#no one look at me I'm homosexual

[lex-n-weegie]

Thinking about the headcanon(?) That all witches have fangs but fangs are hard to animate so they only give them to the characters with prominent ones(like Adrian and Katya). Thinking about Darius with small fangs and how his smile would look and. Um. Uh

[spiderp0nk22]

I imagine luffy and zoro just fighting eachother and at the end always kissing each other as the finale move because that's just very them

[digitalcarcrash]

macdennis and their sweater paws

[girlwiththegreenhat]

hey when they wrote "knight behind bars" and they wrote kitt helping a couple get together and they gave him the line "Some day, it will be my turn" [to find love]. did they know what they were doing. did they know that in some 40 years some gay autistic robot-obsessed little freak on tumblr would not stop thinking about it for weeks and write literal dozens of paragraphs screaming about it on discord. did they know they were going to ruin Me, Specifically, with this concept that feels like the culmination of everything kitt has gone through through the show and such a fascinating thing to think about in regards to michael and kitt's relationship,

one of the themes of knight rider is kitt developing as a Person, developing a line between the Knight Industries Two-Thousand, and Kitt. discovering humanity, his own emotions, the joys of the seemingly and logically pointless, and often through the lens of his own driver, his partner, his friend, Michael - his primary guide through all these experiences, his reference for those human things he doesn't understand. and as much as he initially claims to not be capable of experiencing emotions, of understanding feelings, he learns to. he experiences a wide range of emotions through the show even while claiming he doesn't, he even learns fear and insecurity. perhaps it's only natural a robot would learn to love, or at the very least be terribly curious about it and wonder if such a thing could ever exist for Him

the majority of people are not exactly kind to kitt. they talk about him like he's not there, they talk about him like he's a machine, a novelty, some people are even scared of or disturbed by him when all he's trying to do is make polite conversation and company. he's always Othered - there's no other cars like him (at least not anymore), but there's no other person like him either, he doesn't truly belong among humans or vehicles. some of the technicians at FLAG don't even seem to fully respect him as a person, at least they don't based on my vague recollection of how they talk about him in Junkyard Dog. when Michael asks him after KARR is destroyed if it feels good to be one of a kind again, he doesn't say yes or no - he only says it's a "familiar feeling." it may be familiar, but it's surely also isolating, and i think that's something he'd realize as he slowly picks up this curiosity about love. where could he even find it when so few people see him as an equal person to begin with?

and then there's michael. oh my god, and then there's michael. no matter what flavor you choose to read it in, the whole show is about their relationship, they're a duo, a set Not to be separated, they're Partners. they work together, they worry about and look after each other (forever insane about when kitt was a melted shell, Michael stuck around the garage for hours, waiting for any news like a worried spouse, constantly checking on him every opportunity he got... encouraging him to recover, and even helping paint back on his protective coating... kitt always looks after michael, but for once, it's michael's turn to look after Him), in a way they were Made for each other - Kitt more literally, being programmed for Michael and holding his namesake, but Michael was also made in a sense for the pilot program, hand picked and given a second life to work for the foundation and with this strange supercar. and even if they had a rocky start, michael comes to view kitt as a person - car, TV set, or computer core, Kitt is his partner, his buddy. he helps him find himself, guides him and teaches him about these things that make us human, and in a way, kitt becomes human - but his entire experience is still through the perspective of an AI in a car, it's still very unique and isolating, and I think he sort of grows into his own limitations, he's finally brushing against the walls that define him.

he learns of love, and then he learns to dream Of love. these things he sees in the movies, that michael tells him about, that he so often sees michael Partaking in that he gets so oddly jealous of, doesn't it all seem so wonderful? he's very curious. but who could ever love steel and circuitry, who could ever see him as an equal let alone a partner in a romantic sense? who would ever love a car and all the limitations That comes with? it's a problem for a hypothetical hopeful Some Day, in the meantime stuck between two worlds where he doesn't perfectly belong to either, where no car Can love him and no human seemingly Would love him...

and michael loves him anyway. before either of them really realize or talk about it, in spite of everything, in any form, regardless of the fact it wouldn't be a typical relationship by absolutely any means, michael loves him anyway. kitt is as much a person to him as bonnie or devon or RC, and that person is someone he loves and cares for deeply. the feeling is mutual, kitt's world revolves around michael, he's one of the most important people in kitt's life, and he'd do anything to protect him.

and it is michael that will finally teach him to love, and what it means to feel loved in turn, to be loved as the person he undoubtedly is.

[chaos-in-one]

The urge to draw fanart of a very pretty man is hitting hard today

[angorwhosebabyisthis]

so recently i decided to roll the 'what will my human!pericles look like This Time' roulette again, only this time in color for once! it's always itched at me how his design looks like a totally different person before and after the timeskip, having been through the wringer aside, so i thought i'd take a shot at combining my interpretation of the two. (the creators pretty obviously took cues from his voice actor for his present-day design, and it's been fun to draw on that too while still keeping the design my own.)

i mostly like how it's turned out, as far into it as i managed to get before i had to take a break and my executive function stalled out; i kept putting off posting it, meaning to come back and finish it later, but i finally decided to go ah fuck it i'd rather it be out there unfinished than disappear into my sketch folder forever. or get fucked up by my trying to continue it while Not in the Groove, especially given how difficult the painting tools i've got available are to wrangle with. Sometimes You Just Gotta Call It

there's a lot of things i'm eyeing to hammer out more next time--i can never seem to figure out what the hell to do with his hair, for one; for another they did a great job at getting across 'babyface that has become aged/haggard' with his designs, and that balance can be difficult to nail when the art app i use really brings out the Everyone is Soft and Babyface in my artstyle. it's a real bastard, but i liked drawing him with this brush a lot and i'm looking forward to working it out more if i can.

the upshot of this is Lo, Cunty Grandpa Be Upon Ye

bonus flats, including an early-to-mid-twenties edit, as well as a couple speed doodles from the same page:

[dappersfm]

unfinnished wip

so i just remembered i have like 45 different unfinnished wips (aka like all my art) and i remembered i was going to make som e art for a sound i found on tiktok, i never finnished it duh but heres a frame of the "not animation but its like 3 different images that change when the time is right so its basicaly an animation but now im rambling and entirely forgot what i was talking about because my brain is entirely focused on being gay". i thought this frame was the funniest

[torgawl]

it's been like 3 hours and i can't stop thinking about xiao and aether. you guys don't get it. it's the way the heart in qixing is likely referring to aether. it's because aether dedicated his poem and his dreams to xiao. it's because xiao smiled when he heard it. it's the way he's always looking out for aether. it's because even though everything was okay xiao made the effort to be vocal about how worried he was when aether pretended to drown. it's because aether is the only person capapable of persuading xiao, to the point others are aware he would do anything for him only and use it to convince him every chance they get. it's because aether is the only person capable of relieving the pain of xiao's karmic debt, not because of his powers but solely by being a part of xiao's life. it's because during the lantern rite instead of looking at the sky xiao looks at aether. it's because everytime they're together everyone else always comments about how close and fond of each other they are. it's because xiao is the only character aether is able to have alone time with without paimon. it's because as long as aether says his name xiao will always answer his call.

[polysyndetonaddictsupportgroup]

megumi 🤝🏽 yuuji

dying even if it’s only for a good minute only to be brought back to life bc fate realizes if they died for real then they would need to find someone else to fuck over. those two are like fates favorite barbie dolls.

apologies if this post is going to seem all over the place, just bear with me. i don’t even know if you’re going to see this BUT it’s okay bc i need to get this out my system 😭.

starting off — god, imagine the chaos that will ensue when megumi tells nobara & yuuji about his very tragic history with the zenins. but like he wouldn’t even tell them straight up, he’ll just make a little deadpan joke (my sarcastic, sassy son) & the others would look at him like : ??? wtf do you mean by that sea urchin head???

like imagine itafushikugi going shopping for like traditional japanese clothes for a little festival or some shit (megumi was dragged by his spikes to come along) & nobara is having the time of her life finding outfits for her & the boys. like it got to the point where she’s dressing them herself & she shows megumi an outfit that looked similar to the robe he was forced to wear bc of the zenin (it’s obviously not the same) & megumi just refuses to wear a robe with similar color patterns to the zenin robe.

megumi: that looks like the outfit the zenin forced me to wear. i wonder what happened to it, cause the last thing i know, i got blood all over it. so as the second member of the zenin hate club, im not wearing that….

megumi: wait that blue one looks decent. i’m going to try it on.

nobara:

yuuji:

nobara: …did he really leave without giving us the “ getting blood on a zenin’s robe” story?

imagine maki complaining about naoya in front of the first years, & maki just brings up naoya’s onesided beef with megumi & her stories of how naoya was so petty back in his childhood made him remember who tf naoya is (megs have selective memory, it’s okay)

megumi: ugh, he was so annoying. i remember when he came to my middle school back when gojo was busy dealing with the aftermath of his evil ex boyfriend evil plan & he basically kidnapped me. i was stuck in a car with that man for 40 minutes..you would hate him nobara.

maki: yeah you would hate him nobara.

yuuji: i’m sorry he kidnapped you??? why did you say that so casually?

nobara: fuck that. megumi is a disney princess, we know this already. BUT we’re just gonna gloss over gojo had an evil boyfriend?

