#no one look at me I'm homosexual

[lex-n-weegie]

Thinking about the headcanon(?) That all witches have fangs but fangs are hard to animate so they only give them to the characters with prominent ones(like Adrian and Katya). Thinking about Darius with small fangs and how his smile would look and. Um. Uh

[spiderp0nk22]

I imagine luffy and zoro just fighting eachother and at the end always kissing each other as the finale move because that's just very them

[kathrynmhahn]

Emily Prentiss & Jennifer Jareau Criminal Minds | 5.21 | Exit Wounds

[digitalcarcrash]

macdennis and their sweater paws

[girlwiththegreenhat]

hey when they wrote "knight behind bars" and they wrote kitt helping a couple get together and they gave him the line "Some day, it will be my turn" [to find love]. did they know what they were doing. did they know that in some 40 years some gay autistic robot-obsessed little freak on tumblr would not stop thinking about it for weeks and write literal dozens of paragraphs screaming about it on discord. did they know they were going to ruin Me, Specifically, with this concept that feels like the culmination of everything kitt has gone through through the show and such a fascinating thing to think about in regards to michael and kitt's relationship,

one of the themes of knight rider is kitt developing as a Person, developing a line between the Knight Industries Two-Thousand, and Kitt. discovering humanity, his own emotions, the joys of the seemingly and logically pointless, and often through the lens of his own driver, his partner, his friend, Michael - his primary guide through all these experiences, his reference for those human things he doesn't understand. and as much as he initially claims to not be capable of experiencing emotions, of understanding feelings, he learns to. he experiences a wide range of emotions through the show even while claiming he doesn't, he even learns fear and insecurity. perhaps it's only natural a robot would learn to love, or at the very least be terribly curious about it and wonder if such a thing could ever exist for Him

the majority of people are not exactly kind to kitt. they talk about him like he's not there, they talk about him like he's a machine, a novelty, some people are even scared of or disturbed by him when all he's trying to do is make polite conversation and company. he's always Othered - there's no other cars like him (at least not anymore), but there's no other person like him either, he doesn't truly belong among humans or vehicles. some of the technicians at FLAG don't even seem to fully respect him as a person, at least they don't based on my vague recollection of how they talk about him in Junkyard Dog. when Michael asks him after KARR is destroyed if it feels good to be one of a kind again, he doesn't say yes or no - he only says it's a "familiar feeling." it may be familiar, but it's surely also isolating, and i think that's something he'd realize as he slowly picks up this curiosity about love. where could he even find it when so few people see him as an equal person to begin with?

and then there's michael. oh my god, and then there's michael. no matter what flavor you choose to read it in, the whole show is about their relationship, they're a duo, a set Not to be separated, they're Partners. they work together, they worry about and look after each other (forever insane about when kitt was a melted shell, Michael stuck around the garage for hours, waiting for any news like a worried spouse, constantly checking on him every opportunity he got... encouraging him to recover, and even helping paint back on his protective coating... kitt always looks after michael, but for once, it's michael's turn to look after Him), in a way they were Made for each other - Kitt more literally, being programmed for Michael and holding his namesake, but Michael was also made in a sense for the pilot program, hand picked and given a second life to work for the foundation and with this strange supercar. and even if they had a rocky start, michael comes to view kitt as a person - car, TV set, or computer core, Kitt is his partner, his buddy. he helps him find himself, guides him and teaches him about these things that make us human, and in a way, kitt becomes human - but his entire experience is still through the perspective of an AI in a car, it's still very unique and isolating, and I think he sort of grows into his own limitations, he's finally brushing against the walls that define him.

he learns of love, and then he learns to dream Of love. these things he sees in the movies, that michael tells him about, that he so often sees michael Partaking in that he gets so oddly jealous of, doesn't it all seem so wonderful? he's very curious. but who could ever love steel and circuitry, who could ever see him as an equal let alone a partner in a romantic sense? who would ever love a car and all the limitations That comes with? it's a problem for a hypothetical hopeful Some Day, in the meantime stuck between two worlds where he doesn't perfectly belong to either, where no car Can love him and no human seemingly Would love him...

and michael loves him anyway. before either of them really realize or talk about it, in spite of everything, in any form, regardless of the fact it wouldn't be a typical relationship by absolutely any means, michael loves him anyway. kitt is as much a person to him as bonnie or devon or RC, and that person is someone he loves and cares for deeply. the feeling is mutual, kitt's world revolves around michael, he's one of the most important people in kitt's life, and he'd do anything to protect him.

and it is michael that will finally teach him to love, and what it means to feel loved in turn, to be loved as the person he undoubtedly is.

[celestialholz]

Surrendering fucking Sunflora.

Oh Brassius. Brassius, Brassius, Brassius. I'm going to have to murder you with my bare hands for this one. Don't even need to wake up the Armarouge - you take an extended nap, king, keep those cannons fresh.

Did you know guys that there are thirty-three Surrendering Sunflora in and around Artazon? I do, because I've just spent forty-five minutes of the only life I will ever have working it out. And then another twenty ensuring I'm not wrong, which I possibly still am because this bitch has hidden these things everywhere! Arceus has placed me on this earth only to suffer.

But in spending over an hour on this, finally my soul can rest, because I have confirmation. Confirmation of what, exactly?

... Well, every single Surrendering Sunflora location is representative of what Hassel means to Brassius, in one way or another.

Might want to get your popcorn for this one, friends, maybe grab a blanket...

First though, before I attempt the frankly ridiculous task of explaining all these locations and their meanings, corporate needs you to find the difference between these two pictures:

They're the same picture.

Hassel is Sunflora in human form and with more dragons, right down to his mostly-green-and-yellow colour scheme and sunshine personality. And we know from this little extract that he is the direct inspiration for Surrendering Sunflora, because after Brassius tells you Hassel saved his life, he adds:

Much like The Harvest is part-Arboliva, part-Brass and part-Hass, as seen here in respective shape, spikiness and dragon colour...

... Surrendering Sunflora is part-Sunflora, part-Hass and part-Brass, in form, representation, and mood at the time of its creation.

Anyway, with that established, a map that took me another forty minutes to put together:

This is the location of every Surrendering Sunflora in and around this goddamn hellscape of a town. (/j, it's very pretty, but I am a salty girl.)

Now, some of these are notably easier to figure out than others, but just for clarity's sake... one to thirty-three, a breakdown. (Of the numbers, not me. Although you pull any more of this shit Brassie, it will be my personal breakdown.) I would screenshot every one, but Tumblr's 10-pic limit is having none of it, so I'll show off the more interesting ones at points and note the rest in text. I will also be looking at them from the perspective of being the Sunflora - the direction the sculpture itself faces.

