and 943,124 others

ynuser: we did it 🩷 thank you to alpine for believing in me, thank you to pierre for being the best teammate a girl could ask for, thank you to my friends and family for supporting me through the ups and the downs and thank you to my fans -- i love you all so much

view all 999 comments

user1: i've never shed so many tears over a race before

yourbff: i feel like a proud parent rn

ynuser: thanks for never giving up on me bestie

georgerussell63: you're a force to be reckoned with y/n. congratulations on an impressive drive! today is your day 🤍

ynuser: mark your calendars! 11/3 is national y/n day

landonorris: speechless... i am so proud of you. if someone had to be up there besides me, i'm so glad it was you 😉

ynuser: thank you lanny. only thing that would have made it better is if you were with me up there 🩷

user10: tea LOL

francisca.cgomes: i dont think i've ever been happier?? my two favorite people are on that podium?

ynuser: stop dont make me cry agAIN

pierregasly: thankful for you mon ami

ynuser: 🤍🩷

lewishamilton: being a barrier breaker is never easy y/n but you are crushing it. i am proud to race with you!

ynuser: you have no idea how much this means to me lewis

user9: thank you from the bottom of my heart for continuing to prove everyone wrong

user95: nothing could have prepared me for 1) them running hand and hand to their team, 2) y/n crying tears of joy on the podium and 3) gr63 picking y/n up and twirling her around in parc ferme

user2: george and y/n were so cute it was actually sickening. did you see the way he fixed her hair after putting her down

user95: and how he wiped away her tears??? yeah i saw it 🥹

user2: i want them together so bad

user10: you are going down in the history books

ﾟ. ✿ ୨❤︎୧⠀✿ . ﾟ

a/n: thank you for reading!!! likes, feedback and reblogs are welcome!! massively appreciate all of the support on this little series. i am really enjoying it too

tag list from part 1: @yawn-zi @a-beaverhausen @nichmeddar @divagreymare @raizelchrysanderoctavius @ferakillia @stressed-cherry @sassyangel16 @mxdi0 @awritingtree @danielricciardoslut3 @dying-inside-but-its-classy @seasonswinter @rawr-123s-stuff @grussellsprout @belncaldern @ellelabelle @rafeyybabyy

ﾟ. ✿ ୨❤︎୧⠀✿ . ﾟ

disclaimer: pictures are not mine and everything i write is fiction

© norrisainz33 || please do not rewrite, translate, or copy any of my works posted here on to any other platform

[yonch]

it's been 15 years and you can see better than ever

(design notes under the cut) (there are spoilers)

ok this got really long. here you go

sif:

ditched the cloak. it was collecting dust in their closet until recently, but they realized they don't need to cling to their grief so much anymore. someone else will need it more soon.

ditched the eyepatch. the prosthetic eye is a labor of love designed by isa, as is literally everything else they're wearing.

they cut their bangs finally and started braiding their hair back so it wouldn't obscure their vision as much anymore.

they like darker/tighter clothing and prefer function over form but unfortunately their gay ass boyfriend keeps treating them like a dress up doll so they're stuck wearing waistcoats and a fancy cloak. (they don't mind. it's designed to look like loop.) they keep flowers in their many pockets to give to people.

they're a woodworker in their free time. they don't usually talk about being any sort of savior so he just becomes sif the guy who's really good at carving birthday presents for people and also tags along with isa to charity parties and fundraisers

41 year old 5'1" they/he absolutely zero intention of Changing. bonded to isabeau. they adopted a kid who leo or i might post about some other time i think. her name is estelle.

isa: i'm not taking credit for the design that's by my friend @fembard /@leoweooo. i'll include his design notes

isa dresses mostly for comfort, he doesn't like wearing stuff that might get stained or ruined when he's dyeing clothes or chasing stelle around in the mud or something, all his fashion sense goes into his handiwork

he Changed a few more times over the 15yrs, eventually settled. picked up she/her pronouns again on the side but was never really able to ditch the name isabeau and he kinda ran out of names anyways...

kept the long hair, kept a few inches in height, very happy to fulfill the role of male (space) wife

can't ditch the kimono jacket it's the piece de resistance. odile influence and Wisening Of Age means its made with a little more knowledge of ka buan technique but still very clearly an Isa Design. the fabric is imported silk sif!!!!!!

39 year old Tall with a capital T he/she "i swear i'm not a weeaboo i'm just really into ka buan fashion" vaugardian indie clothing designer in your area help support this man in his attempts to use his family members as living advertisements for his brand

mira: with design input from @jastertown thank you my friend

i took a lot of inspiration for the sparkly, sheer fabric on her dress from euphrasie. she's not head housemaiden yet because she doesn't feel like she's ready but everybody knows it'll be her

speaking of inspiration. she's been taking a lot of fashion cues from a certain lady in dormont that she thought was kind of scary, but it turns out she's very nice? they're besties now.

she got rid of the earrings for a little bit but then she realized she just liked how they look on her. so now they go ding ding! it's for her and nobody else, and that's how she likes it.

moved her ornaments to her skirt because they ding ding more often there. her necklace also jingles with merriment.

38 year old she/her advanced cisgender+ legend who's realizing that people are trying to get her to be the pope but all she really wants to do is write yaoibait fiction that looks like it came straight off of ao3

odile:

my glorious hag. she started shrinking about 3 years ago. all those years of bending over books has finally caught up to her. her hips are fuuuuuucked. but she has a sick cane that sif carved for her so everything's okay

she was already pretty comfortable and settled in her sense of style when she was nearing 50 so i don't think she would change much. darker clothing maybe. ditched the high-waisted pants for some looser slacks.

she's started writing a familytale of her own. the only person she's told about it is bonbon, who caught her up way past their bedtime, and scribbled all over one of the pages. she'll pass it on to sif when the time's right, after she's written down everything she can remember about their family.

64 year old she/her wasian researcher recovering from hernia surgery who's getting really into things like "political activism" and "body craft law reformation in ka bue" and "making sure people aren't sourcing their hrt from back alleys"

bonnie:

prefers to go by boniface these days. it's cooler. more mature. please stop calling me bonbon that's a nickname from when i was 10 guys c'mon guys ugh fine frin you can still call me bonbon but not around my girlfriends ok (nobody calls them boniface except for odile)

speaking of which they have 3 butch lesbian girlfriends. this got established as a joke but i think they have it in them. they're still young!!!!!!! they should be at the club!!!!!!!!!!!!!!!!!!!

they traveled for a while with everybody but eventually settled down back in bambouche to start a little family owned restaurant with nille featuring dishes from all over the globe. people travel from all over to get a taste of boniface's good eats... bambouche is bustling. (they have a few recipes that are sourced from the country. they meet people every once in a while who find something achingly familiar about it, and they usually direct those people to jouvente to get in contact with frin.)

26 year old they/them "i dont know how tall i am but i'm taller than za" chef cooker whose restaurant keeps lighting on fire because this time i swear nille i can figure out how to do cooking craft i swear i wont explode the kitchen this time please i promise

loop:

ok. this is where lozy gets to just talk about what he thinks happens post game. i think they stick around for way longer than they really should and follow the crew around on their travels (mostly invisibly) because they're sooo fucking scared of change they're sooo scared and they're so scared of their wish fucking up beyond belief. they're kind of incapable of aging or dying in this body and theyre like permanently 26 which is what spurs them to finally move on.

i think they go back to their timeline eventually after making a Brand New Wish to "go back to their real family." alas the universe leads and we can only follow. and it turns out loop has actually made a real family in stardust's world also. this is my justification for why they can pop in between sasasap and isat worlds without much repercussion. i think they're always permanently loop shaped in isat but i imagine they can probably go back to their original body in their home timeline... might design that later. who knows. i'm fucked like that

i just think they deserve a chance for their own happy ending you know. isat's a game about how it's never too late to communicate and how you shouldn't punish yourself forever and ever. and i think theyve punished themself enough you know.

ok tank you for reading if you read this far. it's really big and long so i would understand if you didn't. but i hope you liked it. thoughts appreciated. here's a little something for the people who read all the way through.

