#no one made him do this he was the writer and director
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randomfoggytiger · 2 days ago
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With the help of your analysis, I started wondering if CSM and the syndicate chose Scully to be a "mole" in hopes of one day turning her into one of them as they did with Krycek.
Perhaps, because of their knowledge of Mulder's penchant for porn, they thought that she could be a distraction and a wrench in his plans. Once they could turn or initiate her, afterall she was young and relatively inexperience and possibly easily influenced (at least in their eyes), she could help manipulate Mulder ala Diana. They didn't expect Scully to be as strong-willed and connect to Mulder as she did.
I wonder what the plan was with Mulder and Scully had Gillian not gotten pregnant. I think I read that one of the writers or directors wanted to create some angst between them by having them turn against one another at some point. I could be wrong.
Another issue that my brain was trying to reconcile is who is the "boss"? Is Mulder technically Scully's "boss" or manager and is that why he seems to order her around. OR, is Scully technically the boss since she begins by monitoring him and reporting back about his doings to CSM/Belvins? I know they are supposed to be "partners" and on equal ground, but are they. Honestly, no matter what, Scully is in control because she has Mulder wrapped around her tiny little fingers.
Okay, let's answer this in chunks! >:DDD
Neither Mulder nor Scully is the boss. They both report to Skinner, and he holds them equally accountable for mistakes made on the files. If Mulder had been "the department head" in anything other than name/title only, then he would have had a lot more one-sided punishment from Skinner for the basement's escapades: hierarchy and rank bring require more responsibility. Which is what Mulder wanted to avoid (amongst other things-- like spies. Speaking of which:)
I think the Syndicate had a different goal than CSM for assigning Scully.
Blevins thought they could reign Mulder in; and his groupies constantly raged at CSM's or Deep Throat's interference whenever Mulder was "saved" or bailed out from various scrapes. They wanted Scully to debunk his work: Blevins admitted as much in Pilot. If they wanted to sexually distract Mulder from the files, they wouldn't have thought to recruit-- or let CSM recruit-- Diana Fowley out.
CSM kept trying to thwart or kill Mulder in Season 1-3; but canon rewrote that motivation in Musings of a Cigarette Smoking Man to become one of deep curiosity and interest. In Season 4, we learned he sent Scully down because she would complement Mulder's work and hopefully lead that doe-y eyed younger man closer to the Truth-- specifically, to what CSM believed was the Truth: his beliefs and goals, his Syndicate. In Season 6, he lamented that Jeffrey was a lame buzzkill and not comparable at all to "Bill Mulder's son." It's not until Amor Fati-- David Duchovny's episode, really-- that we were given a more cogent reason for CSM's actions: he is more than willing to sacrifice Mulder for his own selfish gain. "Every man just wants to live a normal life" (loosely quoted) was what CSM believes, for himself and for Mulder; and we saw him constantly get mixed up with women left and right-- Tena Mulder, Cassandra Spender, Diana Fowley, nearly Scully-- trying to find a snippet of that normal life (the opposite of Mulder and Tena Mulder and Bill Mulder's strategy.) It's also in Amor Fati that CSM influences Mulder to wonder if Carl is his father-- an idea canon left mostly on the back burner the entire show. Here, we realize he wanted to draw Mulder to "the Truth" not for Mulder's benefit but for his own: either to join his side, or to leech off his brain (metaphorically and literally) like a parasite.
Mulder's pornography/phone sex is very different than an actualized sexual relationship with a woman; and the Syndicate, I believe, factored in that difference. As previously mentioned, the Consortium would have been aware that Mulder recruited his own girlfriend onto the files when he discovered them. Yet, they chose to-- or allowed CSM to, which I think is the case-- pull Diana away with an elevated position in Europe. Blevins and the group explicitly sent Scully in to debunk and humiliate Mulder's work. They could have chosen anyone else, including a planted spy; but they didn't feel the need because they thought it would be a one-and-done case-- that Scully would wrap her partner up tight and deliver him for slaughter. Further, I think they selected Scully because she was an excellent agent who, they assumed, wouldn't respect Mulder or his theories... and she inadvertently reinforced that impression by calling him "Spooky Mulder" in Blevins's office (after that exchange is when she was told about the job.)
Those are my thoughts, anyway.
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tuttle-did-it · 2 years ago
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I’m not tech savvy enough to know how to turn things into a gif, but Alda sees his muffin top in the mirror, squishes it and then decides to cover it up with his boxers. Very funny scene, sorry I can’t post the gif. 
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street-corner-felines · 5 months ago
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Zero Day (2002)
#movies film cinema#zero day#ben coccio#I actually talked to the director on Facebook super nice guy and he told#me a lot about the filmmaking process and even helped me with tips on directing non-actors and new actors#I remember him telling me to always be supportive and tell your new actors they're doing a good job even if they aren't in the first take#cause you can instill confidence and still reshape and change their choices and mistakes later#Sometimes I'd message him for advice when I was running into problems on some of my early projects#he told me once ''did ya choose to collaborate with this actor cause you were lonely or you guys had passion and chemistry''#“collaborating is like a relationship” and he was so right#there's nothing worse than working with people you disdain cause there's no communication and no trust.#he told me how he wrote the first couple of drafts of Place Beyond the Pines but his take on the 3rd act wasn't clicking for the director#so he took the script and went and had another writer rewrite the 3rd act but he liked the process cause he learned a lot and still got pai#but I'd still like to see Ben Coccio's take on Place Beyond The Pines he says the 1st and 2nd act are mostly unchanged#Ryan Gosling's scenes are still mostly the same he said but he couldn't tell me too much cause of the NDA he signed#The bloopers of Zero Day are hilarious his tip he gave me about being supportive#“This is actually great but can we-” and Cal interrupts him “He says that no matter what if you're doing good or bad!” and everyone lols#I hope I can make it and ask him to collab with me on a script#He's such a nice dude compared to the harrowing film he made.#I wish there was BTS but he had only one tape to film on and this was made when digital camcorders were infants#I think he had only one 2 hour tape that's how low budget#The bloopers is just Cal or Andre secretly filming and Ben getting annoyed “Is it recording?” and Cal going “Nah..."#Cal is such a funny guy IRL I wanna see him act more cause he's so good. He was so great at playing a sadistic psychopath in this.#the final shooting is so harrowing and disturbing#I told Ben he srsly gut punched me/disturbed me and this is what made him really open up.
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themyscirah · 3 months ago
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By the way, what character assassination were you talking about in the notes of my poll? I'm really curious
Was kind of talking around it there a bit intentionally but he really did dirty my boy Scrappy Doo : (
(Gunn wrote the live action scooby doo movies)
#leave him be hes a mildly annoying cartoon 10 year old like plsss#ppl associate his introduction w other bad decisions at the time made by writers and ppl in production. also his writing was bad and#overrelied on catchphrases and repeated actions hes actually good when hes in better written stuff#like jfc hes actually a really fun and interesting character concept just with not great execution in most of his stuff#like the sheer vitriol directed at him online and irl is insane. like the fact that theres a literal executive ban on using him in projects#is so bs especially when there are directors and movies where they genuinely want to use him (13th ghost of sd)#like hes literally not allowed to be protrayed positively you can only make quick meta jokes abt how much he sucks or not mention him at all#like give my boy a break he doesnt deserve this#anyways this links to james gunn specifically bc of his portrayal and that movie and starting the trend of bashing him but also bc it was#literally so unnecessary that gunn did that. like he hadnt been used in over a decade at that point and brought him back as a disgusting#creature just to fulfill his childhood vendetta or whatever. and 20yrs later he still cant be used bc of it#also a note to everyone: its late and i have to wake up in three hours to do shit so if anyone decides to start shit on my blog im gonna#block you. im tired and dont gaf i dont want to deal with 'jokes' rn no matter how funny you think they are 👍#not targeted at any one in particular just a general warning
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giantkillerjack · 1 year ago
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One thing you gotta know about me is that I will quietly unfollow the fuck out of anyone on tumblr who reblogs or posts anything even remotely positive about Tony Stark, like I will politely show myself out SO FUCKING HARD they won't even know what hit 'em. - probably because they are unlikely to notice it at all
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mariocki · 4 months ago
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Thirty Minute Theatre: Not Counting the Savages (BBC, 1972)
"I didn't look round, of course, but when I went round to tidy the other side of the grave, I... became aware of a man standing up against the wire fence. At first I thought that he'd caught his handkerchief or something white on it, and then I realised what it was."
"What?"
"He was exposing himself. Exposing himself to me."
"Well, you've seen one before."
"But I was... I was terribly upset. You can't know how distressed I was! I still am."
"Why? You're an old woman. Why should you be upset? It was play-acting. You're an old woman."
#thirty minute theatre#not counting the savages#b.s. johnson#single play#1972#mike newell#hugh burden#brenda bruce#william hoyland#fiona walker#of all the drama anthologies to come out of the 60s and 70s (arguably the golden age of the form) Thirty Minute Theatre was perhaps the#most experimental; its short format lent itself to producing less safe material by untested writers‚ and it was described as a kind of#training ground for young scriptwriters who might then advance to more respectable productions. it's also perhaps the worst served in terms#of archive holdings: of the 291 episodes broadcast between 1965 and 1973‚ some 241 are missing‚ considered forever lost in the great yellow#skip of discarded tv material. so it's something rather special to have one of the comparatively rare survivors made available for viewing#even if (as in this case) the circumstances of its survival have rendered it quite a sad looking specimen. Savages exists thanks to an off#air recording made on its first (and probably only) broadcast in 1972; home video was an extremely rare and costly thing then‚ and not as#technologically advanced as it would become‚ but a copy of this play survived in the effects of its author‚ the great postmodern novelist#BS Johnson. it's rough looking‚ a slightly faded black and white tape (it would have transmitted in crisp colour) and bears some#significant damage in places as well as a persistent humming on the soundtrack. but it is a miracle. it is a surviving piece of work from#a hugely significant artist who made precious few works before his untimely death. the play itself is a challenging one‚ an enigmatic but#sometimes frustratingly opaque piece about a family filled with resentments and hatreds that are never explained. Burden (whose casting#apparently deeply upset Johnson‚ who felt him entirely wrong for the role‚ and led to a rift between writer and director Newell) is what#we might call our protagonist‚ a husband and father who has somehow earned the enmity of his children and whose own strange behaviour (he#eats nearly constantly through the play‚ in a quite unpleasant manner; he's also needlessly dismissive of his wife's anguish over an#encounter with a flasher) alienates the viewer. there are subtle seeds planted of possible abuse in the children's history and of financial#disagreements in the present‚ but Johnson denies us a clear context for the attitudes and behaviours of his characters and in doing so#produces a work that is as uncomfortable as it is fascinating. a final reveal that Burden is also a skilled and humane surgeon only muddies#the waters further‚ challenging our view of the grotesque figure we've seen casually fencing with his family members (who are themselves#none too sympathetic figures). this was Johnson's penultimate work for tv before he sadly took his own life. what pure joy that it exists
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gothicprep · 2 years ago
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i've been meaning to write something for a while now about how misinformation is not a partisan issue, it's just an issue in general. i was mulling over writing something about how infowars waterboards statistics into saying whatever alex jones wants – i'll still probably do that in the future – but it's not something that exactly supports my thesis here.
but, lucky me, i had a perfect example fall into my lap this week.
so, was andrew tate taken into custody over twitter beef with greta thunberg? the short answer is "no" but i'll elaborate.
here's the primary romanian news report about the cops taking the tate brothers into custody. the way that this has been reported in US news media has basically been that a pizza box in andrew tate's video response to thunberg helped romanian authorities confirm his location. here's a daily beast article that insinuates this:
In a video rant he uploaded to Twitter, in which he smoked a cigar and tried to brush off the online spat, he unwittingly displayed a pizza box from a local pizza chain—alerting authorities looking for him to his presence in the country.
here's the problem with that, though – none of the romanian journalists who reported on this story said anything about the pizza box thing. there's also a huge problem with these stories just... citing each other.
if you dig through the citation loop long enough, you end on this daily star article that cites tweets (jurnelism!) from, of course, alejandra caraballo
According to Alejandra Caraballo, a writer and clinical instructor posting on Twitter: “Romanian authorities needed proof that Andrew Tate was in the country so they reportedly used his social media posts.
(as an aside, if you follow her on twt, i'd heavily recommend against doing that. she spews bullshit like her life depends on it and i think this is inexcusable.)
these are caraballo's tweets in question:
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the source for this is the romanian article i linked to earlier in this post. it doesn't say any of this. at least, the english translated version of it doesn't. for what it's worth, i'm not a romanian speaker, and i don't have any benchmark for judging if google's translation service is missing linguistic nuances. here's what it actually says:
Sources close to the investigation stated, for Gândul , that shortly after the completion of the computer expertise, the authorities waited for the right moment to catch the Tate brothers, who were always out of the country.
After seeing, including on social networks, that they were together in Romania, the DIICOT prosecutors mobilized the special troops of the Gendarmerie and descended, by force, on their villa in Pipera, but also on other addresses.
it's also probably worth pointing out that tate's villa was previously searched in april. while the article does say that social media was used to help confirm their location, it doesn't say anything about pizza boxes. and, like, given that tate is a prolific social media poster and was tweeting out videos of romania on sunday, i think it's safe to assume they had a wealth of other information to go off.
and if you don't want to take my word for it, nyt and wapo both reported that the spokesperson for the romanian prosecutor presiding over the case denied the pizza box thing:
Speculation online centered on whether a distinctive pizza box featured in one of Mr. Tate’s tweets to Ms. Thunberg had helped lead the authorities to him, but Ramona Bolla, a spokeswoman for the Directorate for the Investigation of Organized Crime and Terrorism, told The New York Times on Friday that that was not the case.
anyway, ain't it funny how caraballo's made the fuck up pizza tweet got 76 million views, 97k retweets, and 525k likes, while her appended correction got 78k views, 100 retweets, and 820 likes. her initial "source: my mind" tweet is still up. ain't. it. funny.