Now, bear in mind... these are allegorical. I've had to surmise what they mean in most cases, but... that's what an artist does. Art asks you to consider the artist's intent, to interpret what they meant by location, form, colour... whatever the piece entails. It's why we have art critics, why we have museums and art galleries - and all of these point to one singular conclusion: Brassius? Super fucking gay. If you've ever made a fic or a piece of art that hides small details or leaves things just a little to one's imagination, you've been Brassius with these sculptures.

... And frankly, why the hell else are they where they are? These are chosen spots. Most of them aren't even central, or helpful where they are, without an alternate dialogue to them.

So, let's begin!

One: just across and to the left of Two, and directly facing Glaseado Mountain. Hass leading him upwards, to literal higher heights. Doesn't get any grander or higher than Glaseado.

Two: atop a cliff face, and it's already pic time!

This one has a few things to say. First, it's overlooking the gym, second it's pointing directly south if you look at my mini-map. This is one of several that faces south, which is valid - most of Sunflora's dex entries tell us that it loves facing the sun, and in terms of planetary orbit, south is the direction in the day where the sun is at its height... which is telling, when Hassel led Brass out of depression, being his literal sunshine.

Three: right beneath the centre of the maze. Hass guiding him to the heart, his 'core' - helping him find meaning in life.

Four: also in the maze, but near the entrance. A guiding hand when one is lost, at a genuine 'dead end'. A little girl in another dead end of this maze comments how lost she is.

Five: is actually hilarious.

Sir are you fucking kidding me I will fight you in an Every Wich Way parking lot right now

Six: facing local small cliffs. Climbing the smaller hills first is a notable method of depression recovery, and given that Brass' health issues also seem physical, this is a small, easy-to-climb hill - a step to feeling healthier.

Seven and Eight: greeting you as you walk into town for the first time from the direction of Mesagoza. A feeling of comfort and homeliness, which two men with such a connection clearly have.

Nine: has a similar vibe - straight ahead of Seven and Eight, the first thing to greet you in the central plaza. The kind of welcome feeling Brass gets from Hass.

Ten and Eleven: are very obvious. These two directly face the maze, and are facing one another on opposite sides. Trust, warmth, familiarity. Interestingly, one faces east, and one west - where the sun rises and the sun sets. Hassel's always there for him.

Twelve: faces the way out to Levincia beyond, because welcoming works from either side of town.

Thirteen and Fourteen: are both either underneath the gym arena, or very nearly underneath, and Fourteen looks straight at the gym. What did I say about these two taking one another into battle?

Fifteen: is facing the pool... for a man who cries a lot. No further explanation required, but this is one of my favourites for how adorable and accepting it is on Brass' part.

Sixteen, Seventeen and Eighteen: the first of the climbing frame Sunfloras, and all of them are in a line, facing the gym. See Thirteen and Fourteen, but... these ones are also elevated, as though Hassel is watching over him during battle. Another gesture of support. They also happen to overlook a Heterarchical Loop, which we'll revisit in a mo...

Nineteen: is on the side of the climbing frame, staring at the Sunflora field used during the gym challenge. Given that it's also staring at said field's house, this is one of two things - emotional vigilance, or home comforts. It's also beside a version of The Harvest, which we know is part-Hass too.

Twenty: climbing frame, above Sixteen, Seventeen and Eighteen - an even higher guardian, and also one that can see the arena. This is also directly across from the Paradoxical Popper, and coupled with what I just mentioned about the Heterarchical Loop... well, this brilliant piece of meta that you've probably already read (top job, fellow theorist <3) shows us that yeah, these old pieces by an unnamed artist are probably also Brassie's, which makes this completely adorable - we know from Art (4) that Brass considers his old pieces 'shallow trash'. By his masterpieces overlooking them, they act as a reminder - that Hassel believes in him, that he can do brilliant things - that his new work has a purpose. Even if they aren't his old works, the fact that he places them literally higher up shows that he has more respect for something inspired by Hassel than any other works.

Twenty-One and Twenty-Two: the last of the climbing frame ones, and again, at height, and directly facing the gym. Just behind these is a climbing wall, which heads up towards a dragon-coloured Harvest. Considering that we can infer that Hassel influenced Surrendering Sunflora first, as Brass tells us that he created it directly after Hass saved him, having to head up to a Harvest coloured with Hass' type is really quite sweet as it was likely a result of their connection later down the line. But regardless of order, these two are again indicative of Hass' care for him.

Twenty-Three: is... well, at the back of someone's house. What's fun about this one is that A. there is literally no reason for this to be here if it's simply about showing off an art piece, and B. even in the daytime, as you can see, this spot? Perpetually in the shade. Even when Brassius feels dark, there's Hassel - his permanent sunshine, making sure he never feels too alone, or abandoned in a place no one would look for him.

Another of my favourites - the symbolism here is gorgeous.

Twenty-Four and Twenty-Five: greet you if you walk into town from the Levincia side, which is very much along the same lines as Seven and Eight - a warm, sunshine welcome, a peacefulness of spirit.

Twenty-Six: stares directly at the side of the Go-for-Broke Grill... which just so happens to be where one finds Encounter Power: Dragon food. Goddamn gay people and their apples...

Twenty-Seven: is behind the Grill, and looking straight at the Sunflora field. The Sunflora field is not only a core part of the gym test, but the specific direction of this one points at the house attached to the field. So not only is this field full of sunshine, it's overlooked by it, too. Anything directed towards a house also speaks of hearth and home - a comfort, a feeling of literally being 'at home' in someone's presence.

Twenty-Eight and Twenty-Nine: stand as guardians to the Sunflora field, right on either side of its gate. Now, for this one, I would like to draw your attention to a piece of dialogue Hass gives you during the League:

"I am Hassel, the dragon guarding the final fortress of the Elite test."

Whilst this field is no fortress, these ones nevertheless stand taller than any other Surrendering Sunflora in the town - the 'protectors' of the field of sunshine, the warmth and the light Brass has experienced beneath Hass. Now, given that Hass also tells you in the League that his job as a teacher is to guide students and watch them grow... well, here we are. He's helped Brassius grow, prosper, and find his inner light, and he'll protect him at all costs from that darkness. And size matters, here - these are big, they stand out, therefore they are deliberately important. This is Brassius' greatest impression of his love - as a protector, and a guide to the light.

Thirty: stands in the Sunflora field itself. This one is notably smaller than the gatekeepers, the usual size of those around town, and is just across from a dragon Harvest in the same field. Again, why not put your emotional sunshine in a field of your actual ones? (And why not do it twice, y'know, because you're massively dramatic...)