& imagine when megumi finally tells his friends about the zenin clan was when yuuji just came back from the dead & they were asking how tf that’s possible. & somewhere in that conversation megumi just let it slip that his heart stopped beating once & itakugi looks at him in silence:

megumi: yeah the zenin clan basically forced me to exorcise some curses & complete a ritual to get a snake — that snake fucking bit me. it was my least favorite. but yeah i basically died. then yuuta brought me back. then i was blind for a good minute.

nobara, yuuji, & even sukuna:

megumi: it was a terrible time for me. gojo was even more clingier & protective. it got to a point where he started treating me like i was 6 again… reading me bedtime stories, singing me lullabies & describing the pictures in the stories since i was…yknow blind.

cue itakugi & even sukuna wanting to burn down the zenin but ofc they can’t do that…so they settle for pulling pranks on the members & traumatizing them ofc.

IM ALSO imagining how funny it would be for yuuji to be jealous of yuuta. like bro is basically living yuuji’s fantasy world. i’m giggling at the idea of yuuji fighting for his life to be either megumi favorite or nanami’s favorite.

you also opened my eye to the potential of maki & tsumiki… like i also like to imagine that in a happier world, they would understand each other on such a deep level. but they would also find parts of the other that they wished they had. but on a happier note i like to imagine that megumi would suffer whenever it was brought up that his aunt is basically dating his step sister. like maki would be a menace to megumi. every little thing he do? maki is texting tsumiki in a corner.

maki watching itafushi cook together in the kitchen: i can’t believe megumi has a boyfriend. it’s so cute that he thinks that he can hide this from me. lemme go snitch to tsumiki.

maki listening to megumi describe his fight with sukuna, a cursed spirit who apparently has a stripping problem: oh my god. megumi is truly yuuta’s boy. they both got cursed spirits obsessed with them…i need to tell tsumiki.

maki to megumi after witnessing his suicidal tendencies: don’t make me tell tsumiki.

i honestly love your story. the way you added so much more to megumi childhood is beautiful. it just make soooo much sense. but also your characterization of gojo is so precious to me. i’m waiting for gojo to go apeshit on the zenin. i’m also giggling in anticipation at gojo finding out about yuuta attachment to megumi. i like to imagine him to be kind of worried about it actually, bc that’s not fucking healthy. but i imagine him getting used to it since megumi will have a protector in the form of yuuta & his power of love.

i’m also curious to see mai’s role in this story since.

*sighs in disappointment at gege writing choices*

since she had a crush on megumi…yeah. but imma just interpret that as she wants to be his family. it keeps me sane

i also wanted to ask if there’s a chance that you would write a megumi POV of what happened in the zenin clan? ofc i would understand if you wouldn’t since it leaves a much more ominous feeling to the events. plus yuuta running commentary is a good mix of angst & humor so ofc i understand.

Yuuji: man fushiguro almost checks the boxes for a Disney princess. except he was never kidnapped or enslaved

Megumi, sold to the Zenin clan, who later kidnapped him: *sweating*

Nobara and Yuuji would be the co-vice presidents of the "fuck the Zenin clan" club if they knew what happened. They would be the presidents but yuuta and maki are already in a death match for the position and they're trying to avoid the bloodshed. they are not allowed to be treasurer because neither of them know how money works.

megumi is unaware that a formal club has been formed.

Megumi is suffering SO HARD in any world where maki and tsumiki are together. they won't stop ganging up on him when it comes to his love life and general wellbeing and holding hands where he has to see it. maki lectures him about his suicidal tendencies in the field, holds up one finger, calls tsumiki, and lets her pick up where she left off. maki tries to talk to him about relationships one (1) time and he tries to drown himself.

see i'm pretty open to writing a megumi POV but it, like most of my stories, falls in this nebulous category of "if i have the time." like, i've thought about writing megumi's pov before, there's a lot of stuff that happened that exists as like, background knowledge for me that will never make it through yuuta's pov because it doesn't make sense for yuuta to find out about it. It would be very tonally different, but if i did write it, it would be a different work entirely and i'd be making sea glass gardens into a series.

i'm eternally tempted by the siren call of making my works into a series. If i did it with sea glass gardens, i would want to add a one shot of Megumi's pov during the time leading up to sea glass gardens and a short multi-chapter of the gojo, nanami, shoko teen parenting trio. If I have the time, it will exist; if i don't, it won't.

[evilkitten3]

everything i've ever said about naruto is correct. if kishimoto said something that contradicts it then it's doubly correct. what does he know

[mcmansionhell]

on neuschwanstein castle (part 1)

This is an essay in two parts.

Neuschwanstein Concept Drawing by the stage designer (!!) Christian Jank (1869).

There exist in architecture clear precedents to the McMansion that have nothing to do with suburban real estate. This is because “McMansionry” (let’s say) has many transferable properties. Among them can be included: 1) a diabolical amount of wealth that must be communicated architecturally in the most frivolous way possible, 2) a penchant for historical LARPing primarily informed by media (e.g. the American “Tuscan kitchen”) and 3) the execution of historical styles using contemporary building materials resulting in an aesthetic affect that can be described as uncanny or cheap-looking. By these metrics, we can absolutely call Neuschwanstein Castle, built by the architect Eduard Riedel for King Ludwig II of Bavaria, a McMansion.

Constructed from 1869 through 1886 – the year of Ludwig’s alleged suicide after having been ousted and declared insane – the castle cost the coffers of the Bavarian state and Ludwig himself no fewer than 6.2 million German gold marks. (That's an estimated 47 million euros today.) The castle's story is rife with well-known scandal. I'm sure any passing Swan Enthusiast is already familiar with Ludwig’s financial capriciousness, his called-off marriage and repressed homosexuality, his parasocial obsession with Richard Wagner, his complete and total inability to run his country, and his alleged "madness," as they used to call it. All of these combine to make Neuschwanstein inescapable from the man who commissioned it -- and the artist who inspired it. Say what you like about Ludwig and his building projects, but he is definitely remembered because of them, which is what most monarchs want. Be careful what you wish for.

Neuschwanstein gatehouse.

How should one describe Neuschwanstein architecturally? You’d need an additional blog. Its interiors alone (the subject of the next essay) range from Neo-Baroque to Neo-Byzantine to Neo-Gothic. There are many terms that can loosely define the palace's overall style: eclecticism, medieval revivalism, historicism, chateauesque, sclerotic monarchycore, etc. However, the the most specific would be what was called "castle Romanticism" (Burgenromantik). The Germans are nothing if not literal. Whatever word you want to use, Neuschwanstein is such a Sistine Chapel of pure sentimentality and sugary kitsch that theme park architecture – most famously, Disney's Cinderella’s castle itself – owes many of its medieval iterations to the palace's towering silhouette.

There is some truth to the term Burgenromantik. Neuschwanstein's exterior is a completely fabricated 19th century storybook fantasy of the Middle Ages whose precedents lie more truthfully in art for the stage. As a castle without fortification and a palace with no space for governance, Neuschwanstein's own program is indecisive about what it should be, which makes it a pretty good reflection of Ludwig II himself. To me, however, it is the last gasp of a monarchy whose power will be totally extinguished by that same industrial modernity responsible for the materials and techniques of Neuschwanstein's own, ironic construction.

In order to understand Neuschwanstein, however, we must go into two subjects that are equally a great time for me: 19th century medievalism - the subject of this essay - and the opera Lohengrin by Richard Wagner, the subject of the next. (1)

Part I: Medievalisms Progressive and Reactionary

The Middle Ages were inescapable in 19th century Europe. Design, music, visual art, theater, literature, and yes, architecture were all besotted with the stuff of knights and castles, old sagas, and courtly literature. From arch-conservative nationalism to pro-labor socialism, medievalism's popularity spanned the entire political spectrum. This is because it owes its existence to a number of developments that affected the whole of society.

In Ludwig’s time, the world was changing in profound, almost inconceivable ways. The first and second industrial revolutions with their socioeconomic upheavals and new technologies of transport, manufacturing, and mass communication, all completely unmade and remade how people lived and worked. This was as true of the average person as it was of the princes and nobles who were beginning to be undermined by something called “the petit bourgeoisie.”

Sustenance farming dwindled and wage labor eclipsed all other forms of working. Millions of people no longer able to make a living on piecemeal and agricultural work flocked to the cities and into the great Molochs of factories, mills, stockyards, and mines. Families and other kinship bonds were eroded or severed by the acceleration of capitalist production, large wars, and new means of transportation, especially the railroad. People became not only alienated from each other and from their labor in the classical Marxist sense but also from the results of that labor, too. No longer were chairs made by craftsmen or clothes by the single tailor -- unless you could afford the bespoke. Everything from shirtwaists to wrought iron lamps was increasingly mass produced - under wretched conditions, too. Things – including buildings – that were once built to last a lifetime became cheap, disposable, and subject to the whimsy of fashion, sold via this new thing called “the catalog.”

William Morris' painting Le Belle Iseult (1868).

Unsurprisingly, this new way of living and working caused not a little discontent. This was the climate in which Karl Marx wrote Capital and Charles Dickens wrote A Christmas Carol. More specific to our interests, however, is a different dissenter and one of the most interesting practitioners of medievalism, the English polymath William Morris.

