#no one allows me to do anything

[thattheater-kid]

Shoutout to child hosts of teen/adult-bodied systems. System spaces tend to be inherently not accommodating to people like us, and there’s still so much stigma surrounding child alters being “allowed” to do “adult things” in adult-bodied (and adult-minded) systems.

[hinamie]

to moving forward

[ghost-bxrd]

Prompt:

Brucie Wayne gets into a mild accident in public (read-got hit by a car). And Batman would just walk it off (“it’s barely a bruise”), but Brucie obviously… can’t.

So he has to suffer the ordeal of having civilians call paramedics, getting fussed over, and having-

Having his dead son get into the back of the ambulance with him.

Oh- oh no. He must have hit his head worse than he thought. He thought he was past this…

[artkaninchenbau]

People keep on asking for more Baby Robin and Papadile so here is more Baby Robin and Papadile. Now never ask anything from me ever again

[bunnieswithknives]

I feel bad for neglecting Hazel so much, I do have many thoughts about her.. and also a mermaid au that im probably not going to do anything with

[finngualart]

daucus carota

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[bwamatoast]

been seeing a lot of ship/relationship charts going around and got inspired to make my own revolving around tickling! do whatever you please with this, i can definitely fill it out on my own if some of it is confusing <3

[bakudekublogblog]

talking to normal people about mha is always so enlightening because someone told me they didn't like season six and i was like???? THE BIBLE??????? YOU DONT LIKE THE BIBLE??? BAKUGOU KATSUKI RISING?? THE APOLOGY??? THE CHASING AFTER HIM TO FIGHT SHIGARAKI, THE REVEAL KATSUKI HAS BEEN WORRIED ABOUT IZUKU, IZUKU'S FERAL RAGE WHEN KATSUKI IS STABBED, KATSUKI BEING THE ONE TO FIND IZUKU AND THEN THE ONE TO BRING HIM HOME??? YOU DONT ENJOY THE SACRED TEXTS?? and then i'm like oh right not everyone is a fujoshi high on that sweet, sweet bkdk yaoi

[shalomniscient]

jingliu angst where she only tolerates you cus u remind her of baiheng sjjahagsab im dead

[nsft utc]

tw. mentions of vomiting (?), unhealthy/toxic dynamic, identity loss

you have always been a stray, hungry for scraps.

it began back on your home planet, ravaged and carved by interastral powers of all its resources, leaving behind a gnawing, gaping hole in the ground and the hearts and bellies of its people. you once mourned your more normal childhood—but the hunger in your stomach and in your soul consumed that too. your meals were few and far between, snatched from the hands of other starving husks, and it was the only joy you ever had as a child. the trickery and the thrill. it’s the only joy you get to keep into adulthood, a twisted elation that grants you a place in the cosmic court of jesters; the masked fools.

it’s—predictably—fun. trickery and thrill are the bread and butter of the fools. your mask affords you many, many opportunities for both, and though you have never had your belly achingly empty since, that hunger in your soul is not so easily sated. now, what you crave is the rush, the adrenaline, the oxytocin. and so you dance on marble floors with a different face each time, with partners who either wish you dead or in their beds, the space between you measured in an unfathomable amount of risk which you exchange for an unfathomable amount of thrill. you scamper along the length of this cosmic ballroom like a starving, feral fox in tall grass, the red of your fur as inviting as the white of your teeth are sharp. you hunt and you haunt, seeking something to fit between your aching teeth, something that will burst on the sharp point of your canines and smear your lips with pure elation and maybe satisfy that abyssal hunger in your psyche.

you have always been a stray, hungry for scraps.

and you have never seen more tantalizing a meal than a devil with a coffin and a woman who seeks to kill a god. she holds the tip of a ice-hewn blade beneath your chin the first time you meet, nicking the delicate skin of your neck, just above your pulse. you swallow. let out a laugh that sounds like a barking fox, and the woman’s sword falters. surprisingly, it doesn’t take much for you to convince her to let you tag along on her fool’s errand. it’s almost poetic. you learn of her name—jingliu. it’s pretty. rolls off your tongue. jingliu doesn’t bother to learn yours, but she calls you fox. you don’t mind the scrap of attention. after all, you’ve spent your whole life living off scraps.