Thirty-One: sees our final return to the climbing frame - this is one of the ones I missed originally, because it's directly beneath it. There's another one down here too, right beneath the Popper, but as they mean the same thing as Twenty-Three, we'll count them together - a location always dark and in shade, illuminated. They're also hemmed in by the wooden walls of the climbing frame - they are, quite literally, trapped - like one might be in their own mind, during depression, without a source of light.

Thirty-Two: is probably my favourite of them all. This harks back to number One, overlooking Glaseado, except...

Well, this looks at another mountain, and it's literally not in Artazon - it's the one I showed you in the very first photo of this post. The location box for Artazon doesn't even crop up. It is, however, facing direct south, but... what's it doing here?

In facing the sun's peak, this one exists to show us that there isn't a mountain Hassel can't help Brassius overcome, however high. Look at where you end up, if you follow this cliff directly from this Sunflora:

The highest peak you can see all of Artazon clearly from, considerably overlooking every other Sunflora that already overlooks core parts of the town important to Brassie. You know what they call that level of symbolism? Fucking love.

And finally, we end on Thirty-Three, which... well. I think we all know what a Pokemon Center does. It heals, it brings your Pokemon back from the brink of death - and who do we know, who's done that for Brassius?

... Pokemon Centers are free, and in this generation, even feature a kindly Nurse Joy who will offer you guidance and assistance through the big, wide, open world of Paldea from the goodness of her own heart.

... This whole town is a love letter. At every turn, you run into a new page of narrative through these Sunfloras: you slot together another meaning, you see the hearts of two men woven into every little stitch. And whether or not this was Brassius' intention, it was almost certainly the intention of those who made him. This is what art directors do, this is what devs hide for you to find. This is Pokemon's ultimate Easter egg, and it is fucking beautiful.

I don't know any more than you lovely people do if they're ever going to officially confirm Hassius as a romantic duo - in love, married, whatever. And I'd love to see it as much as you all would, but... well, I already have. Here it is, right in front of us, if only we're willing to look. Of all the meta I've posted on these two so far, this... yeah, this is the most gay and glorious of them all. And I've still got more to say, just... not on this. We're good here.

... Now, if you'll excuse me, I'm going to do that killing thing I mentioned earlier, though maybe after a nap... sir you must die by my own hand for CRIMES AGAINST MY FREE TIME. (jk, king. Love you, keep doing what you're doing. I am but an average poster without your delicious homosexuality. xoxo)

[chaos-in-one]

The urge to draw fanart of a very pretty man is hitting hard today

[angorwhosebabyisthis]

so recently i decided to roll the 'what will my human!pericles look like This Time' roulette again, only this time in color for once! it's always itched at me how his design looks like a totally different person before and after the timeskip, having been through the wringer aside, so i thought i'd take a shot at combining my interpretation of the two. (the creators pretty obviously took cues from his voice actor for his present-day design, and it's been fun to draw on that too while still keeping the design my own.)

i mostly like how it's turned out, as far into it as i managed to get before i had to take a break and my executive function stalled out; i kept putting off posting it, meaning to come back and finish it later, but i finally decided to go ah fuck it i'd rather it be out there unfinished than disappear into my sketch folder forever. or get fucked up by my trying to continue it while Not in the Groove, especially given how difficult the painting tools i've got available are to wrangle with. Sometimes You Just Gotta Call It

there's a lot of things i'm eyeing to hammer out more next time--i can never seem to figure out what the hell to do with his hair, for one; for another they did a great job at getting across 'babyface that has become aged/haggard' with his designs, and that balance can be difficult to nail when the art app i use really brings out the Everyone is Soft and Babyface in my artstyle. it's a real bastard, but i liked drawing him with this brush a lot and i'm looking forward to working it out more if i can.

the upshot of this is Lo, Cunty Grandpa Be Upon Ye

bonus flats, including an early-to-mid-twenties edit, as well as a couple speed doodles from the same page:

[dappersfm]

unfinnished wip

so i just remembered i have like 45 different unfinnished wips (aka like all my art) and i remembered i was going to make som e art for a sound i found on tiktok, i never finnished it duh but heres a frame of the "not animation but its like 3 different images that change when the time is right so its basicaly an animation but now im rambling and entirely forgot what i was talking about because my brain is entirely focused on being gay". i thought this frame was the funniest

[torgawl]

it's been like 3 hours and i can't stop thinking about xiao and aether. you guys don't get it. it's the way the heart in qixing is likely referring to aether. it's because aether dedicated his poem and his dreams to xiao. it's because xiao smiled when he heard it. it's the way he's always looking out for aether. it's because even though everything was okay xiao made the effort to be vocal about how worried he was when aether pretended to drown. it's because aether is the only person capapable of persuading xiao, to the point others are aware he would do anything for him only and use it to convince him every chance they get. it's because aether is the only person capable of relieving the pain of xiao's karmic debt, not because of his powers but solely by being a part of xiao's life. it's because during the lantern rite instead of looking at the sky xiao looks at aether. it's because everytime they're together everyone else always comments about how close and fond of each other they are. it's because xiao is the only character aether is able to have alone time with without paimon. it's because as long as aether says his name xiao will always answer his call.

[polysyndetonaddictsupportgroup]

megumi 🤝🏽 yuuji

dying even if it’s only for a good minute only to be brought back to life bc fate realizes if they died for real then they would need to find someone else to fuck over. those two are like fates favorite barbie dolls.

apologies if this post is going to seem all over the place, just bear with me. i don’t even know if you’re going to see this BUT it’s okay bc i need to get this out my system 😭.

starting off — god, imagine the chaos that will ensue when megumi tells nobara & yuuji about his very tragic history with the zenins. but like he wouldn’t even tell them straight up, he’ll just make a little deadpan joke (my sarcastic, sassy son) & the others would look at him like : ??? wtf do you mean by that sea urchin head???

like imagine itafushikugi going shopping for like traditional japanese clothes for a little festival or some shit (megumi was dragged by his spikes to come along) & nobara is having the time of her life finding outfits for her & the boys. like it got to the point where she’s dressing them herself & she shows megumi an outfit that looked similar to the robe he was forced to wear bc of the zenin (it’s obviously not the same) & megumi just refuses to wear a robe with similar color patterns to the zenin robe.

megumi: that looks like the outfit the zenin forced me to wear. i wonder what happened to it, cause the last thing i know, i got blood all over it. so as the second member of the zenin hate club, im not wearing that….

megumi: wait that blue one looks decent. i’m going to try it on.

nobara:

yuuji:

nobara: …did he really leave without giving us the “ getting blood on a zenin’s robe” story?

imagine maki complaining about naoya in front of the first years, & maki just brings up naoya’s onesided beef with megumi & her stories of how naoya was so petty back in his childhood made him remember who tf naoya is (megs have selective memory, it’s okay)

megumi: ugh, he was so annoying. i remember when he came to my middle school back when gojo was busy dealing with the aftermath of his evil ex boyfriend evil plan & he basically kidnapped me. i was stuck in a car with that man for 40 minutes..you would hate him nobara.

maki: yeah you would hate him nobara.

yuuji: i’m sorry he kidnapped you??? why did you say that so casually?

nobara: fuck that. megumi is a disney princess, we know this already. BUT we’re just gonna gloss over gojo had an evil boyfriend?