A lover of Arthurian legend and an admirer of the architect and design reformer John Ruskin, Morris was first trained in the office of architect G. E. Street, himself a die-hard Gothic Revivalist. From the very beginning, the Middle Ages can be found everywhere in Morris' work, from the rough-hewn qualities of the furniture he helped design to the floral elements and compositions of the art nouveau textiles and graphics he's most famous for -- which, it should be said, are reminiscent of 15th century English tapestries. In addition to his design endeavors, Morris was also a gifted writer and poet. His was a profound love for medieval literature, especially Norse sagas from Iceland. Some of these he even translated including the Volsunga Saga -- also a preoccupation of Wagner's. Few among us earn the title of polymath, but Morris' claim to it is undeniable. Aside from music, there really wasn't any area of creative life he didn't touch.

However, Morris' predilection for the medieval was not just a personal and aesthetic fascination. It was also an expression of his political rejection of the capitalist mode of production. As one of the founders of the English Arts & Crafts Movement, Morris called for a rejection of piecemeal machine labor, a return to handicraft, and overall to things made well and made with dignity. While this was and remains a largely middle class argument, one that usually leads down the road of ethical consumption, Morris was right that capitalism's failing of design and architecture did not just lie with the depreciated quality of goods, but the depreciated quality of life. His was the utopian call to respect both the object and the laborer who produced it. To quote from his 1888 essay called "The Revival of Architecture," Morris dreamed of a society that "will produce to live and not live to produce, as we do." Indeed, in our current era of AI Slop, there remains much to like about the Factory Slop-era call to take back time from the foreman's clock and once more make labor an act of enjoyable and unalienated creativity. Only now it's about things like writing an essay.

I bother to describe Morris at length here for a number of reasons. The first is to reiterate that medievalism's popularity was largely a response to socioeconomic changes. Additionally, since traditionalism - in Ludwig's time and in ours - still gets weaponized by right-wing losers, it's worth pointing out that not all practitioners of medievalism were politically reactionary in nature. However – and I will return to this later – medievalism, reactionary or not, remains inescapably nostalgic. Morris is no exception. While a total rejection of mass produced goods may seem quixotic to us now, when Morris was working, the era before mass industrialization remained at the fringes of living memory. Hence the nostalgia is perhaps to be expected. Unfortunately for him and for us, the only way out of capitalism is through it.

To return again to the big picture: whether one liked it or not, the old feudal world was done. Only its necrotic leftovers, namely a hereditary nobility whose power would run out of road in WWI, remained. For Ludwig purposes, it was a fraught political time in Bavaria as well. Bavaria, weird duck that it was, remained relatively autonomous within the new German Reich. Despite the title of king, Ludwig, much to his chagrin - hence the pathetic Middle Ages fantasizing - did not rule absolutely. His was a constitutional monarchy, and an embattled one at that. During the building of Neuschwanstein, the king found himself wedged between the Franco-Prussian War and the political coup masterminded by Otto von Bismarck that would put Europe on the fast track to a global conflict many saw as the atavistic culmination of all that already violent modernity. No wonder he wanted to hide with his Schwans up in the hills of Schwangau.

The very notion of a unified German Reich (or an independent Kingdom of Bavaria) was itself indicative of another development. Regardless if one was liberal or conservative, a king, an artist or a shoe peddler, the 19th century was plagued by the rise of modern nationalism. Bolstered by new ideas in "medical" “science,” this was also a racialized nationalism. A lot of emotional, political, and artistic investment was put into the idea that there existed a fundamentally German volk, a German soil, a German soul. This, however, was a universalizing statement in need of a citation, with lots of political power on the line. Hence, in order to add historical credence to these new conceptions of one’s heritage, people turned to the old sources.

Within the hallowed halls of Europe's universities, newly minted historians and philologists scoured medieval texts for traces of a people united by a common geography and ethnicity as well as the foundations for a historically continuous state. We now know that this is a problematic and incorrect way of looking at the medieval world, a world that was so very different from our own. A great deal of subsequent medieval scholarship still devotes itself to correcting for these errors. But back then, such scholarly ethics were not to be found and people did what they liked with the sources. A lot of assumptions were made in order to make whatever point one wanted, often about one's superiority over another. Hell, anyone who's been on Trad Guy Deus Vult Twitter knows that a lot of assumptions are still made, and for the same purposes.(2)

Meanwhile, outside of the academy, mass print media meant more people were exposed to medieval content than ever before. Translations of chivalric romances such as Wolfgang von Eschenbach’s Parzival and sagas like the Poetic Edda inspired a century’s worth of artists to incorporate these characters and themes into their work. This work was often but of course not always nationalistic in character. Such adaptations for political purposes could get very granular in nature. We all like to point to the greats like William Morris or Richard Wagner (who was really a master of a larger syncretism.) But there were many lesser attempts made by weaker artists that today have an unfortunate bootlicking je nais se quoi to them.

I love a minor tangent related to my interests, so here's one: a good example of this nationalist granularity comes from Franz Grillparzer’s 1823 pro-Hapsburg play König Ottokars Glück und Ende, which took for its source a deep cut 14th century manuscript called the Styrian Rhyming Chronicle, written by Ottokar Aus Der Gaul. The play concerns the political intrigue around King Ottokar II of Bohemia and his subsequent 1278 defeat at the hands of Grillparzer’s very swagged out Rudolf of Habsburg. Present are some truly fascinating but extremely obscure characters from 13th Holy Roman Empire lore including a long-time personal obsession of mine, the Styrian ministerial and three-time traitor of the Great Interregnum, Frederick V of Pettau. But I’m getting off-topic here. Let's get back to the castle.

The Throne Room at Neuschwanstein

For architecture, perhaps the most important development in spreading medievalism was this new institution called the "big public museum." Through a professionalizing field of archaeology and the sickness that was colonialist expansion, bits and bobs of buildings were stolen from places like North Africa, Egypt, the Middle East, and Byzantium, all of which had an enormous impact on latter 19th century architecture. (They were also picked up by early 20th century American architects from H. H. Richardson to Louis Sullivan.) These orientalized fragments were further disseminated through new books, monographs, and later photography.

Meanwhile, developments in fabrication (standardized building materials), construction (namely iron, then steel) and mass production sped things up and reduced costs considerably. Soon, castles and churches in the image of those that once took decades if not a century to build were erected on countless hillsides or in little town squares across the continent. These changes in the material production of architecture are key for understanding "why Neuschwanstein castle looks so weird."

Part of what gives medieval architecture its character is the sheer embodiment of labor embedded in all those heavy stones, stones that were chiseled, hauled, and set by hand. The Gothic cathedral was a precarious endeavor whose appearance of lightness was not earned easily, which is why, when writing about their sublimity, Edmund Burke invoked not only the play of light and shadow, but the sheer slowness and human toil involved.

This is, of course, not true of our present estate. Neuschwanstein not only eschews the role of a castle as a “fortress to be used in war” (an inherently stereotomic program) but was erected using contemporary materials and techniques that are simply not imbued with the same age or gravitas. Built via a typical brick construction but clad in more impressive sandstone, it's all far too clean. Neuschwanstein's proportions seem not only chaotic - towers and windows are strewn about seemingly on a whim - they are also totally irreconcilable with the castle's alleged typology, in part because we know what a genuine medieval castle looks like.

Ludwig's palace was a technological marvel of the industrial revolution. Not only did Neuschwanstein have indoor plumbing and central heat, it also used the largest glass windows then in manufacture. It's not even an Iron Age building. The throne room, seen earlier in this post, required the use of structural steel. None of this is to say that 19th century construction labor was easy. It wasn't and many people still died, including 30 at Neuschwanstein. It was, however, simply different in character than medieval labor. For all the waxing poetic about handiwork, I’m sure medieval stonemasons would have loved the use of a steam crane.

It's true that architectural eclecticism (the use of many styles at once) has a knack for undermining the presumed authenticity or fidelity of each style employed. But this somewhat misunderstands the crime. The thing about Neuschwanstein is that its goal was not to be historically authentic at all. Its target realm was that of fantasy. Not only that, a fantasy informed primarily by a contemporary media source. In this, it could be said to be more architecturally successful.

The fantasy of medievalism is very different than the truth of the Middle Ages. As I hinted at before, more than anything else, medievalism was an inherently nostalgic movement, and not only because it was a bedrock of so much children's literature. People loved it because it promised a bygone past that never existed. The visual and written languages of feudalism, despite it being a terrible socioeconomic system, came into vogue in part because it wasn't capitalism. We must remember that the 19th century saw industrial capitalism at its newest and rawest. Unregulated, it destroyed every natural resource in sight and subjected people, including children, to horrific labor conditions. It still does, and will probably get worse, but the difference is, we're somewhat used to it by now. The shock's worn off.

All that upheaval I talked about earlier made people long for a simplicity they felt was missing. This took many different forms. The rapid advances of secular society and the incursion of science into belief made many crave a greater religiosity. At a time when the effects of wage labor on the family had made womanhood a contested territory, many appeals were made to a divine and innocent feminine a la Lady Guinevere. Urbanization made many wish for a quieter world with less hustle and bustle and better air. These sentiments are not without their reasons. Technological and socioeconomic changes still make us feel alienated and destabilized, hence why there are so many medieval revivals even in our own time. (Chappell Roan of Arc anyone?) Hell, our own rich people aren't so different from Ludwig either. Mark Zuckerburg owns a Hawaiian island and basically controls the fates of the people who live there lord-in-the-castle-style.

