#no idea why (though i guess there doesn't need to be a reason)

[sophiamcdougall]

You're a reasonably informed person on the internet. You've experienced things like no longer being able to get files off an old storage device, media you've downloaded suddenly going poof, sites and forums with troves full of people's thoughts and ideas vanishing forever. You've heard of cybercrime. You've read articles about lost media. You have at least a basic understanding that digital data is vulnerable, is what I'm saying. I'm guessing that you're also aware that history is, you know... important? And that it's an ongoing study, requiring ... data about how people live? And that it's not just about stanning celebrities that happen to be dead? Congratulations, you are significantly better-informed than the British government! So they're currently like "Oh hai can we destroy all these historical documents pls? To save money? Because we'll digitise them first so it's fine! That'll be easy, cheap and reliable -- right? These wills from the 1850s will totally be fine for another 170 years as a PNG or whatever, yeah? We didn't need to do an impact assesment about this because it's clearly win-win! We'd keep the physical wills of Famous People™ though because Famous People™ actually matter, unlike you plebs. We don't think there are any equalities implications about this, either! Also the only examples of Famous People™ we can think of are all white and rich, only one is a woman and she got famous because of the guy she married. Kisses!"

Yes, this is the same Government that's like "Oh no removing a statue of slave trader is erasing history :(" You have, however, until 23 February 2024 to politely inquire of them what the fuck they are smoking. And they will have to publish a summary of the responses they receive. And it will look kind of bad if the feedback is well-argued, informative and overwhelmingly negative and they go ahead and do it anyway. I currently edit documents including responses to consultations like (but significantly less insane) than this one. Responses do actually matter. I would particularly encourage British people/people based in the UK to do this, but as far as I can see it doesn't say you have to be either. If you are, say, a historian or an archivist, or someone who specialises in digital data do say so and draw on your expertise in your answers. This isn't a question of filling out a form. You have to manually compose an email answering the 12 questions in the consultation paper at the link above. I'll put my own answers under the fold. Note -- I never know if I'm being too rude in these sorts of things. You probably shouldn't be ruder than I have been.

Please do not copy and paste any of this: that would defeat the purpose. This isn't a petition, they need to see a range of individual responses. But it may give you a jumping-off point.

Question 1: Should the current law providing for the inspection of wills be preserved?

Yes. Our ability to understand our shared past is a fundamental aspect of our heritage. It is not possible for any authority to know in advance what future insights they are supporting or impeding by their treatment of material evidence. Safeguarding the historical record for future generations should be considered an extremely important duty.

Question 2: Are there any reforms you would suggest to the current law enabling wills to be inspected?

No.

Question 3: Are there any reasons why the High Court should store original paper will documents on a permanent basis, as opposed to just retaining a digitised copy of that material?

Yes. I am amazed that the recent cyber attack on the British Library, which has effectively paralysed it completely, not been sufficient to answer this question for you.  I also refer you to the fate of the Domesday Project. Digital storage is useful and can help more people access information; however, it is also inherently fragile. Malice, accident, or eventual inevitable obsolescence not merely might occur, but absolutely should be expected. It is ludicrously naive and reflects a truly unpardonable ignorance to assume that information preserved only in digital form is somehow inviolable and safe, or that a physical document once digitised, never need be digitised again..At absolute minimum, it should be understood as certain that at least some of any digital-only archive will eventually be permanently lost. It is not remotely implausible that all of it would be. Preserving the physical documents provides a crucial failsafe. It also allows any errors in reproduction -- also inevitable-- to be, eventually, seen and corrected. Note that maintaining, upgrading and replacing digital infrastructure is not free, easy or reliable. Over the long term, risks to the data concerned can only accumulate.

"Unlike the methods for preserving analog documents that have been honed over millennia, there is no deep precedence to look to regarding the management of digital records. As such, the processing, long-term storage, and distribution potential of archival digital data are highly unresolved issues. [..] the more digital data is migrated, translated, and re-compressed into new formats, the more room there is for information to be lost, be it at the microbit-level of preservation. Any failure to contend with the instability of digital storage mediums, hardware obsolescence, and software obsolescence thus meets a terminal end—the definitive loss of information. The common belief that digital data is safe so long as it is backed up according to the 3-2-1 rule (3 copies on 2 different formats with 1 copy saved off site) belies the fact that it is fundamentally unclear how long digital information can or will remain intact. What is certain is that its unique vulnerabilities do become more pertinent with age."  -- James Boyda, On Loss in the 21st Century: Digital Decay and the Archive, Introduction.

Question 4: Do you agree that after a certain time original paper documents (from 1858 onwards) may be destroyed (other than for famous individuals)? Are there any alternatives, involving the public or private sector, you can suggest to their being destroyed?

Absolutely not. And I would have hoped we were past the "great man" theory of history. Firstly, you do not know which figures will still be considered "famous" in the future and which currently obscure individuals may deserve and eventually receive greater attention. I note that of the three figures you mention here as notable enough to have their wills preserved, all are white, the majority are male (the one woman having achieved fame through marriage) and all were wealthy at the time of their death. Any such approach will certainly cull evidence of the lives of women, people of colour and the poor from the historical record, and send a clear message about whose lives you consider worth remembering.

Secondly, the famous and successsful are only a small part of our history. Understanding the realities that shaped our past and continue to mould our present requires evidence of the lives of so-called "ordinary people"!

Did you even speak to any historians before coming up with this idea?

Entrusting the documents to the private sector would be similarly disastrous. What happens when a private company goes bust or decides that preserving this material is no longer profitable? What reasonable person, confronted with our crumbling privatised water infrastructure, would willingly consign any part of our heritage to a similar fate?

Question 5: Do you agree that there is equivalence between paper and digital copies of wills so that the ECA 2000 can be used?

No. And it raises serious questions about the skill and knowledge base within HMCTS and the government that the very basic concepts of data loss and the digital dark age appear to be unknown to you. I also refer you to the Domesday Project.

Question 6: Are there any other matters directly related to the retention of digital or paper wills that are not covered by the proposed exercise of the powers in the ECA 2000 that you consider are necessary?

Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.

Question 7: If the Government pursues preserving permanently only a digital copy of a will document, should it seek to reform the primary legislation by introducing a Bill or do so under the ECA 2000?

Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.

Question 8: If the Government moves to digital only copies of original will documents, what do you think the retention period for the original paper wills should be? Please give reasons and state what you believe the minimum retention period should be and whether you consider the Government’s suggestion of 25 years to be reasonable.

There is no good version of this plan. The physical documents should be preserved.

Question 9: Do you agree with the principle that wills of famous people should be preserved in the original paper form for historic interest?

This question betrays deep ignorance of what "historic interest" actually is. The study of history is not simply glorified celebrity gossip. If anything, the physical wills of currently famous people could be considered more expendable as it is likely that their contents are so widely diffused as to be relatively "safe", whereas the wills of so-called "ordinary people" will, especially in aggregate, provide insights that have not yet been explored.

Question 10: Do you have any initial suggestions on the criteria which should be adopted for identifying famous/historic figures whose original paper will document should be preserved permanently?

Abandon this entire lamentable plan. As previously discussed, you do not and cannot know who will be considered "famous" in the future, and fame is a profoundly flawed criterion of historical significance.

Question 11: Do you agree that the Probate Registries should only permanently retain wills and codicils from the documents submitted in support of a probate application? Please explain, if setting out the case for retention of any other documents.

No, all the documents should be preserved indefinitely.

Question 12: Do you agree that we have correctly identified the range and extent of the equalities impacts under each of these proposals set out in this consultation? Please give reasons and supply evidence of further equalities impacts as appropriate.

No. You appear to have neglected equalities impacts entirely. As discussed, in your drive to prioritise "famous people", your plan will certainly prioritise the white, wealthy and mostly the male, as your "Charles Dickens, Charles Darwin and Princess Diana" examples amply indicate. This plan will create a two-tier system where evidence of the lives of the privileged is carefully preserved while information regarding people of colour, women, the working class and other disadvantaged groups is disproportionately abandoned to digital decay and eventual loss. Current and future historians from, or specialising in the history of minority groups will be especially impoverished by this.  

[silveeja]

ミ☆ Astro Notes!

some basic astrology notes based on personal experience and opinions

i'm not a professional astrologer, this is just for fun~

let me know if you guys think differently/have different experiences, or if you relate to any of these, i'm curious to know what everyone else thinks! :3

random natal observations;

✩ scorpio risings do have an intense, penetrating gaze, but i noticed it's not just risings but ANY scorpio placement has it. i know someone who's chart is mainly air, but their venus is in scorpio and whewww those intense EYES!! (also the amount of scorpio placements i've seen say they're too shy for eye contact??? ya'll don't know the power that you hold! use it! hehe)

✩ speaking of scorpio placements, i would never want to fight with a scorpio mercury, those people will break you with their words if pushed far enough. their words will cut you deep, they know exactly what to say to hurt someone.