& imagine when megumi finally tells his friends about the zenin clan was when yuuji just came back from the dead & they were asking how tf that’s possible. & somewhere in that conversation megumi just let it slip that his heart stopped beating once & itakugi looks at him in silence:

megumi: yeah the zenin clan basically forced me to exorcise some curses & complete a ritual to get a snake — that snake fucking bit me. it was my least favorite. but yeah i basically died. then yuuta brought me back. then i was blind for a good minute.

nobara, yuuji, & even sukuna:

megumi: it was a terrible time for me. gojo was even more clingier & protective. it got to a point where he started treating me like i was 6 again… reading me bedtime stories, singing me lullabies & describing the pictures in the stories since i was…yknow blind.

cue itakugi & even sukuna wanting to burn down the zenin but ofc they can’t do that…so they settle for pulling pranks on the members & traumatizing them ofc.

IM ALSO imagining how funny it would be for yuuji to be jealous of yuuta. like bro is basically living yuuji’s fantasy world. i’m giggling at the idea of yuuji fighting for his life to be either megumi favorite or nanami’s favorite.

you also opened my eye to the potential of maki & tsumiki… like i also like to imagine that in a happier world, they would understand each other on such a deep level. but they would also find parts of the other that they wished they had. but on a happier note i like to imagine that megumi would suffer whenever it was brought up that his aunt is basically dating his step sister. like maki would be a menace to megumi. every little thing he do? maki is texting tsumiki in a corner.

maki watching itafushi cook together in the kitchen: i can’t believe megumi has a boyfriend. it’s so cute that he thinks that he can hide this from me. lemme go snitch to tsumiki.

maki listening to megumi describe his fight with sukuna, a cursed spirit who apparently has a stripping problem: oh my god. megumi is truly yuuta’s boy. they both got cursed spirits obsessed with them…i need to tell tsumiki.

maki to megumi after witnessing his suicidal tendencies: don’t make me tell tsumiki.

i honestly love your story. the way you added so much more to megumi childhood is beautiful. it just make soooo much sense. but also your characterization of gojo is so precious to me. i’m waiting for gojo to go apeshit on the zenin. i’m also giggling in anticipation at gojo finding out about yuuta attachment to megumi. i like to imagine him to be kind of worried about it actually, bc that’s not fucking healthy. but i imagine him getting used to it since megumi will have a protector in the form of yuuta & his power of love.

i’m also curious to see mai’s role in this story since.

*sighs in disappointment at gege writing choices*

since she had a crush on megumi…yeah. but imma just interpret that as she wants to be his family. it keeps me sane

i also wanted to ask if there’s a chance that you would write a megumi POV of what happened in the zenin clan? ofc i would understand if you wouldn’t since it leaves a much more ominous feeling to the events. plus yuuta running commentary is a good mix of angst & humor so ofc i understand.

Yuuji: man fushiguro almost checks the boxes for a Disney princess. except he was never kidnapped or enslaved

Megumi, sold to the Zenin clan, who later kidnapped him: *sweating*

Nobara and Yuuji would be the co-vice presidents of the "fuck the Zenin clan" club if they knew what happened. They would be the presidents but yuuta and maki are already in a death match for the position and they're trying to avoid the bloodshed. they are not allowed to be treasurer because neither of them know how money works.

megumi is unaware that a formal club has been formed.

Megumi is suffering SO HARD in any world where maki and tsumiki are together. they won't stop ganging up on him when it comes to his love life and general wellbeing and holding hands where he has to see it. maki lectures him about his suicidal tendencies in the field, holds up one finger, calls tsumiki, and lets her pick up where she left off. maki tries to talk to him about relationships one (1) time and he tries to drown himself.

see i'm pretty open to writing a megumi POV but it, like most of my stories, falls in this nebulous category of "if i have the time." like, i've thought about writing megumi's pov before, there's a lot of stuff that happened that exists as like, background knowledge for me that will never make it through yuuta's pov because it doesn't make sense for yuuta to find out about it. It would be very tonally different, but if i did write it, it would be a different work entirely and i'd be making sea glass gardens into a series.

i'm eternally tempted by the siren call of making my works into a series. If i did it with sea glass gardens, i would want to add a one shot of Megumi's pov during the time leading up to sea glass gardens and a short multi-chapter of the gojo, nanami, shoko teen parenting trio. If I have the time, it will exist; if i don't, it won't.

[evilkitten3]

everything i've ever said about naruto is correct. if kishimoto said something that contradicts it then it's doubly correct. what does he know

[quitedisastrous]

i wouldn't mind going on t i think. it would be cool

[allpiesforourown]

Honestly Ming Fan deserved to be situationally homophobic. He’s a bully but I don’t think he’s generally a homophobic bully, but for Lou Binghe? Someone should’ve bullied him for it. In a modern au Ming Fan would’ve been able to clock it, he was just doomed to be in a historical setting

EXACTLY. He sees two men holding hands and he has to stop himself from throwing up and they go "wtf are you homophobic" and he's like "NO you just reminded me of that time I walked in on that b e a s t giving shizun a handjo- oh I'm gonna be sick."

Bonus points because I personally think Ming Fan sees Shen Yuan as a father figure so it's like. You know how people will say "I'll fuck your mom" as an insult? Ming Fan at Bingqiu's wedding holding back tears because oh my God binghe is fucking my mom

Ming Fan would be like GAY MARRIAGE SHOULD NOT BE LEGAL! And everyone gives him dirty looks but he's crying "if it becomes legal shizun will marry that ugly little dog!!"

Yingying: I got a girlfriend!

Ming fan: I'm happy for you shimei. I might have had feelings for you in the past, but I will support you as your shixiong

Everyone: ???? Didn't you say homosexuality was a crime against nature??