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lc-holy · 7 months ago
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There's been some new info about season 6 and the new Special episodes to come, but I haven't seen anyone talking about it on tumblr.
So I'm taking the liberty of making a summary:
Season 6:
-Sébastien Thibaudeau (the show's writing director) has announced that writing for season 6 is complete. There will be several new writers this season.
-Thomas Astruc has shared an image showing him working on the storyboard for a season 6 episode.
-I'm just coming back to something that was said several months ago since some people don't seem to know: All the animation studios that worked on seasons 1 to 5 will no longer be animating the next seasons of Miraculous. The series is getting a visual upgrade. And ZAG has shared a preview of the new sets for the coming seasons.
-Now we know that the new animation studio to work on the next seasons of miraculous is DWARF. This French animation studio worked on the Miraculous movie.
Special episode:
-The new special "The end of Ladybug" (whose name is only provisional) will take place this year before season 6 airs. This will be the last time Miraculous will be animated in the style we've known since season 1. (No word yet on whether SAMG will continue to animate future special episodes.)
-The dubbing of this special has already been done in English.
(Remember: just because an episode has been dubbed doesn't mean it's ready for broadcast. The dubbing can be done while the animation of the episode is not yet finished).
Other specials:
-Thomas would like the next special episode to take place in Japan.
-Thomas said he had already written the Brazil special episode as well as the Bible for a spin-off. He has also written many other stories in the Miraculous universe, but for reasons unknown to him, nothing seems to be moving to adapt these stories for animation or comics. He asks fans who would like to see these projects come to reality to put pressure on ZAG. (politely, of course).
-Thomas retweeted a fan who created a petition so that the special Tibet episode could one day be made.
-He also explained one of the reasons why Miraculous could not be animated in the Ladybug PV style.
He asks fans who would like to watch Miraculous with this style of animation to petition ZAG, Mediawan or Toei.
I may do more posts like this when I have new information, if you're interested of course (I'll never share spoilers or leaks, don't worry).
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maybe-boys-do-love · 3 months ago
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Mix Sahaphap gets to perform (and has the performance chops to perform) in a style that I’ve never seen any other male actor get to embody. Mix gets to unironically play the #strongfemalecharacter. The Beatrice, the Elizabeth Bennett, the Jo March. Strong-willed, emotional, kind-hearted.
Not only do the plot points line up, but Mix, more than any BL actor I’ve seen, fully leans into the embodiment of this archetype. In his roles, he rolls his eyes, pouts, banters flirtatiously, softens his posture and expression at small details. He doesn’t over-exaggerate and imposition other characters but his face also doesn’t hold back his character’s thoughts and judgments. And when the moments arrive, he lets all the hurt and anguish pour out in shatters of tears and visible heartbreak—the star-counting scene, anyone????—in a way that harkens to the operatic emotionality of well-done melodramas, soap-operas, and their contemporary Thai equivalent of Lakorn. It’s only that these have never been men’s roles in those.
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It’s no surprise that one of Mix’s roles—Cupid’s Last Wish—is explicitly a gender body-swap, and Tian in A Tale of Thousand Stars is (albeit explicitly denied within the show) heavily connected to gender body-swapping. What Mix specializes in as an actor, and does exceptionally well, has been defined as feminine. To depict a kind of queer expression in this style is novel because it’s not camp, it’s not okama, it’s not a soft or femboy, it’s not a BL twink (Mix has been mostly excluded from the schoolyards and quads of the BL universe except for a role as a senior crush in Fish Upon the Sky). It’s too sincere and too adult for any of that.
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In Moonlight Chicken we get to see, without the pretense of gendered mysticism, this performance style’s seduction, warmth, wit, and explosiveness within the framework of a general gay form of expression. It says that this kind of femininity might just be a gay thing. Not all gay men exhibit it, obviously—queer men aren’t a monolith. Still, it gives us something to consider about how we observe performance of queerness on screen, especially in front of an audience that puts so much more emphasis on ships, heat, and pairing chemistry to assess how well they perform a BL role. Could we look for other features to judge performance of queerness instead of how well they kiss?
Seme and uke roles would be the major performance style categories loyal BL fans assess actors with, yet even within the archetype his character’s fill within BL narratives, Mix’s performances differ from the typical uke depiction in BL because he really doesn’t perform them as passive. Rather, Mix’s characters and his portrayal of them are dynamic and demanding. It certainly fits certain stereotypes of ukes (Gilbert!) and their gay stereotype equivalent of bottoms as pillow princesses and brats. Mix’s characters, though, have more drive, agency, and compassion than that, and he plays them with all of those currents running underneath.
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We certainly have openly gay writer/director Aof Noppharnach to thank for writing this kind of queer character for Mix to play in Tian and Wen. But for Mix’s specific commitment to the performance starting off with his (debut!?) role in ATOTS, we first have Earth to thank for believing in Mix’s ability and recommending him to portray the role of Tian, and then Aof’s acceptance despite his differing initial expectations for the character. Mix, Earth, and Aof have all been open about how Mix in his personal life and nature holds a lot of similarities to both his role as Tian in ATOTS and Wen in Moonlight Chicken. Some people might knock points off his performances because he’s like them. But his relationship to the characters, rather than dampening my enthusiasm for Mix’s performances, helps me appreciate his willingness to give an authentic performance in a style that hasn’t been encouraged on screens previously. It’s made more impactful that he chose to risk vulnerability to bring something personal that had previously been excluded from screens because of its gender deviance (and in broader society explicitly condemned). This doesn’t make a claim on Mix’s actual identity, but simply shows his willingness to understand and perform the expressions of his queer characters with an effort at empathy that many other actors would feel challenged to bring.
Some actors are chameleons, but some actors have a gift of a type within which they can explore depths and range that no one else can best. For me, that’s what Mix does in his work when directors and casting understands his talent. There’s a BTS video of Mix actually fainting during a scene while in Earth/Phupa’s embrace on the mountain that immediately brought to mind the wildly famous final scene in the film Camille where Greta Garbo as Marguerite dies in her lover’s arms.
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For Mix, it was a serious incident due to regrettably extreme conditions and requiring the on-set paramedics, but these levels of theatrics, for me, are emblematic of what Mix is capable of as a performer, as well. After all, he had to faint in Phupa’s arms multiple times on purpose. It’s the kinds of Old Hollywood and heightened sentimental romance realms Mix takes his performances to! Then he can turn around and make it look easy to take that same character into grounded quips or dedicated everyday tasks. It only takes writers, directors, and audiences willing to see that men can feel this way and act this way. Mix has paved the way.
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allpiesforourown · 2 months ago
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I know I've posted bingqiu actors au before but I'm having thoughts for another one..
Shen Yuan only occasionally acts in things he's interested in.. he'll be like "oh I like this book, they better not butcher it!" and then because his family is rich, he'll get a role. People who have never worked with him before hate him at first bc he's a nepotism baby, but then they see his passion and acting skills and go "Oh nvm, he's actually really good... he didn't have to audition like everyone else because he has connections, but if he had auditioned, we would have picked him regardless."
Then there's young binghe playing a minor character.. he's not an actor, nor does he want to be, but child labour laws say he can't get a regular job and he wants to help provide for his mom.. a 14 year old can't work at a fast food place, but movies do need real children to act in them, so that was the only option he had
Shen Yuan is 19 at this point and binghe ADORES him. He brings him food he made at home and shyly waits with bated breath for Yuan gege to say it's good. Shen Yuan helps him with his homework when neither of them are in a scene, and whenever binghe acts really well and the director praises him, he ignores everyone to run to shen yuan and ask if he did well.
When production nears its end binghe says he wants to keep working with Yuan ge!! Shen Yuan isn't working on any other projects though, and the ones he is working on won't hire Binghe.
Everyone is impressed enough with Binghe to help him stay in the industry though, and get him another minor role, then another, then a somewhat important role, then a co-lead... by the time he's in his early twenties, binghe is a household name, and shen yuan is "that actor most people will recognize but don't remember from where."
By the time they finally work together again it's like
Binghe: Yuan gege!!!! I'm so excited to work with you again!!!!
Shen Yuan: haha you remember me! I'm happy :)
Binghe, who borderline stalks shen yuan: haha yes of course I remember gege :))
Shen yuan still gives him head pats like when binghe was a kid and binghe still clings to him. One time shen Yuan gently pushes Binghe away after a tight hug that's gone on too long and says "okay okay that's enough" and binghe looks CRUSHED so shen yuan feels like the devil and pulls him back into a hug immediately
The movie comes out and it's very well received. Binghes acting was the best it's ever been (since he wanted to show off in front of Yuan gege) so people are very interested in seeing the behind the scenes footage
When it comes out people see binghe being OBSESSED with shen yuan. Whenever the two of them are in the same frame, binghe is looking at shen yuan with the softest most loving expression while shen yuan is yelling at the script writer about fan service. There's about 10 moments when Binghe comes up from behind and grabs shen yuans waist and sets his head down on shen yuans shoulder. When people see binghe saying "gege open wide, I made this just for you!" And hand feeding shen yuan they're like okay yeah there's no denying it anymore.
Then they find out this isn't their first time working together and find old bts footage of when binghe was 14 and following shen yuan around like a puppy with hearts in his eyes and they go holy fuck he's been obsessed with shen yuan for YEARS
The cast all go to an interview
Interviewer: people were surprised to see how close you two are!
Shen Yuan: well it's not our first time working together :)
Binghe: I've been waiting to work with Yuan ge again for all this time :D
Interviewer: aww! Now about rumors saying Luo Binghe is in love with shen Yuan...
Shen Yuan: obviously they're-
Binghe: true
Interviewer: ..... oh my
Shen Yuan: um...?
Binghe: Yuan ge is very well aware of my feelings, I was very obvious
*camera pans over to shen yuan where his face is red and his mouth is wide open in shock*
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abbyshands · 9 months ago
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THE LAST OF US, and the israeli themes surrounding it
i'm very glad that people were able to see one of the previous things i published, where i complied a series of links that you can use to learn more of what's going on in gaza, how you can help, places you need to boycott, etc. however, at the end of the post, there is a large part of it that is DIRECTLY meant for people who play or watch the last of us, or play the last of us 2.
the last of us 2 in specific is not at all elusive in displaying the chilling themes we are seeing before us today. what boggles my mind, is that a select few individuals are choosing to keep publishing fics, reblogging them, uploading content that has NOTHING to do with what's going on, etc. also, you can't reblog one thing about palestine and claim that you care, then flood your account or people's home pages in fanfiction, especially during a media blackout. it just doesn't work like that.
i took the time to make a post discussing all of the israeli/palestinian themes that the games as a whole, but mainly the second one, display. if you are my mutual, a friend, a fan of my work, or a fan of the game or show, then i 100% demand you read this. if you can read fics for hours, you can spend time to read a post discussing the universe those very fics came from.
a lot of us are now aware of the last of us's nature in regards to the ongoing genocide, but not many people know the specifics of it. after seeing this post last night (the person who made this, you are an angel), i decided to take the time to dive into the specifics of the last of us 2's israeli nature, on a logical level, but also a moral level, using a list of sources to help me along, which will be linked at the end of this post. i will link the sources along the way so you know which sources i got my information from.
regardless of if this changes anyone's mind about ignoring the media blackout, or not giving a fuck about what's going on period, know this: regardless of how you feel, regardless of what you believe, from the river to the see, palestine will be free. at this fucking point, the people who are on the right side will keep speaking out and spreading awareness, regardless if you are here to do it with us. that's it. now, let's get into this.
UPCOMING DISCUSSIONS: neil druckmann, the last of us 1, the last of us 2, the last of us show and zionism in the show's cast, boycotting the game and show, and conclusion
NEIL DRUCKMANN
45-year-old neil druckmann, who was the co-director and co-writer for the last of us 2, was born in tel aviv, israel in 1978. according to the above source, druckmann was raised in a settlement in the west bank, where he was surrounded by violence on a daily basis. comics, movies, and most of all, video games, became an escape for him as a child, before he and his family moved to miami, floridawhen he was 10 years old.
to water down the full story that you can, again, read here, druckmann went to college to major in criminology. however, when he was in college, druckmann took a compsci course, that later lead to his major becoming coding as opposed to criminology. soon after, he knew he wanted a career that related to one thing: video games.
in the summer of 2013, the last of us part 1 was released, and it was renowned as one of best video games to have ever been made. in 2020, druckmann and nd released the last of us part 2, followed by the 2022 release of HBO's show based on the first video game. druckmann played a huge part on set, being not only the co-creator and co-writer of the show, but also having directed an episode himself. druckmann will remain involved in the second season of the show.
bringing up neil druckmann’s background is a crucial aspect of what’s upcoming in this post, hence why i wanted to discuss it at all. druckmann growing up in israel is one of the sole reasons the last of us was ever made at all, and not only that: it is the reason why the second game is the way it is, because neil druckmann planted his israeli ideologies right into it.
so, let’s speak on it.
THE LAST OF US 1
on the official the last of us podcast, neil druckmann himself discussed the last of us' link to the israeli-palestinian conflict, and now, genocide. the general consensus was that people will go ridiculously far for the people that they love. this idea of druckmann's was revealed when he discussed the first time the main character of the first game, joel miller, kills somebody to keep his daughter, sarah, safe from harm. this is one of the first scenes in the game prior to the time jump, where the pair's neighbor becomes infected, and attacks them. joel uses a gun to kill him so that the neighbor doesn't harm sarah.
the following is a quote i would like to copy from this link word for word: "Druckmann said he follows "a lot of Israeli politics" and compared the incident to Israel's release of hundreds of Palestinians prisoners in exchange for the captured Israeli soldier Gilad Shalit in 2011."
the plot of the first game, as neil druckmann explained, is based around a moral dilemma. he discusses how if joel had to kill a man to save a random kid, would he have done it? druckmann himself says, "but when it was his tribe, his daughter, there was no question about what he was going to do."
while the first game, in my opinion, isn't as heavily centered around israeli themes as the second game is, regardless, it is heavily crucial to note that the basis of the first game derived from a real-life incident involving israel and palestine, where hundreds of palestinian people (edit: i believe it is more than 1,000) were released from imprisonment, all in exchange for one israeli soldier. in the second game, the israeli-palestinian themes, if you look closely enough, scream out at you.
let's talk about it.