✩ pls stop saying aquarians (especially moons) are emotionless and don't care about anything. they can be like this if they choose to, that's their superpower, they can detach themselves from people and situations and emotions at will, but it doesn't mean they're emotionless or like robots, if anything their emotions run too deep sometimes and it all gets overwhelming, to the point where they need to take a step back. once you're close to an aquarian though, they'll open up, trust.

✩ also once an aquarius is done, they're done. they give many chances and are generous, but once they decide to leave, a switch happens and the warm, friendly person is gone. it's true that they are masters at ghosting and detaching, but if they do so, it's always for a reason.

✩ something i've noticed with leo moons (especially if they have scorpio sun or other scorpio placements) is they tend to be a bit selfish, idk if its subconscious or not. they care a lot about their own feelings, but dismiss other people's feelings and have a 'it's not that deep' attitude when they do something that hurts others. I've noticed this with 3 different scorpio sun/leo moon people.

✩ if astrology isn't real then why do sagittarius placements speak before they think??? lol it's kinda funny seeing their faces when they realise they just said something outrageous.

✩ people with venus in their 5th, please stop flirting with everything that has a pulse are ya'll not tired??? (teach me your rizz ways).

✩ i'm calling ya'll out, but cancer moons, please stop playing the victim in situations you created! just take responsibility and move on, no need to play the blaming, crying game. i believe in you! :)

✩ i've noticed pisces mercury people have sweet, soft voices but they tend to mess up when they talk a lot? like stuttering, forgetting what word they wanted to say, mispronouncing words. i guess it's the neptunian energy messing with mercury? anyone else notice it or just me?

✩ my mom is a scorpio mars and she refused to enter a shop where a lady she had beef with 30 years ago works saying "i don't fuck with her" LMFAO the scorpio placements (especially mars) and the grudge holding stereotype is realllll

✩ someone having juno/venus in their 11th house really likes the idea of friends to lovers type of romance! the types to want their lover also be their best friend. ♡

✩ to those who have mars square pluto, it gets better, i promise. you will heal, and the darkness won't last forever. remember that you hold a lot of power within you!

✩ harsh aspects to the MC, especially with sun/moon/mars, can definitely indicate a delay when it comes to finding a career, holding down a job, deciding what you want to do in life. remember that life isn't a race or a competition, even if it seems this way in this society, do it all at your own pace. it's your life, after all!

random synastry observations;

✩ not really an observation but i find it hilarious how some people are obsessed with the 8th house especially synastry, when it's the house that rules obsession lol the irony.

✩ personally, i've had 8th house synastry quite a lot, and i noticed that i prefer being the planet person, when i'm house i feel the 8th house energy way more to the point where it can become too overwhelming, when i'm the planet i feel it but not as intensely. so in my experience, the house person is the one who's more obsessed/attached/repulsed.

✩ someone's ascendant falling into another's 8th house will make the 8th house person feel intimidated/scared of the ascendant even if there's no reason to be.

✩ a family member's chiron falling in someone's 4th house can indicate deep wounds when it comes to family/childhood, the chiron person either created the wounds or triggers them for the house person. :/

✩ on a lighter note, someone's venus in another's 1st house! how sweet! i noticed it doesn't even have to be conjunct to the ascendant (although it definitely helps if it is), the attraction/appreciation is still definitely there! the venus person loves the 1st house and how they look and present themselves, if romantic, i picture the gif of a cartoon character with heart eyes popping out when they look at the 1st house person!

✩ 12th house synastry really does feel foggy, more so for the planet person, you never actually know what the house truly thinks of you, when you're together it can feel awesome and like such a close bond, but when apart suddenly doubts start to come in, like "do they really like me?" or "are we actually close or am i being delusional and imagining it?" and "what if it's one sided and only i'm feeling this way, and the house doesn't even care?" it can be a real mindfuck fr.

✩ someone's mars falling in another's 3rd house and/or conjunct their mercury can show the two people love talking to each other and have the most engaging and diverse conversations, the types to just stay up all night and talk about 100s of different topics! if badly aspected though it can lead to heated debates and arguments, especially the mars person being more argumentative and aggressive in their approach.

✩ venus conjunct someone's chiron is super nice to have, the venus person soothes the chiron person and helps them heal whatever wounds they are carrying! very supportive and sweet bond.

✩ in friendships/family, moon conjunct mars can feel abrasive for the moon person, the mars person being too aggressive/harsh for the moon even if they don't mean it and it's subconscious, the moon tends to take mars' words and actions to heart.

✩ in romantic relationships though, i personally found it works really well, the bond they have is amazing and the mars person tends to be very protective and loyal when it comes to the moon, it's a fiery aspect so when they fight they fight hard, but when they love, it burns in the best way possible!

✩ 6th house synastry really doesn't get enough attention and a lot of people tend to gloss over it, but it's so cute! it's definitely an acts of service and quality time type of vibe between two people, they just love hanging out with each other even if they're not doing anything in particular, or they love helping each other out with different things. it gives cooking/baking together, having movie marathons with a bunch of snacks and blankets, napping together, going for late night walks/drives just bc, one person is reading and the other is watching tiktoks while enjoying the comfortable silence.

these are some of my basic observations, feel free to agree/disagree with me! i hope ya'll have a nice day! ♡

[certifiedcodbabygirl]

Simon Riley who realizes how much he fucked up and that maybe therapy isn't such a bad idea

AN: Lil bit longer than usual, but it's been on my mind

Art credit to SubsurfaceChaos on Twitter

Something was off with him all day. It wasn't too noticeable until he began distancing himself, getting irritated at being around anyone. You confronted him, simply trying to see if you could help or maybe provide comfort, and fuck did that backfire.

He was sitting in the living room watching whatever was on the channel, but it's not like he was paying attention to it. Thoughts and feelings of the deployment he just came back from a few days ago build up, irritation filling him like water in a bathtub. He doesn't usually have flashbacks or anything like that, the military would discharge him if he had PTSD, but some days he thinks too much.

He didn't even notice you coming in until you were sitting next to him. He snaps out of his thoughts just to meet your soft eyes. You sat on the other end of the couch, not wanting to crowd him too much while he's like this.

"What." He deadpans, voice devoid of all emotion.

Yeah something's definitely up.

"What's wrong, Si? Somethin' been messing with you today?" You ask gently, not wanting to come off as if you're accusing him.

He gives you and irritated look, suggesting you drop it, "Nothin', 'm fine"

You're not stupid. He tends to need a little push in order to open up.

"I know you're not", tone still soft, "I'm not trying to irritate you or anything, I ju-"

"Well you certainly got an affinity for it" He snaps, "Drop it"

You inhale, trying to not take his words personally, "Si, I'm your girlfriend, it's kinda my job to check in with you"

The bathtub overflows.

"You can't listen, can you? I said drop it, fuckin' 'ell" He stands up from the couch and walks to the kitchen, trying to create distance.

"Simon I'm just trying to help, I'm not here to make things harder for you" You try to reason with him, swallowing the lump in your throat.

You follow him into the kitchen but still give him space. He doesn't say anything back, a small part of him knowing you're right but the larger part won't connect to that. Pouring a class of orange juice, he keeps his back to you.

"Si-"

"Can you shut up for once?! Can you? I said bloody drop it. It's not up for discussion!" He sets the cup on the counter with a thud and snaps at you, "You're always fuckin' naggin' at me, clearly not takin' a bloody hint. Jesus Christ"

That shuts you up. The lump in your throat intensifies, tears beginning to form in your eyes. He's never yelled at you like that before. Sure, he's had bursts of irritation during arguments, but he's worked hard to make sure he never treats you how you don't deserve.

"Why are you yelling at me? All I'm doing is trying to be there for you" You ask quietly, voice not really allowing you to speak louder. a couple tears fall down your face, and your nose begins to get stuffed up. You try to quietly sniffle but he still hears it. He hangs his head down and groans quietly.

"Now you're fuckin' cryin'. Great."

Not wanting to be around him much longer, you turn to leave, "Come find me when you're calmer", Your voice betrays you and cracks a little.

You walk away and go upstairs to your shared bedroom. Once you close the door, the crying begins. His words cut through you like a knife, a deep pressure-like hurt seeping through your chest. Sobs rack your body yet you still try to be quiet, not wanting him to hear. You know he's gonna snap out of it and fuckin hate himself for what he did. You know he loves you, and if he were in his right mind he would have never uttered a single degrading word to you.

You slip into bed and lay there, crying. You guessed he would be up anytime soon and the smell of him on the pillows was both comforting and hurtful.

Downstairs though, Simon was fucking fuming. Seeing you go up the stairs, lip quivering, evaporated every bit of him anger. He groans loudly and throws an arm over his eyes.

'How fuckin' stupid can you be? How the fuck can you speak to her like that?'