[fillinforlater]

The Archive of Smite

This page belongs to the writer named Smite. He wrote fics starting in September of 2021 up until April 2024. In these 2,5 years, over 8.000 people followed him to read some of the craziest k-pop girl group smut out there. Almost 150 stories of sex in all kinds of positions, for many reasons, all over the world (and in outerspace), with too many kinks to count.

"When I started, I kinda wanted to become the best. I wanted my favorite writers at the time - Levi, Peach, Sins, and many more - to know that I could write as good as they can. I wanted to go wilder and crazier."

Smite, though ambitious, was also stupid and naive. At roughly the same time he started writing, two other community legends began their careers. IZ and Kaede crushed everything in their sight, especially the former becoming an absolute legend.

"Writing was fun. At times, it was escapism from everyday worries. At other times, it was fulfillment of fantasies I could never reach. Mostly though, it was just horny. BFH that just became words. If you go through my Masterlist, you might see which idols had some random heights or were just... Always on my hot list."

Smite never really stopped writing, not for long stretches that is. It didn't really occur to him that there might be a sudden, drastic reason to stop. He considered doing so anyways. Something about writing porn about irl people without them knowing or wanting - needless to say, it is an odd hobby. Nevertheless, he enjoyed it amd the community it brought with it.

"I fucking love these guys. So many hilarious peoplefrom all over the world. One became like my best friend, a rock during my emotional struggles. Another was my boyfriend for a short time. Man, I screwed up with him kekw. There are too many to mention. I've had long talks with some, others just came by and listened to me mald or something. I love you all, some of you I consider true friends - part of my soul - and I feel connected, even if you are thousands of miles away."

2024 started stressful for Smite. The pressure of Uni started to collapse on him. Even the thought of big kpop concerts wasn't enough to cheer him up. Luckily though, there was this girl. Sweet, kind, caring and in the same position. Soon, he had found something that seemed impossible. She was in love with him and he in love with her. And when everything unraveled.

"I stopped writing. I burried my drafts. I finished only one story and released it way later. I'm sorry I didn't announce it properly, but I just felt that this smut writing career was over. I don't regret it - I gained something beautiful I want to keep for the rest of my life. She is at least as pretty as Minju, so I call that the biggest win imaginable lol."

So no more smuts from Smite?

"99% no"

No more fanfictions/girl group stories in general?

"Eh, 80% no. Still some unfinished angst that I would love y'all to read tho"

Will you ever reach those 150 fics?

"We will see. In this count there are fics with less than 1000 words. I might just sneeze and finish it kekw"

Any fic you regret not writing?

"Not really? Maybe a proper ending for Starship: Horizon? Or yet another Minju fic? Futa stuff? Gaeul angst x female reader? Or how about a fic with 69 different idols at once? Who but me would dare to write something so stupid?"

Do you think you reached your initial goal?

"Do I consider myself the GOAT? No. That title belongs to either Peach, Levi or IZ. But I know that of my now 8.700 followers some consider me their favorite writer. I'm flattered and thank you very much for reading amd enjoying my work."

Now for the most important question: does this post mean you are finally leaving the community behind for good? Is this your last hoorah?

"..."

"Never."

[xamag-draws]

BBR thoughts 2024

Since I mentioned that I finally dusted off an old project of mine and was ruminating on how I'd remake it, I thought I'd elaborate a little, now that I've solidified some concepts. For funsies

This is gonna be a bit of a long and unfocused one, but I don't share my personal thoughts here often, especially the stuff about my projects I always marinate in. And for once it's something that people have existing context for, so hey why not

So for anyone who hasn't been following me for a gajillion years, The Black Brick Road of OZ was a webcomic that I posted around 2013-2015, back when I was in highschool going on college (which is kinda crazy to think about). It was sort of a darker twist on The Wonderful Wizard of Oz, although I definitely leaned a lot more into dark humor more than anything in those first few chapters

I don't think it's available to read anywhere anymore, and I know people have been asking me about it. So here's the full proper archive of BBR, as full as it can be with deceased Flash

I totally used it as an excuse to shamelessly and self-indulgently experiment. It had interactive pages and GIFs and was wayyy too overproduced for what I could handle or what was necessary, but I did have great fun making it while it lasted

Unfortunately, that excess and the fact that I've changed too much as a person by the time I was in college is what ultimately killed it. The direction I wanted to go in was practically unrecognizable from the original idea started back in 2011, so there were many old hold-ups that I felt ruined it

At the time I kinda wished I could start/rewrite it all over, but considering that I pretty much had the entire script done at that point, it felt like a pointless sisyphean task. So I just put it on a shelf and didn't look back for about 8 years, because I didn't know what else to do

Now to be fair, the nature of my art has always been iterative and cyclical; when I feel like my creative juices have run dry I prefer to leave a project to marinate and move on to something else; cycle through other old things and bring in new skills and perspectives into the mix when I'm ready again. Not very productive, but it is what makes me happy to work on my OCs; I'm doomed to hit a wall with them eventually and I need some time to be able to find a new direction

So that said, I'm glad that BBR was left to marinate for that long. I don't think I was prepared, emotionally or intellectually, to tackle it again until now. The Wizard of Oz book (and the entire series of them, really) has always been near and dear to my heart, but there's a lot of context around it that I'm only unpacking now that I'm older

I think I always inherently feel negatively about the stuff I've made in the past, like its faults always jump out to me more than the positives, especially the more time passes. I've never liked that, and I do really appreciate the kind things people have to say about BBR to this day. The fact that it still can be recognized and remembered is very sweet

When I left it, I already found it "kinda cringe", and that feeling only deepened with years. When I took my first look back at it, asking the question "how would I rewrite it now?", at first I took a very cynical approach, as in "everything would have to be torn down"

But the more I sat on it, the more I found that I still see some merit and charm in the ideas I was putting out; I just didn't know how to execute them at the time (not to pretend that I know what I'm doing now, but I certainly know more at least). Turns out a lot of my old concepts could be changed substantially with just a few small tweaks. So I'd say that's a nicer way to think about my previous work

If you haven't seen yet, I posted a first draft of my new designs for some of the characters (the main group, the Goods and the Wickeds). Definitely subject to change, but more or less how I see them now

I'm just playing with these concepts; by no means would I attempt to remake BBR right this moment. Call it a pipe dream among my other ones. But just for fun, this is the direction I'd like to take:

Nowadays I'd probably make it a visual novel, with more emphasis on the visual part than the novel because I'm no English prose writer by any means. It'd still let me play a little with the interactivity while helping cut some corners on the drawing part (only some, I imagine I'd go hog wild anyway)

I've always intended for some events inspired by the sequel books to take place in BBR's past. Stuff like Jinjur's revolt or Ozma's rule preceeds the main events here. So I think it would be fun to follow the past of a few key characters alongside the main story. One chapter focusing on the present quest to see the Wizard, then one focusing on the past events (that are maybe reflective thematically); rinse and repeat

I'm also sticking a little closer to the original text in some regards. Not everything that I enjoy from the books would be translated here, it's still just a very loose fantasy on the material; but I'd like to be closer in spirit at least

I like mature, wise and powerful Glinda, I like kind and vulnerable Tin Man, I like the Wizard being a pathetic yet loveable liar, so I'm sprinkling in more of that for example

I'd like to keep some whimsy, but make it more grounded and a bit more serious to be coherent in tone. I think the original TWWOOZ book was a more realistic fantasy in some ways, even for the standards of the time; I like its simple but vivid tactile descriptions and details like bringing attention that Dorothy needed to eat and sleep

I find it funny that Baum specifically was averse to making his books scary or unpleasant, finding that unnecessary for telling a compelling kids story, but they still can get pretty dark and disturbing, at least for our modern sensibilities. Let's just say that I intend to use the Evoldo and Chopfyt storylines for my purposes. In that way, I feel like a "darker" Wizard of Oz retelling can still mostly be tonally in line with the original and balance it with enough heart and occasional humor

I slowly grew to appreciate the quaint old-timey quality of the original series, as well. The first book is both timeless and very much a product of the 1900s. Originally I tried to give it a little modern or at least anachronistic spin, but it was moreso because it's what I knew best, so these days I'd rather intentionally lean into the time period. Still not fully historically accurate by any means, but at least directly acknowledging the influence