Ming Fan: NO. *points at Binghe* I said THAT HOMOSEXUAL was a crime against nature

Okay okay one last thing I'm gonna add is this:

[underwhelmingalchemist]

So apparently the version of the "Isn't It Bromantic" interview that gets passed around isn't the full thing

So after seeing a tumblr post I can't find, about two and half hours of intensive internet digging, and one purchase from a sketchy second-hand site later (full story under the cut, I promise it's interesting, but also long), I got the physical magazine and scanned it

So here you go: the full "Isn't It Bromantic?" TV guide interview with Robert Sean Leonard and Hugh Laurie

Feel free to repost wherever you want- I want people to be able to find the full thing

SO, as for how I found it:

I saw this tumblr post forever ago that I can't find anymore because tumblr is just Like That with a cropped screenshot of an interview with Hugh Laurie and Robert Sean Leonard. In the interview, they're asked about the "bromance" between their two characters. Leonard makes an annoyed comment about how "everyone [is] obsessed with homosexuality", followed by the interview apologizing and Laurie immediately jumping in with, "No, no, let's talk about it. Wilson and House have an unusual relationship so you have to explore…" and the screenshot cuts off there. Cue funny comment from the OP about the interaction, roll credits.

Except, as these things tend to do, it ended up becoming a bit of a brain worm, and I wanted to find it again. But I couldn't find the tumblr post. I looked absolutely everywhere, and in the process of looking everywhere, I found what I thought was the original interview- a blog post with the full quote from the actor. I didn't think too much about it, I figured it was just a short quote given to a popular blog in 2008. There's a magazine cover above it, but I don't think too much about it, because I'm focusing on the quotes in the article instead of the rest of it.

So I send screenshots to a couple friends to make jokes, and it probably should have died there.

However, late at night I end up thinking about that interview again, because of course I did. I start to think about how it's weirdly formatted for, what I assumed at first reading, was just an entertainment news blog reaching out for comment and getting a response. So I pull up the screenshots of the article (because weirdly enough, the old-ass blog only loads on mobile) and look at it again.

This is when I realize that this isn't an original piece from a blog interviewing these two after reaching out for comment. This is a blog post quoting and commenting on a full interview from a magazine, which I had originally thought had just been the inspiration for the piece.

So naturally, I go looking for the magazine.

Luckily, the name of the magazine is displayed on the cover, and so is the title of its main piece. This should be easy to find, right?

Wrong.

This is an interview in a physical magazine. From 2008. October 13th, 2008, to be exact.

I know this exact date because searching the article title and magazine name leads me to an archive on the TV Guide website.

Of covers.

And nothing but covers.

I spend like forty-five minutes searching everywhere I can think of on the web. Internet Archive, the TV Guide website, any search result that comes up when I search any combination of the words "House" "Interview" "Bromantic" "Bromance" "TV Guide" "Archive" etc. Over and over, all that's coming up are that original blog post and the cover from the official gallery.

The only things I could find online were:

The cover and date of the issue on the TV Guide website

The original blog post that was screenshotted in the original tumblr post

Another blog post that had a much shorter version of the quote, references something Leonard says from later in the article, and makes a comment on the nature of his reaction to the term "bromance"

An entry on Leonard's IMDB page's "interview" list mentioning it in title only

And:

5. A single listing for the issue on what seemed to be a second-hand site that looked like it hadn't had its UI updated since the mid 2000's, with a listing with no date or additional information besides what issue it is.

This is the only listing anywhere. I checked every other second-hand site I could think of, and then some that only came up through google searches. There's not a single listing for that issue on any of them. There were plenty of listings of TV guide magazines, including one that seemed promising because it included issues from that year, but it was missing all of October.

It seemed like the only listing for this issue on the entire internet was this one copy on this one obscure website. For all I know, this was listed in 2008 and abandoned, and just never got marked inactive. It could also be a complete scam.

A few quick google searches show that that website seemed to be legit, albeit a bit loose on quality control (which makes sense, this website seemed like the kind of thing you'd have to use the Way Back Machine to access). It also had an option to pay via PayPal, which meant I could file a chargeback if need be.

It was $11.50 when you include shipping.

So at about half past midnight, I bought the listing.

Naturally, about an hour later, I manage to actually find a scan of the interview. I had to follow a link in the comments of a post on FanPop, taking me to an old wordpress blog, and I'm sitting in front of the damn interview at last.

But something doesn't make sense. Why would their cover story only be two pages of text that aren't even full pages, and why would it cut off so strangely? There was no concluding sentence or paragraph, even though it started with a fairly long lead-in. It also led right up to the edge of the page, which felt like there should be more to it. There were more images in the interview than text, and the fact that there are so many of them and they clearly did a whole photoshoot indicated that they had them on hand for a while. The silly string one, for instance, I imagine probably had to require a couple takes, which means cleaning off Wilson's hair and face, adjusting makeup, etc. for it. Meanwhile, the conversation itself seems like it could have taken ten minutes total. I could have been totally wrong and that was where the article ended, but I couldn't shake the feeling that there might be more.

So I hold tight. A couple days pass with no update, and then the PayPal purchase gets updated with a tracking number. Promising, but it could still be a scam. Whether or not I get the actual magazine becomes a source of anxiety for the next week.

Until today, when I get told it was delivered. And when I opened the envelope it was sent in: there it was.

When I tell you I was happy stimming in my bedroom just holding the damn issue in my own hands... And then opening it and finding out that I was right, there was a missing page... I was elated. I still am, just typing this.

So I spent half an hour getting my scanner to work, and I give you the above issues.

Like I said above, feel free to repost however and wherever you want. I want all this to mean something.

In the meantime, I have two more House-themed TV Guide magazines coming to try and get articles from.

[nouearth]

“POLKA DOTS AND MOONBEAMS”

steve rogers x male reader.

𝐅𝐋𝐔𝐅𝐅 & 𝐄𝐕𝐄𝐍𝐓𝐔𝐀𝐋 𝐒𝐌𝐔𝐓—headcanon [ 4.1k ] 〳 part one

𝐖𝐀𝐑𝐍𝐈𝐍𝐆𝐒—male reader 〳 domestic!au 〳 mid-century!era 〳 'roommates' 〳established relationship 〳 secret husband!steve 〳 mentions of period-homophobia 〳 brief quarreling 〳 sexual content: top!steve, bottom!reader, love-making, breeding, milking, praising, verbal, dirty talk, body worshiping, guidance.

𝐃𝐈𝐒𝐓𝐀𝐍𝐓 𝐋𝐎𝐕𝐄𝐑.

Secret Husband!Steve Rogers who coasted the city and was on a mission to find the best spaghetti and meatballs with you.

‣ "Verdict?"

‣ Steve's gaze looked right past the fork held before your lips, watching your mouth and expression twist and turn like the spaghetti noodles around the fork prongs prior.