He removes his arm and leans against the counter, arms crossed over his chest. You've stuck through with him since the moment you meet. Never once judged his off stand-ish behavior and learned to find ways to work with him. He cherished you so wholly, feeling what he thought he never would. You came into his life and slowly broke down his walls, allowing you to see him apart from his exterior.

He thought he was going to lose you. Sure, you had arguments before, but he had never purposefully tried to hurt you. Knowing that he did made his stomach churn, nausea kicking in. 2 years of the best relationship (not that there were very many before you) all to be broken down, at least what he thought, because he was pissed off.

'Maybe I should fuckin' go to therapy.'

Let's be honest, he could use it. He tried to go through it before but just quit due to how uncomfortable it made him. He figured he was on his own, all before you, and there was no one to deal with his bullshit besides him. Now he has someone who he cares about so much that it doesn't matter if he's uncomfortable. He'd rather be uncomfortable than never be with you again.

He gathers the balls to go upstairs and carefully opens the door. He's met with the sight of you curled up, your sniffles being the only sound in the room.

"Go away" You call out, although not too loudly. Your voice is wobbly and stuffy.

He'd think it was adorable, had he not been the one to cause it. He walks to the opposite side of the bed and gets in, spooning you. He kisses your hair so gently it would give you butterflies if you weren't so upset.

"I'm so sorry, love. I haven't a clue why I did that to you and you didn't deserve a single lick of it." He feels the small burn in his nose as he starts tearing up a little, "I promise it'll never happen again"

You sniffle as more tears fall, the pain sticking to you despite his words.

"I wasn't trying to piss you off" You whisper.

"I know baby, it wasn't you. I promise it wasn't. Could never be that mad at you" He says softly, a tear falling. He grips you a little bit tighter and kisses the back of your neck, trying to bring comfort to both of you.

"Then why did you yell at me? I've never heard you like that before."

He sighs, "Been thinkin' 'bout what happened while I was gone and it came out at you. 'M gonna go back to therapy 'n try to fix what ever the hell is wrong with me" He kisses your neck again, " 'M gonna do better, gonna be better"

He's not stupid, he knows his words aren't gonna go away overnight. He knows how much you love him, even if he doesn't understand it, and knows hearing that from him hurts more than it would anyone else. He knows you're gonna be affected by them for a bit and he's prepared to fix it. Anything for his love.

You turn around so you're both still on your sides but you're cuddled into his chest. Wasting no time, not even hesitating, he wraps his arms around you and holds you tight. He lets out a sigh of relief, knowing this is your way of accepting his apology. He softly kisses your forehead and cheek, whispering how much he loves you and how it's gonna be better.

He knows he can't run from his issues anymore and for once he's ready to face them.

[jetpackgeneratedcat]

It took literal months, but I finished it!!

Top left: linked universe logo

The jojo's lu logo is sooooo detailed. It is one of the things I love about Jojo's asethetic with linked universe. The detail she adds brings so much life and information about the world of Linked Universe. Great example is all the embroidery on the chain's clothing. Let's you know about civilization, that an item may be magical, etc. It is difficult to keep small details in watercolor, but I think I caught most of the main details in the painting.

Middle left: Soulful legend

This was the fourth of the images I did for the painting, and the first image I really started to get into the painting. I think legend is my favorite to paint because he makes composition so easy. The red tunic adds an easy focal point. I did learn from this that I do not like masking fluid and likely won't use it again. It added to many hard edges that I wasn't intending. Very happy with the sky!

Bottom left: Evening snack

In this image, I liked the idea that wind and sky don't know what Ramen is because their worlds don't have enough space to produce wheat. So sky and wind are super excited about this new food, while legend has no idea why they are so hyped for noodles. I also liked the idea that four found a green pepper in the ramen as a topping and is a hater (this is from a note that jojo left somewhere saying that the chain will eat anything but four in the Manga does not like green peppers, idk where this note is to link it though....). I didn't end up drawing the Ramen noodles as it was just getting too small of a scale for me to be comfortable drawing the thin lines for the noodles in.

Bottom right: Testudo

I am very hyped in the future when we see more collaborative fighting with the chain and them working together effectively. I absolutely love the scene in shifting shadows part 3 where lenged and hyrule work together with the beam and hookshot.

Middle: Legends storage

This is a reference to one of jojo's earliest works where the chain goes to legends storage for him to pick up some gear. I love that scene and I tried to put as many references as I could. The one thing I need to figure out is how I want twilight to look. I can't wrap my head around it. Need to sit down and just try out a bunch of different faces for him. My Pinterest inspo for twilight is all over the place. I want twilight to look different from time because when Malon was trying to guess who was the descendent, she did not consider twilight (she looked at wars and wind (so I typically draw time, wind, and wars looking similar). For my own personal headcannon, twilight and time are very similar in their manner (the way the walk, stand, etc) and personality (their stubbornness (as seen in sunset pt3)) but not necessarily in looks.

Middle right: Boat boys

The first image I did. I like how the water turned out, but I will not be using masking fluid for the same reasons I noted earlier. I did trace the boat (i think this is the reference [L240632 Hornet Class. J. Arthur Dixon Ltd. Beken and Son]). I do regret not doing anything creative with the boat, but I just wanted to get into painting and needed some confidence by working directly from a reference. I also forgot that legend might not be so keen to be on a boat again based on a comment jojo left in 2022 or something. I think she mentioned something in a discord event back then about legend not too willing to be on a boat again. But that doesn't really matter, I put that boy in a boat whether he likes it or not lol.

Top right: Winter storm

Second image I did for this painting. I did trace most of the horse because I do not care to learn horse anatomy (ref. [Winter Save By David Stoecklein]) Favorite part about this is the lighting on the rope from the lantern. I think it turn out well.

Top middle: Heavy armour

Third image I did for the painting and the one I realized I need to spend more time painting people in neutral or back lite lighting. But for my first time I think it is good. I really want to see what jojo does with the armour sets! I like the idea that war's armour is clean and pristine while wild's armour is rusted and beaten from the calamity. In this painting I played with adding pink to the golden armour and I liked it. In the middle picture of the collage (legends storage), you can see i added pink to time's armour.

That's everything! ❤️

[bigfootsboytoy]

Steve ends up heartbroken, lonely and depressed after season 2. Nancy called him bullshit, even after he ditched all his old friends for her. Billy Hargrove took his spot at the top of the food chain. He can have it, Steve doesn't really want it anymore. But Steve does want to find some sort of connection. Someone to have in his life who isn't an 11 year old kid he barely knows. He tries to go on a date one night, take a nice-seeming girl to a party. He wants to find connection, to kill the loneliness that's been building for months, but just as he's feeling kind of good about things, his date ditches him.

So. He decides to drink his feelings. He gets majorly fucked up, and ends up laying on the ground in the backyard, contemplating how much life seems to hate him.

Only to literally get tripped over by Eddie Munson, who was at this party selling pot and is very confused as to why Steve Harrington is alone on the ground with a bottle of vodka clenched in one hand.

Eddie ends up chatting a little with Steve, nothing substantial, but enough to know that Steve is very very drunk, and also very very sad.

He asks if Steve wants to go back to the party, and Steve staunchly refuses. He doesn't want to be around a bunch of annoyingly happy people.

He asks if Steve needs a ride home, and Steve just kind of shrugs. His parents just left for another trip, so home is kind of depressing right now too. But he doesn't exactly have any other friends he can stay with so. Home it'll have to be.

Only Eddie can *tell* he doesn't really want to go home, though he has no idea why Steve wouldn't want to return to his veritable mansion after a shitty night. The reason doesn't matter much. He offers to let Steve crash at his place. Steve can take the couch, or hell he can stay in Eddie's room if he doesn't mind sharing, that way he wouldn't risk being woken up when Wayne comes home that morning.

And well, Steve agrees. Can't think of any reason not too. Munson has been nice so far, he's got a good easy-going energy that Steve likes. Why not stay the night.

By the time they get to Eddie's, Steve is *slightly* more sober. Not much, but he's slurring his words a little less, and he can walk with only a little help.

Eddie grabs them each a little plate of leftovers, because he has no idea if Steve's eaten at all. It's quiet while they eat, Eddie doesn't push Steve to talk, and Steve isn't sure what to say. Eventually Eddie sets the plates aside and give Steve an easy grin.

"So, do you want the couch, or are you crashing with me?"

Steve thinks about it for a while. He hasn't shared a bed with a guy-friend since he was a kid, and he's heard rumors about Eddie, whispers in the hall about the way he looks at other guys. But...Steve can't really bring himself to care. He's tired, and he really doesn't want to be alone.

"I don't mind sharing."

Eddie sets them both up in his room, letting Steve choose which side of the bed he wants, and they both settle in. There's a respectable distance between the two of them, and Eddie says a quick goodnight to Steve, figures they won't talk and just go right to bed.