THE LAST OF US 2
"There is a common saying that if you seek revenge, you should dig two graves. Playing The Last of Us Part II is like being made to dig those graves with your teeth (Zacny)."
nd's 2022 the last of us part II is described down to the last letter in the above quote, albeit the game's utterly obvious israeli nature. in this post, the creator, rob zacny, goes on to discuss the game's theme of a "cycle of violence," and how the game reminds you in each grotesque encounter of the cruel ideology behind that. due to what occurs in the last of us 1, joel, basically, reaps what he sows when he is murdered for killing a surgeon who, along with the group said surgeon was a member of, the fireflies, was planning to perform surgery on ellie, who joel had since grown close to, in search of a cure for the infection that has plagued their world for decades. four years later, the second playable character in the game, who is introduced in the first half hour or so, abby anderson, kills joel to avenge the surgeon who was murdered, who happened to be her father. from then on, the game follows what, again, can only be described as a "cycle of violence." joel kills abby's dad, abby kills joel, ellie kills all of abby's friends, aims to kill abby in the final battle of the game, but spares abby when ellie's conscious morally attacks her for her decisions.
throughout the 24 odd hour gameplay, the player is allowed to play as ellie and abby, abby's parts of the game being arguably longer than ellie's. the idea this, i believe, is meant to introduce, is one of perspective: the player is meant to be loyal to joel miller once the first game has been finished, so when he is killed, they are inclined to make abby pay for it. however, abby's perspective, both in the past and as the present course of the game goes on, is meant to make the player understand why she did what she did. thus, the moral: there are no good guys in this game. every person is as equally bad as the following, and no one is innocent. however, when we consider the israeli-palestinian nature of this ideology and how it is presented in the last of us part 2, it simply doesn't work like this.
“I suspect that some players, if they consciously clock the parallels at all, will think The Last of Us Part II is taking a balanced and fair perspective on that conflict, humanizing and exposing flaws in both sides of its in-game analogues. But as someone who grew up in Israel, I recognized a familiar, firmly Israeli way of seeing and explaining the conflict which tries to appear evenhanded and even enlightened, but in practice marginalizes Palestinian experience in a manner that perpetuates a horrific status quo (Maiberg).”
when discussing the last of us part 2’s plot, one could 100% argue that there really aren’t good guys on the dual sides of the game. if you compare ellie and abby, you know that ellie went on a murder frenzy to get revenge on abby for killing joel. on abby’s side of it all, you know that abby wasn’t all that great before coming across lev and yara, and even then, she killed people to do what everyone in said world aims to do: survive. prior to finding lev and yara, abby had killed numerous people before, and did, as the player sees, handle joel very cruelly before she ended up killing him. here’s one more example, one that’s more random (but it’s simply to compare abby vs. ellie’s people, if you will): joel and manny. joel went on a cross country murder spree to keep ellie safe, and killed a building full of people at the end of the game to save her life. in regards to manny, if you recall a discussion that manny and mel had in the beginning of abby’s parts of the game, the pair are discussing a happening where a group aside from the wlf, the seraphites (which we will discuss later) attacked them because the wlf killed children who were a part of their (the seraphite’s) group. manny voiced how he would prefer to keep their people (the wlf) safe, and challenges mel, implying that those “kids” weren’t really kids, because they were the ones who attacked their guys (the wlf) in the first place. as a general consensus, manny kills several people throughout the course of the game, which can be inferred or seen by the player, making him, for the sake of what i’m getting at, a bad guy.
we see in the game how ellie and abby’s people are unanimously bad. the last of us is set in a world where laws and morals are thrown out the window for the sake of survival, so this is no surprise. however, this dual perspective, “no bad guy,” ideology simply doesn’t apply in the world today. you may compare ellie vs. abby, or joel vs. manny, or bring in more characters in the game, such as tommy, nora, etc, claiming that all parties are bad. that makes perfect sense. but think about it like this: if this is meant to represent the israeli-palestinian perspective, and i give you the scenario of a five-year-old child versus a full-grown IDF soldier, what would you say? isn’t there an obvious answer as to who is in the wrong and who’s not? maiberg is 100% right in claiming that the game marginalizes the real-life palestinian experience. abby, ellie, joel, manny, etc, are not real people. but the thousands of innocent children who have been killed for the ridiculousness and inhumane israeli regime are. you can’t say each side is equal in awfulness, not when one side is full of innocent men, women, and children, some of which could never make it into a year of their lives. not when if one side pauses their battle, there would be a ceasefire, but if the converse pauses their battle, they would all be dead.
“And then they cheered afterward,” Druckmann, who grew up in Israel, recalls. “It was the cheering that was really chilling to me. … In my mind, I thought, ‘Oh, man, if I could just push a button and kill all these people that committed this horrible act, I would make them feel the same pain that they inflicted on these people.’"
remember how i said discussing neil druckmann's background was crucial? it is. druckmann, who, again, was born in israel, told the Washington Post that the game's cynical themes of revenge and suffering is linked to the 2000 killing of two israeli soldiers (tw, lynching), who were killed by a mob (maiberg). allegedly, some of the incident was remembered in film, that druckmann watched, and in his interview, he explained his angry nature that came about in response to the video, and how he desired vengeance.
the last of us part 2 is mainly set in seattle, washington, where secondary main character, abby anderson, resides in with a militia group named the wlf (which we will also delve into later, alongside the seraphites). maiberg brings out how seattle, on a visual and mechanical level, is based around "a series of checkpoints, security walls, and barriers (Maiberg)." he notes: "[seattle] looks almost exactly like the tall, precast concrete barriers and watch towers Israel started building through the West Bank in 2000." here are side by side images for comparison:
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now that we’ve discussed this, let us discuss one of most prevalent aspects of abby’s part of the story: the wlf, and the seraphites. the seraphites are a religious group, nicknamed “the scars” due to the scars the members of said group carve into their faces to display their membership, who the wlf, a makeshift militia group, runs into conflict with following the fall of FEDRA, the country’s former military. in a note in the game, a fedra commander explains that the city of seattle has been lost to the wolves (the wlf), who he names as terrorists. maiberg brings out the following: “Here, there are parallels to early Zionist organisations that fought British rule in the region. These organizations were also described as terrorists, and leaders of those organizations later became leaders in Israel, much like how Isaac, the leader of the Wolves, came to control Seattle. Other in-game notes, scenes of urban ambushes, and the bodies of executed FEDRA officers laboriously walk the player through the cliche "one man's terrorist is another man's freedom fighter (Maiberg).”
maiberg also discusses a series of manners in which the fictional seraphites resemble real-life palestinians. here are the three ways he specifically discusses in his original post, but there are much more:
“The same note from the Seattle FEDRA commander that bitterly says the Wolves are in charge explains that it's now their responsibility to not only feed and shelter the people of Seattle, but deal with the "religious fanatics," referring to the Scars.
Later in the game, Ellie finds a location called "Martyr Gate," where the Scars' spiritual leader apparently died, indicating a religious significance of a specific and disputed location, and emphasizing the notion of martyrdom as central to their culture.
The Scars are able to get around Wolf patrols and various barriers around the city via an elaborate, secret system of bridges between skyscrapers. These function as a kind of flipped version of the underground tunnels Palestinians use to bypass Israeli blockades and other means of limiting free movement in order to get supplies and carry out attacks on Israel.”
one more post i would like to link is this one, the very reason i decided to make this in the first place. it captures the zionism in the last of us 2, along with the wlf vs. seraphite conflict, perfectly. i very much recommend you read it, as it explains it much better than i can.
the general consensus is this: the idea that the seraphites are equally as bad as the wlf, which implies that palestinians are equally as bad as israelis, simply doesn’t apply in 2024. as i said before: what is so vile and cruel about a newborn baby? a pregnant woman? an innocent man? NOTHING. part of the reason the last of us captures this so poorly is due to the apocalyptic nature of the world the game is set in. obviously, people would go rogue if their lives were put in peril by not only animalistic infected beings, but also humans. however, we live in a real world where laws and morals do, in fact, apply. this isn’t a video game where those are simply discarded. what the wlf and the seraphites did to each other in the last of us 2 could be any other day for them: but what israel is doing to palestine right now is a war crime, a genocide, and plainly vile.
THE LAST OF US SHOW, and zionism in the show’s cast
i don’t think i need to spend a lot of time here, because if you have made it this far, you are well aware of the real nature of the last of us and the last of us 2 already, so you must understand that the show is HBO’s take on the game’s story (which, need i remind you show-wise and game-wise, neil druckmann played a huge part in). i simply bring it up so that people are aware of the fact that the 2022 show is ALSO linked to the ongoing genocide, and the cast is a major part of that (however, if anyone would like me to delve deeper into the show, let me know, and i 100% will).
for the following season which is a sequel to the last, theorized to center around the happenings of the last of us 2, members who are set to play a few crucial characters in the game have been announced. this includes isabela merced, who will play dina woodward, ellie’s romantic partner for most of the game, alongside kaitlyn dever, who will play abby anderson.
many people freaked out when they realized kaitlyn dever will be playing abby, but not for the reason they should have been. if you are a last of us fan, you are well aware that abby’s muscles are a central aspect of her persona. yet, kaitlyn dever is on the skinnier side, and according to some, does not resemble abby.
but this is not the issue that is most crucial to discuss.
kaitlyn dever is a zionist, and so is isabela merced (i am under the impression that both of these claims are true, but i had trouble finding a source i deemed reliable enough to link here. if i do, however, i will). now, while i’m not here to riddle you with conspiracy theories, people believe this (zionism) is the reason kaitlyn dever in specific got the role of abby anderson (there is a separate actress, shannon berry, who more closely resembles abby, but made a post in solidarity with palestine. this is theorized to be the reason why she didn’t get the part, and why kaitlyn dever was announced shortly after this particular actress made said post). let us not also forget that ellie’s actor, bella ramsey, is also in support of israel, which can be seen here.
(edit: i was informed since making this that bella has a story on one of their social medias, showing their alleged support of palestine and calling for a ceasefire. i’m going to link this post where i spoke on it, so you aware of what i think on that front).
all of the previously provided information brings me to my final part of this post: boycotting the games, and boycotting the show.
BOYCOTTING THE GAME AND SHOW
i could go on and on about why this is so crucial, but we would be here forever. however, i’m going to paste in what i wrote in this post surrounding the topic of boycotting, as i personally believe i got it down quite well in regards to the last of us (the show and game). it reads:
"DO NOT BUY TLOU, TLOU REMASTERED, TLOU2, TLOU2 REMASTERED, OR ANY GAME FROM ND! neil druckmann has donated money to the IDF in the past. & where do you think he’s getting his money from? yeah, you got that. watch gameplays, pirate these games, or buy them secondhand. several shops sell used games. & for those of you who went and purchased the game anyway, knowing about all of this? fuck you.
if you think your $10 doesn’t matter, then think about this: okay, one person spends $10 on the game. whatever. but when 100,000 people do it? that’s a million dollars, going into the hands of a zionist, who is using YOUR money to help kill innocent men, women, and children. put that in your pipe and smoke it.
it is not just the games you need to boycott. HBO’S show also needs to be. follow this link to learn of more movies and shows you need to boycott, & the reasons why, including the last of us. let’s also not forget that dina & abby’s actresses are in support of israel, and BELLA RAMSEY, ellie’s actress, has also shown support.
boycott. the fucking. show. there are a million websites where you can pirate it, so you are not giving any of your support to it. resist."
what it comes down to is this: purchasing the game or watching the show directly from nd or HBO is not a must. spreading awareness and speaking out about palestine is. you are more than capable of not purchasing the game, or watching playthroughs, or buying the game secondhand, etc. you are more than capable of pirating the hbo show so that money is not made off of your engagement. it's not that difficult. i have said it once, and i will say it again: boycotting is a form of resistance, and that is the least we can do for those suffering in gaza as you read this. resist. people openly admitting that they went and purchased the game anyway simply make me sick. i hope you know what an awful thing to brag about that is, and how despicable of a human it makes you.
CONCLUSION
there's so much to discuss when it comes down to this topic, and it's possible that in the future, i will make a second part to this. however, for now, i really hope this does suffice. i believe knowing of the game's israeli nature is a step. but knowing the specifics is a leap, one that i need everyone engaged in this fandom to take, hence why i wanted to make this post at all.
i'm not saying anyone needs to quit liking the games or the show or whatever. i'm not saying you need to delete or throw away a game you spent $60 on. i've seen so many people who are way too dense to understand that. what i'm saying is that it's crucial you are at least AWARE of the content you are consuming. aware of why it even came about at all.
in my opinion, you can't separate the game from the roots. but you can remain aware of the inner workings of this world you've grown to love. you can keep spreading awareness about it, and you can do right by the people in gaza by discussing the ongoing genocide, and using your voice as much as you can.
i'm so lucky to have been able to gain a following on here in such a short amount of time, even if that following has gone up and down because i've chosen to post more about palestine as opposed to my previous content (granted, that fact won't deter me at all). i will keep using said following to keep speaking out for the people in gaza, and i encourage you to do the same. keep reblogging. keep speaking up. keep using your voices. the people in gaza need us. be there for them.
FROM THE RIVER TO THE SEA, PALESTINE WILL BE FREE 🇵🇸🍉.
LINKS AND RESOURCES:
neil druckmann | the official the last of us podcast | the not so hidden israeli politics of the last of us 2, by emanuel maiberg (i highly recommend you read the full post. it discusses several crucial details i didn't discuss in this post) | galid shalit prisoner exchange | Neil Druckmann Speaking on the Washington Post | 2000 killing of two israeli soldiers (TW: LYNCHING) | 'The Last of Us Part II' Is a Grim and Bloody Spectacle, but a Poor Sequel | Veiling Colonial Violence: The Last of Us Part II, Israel and the Erasure of Power (full disclosure, i did not read the full post. i merely needed the quote in the very beginning of it) | zionism in tlou2 | isabela merced | kaitlyn dever | bella ramsey's support of israel
PALESTINE LINKS
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tuttle-did-it · 2 years ago
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Even in films like Sweet Liberty, Alan Alda wears a dressing gown and tries to make someone smell something against their will. 