Given all this, it's not surprising that of the products of the Middle Ages, perhaps chivalric romance was and remains the most popular. While never a real depiction of medieval life (no, all those knights were not dying on the behalf of pretty ladies), such stories of good men and women and their grand adventures still capture the imaginations of children and adults alike. (You will find no greater fan of Parzival than yours truly.) It's also no wonder the nature of the romance, with its paternalistic patriarchy, its Christianity, its sentimentality around courtly love, and most of all its depiction of the ruling class as noble and benevolent – appealed to someone like Ludwig, both as a quirked-up individual and a member of his class.

It follows, then, that any artist capable of synthesizing all these elements, fears, and desires into an aesthetically transcendent package would've had a great effect on such a man. One did, of course. His name was Richard Wagner.

In our next essay, we will witness one of the most astonishing cases of kitsch imitating art. But before there could be Neuschwanstein Castle, there had to be this pretty little opera called Lohengrin.

---

(1) If you want to get a head start on the Wagner stuff, I've been writing about the Ring cycle lately on my Substack: https://www.late-review.com/p/essays-on-wagners-ring-part-1-believing

(2) My favorite insane nationalist claim comes from the 1960s, when the Slovene-American historian Joseph Felicijan claimed that the US's democracy was based off the 13th century ritual of enthronement practiced by the Dukes of Carinthia because Thomas Jefferson owned a copy of Jean Bodin's Les six livres de la Republique (1576) in which the rite was mentioned. For more information, see Peter Štih's book The Middle Ages Between the Alps and the Northern Adriatic (p. 56 for the curious.)

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[quitedisastrous]

i wouldn't mind going on t i think. it would be cool

[allpiesforourown]

Honestly Ming Fan deserved to be situationally homophobic. He’s a bully but I don’t think he’s generally a homophobic bully, but for Lou Binghe? Someone should’ve bullied him for it. In a modern au Ming Fan would’ve been able to clock it, he was just doomed to be in a historical setting

EXACTLY. He sees two men holding hands and he has to stop himself from throwing up and they go "wtf are you homophobic" and he's like "NO you just reminded me of that time I walked in on that b e a s t giving shizun a handjo- oh I'm gonna be sick."

Bonus points because I personally think Ming Fan sees Shen Yuan as a father figure so it's like. You know how people will say "I'll fuck your mom" as an insult? Ming Fan at Bingqiu's wedding holding back tears because oh my God binghe is fucking my mom

Ming Fan would be like GAY MARRIAGE SHOULD NOT BE LEGAL! And everyone gives him dirty looks but he's crying "if it becomes legal shizun will marry that ugly little dog!!"

Yingying: I got a girlfriend!

Ming fan: I'm happy for you shimei. I might have had feelings for you in the past, but I will support you as your shixiong

Everyone: ???? Didn't you say homosexuality was a crime against nature??

Ming Fan: NO. *points at Binghe* I said THAT HOMOSEXUAL was a crime against nature

Okay okay one last thing I'm gonna add is this:

[bagholes]

English subtitles for Johanne Sacreblue

You've probably heard of a parody of Emilia Pérez (produced by a Mexican trans woman!!!) called Johanne Sacreblue. The whole thing is in Spanish (and French, obviously), so I translated the whole thing to English (see read more)

While I wasn't involved in the production of the original short, I'm Mexican and I have a degree in Translation and Applied Linguistics, so hopefully you'll enjoy my translation. Please give the video some love and don't give Emilia Pérez more attention!!

!!!!!!!! ENGLISH SUBTITLES !!!!!!!!!

(Hey! I'm a professional translator, and I translated the whole thing in English. Please upvote so more people can enjoy this video!)

Ah, nauseating France.   

Home of wonderful food such as baguettes, croissants, and more.

Lots of wonderful people live here.

Obviously, we’re French. 

This might look like a love story,

but open your eyes and pay attention!

In France there’s rising burglary rates. 

But why tell you about France when I can show you?

Welcome to la France!

♫

Welcome to la France.

A unique and special country.

Where you’ll know what it means to truly love. Love, love from France.

Live the experience of this place. 

[Homer Simpson voice] Wow, classy.

Maitre D': Good evening, sir. Would you please leave without a fuss right now?

Homer: OK.

Welcome to la France

where you’ll get your heart stolen,

and your wallet, too.

Welcome to la France,

but if you’re Muslim, homosexual, or Black,

I want you to stay back. 

Crêpes? Les crêpes? I didn’t shower today. 

I’m not worried. I smell just fine. 

Like rats, sweat, and wine.

The cheese I eat smells better than me,

but my perfume can take care of it. 

I love feeling superior. 

Here’s some rapping just because. 

Oh, mon ami. Merci. Sacré bleu. Comment tu t’appelles? Merci. Déjà vu. Bon voyage! Pizza, kwason. 

It’s croissant, croissant, croissant!

Welcome to la France

where you’ll get your heart stolen,

and your wallet, too.

Welcome to la France,

but if you’re Muslim, homosexual, or Black,

I want you to stay back. 

Hit it, Mbappé. 

Viva Cinco the Mayo!

Long live cakes!

Marie Antoinette! 

Long live cakes!

My fucking crêpe still hurts when I think of you

Part 1: surprise and challenge.

Maybe all those years living in a ranch were good for him.

He wasn’t living in a ranch!

He lived in Mexico City for ten years.

Same thing. It might as well have been a jungle.

Mexicans are savages. 

Do you know what they do to cheese over there?

They eat it fresh!

I don’t think he copied their ways.

He’s still a good Frenchman.

He better be. I expect no less.

He’s my only son. 

All the suffering in Mexico must’ve gotten rid of his rebel nature. 

He’ll be the perfect man. The perfect male successor for the largest baguette company in France.

My son. My manly son. 

Did I already mention that my son is a man?

He’s here!

Maman, papa… bonjour!

Son of a-

[title credits] Johanne Sacreblue. Directed by someone with ADHD.

What were you up to in Mexico?

I learned how to open a beer using a bill.

Jonathan is using a dress, Bridgitte. And he has breasts! What do you think he was up to in Mexico?

Now my name is Johanne.

Nonsense! You’re not getting the company. No way. 

That’s fine. I don’t even want it. 

Honey, it’s your future. You’re our only DAUGHTER. You have to take the position. 

You’ll get the company. End of story. 

You don’t even want me to own the company!

Because I didn’t think it’s what you wanted!

Why did we stop speaking French?

What did you say?

Nothing. I got confused.

I’ll tell you something: remember the Ratatouille? They gave us this letter. They challenged us to the national France competition to decide once and for all what’s better: baguettes or croissants. 

Do you want to enjoy your fortune? Win this competition and manage the company. Or go back to Mexico to eat guacamole.

For the last time, no! You won’t get the company. 

I’m the only one who’s always loved croissants.

I’m the oldest son. It’s my right. 

Your right? How can think that about your brothers?

Any of them could do a good job.

Hugo can’t get over his artistic phase and he’s addicted to sniffing paint thinner!

I’m not just sniffing paint thinner! Yellow paint makes me happy.

Mario Hugo! Good luck with his twangy voice.

Mario Hugo: I agree with my beloved brother, but I love you, my family. 

No one knows what you’re saying!

Dugo is young! Why can’t it be me?

Well, first of all, you don’t have a penis!

Oof. Gotcha.

I’m trans. Other than that, I haven’t changed at all. 

Does it really affect you that much?

I’ve made myself clear: anything that affects our family affects me!

It’s not that we don’t love you, honey, it’s just that… you embarrass us. 

You’re not even an Hugo!

Yes, I am! I’m [French accent] Arturo! (Translator’s note: the rhyme got lost in translation. Sorry about that). 

“Arturo” isn’t “Hugo”!

Yes, it is! Ar-tu-ro!

Where did you get that?

Well… Chofls!! The letter!

The Sacrebleu have invited us to the Great Paris Competition. We will show once and for all what food item best represents our country! If you beat that family’s stupid transexual, you’ll get the company

I don’t know what to do, bestie. I don’t want to own that goddamn company. 

And why don’t you learn how to do something?

Because if I do it, they’re gonna cut me off, and I’ll be an unemployed, 28-year-old trans woman who has no life skills. 

Why don’t you just tell your father that you don’t want to do it and that you won’t do it?

It’s too late. I have no choice. 

Bestie, I’m so sorry you can’t enjoy your fortune with no commitment.

It’s awful…

Good evening, ladies. What can I get you?

I’ll have some French molletes.

I’ll have chicken.

Of course, ma’am. How shall we cook it?

Anything is fine as long as you kill it as cruelly as possible. 

Excellent choice, ma’am.

Anything else? Would that be all?

That’ll be all. Well, actually, I think I also want-

You said that would be all! You must assume the consequences of your decisions. Rot in hell! [spits]

Oh my, what a great service!

I know! They have the best customer service in France! Okay, so are you signing up for the competition?