Except Steve isn't sober, and he really isn't in a good headspace, so he can't stop himself from blurting things out into the quiet of the dark room.

"Are you really gay?"

Eddie stiffens next to him, he can feel it, he can hear the way that the other boys breath cuts off and he seems to stop breathing all-together.

"It's okay if you are, I'm not going to be an asshole about it, I'm trying not to be that guy anymore. I guess I was just curious."

It's quiet for another beat before Eddie seems to loosen just a little. He starts breathing again at least.

"Yeah I uh- I am. Gay. And if that's weird the couch is still open, I can-"

"It's not weird."

"Okay."

Steve let's himself mull over this confirmation, and then his mouth starts moving again, without his permission.

"Is it lonely? Cause I mean, it's got to be hard to date in Hawkins. People here are shitty. Unless you've got like, a secret boyfriend or something."

"No...no secret boyfriend. It does get a little lonely sometimes. I'm lucky though, I've got my uncle, and my friends are pretty great. That's enough most days."

"What do you do when it's not enough?"

"Hmmm?"

"When your uncle and friends aren't enough, what do you do? To try and...make it better?"

Eddie is quiet again for a long stretch before he shrugs.

"I try to focus on something else. I'll play my guitar or work on a new campaign, read a book. Something to take my mind off it."

"Oh."

Now Steve is the one who seems tense, his jaw is tight and he's got his arms wrapped around himself. His next words come out as a whisper, but Eddie manages to catch them.

"I don't know how to do any of that."

He sounds almost choked, and Eddie is caught off guard. He's never seen Steve Harrington as anything other than solid, as happy. He's the king, after all. He's supposed to be all smiles and great hair. Only...Eddie's noticed that he hasn't hung out with his old friends lately, that he's eaten alone at lunch too many times to be anything other than strange.

"Steve...are you lonely?"

Eddie expects a denial, for Steve to laugh it off and tell Eddie that he's perfectly fine and fulfilled. Or maybe he expects a shrug, a non-answer. What he doesn't expect is the gut-wrenching sob that seems to tear past the other boys lips.

He doesn't expect to turn and see Steve Harrington's face, a scant foot from his, shining with tears.

He panics a little at the sight.

"Fuck- I'm so sorry-"

"Don't be." Steve tries to wipe his eyes, to hide the tremble in his voice. "Not your fault there's something wrong with me."

"What do you mean?"

"It's like I'm broken man, like nobody can stand to be around me. Tommy and Carol hate me now, Nancy- hell even my own parents hate being at home with me for more than a week. It's like I'm repellent or something. Couldn't even get a date to stick around for a whole night."

And Eddie's pretty sure *he* might start crying now. He'd never have expected this much from Steve, all that sadness to come pouring out. It wouldn't have happened if Steve was completely sober. Without thinking, he reaches out.

Eddie puts a hand on Steve's shoulder and waits to see if the touch gets rejected, but Steve seems to lean into him, so he lets his hand linger.

"This probably won't help, but I don't think you're repellent. And that's coming from somebody who your whole group used to torture. I don't know much about you, but I kind of liked having you around tonight."

"Yeah?"

"Yeah."

Steve gives him a tiny smile. His eyes are still wet with tears, and the smile doesn't come close to reaching them. He seems impossibly small here in Eddie's bed.

"I don't know man. I just wish-"

He cuts himself off, apparently deciding his words are too far, but Eddie urges him to keep talking.

"What do you wish Steve?"

"I just wish that... there was somebody out there I could have a future with. Somebody who actually loved me, you know?"

It might be the saddest thing Eddie's ever heard, and he blames that fact for what he does next.

He takes his hand off Steve's shoulders and instead hauls Steve closer to him, fitting the other boy against his chest and wrapping his arms around him. It's a move that might get him decked, but he doesn't think it will. And he'll be damned if he doesn't hug Steve right that second.

He doesn't get hit. Steve tenses for a second, but it's just that one instant before he's melting into the embrace.

Eddie feels more tears falling against his shirt, and he couldn't care less. He keeps Steve close, let's him cry into his chest, runs a hand through that famous mop of hair.

He isn't sure how long it takes for Steve to calm down, but eventually he does. His breathing evens out, and he shivers a little before speaking.

"Thanks man."

And Eddie takes another leap of faith.

"I could be that person, you know."

"What?"

"I mean. You know Im... not straight. It may not be exactly what you're wanting but. I think I could picture a future with you. If you want to, just for tonight...I could be that someone who loves you."

Steve looks at Eddie, like he's a puzzle that he needs to solve, before a other shiver seems to wrack his body.

"Just for tonight?"

It comes out as a whisper, but Eddie hears it all the same.

"Yeah. For tonight Steve."

"I think...I think I'd like that."

Eddie gives him the sweetest smile he can muster, and nods.

"Alright sweetheart."

Eddie isn't exactly sure what it means, to love Steve for the night. After all, Steve is straight. He figures it doesn't matter much though, it's only for a night.

He keeps a hold on Steve, let's him get comfortable tucked against Eddie, and he does what feels natural. He runs a hand up and down Steve's spine, traces shapes into the soft fabric of his shirt. He tangles their legs together, and in a moment of insane bravery he presses a kiss to the top of Steve's head.

He's met with a sigh, full of relief, and figures he's on the right track.

"Just close your eyes Stevie, I've got you."

"Can you tell me about it?"

"Hmmm?"

"The future. You said you could see one. Can you tell me?"

And he asks so carefully, he sounds almost afraid, Eddie can't say no to that.

"Do you want the fantasy future, or the realistic future?"

"The real one."

"Alright then. Well, if I'm not going to be a rich and famous rockstar...I'll probably graduate and get a job somewhere in town. A real job, maybe working on cars or something. I'm good with cars. You'd come over all the time, have dinners with me and with Wayne. You'd have to meet Wayne. And we'd have more nights like this, sleeping close."

Steve let's out a pleased sounding hum, and shifts his face so it's buried even closer in Eddie's neck. He can feel Steve's breath on him.

"We could save up money and get a little place together, somewhere outside Hawkins. I have to stay kind of close, for my uncle, but maybe Indy?"

Steve nods, mutters something about staying close 'just in case'. He sounds like he might fall asleep, so Eddie keeps going.

"We could get an apartment, nothing too fancy. We would get two rooms, so nobody gets suspicious, but we would share a bed most nights. I'd play with my band on weekends, just for fun, and you'd join some little local sports team. I'd make sure to schedule DND nights so that I never miss a single game, even though I don't understand a damn thing about sports. We would come home for holidays, but most of the time it would just be us. I'd take good care of you, make sure you never go more than a few hours without me telling you I love you. I'll show up wherever you're working just to give you a hug and a kiss, and make sure you don't forget it. And I'll annoy the hell out of, but you won't mind too much, because I'll make you happy too."

Eddie can think of more. He can think about so many things. How he could give Steve one of his rings, even if they couldn't legally get married, even if Steve would never want that. Just as another reminder that he's loved. They could take trips together and go out to parties where Steve will never have to worry about getting ditched. Eddie doesn't do things halfway, and he has a hell of an imagination. He could picture them growing old together, if he tried, if he let himself. But this is just for tonight, so he doesn't. Instead he runs a hand through Steve's hair again, and listens to his quiet breathing. He thinks he may have fallen asleep, but he's wrong.

"That sounds nice."

It comes out muffled, spoken into Eddie's neck, but he manages to make it out, and he let's the vibration of it sink into his skin.

*It's only for tonight.*

He has to remind himself, because Steve is just feeling lonely. He doesn't want that future with Eddie, he just wants to feel loved.

But even if it's just pretend, just to help Steve for a few hours, he's okay with that.

Steve may think he's broken, but Eddie thinks he would be easy to love for a long time. Loving him for one night is nothing. He doesn't even have to try.

Tomorrow Steve will wake up sober, and he'll thank Eddie for letting him stay over, and they won't talk about it. Eddie will drive Steve back to his car in silence, and they'll say their goodbyes. They may not talk ever again, they never had before.

But for tonight? Eddie Munson will love Steve Harrington, and Steve? He'll let himself be loved, let himself beleive it. And he'll love Eddie right back.

Just for one night.

And if Steve ever needs it again? Eddie will love him for another night. And Steve will give that love right back. He's got plenty to spare, after all. And there's far worse people he could share it with.

[pomefioredove]

Hello! I would like to request overblot boys + cater & tweels finding out that the reader who is usually shy and calm all the time is actually a streamer/vtuber. They’re very chaotic when they stream like whenever they get jumpscare, reader would scream really loud and when they find something funny, they would let out the most contagious laugh that would also make their viewers laugh at the most unfunniest things.