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heritageposts · 8 months ago
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[...] More specifically, the cycle of violence in The Last of Us Part II appears to be largely modeled after the Israeli-Palestinian conflict. I suspect that some players, if they consciously clock the parallels at all, will think The Last of Us Part II is taking a balanced and fair perspective on that conflict, humanizing and exposing flaws in both sides of its in-game analogues. But as someone who grew up in Israel, I recognized a familiar, firmly Israeli way of seeing and explaining the conflict which tries to appear evenhanded and even enlightened, but in practice marginalizes Palestinian experience in a manner that perpetuates a horrific status quo. The game's co-director and co-writer Neil Druckmann, an Israeli who was born and raised in the [occupied] West Bank before his family moved to the U.S., told the Washington Post that the game's themes of revenge can be traced back to the 2000 killing of two Israeli soldiers by a mob in Ramallah. Some of the gruesome details of the incident were captured on video, which Druckmann viewed. In his interview, he recounted the anger and desire for vengeance he felt when he saw the video—and how he later reconsidered and regretted those impulses, saying they made him feel “gross and guilty.” But it gave him the kernel of a story. “I landed on this emotional idea of, can we, over the course of the game, make you feel this intense hate that is universal in the same way that unconditional love is universal?” Druckmann told the Post. “This hate that people feel has the same kind of universality. You hate someone so much that you want them to suffer in the way they’ve made someone you love suffer.” Druckmann drew parallels between The Last of Us and the Israeli-Palestinian conflict again on the official The Last of Us podcast. When discussing the first time Joel kills another man to protect his daughter and the extraordinary measures people will take to protect the ones they love, Druckmann said he follows "a lot of Israeli politics," and compared the incident to Israel's release of hundreds of Palestinians prisoners in exchange for the captured Israeli soldier Gilad Shalit in 2011. He said that his father thought that the exchange was overall bad for Israel, but that his father would release every prisoner in every prison to free his own son. "That's what this story is about, do the ends justify the means, and it's so much about perspective. If it was to save a strange kid maybe Joel would have made a very different decision, but when it was his tribe, his daughter, there was no question about what he was going to do," Druckmann said.
And continuing, on the security structures featured in the The Last of Us Part II:
Besides the familiar zombie fiction aesthetics of an overgrown and decomposing metropolis, The Last of Us Part II's main setting of Seattle is visually and functionally defined by a series of checkpoints, security walls, and barriers. There are many ways to build and depict structures that separate and keep people out. Just Google "U.S.-Mexico border wall" to see the variety of structures on the southern border of the United States alone. The Last of Us Part II's Seattle doesn't look like any of these. Instead, it looks almost exactly like the tall, precast concrete barriers and watch towers Israel started building through the West Bank in 2000.
Illustrations, from the article:
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The first barrier Ellie and Dina encounter when arriving in Seattle / West Bank barrier.
. . . article continues on Vice (July 15 2020)
Backup -> archive.today link /archive.org link
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starboye · 18 days ago
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pairing: loser!simon riley x male reader
request: I am on my hands and knees give me loser!simon Riley having the BIGGEST crush and being SO weird about it my soul needs it nobody writes him like you do
warnings: just a lil pervert simon
directors note: and awww i bet others writers write loser!simon pretty good too and also this could be read as gn reader
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he wasn't immune to having crushes or anything it's just he's never really had one that's all, but when he saw you one day on base he was smitten by your looks and it was pretty hard to hide it from the general public.
wherever you went simon followed close behind without making it to obvious, if you went to lunch so did he, if you had to go to the bathroom so did he, and god forbid he'd see you hanging out with some of the new rookies, with even a mask being over his face the rookies could feel his menacing stare and immediately moved from you.
sometimes even he will just stand there and stare at you, like no joke just stare at you while he's leaned against a wall, watching you move around the room of other men, picking up fallen papers and putting them in their rightful spots, and if you magically look up over at him, catching him watching you with intense gaze he'll be out the the room before you can blink.
he occasionally shows up at your room sometimes with little gifts in hand, maybe he had an extra apple that he wanted to give to you or even he made a bracelet out of some wire, barely even speaking a word before scurrying back to his room and slamming the door behind him, heart pounding in his chest as your hand had grazed his.
now i wanted to keep this out of the mix but there were some questionable times he had, like once sneaking into your room while you were out on a mission and crawling onto your bed, sniffing at your pillows and blankets while palming himself, heavy moans being absorbed by your amazing scented comforter.
acting as if he hadn't just been the biggest pervert once you get back, and it's not like anyone is gonna know i mean he made your bed back exactly how he found it, but also not without getting a little souvenir before leaving, you may not know it but he has a pair of your underwear tucked away between his mattress for a special (every) night, just smelling any part of you is enough to make him crazy.
on the topic of scent, he's ashamed to know that he's so obsessed with the way you smell, he knows all the body washes you use and usually knows when you're in the room just by the faint smell, he's just gotten so down bad but can you really blame him when you always look so good, it's almost like you want him to want you.
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taglist:@mailmango @spermeboy @ghostking4m @gayaristocrat @addictedtomalepits @staarb0y @crispysoup318 @its-ares @gargoylesworld09
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nouearth · 2 months ago
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love in the making.
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grant gustin x male reader.
𝐒𝐔𝐌𝐌𝐀𝐑𝐘. the talk of the town is the production of a new picture starring hollywood's elite star, grant gustin and his co-star, you! as the chemistry between you and grant escalates, so do the tabloids, and the executives aren't happy. what will happen to your relationship with grant when the studio takes matters into their own hands?
𝐒𝐌𝐔𝐓. one-shot [ 13.6k ].
𝐖𝐀𝐑𝐍𝐈𝐍𝐆𝐒. male reader 〳 mid 1950s!au 〳 coworkers!au 〳 movie star!grant 〳 up and coming actor!reader 〳 smoking 〳 yearning 〳 slow-burn(?) 〳 gossip columns 〳 soap opera type of drama 〳 sexual content: top!grant, bottom!reader, anal penetration, breeding, kissing, spitting, blowjob (r!giving), praising, body worship, snowballing.
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The leathery smell of cigar permeated the room. Grant added to the thickness in the air with several puffs, then suddenly modulated his breath when he realized it was his turn to run through his lines.
“Pardon me, Katharine. Your voice was so mesmerizing, I nearly fell to a slumber. Where were you when my mother ran out of bedtime stories to tell?” Grant cleared his throat, fulfilled by the laughter scattering from one person to the next while Katharine Scott, the leading lady of the picture, turned scarlet.
He began reading his dialogue.
It was half of the truth. Grant just didn’t bother mentioning that you’d been on his mind since the minute you walked in and introduced yourself -- that would’ve garnered a peculiar reaction. Aside from the screenplay, Grant’s eyes often meandered to you when they needed a break. The words on the script were beginning to scramble like alphabet blocks.
Before the tables were pushed together for the read-through, he noticed how your feet were crossed at the ankles, toes tapping to a rhythm he never noticed. In moments where the writer consulted with the director about the wooden dialogue, Grant could hear your muted taps speed up. Were you nervous? You had to be; you only had your foot in the industry for barely more than a year -- which was apparent.
You still had that humility in your smile.
Maybe it was frustration? Grant chewed on a pen he was holding as he attempted to decipher those pursed lips of yours. It was the color of flesh -- as it should be -- but why did he find them so… entrancing? It wasn’t just the color that got to him, but also the texture. They looked soft, really soft, as you ran through your lines with Katharine. Soft like your voice when you said your name for the first time. Soft like the grip of your handshake, which Grant knew you were well-aware of because you suddenly tensed your fingers at his fingers, nails into his palm, to compensate for your lack of callous. Soft like the ham and cheese bagel he had this morning, you would bite your own lip from how indistinguishable the bread roll and your mouth were from one other.
He chewed harder at the thought. Why does Grant want to see that happen?
“Grant? It’s your line.”
When Grant’s vision focused harder on your lips, he realized your mouth was aiming directly at him. Separating and closing, all for him. He immediately perked up.
“What—oh. Right. Where were we…” Grant felt warmth creeping up his neck, rubbing at it to ward off the heat. He only made it worse as it climbed to his chin and mouth, the taste of heat almost perceptible when he fought it off with a lick of his lips. “Gross, what the hell is—“
Metallic, acidic, and bitter on his tongue -- it was a taste that made him fully alert to the blue stain on his script. Then quickly after, the peculiar heat dripping off the corner of his mouth.
“Grant, you have—“ He watched you conceal a gasp when he turned to you, but your eyes -- everyone’s eyes -- made it perfectly clear that he needed to break this habit of chewing pens.
“Ladies and gentlemen, if you will excuse me…”
He should’ve listened to his mother when he was little.
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“Just my luck…”
Grant was bent over the sink, scrubbing away at his face with a soapy hand. He was dressed down to his undershirt, figuring he’d address the stain on his dress shirt later in the evening.
It was almost like there was an invisible force field around his chin because the ink stain was refusing to wash out. Grant was certainly in a better position than before, but he could still make out that splotch of grey-blue, muted from his unrelenting efforts to look somewhat presentable again.
“Grant, you all right? I’m coming in,” He recognized your voice immediately and perked up at the prospect of seeing you again, even if he really ought to know better than to be happy to see someone in this predicament.
Especially a handsome one.
“I think it’s coming off, you think? Could be my flesh that I’m tearing away at, but if it works…”
It was natural to glance at someone when they enter the bathroom. Humans are naturally inquisitive people. Innovation and evolution weren’t the result of keeping to oneself. What wasn’t natural was staring, particularly when it came to a man’s face, which seemed to have been exasperated from adrenaline.
You were panting and heaving as you made your way to counter. Grant took notice of your necktie, swinging from side to side with every step you took. You must’ve forgotten a tie clip. If not, then it must’ve fallen sometime between the moment he left the room and you entering the bathroom.
He had to admit, you looked—
“Keep at it and you’ll find the city of Atlantis,” you stifled a chuckle when Grant washed off the soap suds again, only to reveal what many would presume to be a rather strange five o’clock shadow.
Well, half of one.
“Speaking of finds,” he grabbed a handful of paper towels to dry his face, then nodded towards the paper bag that you had set on the counter. “What’s the loot?” Grant asked, partly because he wanted to distract you from watching him any longer and because he was simply curious.
Once again, inquisitive people drove evolution. In this context, Grant would like to get to know you more -- for the sake of the motion picture, of course.
“Went to the general store and thought you might need these,” you began unpacking the bag one by one.
A package of bar soap, a tin of cold cream, and a modest bag of assorted fruit chews. “Soap? We have soap right here.” Grant recognized the logo on the bag, there was a candy store west of the studio lot. He wondered where you went first. Did you get hungry during your brisk shopping trip, or was the general goods store on the way and you needed to kill time?
“Yes, well, that’s hand soap. You need Ivory soap, which is hydrating and better for your face. Hand soap will dry you out.”
He also wondered why you were helping him out. Not that people don’t go out of their way to help a celebrity of his status, but often, he could tell when someone was contriving flattery.
“What about the tin?” Grant asked. With one hand, he picked up the tin and analyzed the engraved packaging against the light.
You began rummaging through your bag of fruit chews. “Cold cream. It’s what my mother uses to remove her makeup. Use that before you wash your face. It should help melt the stain,” Pink wrapper, it was a strawberry chew. Grant deduced that it also must have been your favorite flavor since you searched high and low for it, flicking past the greens, blues, oranges, and yellows.
Replaying it back in his mind made him chuckle. He had been inside the candy store before, usually spending a few cents on chocolates for his dates. Still, the store was a marquee for locals who wanted to self-serve their candy bags and that hadn’t gone unnoticed. A buffet of confectionery to put it persuasively, which made Grant laugh again at the thought of you picking out the strawberry chews.
You could’ve avoided the trouble by not packing the other flavors at all.
“It’s for women… ‘She’s engaged, she’s lovely, she uses cold cream,’” The irony of the tagline shared a brief fit of laughter between you and Grant.
It felt good to hear you laugh, even if it was quite apparent that you were restraining yourself to lower the chances of choking on a fruit chew. Death was inevitable as much as it was arbitrary, and Grant was not letting a handsome man like yourself be the first case of ‘death by candy, and a badly timed joke.’
Besides the point, you were benign. Your knowledge in women’s beauty products caused a case of interest, and that made Grant want to excavate your formality even more.
“You look like you belong in the Looney Tunes, Gustin. That should be the least of your worries,” he watched you primp yourself in front of the mirror, minor adjustments to your hair where the gel had fallen loose. “Anyway, I’ll get us some lunch. They said we’ll resume in a bit. You like salami? I know a place that makes a great Italian sandwich. Good fries too.”
With autumn approaching, the weather was only getting windier. By dint of the way a strand of hair fell delicately over your forehead like the stem of a cherry, Grant figured he should make amends with the upcoming season if it meant he would be seeing more of you fixing your tousled hair.
“Actually—wait for me, yeah? I prefer dining in for lunch, can’t stand soggy fries,” Grant opened the tin of cold cream and was instantly hit with a whiff of nostalgia -- something of gardenia and vanilla all at once. He must have smelled this at his mother’s vanity at some point in his life.
“Well, you must hurry because I had nothing but double the allotment of caffeine. I feel like Lucy in that one run where all she had for dinner were mints,” you were referencing an episode of I Love Lucy, adjusting your tie in between glances.
He slathered on the white paste and rubbed at the stain on his chin. Grant wouldn’t have guessed this was part of a woman’s nightly routine. If he ignored the floral notes, the product resembled shaving cream for the most part.