‣ "It's good... not great. The sauce isn't as thick as I'd like for it to be... but it tastes fresh? Basil leaves adds a nice balance to the acidity... but the meatballs are a little overcooked. What do you think, Steve? I'm too picky, aren't I?"

‣ It was written all over your face. Satisfied, but not impressed.

‣ Unlike the last restaurant where you two had the misfortune of eating bloated pasta noodles and watery red sauce, this place was edible and especially generous with their serving.

‣ Decent, if Steve had the chance of writing a one-worded review for the paper.

‣ "You're not picky, just particular, but I agree. Red sauce is good—Padrino's still better. Meatballs are pretty tough, aren't they... but I do like the flavor of them. You can tell they used a fattier mixture compared to the rest. A lot of garlic too, which makes up for the lack of it in the sauce..."

‣ "Not as good as Mama's?"

‣ "The moment we find a spaghetti that's as good as your mother's, is the day we find a way to squeeze water from stone, (M/N)."

‣ "Don't mention that to her. I don't need her ego to be any more inflated than it already has been."

‣ Dates like these were never boring.

‣ No matter how many times Steve had watched your face wrench in disdain or light up in surprise, he always found it a joy to watch you participate in this arbitrary—now routinely—idea of critiquing spaghetti and meatballs so earnestly.

‣ To be fair, it wasn't like you two had a slew of options to make dates seem... more like dates.

‣ In fact, there shouldn't have been any options offered on the table in the first place.

‣ Any intimations that you and Steve were on a date would've been subject to a location change.

‣ Most likely, a candle-lit dinner in a jail-cell, dined over cold hard concrete, and Steve was sure the spaghetti and meatballs served there was going to clutch last place in his ranking.

‣ Though, Steve was hopeful that the romance would still be alive and well had it ever come to that point.

‣ You had a thing for restaurants with a gimmick.

‣ "Seven out of ten sounds about right?"

‣ "What about dessert? We can't leave without getting the tiramisu, Steve."

‣ "Since when did we factor in desserts for the scoring?"

‣ "What—since we started. Don't tell me you've been only ranking the spaghetti and meatballs... it's all about the experience, the... the je ne sais quoi—heard that on the radio once!"

‣ "The je ne sais quoi—this is why I wanted you to be the one logging everything down, (M/N)!"

‣ It took more of a toll on him than it did on you.

‣ Well, if it did, then you did a stunning job at maintaining your usual optimism.

‣ Whenever you two were out in public, Steve felt hammered by this distance pushing him apart.

‣ It was a conscious effort on both ends—a natural one that pertained to the business of being in a homosexual relationship

‣ Or just being a homosexual, period.

‣ Steve understood it. He abode it. And he hated it.

‣ Often, when the conversation between you and him would come to a slow, Steve would look right past your shoulder, right at the lucky couple who were in his sight-line—a gentleman with an impressive mustache and his lady—and simply stare.

‣ His thoughts wandered.

‣ The gentleman was unabashed in his public flirtations with the woman.

‣ Massaging her hands, tending to the aches in her knuckles with firm, but appeasing presses.

‣ The smell of his cigar was pervasive, but the lady didn't seem to mind. It seemed like she thought it was rather charming when he blew a smoke towards her face.

‣ One hand would run up her arms in several strokes, rough callous grinding down her goosebumps, and the man would compliment how soft and supple her skin was.

‣ The lady would bat her eyelashes, giggle at the man's public display of affection whilst also maintaining some sense of courtesy to halt his advances when a pair of curious eyes were enough to render her cheeks scarlet—like the lipstick she had worn for the evening.

‣ Steve hated this restraint. This lack of freedom that forced him to talk to you as if you were his co-worker.

‣ To look at you as if he had no affection for you whatsoever when that was further from the truth.

‣ To touch you as if you were an infection that could cost him his life, and him to yours.

‣ That wasn't completely off from what society thought of people like you and Steve, was it.

‣ "It's not nice to stare, Steve... quit it."

‣ "If I can't even look at my own lov—you, what else am I supposed to do?"

‣ "Steve—come on, not now. You know how it is. It's hard, I know. But... we can't just be cooped up in our pad and wear out its virtues. It's nice to go out every once in a while, even if—it has to be like this."

‣ "It's just not—fair. Maybe—maybe we can do something. It doesn't feel right if we're doing nothing about those bar raids too. They're increasing, you know? Becoming more violent and—"

‣ "Hush. People are staring to look."

‣ "Why do you seem completely fine with this? Hiding ourselves—"

‣ "Look, I don't like it as much as you do. Hell, it's killing me on the inside that I can't even smile at you like how it would naturally come. But I'm okay with hiding—because it's for my safety, and most importantly, for yours. I don't ask for much, but I've envisioned the near end of my life to be fulfilled and labored with no regrets. With a house where I can harvest my own apples from my own tree. With a lazy pup that knows better than to eat through my laces. All of that would be possible because I hid—no—because I endured. And I would heavily prefer it if you would join me in that life. Call me a coward, spineless, or selfish, but I don't want it to be our last, Steve. It's terrifying—to know that any day I could lose you to violence and persecution, myself included. So, please—just hold it out for longer—that's all I ask of you."

‣ Most of all, Steve hated that he was envious.

‣ He wished he could be the one wiping sauce stain off your lips.

‣ He wished that he could hold your hand over the table and stroke the ring on your finger that you could've kept on.

‣ He wished that he could stop the tears from welling in your eyes like he often did back at home.

‣ He wished that he could tell you that he loved you, either with a mouthful of meatballs or none at all, because in the end—it would've felt better than communicating those three words with three taps of his foot to your shin.

‣ You nearly reached over for his hand to calm him down, but pulled your back straight upon the fright of a passing waiter and opted for the cipher that was could only be cracked between you and Steve.

‣ Three gentle kicks to his shin, once more to his other leg, and Steve sighed for pardon, returning the cipher gently to your own shin.

‣ He wished he could openly compliment how handsome his husband looked tonight, ramble how grateful he was to have you in his life, or complain about how you kicked him a little too hard, but that was all well and fine because it meant that you were still present.

‣ Freedom—All of it, the positives and negatives, without the looming threat of a policeman pummeling you and Steve with a nightstick afterwards—because that was normal.

‣ Because that was life.

‣ A life that will pay in the long run.

‣ "Check, please."

𝐌𝐎𝐎𝐍𝐋𝐈𝐆𝐇𝐓 𝐒𝐄𝐑𝐄𝐍𝐀𝐃𝐄.

Secret Husband!Steve Rogers who ambled the misty street of Brooklyn Heights with you, the night dew giving everything a hazy look as you and Steve passed through moist air, side-by-side.