I really don’t have a choice…

Bestie, you can do anything. You’re stronger than every woman I know, and I’m not just saying this because you used to be a man…

Thanks for the clarification.

You’re gonna compete and you’re gonna win.

Emily, you have no idea how much that means to me. You’re the only reason I wanted to come to Paris. I wanted to see my friend Emily in Paris. It was the only reason I wanted to come tot this city: see Emily in Paris.

Oh là là, I know! Everyone tells me that! What I don’t get is why you don’t want to compete. This is such an honor for France-

It’s just that there’s a lot of things I don’t understand since I came back. Why are we so impolite? Why do we love animal cruelty? And why exactly do we hate Muslims? 

Because it’s fun!

Yeah, maybe, but have you ever considered that it’s wrong?

Oh my God! You’re right! I’d never thought about it! We’re awful!

Oui!

What we do to birds… we drown them in cognac! Why are we doing it? Who thought of that?

I don’t know.

I feel.. dirty! I want to take a shower!

I knew I wasn’t crazy!

Seriously… I never thought that we were doing something wrong. I always thought that people who get minimum wage liked how we treat them. No wonder they sent you to Mexico… You’re crazy.

I got sent to Mexico for being trans.

They sent you to Mexico because you’ve been hallucinating. You’re seeing Marie Antoinette.

I’m not hallucinating! It’s the actual ghost of Marie Antoinette.

Marie Antoinette: don’t listen to hear. She dresses like a Guatemalan. I’m as real as my tragic death. They should behead her for having such damaged hair.

There’s no point in knowing the truth about France. At the end of the day, I’m just an ordinary French millionaire with enough money to live for four days. There’s nothing I can do.

Marie Antoinette: [unintelligible] sleep paralysis at night.

If you win, all of France will listen to you.

Ladybug: Welcome to the most important competition of la France, where France’s most important families will make a very important decision.

Cat Noir: that’s right! We’re here to make a very important decision. What food best represents France: baguettes or croissants?

Our fellow citizens will know what we’re talking about, but for those dirty foreigners that only know how to use soap…

Wear perfume!

We’ll explain the rules.

There’s two events: whoever wins both will be victorious!

The first even will be a race! The first one to reach the Eiffel tower, touch it and say our catchphrase “we give up!” will be the winner!

Without further ado, we’re heading to the competition!

It’s the best race I’ve seen years!

The Ratatouille throw a croissant to the Sacreblue and almost slashes her throat. It’s cat-tastic!

But Johanne takes the lead with 400 rats, and she wins the race!

Rats! Meow!

Here she comes!

Vive la France!

Your love for croissants ends here. What an embarrassment!

Don’t feel bad, honey. I never really expected anything from you. 

Arturo, I’m not gonna lie…

Brother, defeat will only make you stronger.

What?

You’re a great man. You’ll make it. 

Can I have five French dollars to buy yellow paint? I want to paint. 

Later that night in some French dumpster

♫

I’m just a trash man in Paris.

Another piece of trash in Paris.

But I’m also the greatest trash

I’m the trash man.

I’m such trash that I made a fortune using other cultures.

I’m such trash that I enjoy cancelling last minute

because I’m scared 

that they’ll see my tiny baguette.

I don’t have the guts to say that I fucked up.

I’m scared to know what people think of me

If I’m a good guy or just a bald bad guy

I’m such trash that it’s embarrassing.

I thought Karla Sofia was from Puebla.

I’m such trash that I wrote a musical about narcos.

“Penis to vagina, woman to man.”

What the fuck was that shit, bro?

I’m disgusting, don’t you see? 

I’m disgusting, don’t you see? 

Part 2: from hate to love

Why did you ask me to meet you here?

[sigh] I came to ask you to stop fighting over something as dumb as bread.

Baguettes are just bread, but croissants are France itself. It’s in our veins, in our wine, in the air we breathe!

Arturo, wait, don’t do it!

[coughing]

You can’t take a deep breath in France. Dumbass.

Whatever. You’re just saying this because you’ve been away for a long time. You’re nothing but a chimichanga lover. 

Cinco de Mayo!

How dare you!

Does it make you feel good to be a man hitting a woman?

Actually, yes. Now I get why we do it.

I’ve had enough! I can’t take it anymore! What’s wrong with France? Why do they like to hit women? Why do they like racism? Can’t you see that what we’re doing is wrong?

Actually, no. I had never thought about it. I never considered that… Oh my God… We’re monsters! What are we doing? We must put an end to this!

But how?

You’ll do it with me. With your amazing arguments, we’ll change France. 

Do you think it can be done? But how?

Oui, mademoiselle. If you let me win the second event, it’ll be a tie, and they’ll have to listen to us according to the French rules I hadn’t mentioned before. 

I don’t know if I can trust you.

Trust me, mademoiselle. Trust this stinky French heart.

Alright. Kiss me.

Do you want me to kiss you?

Yes. Give me a French kiss.

Here it’s just “a kiss”, stupid

Welcome to the second competition!

This is the most fabulous competition! It’s the racism competition!

That’s right, Cat Noir! And for those stupid Americans who don’t know what we’re talking about, in this competition, participants are given a total of 30 minutes to deport and catch as many immigrants as possible.

Everything is allowed: from making up crimes to blackmailing! 

Each Muslim is worth 5 points. However, participants can get extra points from hate crimes against Muslims, Black people, Latinos, members of the LGBT community, and fans of Emily in Paris!

Let’s watch the racism competition!

We apologize for the technical issues. Cat Noir had a fanatic episode. 

It was amazing! With a great lead, our winner, Arturo, was victorious. So we’ll have to call this a tie. 

Oh! For the first time in more than ten years, we’re getting some words from our ten French emperors!

Stop!

There… won’t be… a tie!

This decision will no longer be postponed. 

 Declaramos abierto el duelo final.

And it’ll happen right now.

Because I love Queen Marie Antoinette.

The final duel…

It’s the fight to the death with baguettes!

Good luck! And may the Frenchest win. Yes. Oui. Oui. Oui.

[Elmo]

Part 3: destiny

Fight to the death with baguettes?!

Fight to the death with baguettes?!

Fight to the death with baguettes?!

I think there’s gonna be a fight to the death with baguettes.

What? Fight to the death with baguettes? What’s that?

Oh, fight to the death with baguettes. I’ve heard about it. I think they’re gonna fight to the death… with baguettes.

[gasp]

Johanne: I don’t want to fight to the death with baguettes with you.

Arturo: Neither do I, but we have no choice.

J: Yes, there is. Haven’t they considered that this is wrong?

No!

Arturo: Papa Johns!

Papa Johns: I pitted your families against you with a little help from whom you love the most… your butlers. 

Arturo: Chofls!

Johanne: Wigles, why?

Wiggles: I’m sorry, madame. I need the money, and you haven’t given me raise in 25 years. 

Papa Johns: I’ll destroy you so the greatest French food gets recognition: French fries!

Johanne: You’re losing a lot of wine.

Johanne: you have a rat on your head!

Papa Johns: this tiny chef taught me his secrets, and I used them for evil. 

Wigles: I think I got Stockholm syndrome due to so many years of labor exploitation.

And that’s how we got away from the bad guy, Mr. French ambassador. 

Controlled by a rat… The nightmare of every French. Ladies and gentlemen, that’s how Johanne Sacreblue and Arturo Ratatouille restored the glory of France. What a captivating story you’ve brought us, full of pain and social commentary. Is there anything else you would like to add before we run out of funds?

Well, actually, yes. As many of you know, I went to Mexico, and my fellow Mexicans asked me to bring a gift to France when I came back, and what a better person to give it to than the ambassador? 

Oh, what wonderful surprise have you brought from Mexico? Could it be some wonderful Mexican tortillas?

Wait… Is that-

Yes, a cake. Un gâteau. 

[Credits]

And that’s the story of how your parents saved la France.

Thanks for telling me these stories, grandma.

My grand-son. My grand-son, a boy…

[sigh] 

♫

Tito, my grandson Tito (translator’s note: another rhyme that got lost in translation. Sorry again). Tito, tito. My grandson Tito. 

You smell like frog legs in the morning.

You smell like you haven’t showered in weeks. 

You smell like a moldy baguette.

You smell like the omelette that I ate. 

You smell like cheese. Smelly, smelly!

You smell like your grandma.

Tito, Tito, Tito, my grandson Tito. 

You smell like snails. You smell like escargot.

You smell like France. 

[ubeb0nes]

Sevika x Fem!Bar Owner!Reader - The One Who Pours the Drinks

Pt. 3 (can be read as standalone)

༇ ༇ ༇

Summary: After their (very homosexually-charged) estrangement a few weeks ago, Angel tries to bury the sour Sevika left in her heart. Sevika does the same, dismissing any meaning to be found in how she still makes sure to walk by the Five-Copper Furnace at least twice a week.

But one thing remains true: No one threatens the one who pours the drinks.

a/n: i'm a dirty filthy liar, i finished pt. 3 for bar owner reader before i even started my warmup for writing sevika's character LMFAO. will still do that prompt at some point!!

w/c: like 4.3k ish

༇ ༇ ༇

The world doesn’t stop spinning because of one person.

It’s a sentiment you were forced to be fond of in your life before the one you had now. People had always come and gone, it was the nature of the crime life, and it was certainly the nature of the Zaun one too. To stop and mourn for too long was to die.