“‘There’s nothing quite like a good after-dinner mint,’” Grant quoted a line from the same episode you had mentioned. In retrospect, he was glad he shelled out a couple hundred bucks for the hottest commodity of the decade. He had never seen someone’s eyes light up the way yours did.
If the building was set on fire and everyone had to be evacuated, Grant wouldn’t have known by virtue of your radiant smile -- it was disorienting. Whether or not he would’ve made it out in time… the matter of the fact was that his fate was entirely dependent on you, and Grant was surprisingly at ease with that proposition.
You cleared your throat when it registered that the stare shared between the two of you had stopped you in your tracks, Grant in his. The silence was almost tangible. Grant wasn’t sure how long he’d been staring at your eyes, then your nose, and then your lips again. That information served no purpose, only to embarrass him with the strong chance that it might’ve been too long.
Much too long for him, he began noticing your delightful cologne and not the smell of floral and vanilla. If he took a step closer, maybe he could—
“You can wash it off now. I’m curious to see if it works.”
For now, Grant was content on watching you at arm’s length, eating your favorite piece of candy and laughing as you tidied yourself.
It seemed like he was only beginning to scratch the surface.
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It had only been a little more than a week of principal photography, but Grant was quick to inform himself of the director’s social cues. Sucking in his bottom lip meant that something regarding the scene was off -- whether it be the lighting, the wrinkle in a shirt, the fumble of dialogue, or the stiff movement of the actors. He was a meticulous man, stopping a take when Grant’s hair wasn’t as slicked back as he had envisioned. Imposing at times, but the general kindness kept the set rather freeing.
Today, Grant received a firm nod behind the camera.
“You got a light?” Grant asked with a cigarette between his lips, patting his pockets only to leave with empty hands. He pulled a chair next to where you had been studiously scribbling notes on your script. He couldn’t have read it if he tried -- and he had tried once -- chicken scratch hadn’t left your fine motor skills anytime soon.
“Uh-huh. Every apartment has one if you find the right landlord,” you said dryly, flashing a cheeky grin and continuing to annotate the script in your hand.
“Cute,” he snickered while you fished a lighter out of your pant pocket. It wasn’t your scheduled smoke break yet, it was often reserved right before lunch. You figured that you mind as well get one out of the way since the clock was nearing lunch time anyhow.
Lighting up your cigarette, you drew in a breath of tobacco and felt it cloud over your brain after, tempering the stress signals with warmth. “Here,” your thumb remained on the flint wheel while your free hand hovered over the flame to block the desk fan. The wick of fire bridged the distance between you and Grant as you both leant forward to ignite his cigarette.
His hand rested on yours, gently bringing the lighter closer to the end of his cigarette stick, and stabilized itself until the tobacco was lit.
It shouldn’t have felt intimate. It was probably from the smoke, wasn’t it? The type of buzz that made Grant hallucinate all and everything around him -- black crows if he was in a troubled sate. In this case, it was the tremble of your hand when Grant held it, unsteady like the lighter’s flame before you had capped it. It was the look you gave him, aggravated if it was from most men, but almost imploring on your end. It was the silence that bestowed between the two of you, the type where Grant knew you could tell he was staring at you now, because you began scribbling arbitrary patterns on the margins of your script.
He should probably tell you that the scribbles were merging with your annotations, but Grant had to be careful. Otherwise, he was going to open his mouth and give you an earful of lunacy, starting with “Your hands are cold” and ending with “Can I hold them for longer?”
“So, what’s for lunch today?” You asked, stretching your arms overhead. Grant watched your fingers closely as they fanned out and held nothing but air.
“I could go for a hamburger. You?”
“Something light for me… think I’m coming down with a bug. My stomach suddenly hurts.”
Grant regretted letting go now.
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“We missed you at shooting today. And yesterday. And the day before that. Mainly Wilder though—he likes how you can get scenes done in one take.”
You were caught off-guard hearing Grant’s voice through the handset. Even if he was calling from the other side of town, there was something about his presence that made you sit up and spruce up your surroundings, not forgetting your own appearance, of course.
“Well, that’s comforting. I’m sorry—how exactly did you get my telephone, Grant? Where are you calling from?” It must have been the hoarse sound of your voice that made Grant laugh into the handset. You could see it now, his smile.
“Don’t worry about that—and from my hotel. What you should be worrying about is your health. Why are you still up?” Grant started out lighthearted at first, but then muttered, like the weight of his concern strung his voice along.
Really, you ought to sleep. The positive of being sick meant that you could leisure all day and not feel guilty about watching television, even if you had outdone your daily average by a margin. The negative? Your senses were heightened by tenfold, which was ironic because your sinuses were blocked. That didn’t matter whatsoever. What did matter was that you kept waking multiple times throughout the night because your bed was either too warm, too cold, too soft, or too hard.
Now, sleep was as elusive as seeing Grant. It had only been a couple of days, yet you began to feel off -- which could be another symptom of the flu in hindsight.
“It’s wash day. I’m soaking my clothes as we speak,” you flicked off the television to hear Grant better. The rain was pouring down hard on your window.
“You do your own laundry?” Grant asked. He sounded genuinely astonished.
Picturing his expression alongside, you couldn’t contain your laughter any longer. “I am an adult, Grant.” Your toes said otherwise as they wiggled in your socks in complete bliss.
Hearing Grant’s voice was a much-needed energy boost -- way more effective than the oranges you had been eating, but not on par with the programs you had been watching. He’ll get there soon.
“I usually have my housekeeper do it for me,” he confessed.
It was no surprise. You read all about it in the papers before, how the wealthy hires a live-in help, or a nanny if the household contained a family with more than enough kids. They were all cut from the same cloth either way.
“And have you noticed any silk ties going missing?” You asked in jest.
“Now that you mentioned it—“ Before Grant could finish, you laughed, picturing his expression screw into realization that he hadn’t worn his red necktie in a bit.
Objectively, it made sense. The last thing you would want to do is clean the bathroom after coming home from work. It was a luxury you would like to have the option to afford one day, but for now, having a housekeeper was merely that—an option.
You had a much more ambitious goal in mind, and that was making an impact on Hollywood. “Case adjourned.”
Grant’s laugh suggested defeat, and you were all too familiar of the long silence that would come after. If he was here face-to-face, you both would sit in the sound of white noise, or the beating rain in this case, and simply stare at each other.
You weren’t sure when or how it came to fruition, and in the end that didn’t matter—because it was nice.
It was nice to be free from all things interfering with Grant.
“What was for dinner?” He asked, instantly reminding you of the emptiness in your stomach.
“I overslept—well, as overslept as one could be when all they have on their agenda for the day is to die in bed while watching re-runs.”
“Dying to one of Lucille Ball’s shenanigans doesn’t sound too bad. If you time it right, the audience can laugh when you exhale your very last breath,” you laughed at Grant’s morbid mind. “I’ll come over then.”
“You don’t know where I live, Grant. And no, I might pass the bug to you. You’re the production’s biggest asset. We can’t afford any more delays if you fall sick too.”
“I do, actually. The apartment with the orange accents. It’s all everyone talks about because it’s so bright. And I’ll be fine, (M/N). I shot quite a bit of my scenes already. I know you’re a rising star, but the whole world doesn’t stop for you, sweetheart.”
Hearing Grant call you ‘sweetheart’, even if it was said in jest, had you thinking of several different situations in which he would say it again -- preferably in earnest.
“It should. All the take-out places in my neighborhood closed early. What I would do if I had the world in my palm…” From the couch, you looked solemnly out your window, watching blocks of buildings sleep in the shadow of the moon. Your stomach growled as the rain poured harder.
“Even as a dictator, you wouldn’t be able to stop me from coming over. I’ll be there in a split.”
“But it’s raining—“
The line ended with a buzz.
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“You know, you don’t have to keep checking up on me, or even bring me food for the matter. I stocked up on some ‘TV Dinner,’” you took a whiff at the steaming bowl of lobster bisque, putting your sinuses to the test. Still nothing. Giving up, you took a sip.
“No wonder you’ve been complaining about your throat! At least buy the meatloaf one,” Grant poured you a cup of orange juice before putting the jug back, rummaging through your freezer after. “And since we’re on the subject… I’ll try one of these bad boys out.”
It was strange seeing someone in your kitchen, let alone your apartment. As unfamiliar was it was, you couldn’t lie and say that you hated it. It was easier to talk to Grant, on the couch and eating a meal together, than it was with a bunch of people interrupting their conversation for either one of them, sometimes both, to do another take.
“Have you ever been offered the chance of being a mystery guest?” After finishing dinner, you curled up on one end of the sofa while Grant sat on the other, arms sprawled over the back and feet cushioned separately by a foot stool.
You and Grant were watching a late night re-run of ‘What’s My Line?’ Four panelists had to question contestants to determine their line of work with only yes-no questions. Toward the last round of every episode, there would be a celebrity mystery guest in which the panelists sought to determine the identity of while blindfolded. For tonight’s episode, the panelists were still stumped on the first contestant’s ‘occupation’—which hardly seemed fair because it was then revealed that she was a victim of a knife-throwing accident.
They let anyone participate these days.
“I have. I wanted to partake in it, but the studio rejected the idea.”
“Why’s that?” You asked, aghast.
Frankly, if you were in Grant’s shoes, you wouldn’t have take ‘no’ for an answer. Anyone who was anyone guested on that show. And if you were Grant’s manager, somehow scarcely able to believe you would even have the energy to be in meetings all day, you would have made his dreams come true. All of them, no matter how absurd they could be.
“They thought I’d be confused at the questions given to me,” Grant sounded aggrieved. You looked over. In the guise of his smile, you could tell those words still affected him. “I think I’m capable. I just lose my train of thought in front of a crowd sometimes.”
Which made the passing thought of being Grant’s manager only a fantasy as the guilt suddenly festered -- you believed those horde of headlines insulting his intellect once. Luckily, it had since dissipated once befriending him.
“Well, when the day comes, I don’t want you to tell me,” you confessed. “Leave the surprise to the broadcast.”
Though, it wasn’t like you thought lowly of him or made any disparaging remarks on his character because of those articles. Rather, you simply pitied. You weren’t going to tell him that, however. He doesn’t need to know how deep your affection for his films and personages go. That he gave you the kick you needed to pursue this strange, yet fulling path -- you could taste the accolades right around the corner, even if you were still living in a dingy apartment.
The awful truth was that Grant also didn’t need to know that you had fallen harder for him -- the real him -- than any other roles he had played. Maybe it was his gorgeous looks that projectors couldn’t do justice. Or the clumsy nature that strangely fit his otherworldly persona -- something had to humble him. Or how he was doing this, bringing you soup every day and making himself comfortable in your own home, like it was his as well.
Or how he was looking at you right now, curled up on the other end of the sofa, his foot accidentally brushing over yours in midst of finding a comfortable spot.
You stretched your legs out when you suddenly felt tense in the body, turning away from the television set to face your body to the ceiling, your chin to your chest to keep your eyes on Grant, who began mirroring your position. It was like you two discovered telepathy for the first time; your leg occupying the gap between his thighs, Grant between yours. He turned the TV off like you had been wanting, filling the living space with complete darkness, and blindly skimmed his sock over your own.
Feeling his sock rub against your ankle stirred something inside of you, and it wasn’t reassuring that this urge only bloomed when Grant did it again. Once at your ankle, two at your calf. Whether this was his idea of a sick joke, you didn’t want that to be answered. Your senses were already heightened from the flu, the stillness in the room deafening, but the intertwined pairs of feet -- the sound of cotton caressing cotton -- alerting. Enticing.
It was an urge that seemed confined to Grant, you realized that when your body responded out of instinct and nudged his ankle and calf in retaliation. Not to get him to stop, but to silently convince him to resist -- because you were frightened you couldn’t any longer.
After a few more cycles of this—whatever activity you two were engaging in—Grant straightened his legs by your hips, seemingly complacent in this exchange by the sound of his chuckle.
“I’ll leave by dawn.”
“Good night, Grant.”
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For the past couple of days, you had gotten into the habit of looking forward to Grant’s daily delivery of soups from a restaurant not too far from where he lived—three meals for breakfast, lunch, and dinner respectively. You had to admit, as delicious as they were, you were beginning to exhaust your taste buds of anything broth related. Substance was much needed, especially for a bite of the sandwiches that Grant had graciously introduced you to a couple weeks back.
However, you were feeling better, and that was the most important part—actually, scratch that.
The most important part was who was helping you recover from this aggravating bug. Sipping on the last spoonful of tomato soup, in hopes that your next meal would involve using your teeth, you were itching to resume filming.
At least you thought you did before you flipped through the daily paper. It was a still shot of Grant—blurry, walking down a sidewalk, hand in one pocket while the other was carrying a bag. That was normal, you had seen many of those in your lifetime.
What wasn’t normal was that you recognized the restaurant logo on the bag, the row of evergreens surrounding the perimeter, the distinct branding of the entrance of the building he was near.
Even if the photograph was in black and white, you could tell the handles and windows were painted with a shade darker than white. It made for a rather intriguing backdrop if you could choose to ignore the tightening feeling in your chest.
You started to panic as it became more apparent.
Orange.
“Shit.”
You braced yourself and read the headline.
HOLLYWOOD PLAYBOY STRIKES AGAIN: GRANT GUSTIN SPOTTED AT NEW ALLEGED LOVER’S RESIDENCE!
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At first Grant thought he must have misunderstood. When he picked up today’s daily, he was half-expecting a gossip column regarding another one of his romantic adventures with a former co-star, the other half wishing the paper had focused on someone else for a change.
Last month’s column produced a rather in-depth, and slightly creepy, overview of his dinner with Miss Patton. He knew he had good reason to feel peculiar about the waiter serving them. If it hadn’t been for Miss Patton’s desperate plea to get a meal in her stomach as soon as possible, Grant would’ve demanded a switcheroo, effective immediately. The lanky, young man lingered far too long and asked too many questions for his liking, his presence alone made Grant’s Negroni Spritz go flat.