Thats all! Please take your time and take care╰(*´︶`*)╯♡

*ੈ✩‧₊˚ vtuber reader

type of post: headcanons characters: riddle, cater, leona, azul, jade, floyd, jamil, vil, idia, malleus additional info: romantic or platonic, reader is gender neutral, reader is not specified to be yuu

Cater first came across your content on Magicam. you're popular enough to have people reposting clips of your streams, and, of course, he recognized the cadence of your voice. after a little investigation, he's sure it's you... though he hasn't brought it up quite yet. he's keeping that info for when he needs it

he did, however, tell Riddle, who...

"I don't understand,"

...yeah. he doesn't get your jokes or your avatar or anything really, but he still follows and watches to support you... not that he'd ever admit it

*ੈ✩‧₊˚

how did Leona find out? your guess is as good as mine. maybe you let something slip, maybe Cater said something, maybe he just had a feeling

either way, he really enjoys the look on your face when he holds up his phone to show you one of your own streams

"This you?"

...then, he never brings it up again

whether he still watches is for him to know, and you to guess

*ੈ✩‧₊˚

Jade always had a suspicion that you were more than meets the eye, but he never had any reason to pry until Floyd let himself into your room while you were in the middle of a stream

"OOH, pretty, can I try?"

of course, you have to fend him off from your keyboard, and he settles for watching, instead

the next time you stream, he's there again, with Jade, too

the time after that, Azul is also watching

you have no idea why the three of them find this side of you so captivating, but they're quiet, so you let them stay

*ੈ✩‧₊˚

I feel like Kalim is more online than you'd think. he probably saw a clip of you in a try not to laugh compilation and brought it to Jamil

"Hey, look, their name kinda sounds like our friend! What a funny coincidence!"

Jamil doesn't say anything then, but later, he does look into it. it doesn't take a genius to put the pieces together, after all

he doesn't say anything to you. it's hardly enough for blackmail, and he sees no other reason to bring it up

sometimes, though, when he's alone and working, he'll put on a stream just to hear your voice

*ੈ✩‧₊˚

Rook knows, because of course Rook knows, and of course he tells Vil when he feels like it

and of course Vil looks you up out of curiosity, and of course he's surprised to see that you have quite a following. nothing compared to his, but he can't blame you for that. he wonders why you never talk about this, but assuming you have a good reason, he doesn't ask you to, either

...he could never admit that he finds your silly jokes and bits funny, anyway

*ੈ✩‧₊˚

Idia is the pièce de résistance in all of this

he knew before Kalim, he knew before Cater, he even knew before Rook

he'd been going through different streams and stumbled across yours because he thought your avatar was cute, and...

of course, he recognized you. the way you pause when you're talking, your laugh, even your choice of jokes, is all so... you. he knew you were hiding something behind that shyness

he's been a subscriber and donator since he recognized you, and the only reason he's never brought it up IRL is because he'd pass out if he had to talk to you

*ੈ✩‧₊˚

poor Malleus

he's the only one who didn't know until you told him personally (and, even then, he was confused)

it's not like Silver or Sebek are regularly watching vtuber streams, and if Lilia were (he probably is), he wouldn't have said anything. so, it's up to you

it takes a bit to explain everything, and you'll have to show him your avatar to satisfy his curiosity, but he understands everything rather easily

though, he notes that your avatar is not nearly as cute as you are in real life

[astrologysaysno]

I saw an Omegaverse fanfic, thought of SVSSS and thought, why not mix them both.

So I offer to the masses the idea of a Second Gender-less Shang Qinghua.

I have a vision that pre PIDW, he had written a lot of books before that, some of which I can imagine are Omegaverse fics

So why not have the PIDW world collide with the Omegaverse and just give everyone secondary genders.

Not Shang Qinghua though, he's special like that.

I imagine that for his formative years, he freaked out constantly regarding the day he presents his second gender. He was really hoping to be an Alpha or a Beta to spare himself the travesty and possible karmic retribution of throwing away his original plans for PIDW by experiencing heat as an omega.

As the years go by, and every teen in his village starts presenting, it just never arrives.

Everyone is clueless. They initially think he's just a late bloomer, then after half a decade of when he was supposed to present, he's still not showing any signs, people just slap the Beta label on him and call it a day.

Going with the flow and not causing a scene, he goes through the Cang Qiong entrance exam, and he gets in.

Most of the people of the sect are immediately off put by him.

For a starter, he is completely alienated to all things scent.

He doesn't give off a smell that any secondary gender has. It's like the equivalent of the taste of water, no flavour, just the scent of his nervous sweats and whatever he accidentally spilled himself with that day.

His stuff gets confused for unused supplies constantly, which is a real hassle, getting his mattress from storage whenever a newbie finds his bed and thinks it's an extra that was never used.

He doesn't seem to recognize scent either. Senior disciples have tried using their scent to drive off Qinghua like they do all juniors, but it doesn't work since he can't smell their haze of intimidation, forcing him to learn tells of behaviors through visual observation alone.

This causes him to become incapable of the process of scenting, unable to smell or be smelt. All attempts for his peers to give him a piece of their scent, it is ultimately washed off like dirt under the pressure washer.

In this scenario, it's the reason why he has never been caught as a spy for Mobei-jun. The King of the Northern Desert has tried to mark him with his scent to declare his ownership, but it fades by the end of the day at most. This frustrates Mobei-jun as he can't seem to get Shang Qinghua to make him his in this manner.

The other big thing is that he has none of the instincts that having a secondary gender would give him, a key one would be on the realm of romance.

My belief is that because of his biology, he was chosen to be head disciple.

The An Ding Peak Lord was going through performance reviews, found Shang Qinghua with no record on any sexually aligned misdemeanors, gets his work done faster, and thinks, "Let's make this boy my disciple."

Again, condolences to Mobei-jun, but I need him to remember that words exist cause his beloved is incapable of being courted by normal means, he needs to be told that you like him romantically or all attempts will go out the door.

I think about how in this AU, Shang Qinghua probably thinks he's a complete outsider that puts everyone off because he can't connect to them in the same way, but the rest of the Peak Lords look at him like:

"Hello, here is our socially inept sibling who we can't do normal ABO things with, but he's incredibly good at organising stuff, so there's that, I guess."

[writing-in-glitter-pen]

love🥺🫶🏻I click at my notification so fast when I saw your posting again adfkgk you have no idea how much I like your writing! also I'm new to your blog but if anyone trying to hurt you I'm......going to give them a really bad time... 😤💪//hj

Anyway 🥺🫶🏻🫶🏻can I request a reaction of wrio and neuvillette with a darling who has a habit of looking at the price on menus...like why worry your silly little head? when you're with them those silly little numbers mean nothing. it's one of your habit that's hard to let go but he find them really cute so it's okay!

Awwww thank you so much, dear!!!! You'll be happy to know that I've got nothing but love on here which I'm so so grateful for ♡ but I appreciate you so much for your protection ♡

And what a lovely idea!! This is so something I struggle with so it was interesting to write about and imagine what our favorite boys would say!! I hope you like it ♡

✧˖° you're worth all the mora in the world⋆.˚✧

Wriothesley & Neuvillette x gn!reader (separate) II fluff!

"You're not allowed to order water."

"Wriothesley..."

He slides the drink menu over to you with a stern, "Pick one."

"...but I don't need—"

"It's not about needing. I took you out to spoil and indulge you, don't deny me that pleasure."

You've been dating Wriothesley long enough for him to find your cautiousness when it comes to his funds an issue.

On the first few dates you two shared, though he'd rather have pampered you with lavish meals and treats, he decided to look the other way when it came to how you'd always miraculously choose the most inexpensive dishes on the menu.

"I guess that's only polite...", he reasoned with himself, weighing whether or not he should mention to you that money was not a problem for him; but eventually, he thought it better to just give you time.

"Once we get more comfortable, it'll change."

And once you two did get comfortable, and he found that your behavior, in fact, did not change, his patience wore thin.

Why were you still so uncomfortable with him? It was almost an insult that you thought so little of him to assume he'd find paying for you a burden.

So, he takes to ordering for you. He knows what you like, and he knows if he lets you choose for yourself, the price will play a factor into what you order—even subconsciously.

Until you start choosing the most expensive meals on the menu, you're not allowed to make objections or requests without grounds like allergies or dislikes; which you won't have, because he knows you too well by now.

If you try to lie and tell him you don't like something he's picked for you, you will fail. Miserably, so.

"I don't like crab.", you argue—peeking over your menu at him in an attempt to hide your tells that he's become much too familiar with. He could read you like a book, and you have no idea how he's gained so much expertise in the field of you.

"Uh huh, sure, doll.", he doesn't even look at you, his attention on the waiter as he orders. "That one—", he says, flicking his finger to point at you, "is going to have golden crab.".

"And the crab will be market-priced. Will that be all right with you, sir?", the waiter feels the need to confirm, as market-priced foods are often quite expensive.