The events of the story span across 40 years of these characters' lives, so I'm drawing inspiration from the entire so-called La Belle Epoque: the time period around 1880s-1920s. Basically I'm cooking, and my soup is old Victorian fashion morphing into Edwardian fashion and slowly inching towards flappers

Some new Dolly outfits

Lots of crazy things, political changes and innovations were happening at the turn of the century, which I think is noted and reflected by Baum in the books as well; the character of Tik-Tok might not blow any minds now, but he was one of the first robot characters in literature at that point; and don't even get me started on Jinjur, etc. Plenty of really interesting stuff one could lightly ponder in an Oz adaptation these days

Aesthetically, art nouveau has always been a big artistic influence for me, and it'd definitely be its time to shine here. John R. Neill's illustrations of the Oz books often keep me company as well. Nouveau architecture in particular fits that fairytale whimsy extremely well imo

I'd allow myself a little bit of art deco here and there, but ultimately its intimidating geometrical splendor is an antithetical to the flowery nature of nouveau and I associate it with a completely different era. Definitely fitting some characters like my Wicked Witch of the West, but shouldn't be overused

One of my main problems with the original BBR was that eventually I lost track of what it was even about; and the original ending felt too mean and unfulfilling to be worth it. Now I'd like to stick to the theme of home and family as my main theme, but in a different, more bittersweet way than in the book

An interesting connection I made is that a lot of my aforementioned older key characters (the Witches, Jinjur, the Nome King, etc) all came from the same reformatory as kids, that's how they know each other. In my recent research I learned that in those reformatories it was usually frowned upon to release the children back to the families, which were seen as the original corrupting influence regardless of the circumstance. The reformatory did everything in its power to cut that connection and make itself the only family those wayward kids were supposed to know and love. That's an unexpected tie into the theme of home that I'd like to explore as well

So yeah that's the current state of it. I have a bunch of outfit concepts I'm slowly cooking, although I'm now sure whether I'd post them... But I do miss these funny guys, and I'm glad some people still do as well :)

[absofckinglutelys]

researcher; lighter x gn! reader

author's note; hello lighter lovers nation! its been awhile since i posted anything here, what with my finals, procrastination and 4-5 typhoons in a month (seriously i wish i was joking). i've become kinda rusty when it comes to writing, so i hope you can be kind in these trying times. not beta read nor is my first language english so expect grammar mistakes.

word count: 2,400 words

enjoy!

_________

The afternoon sun beat down your skin as a light sheen of sweat dripped down from your forehead. But you were used to it by this point, it was more of a daily annoyance in your self-appointed work. You've built up a tolerance to it the longer you stay in your small camp.

You looked at the Hollow from afar with worry.

It grew more potent the last time I was here.. You thought to yourself as you packed up your findings in an old duffel bag while writing down some of your thoughts on your notes. You only bring back your journal and photos, not stuff that could potentially harm anyone as per the agreement to continue in your research and to stay in Blazewood.

The ache in your bones and the way your brain was turning itself off the longer you stay here tells you enough. It's time for a break.

Your camp was far away from the source of your research, the Old Capital. Far enough to not be affected, but near enough to observe it. Today, you were planning to go back to your lodgings in the Outer Ring, specifically Blazewood.

Although..

You checked your watch for the time. Normally, your ride back to Blazewood would be here by now..

Just as you were about to take out your phone to call, a familiar sound of an engine roared through the empty streets.

A bike that you were vaguely familiar with but weren't expecting at all, came closer to you at high speed before the tires screeched right in front of you. You gave the rider a smile once you recognized her.

“Afternoon, Researcher!” The soon-to-be leader of the Sons of Calydon flashed you with a wide grin, sweat dripping down her face under the sun. Her bike's engine continued to roar as she set her foot down to balance herself.

You chuckled as you placed a hand on your hip, “Caesar, how many times do I have to tell you that you can call me by my name?”

The nickname the Sons of Calydon, and by extension, the people of Blazewood started calling you once you started researching the Old Capital. You did give them your name, but apparently ‘Researcher’ stuck. You've grown used to it by this point.

Caesar flushed in embarrassment, putting her hand on her nape as she laughed, “Sorry, sorry. It's a habit at this point. Anyways,” She cleared her throat, “I'm here to bring you back to Blazewood!”

“Not that I'm complaining or anything,” You hummed as you approached the biker, “But normally Big Daddy is the one who picks me up, did something happen?” You eyed her curiously as Caesar adjusted herself so you could sit behind her, she revved her bike as you got on.

“I think so,” Caesar admitted, but quickly followed up as you looked at her with a frown over her shoulder, “But it's not anything bad! Big Daddy's been gone since yesterday. He said something about taking care of some business or something.”

You let out a sigh in relief as Caesar started driving at a slow pace before she made a U-turn back to Blazewood. “Well, at least it's not anything bad. Did he say why?”

Caesar picked up the pace, enough for the wind to whip at your face, you narrowed your eyes at the onslaught of dust and bits of rocks.

“Not really! He said something about meeting up with someone I think?!” Caesar shouted over the wind, you clutched the back of her bike for stability at the fast pace of her driving, eyes still narrowed due to the dust. “Guess we'll have to wait and see!”

––

Caesar's driving was a stark contrast compared to Big Daddy's, you were pretty sure you swallowed a bug during the ride back to Blazewood. You couldn't complain much though, at least you were back in your lodgings before late in the afternoon.

“You good, Researcher?” Caesar asked as you got off her bike, you were sure you looked like a hot mess judging by Caesar's concern, but you were pretty sure she was trying not to laugh at your face. To her credit, she was doing a pretty good job.

“Peachy, thanks for the ride, Caesar.” You adjusted your clothes and fixed your hair effortlessly, again you can't really complain. The Sons of Calydon and the people of Blazeword were already kind enough to take you under their wing, providing food and shelter. It was more than you deserve, so you help around if you could.

Besides, most of the people in Blazewood used bikes more often than not. There was Steeltusk, but you did not want to be another victim of Piper's driving anytime soon.

“Anytime–” Just as Caesar was about to get off her bike, a voice called out.

“Big Sis, Researcher! You're back!” The red jacket was already a telltale sign, the Champion of the Sons of Calydon approached you two as he raised his arm in greeting.

“Just in time, Big Daddy's been looking for you.” Billy said as he grew closer to you, you and Caesar shared a look, “Huh, Big Daddy's back already?” Caesar inquired as she got off her bike and kicked up the stand. You had half the mind to go inside your lodgings to drop off your bag as the two conversed.

It was a simple apartment on the second story, you climbed up the stairs as you took out your key, opening the door and promptly dropping your bag on the single sofa in the room before going back to the two members of the Sons of Calydon, still conversing but Caesar had a look of surprise on her face this time.

“What'd I miss?” You asked curiously.

“We're about to meet up with the others. Come on, Researcher!” Billy exclaimed, taking your arm in his hand without another word as all three of you walked to the lift to the main part of Blazewood, you didn't protest much since you and Billy were close enough for friendly touches like these every once in a while. But you were growing confused as you got on the lift.

“Did something happen?” You asked as the little bangboo pulled down the lever to take you up.

“Big Daddy's came back with a guy.” Billy replied as the lift’s creaky fence opened to let you out. You raised a brow at his vague words, “A guy?”

“Yeah, Big Daddy said he'll explain everything once everyone's there. So he sent me to wait for you two to come back.” You and Caesar shared a look again in confusion as Billy led the way, Blazewood was small, so you can already see the other Sons of Calydon members and the mayor of Blazewood just by the old diner along with an unfamiliar face.

“Do I have to be there too?” You asked as the three of you grew closer to the others.

Billy shrugged, “I guess so? Big Daddy did say to ‘make sure Caesar and the Researcher meet up with us once they come back’. I guess since you're our honorary member after all!” He joked as you let out a sigh.

Another thing, aside from your research, you spent most of your time with the Sons of Calydon in your free time. You enjoyed the company of the people of Blazewood, but you felt a deeper connection with the Sons of Calydon. Maybe because Big Daddy was the reason why you were here in the first place and he always insists you join them at their down times.

You sometimes think it was his way to make sure you weren't an anti-social shut in.

So while you weren't an official member, you were an honorary member. Which was why you were being dragged to this meeting right now.

“We're here!” Billy announced as the other members of the Sons of Calydon and the mayor of Blazewood greeted you, you smiled at them with a tip of your head.