Did Grant’s reputation need to take another hit after finally recovering from those multitudes of fender benders a year and a half ago? Probably not -- Grant didn’t need to endure another hour-long chastising session about how his actions could damage the movie studio. It was all bluff anyway. Grant and the studio head both knew that scandals ushered in huge numbers, record-breaking attendances when it came to his most recent pictures.
Either way, had he known his private conversation with Miss Patton would become… well, not so private, Grant would’ve committed arson to the studio the night of. At least the executives could file an insurance claim based on the physical damage. Grant doubted there would be much validity to the claim if the reason provided was his inability to hold his tongue.
Luckily, Grant had since stopped pursuing after risks. It was what made a dent to his once speck-less Mercedes-Benz in the first place.
Dear God… my sweet Iris, what have I done to you?!
What he wasn’t expecting was—
“‘The Gustin Effect! Hollywood Heartthrob Grant Gustin Helps Local Restaurant Sell Out… Soups?,’” Grant repeated to himself. He was sweating as his eyes went over the large serif font for the nth time like skates on ice. He had to give it to The Daily Spring -- it wasn’t exactly an intriguing headline, but it made his heart race knowing the context. Regardless, it wasn’t exactly how he wanted to start off his day.
He suddenly felt compelled to pour another packet of sugar into his coffee.
“Keep reading, it’s a rather heart-warming article,” Grant’s manager said through the handset with a peculiar enthusiasm, as if the man wasn’t scolding him a few days ago for wandering about without telling him first. “Looks like we’re back on track, don’t you think?”
“As my manager, you’re supposed to be—I don’t know—warding off any worries that I might have. Not unsettle me any more than I already am…” Grant frowned, tucking the handset between his shoulder and ear before briefing into the rest of the gossip piece.
“What are you talking about? This is great news!”
“‘Local restaurant ‘The Cloud Room’ saw an unexpected surge in business after a photograph was published in the newspaper, showing movie star Grant Gustin holding a bag of the restaurant’s soups while en route to a secret rendezvous.
The image caught the attention of the public, leading to a wave of curious customers eager to try the same dish, dubbing the star’s powerful influence as ‘The Gustin Effect.’
With lines stretching down the block for the past three days, the possibility of the effect faltering anytime soon seems slim to none. The owners are considering expanding their hours to accommodate the growing number of customers drawn by the star's casual endorsement.’”
There were several more paragraphs, but Grant couldn’t be bothered to read any more of it. A sudden migraine had been festering the moment he laid eyes on the headline.
“Christ, Kid. You’re on a roll these days. I’d have to use both of my hands to count the number of articles written about you this past week. It’s impressive. If we play it right, then the upcoming picture could be your biggest hit yet. I know you’ve been clamoring for this moment, Kid.”
“Listen, I think I should—“ he groaned, rubbing at his temples.
“Oh, Grant. It’s just your typical fling, wasn’t it? Usually you sweeten a lady up with chocolates, but I guess… soup has its merit too. Nothing to worry about.”
Throbbing -- Grant’s head was throbbing now. He didn’t have the freedom to be indifferent to other people’s opinions. In fact, his career relied on it—on the public, on his manager, on his manager’s manager.
“No, the thing is—“
Now his hands were clamming up. He could feel the handset in his palm slipping, but he tightened his hold—because that was what people in his line of work did, right? If he was on the game show you and Grant were watching the other day, one of the questions would have been:
“Do you portray yourself as who you really are in your line of work?” “Are you free to express yourself however you wished in your occupation?” “Would people like the real person behind this persona of yours? Your parents, perhaps? Grandparents?” “Would you risk the comfort of your career for love?”
“I’ll run it by with the studio. Thank God for your little lady’s soup obsession because they were on my neck for letting you off my leash.”
Maybe his manager was correct in inducing this fear of the press, of anything that provided a space for a cluster of inquisitive people who sought for a piece of his life to sell.
Grant braced himself and exhaled, “It’s not a lady.”
Because Grant would answer all those questions with a resounding ‘No.’
“What, your brother in town? Do you even have a brother? Oh, it must’ve been your father then! Well, that will certainly fare better with the heads—”
All except one.
“It was (M/N).”
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All the things Grant wasn’t saying sat heavy in his mouth. He wasn’t used to holding his tongue like this. Under normal circumstances, Grant would ramble non-stop about his favorite pastimes, like going up to Colorado to challenge the steepest ski run, or modestly luxuriating near the poolside at his mansion. It always got the conversation to a flying start with you.
Now, all of his efforts of building some kind of relationship with you seemed to be in vain.
Since Grant had revealed to his manager about his frequent visits to your apartment, there had been a constant stream of articles, propagated by the studio, about his love life, about his philanthropic efforts, about his wishes to build a family with a loving wife and four kids; all in the effort to bury his truth had it ever leak.
They brought his past flings back to the spotlight, even if he hadn’t communicated with these women in months. They brazenly brought you into the picture, gossip columnists regurgitating all types of bogus stories such as: your ego-trip when you demanded filming to stop because of your illness, your tantrum on set when Grant forgot his lines, your need to berate your assistant when she was as little of a second too late in fetching your coffee.
‘Inside sources,’ they’d call it—when really, these were excerpts manufactured from the publicity agent’s fictitious and unpublished novel, later trashed somewhere in the building to start a new one -- to find a new story for so-called ‘journalists’ would hound you with.
Articles about the alleged feud between you and Grant had only gotten more vicious and scathing on your end, and all Grant could do was watch in agony as the studio lot became a media circus, increasing day by day, week by week, with more photographers and reporters desperate to encounter these alleged incivilities. As a newcomer in the industry, it certainly raised your profile, but it was also to the detriment of your reputation -- a fact that everyone was content with considering the amount of coverage the film was receiving.
He had held onto your presence as a small comfort throughout the past bleak month, but even that necessity was taken away from him. More executives began coming onto set under the guise of quality assurance as shooting headed for its last week. Their intention became very much apparent whenever Grant would be inconvenienced with another obligation of shooting for more publicity stills.
Upon realizing you had done all your promotional material in solitude, there was nothing Grant had wanted more than to join you by your side. More so, when in a cursory attempt to blend in with your surroundings, you helped yourself to the catering service and tried to become interested in the employees. Grant knew you didn’t have enough energy in you to exchange more than a “How are you?” and some complimentary words about the food.
You didn’t stay much longer for the wrap party.
Nor were you even welcomed.
He was rarely in a situation where he could physically harm someone, but seeing the headlines the past month, how ostracized you had become during the last few weeks of filming, maybe the circumstances of his life would issue a free pass to do such heinous crimes out of the goodness of their heart -- especially since it pertained to you.
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“You shouldn’t be here, Grant. Christ—someone could see you! How did you get here without someone following you?”
Before Grant was being sharply pulled into your apartment, he was contemplating on whether he should greet you with a reasonable “I’m sorry I couldn’t protect you,” a pleading “It’s all my fault, please forgive me,” or a simple “Hi.”
The door clicked shut, and Grant mentally slapped himself out of his thoughts. Instead, it was none of that.
“Everyone got wasted by nine,” Grant revealed lightly; there was some apprehension that any louder, he would break you based on your meek appearance. “Your eyes are red.”
You made a dismissive noise, brushing Grant off as you passed him on your way to the bedroom. “It’s only been a month and you’re already forgetting the color of my eyes, Grant? I’ve been telling you to go to the doctor.
Grant followed. By simply watching your back, Grant noticed your walk had changed. “Stop. Stop that.” You walked too fast for your own good at times, missing shops because you had tunnel-visioned toward the front, but Grant easily caught up to grab your arm and stop you in your tracks.
Or maybe he was just getting accustomed to your pace before shit hit the fan.
“Stop what?” You turned, facing him as you leaned against your bedroom door with crossed arms. At your lower eyelids, Grant caught sight of tears forming along the waterline. He shouldn’t think that crying looked lovely on you, so he kept that thought to himself.
But it really did put him in a trance for a moment. During that moment of attraction, it couldn’t be helped that the open collar of your shirt also led various prospects nearly consume him and all of his being, making him take a step closer. His fingers brushed by the tip of yours, the wattage of the slightest physical touch making you flex your fingers like you were upholstered by secrets.
A month shouldn’t have felt that long, but this was the moment when it all came into fruition -- that Grant hadn’t properly spoken or seen you in a month. He remembered how he felt when you looked at him for the first time, something like a sensation coming painfully back to a numb limb. As torturous as it was, it made Grant feel alive.
“Stop pretending like you’re okay,” Grant swallowed hard, finding himself in a dilemma between wiping your tears for you or giving you the space you clearly needed, even if Grant had involuntarily done enough of that.
You scoffed, using the back of your sleeve to wipe your eyes. “I’m not pretending. I don’t even have stray cats in my balcony like I used to anymore to be okay for.”
“Stray cats would’ve brought you much more comfort than I ever could, I have to admit that,” Grant said, your face assuming an expression that led Grant to plausibly assume you would have disagreed. That, or he was simply toying with his delusions, knowing he couldn’t fathom the tangible truth of the damage his relationship with you had undergone.
He meant it when he didn’t want anything more than to join you by your side. Grant followed you to the sofa and sat next to you, knees and thighs touching. Hands—pairs of hand wishing they could hold you in between the passing silence.
“Why didn’t you call?” Grant didn’t think you mean for the reasonable question to sound as despondent as it did. He also didn’t think he has a lapse of control left, because you looked so fragile and nebulous—that despite his best efforts, Grant eventually slipped a hand into your palm because he was afraid acknowledging your existence would make you disappear.
He held you tighter.
“My hotel was under supervision… it’s not an excuse, I know. I should’ve tried to find a loophole. I couldn’t even write to you without the possibility of being caught. And when I was, they released more of those horrid articles about you. They were breathing down my neck, (M/N). I swear. I didn’t know what to do other than to… be complicit. I’m sorry. Truly. I’m a coward.”
“You’re not,” you sighed with eyes fixated on Grant’s hand in yours. “You have a lot more to lose than I do. I get it.”
He caressed his thumb over your palm, sparking some kind of will to exist by which he had the gentle squeeze of your hand to judge by. “Doesn’t mean it’s right, though. I don’t know, it all happened so fast. If I would’ve shut my damn mouth, none of this would have happened. I just—panicked. For God’s sake, it’s not like we’re…”
Lovers. Grant doesn’t think it was his imagination that something in you seemed to have unwound after the implication. If Grant hadn’t mentioned that he wasn’t great at comforting people, which he was confident that he had never told you, it counted for something when he was struck by the relief in your shoulders and hand, your palm seemingly sinking—but you didn’t have to fret, because Grant was there to catch you.
He was more capable at this than he had thought.
You chuckled over Grant’s reservation to even say the unspoken word, so you left him be. “My manager told me to lay low for the time-being and wait for the storm to pass. It’s nice to know I’m not fired or anything, they know it’s all deceptive.”
There was something so comforting in the ability to be physically touching you, in knowing that from here on out, Grant could simply take you by the hand, shut the door between the two of you and the rest of the world, and share your thoughts.
Maybe if all went swell, hand-holding wouldn’t be confined to a sad set of affairs. In Grant’s ideal world, holding your hand would also be the preface of something more, a bridge that allows him to cross his way over to you and explore all facets negative and positive, intimately so.
“We’re all pawns to the studio anyway. Vehicles that put in an extra floor to the building. Bad publicity is good publicity. It’s free marketing for the film. Scandals make stars, and you’re halfway there.”
Grant was sure of it. He had seen many other actors and actresses recover their careers with far worse rumors. The main priority was money, and as long as it didn’t stop the audience from filling up the theaters, there was no reason to drop a talent.
You brought your legs onto the sofa and crossed your legs facing Grant. “Is that supposed to be comfort me, Mister Fender Bender?”
“That was only three times—and, mind you, no one got hurt.” Grant followed suit. His bent knees pressed against yours. He had your hands opened in his palms as if telling fortune was second nature to him, tracing the lines embedded in your palm with an inquisitive index. “How am I supposed to comfort you, then? Tell me.”
Your hands weren’t much smaller than Grant’s, the fact had been known since the very moment you two had exchanged handshakes for the first time. Still, those beautiful appendages visited his dreams often. It hadn’t meant anything to Grant until one night, he was dreaming about the day he had his hand over yours as you lit his cigarette. The second night, he dreamed of you testing his temperature via the back of your hand to Grant’s forehead. The third night… well, Grant was ashamed to admit that his attraction had breached far into indecent territories by which helped him solve a night of endless tossing and turning in a matter of minutes.
Then multiple nights, because Grant since wholeheartedly accepted that this infatuation for your hands had actually preceded his deep affection for you.
Unless someone brought good reason that Grant should stop playing with your hands and obsessing over them, it wasn’t in his agenda to ever let go.
“You’ve done enough. I guess… I’m a little upset that I splurged on a new suit for nothing. I was going to wear it to the wrap party,” you huffed, idly playing a game of ‘Try To Catch Grant’s Finger.’ No prize money would be offered, just bragging rights—which did have some merit.
So far, you were losing.
Grant smirked as he managed to wriggle a finger out of your grip. Five points for him, two points for you. “Who said there can’t be one with just us two?”
“Cheater! And that’s called a date, Grant.”
“I would’ve stayed then.” Suddenly, the solution to end your pitiful evening slotted in place.
He sprung up from the sofa with a hop, smiling graciously at you. “Come on. On your feet. We’re bringing it to a place I know.”
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For Grant to call his residence something as pedestrian and humdrum like ‘a place,’ as if all the great virtues and grandeur of the mansion had been entirely diminished because the construction of expanding his already-massive pool had been halted for whatever reason—you questioned, and was rather frightened to know, about what his idea of a party was. It soon became a momentary thought when Grant began giving you a brief tour around his mansion—and the amenities that came with it.