‣ "I was brash tonight, Steve. I apologize."

‣ "No, no... you were right. If anything, I was being a fat head. I was out-of-line. I'm sorry."

‣ "You were right too, you know. It's not fair. It's not that I don't want to do anything about it, I really do. I just—it can't be the two of us tackling something bigger than us. Everyone is petrified, Steve."

‣ "I know... but if we somehow all come together in some kind of union, then maybe—we can call for a difference. Show them that enough is enough. Show them that fear is no longer something they can instill in us."

‣ "Like a rebellion or something?"

‣ "Well, if it has to come to that, then so be it."

‣ "You know a guy, don't you..."

‣ "I know a guy."

‣ "Is it Bucky?"

‣ "What—how'd you know?"

‣ "Steve, you only know one guy."

Secret Husband!Steve Rogers who was detoured into a dark alleyway between business building blocks. There was the droning sound sound of night, the low and humming resonant as the city had fallen asleep, all but two guests.

‣ "(M/N), what are we—"

‣ "All that quarreling made me forget to tell you how dashing you looked tonight. You know I especially like your hair combed back like that, Steve-o."

‣ He didn't need much of a hint as to what you were getting at.

‣ Squeezing in between a narrow passageway that would luckily only admit two bodies at a time, you and Steve were obscured from any wandering eyes.

‣ From judgement of the world.

‣ "Steve, you ought-ta listen to me more. Blue polka dots look darling on you."

‣ "If I recall correctly, you were the one who wanted me to wear a pink tie, darling."

‣ "Pink would've made me sauced my pants..."

‣ "You. Are. So. Vulgar."

‣ Shadows cast over his squashed body against yours, the moonlight only lighting the parts that mattered the most right now.

‣ The laughter that left your mouth after each peck Steve would grace you with.

‣ The lips that had him feeling withdrawal symptoms after an unbearable few hours of watching you lick sauce off your lips.

‣ The hand that tug Steve closer by his tie.

‣ The eyes that drew Steve in closer, until the tip of his nose touched yours.

‣ "Have I told you how much I love my cologne on you, darling?"

‣ "Have I told you how much I prefer your cologne rubbing off on me, as opposed to me spraying it on directly?"

‣ Slowly, breathing, pacifying; Steve's invisible stubble made your mouth twitch with a scratch, one of your many quirks he found himself silently obsessing over.

‣ And that was enough to push him over the edge, and finally kiss you like he'd wanted to since the evening had started.

‣ It was slow, almost careful like Steve was afraid of breaking you.

‣ Steve wasn't expecting this self-restraint from you. He wasn't expecting your hands on his jaw, tenderly massaging at either sides to keep your hands preoccupied while he slid his tongue alongside yours.

‣ He wasn't expecting to hear his own pulse because you were so stubborn in maintaining this control—you refused to summon urgency by vaulting your moans into the back of your throat.

‣ But Steve knew you more than he knew himself. He knew how you liked your eggs in the morning. He knew the perfect temperature for your bath. He knew you from the mole on your back, to the stance when you were impatient.

‣ He knew that if he led one of your hands right here—feeling the cusp of his growing bulge—that you'd give Steve what he wanted, and fall completely apart.

‣ And Steve knew that—by the eager palm of your hand, shoving into his unbuckled pants and groping—he was right.

‣ "Steve—just fuck me right here, yeah? I can't take it anymore."

‣ "Honey, we don't have any slick..."

‣ "Then give it to me raw. Use your spit. The rain. I don't care, I need you—"

‣ Your lips were warm and soft when Steve kissed you from rambling into the void again. His hands were against your stomach and chest, and your moans sent shivers down his spine.

‣ "Christ—turn around."

‣ Against the brick wall, teeth sinking into your forearm, you took Steve in without any regrets. Cold sweat breaking over your skin like evening dew collecting on window sills.

‣ "O-oh, fuck—slowly, Steve—"

‣ You could feel Steve's heart beat against your back, pushing further into you, huffing into your neck.

‣ "I love you."

‣ "I love you."

‣ From then on, you and Steve lived without any regrets.

𝐍𝐈𝐆𝐇𝐓𝐒 𝐈𝐍 𝐖𝐇𝐈𝐓𝐄 𝐒𝐀𝐓𝐈𝐍.

Secret Husband!Steve Rogers who relished every inch of your body; with his eyes, with his mouth, with his hands, with his body, with his being—until you found yourself transported wholly to all different kinds of sensations, and he'd repeat to discover new ones for you.

‣ "You're good at this, you know."

‣ "Humor me?"

‣ Steve was mouthing at your inner thigh, one hand stroking your leaking cock, and the other pumping his Vaseline-slicked fingers into you.

‣ He looked up from his eyelashes, teasing your sack with a lick.

‣ Another lick, because he liked being distracted by your body arching off the bed, crinkling the sheets in the process.

‣ "Good at loving me. You know what I want, what I need—just like that. Putting another finger into me without asking of me if you can. Twisting—fuck—turning me out, all based on how my body responds to you."

‣ "Well, it's not difficult to gauge what you need. Your nails dig into the sheets when it's too much. Your fingers and toes curl when the pleasure's coming in. Your hips roll—when you need more, or a new fix. I'm no magician you're making me out to be, (M/N).

‣ "You notice all of that? That's embarrassing... and here I thought I was being alluring..."

‣ Steve layered his thick cock in slick, capping the tin and tossing it to the bedside counter after.

‣ He teased your prepped rim, observing how the ring of muscle would catch a string of his pre-cum and latch onto it with a clench.

‣ At the sound of your moan, at the sight of you toying with your nipples, at the torn decision between preening—you knew that he liked the sight of you biting your lips—and ceasing his taunts.

‣ Steve's cock veins pulsed, his cock pleading for him to fill that delicious hole before him, otherwise it would live in agony for as long as it could leak.

‣ "I do, and it's not embarrassing. I love how you—mm—like that. I love how you immediately wrap your arms and legs around me when I finally push my cock inside of you.

‣ "Oh, Steve—"

‣ "I love how you call my name, just like that. Say it again."

‣ "Steve..!"

‣ He pressed his forehead against yours and groaned with you. His hips racketed off your ass in a slow, but increasing rhythm.

‣ You held onto him, hands over his neck, anchoring him close until the only way you could have your fix of air was through Steve's lips.

‣ Steve's mind was empty, except for the thought of your hot tongue roaming into his mouth and the swelling grasp your walls had around his loving cock.

‣ "Like that... I love how I can decipher every meaning behind the way you call out to me."