“Now that everyone's here,” Big Daddy started, the group fell silent as they listened to him speak, “I'd like to introduce the newest member of the Sons of Calydon.” Big Daddy approached the man a little aways from the group.

The man stepped forward as Big Daddy gestured to him, his arms were crossed with his head down. You observed him from head to toe, trying to assuage what kind of person he was. You tried not to narrow your eyes at the guy and make him uncomfortable, so you smoothed your face into what you hope to be a welcoming one.

“Oh? Well, welcome to Blazewood, mister..” The mayor of Blazewood spoke up first, she trailed off,

The man cleared his throat, relaxing his stature as he looked up. “... Lighter, Lorenz. Nice to meet you.”

The man, Lighter, as he introduced himself. Had shades on when he looked up, you saw a glimpse of his eyes as he flickered his gaze around you. But you weren't entirely sure.

Big Daddy addressed the group after Lighter spoke up, “Lighter will be with us from now on. So, make sure to make him feel welcomed.” As the Sons of Calydon gave their confirmation and greetings to their new member, you stayed back and observed him.

Lighter was on the tall side, maybe as tall as Billy. But he seemed to retreat to himself as the Sons of Calydon started to approach him. No, not retreat. He looked like he was expecting a fight, wound up like a spring ready to jump. You can see his jaw clench and unclench as the others continued to ask Big Daddy question after question, most often than not, asking questions about him.

He was good at hiding his unease, you were just way too observant for your own good.

“Where are you from, Lighter?” You asked him directly, making the others pause and look at you. But your eyes were on him as he perked up in surprise, most likely not expecting anyone to ask him directly.

The man cleared his throat as he looked at you through his shades, it looks like this time he was observing you.

“.. Just by the old oil ridge, a bit far from here.” Lighter's voice was deep, raspy. As if he hasn't used his voice for awhile now. You had a hunch to think he had no reason to. “You look like you're from the city.” He followed up, more evident he was observing you.

You simply shrugged while crossing your arms, your expression remained neutral. “I get that a lot, but no, I'm not from there.”

“The Researcher's been with us for a couple of months now.” The mayor shared, looking at you with a smile which you returned.

“Yeah, but they didn't really share where they're from.” Caesar added as she looked at you thoughtfully, you put a finger to your lips mischievously. “I have my reasons.”

The group let out a small chuckle as the unspoken tension let up, it quickly died down as Big Daddy spoke up again, although it was noticeable he was glad for the distraction. “Anyways, let's get Lighter set up for now. Miss Kasa,” Big Daddy turned to the mayor. “Do we still have some room available for him? I’m afraid most of the space in our quarters is–” Big Daddy seemed to cringe, making you raise a brow in curiosity. The other members of the Sons of Claydon looked sheepish.

It made you think what transpired while you were busy with your research.

The mayor sighed but nodded in understanding. “I know. Unfortunately, most of the houses here are already occupied with residents and their respective families. And most lodgings at the lower level are already occupied.”

Big Daddy sighed as the Sons of Calydon started debating with each other what to do. You just stood by with the mayor as you watched them argue back and forth. The new guy (you decided to call Lighter), seemed to be mentally checked out of the conversation.

They're going to be arguing about this all day… You thought to yourself as the growing fatigue started making itself known as you watched. Unfortunately for you, you were way too determined in your research, which leads to not more than four hours of sleep a day. Along with sample gathering, data collection and whatnot, you're body was yelling at you to stop ignoring it's needs and go the fuck to sleep.

All you can think about is the bed inside your lodgings, and the duffle bag full of data you have to sift through.

So, before you can even pause and think, your mouth betrayed you as your mind was dead set on sleeping until the next morning.

“He can room with me.” All discussions seemed to pause, as everyone looked at you.

Curse you, you stupid mouth. But there was no turning back now.

“Are you sure, Researcher? We don't want to disturb you.” Big Daddy turned to you, he seemed to search your expression for any doubt as your face remained neutral. Instead, your gaze landed on the new guy, who seemed to be caught off guard. Huh.

You shrugged, trying to let some reassurance drip in your tone, but really. You really just want to pass out now. “It's fine, Lighter and I can room with each other for awhile as you, uh-” You narrowed your eyes at the others, “-sort out whatever happened to your headquarters.”

The other members of the Sons of Calydon nervously laughed before Big Daddy cleared his throat, waving away the unspoken question. “Well, since the Researcher offered,” Big Daddy turned to the new guy, “I hope you don't mind rooming with the Researcher, it's just until we can find a place for you to stay. That alright with you?”

“I don't mind.” Lighter answered quietly, shifting his gaze between you and Big Daddy. The Sons of Calydon perked up, reassuring the new guy about his accommodations. Sometimes you think the Sons of Calydon aren't a biker gang by how nice they are, at times, you mentally compare them to a group of eager pets with a new playmate.

You silently pray for the new guy as everyone continues to plan for his part in the Sons of Calydon.

[arilevenatz]

Chasing Shadows - TEASER

Pairing: popular guy!yeosang x chubby!fem!reader

Genre: Angst (?), fluff

Word count: 582

Posted! Click here to read chasing Shadows!

Warnings: kinda frat boy yeosang, him and his friends are handsome (yes that's a warning), reader has anxiety, she is also insecure, anxiety attacks, yeo is cheeky, like really cheeky, you might wanna flick him a bit, bestfriend! San and wooyoung, suicide mentioned. Lmk if I missed any!!

AN: y'all bear with me this is my first time posting on Tumblr, I'm still figuring out stuff. I had a dream about this and I decided that I'm gonna write a yeo fic. And also if you wanna get tagged, you can give your @ in the comments I'll tag y'all. And also please reblog and like, so I can get more motivated!!

"stop mocking me. I know people like you. you guys go up to girls like me and say you like them only to say 'April fools' or say 'its a dare' later. I hate guys like you"

His grin fades, his expression turning serious, but his eyes still hold a glint of mischief. "You really think that's what I'm doing?" He tilts his head to the side, studying your face intently. He maintains eye contact, his expression unreadable. He sees the suspicion in your eyes, and it only seems to fuel his mischievous glint. He leans forward, his voice lowering. "Let me ask you something..." He studies your face intently, a slight smirk playing on his lips. "First off... do I look like I have a problem finding girls to talk to?" He gestures to himself, a hint of pride in his tone. "And second..." His voice drops lower as he deliberately maintains eye contact. "Second what?" You shout.

He leans in closer, and says "Second, would I really waste my time pretending to like someone just to play an April Fool's prank?" His words send a shiver down your spine as he pulls back, his eyes never leaving yours. "Or maybe..." He looks at you with a half-smirk, half-serious expression "You're actually quite... interesting. Not many people stand up to me like you do." His eyes crinkle again as he studies your reaction "And hey..." He reaches over and lightly taps your finger. You retreat your hand from his touch. His expression shifts to a playful pout, though his eyes still hold a glint of amusement "Wow, so I'm not even worthy of a tiny hand tap?" He leans back in his chair, studying your defensive posture with interest "You're not scared of me, are you?" He chuckles low in his throat, his gaze never leaving yours. "listen, can I not just like you? I like you. I want to be with you"

"No! people don't simply like girls like me" you felt like crying, but you can't. His expression turns mockingly serious, his eyes crinkling at the corners. "Oh, so you're saying you're not likeable? You think I can't like you because you're... what?" He crosses his arms, leaning forward again, his curiosity piqued.

"You know what I am"

"No I don't"

"Fuck. Fine! Im fat and ugly"

His face freezes and for a moment, he looks genuinely shocked. But then, he lets out a harsh laugh. "Fat and ugly? He shakes his head, his gaze raking over your form appraisingly. "You really think that's what I see when I look at you?"

"You don't need to look at me like that, I am like that so fuck off I don't need you laughing at my face."

You stand up harshly, take your bag and walk outside the library. He follows you and grabs your upper arm, not harshly but firmly enough to hold your attention. "Listen carefully..." His voice softens, losing its usual mocking tone. "I'm not some creep who goes around lying to get in girls' pants." You open your mouth to say something but he quickly shits you off. "You know what I see when I look at you? I see someone who's honest, even if it hurts. I see someone who's strong, even when they feel weak. And I see someone who's fucking beautiful, inside and out."