You jump in, "How mu—"

"That's fine.", Wriothesley interjects, giving you a stern look as he plucks the menu from your hands, revealing your red cheeks (a symptom of your fibbing), and passes it to the waiter before handing him his own. He doesn't need to hear the price, it's just a number, and you're worth more than all the mora in his bank account. No matter how ardently you can try to protest, he's committed to giving you what he knows you want—even if you hesitate to ask for it.

And watching from across the table how your eyes glimmer and beautiful cheeks turn rosy pink as the opulent flavors hit your tongue is more than enough compensation for him to recieve in return.

Neuvillette finds your financial prudence to be a quality of yours he actually quite admires. Too often, he sees thoughtless individuals land themselves in his court with grave, unsettled debts due to gambling or overspending, so your conscientiousness is to be commended!

However, when he is the one footing the bill, he sees no logical need for you to apply this virtue. He knows what he can afford, so you need not worry about it; and to see that telltale crease between your eyebrows as you worry yourself over what to choose on a menu with nothing priced less than ˙✧12500 mora, simply crushes him.

He can never sit right with himself when you have that anxious look on your face, it makes him feel like he’s failing as your partner. And over something so small as a handful of mora! He finds it necessary to talk you through the logic of the situation rather than your—for lack of better word—illogical fixation on a metaphysical number.

“Sweetheart,”, he calls in that soothing, deep vibration of his voice that feels like resting in the coolest, calmest waters of Fontaine, “I am the Chief Justice of Fontaine; as such, I’ve been entrusted to oversee both criminal and civil trials due to my ability to apply sound judgement to otherwise complex situations, unrivaled by anyone else in the nation.”

“…”, you sit quietly with your hands in your lap and blink at him, tongue-tied as his explanation begins to make perfect sense.

“…don’t you think I would have the discernment to manage my own finances?”, he concludes, hammering his claim into you with one last strike.

You have no rebuttal. He’s pinned you so effortlessly, it’s embarrassing. Sometimes, it’s a challenge to date a man with such vast practice in rhetorical argument.

Your worries being soothed with such tact actually makes you quite flustered, your cheeks and nose turning a soft shade of red as you pout in defeat.

The way your expression graduated from nervous to sheepish with just a few sentences of reasoning makes him chuckle, reaching out to lift your chin with the knuckle of his index finger with a cheery, but reserved smile on his face.

“Darling, I’ve brought you out tonight to spoil you. Do me the honor of having some fun while we’re here? There’s nothing more I want right now than to see your beautiful smile.”

You find it’s impossible to hold back the simper that blooms on your face from that remark, to which he smirks with pride.

This was the most fulfilling trial he’s held in a century.

[sailing-ever-west]

Okay but can we talk about how Big Mom is like one of the best portrayals in fiction of the problems with exoticism?

Narratives where one group hates the other for racial, cultural, physical, or other reasons are common, and although they still require nuanced execution to really be meaningful, in essence they're fairly easy to set up. "You're different, so I hate you and want you beneath me."

Exoticism, on the other hand, is something I really don't see dealt with as much. It takes more thought to explore the idea that oppression can be expressed not as outright hatred of certain traits, but through sensationalizing and commodifying them. Thinking a trait is cool or beautiful, but taking away the rights of the person it belongs to.

The way Totto Land is run demonstrates this perfectly. On the surface it's "accepting" of all races, people of all shapes and sizes, but not being directly attacked and discriminated against is held over all of their heads in order to exploit them for continued donations of their literal life force. Acceptance is conditional on their usefulness.

Big Mom also literally collects living creatures in a scrapbook zoo for her own entertainment, and creates beings bound to her will out of inanimate objects. She's enchanted with the idea of Brook as a living skeleton, holding him like a doll and playing with his hair (relevant that it's an afro, imo), only upset at his apparent "death" because she's lost her new favorite toy.

It's shown perhaps even more starkly with all of Big Mom’s children. She births offspring of every race in order to have their powerful traits under her command, and discards the fathers once they've added to the gene pool as she wanted. It's a tool of imperialism to get those people groups under her reign. And as shown with Pudding and Katakuri, she can sometimes personally be disgusted by the physical traits of her mixed children and make them feel the need to hide, only tolerating their appearance in hopes they'll be useful. She can't stand that Pudding looks like a beautiful human girl in every way except for that "gross ugly eye," a necessary evil that is only a positive if it grants her powers. She discriminates against her daughter even while benefiting from her.

It all feels so reminiscent of "oh, I only date Asian women because they're more attractive and have good wife traits," and "you're so pretty, but you'd look better with straight hair," and "white and Filipino couples make the most beautiful babies, that's who I want to marry," and "wow, you're so pale, I could barely guess you were Mexican," and "black people are just naturally better at sports" and "you'd look better with a tan" and "you'd look better if you were lighter" and "black hair is gorgeous but it doesn't look professional" and "I'm dressed up as a Gypsy/Indian/etc." and "I want a curvy girl but actually fat people are gross," and "I'd love to have a gay best friend lol, as long as they don't make it their whole personality," and "autism is your superpower! why do you act so weird though?" and on and on and on.

Big Mom is a fascinating and surprisingly realistic example of obsession with unique traits despite giving no actual respect to the people who have them. Once again, Oda, hats off on shockingly accurate depictions of oppressive systems.

[that-hazbin]

Sorta AU/story idea where Alastor's a serial killer but he doesn't... completely realize that he's a serial killer.

He's super mentally Not Okay with a whole load of traumatic baggage, and sometimes when he gets past a stress threshold, he sort of... blacks out. Not faint, exactly, but his body moves on autopilot while his consciousness is just. Not there.

The first time it happened, he was fourteen. His father had beaten him black and blue, and left him limp on the floor to go beat Alastor's mother. When Alastor came to the realization that his mother stopped moving, his vision went blurry.

When he regained consciousness, his father was on the floor, bleeding from the head, eyes glazed over. It looked like he fell and hit himself on the corner of the dining table. Alastor lost both his parents on the same day.

After that, Alastor started having "episodes" a bit more often. A majority of the time, he manages to get home, and when he wakes up, he's hiding under his bed or in his closet, confused as to how he even got home. He doesn't want to be admitted into an asylum, of course, so he keeps quiet about this.

Sometimes, though?

Sometimes, he'll wake up knee deep in water, staring into the dark of a bayou. Sometimes, he'll wake up half-submerged in his bath, red going down the drain, with no clue as to where he's injured. Sometimes, the person who was screaming at him before the episode hit just went... missing the next day.

Alastor keeps quiet.

Naturally, when Alastor dies, he goes to hell. He doesn't remember the crimes, but he did commit them regardless. Of course, when people ask him what he did to end up down there, he can't give a real answer. The truth of the matter is that he doesn't know. Sure, he has... suspicions. Theories. But he doesn't know.

Things happen. He has several black out episodes in Hell before they simply stop happening, because he's stressed all the time and he can't just block every single second of every day from memory. He learns how to consciously survive in hell. Makes a name for himself.

Things roughly stay truthful to canon from there.

Then, one day, Charlie has a brilliant idea for a hotel activity. Part of redemption means acknowledging what brought you to hell to begin with, and what you can do now to make up for those actions! They go around the room, talking about the sins they committed, and what they can do now to improve. Alastor fully intends to stay out of the activity, he's not working towards redemption after all, but... Of course, Lucifer has to taunt.

Lucifer: What, you're just gonna sit around judging us?

Charlie: Er, dad—

Alastor: Hilarious coming from you, your majesty, truly. In any case, your memory seems to be failing you, I'm not here for redemption. I have no reason to participate.

Lucifer: Uh huh, neither is the bartender or the maid, you think you can be exempt just because you're staff? I'm the King of Hell and you don't see me skipping out. And here I would've thought you would have taken the chance to brag about the fucked up shit you did up there.

Charlie: Hey, guys, I don't think—

Alastor: Husk and Nifty are grown adults who are perfectly capable of making their own decisions. I am also a grown adult, and my decisions don't need to reflect theirs.

Lucifer: Oh, I see, you're a coward then?

Alastor: Believe whatever you want to, it makes no difference to me.

Lucifer: Sure it doesn't. Why don't we make this a game, huh? I'll guess your sins, and you stop me when I get it right.

Charlie: Dad, Alastor—

Lucifer: Can't imagine you fucked before marriage or anything, I mean, you scream prude. Bet you died a virgin.

Alastor: Hah, I wouldn't know. Are you done with your childish taunts, or are you going to allow your daughter to continue?

Lucifer stops dead, both because of the reminder that he's interrupting Charlie's activity, and also because he's replaying Alastor sentence back in his head. And, as the father of lies himself, he realizes that Alastor... wasn't lying when he said he didn't know.

Charlie: Great, yes, thank you Alastor! So, anyways—

Lucifer: Wait.

Charlie: Dad!

Lucifer: Seriously, wait. Bellhop, what the fuck do you mean you wouldn't know?

Angel: ... Oh shit.

Alastor: ... Charlie, continue your activity.