And you had a business to run.

You did your best to count your lucky stars every night, reminding yourself as you wiped down the bar that there were other people. Plenty of women with smokey laughs and eyes like the moon. You were a good-looking bastard, you’d find the next one. You had all the time in the world now, away from the strife that used to follow you like a shadow.

Pay no mind to how you always swiped harder at the bar as you had these thoughts, slamming tumblers and plates into their places beneath the bar with extra vigor. Nor to how Zaun was about as different from Bilgewater as steel to iron.

Sevika’s men and their presence started to dwindle with hers, albeit more slowly; many of them almost seemed hesitant, apologetic. You caught one of them on your way into the bar to open it for the evening.

“I’m real sorry, Angel,” he’d said.

“I’m sure she’s got other work for you,” you said, waving him off as if it was- and indeed, it was- nothing personal. You only had problems with one ex-frequent of your bar. You weren’t even all that inclined to include the heavy muscle she brought in with her on the last visit.

“Always other work where the boss is concerned,” he affirmed, “But… this has been one of the better gigs.” You stayed static outside your bar for a moment as he walked away, your key still stuck in the lock.

It’s not like you needed protection in the first place, you were more than capable. Not that Sevika knew that. You grumbled to yourself as you organized the prep area behind the bar; you hadn’t had to give much mind to security the past several months, Sevika handled the matter in its entirety without you so much as having to ask.

It’s a sentiment you were forced to be fond of in your life before the one you had now. People had always come and gone, it was the nature of the crime life, and it was certainly the nature of the Zaun one too. To stop and mourn for too long was to die.

You’d have to add that back into your list of tasks. Along with putting all the stools up at closing time. And what were you supposed to do with all these damn cigarillos you had behind the counter? You didn’t smoke nearly as much as she did.

You smacked a hand that wasn’t yours away from the aforementioned stash, smirking when you heard a small, “Ow, jerk!”

“You’re not old enough to smoke.”

“It’s Zaun, babies would smoke if they could,” the boy, a little tail of yours named Kix, retorted, pouting as he hopped up on the counter. You sighed. “I finished that book you gave me.”

“Yeah? How was it?”

“Pretty good! And, I think, as a reward for finishing it, I should-”

“Yeah, I’m gonna stop you right there,” you said, stepping away to move the lemons you just sliced into a container. Your tail, of course, followed.

“Fine, can I at least finally get a knife?”

“When you can wield one of those batons without smacking yourself in the face, yeah. ‘Til then, hell no.”

“That’s a bad word!”

“Like you care!” You could only breathe out a laugh. The children of Zaun were sharp, often leaving you deeply amused and incredulous.

“Ugh,” he said dramatically, flailing against the bar. You shot one of your patrons an apologetic look at the antics of Stray Wet Cat #1. “But you have so many, Angel!” He exclaimed, “How’d you get those anyway? Did you kill somebody?”

I killed a lot of people, you wanted to say, but something told you that wouldn’t have been appropriate. “I told you before, Kix,” you started, voice gentle like a teacher’s, “Zaun isn’t the only place in the world where you need to defend yourself. The world is way bigger.”

“Doesn’t feel like it,” he muttered to himself, pushing away from the bar and trudging back to the lounge area connected to the kitchen, where a few of the other kids spent their time. You frowned as you watched him walk away, then looked down at the paring knife in your right hand.

For the children of Zaun, life depended on which end of the knife you found yourself on, and oftentimes nothing more. How much were you really doing for them, giving them sandwiches to eat and rudimentary lessons on how to hold a blade? They all had to leave the bar at the end of each day, stepping back into the streets waiting to swallow them whole on their treks back home.

“Don’t be so hard on ya’self, Ang’,” the patron you’d shared a look with earlier interjected. You looked up at him in a daze, quickly putting on a thoughtful smile.

“I’m okay,” you replied simply.

“And so are those kids, thanks to you,” he said, “A little bit goes a long way in Zaun. These kids can stretch an inch of kindness, always have been able to.”

You saw eyes like slate in your mind as the gentleman went back to nursing his drink, and your smile faltered.

Weren’t these the kids Sevika claimed to be doing her righteous work for? What could she tell them as she chipped away at their safe haven, showing up bi-weekly just to take away a little more? You growled lowly as you swiped a cigarillo from beneath the counter, abiding the thought to linger in your mind- as if you could condition yourself to hate her faster.

You were busy staring down the end of the cigarillo as you lit it, almost too busy to notice how a wave of quiet had washed over the Five-Copper Furnace. Your eyes flicked to the door just in time, though.

Your busy mind halted all thoughts more trivial than the now, a low voice reminding you of the shotgun beneath your bar, the knives in your sleeves, and the preeminent experience in violence that scarred your skin. Four men wearing all manners of weapons, and gleaming belt buckles of meridian silver, stalked into your bar.

𒀭 𒀭 𒀭

Sevika was, for whatever reason, a woman well-versed in the department of odd and unwanted talents. Being weirdly good with kids was at the forefront.

“Oh! Captain-General Metal Arm Lady!” Well, she knew which kid that was*.*

“Why is my name so long?” She muttered to herself as she stopped anyway, and turned on her heel to face him. The boy, one of Angel’s little henchmen named Kix, skidded to a stop in front of her. “What is it, kid?” She asked gruffly.

“Where’ve you been? Are you and Angel having a lover’s quarrel?”

Isn’t he like twelve?? Sevika picked her jaw up from the ground as quickly as it’d fallen. “Who the hell even taught you what that is?” She asked incredulously.

“That’s a bad word. And I read it in a book. Are you coming to the Five-Copper?”

“No, I’m busy,” Sevika said flatly. Her brow furrowed at the way his face fell. Not like a child who’d been told no, but a boy who had something to fear. “…Why?”

“Well, uh… m-maybe you could just stop by?” He rocked back on his heels, looking over his shoulder at the bar in question. He’d caught Sevika so close to the place, he just needed to get her through the door… “I think Angel might… u-um…”

Sevika sighed. “Before tomorrow, Kix.”

“I think Angel might need you.”

Sevika scoffed, turning with a small flare of her cloak (drama queen), “She’s a big girl, she can handle herself just fine, kid. I gotta go.” A small, surprised grunt rose out of her when she felt a tug on her metal arm. She looked down at the boy, shooting him a glare that lacked even an inch of fire.

“Please, Miss Sevika! A bunch of guys just walked in and I don’t know them, a-and they have really ugly, scary faces, and-”

“Okay! Okay. C’mon, let’s go,” Sevika rattled her arm out of Kix’s grasp, sweeping it back beneath her cloak. The boy let out a small cheer as her broad form turned in the direction of the Five-Copper Furnace, and he fell into step under the cover of her shadow. “And don’t call me ‘Miss Sevika’. Just Sevika is alright,” she made a small, grossed-out sound.

“Okay! Does that mean we’re friends?”

“No,” she replied, giving his head a small nudge as they walked.

“Ack! Bully!”

The smile that began to flicker across her features promptly melted back into her perpetual frown as she watched almost half a dozen patrons leave the Five-Copper in succession. “How many of them were there, kid?” She asked in a low voice.

“Uh, I think four?”

Sevika hummed, stopping beside the entrance. She pulled Kix aside by the collar with her, as even more patrons filed out. “Are your friends in there?” She asked. The boy nodded. “Okay. Go get ‘em through the back. And go home.”

“But-!”

“Uh-uh. She’s already pissed at me enough, can’t imagine how mad she’d be if you brats got hurt once this goes down.”

“So…” Sevika felt a few grey hairs grow in at the same time Kix’s frown faded into a grin, “…it is a lover’s quarrel?”

“Kix!”

“Okay, bye Sevika!” He hopped up and down as if to charge himself up before sprinting off. Sevika watched as he nearly tripped over himself when he quickly halted again. “Uh… you won’t let them hurt Angel, right?”

“She’ll be fine,” Sevika said. She sighed as his feet stayed planted in the ground. Her voice was softer when she spoke again, “You have my word, kid. Angel will be okay.” He gave her a final grin, before darting off. Sevika cracked her neck as she zeroed back on the entrance to Angel’s bar. “Guess collections is early this month,” she muttered wryly, before pushing the door open.

𒀭 𒀭 𒀭

“These people don’t even know, do they?”

You breathed out tendrils of smoke from your nose, lowering your voice in line with the bounty hunter’s. His friends had stayed mute, opting to survey your patrons and the bar itself like three angry lighthouses.

You smiled slightly at those who hadn’t left yet, whose postures were coiled tightly like metal springs.

“I can’t imagine it’d change a thing,” you replied. You picked up the wanted poster (old fashioned, you were aware) he’d thrown on the counter, giving it another flippant once-over. Your likeness had been- rather skillfully- illustrated in the center, with meaningless words like ‘Wanted’ and ‘approach with care’ swimming around it.

God, I’m good-looking, you thought with a smile and a nod.

“And yet you have ‘em call you a different name. Bury your old one with the rest of your money, huh?”

“Oh, that isn’t buried. Not one bit,” Your face spread into a grin, wolfish teeth crushing the filter of the cigarillo. You saw the hunger that flickered in his eyes, a greed so romantically entwined with the people of Bilgewater that men died for it. Like this one would.