[shellem15]

This has been commented on many times in this fandom, but I'm using it as a springboard for my own brainrot Raphael really is just like his daddy. There's the obvious stuff—the narcissism, the dramatics, the convoluted plots and just the general messy bitchery—but there's also the stuff under the surface. Both have massive inferiority complexes, both are extremely envious and power-hungry (Mephistopheles in particular for the envy part, but we'll touch on that later), and both act extremely obsessive towards certain tools, goals, and—most relevant to this post—people.

Now Raphael is definitely weird towards Tav/Durge, but it's a bit more ambiguous as to whether he's obsessed with them in particular or just sees them as a means to an end. The situation with Hope, on the other hand, is quite explicit. Raphael is obsessed with her, even naming his home after her, but there's not really anything material he gets out of her. Him imprisoning and torturing her is not a means to an end, he just does it because he's a sadist. He wants her attention, he is entertained by her defiance, he wants to break her—he both loves and loathes her.

And what do you know! Raphael's thing towards Hope is kinda similar to how Mephistopheles acts with his object of obsession—Asmodeus. Now, if you need to know anything about Mephisto's character, it's that he's envious. Envious towards his peers, envious towards his betters, even envious towards his inferiors—he resents that others' have what he does not. Even Martinet, Asmodeus' unflappable constable, thinks so: "Were Mephistopheles to become the King of Hell, it would take him less than an hour to start wondering why he wasn’t also ruler of Mount Celestia." (Guide to Hell, p. 45)

The #1 target of Mephisto's envy is Asmodeus. The man is capital-o Obsessed with him, ya'll.  Asmo is on his mind 24/7, haunting his every thought. He lives rent-free in Mephisto's head.

Mephisto is the silver medal to Asmo's golden 1st place. Eternally living in his shadow, the Starscream to Asmo's Megatron. He is always one step behind him—like, Mephistopheles has been trying to become a god for a while now, and just when he was about to succeed, the spellplague happened and Asmodeus ate the god Azuth like an energy bar, snatching up godhood by sheer luck. And then, of course, Mephisto's godhood plan fell through so now the power divide between them is even greater than it was before.

Bro tries so hard and it just doesn't work. Like, when Mephisto was going through his rebrand phase as the Lord of Hellfire, he changed his appearance to that of the "quintessential devil". But all that ended up doing is making mortals confused about who exactly he is—a lot of mortals straight up think he is Asmodeus. Like, to the point that Asmo just went "you're the manager of my cults now lol", so now the distinction between the two is even more blurry. Also, Mephisto's wife is straight up closer to Asmo than she is to him (see my Baalphegor post), which is just another spit in the face. Bro cannot win. (This ties into another similarity between him and his son; Raphael clearly got the loser gene from him.)

Now, obviously the situation between Raphael and Hope is very different than Mephisto's relationship towards Asmo—Hope is Raphael's captive, while Asmo is Mephisto's boss; Hope's life has been upended and tormented by Raphael, while Mephisto is at most an annoyance towards Asmo (bro has repeatedly told Asmo to his face that he would usurp him and Asmo is just like "whatever, dude")—but the level of obsession is similar. Raphael hates hope but is also desperate for her affection, Mephistopheles loathes and envies Asmodeus but is also his greatest ally. Both are desperate to fu—*ahem* both are psycho-sexually obsessed with them.

So, yeah. The apple doesn't fall far from the tree.

TLDR: Raphael inherited his psycho-sexually obsessive tendencies from his daddy lol. Also you should really read the lore about Asmodeus and Mephistopheles' relationship because it's actually insane y'all. Like this shit was made for the gays people.

[goldeaglefire1]

so. played the Pristine Cut a few days ago (not the first time I've played Slay the Princess, for the record; I actually got into it like a month ago and have kinda just. lurked in the background, not making any posts about it. so uh. hi guys) and. GOD this game is good for so many reasons, with even more reasons being added by the Pristine Cut, and I know a lot of people have made posts about how good Happily Ever After is already, but, since I haven't seen anyone post about it from the angle I'm looking at it...y'all mind if I ramble about how good the Happily Ever After route is from a narrative perspective. trick question, I wasn't asking; I'm going to ramble about how good the Happily Ever After route is from a narrative perspective.

so! let's talk about the Damsel for a minute. this is all fairly obvious stuff but stick with me here; we need to lay the groundwork for the main discussion. the Damsel, from a purely Doylist perspective, is the archetypical "damsel in distress" trope - the girl at the end of the villain's lair who has no agency of her own and exists purely as a reward for the hero completing his journey and beating up the villain (before you get mad, I know the Damsel is not actually like this in-universe, and that fact is actually a surprise tool that will help us later, but, again, looking at this from a purely Doylist perspective: outside the world of Slay the Princess, not in it) - fundamentally, she's there to make you happy. the Shifting Mound changes based on perception, and by treating her as the archetypical damsel in distress in Chapter 1, she actually becomes one come Chapter 2, with all her hard, unconventional edges like, to pick a random example here, "the capacity to horrifically self-mutilate herself," being sanded away for a perfect storybook ending. that's what you wanted, after all.

and, if you take everything at face value, that's exactly what you get! if you follow the Voice of the Smitten's advice and completely ignore the Narrator's nonsense about how she'll "end the world" or something, you will get exactly what you asked for, because, well. that's all there is to it! there is no deeper story here, it's just "hero saves princess, the end," end scene, move on to the next princess. but that's the Damsel route, and we're here to talk about the Happily Ever After route. and in order to properly get the Happily Ever After route, you have to horribly fuck up the extremely simple narrative presented before you. so, how do you do that? two ways - either try to question the princess's character and see what underlying motives she has, or, the method I'm choosing to focus on (both because it's the one I got when I first got the Happily Ever After route and because it better illustrates my point) - when you get near the end of the Damsel's story, right as you're about to get your Happily Ever After...you listen to the Voice of the Hero. because while the Smitten may be ignoring literally everything the Narrator says, the Hero has not been doing that, and quite frankly has some concerns about the potential end of the world thing. if she really can end the world...well, she just wants to make us happy, right? so surely nothing will go wrong if you just decide to stay in the cabin forever! it's a perfect compromise!

spoiler alert: it is not a perfect compromise. it is in fact as far from a perfect compromise as you can possibly get. makes sense, really, as there are no real compromises in Slay the Princess - you can either choose to trust the Narrator in any given route, trust the Princess in any given route, or you can choose, to quote the Contrarian in the Apotheosis, the third option that nobody wants. and the only two times the third option is any good is, well, when you're very intentionally spiting both parties - hi Contrarian - and when there's an actual third party you can appeal to, as is the case at the end of the game. every other time? you will be massively punished by the narrative for trying to find another option. try the "let's keep the princess in the cabin" maneuver in chapter 1? you get the Nightmare. try to be a smartass and avoid the "slay the princess/save the princess" issue altogether? you get the Stranger.

hell, every chapter 3 is ultimately the result of you not playing the role you're supposed to in the narrative (aside from the Razor who forces you to go to a chapter 3 no matter what but she doesn't count). if you play the role you're given in chapter 2, you'll be fine! for example - did you get the Spectre? congratulations! you get the Voice of the Cold, a cold-blooded killer - except, hmm...the princess is already dead, so no one to kill there...but there is the Narrator, who you're fairly mad at for the frankly terrible reward for doing your damn job, so how do you kill him? easy - take the princess out into the world and let her world-destroying properties do the job for you. did you get the Beast? congratulations! you get the Voice of the Hunted, a meek prey animal trying to avoid a massive predator...except, well, bad news, boss - you're the only food around here, so you're going to have to get eaten. sorry man. did you get the Nightmare? congratulations! you get the Voice of the Paranoid, a nervous wreck who, frankly, does NOT want to be here, and, well. honestly, do you expect to be able to save the world? the fact that you're even managing to stand up next to this eldritch abomination is a miracle; you might as well just let her out, because, frankly, who would blame you? and so on and so forth.

the Damsel's narrative is extremely simple. you get the Voice of the Smitten, a classic, overly dramatic, simple hero to match the simple princess you're given. your job is to swoop in, sweep her off her feet, and leave. that's it. that is all there is to it. the Narrator's talk about her ending the world does not fit into this narrative, so you have to discard it. after all, why would the hero release a world-ending monster into the world? that's preposterous! he must be lying, obviously. but, by giving the Narrator the benefit of a doubt, or trying to dig deeper into the Damsel's narrative role and find depth when there is none, you expose the cracks in that narrative...and chief among those cracks is that the Damsel is not the simple character her narrative role wants her to be.