travelling with jingliu (and by extension, luocha) does not lack for excitement. the road to deicide is paved with elation, even if your blue-haired companion refuses to see it. through battle and through the long travel between star systems in pursuit of the great fleet, you get somewhat closer to jingliu. it doesn’t take very long for you to slip into her bedroll (or cot, depending where you are). mara, you find, though cannot be cured can certainly be sated; much like the permanent hunger that curls in your belly. jingliu fucks you until neither of you are coherent enough to feel much of anything, madness or hunger. it’s an arrangement you find yourself enjoying. and as a by-product of such intimacy, you learn more about jingliu. her mannerisms, her illness—her past. she doesn’t tell you any of this, of course, but you can put two and two together from the things she lets slip deep in the throes of some nightmare after fucking you senseless. she gets many of those. the pattern is always the same. at first, she’ll sleep relatively soundly. but then, her brow creases, and her lip curls, and she angrily mutters a few names under her breath; a certain dan feng and yingxing. she curses them, then almost makes a noise like a sob, and something else leaves her lips— another name, but this time spoken with heartache and longing.

baiheng.

it doesn’t take much to infer that this baiheng was someone jingliu cared very much about. though when you ask luocha more about her, he reveals a little detail that makes her moderately more interesting—baiheng was a foxian. in some ways, that makes you similar to her, even though foxian you are not. the thought amused you once, as you looked back upon jingliu’s restless, sleeping form. perhaps jingliu saw her lost lover in you. how… quaint. the assumption never bother you, not really—until she starts to call for baiheng while she’s fucking you.

you’re no stranger to casual sex. even before jingliu, you never lacked for partners eager to share a bed with you. no, the fucking itself isn’t the problem—it’s how she’s fucking you. it isn’t with the detachment and pure lust like you’re used to. instead it’s almost like she cares, hands gentle on your hips as she drives her cock in and out of your greedy cunt. she fills you like she never wants for you to want for anything anymore, and even though you know it isn’t you this affection is for, that jingliu is barely even aware that you’re you and not baiheng, you can’t help but devour it feverishly every time.

you have always been a stray, hungry for scraps. and like this, with jingliu’s cock filling your pussy as she deliriously presses the shape of a dead woman’s name against your neck, you finally feel full.

and it makes you sick.

you crawl out of her embrace and spill your guts every time she falls asleep. your body utterly rejects the feeling—you’ve been so used to starving that the sensation of being full turns you ill. and yet, you can’t seem to push her away. you always come back, always relax under her touch, always pliant for her just to chase that brief, beautiful high you’ve never been able to find anywhere else only to bleed it once she’s done. your heart’s a pythagorean cup; a little too much and you’re spilling over. but you’re so greedy for it, still greedy for her. of all things it is affection that’s the most potent drug you’ve ever tasted, beyond the cheap thrill of oxytocin and adrenaline—even if none of it is meant for you, even if it’s just scraps. but that’s fine.

after all—you have always been a stray, hungry for scraps. and if that means wearing the face of a dead woman and letting the hunger finally devour you whole, then so be it.

[mr-laveau]

"Let him feel the pain that his mother felt and rot."

Listen, do I know that I'm supposed to want Odysseus freed? Yes, I do know this but also! She kinda ate with that.

[moeblob]

I love Chris so much you guys.

[undistortedworld]

Lan Xichen is dead. Jin Guangyao holds his body.

for @crithir for the @xiyaogotcha4gaza !! i really hope you like it!!! :D i got a bit carried away with this one but i couldnt help it, its SUCH a good and crunchy prompt, i live for the angst <333

ID under the cut! (ive not written a video ID before so i apologise if its not great and welcome feedback!)