“Well, good to know! Between that and the hundred Golden Krakens on your head, you’ll make a fine cashout,” the rancid man said, “Angel.”

Your eyes widened slowly, mockingly. “A hundred Golden Krakens?” You echoed, “…Can I turn myself in?” Your eyes flicked casually to the door as you heard it open once again.

“Very funny. Now…”

Whatever the hunter had to say ceased to matter as you watched her walk in. Wide shoulders curved inwards, entering with the same intent your remaining customers all had. Sevika met your eyes immediately.

On one hand, not only was your safety further secured, but a return in a casket to your old city was all but out of the question now. Sevika wouldn’t let you die, at the very least, you knew that much.

On the other hand… Sevika was in your bar. Your eyes narrowed at her, and you gave her a look that practically screamed ‘piss off’ in spite of your other senses relaxing. She shook her head at you, matching your rising agitation with an annoyed curl of her lip.

Kix, she mouthed. Oh, thanks, kid. What a wingman.

You would’ve found it silly the way she stuck to the walls as she moved through the bar. Trying to get closer to you, you realized. A hand slamming down on the table and another grabbing your collar brought your attention back to more pressing matters.

Sevika felt her heart jump higher in her chest, and she resisted the urge to rush right to you and pluck that man’s head from the rest of him. A firm hand on her shoulder was all that prevented her, and she leveled her gaze with the fool who’d stepped in her line of view.

“We called dibs on this job, you’re too late,” the hunter said. Sevika furrowed her brows in brief confusion, but the pieces came together quickly in a mind as sharp as hers.

Bounty hunters? For you?

He gave her shoulder a shove, and Sevika let herself be moved. Some distance to deploy her left arm’s blade, good. “Go on,” he growled.

A scream from the bar counter swiveled all heads in that direction.

Sevika’s eyes widened as your name started to rise in her throat, until she saw the main perpetrator sink like a stone in water… his hand left behind in your grasp. You wiped the knife on your apron, throwing your still-burning cigarillo at him as he writhed on the floor.

Sevika threw her cloak to the ground before her sensibilities turned to steel.

𒀭 𒀭 𒀭

You would’ve made a fine alchemist, if you hadn’t chosen the more profitable industry of alcoholism instead.

You also would’ve been far less likely to have ever encountered Sevika and the all-consuming rage she inspired in you if you’d started an Apothecary. What with her- very much expected- aversion to seeking out any medical assistance of any sort.

“Ow.”

“Stay still.”

“Ow.” Sevika hissed when you pressed the tonic-doused cloth to her wound with the exact same vigor as before, thrashing away from you. You sat up straight, leveling her with a look that seethed with your indignance.

“You’re acting like a wuss.”

“And you’re acting like a child who didn’t get her way,” she snapped. Your eye twitched, and so you closed them to take a moment to gather yourself.

You missed the way Sevika’s gaze fell slowly to your lap, eyes creasing as she frowned at your battered hands. You hadn’t had time to pull your gun from beneath the bar before shit went down, and so you’d resorted to hacking with hand and blade. Sevika had been at your back like a magnet, sticking to you and letting the hunters come to her. You’d held your own valiantly.

She only serviced you a lukewarm glare as you moved back to her, this time gently easing the cloth onto her wounded cheek. You held her in place by the other side of her face. “You can take a punch but not a wound disinfectant,” you quipped.

“I took more than just a punch recently, princess.” Sevika side-eyed you when your touch faltered, letting out a shallow huff from her nose.

“Unbelievable…” you muttered.

“Who the hell were those guys? What could they possibly want with you?” Sevika asked. You jutted your lip at her in annoyance when her movements shifted the cloth.

She looked down to ponder the fight from a few hours ago (the lower floor was still an absolute wreck, but that was a problem for you to deal with tomorrow). Silver teeth; and weaponry not at all reminiscient of anything you’d find in Zaun, or Piltover. They had moved with an erratic tick to their attacks, not completely unlike the Shimmer-dependent henchmen Silco kept; although their addiction ran strictly red.

“They weren’t Zaunites,” she mused aloud.

“…No. They weren’t. They were from Bilgewater.”

You freed your other hand to reach for your wanted poster you’d nabbed before heading upstairs, and handed it to Sevika. There was a hanging silence between you as she read the same words over and over again.

“They got your likeness wrong,” she said. You pursed your lips, waiting. “Your head is bigger than that.”

“Shut up.”

Sevika chuckled; or at least gave a limp attempt at it. Her hand holding the poster fell with a soft crunch as she sighed. You let your own hands rest in your lap as she closed her eyes, and leaned her head over the back of your couch.

She had such a pretty neck. The lines of that strange scar were like wisps of blue smoke on her skin. You wanted to reach out to touch them, to thank her sweetly for defending you even as you spat fire on her wounds. You wanted to kiss all the smooth and rough patches you could see, lull her into a soft sleep-

“This is gonna get back to Silco in a couple of days tops.”

You scoffed. “What, is he gonna raise my rent? Doesn’t he have a revolution to claim to run?”

Deep down, you were impressed with what Sevika let you get away with saying to her. Inadvertently discounting her life’s work was no small thing, and you’d seen her put others on the ground for less. It was even more surprising when she gave a real answer to your poor-faithed question.

“You should’ve kept your head low. And let me deal with it. Not- cut a guy’s hand off.” She shook her head, rubbing her forehead. You opened your mouth to refute your lost honor, but she beat you to it, “You’re too… competent. He’ll wanna bring you in now. And you’re no good to the Undercity if he pockets you.”

You’re about to ask her why the hell does she work for him then, but another piece clicks into place before the words surface. Sevika watches the realization cross your face. “So that’s why you…”

“Trust me,” Sevika took hold of your wrist as she raised her head to stare scrutinizingly at your wall, and guided you to press the cloth back to her face. “The collections I take from you are cheaper than really being under his heel. You should see what he takes from that Sheriff up in Piltover.” She breathed out a humorless laugh. Your eyes widened, as the scope of Silco’s reach did too. **

You were a fool. Had going straight truly dulled your cunning mind? (Or was it just the handsome woman sitting in your living room…)

“That’s the discounted price too, by the way,” she muttered. You were pulled from your thoughts with a soft laugh.

“I knew you were fond of me.”

“I like what you do for the kids.”

“It’s nothing,” you said softly, surveying the injury on her face and deeming it sufficiently stabilized to move onto the next. You were glad, at least, that the brunt of the pain had been inflicted on you two rather than your good-willed customers.

Sevika’s brow furrowed as she watched you go through the motions of prepping her next injury. Truthfully, she didn’t know why she let you drag her upstairs in the first place; the way you coupled your attentive- if not presumptuous- touch with barbed jabs at her gall for walking into your bar should’ve pissed her off. But she let you move her like you were a breeze.

Your movements were practiced, like you’d spent a whole lifetime sweeping up the broken pieces of stupid, pointless fights. Sevika looked down at the wanted poster again. “…How much is 100 Golden Krakens?” She asked.

You hummed as you tried to think of the best comparison in Zaun’s economy, “Probably eightteen months’ worth of what I make running the bar.”

“Janna-”

You laughed heartily as you carefully peeled the wax paper from a bandage. Subconsciously, you rubbed over the wound once it was patched to soothe the ache, not noticing how Sevika’s gaze immediately went to your nimble hand. “Why, you thinkin’ about turning me in?” You teased.

“Funny,” she deadpanned, “Would be one less pain in the ass for me, though.” She gave you a pointed onceover. Her feigned exasperation melted into a grin when you slapped her leg (albeit very weakly).

“You just said you like me!”

“That isn’t what I said,” she said, still feigning dismissal so smugly. You hated how well she wore a petty smirk, or how pretty her teeth were when she gleaned a real smile.

(You wanted to kiss that stupid look right off her face.)

Instead, all you did was roll your eyes, collapsing on the opposite end of the couch. In Sevika’s mind, she just won that encounter.

“You mind if I smoke?”

You waved your hand, looking out the window of your kitchen, “Worse has happened in my house today.” She didn’t pull your gaze back to her until you heard her shifting around for a longer amount of time than it should’ve taken for someone to find a cig and lighter. “Lose your lighter?” You mocked, taking in the cigarillo hanging out of her mouth as she patted down her pockets with mild frustration on her face.

“One of the bastards must have knocked it out of my pack,” she said with an agitated sigh. Her eyes perked up at the metal clink of… your lighter. You laid your head back against the arm of the couch, resting the open lighter slightly above your abdomen. Sevika’s breath caught as she realized how close she’d have to get to you- how close you’d make her get to you- to get a light.

Her eyes narrowed into a glare as they slid up to meet your gaze. She wasn’t about to make a coward of herself now, though. She held your expectant stare as she leaned down between your legs, one of her hands boldly bracing on your shin with a slight squeeze. She cupped her hand protectively around yours as she lit the end of her cigarillo. The way your eyes widened and your chest stopped rising with breath wasn’t lost on her.

I take it back, Kix, she thought, I don’t think she’s all that pissed.