I'm not going to do a full character analysis on the Damsel because that's not the point of this post, but even on the most surface-level reading, the Damsel has two very clear desires - she wants to make you happy, and she wants to be free. and, yeah, that's fairly straightforward, but it's more than nothing, which, ah, doesn't exactly bode well. after all, the Damsel's narrative role is that of the damsel in distress, a role most known for, very notably, having no agency, and here you are, dangling her freedom right in front of her face and snatching it away, and quite frankly, that sucks! she wants to be free! she wants to be free a LOT more than she wants to make some stranger she barely knows happy, and while normally those two desires have no conflict with each other, now they do, and while the chapter 1 princess could have done something about this situation and gone Nightmare on your ass, being a blank slate as far as the narrative goes, that's not an option anymore - you've locked her into her narrative role, now, and as a damsel in distress, she can't do shit. the worst she can do is be mildly upset but otherwise have zero objections to your proposal

luckily (or, well, unluckily depending on your point of view), that's enough for you to get your proper comeuppance in the form of Smitten. poor, poor Smitten - unlike the Damsel, he really is as simple as he appears to be on the surface. even on other routes, he is always, always madly in love with the princess, no matter how she looks or acts, and all he wants is to make her happy. a simple character for a simple narrative, who, conveniently, is NEVER forced to question the Princess' role in that narrative...until now. until you forced the fact that she is NOT the simple damsel she's supposed to be directly in his face, and that she's unhappy with your decision, well. that can't be right. she can't be unhappy, we're supposed to make her happy no matter what! something's clearly wrong here - it can't be the princess, because blaming the princess for anything is inherently not an option for Smitten; it's not in his nature. it can't be us, or at least he can't figure out how it could be us, because he's a simple character for a simple narrative, and the thought of "dangling the princess's freedom in front of her and then taking it away is a massive dick move" doesn't even occur to him, because he doesn't realize that's what we were doing. so...it must be something else. maybe the Narrator, who's been describing her as this world-ending abomination when she's clearly a maiden in need of rescue, or this cabin, because, well, why would a princess be in a cabin? she need a proper castle, obviously! he can fix this, surely, there has to be some solution here, he can make this work again...and it all begins by bearing out his heart.

or, rather, YOUR heart. which, you know, kills us. everything goes dark, and we die, etc., onto the new chapter! or epilogue, if you want to go by the title card. welcome to Happily Ever After, the reward you deserve! you goddamn bastard. this route is effectively Smitten's attempt to fix the narrative you broke - and, in many ways, his efforts can be compared to the OTHER route you get by breaking the narrative of the Damsel, that being the Burning Grey. in that route, you kill the Damsel, and, well, that very obviously breaks the narrative, so when Smitten kills you in retaliation and a new world is formed, the Damsel, now the titular Burning Grey, tries to fix it. much like Smitten can't blame her, she can't blame you, because her narrative role doesn't allow it, and she doesn't blame herself, because she did literally nothing to deserve that (aside from like. the fact that she killed you that one time but frankly if you hold that against her that's a bit of a dick move), so she comes to the same conclusion that there must be an external force responsible for derailing the story. the difference between Smitten here and the Burning Grey is the solutions they come up with: the Burning Grey, fundamentally, is part the Shifting Mound, the embodiment of change, rebirth, and death. so, naturally, the solution she comes up with is to burn down the cabin with both herself and us inside, finally being together with her love forever. by melting together her and our flesh. which, you know, sucks, but at the very least the death is...relatively quick?

the Happily Ever After route does not give you or the Princess the luxury of death. after all, Smitten is not a part of the Shifting Mound, but a part of you - the Long Quiet, the embodiment of stasis and stagnation. killing you or the princess doesn't even occur to him as an option - at least, it doesn't now that he's outside of you. and while this allows him to get something much closer to what we would associate with a happy ending, it falls apart fast. the same feasts over and over again, growing more stale and bland with time, the same games over and over again, excitement dulling into boredom as you play repeatedly with no end in sight...it's not Happily Ever After, not even close, but it's the best he can manage. after all, isn't this what you wanted? you DID save the princess, and Smitten is a simple character for a simple narrative, so, this is the only option he can think of outside of riding off into the sunset with our beloved. so, this has to be what you wanted, right?

and as for the princess? well, if she was locked by the narrative before, it's even worse now with Smitten. after all, as far as she's concerned, Smitten is us, so all she knows is that, after we dangled her freedom in front of her and took it away, and she showed even the slightest bit of resistance in response, we proceeded to make her already bad situation into a living goddamn nightmare. so, yeah, she is terrified of what could possibly happen if she shows she isn't happy with this, so she's quick to smother any and all signs of dissatisfaction in the hopes that, as long as she seems happy with all this, you can't make this worse somehow. the MOST she does in terms of resistance is wear the Pristine Blade as a necklace, which is honestly more of a vague hope of "if you won't let me free from this cabin alive, then maybe at the very least you'll let me free from this cabin in death? please? on god?"

and, well, you could in fact do that. or, hell, if you REALLY feel like being an asshole, you could decide to NOT break the facade at all. but if you really want to make it up to the princess? if you realize how badly you've fucked up and want to actually make up for your mistakes? you have to let her actually express her discomfort. you have to give her back the agency she's been denied by the narrative - the agency you took away in the first place. and once she finally has that back...she cries. in relief, because she's finally free from the hell you put her in, in sorrow because, despite it all, the facade of a happy ending was nice while it lasted, in a mix of both with the tears she'd been unable to shed for so, so long...and, at the end of the day, despite having every right to hate you...she doesn't. because you DID set her free, in the end. you realized your mistakes, you learned and changed as a person, and you actually made things right, so even though you might have made her life a living nightmare...she's willing to give things a fresh start. and whether you decide to amicably part ways or start something new together, at long last, she'll finally have her chance to dance under the stars.

this is a love story.

[fuckyeahisawthat]

Re-skimmed through a bunch of Dune Messiah last night because why not and now I am having thoughts:

The thing that sticks with me most is the tone. It's melancholy, it's eerie, it's unsettled and weird. Cannot think of a more pitch-perfect director for it than Denis Villeneuve. He's gonna nail it.

There is...not that much...actual story? Denis has referred to it in interviews as "a small book" and I'm like my guy it is 350 pages. But there are actually not that many plot beats. It's just that every. single. scene. is WILDLY overwritten. The real challenge of adapting Dune is not the giant worms or the dense complicated worldbuilding or the fact that actors have to say the name "Duncan Idaho" repeatedly with a straight face. It's that there are pages and pages and PAGES of internal monologue that have to be externalized somehow for film.

After a re-skim my gut instinct for "how much story goes in a feature film" is that if you just wrote out the dialogue and action that happens in every scene in the book in screenplay format you'd end up with...maybe about an hour of material? Which is great, actually, because it means there is room to add stuff. Like a whole new independent plotline for Chani if they decide to do that.

It may seem insane to add things to an adaptation of what's notoriously one of the wordiest series in classic sci-fi but it's worth remembering that they added quite a bit to Dune Part Two. Most of the first hour of the movie--almost everything before the worm ride except for Jessica drinking the Water of Life--is stuff that isn't in the book. And it's the best part of the movie essential to making the movie work as well as it does. Yes, they also cut elements from both parts (the dinner scene, the whole plotline where Gurney thinks Jessica is a Harkonnen spy, Thufir Hawat's fate, Leto II the Elder, murder toddler Alia) but I understand why each of those elements was cut or changed in the service of cinematic storytelling.