With its manicured gardens, gold-plated fixtures, towering columns that couldn’t have prepared you for the imposing entryway, Grant’s stately mansion exuded an aura of refinement and exclusivity, and you were in awe by the sense of splendor. You felt out of your element. It was extremely telling as you walked over the imported marble floors like they were made of crystals. Delicately caressed ornate sculptures stoned near every corridor because it would have been irresponsible for you to only observe the complex lines that made their forms so irresistible. It was the epitome of a lifestyle that you would never be able to afford, yet you weren’t jealous at all.
It was a spectacle for sure, but you couldn’t have possibly felt comfortable living with such large quantities of upkeep. Grant mentioned that his bedroom was his favorite, and that was what you could get behind. It wasn’t opulent like the rest of the resident was. It felt lived in, homely, comfortable, even though you were hyper-aware of the fact that his balcony practically contained another living space.
“Get changed in the bathroom. I’ll wait here,” Grant said, sitting on the end of his bed. You had never seen a king-size bed before, but the magazines weren’t lying when one of the print advertisements likened their mattress of that size to a cumulonimbus cloud.
The color of your bespoke formal wear spoke softly; champagne at the blazer and cedar at your slacks. The fabric so light, they almost seemed without substance. The great craftsmanship nearly made you empty a week’s worth of cigarettes in a day, but the tailoring of your suit, alongside the cut and detail, quickly separated you from the past appearance of a boy who had yet outgrown his father’s hand-me-downs to a well-dressed and confident man who paid his bills on time. Once you slicked your hair back for the final touch, you walked out of Grant’s bathroom to reveal yourself.
“I forgot my tie on your bed.”
Grant had opened his mouth to take another gulp of whiskey, but when he turned to look at you, his tongue was seemingly paralyzed in the back of his throat, suddenly coughing up the previous sip he had taken.
You laughed while you made your way to his full length mirror stationed by his closet. He was quick to follow behind, subsiding his raw throat with the last ounce of liquor and grabbing your tie on the way over.
“You look nice. Though, I didn’t take you to be someone who was keen on light colors. You always wore navy,” Grant said, turning you to face him by a gentle hold on your shoulders.
You tipped your head when Grant began to slip the necktie beneath your shirt collar. “Most of my clothes are from my father’s. I will say—as much as it made a dent in my wallet, it was nice buying something for myself for once.”
You tried not to be too obvious about looking at all facets of Grant; the careful attention of his gaze; the veins in his hands as he looped the cloth. In this moment, you came to realize that you wanted Grant in all the ways you were used to ignoring. This was different in the past, different from those peculiar exchanges between the two of you where playing footsie and skimming hands were simply done in the guise of naivety.
He caressed the green cloth in his hand while his gaze focused on yours, utterly complacent about how he compelled you to part your lips with a single look.“Well, you made a great choice. You look terrific. Handsome.” All so alluring, when he stalled further, slowly passing the fibers of silk between inquisitive fingertips. With one firm tug, Grant knotted the tie at your throat, pulling you closer to him in the process. “Beautiful.”
This was different because you knew Grant felt the same way.
“Beautiful?” You repeated for clarification. The word that came out of his mouth littered you goosebumps over your skin. Nobody had ever called you beautiful, you were sure you were the first man in history to be called as such.
You refused to believe this was a serious statement, but then Grant repeated cooly, “Beautiful,” and before you could counter, he pulled on your tie again, nearly closing the small distance between the two of you, and settled his lips on yours.
You collapsed into the kiss, like it was taking all the effort not to kiss Grant, and you were finally giving up. Grant knew that you wanted this, that by any sensible measure desperate for the taste of liquor to come from his mouth and pass into yours with the swap of his tongue. He knew it the way he knew that the Western End had the best suits in the city and that you needed a reservation for almost every restaurant in the district—it was a fact that he didn’t have to think about, and which everybody else knows, too.
You didn’t mean to make that noise come out of your mouth, but after suffering a lapse in Grant’s presence, his lips on yours felt like a whiskey sour on a hard day. It was much needed gift with the past few months you had been having. The softness and care in Grant’s lips made your breath shudder, one would think you had been laved by the cold sea, whereas you were actually melting, in Grant’s arms, gripping his lapel for balance.
“I missed you,” Grant said softly. He circled his arms over your hips, his hands sliding beneath your blazer because he needed to feel every muscle in your body tensing, to pull you impossibly closer to memorize how you fit in his arms.
You supposed you had to credit the liquor for his brazenness.
“I missed you too,” you collapsed into his arms, trusting the warmth of his embrace.
He kissed you in between breaths. “I missed you so much, I couldn’t function properly knowing you were hurting. Guilt was hollowing me from within,” Harder on your mouth, apparently coming to the conclusion that you relished in the roughness of his embrace, in the bruising link between your mouth and his, from the way you gasped and pulled more of him into you. “I shouldn’t have left you alone.” Palm deep against his nape, you pushed his head toward the slant of your jaw because you needed to recover your breath. Quickly, before you would risk the chance of collapsing on behalf of lost time, dispelling your last remaining breath inside Grant’s mouth out of desperation to overcompensate.
“I told you it was fine, Grant—“ You groaned when he began nibbling at the underside of your jaw. By virtue of his unstoppable desire, Grant propelled forward, holding you tight, and you stumbled back into the corner until your back collided with the wall, the impact drawing out a pleasurable hiss from your throat.
“It’s not. It’s absolutely not. You nearly drove me into talking to a shrink about you.” You nearly stopped Grant to have a proper conversation, without all these interruptions. Between his kisses and the gripping, you were an incoherent mess if the tightness in your slacks had something to go by, but you instead followed along, entranced by how Grant could look so stunning when all he was doing was undressing you.
He started with the tie. “But then, that would’ve made matters entirely worse upon the realization that… I was so in love with you,” he whispered over your bare throat after sliding the cloth off. Next, was your shirt. “And that it can’t be fixed. I can’t be fixed. I can’t fix myself now knowing that you feel the same way. You do, don’t you?” Then, your undershirt.
You swallowed hard. “I do. I entirely do, am so much in love with you. Grant—” You struggled to get the words out without giving into Grant’s delirious kisses on your bare body. Maybe if you had stumbled, it would’ve delayed his ravenous appetite for your body a second or so longer—but even then, you weren’t sure if you were capable of witnessing and being at the hands of a man who was so clearly starving.
“Oh, Grant—that’s very…” Good. Erotic. Attractive. At least one of those words you were meant to say, but it would’ve been a relic of a bygone touch. Being mouthed at your perky nubs was as indescribable a feeling could get, but then when Grant began licking over your body, slowly sinking onto his knees as he worked his way down your torso, sucking spots and licking marks you hadn’t had the faintest idea about—you were reduced to the role of a whimpering bystander by which ultimately stripped your brain beyond words.
Grant undressed the lower half of you—all but your brown socks—and you had long accepted the fact that it was inevitable in showing Grant how much you enjoyed giving him free rein to your body. Your erection was strong, a reveal of flesh that made him suck in his lips to keep himself from ravishing you already.
“You’re leaking,” you wanted to hide and crawl in a ditch somewhere. It was embarrassing as Grant marveled over the thick trail of pre-cum that tagged over his fingertip when he curiously dipped a finger over your glans.
“Well, don’t comment on it…”It was like he read your mind, because Grant placed a warm palm on your stomach to prevent you from enacting on your wishes, ultimately trapping you in place by the gentle strokes over your cock. “Fuck…” you watched with bleary eyes, all sorts of feelings stockpiling to feed your endorphins
In turn, you felt your skin blossom with heat, patches on your neck and chest burning, because Grant refused to take his eyes off of you. He stroked your cock ardently while assuming an expression of treacly sentiment, like he couldn’t believe his dreams had become a reality. Watching you writhe over the wall, leak over his twisting fist, bite your moans into your hand; these were the exact amenities you would’ve have wanted had you sought for a mansion of your own. Not the towering stairwells, or the ornate carved fountain, or even a separate room for the live-in housekeeper.
Just Grant, his presence, and his magical touch. That was all you needed.
“Wait, wait. Grant, stop—“ You begged a second too late. Your balls tightened when Grant’s hand was only more relentless upon your desperate pleas. His hand massaged your thighs, lips mouthed at the underside of your sack. The prospect of you returning the favor for Grant—or better, with your mouth, hoarding what had yet to be revealed deep down your throat—made you shudder with a release. “Fuck—”
“It’s okay. I’ve been meaning to taste you…” Upon the violent tremble of your thighs, Grant scooted closer, deftly angling and pumping your cock over his open mouth, and let you shoot. You blinked past tears as you felt yourself spill thick shots in Grant’s mouth, over his tongue as he cradled your seeds like they were precious metals, and at the last second, over his face because you stumbled out of his grasp and caught yourself on the wall, heaving.
It had taken a moment for you to catch your breath, shutting your eyes as the tremor in your body would jolt from out of the blue. It was all too much, the sweet relief courteous by the man you loved. You were embarrassed by how quickly Grant had unraveled you, but that was certainly a testament to your attraction to him, or to his skills.
When you opened your eyes, Grant pulled you by the hips for another kiss. A strong embrace to control the tides in your body. Then, a wet and sloppy kiss to clarify that Grant wasn’t done yet, as he breached your mouth with his tongue and surprised you by passing cum into your mouth. It was an ongoing battle, the thick substance swapping from tongue to another, the bitter notes subsiding as more saliva snowballed into the mixture. Between the lewd exchange, Grant began undressing himself out of anticipation of what would come next.
“Swallow,” Grant broke the kiss with a whisper, resting his forehead on yours to feast his eyes on the very prospect of you fulfilling his demand. It was an immense pull of attraction, the slow cascade of his hand over your spine following along with it, that made you gulp the thick content in your mouth. He seemed satisfied when your throat bobbed, smiling. “Good?”
“I imagine yours would taste better,” you rested a hand over your his head, coming his hair back with your fingers until they reached the back of his neck, offering you leverage for another kiss—sweet and clean on Grant’s lips.
“I wouldn’t mind if you tried me out,” Grant was already down to his briefs, his eyes subtly pleading for the sake of his thickened bulge. Prior to noticing, you had been roaming your hand over his lean body. His bare chest, the well-defined muscles breaking you of your fantasies—because it was better than you could have imagined. Grant looked about two seconds away from forcing you on your knees himself, but lucky for him, you were just as eager.
Sinking onto your knees, you carefully pulled down his briefs. Slowly at first, to compose yourself, but then to test your patience, because the length of Grant’s shaft seemed never-ending. When you fully stripped him of his briefs, you had to take a scoot back in fear that his impressive cock would hit you in the face.
Grant was massive, the weight of his length making it stoop forward and dangle with every step he took. There was one protruding vein that nearly made you drop everything and sucked him off right then and there, until he was fully hard in your mouth and you could feel more veins throbbing—but again, you needed to show him some type of restraint, even though at this point, you doubted that he cared.
“So, the rumors are true, then?” Instantly, you were taken back to a gossip column regarding Grant’s size. Whoever tipped those writers off should win a Pulitzer Prize.
Grant shrugged, apparently nonchalant at the fact that he could practically cover the length of your face with such ease. “Had no idea where that came from, honestly…” Holding his thighs, you briefly trialed the theory out under the guise of kissing the underside of his thick shaft. Between licking the flesh, kissing his balls, and fondling his cock, you were also completely immersed in the smell of his cock. He smelled like pure arousal, a peculiar saltiness in your nostrils as you breathed him in, from unkempt pubic hairs to the leaking tip. Nonetheless, it was gratifying as your cock responded in several twitches.
“I don’t think I can fit you in my mouth,” you said, aware that you were grinning like a fool.
“It’s the effort that matters,” he chuckled, his hand smoothening over your head to rest on your nape, pushing your mouth closer to his hardening cock. With one hand braced on his thigh and the other wrapped around the base of his cock, you felt Grant tense when you cradled the tip into your mouth with your tongue, sucking. “Your mouth is so warm, (M/N)…”
He was as salty as he smelled. The pre-cum coated your tongue nicely, resembling the taste of your cum prior, but somehow ten times more potent, as if you were drinking sex directly from concentrate. What was even nicer was how heavy your mouth felt when you took more of Grant in. It was like the weight of him had its own gravitational pull, separating your mouth wider to accommodate the massive girth like sucking a cock this big came second-hand nature to you. You reckoned that you should become quickly accustomed to it though, because you couldn’t fathom the idea of leaving Grant disappointed.
You and Grant were like this for a couple of minutes; Grant pushing out drips of spit with his mouth to add onto the wetness and you doing the same thing, pushing your saliva out and spreading the thick layer over his shaft with your hand to help ease the slide into your mouth. You could barely fit more than a few inches, your cheeks hallowing for as long as they could before the strain of the stretch had gotten to the nerves.
“Oh, fuck…” Grant moaned, having had enough of your sloppy strokes by robbing you of your recovery once more and greedily pushing his cock back into your warm mouth.
God, the way it looked… a reddened, fat swollen cock straining in the grip of your fist, a drop of pre-cum glistening heavy on the tip, a thick layer of saliva over the thicker size of his staff… the fact that you could see your own fingers struggling to wrap around his cock as you sucked him off—it all felt so very surreal, and so very real.
“You’re so big, Grant. Fuck…” You lifted your gaze and stared into Grant’s nebulous eyes. Somehow, it made the act ten times more obscene upon realizing that you were practically servicing him, on your knees, worshiping all facets of his body. His calves were toned against your lips, thighs sturdier as Grant made an effort to stabilize his stance following your teasing mouth working up his legs with ticklish kisses, then back to the head of his cock, where you began nibbling at the swollen head.
“Christ, (M/N)…”
He was always very expressive, but in the moment, he seemed at a loss for words. Dumbfounded, as you began using two hands to stroke what you couldn’t fit inside of your mouth. Swiveling and twirling his wet cock with your fists, all while you sucked and licked on his swollen tip, feeding into the rush that made his cock throb so hard in your mouth and hands, into the delightful sounds that revived your sensitive cock back with life.
Grant bit the inside of his cheek to keep himself from making any sound. What came out were staggered breaths, clear evidence of his indulgence while his hips were moving without his volition. Your plump lips stretched wide around his pistoning cock, sucking and slobbering over the hot ample flesh, eyes wide and disbelieving, as if you couldn’t believe you could fit this much of Grant inside of your mouth.