[video description:

frame 1: JGY holds LXC's limp body in his lap, one hand cradling LXC's head and the other clutching LXC's own hand against his bleeding abdomen. LXC has a vacant expression and JGY looks shocked and horrified, unable to process what he is seeing. There is blood coating JGY's hands, LXC's robes, and pooling out of LXC's mouth and nose. The animation style is wobbly with sketchy hatched shading.

frame 2: The perspective is angled upwards towards JGY's face from behind LXC's head, highlighting JGY's expression. JGY continues to look horrified and blinks as tears stream down his face.

frame 3: The perspective switches to look down on LXC's expression from above JGY's head. His eyes are clouded over, mouth slightly ajar. There is blood staining his forehead ribbon, trailing from his mouth and nose, and splattered on his cheek.

frame 4: The perspective returns to how it was in frame 1. JGY blinks the tears from his eyes and looks distraught, before ducking his head to hide his expression. Lines indicate he is shaking. He clenches LXC's hand tighter for a moment before letting go to grab LXC's opposite shoulder to pull him closer and more securely in his arms so that LXC's head is by his chin. The perspective zooms in as JGY raises his head to show an expression of murderous rage towards the viewer. The screen gets darker and vignettes as it zooms in. JGY's face is dark, the only facial features visible being his eyes in bright contrast. Red lines of light shoot from the corners of his eyes to indicate the power of his rage.]

[gravityfallsrenaissance]

I rewatched Gravity Falls with my sister and holy crap being an adult and watching everything Stan goes through is insane.

I’ve been working through some stuff in therapy and like, this man has made some mistakes but definitely did not deserve what the narrative did to him.

Screws up his brothers machine on accident? Homeless at 17 and doesn’t speak to his twin for 10 years. Sees his brother again when they’re both at the end of their respective ropes and in their worst places mentally? Gets in a fight that lands his brother trapped for 30 years while he takes his death and tries to open the technical monstrosity his brother built when this man hasn’t even finished high school. Gets his brother back after 30 years? Doesn’t get a scrap of acknowledgement and is told to move out and leave him alone. Has spent 40 years trying to fix and atone for his mistakes? Not even a thank you and gets emotional about it such that the spell against Bill doesn’t work.

What’s left? Oh I don’t know, how about losing all of your memories and sense of self, letting the narrative boil you down to nothing more than a mistake and the only way you’re capable of rectifying it is by ceasing to be yourself, as literally as possible.

Like, I’m sorry, but if Ford really was so unreceptive to actually talking/working through things, I think Stan had more than atoned for his mistakes. I don’t think he was a fuck up or that his takeaway from everything should be that he wasn’t worth it. That his sacrifice was what he owed the world for everything he did.

Because he didn’t do any of it alone.

And boo fucking hoo that Ford had to shoot his brother. If their places had been reversed I doubt Stan could have done the same.

I’m sorry, you trusted an inter dimensional demon, kept secrets because you were too prideful to ask for help or admit to your failings, and again too prideful to say thank you to your younger brother who spent 3 decades doing everything he could to get you back? Stop throwing such a tantrum and get off your high horse.

Sure Stan made mistakes, but Ford never seemed to learn from his.

Rewatching it I was actually angry at the ending, at the idea that when Stan is facing Bill he’s not even upset at the hand he’s been dealt. At the unfairness of it.

Because it was unfair.

And if I had a single gripe with the series at all I would wish for maybe one extra episode after Stan losing his memories and before getting them back. Just one single episode of Ford admitting how he hurt his brother, the role he played in the apocalypse, just 20 minutes of him coming to terms with his own flaws.

Because we as the audience know Ford isn’t perfect, but I need him to acknowledge that too.

There is so much fanfiction where Stan’s life is horribly lonely or traumatic in ways the show can’t cover or makes light of and I get it but also it’s clear other people relate to Stan feeling like all he’s done is make mistakes and that he deserves what he’s gone through and that is so NOT the case.

And I wish the official narrative would acknowledge that too.

[a-scary-lack-of-common-sense]

Not me genuinely in a dilemma of whether or not I should block someone just for one absolutely ASS take even though it literally won't make a difference from their POV

[starscreamingg]

Detroit Become Human and why does this game decide that the problem in society is individual people treating androids poorly because those androids are choking them out of the workforce and NOT the corporations and governments who deliberately designed the androids to do this