There's an interview (can't remember which one) with Jon Spaihts, the other co-writer of the scripts along with Denis, where he talks about how Dune is like a stage play, with so many of what would be the big action set pieces happening off-page. I kept thinking about that comparison while reviewing Dune Messiah because in addition to the scenes that do exist being wordy and internal as fuck, an absolutely insane list of major events/reveals/emotionally significant moments happen off-page. The list of things that we don't actually see in the main action of the story, that we're only told about after they happen, includes:

Chani finding out Irulan has been secretly dosing her with birth control for YEARS

People trying to capture a sandworm and take it off planet

Chani and Paul finding out Chani is pregnant after 12 years of trying to conceive

Paul flying an ornithopter carrying his extremely-about-to-go-into-labor partner while blind

CHANI DYING (first time reading I did NOT know this was coming and damn near threw my Kindle across the room at the way the information was delivered)

Alia executing a bunch of people including a Bene Gesserit Reverend Mother

Paul walking into the desert at the end

You could add all these moments into a scene-for-scene film adaptation of the book and probably still have room to add more material.

The other thing that jumps out is that Paul doesn't really...govern...much. Like there's this whole subgenre of post-Dune/Dune Messiah-era fic that's just some combination of Paul, Chani, Irulan and sometimes Feyd traipsing around the palace having feelings while vague politics happens in the background, but I forgot that Dune Messiah is actually kinda like that??

There is a whole thread of Paul feeling kind of abstractly bad about being Space Hitler but he does not, in fact, actually do anything about it. And like yes both bureaucracies and religious movements can grow to have a life of their own that seems beyond the control of any one person. But also my dude you are the Emperor of the Known Universe. Someone is signing those space checks for the Endless War budget. You are not powerless here.

The one thing that really, clearly drives Paul to actively do things in the plot is not feeling guilty about having unleashed catastrophic religious war on the universe. It is protecting his family. Chani, Alia, his unborn children, and you could probably throw in Duncan by the end. That is what motivates him to act at key moments, and to want to hold on to power. And hey, y'know, if I'd experienced almost everyone I'd ever known getting murdered in a single night, I would probably get a bit intense about that too! It makes sense from a character point of view!

I'm very curious to see how these threads interweave with each other in the film, because the Villeneuve films put a lot of emphasis on Paul's agency and the fact that he may be constrained by shitty circumstances thousands of years in the making, but he still makes choices within that context. I can't see the narrative allowing film!Paul to get away with the same Poor Little Dictator routine as in the book. There are a few ways they could play this but I think the most interesting one is kinda the way they started going at the end of Part Two. Which is that as soon as you start reaching for that kind of power, then power becomes its own end and you will end up doing increasingly horrific things to maintain it. I think it would be quite interesting if the film shows us Paul not just being like "woe is me" but actively choosing to make the world worse because his trauma-driven fear of losing the people he loves makes him cling ever more desperately to power for its own sake.

If they went this route I think it would make Paul's decision at the end hit even harder. FWIW I actually really like Paul walking off into the desert at the end of the book. I think it brings things full circle with his relationship to the Fremen and creates this beautiful arc going back to the duel with Jamis. He first won a place among the Fremen through respecting their customs even though he really did not want to fight and kill someone he had no beef with. And by respecting the Fremen custom of the blind walking off into the desert, he proves himself to be fully Fremen and protects his children not by making them heirs to the throne but by making them Fremen.

And yeah, to a modern audience here on Earth it can look like "Paul conveniently fucks off and doesn't have to raise his newly-motherless children." And we can have a whole discussion about the unexamined ableism of the idea of someone who's gone blind voluntarily choosing death so as to "not be a burden" on their community. But neither of those readings is really the point here. Within the logic of Fremen cultural values, where the survival of the group as a whole is more important than the life of any one individual ("your water belongs to the tribe" etc.) Paul's choice is a willing and intentional self-sacrifice (see also: fedaykin) that wins him huge respect. There's a line in the book about Paul that's like "He would be one of them forever now" and damn if that didn't give me shivers. Like!! The political-symbolic implications!!! Which maybe I'm particularly attuned to because I just wrote a whole fic about what does it mean for an outsider to become Fremen but hmm something something Paul's final* act not being an exercise of Imperial power but an expression of kinship with an oppressed group and that being the thing that's needed to keep his family safe even if he is not physically present with them...IT IS RICH SYMBOLIC TERRITORY.

(*Yes yes I know about events in the next book. Shush.)

This kind of stuff is why I tend to think Chani may start out in a very different place in the story but the end will still be pretty close to what's in the book. It's too thematically powerful and tragic to go any other way.

But also...if they change things around enough that she is still alive at the end of the movie...I won't be sad about it.

[sangreprince]

I wanna keep this brief (graphic design is my passion level effort but also it kinda works in a really funny way) !!! I wanna let you all know I appreciate the love you've given Zagreus and I'm so so happy to be here. You're all great and wonderful and I could say so many good things to say about each and every one of my mutuals. So fuck it, that's what I'mma do. Because you all truly deserve it. I'm super happy with Zagreus and being able to share my portrayal and have it be well received means so much !!! It's easy to say 'thank you all so much' but I want to acknowledge that I truly do appreciate and care about each and every one of my mutuals, even if my time / availability makes it tough at times. PART 1/4

@withinchains / @hercarnality : Elle you already know how much ily so I'm gonna keep this short. You're such an amazing friend and writer and you already have the screenshot about me gushing pinned so eat my shorts and play arams with me. Your Morgana is to die for and you write every character to a fucking T because of how you just interpret all their personalities and put them into words SO effortlessly.

@lasraichean : NEMO U SMELL LIKE BEEF and I think you're fantastic. You pour so much effort into all your OCs and that passion does you so much credit. You absolutely shower Annie with love in such a way that I shower everyone else with unrequested amounts of fromsoft lore so MWAH.

@blackrosesmatron : Lucy your LB is fantastic and you're so easy to talk to and communicate with. Genuinely every time we sit down and plot I find myself getting so enthralled in her antics and character. You do her so much justice

@avernusfuries : HAN You single handedly made me like Karlach and that isn't even a joke. Before we met and started writing I always thought her story was one of the weaker ones and you somehow managed to turn her into one of the more realized characters in the game. HATS OFF TO YOU and every day I beg for more of this big doofus.

@feuerwizard : Crys I know I need to get back to you for plotting things, I've just been so busy but I want to say: You and some of the other CR writers you write with are so talented and I adore reading your posts. Were it not for you guys I still probably wouldn't have any interest in CR and I'm so so excited to get started with more stuff and actually get threads going!

@soulcluster : Lilah I think all your portrayals are excellent. Your MM deserves all the attention it gets and I honestly couldn't pick a favorite muse if gave me truth serum. Plotting with you is a blast and I'm so thankful for all the ideas we pass between eachother!

@pitgritted : Your Sett, Taric, and Mutli are all so well done Jojo. I can tell you really care about all the people you write and it shines so brightly, right down the amount of detail you place into every reply and how you format things. Passion shows in the end and this is no exception!!

@palespawn : This sassy motherfucker. We've only just started writing and I still need to get to replies but you've showed interest since almost day one and I cant say how much I appreciate that. Courtney you do such a beautiful job with the twink, I almost dont wanna stab him. Almost~

@infinitysagas : I first of all wanna say thank you for writing such underappreciated characters. To see Damon get love brings me so much joy, I always take a second to read his posts when I see them come up. I know we haven't done a ton but please know that I see your writing and totally wanna do stuff, I'm just very busy skdjhf.

@deathdxnces : Irelia was a character I never cared about too much, but how you humanize her so much and have expanded on her character beyond what Riot's given us does SO much for me. I actually adore how you portray her, Mel, and I wish to get writing at some point soon!! I know you liked a starter a bit ago and I do plan to get to that, but please do not hesitate to hit me up for plotting in the meantime. It really does help and I promise I don't bite!!

@tealbeats : I know you're not super active on Ez (and I still owe you a lot of stuff actually) but I wanna say I love the amount of his personality you're able to paint into every interaction. You have such a way of making him the perfect amount of insufferable (in the best way) while still twisting it in SUCH an endearing light. I love that annoying little bug and I'm so glad you do too, because it really shows.

@agonizedembrace : Han it's been really nice to reach out and get into contact again. You're genuinely a really funny, interesting, and thoughtful person who cares about Evelynn in such a way that brings out every aspect of her character. The agony, the sex appeal, the sass, the confidence, you just nail all of it and I'm really hoping we can get stuff going soon!