She turned her head to the side as she blew smoke from her mouth. “Tell me something,” she said, her voice nearly a purr. You had to fight with your own goddamn eyes to tear away from the small puffs of smoke that left her mouth as she spoke. You cocked a brow. “Were you a pirate or something?” She asked. Her eyes widened slightly when you met her with silence. “Oh, sweet hell…”

“Don’t laugh!”

She laughed. You loved that she did.

“That was… a long time ago,” you waved your hand like you could bat the memories away, but they’d never felt more with you than today. You had nearly forgotten how easy it was to snatch someone’s life away. You’d made a fortune on it once, and yet… the muscle of ruthlessness had grown weak and disoriented with lack of exercise. You frowned to yourself, shaking your head. “I did a lot of things I’m not proud of.”

Sevika shrugged, taking another drag. “We don’t choose where life puts us,” she replied. You shouldn’t have been surprised by such a… thoughtful sentence leaving her mouth. But your brows still raised slightly as you looked at her. “I’m not gonna be the one to judge you around here.”

You frowned, guilt jabbing in your gut. “But I did you.”

“Maybe you weren’t wrong for it,” she retorted softly. Your eyes widened. She inhaled softly before continuing, swiveling her gaze to meet yours again. “I used to try an’ push Silco to do more for the kids. Get books smuggled in in between all the Shimmer requisitions,” she scoffed, shaking her head. Your heart squeezed as you watched her carefully begin to pull the curtains around her true self back- for you. “Give people resources, just… something. I didn’t realize I let four years go by ‘til I saw you doing all that for the kids the moment you touched down here.”

You sighed, swinging your legs over the edge of the couch to rub your face with both hands. “You really think I won’t be able to help them at all once Silco comes knocking?” You asked, biting your lip as you felt like what was the only answer was slowly enclosing around you.

Immediately though, Sevika shook her head. Your mouth opened slightly in confusion as she stood up from your couch. “No. I’m gonna handle this,” the determination in her step would have been beyond adorable if it weren’t for your utter bemusement. “I… owe you,” she said slowly. You wanted to laugh at how her fierce bravado seemed to come to a skidding stop the moment she had to make an admission on her pride.

“Oh yeah?” You teased.

She rolled her eyes as she pulled her cloak back on over her shoulders, concealing that absolute unit of a figure from your prying eyes. You smiled at how her broad shoulders were still very apparent, and the beginnings of her v-line peeked out with that damn cropped vest- get it together, Angel. “He’s gonna know I was here anyway, might as well make something out of it,” she explained (right, you bought that…), pausing again to scrutinize you, “You’re all good?”

Trigonometric equations started floating around in your head as you tried to decipher what she could possibly mean with that question, until her arched brow turned judgemental at how long you were taking to answer.

Oh. She was just asking about your… general wellbeing. Aw!

“O-oh, yeah, I’m all good,” you said. Truthfully too, you were more used to fighting the Bilgewater types than her, and had come out of the confrontation mostly unscathed. Your jaw stuttered as if to say more when she hummed and took a swift step forward, tilting your head up with her index and thumb.

“You’re not lying?” She asked lowly, turning your head gently from side to side.

“E-even if I was, it’s none of your business,” you snapped defensively. Dumbass. Did you have any idea how red your face was?

With an amused exhale from her nose, Sevika gently let go of your chin, fleetingly brushing her crooked index over your cheek. “Whatever you say, princess,” she said. She didn’t even give you a chance to shoot back something clever (as if you had something prepared) before she was sweeping towards the door, fixing her cigarillo in the corner of her mouth. “Your bar’s a mess,” she quipped over her shoulder, just to be a dick.

“Fuck you!” You called after her, the smile on your face crystal-clear in your tone. The last thing you saw was her pretty side-profile as she half-glanced at you with smug amusement lining her face, before she closed the door behind her.

You slumped back on the couch, letting out a heavy sigh. “That goddamn woman…” you muttered, “Fuck.”

[underwhelmingalchemist]

So apparently the version of the "Isn't It Bromantic" interview that gets passed around isn't the full thing

So after seeing a tumblr post I can't find, about two and half hours of intensive internet digging, and one purchase from a sketchy second-hand site later (full story under the cut, I promise it's interesting, but also long), I got the physical magazine and scanned it

So here you go: the full "Isn't It Bromantic?" TV guide interview with Robert Sean Leonard and Hugh Laurie

Feel free to repost wherever you want- I want people to be able to find the full thing

SO, as for how I found it:

I saw this tumblr post forever ago that I can't find anymore because tumblr is just Like That with a cropped screenshot of an interview with Hugh Laurie and Robert Sean Leonard. In the interview, they're asked about the "bromance" between their two characters. Leonard makes an annoyed comment about how "everyone [is] obsessed with homosexuality", followed by the interview apologizing and Laurie immediately jumping in with, "No, no, let's talk about it. Wilson and House have an unusual relationship so you have to explore…" and the screenshot cuts off there. Cue funny comment from the OP about the interaction, roll credits.

Except, as these things tend to do, it ended up becoming a bit of a brain worm, and I wanted to find it again. But I couldn't find the tumblr post. I looked absolutely everywhere, and in the process of looking everywhere, I found what I thought was the original interview- a blog post with the full quote from the actor. I didn't think too much about it, I figured it was just a short quote given to a popular blog in 2008. There's a magazine cover above it, but I don't think too much about it, because I'm focusing on the quotes in the article instead of the rest of it.

So I send screenshots to a couple friends to make jokes, and it probably should have died there.

However, late at night I end up thinking about that interview again, because of course I did. I start to think about how it's weirdly formatted for, what I assumed at first reading, was just an entertainment news blog reaching out for comment and getting a response. So I pull up the screenshots of the article (because weirdly enough, the old-ass blog only loads on mobile) and look at it again.

This is when I realize that this isn't an original piece from a blog interviewing these two after reaching out for comment. This is a blog post quoting and commenting on a full interview from a magazine, which I had originally thought had just been the inspiration for the piece.

So naturally, I go looking for the magazine.

Luckily, the name of the magazine is displayed on the cover, and so is the title of its main piece. This should be easy to find, right?

Wrong.

This is an interview in a physical magazine. From 2008. October 13th, 2008, to be exact.

I know this exact date because searching the article title and magazine name leads me to an archive on the TV Guide website.

Of covers.

And nothing but covers.

I spend like forty-five minutes searching everywhere I can think of on the web. Internet Archive, the TV Guide website, any search result that comes up when I search any combination of the words "House" "Interview" "Bromantic" "Bromance" "TV Guide" "Archive" etc. Over and over, all that's coming up are that original blog post and the cover from the official gallery.

The only things I could find online were:

The cover and date of the issue on the TV Guide website

The original blog post that was screenshotted in the original tumblr post

Another blog post that had a much shorter version of the quote, references something Leonard says from later in the article, and makes a comment on the nature of his reaction to the term "bromance"

An entry on Leonard's IMDB page's "interview" list mentioning it in title only

And:

5. A single listing for the issue on what seemed to be a second-hand site that looked like it hadn't had its UI updated since the mid 2000's, with a listing with no date or additional information besides what issue it is.

This is the only listing anywhere. I checked every other second-hand site I could think of, and then some that only came up through google searches. There's not a single listing for that issue on any of them. There were plenty of listings of TV guide magazines, including one that seemed promising because it included issues from that year, but it was missing all of October.

It seemed like the only listing for this issue on the entire internet was this one copy on this one obscure website. For all I know, this was listed in 2008 and abandoned, and just never got marked inactive. It could also be a complete scam.

A few quick google searches show that that website seemed to be legit, albeit a bit loose on quality control (which makes sense, this website seemed like the kind of thing you'd have to use the Way Back Machine to access). It also had an option to pay via PayPal, which meant I could file a chargeback if need be.

It was $11.50 when you include shipping.

So at about half past midnight, I bought the listing.

Naturally, about an hour later, I manage to actually find a scan of the interview. I had to follow a link in the comments of a post on FanPop, taking me to an old wordpress blog, and I'm sitting in front of the damn interview at last.

But something doesn't make sense. Why would their cover story only be two pages of text that aren't even full pages, and why would it cut off so strangely? There was no concluding sentence or paragraph, even though it started with a fairly long lead-in. It also led right up to the edge of the page, which felt like there should be more to it. There were more images in the interview than text, and the fact that there are so many of them and they clearly did a whole photoshoot indicated that they had them on hand for a while. The silly string one, for instance, I imagine probably had to require a couple takes, which means cleaning off Wilson's hair and face, adjusting makeup, etc. for it. Meanwhile, the conversation itself seems like it could have taken ten minutes total. I could have been totally wrong and that was where the article ended, but I couldn't shake the feeling that there might be more.

So I hold tight. A couple days pass with no update, and then the PayPal purchase gets updated with a tracking number. Promising, but it could still be a scam. Whether or not I get the actual magazine becomes a source of anxiety for the next week.

Until today, when I get told it was delivered. And when I opened the envelope it was sent in: there it was.

When I tell you I was happy stimming in my bedroom just holding the damn issue in my own hands... And then opening it and finding out that I was right, there was a missing page... I was elated. I still am, just typing this.

So I spent half an hour getting my scanner to work, and I give you the above issues.

Like I said above, feel free to repost however and wherever you want. I want all this to mean something.

In the meantime, I have two more House-themed TV Guide magazines coming to try and get articles from.