Charlie: Uh.

Lucifer: Oh, FUCK YOU! No, what the fuck did you mean by that?! What, were you like, drugged or—

Angel: HEY LET'S TALK ABOUT MY DEEP DARK PAST AS A MEMBER OF A MAFIA FAMILY!

Charlie: YES THANK YOU ANGEL LET'S TALK ABOUT IT! I'M VERY PROUD OF YOU FOR VOLUNTEERING!

Alastor gets the fuck out of dodge, and Lucifer finally gets the hint that he definitely stepped on a landmine that he very much should have not touched. Unfortunately, Lucifer alongside everyone in the hotel are left with a misunderstanding regarding Alastor's history.

[scurvyboy]

Not to beat a dead horse or whatever, but you don’t see fiddlestan being healthy at any point? I feel like your version of them would have most of their issues figured out by the time they’re old and stuff. Can you talk about their dynamic a bit more pretty please? (I know you just had an ask about this so sorry to keep bringing it up aha 🤪. I’m obsessed with them, and I love your art/au and want to understand them.)

the basis of why i like the fiddlestan ship is strictly because it doesn't work and is doomed to fail. it's a relationship between two extremely damaged people that are only together for transactional reasons.

the way i see it starting: fiddleford comes back to gravity falls after being kicked out by emma may in hopes that he can patch things up with ford. he finds stan there instead and decides to help him fix the portal despite his crushing anxiety about it because he has nowhere else to go. they're both stuck alone in this situation and urges become apparent. things are awkward for a while before they start banging fuck nasty brokeback mountain style.

fiddleford wants stan because he's delusional and still in love with ford. sure he grows to appreciate differences between them and has a separate chemistry with stan, but he is also completely out of touch with reality and rebounding off of his failed marriage with a man who looks just like the one he cheated on his wife with. working on the portal triggers intense panic attacks, which makes him use the memory gun more, which makes him less and less stable.

stan is working himself to death trying to get ford back and just needs affection. the sexual aspect of their relationship helps him blow off steam, but fiddleford also treats him like a person with a brain and allows him to be emotionally vulnerable for the first time in a long while. having someone finally break down his walls is equal parts frightening and addictive for him; he wants to be loved so badly but knows deep down that fiddleford doesn't actually love him, just the person he represents. he's just second best again.

things start to fall apart when it becomes clear that fixing the portal will be impossible without the other journals. fiddleford basically gives up trying to do the work in earnest and just lives in a domestic fantasy world. stan starts to get more and more impatient about the lack of work getting done and the stress makes him a lot more irritated and volatile. the two enter a vicious cycle of violent fights and honeymoon phases until things boil over: stan confronts fiddleford about the memory gun and kicks him out after he tries to use it on him.

post break up fiddleford, now with his cult and savior complex, murder suicides the portal and their affair from both of their memories. however, stan gets his portal memories back being at the shack and goes on to do what he does in canon.

the whole relationship takes place over the course of a few weeks and is as canon compliant as i could manage. i think it's a really fun concept and i think about it all the time.

to be real, i really dislike the idea that all relationships in media have to be healthy and resolved in order to be compelling. the idea that characters NEED to end the story happy and together is just plain unrealistic. i prefer when stories go outside of the limits of "and then they got together and everything was great after that", especially if being in a relationship isn't necessary to a characters arc.

i do think that them getting together when they're older could work and be very nice. however, i also don't think it's entirely necessary, especially since i did make their relationship rotted gutted awful bad. it is cute though, they can kiss and watch tv and marry for taxt purposes i guess.

[silverwarewolf]

DUNGEON MESHI EPISODE 24 THOUGHTS

Oh, I had asked to see what the party's thoughts regarding the changeling situation were, especially when it came to their lifespans, but I didn't think it would turn out like this!

GOOD FUCKING JOB, CHILCHUCK. YOU'VE TRAUMATIZED MARCILLE EVEN FURTHER. Oh but I do so love the horrors of this situation of theirs. Marcille babygirl I would like to hug you and have a nice chat.

Anywya, on we go to think about Falin and any solutions that might help us here. Which is great! I love how much foreshadowing there is (in terms of what I've been vaguely told about the manga).

Laios Touden's problem solving skills, everyone.

That's honestly the SICKEST weapon design, I'm so on board with you Laios. This could be Kensuke's Halloween makeover. BUT DONT JUST TAKE THOSE MUSHROOMS WITH YOU OH MY GOD

... was this the opening sequence foreshadowing everyone was freaking out about? was that it? (don't actually tell me, though. if it was it, say yes. if it wasn't, don't say anything)

no comment here I just love them.

I just will never get used to elfshi's hands being Like That. But it's also kinda nice to see him and Izutsumi working along so nicely! Like, don't even get me started on how Izu is presented as the pickiest eater of the party (Marcille has been dethroned severely) and usually you'd see that presented as a Hassle, but here in DM, Senshi doesn't even bat an eye. He knows and respects Izutsumi's tastes and preferences and works his meals out around it! That's such a based thing for him to do. <3

This is a renaissance painting. (I love it when they adapt Ryoko Kui's visual gags and I LOVE when she does zoomed in faces like this. Truly one of the artists ever)

I did not have "Laios gets Pissed On" on my bingo card but every day I grow more and more convinced that the animators KNOW what they're doing and - OH MY GOD IS THAT SENSHI'S DWUSSY. ELFSHI ALTERNATIVE TO PANTY SHOT.

Ah, yes, Izutsumi sprawls all over them when sleeping, we been knew, again it's a little unexpected to see it front and center but I guess it works to demonstrate them returning to - THAT WAS LAIOS??? AND CHILCHUCK IS JUST LIFTING HIS LEG LIKE THAT?? OKAY THEN. SURE.

(and then there's a few more seconds of laiosfoot and laios bedhead)

BUT HEY THEY'RE BACK TO NORMAL

1) Yep, they're back to normal.

2) Laios I love you and I love Gothsuke but someone needs to be careful about biohazards and it's not going to be you.

3) Add this to the "Marcille Donato gets threateningly close to you in three steps" folder.

4) Truly only they can match each other's freak. When the NECROMANCER is telling you not to do something, don't do it! I know last time you smuggled a "normal" sword, it turned out to be useful, but I'm sure that's not the case here!

5) Poor Laios tho. I'll learn to blacksmith just to give you a cool sword. <3

I'm so glad they kept this. One of the silliest touden siblings moments. 10/10 no notes. Also, Falin is never beating the blunt force trauma allegations.

IS THAT CHILCHUCK'S WIFE. ARE YOU - MA'AM. HELLO?

"Why aren't you a twink like I thought you'd be?!" gets adapted! (I'm pretty sure that's the scene meant to be here, anyways)

I get it, girl.

Oh dear, they're going to eat Falin. And SENSHI was the one to suggest it! For a guy who was just fighting the doubts of accidental cannibalism a week ago, you're taking bold steps forward.

(I do love how it mirrors Laios' kindness back then, in truth. Even if it's an idea so shocking and dire at first, it comes from a place of reason and logic and love)

Marcille "I said I wanted to eat her OUT, not eat HER" Donato Izutsumi "That's going to taste gross as fuck" Izutsumi Chilchuck "If it brings her back..." Tims Laios Touden, the man with a thousand things on his head right now, two of which I reckon are "I don't want to eat my sister" and "Dragon-Chicken... what might it taste like?"

Yes, well. Valid as your concerns are, Laios, because how the fuck would five people eat THAT much meat, you can't just ramble on about what dishes you're going to make out of your sister.

(...I get it, though. I mean if you're going to eat, might as well make it good, right? I know no one wants to grill one of Faligon's ribs but I'll go ahead and say it would be worse to tell them to eat her raw)

FUCK! we DID lose those scenes about the twin bell that toshiro kept!! forever sad about that.

oh my godddd they're going back into the dungeonnn we're going to reunite with themmm

I know they're really fucking competent, I mean, Namari and Toshiro are already described as pretty formidable warriors (and we've seen it), and Kabru is... admittedly much more geared to fight humans but he's a decent fighter either way. And a good leader!

Speaking of, where the fuck is everyone else.

I know they're meant to be scary (and I suppose they are! If we have the reference that, firstly, marcille is an excellent spellcaster so these elves could be just as good in their own areas of expertise, yes?, and secondly, the canaries are Well Known)

... plus, Namari, Toshiro and Kabru are wary of them. Namari, Toshiro and Kabru are wary of them.

BUT damn it Lycion, I need to- (gets dragged off stage)

Anyway, while we wait for the next season (WHICH HAS BEEN GREENLIT! WOHOO!), have these wonderful images of chicken falin being a cathedral painting (...if cathedrals ever added dragons, i guess) and my beloveds, who have finally returned!