@bendwill : Elder scrolls blogs are few and far between, but Miraak is absolutely one of those characters that deserves to be more written out. We haven't gotten to do a ton but please don't hesitate to hit me up and scream ideas at me, the idea of Tamrielic Zagreus is very fascinating to me. (And also I need somebody to ramble about my Oblivion D&D Campaign ideas with skdfjh)

@ofweave : First of all, trans gale is based as fuck and you have a vision. Second of all, I know you're on hiatus but once you come back I'd be so happy to get the ball rolling with this stinky wizard man!!

@kismetwilled : I'm not gonna lie, seeing how you pour effort into your headcanons and thoughtful replies kind of inspired me to do similar with my own. I also want to say that I'd love to plot more and yell ideas all day with you, your style is gorgeous and I find myself appreciating characters on your blog I've never even heard of or are barely familiar with. Seriously Dani, it's top tier and I'm so happy to be mutuals.

@enrogued : We haven't gotten anything started with but I'm so hyped. Rogue as a character has such fascinating potential with her powers, and that's not to mention her attitude towards others in general. Once stuff gets started I'm probably never gonna shut up in your DMs but like that's a constant sdfjkh STILL!!

@lunarrepel : Shadowheart my beloved. The aesthetics, writing, dialog, everything you do with her is SO on point and I can't get over it. I was already biased and liked her after Larian adjusted her a bit during the beta phase of BG3 but still. Man you just nail her and I'm so excited to develop these two out. They give wine aunt energy and THAT alone gives me so much life.

@dreadgloom / @cinderschild : I wont lie to you I was GIDDY when I found out you wrote a WoTR character. I honestly expected that fandom to have more of a presence on tumblr but I'll take what small fanclub we can get right?? And also can I comment on the takes you have from Salvatore are absolutely genius and play really well into WoTC's drow?? Genuinely fantastic worldbuilding and it's always a pleasure to see you crop up on the dash.

@nightsbloom : Your headcanons and replies have been gorgeus and I just want to say despite me being really busy and not getting around to approaching yet, I'm so excited??? Also a while back you reblogged a Qimir gifset and it's still living rent free in my head so thank you for the food chef--- Please though, if you have any thoughts or even just dynamic ideas - toss them at me at mach 5 and I will run with them because I'm HYPE.

@spiderwarden : I think you officially win the title of Minthara's #1 fan. Her performance (as I've mentioned) is absolutely captivating, as is your writing. I'm very excited to see where her interactions with Zagreus go and writing with you (or even just seeing your random hc posts and comments) is such a blast. I will always sit down and listen to you ramble about her, I think she's so fascinating and that's in no small part to how you manage to inject so much life and love into her despite all the cut content.

[antimony-medusa]

*I emerge from several weeks of talking about conceptualizing my cubitos and who else populates their world and what the precise nature of the character is* Hello. Hi. It's time for my twice-yearly thoughts on RPF.

Okay so I was one of the people who was emailing Ao3 about it when we had all of MCYT wrangled into VBRPF going please please please please can we have our own server tags pleeeeeeease I promise it's not just video blogging rpf pleeeeeeease my streamer doesn't have wings in real life pleasssssseeee— and my general stance is that writing about Dream SMP characters is writing about characters, it's not RPF.

Not quite. It's not quite RPF. There is a meaningful distinction there, but it's not a really huge one. That distinction exists and is important to me in how I conceptualize those characters and whether I'm mentally going "okay I need to study lore streams for vocal patterns" for voice research or if I'm going "okay I need to pull up technocord logs " to get techno voice right. What I consider the authoritative canon "character" is a rp guy who spawns withers, not a real streamer in california with a little white dog.

But like I do multifandom exchanges and I wander into them with my cubitos clutched tight in my palms, and I see what other fandoms look like— and importantly, I see what other rpf fandoms look like— and guys, I think that line is legitimately blurry and I think that's literally fine. If I walk into a mulltfandom space with my guys they're going to squint at me and go "rpf fandom— kinda, I think" and I can go "hahaha, not quite", but also I do not blame other people for thinking this is RPF cause like— there are a lot of similarities!

What MCYT tends to classify as "RPF" is directly stories operating in a world where the characters are streamers, they post on twitter, they have lunch with the CEO of twitch. And anyone not writing that, is obviously not writing RPF. And that is not untrue, up to a point, but there is a broad category of fics that tend WAY harder into the pure fictional that are still considered RPF fandoms, if you actually check what other RPF fandoms are doing. There are 599 works in "Demon Shane Madej", many of which are in AUs that have no connection to the real world other than the character relationships, and they're still officially considered RPF.

I have a friend who's in a c-drama rpf fandom that has a rpf ship they really like, and a really popular thing is to take the various characters these actors have played (totally fictional characters from various media) and ship them together. And that's just a crossover of two fictional mediums, but because the thread connecting them is two guys in real life, that's considered RPF.

The banddom tags are absolutely COMPLETELY full of aus that are not set in the real world at all, no connection to the music industry, and what the people in those fandoms will say is like yeah, I have no idea about the real guy, I'm working with a character/persona who's put on for the stage and interviews and personas, and that guy is not REAL, who knows what the real guy is like, but like, I like the persona, I deal with the persona, and then they put that persona in an au where he kisses other personas— and this gets considered RPF.

Wrestler RPF is directly dealing with invented characters who are beating the bloody snot out of each other (hot), they have names like "the undertaker", dealing with scripted storylines, but it still get considered RPF.

And like, I look at myself as I am entering my third year of writing Technoblade most of the time, and what I'm doing here and— there are a lot of similarities in what I'm doing to what other RPF fandoms are doing. I'm a fan of the DSMP character but I'm also a fan of the guy, so I want to play in this extended universe, so I want to include nods to his other stuff. So I will pepper in a cheeky nod to the potato war here, I'll mention hypixel there, etc, kind of make an extended Technoblade universe. And I think that's not RPF (quite) because I'm working from a fictional canon that includes references to the potato war and hypixel etc, I'm just expanding on it, but like, this is literally what my friend in c-drama rpf does as well when she's writing aus about her guy. It's kind of close to RPF. That line is not really obvious to the casual viewer.

So I do not blame anyone else if they look at what we're doing and they go ah, nods wisely, you are a rpf fandom, I've seen this before, and we go um actually, hahah, you'd think that, but no, and then they nod and clearly do not understand how it's not a RPF fandom.

But the thing is it's literally fine if people think that, I think. RPF is not the end of the world. It's just a bunch of people working with people's various performancesonas and worksonas and having fun with it. Spoilers for mythbusters in the real world, but we now know that by the end of mythbusters adam and jamie were not really friends, but most of the mythbusters rpf keeps them as friends because that was the professional persona they provided for the camera, and that was the fictional world the writers wanted to live in. I don't think it's a problem if someone wants to write straight up streamer fic, you do you, and that's unequivocally RPF, but once you start getting into AUs and extended universes and bringing emduo content into qsmp and writing fic based on GIGS streams, the line legitimately gets WAY more blurry.

I think a bunch of fic (including my fic) can start to exist in a "both things are true" state where it's drawing from direct fiction but it's also drawing from a lot of stuff that other fandoms would consider RPF sources, and like, I don't mind this. I don't think it's bad if you're doing this too. We're not getting more DSMP content, the fandom police are not gonna turn up at your house if you want to pull strongly from minecraft monday for your fic. Do schlackity on QSMP. Do a DSMP extended future where tommy gets tubbo to marry him for a bit and then tubbo immediately demands a divorce. The canon of material we have to draw on is not something where big obvious lines exist between "rpf content" and "pure fiction" if you step at ALL outside of canon-compliant. Like fuck, in my very first DSMP longfic I included all these hermit cameos and mcc references which would make it RPF in any other canon, but also I was pulling mainly from the prison arc lore and beats and relationships for the core, which is NOT rpf, and at this point it is not worth the hassle in my head to draw a strong distinction between them.

It's kinda RPF. It's not quite RPF. It's fictional. It's based in the real world. It's all personas. it's drawing on off-lore-stream dynamics. It's drawing on scripted scenes where my streamer had his camera in lore mode. It's COMPLICATED to unpick and I legitimately think that's fine. RPF is literally fine, some people are gonna think we're writing RPF, it's not the end of the world. Just have fun with it.