‣ "Fill me up so well, Steve—baby. Can feel you deep inside of me. Ruining me with your cock. Your balls slapping against me, God—Steve!"

‣ Your moans tasted delicious on his tongue. If they were seeds, they'd bloom colorful hybrids of fruits because your love for him couldn't be defined by one singular hue.

‣ You were an array of colors—a prism conjured by the way Steve loved you.

‣ Red, because you were gritting your teeth as Steve had you taking him balls-deep, filling you up to the brim, and stretching you to the shape of his pistoning cock.

‣ "Fuck me harder, Steve—"

‣ "You're taking me so well, darling..."

‣ "When have I not?"

‣ Orange, because Steve rendered you speechless except for a few gasps, with his cock grazing your prostate and his hand over your cock, stroking while kissing at your neck.

‣ "O-oh, fuck—oh, fuck!"

‣ Yellow, because you were on top, straddling Steve's lap and yielding to the nearing high that you both had been gauging.

‣ You took your sweet time to make love to Steve with your body. Hands braced on his chest, combing your fingers through the light hairs, deeply rocking back and forth on his cock after a couple of lighthearted bounces.

‣ You marveled over his well-built body, following the contours of his muscles with one hand while silently admiring his broad chest, perky nipples, and wide shoulders with your tongue.

‣ The smell of aftershave on him was infectious when you came up for a brief kiss. You kissed at his lips, then his chin, licking at the short blades of stubble before pulling away to preen again.

‣ Your back straightened and you spread your thighs apart for Steve to get a good look at how hard he was making you.

‣ Your cock throbbed, swollen a pronounced shade at the tip, bouncing to the rhythm of your hips, all while you devoted your mouth and tongue to Steve's thick fingers, suckling and laving your tongue over every digit, every vein, every knuckle—thanking him for opening you up so well with the slick of your saliva.

‣ Steve was absolutely keen on watching you worship him with one hand tucked behind his head, the other stroking your cock when he would finish appraising your body with a couple of fond strokes.

‣ "God, look at you. You're so beautiful. I could do this all day, watching you ride every vein on my cock..."

‣ Green, because you built up enough energy to reverse your straddle and take the lead for once. You wanted Steve to see all parts of your body, especially the asset that had been drawing out those glorious moans deep from his gut.

‣ You knew it was a pretty sight that would teeter Steve closer to the edge.

‣ Sweat ran over the plump mounds of your ass as you were propped up on your forearms, slamming down onto his thick cock.

‣ Skin rippled when your ass repeatedly hit his groin, and then prickled, when Steve grabbed a handful of your sweaty flesh out of pure enchantment before swatting it as a stimulus to your slowing hips.

‣ "How's the view?"

‣ "Stunning..."

‣ Blue, because your body was covered in shivers from the way Steve had captured you into his arms and pummeled icicles into you from behind.

‣ Kneeling upright, Steve had embraced you tightly, supporting your core with a flat palm while simultaneously engaging his, thrusting into you.

‣ His hand was around your throat to feel every vibration that would squeeze from your throat and then pour into his mouth like a saucer of milk as he swallowed your sweet moans.

‣ Like Steve's cock, his other hand was equally uncompromising. He squeezed into the pulsating veins of your cock, stroked your shaft, and teased your glans with a thumb.

‣ When you sank back into the dip of his hips, Steve would propel you forward with a strong thrust, forcing you to fuck his closed fist in midst as he held you from ever retreating back on all fours.

‣ He loved that dazed look on your face. Wide-eyed like a deer in headlights. Flushed like how you were abashed by his compliments to your novice cooking, yet only a hundred times worse.

‣ He also loved the way he had fucked you into being inarticulate, muttering a slurry of words—warnings of you coming soon, Steve would later learn after turning his ears up.

‣ "Steve, stop, stop—I'm going to c-come—seriously—"

‣ "Come for me, (M/N). I want to see you stain the bed. Want to see you come because of me. Only me. Want you to drench my fist and—Christ, there we go..."

‣ Violet, because you were red, and Steve was blue.

‣ You spilled heavily over his fist, shooting large, thick ropes of cum over the bed sheets. The sound of the cum splatters making your cheeks run hotter than the warmth drawing out of you.

‣ Each spurt shot further and further the harder Steve pounded into you and milked your orgasm with unrelenting strokes to your shaft.

‣ His thighs slapped into yours, resonating the bedroom with a sharp thunder that was sure to wake up the tenants.

‣ His cock punctuated deep into your guts, hard and sweet against your prostate.

‣ You cried out as Steve battered your insides with his cock, with his undying love for you. Biting into your shoulder to contain his groans, but Steve had enough of this restraint, of constantly holding himself back.

‣ He growled behind your ear, filtering out the resentment society had instilled in his body as he let his grunts loose, replacing that bitter feeling with the antithesis of knowing that he wanted to live life to the fullest.

‣ With a house that grew oranges alongside your apples.

‣ Steve thrusted harder.

‣ With an indifferent cat that couldn't care less about your torn shoelaces.

‣ Your moans hitched at the sharp snap of his hips, his cock digging somehow deeper into your guts when he pushed you lower into his groin.

‣ With a fulfilling life that was lived without regret.

‣ Steve felt himself come undone upon the last thrust. Every fiber of his muscle unraveling like pointe shoes after intense wear.

‣ He held you tight as he shuddered against your, his pulse anchored and soothed by the palm of your head on his cheek, stroking him affectionately.

‣ Silken white, he spilled his hot seed deep inside of you, weakly propagating the warmth from the outer rim of your raw, swollen hole, then to the deep depth of your walls and prostate, milking himself until he was jelly in the legs, until you were creamed, from inside and out, with his thick cock.

‣ You and Steve shared one more kiss, another breath, heaving and panting like you two had never kissed before, before his stance eventually gave out and made him collapse over your body.

‣ "Think—I might bump the restaurant earlier up a few spots, (M/N)..."

‣ "Why's that?"

‣ "Must've put some kind of aphrodisiac in that spaghetti... I'm deeply spent."

‣ "I disagree. It must've been that couple! I told you it was all about the experience—that je ne sais quoi that I've been talking—"

‣ "You really aren't going to stop saying that, are you?"

‣ "Shouldn't have fixed my radio if you knew you were going to be disappointed, Steve."

‣ "That's where you're wrong. If you think anything about you is disappointing to me, then I'm not being a great husband, am I?"

‣ "Well, look at you being all sappy tonight."

‣ "Too much?"

‣ "Never too much. I'm far too gone to ever think otherwise, Steve-o."

‣ "Me too, darling. Me too."

nouearth. please do not repost, plagiarize, or translate my works if you like this story, please reblog and leave a like!