It was endgame the moment Grant hissed and sunk in his stomach, flexing his abdomen under way—everything was building to the perfect eruption. You had your mouth opened, stroking him over your face to catch him with your tongue as he had done with you. Grant was close—so close that his face could make you spill for the second time of the night on the strength of his twisted expressions.
Your delusions consequently settled you in for a rude awakening when Grant suddenly pulled you up on your feet and kissed you hard, yet almost apologetically on the mouth. You whined against his lips, ultimately kissing him back because you couldn’t get a word in from how relentless he was being by which you couldn’t blame—the agony of being nearly relieved would’ve wrecked havoc on your mental state.
“I need to be inside of you first, please—“ Grant begged hot on your neck. He backed you into his bed until your backside collided with the mattress upon the push of his hand. Then your chest, when Grant took free liberty of your body and bent you over.
The first thing on your mind was that, “God, this mattress was lovely,” but the second you felt something wet spread over your hole, all the compliments you had reserved dissipated and expelled through a shuddering breath. You were blinded by the soft bedding, burying your moans into the sheets, but you could conjure up the holiest image of Grant spreading your asscheeks open and exploring you with eager licks.
“You’re so good at this,“ you sighed, curling your toes into your socks.
“You bring out the best in me, you know…” Grant muttered, squeezing your ass cheeks as a sign of affection when you looked over your shoulder and smiled at him. His mouth was much too busy to verbalize his feelings.
You wondered if Grant was aware of how obscene he had sounded—these wet, slurpy sounds that his mouth made while tasting your insides. His hot breath was beckoning, pushing your hips out by inclination for Grant to give you more. More, more, more. It seemed like he listened to your body because you stiffened immediately, barely suppressing a surprised gasp, when his slicked finger entered you.
You felt like you were in a free fall. Finally. This was exactly what you needed. Your mind went utterly blank, unable to comprehend the single digit curling inside of you. It was thought-annihilating, the way Grant had curled his fingers inside of you—two now, after deciding for himself that you had been clamoring for a bigger fill, that you needed to feel a stretch.
“Please, Grant—that’s enough, please. Need you,” you whimpered, self-conscious at the sound of his wet fingers slipping in and out of you. He liked playing with your body, screwing his fingers deep inside of you, only to yank them out because it made you yelp.
“I don’t want to hurt you,” he brought the rest of your body onto the bed, bringing immediate relief to your legs. “One more.”
It made your tight hole beckon for more with a pucker.
With such control, forcefulness, and precision, your mouth fell open in a silent moan and your eyes went wide at the push of Grant’s third finger. You could barely keep your hips still, even with Grant’s efforts to hold you down with a palm on your lower back. It was all too much, your whole world seemed to have narrowed down to your sensitive hole; the sound of his hard fingers pumping in and out of you; the slick sounds obscene and alerting in your ear; the sweet stretch that made the discomfort all the worthwhile—because Grant was just as anguished as you were. You could hear him stroking his slicked cock, the anticipation of the inevitable building as you felt yourself loosened on account of his efforts.
You knew you were well-primed because your body still craved more.
“No more… need you,” you bit out, breathing unsteadily when Grant pulled his fingers out and flipped you onto your back. Your eyes naturally fell to Grant’s cock, and it looked as mouthwatering as it did a few moments ago. Your hole clenched at the likely chance that you’d be feeling the ramifications of taking such a well-endowed man well into the next day, and the day after that. “Please,” you begged once more, reaching low to prevail him with lazy to his erection.
“Other than getting over that nasty cold, I’ve never seen you so desperate for something,” Grant was kneeling on the bed, adjusting your position so your legs were wrapped around his hips, his cock teasing your entrance with careful ruts. You felt the head press ever so gently when he leaned forward and captured your lips for a soft kiss. “I find it really, really, really charming.”
“Mm…” Your fingers, tentative and slow, cupped the edge of Grant’s jaw. This was just the beginning, you realized. A new chapter for you and Grant where the idea of dropping hints of attraction was no longer needed because everything came unraveling, faster than you had anticipated, but nonetheless, it was exciting.
Grant put a free hand on the back of your neck, threading his fingers through your hair, and you wrapped your arms around his neck, securing his place on top of you. When Grant broke the kiss to look into your eyes, it made all the difference between lust and love as he slowly pressed his cock into your hole, unlatching some kind of internal safety mechanism within you until it had clasped over the plump head after getting cold feet.
“Slowly,” you groaned, sweating bullets beneath the shower of his kisses. You built up a strong resistance to Grant’s hips, reluctant, and to put it quite plainly, frightened to take him in stride. But it was Grant’s silent promise to take care of you that took the edge off your apprehension bit-by-bit.
Grant followed a pattern. He pushed deeper, paused, then found a place on your body to distract you from the discomforting stretch, reeled back a bit, then thrusted deeper than before, gradually opening you up. Adding on the pleasing strokes to your hard cock, you felt your muscles relax, the sweat bullets cooling your body.
“More…” you mumbled on his lips, and at times you regretted asking for it, because Grant made your stomach turn. His cock was so deep inside of you, too deep when the stretch nearly became unbearable, yet your cock pulsed and your hole clenched for the exact opposite.
You noticed he liked talking you through it especially, whispering bone-chilling compliments like, “You’re taking my cock so well,” “Look at you, you’re so beautiful…” and your favorite, “You’re driving me crazy. Do you have any idea how hard I’m restraining myself?”
Grant was listening to your body. He knew what it meant when you were clenching so tight around him, panting for him with that wide-eyed look of yours, supplying his broad back with unrelenting scratches. It meant that you weren’t full enough—it meant that you covertly indulged in the stretch he was providing you with.
It was the best and worst feeling in the world, because you knew with suddenly clarity that you wouldn’t be able to live without this. You would crave this feeling always, especially when Grant fully breached your hole with a thrust that filled you to the brim.
You were full. So fucking full.
“Oh, God—“ The cock in you was thick and throbbing, easily brushing your prostate without so much of a motion. You nearly passed out from how intense the sensation was, having your inner walls be massaged from within as Grant finally started moving.
“You took all of my cock, fuck—I knew you could. I know you so well,” Grant grunted against your mouth, pistoning in and out of you with hard thrusts. Your arms had dropped to Grant’s sides, fingers digging into Grant’s toned buttocks, trying to pull him deeper inside of you.
Instead, he reeled himself back.
Your legs dangled in the air as Grant pushed your knees to your chest, leveraging the back of your thighs hard to properly pile-drive his cock into your hole. Your feet sweltered in the confines of your socks, but you didn’t mind because you were getting accustomed to the humidity in the air.
Grant didn’t hesitate anymore. There was wild fury in his face, the imposing strength and passion managing to be its only rival as they equally sought for one purpose and one purpose only, which was to fuck you into oblivion. Grant looked dangerous, delirious, and you feared him as much as you wanted him. In your folded position, you spread your buttocks apart for Grant to see how well he was fucking you. How deep he was stroking your insides with his thick cock, making you gape when he completely pulled out, then making your body shiver—when he screwed himself in with one hard thrust, overfilling your guts.
“You put a smell on me, didn’t you?” His voice sounded spiteful, but what he does to you was pure love. He growled into one of your calves between pants, smooching and grazing his teeth at the toned muscle.
The bed creaked with every thrust of his, loud and heavy enough that you wouldn’t be surprised that the corridors of his mansion were echoing from it.
“F-fuck—if only. You would’ve d-done this sooner,” Tiny tremors and tingles exploded as Grant pummeled deep into your body and brushed over your prostate. You were stroking yourself to the sound of his ravenous moans, to the sound of his heavy balls slapping over your taint, to the sound of his sweaty thighs coming into contact with yours, warning you of a sensation of pin-needles sticking into the area by virtue of the thunderous claps.
Grant couldn’t have looked more beautiful than this. The gel in his hair loosened, letting delicate strands of brown locks to fall over his forehead. Every so often, he would push his fringe back with a careless swoop, and you whimpered at how effortlessly handsome he was at everything.
It lit you up inside, your body bursting with raw energy with the brutal impaling that Grant was feeding you. Your cock throbbed in your fist, and your hole squeezed at the unveiling of untamed passion. Grant must have seen the desire written on your face, because he was triumphant in the smile he had given you, leaning down to wake you from your state of stupor by means of a sloppy kiss.
“G-Grant, I-I’m so, I can’t—“ Grant took over your mind and body. He was everywhere, inside and around you. It was like you existed only for him, and his massive cock. His tongue pushed your lips apart and began cradling the flesh that had held your garbled moans from being remotely coherent.
“I can’t hear you,” Then, he fucked you like he wanted to gut you. Grant reached deep, hammering into your prostate every time his hips collided against yours. “Tell me, what do you want? I’ll give it to you. You know I will.”
Your eyes rolled until Grant could only see the whites of them. Your toes curled into your cotton of your socks at the contrasting affection in his voice. Your hands sprawled and crumpled a spot in the bed sheets, pulling and tugging hard enough for one corner of the satin bedding to untuck.
“Come. I need to come—“ you gasped out, struggling to breathe. Your world had shrunk to one sensation, the spot inside of you that had been gifted the ruthless beating of Grant’s cock. It was like he was chastising you for causing such feelings to stir inside of him. If that was the case, you needed to memorize the recipe, and quickly, because you were desperate to reduce the chances of ever being stripped of this sensation to a selfish zero.
“I’ll help you come,” he seized your body once again, hooked your legs over his shoulders, and pushed his total body weight on top of you. He blatantly disregarded the fact that your limbs had never been stretched this far before, but it was all worthwhile when Grant satisfied your longing by wrapping his warm hand over your cock and pumped. “I’ll make you come.”
“S-shit, Grant!” Each thrust harder than the last, his cockhead repeatedly hitting that golden spot, and your cock ached with desire in the lovely pulling of Grant’s hand. Your entire body seized, writhing as the familiar feeling in your stomach kept building and building without the intention to ever stop. It embarrassingly only took a few more strokes before you would spill thick all over his fist. All over your body, cumshots joining your sweat in layering your moist skin, when Grant kept stroking with the intent to empty your balls until they had tightened into your body.
Only then did Grant slow his thrusts and pull himself out. Did he change his mind about coming inside of you. Over your body? Face? You couldn’t tell what he was planning as you just began recovering from the daze your orgasm had put you into.
“You’re going to like this,” Grant grunted, pecking you on the lips before reaching down to angle himself back at your entrance.
Your gaze was casted with a mixture of utter bliss and wonder, chuckling. “What are you—fuck…“
Your hole felt warm and wet all over again when Grant pushed himself back inside of you with ease. Furthermore, it was a peculiar feeling, like there was an extra weight to his cock, the sound of the sticky substance—
You gasped, suddenly alert and clenching as you felt something viscous leak out of you.
Grant was fucking you with your own cum.
You couldn’t have been more turned on. Grant rolled his hips just right, slow and firm, coating your raw hole over and over with your seed, building back his stamina in the process. His cock pulsated in you. It was apparent that it was feeding into Grant’s satisfaction considering his gaze had been fixated on the translucent sheen of your cum passing back and forth on the girth of his cock and your internal walls.
“So beautiful…” Grant moaned out, clearly overwhelmed with the state of his arousal.
With every thrust, you swallowed him whole, the long glide of his thick, cum-covered shaft, the kiss to your prostate; you gyrated your hips to prolong his orgasm and allow him to recover his strength as Grant freed his hands from your body and tucked them behind his head, giving you free rein on his cock.
You rolled your hips, using your core to swing your ass forward and back on his throbbing cock, drawing out deep and guttural moans from the connection.
“Darling, (M/N), fuck—“ Hissing, he suddenly seized your waist and gripped hard, impaling you onto his cock with a rough pull, and you watched his stomach tighten, wrapping your legs back around his waist in preparation of his orgasm.
You watched in awe as you lost yourself in Grant’s fill. He came hard, gritting his teeth and digging his fingers into your thighs. It was a marvelous ache, both at your flesh and your hole, and you could feel his cock pumping multiple heavy loads deep inside of you and flooding your guts as reparation for your pain.
Even though Grant’s legs gave out, making him topple over your sweaty body, the strain in his thighs didn’t falter the desperate need to sow your insides with his warm seed. It was as if he was marking his territory, moving his hips slow and relaxed because he knew you were bound to him the moment he kissed you. Milking his cock inside of you was just a simple reminder, and you hugged his hard, spilling cock with gratitude.
His lips were slow and gentle, a contradictory to the merciless invasion of your guts. Nonetheless, you rocked on his shaft, blissfully spreading his love from deep within, and savored his shuddering breath.
“You’re heavy,” you groaned out, rubbing your hands from his shoulders to his sweaty back. Despite your complaint, you didn’t make much of an effort—if any at all—to push him away. It was peaceful like this, feeling his heart beat come to a somewhat normal pace while you two were stickily intertwined at the hip. “Some kind of confession…”
The sound of Grant’s muffled laughter into your neck made you smile. It was light and feathery, like the way you had always felt when you were with him.
“First kiss and sex, all on the same night. Who’s doing it like us?”
“No one. Absolutely no one.”
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nouearth. please do not repost, plagiarize, or translate my works. if you like this story, please reblog and leave a like!
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ewanmitchellcrumbs · 2 months ago
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"Ewan is very cool. I basically said I wouldn’t do the video unless I had him because the turnaround was so tight, haha — bratty, but I hadn’t seen him how I wanted to yet. I like character actors, and he’s definitely a polymorphic shapeshifter. He has a strong sense of identity outside of his work, and that excites me. He adores genre, horror, the absurd — we got on like a house on fire. He understood it and made it easy, fun, and hilarious. We just played, pulling from our own lives to understand Martin and his journey. I can’t wait to work with him again — he’s a real one!"
- Luna Carmoon, writer and director of the music video for the song “In the Modern World” by the group Fontaines D.C. about Ewan Mitchell for Little Black Book
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