[interdimensionalpancakes]

the main reasons why i ship coai

to me, coai/ shinshi is just the healthier ship, filled with trust, understanding, and mutual interests. it's also the one ship i can see lasting long term in the real world.

they are partners/ solve cases together: Ai likes when he rambles his deductions calling him a "sparrow" (file 713 & 714) and she isn't afraid to ask him for clarification if his explanations get too convoluted. He doesn't really need to help her understand the case, she can figure it out on her own most of the time (file 466-469, 656 [he smiled when he was listening to her deduction]) nor does she give up before she puts any effort into solving the problem first (file 548, 713). She actively contributes to his deductions and he always asks her if she has any ideas (file 287, 525, 664, 729). he can depend on her to stay calm under investigations (file 729, 870) and come up with plans to protect/ help the DB if conan can't be there (file 549, 817). she shares his same investigative curiousity and isn't a bystander, sharing her biochemist background to help shinichi's deductions (file 1098).

they help each other's overcome their weaknesses/ fears: her trust-issues & self-blaming tendencies (file 189-191, 344-346), his impatience & impulsivity (file 429, 475). they put each other at ease when it comes to being paranoid about BO members in public (file 287, 289, 359, 624, 680, 741 [he asked if she wanted to sleep over at the detective agency??], 775, 1006). As for the lies regarding the BO between the two, shinichi said it best in file 341: "[Haibara's] not as tough as she looks." They protect each other because if haibara tells conan about the BO he'll be impulsive/ wanting to attack them immeadiately and if conan tells haibara BO stuff before he resolved it, her trust issues would go on overdrive. Though it should be noted that haibara eavesdropped on some things, so she understands that conan's hiding things from her, by nature that she's the BO "traitor" she's hiding things from shinichi too.

they accept each other imperfections: they tease each other about being adults in a kid's body (file 515-517,724), shiho's age, his lack of tact, his tone-deafnesses, his relationship with ran, her fangirling higo, her aloofness/ sarcasm (file 680), etc. they can get angry with each other and they always apologize, while maintaining a healthy competitive relationship. she loves being able to challenge him intellectually such as telling him to guess her favorite song and the code in file 491, while he's always up for the challenge (file 200) since she knows that shinichi likes puzzles.

he always notices and likes when she smiles (file 275, 292).

shinichi is protective of her and she's protective of him (file 238- 242, 346, 429, 582, 624, 681, 824, 1070) but not in a possesive way & he doesn't need to be told to do so, it's automatic at this point. he promised to always protect her and he kept it.

shinichi always knows when shiho looks like she's going to run away. he always hopes that she doesn't but he always runs after her anyways just to make sure (file 289, 346, 437, 817).

he defends her family when other people make negative comments about them (file 425, 1072).

they share interests other than the BO (soccer, pop culture, animals, music, history, etc.) but they're individuals first.

their relationship has boundaries: haibara respects shinichi's feelings for ran / navigates her jealousy rather gracefully (file 313, 999,1000). conan doesn't probe further about her past with gin when she doesn't want to answer (file 242). they keep each other in check (file 242, 515, 1091). they never force each other to reveal secrets they're not ready to share (file 341) and she can tell when he's suppressing his emotions/ concerns (file 609).

they rescue each other even though they can rescue themselves without each other (file 755,817). she can guess where he'll be/ gives him a spare antidote (file 654) and he always has a plan to get her to safety (file 429, 824). haibara can predict conan's behavior and vice versa (file 289, 430).

side note: it's canon that ran ships coai (file 876), which is hilarious because ai ships shinran (mainly out of denial/ love bc she wants shinichi to be happy/ ran looks like her sister so she wants her to be happy, but this is a whole seperate discussion). also the DB always noticed a vibe between coai, especially ayumi and Mitsuhiko.

for those interested, there's a parallel to shinran: in file 887, haibara ai guessed conan's phone passcode correctly on the first try. whereas it took ran in file 483 multiple tries just to get it correctly. in non-canon movie 16th, conan saw ran's underwear and said 'white' out loud, in canon file 714, he saw haibara's underwear and also said 'white' out loud and he got defensive when she called him a pervert.

[sparklingblu]

Limerence (ft. ILLIT Minju)

I don't even know what to call this. Somewhat of a fluff but not really a fluff either. Something that just pops into my mind.

"So he asked 'Is it better to speak or die?' "

"That's the stupidest story I have ever heard"

Minju leaves no chance for you to savour that feeling that comes after quoting something particularly clever. Or she's just being a jerk as usual.

"You are just anti-romantic"

You protest though you know she will have thought of a retort before you finish.

"There's nothing romantic about this story"

"It's a love story for christ's sake"

"Where's the 'love' ?"

You slump back in your chair, defeated. Either she's too dumb to understand your point or you are just bad at telling stories. The latter's probably more likely.

The story's not an ordinary one in the first place. It involves a knight and a princess but it ends neither with a 'happily ever after' nor a bloodbath where they both rip their hearts out. There isn't even an ending.

'Is it better to speak or die?'

The last sentence on this paper of the dusty hard covered book which has turned yellow from the years it have endured. It's a mircale how it's still intact.

You mummur the question under your breath, trying to make sense of the words. But they are still nothing more than a jumbled mess in your mind.

The funny thing is, this is not your first time reading this story. You are actually too familiar with it. The setting, the characters, the way it almost seems to tell the secret you have carefully hidden; it doesn't make sense that you are still confused what this single question everything has lead up to mean. Still, you are here, no wiser than the first time you have read this tale.

In some time immemorial in an unknown kingdom lived a princess and a knight, each a good friend to another. Perhaps because of this closeness, the knight started to feel something more than companionship to the princess. Feelings that shouldn't exist given their scoial status. The princess knew it too though she ptetends to be oblivious. Nonetheless, the knight found himself unable to express his desires - torn between the fear of losing what he currently has and the turmoil of hiding himself. So one day, when he took his usual walk with the princess through the garden, he mustered up the courage to ask one single question.

"Is it better to speak or die?"

The End.

Anyone can guess at this point that the knight meant if it's better to put his feelings into words and sacrifice their friendship or die knowing that he will never have what he wants. You wish it's that simple.

You and Minju have been stuck in the same page for an hour now, still having no idea how to progress your assignment. The task was a paper on an in depth analysis on a tale of your choice. Now you regret not choosing 'The Tortoise & The Hare".

"Why do you choose this one anyway? There are like a million other better choices"

Minju says, gesturing at the endless shelves of books that surround you on all sides. Not millions but perhaps a thousand other choices you could have made in this rectangular bank of knowledge; the local library.

Somewhere distinct, you hear a bell chimes, signaling the arrival to the later hour of the night. You glance at your watch. It's already 9 pm. A cough reasonates from the counter near the entrance, emitted by none other than the librarian. The ghastly old woman seems to be signalling that we don't have much time left.

I don't have much time left.

Minju's translucent pupils are fixed on you, still waiting for your answer. You break out of the haze.

"Because it's.."

'Relatable'. The word is 'Relatable'. But she doesn't need to know that. Never.

"Interesting I guess"

You finish, not quite daring to meet her eyes. She might see the guilt of your dishonest words in them.

"Seriously? This is interesting? Next time you think something is interesting, feel free to ask my opinion"

"Not everyone have great taste"

You mean it to be a playful jab but her face distorts to something along the line of fury and hurt. And her lips part.

No. Please don't be mad.

Please.

"Jerk"

Her words put out the flames of fear threatening to rise in your chest. There. All good. She's not mad.

You let out a sigh of relief but quickly mask it as a half formed scoff. She can't know. So you waver her attention.

"Tell me then. What's your opinion on this story apart from it being hopelessly stupid"

Her lips stretch to a soft smile. You have put her back into her comfort zone.

"It's not about love like you think. It's about cowardice"

"Enlighten me"

She crosses her arms, the pose she always takes before her rosy lips spill out a waterfall of the most beautiful syllables. It also makes her look superior. The table, which is the only thing between you two seems like a brick wall now.

"The knight doesn't say 'I love you' or anything of that sort, does he? He's scared out of his wits so he decided to go for a safer alternative. That question. It literally says 'I'm a coward who can't even properly confess' "

Is she mocking you?

Probably not. She doesn't know. She will never know.

Still....

'Is it better to spek or die?'

A coward's attempt at love; complicated and imperfect. At least he has the courage to mutter those cowardly words.

"You are not wrong but can't it be that he's just scared of losing her?"

Yes. You are referring to yourself.

But she won't know.

"He already loses her after saying these words"

"You don't know that. You don't know what the pericess's answer was. She could have accepted him"

"You don't know that either"

Now she's fighting you with your own words.

"What would you have answered if you were the princess then?"

Is that an indirect confession? An attempt to ask her opinion without facing the shame that comes after rejection? You hope not.

"I don't know...I would probably ask him to speak in English"

"Not funny at all"

Your answer makes her raise her brows in disbelief as if saying - "I know I will never not be funny to you. You are too obsessed with me not to."

But that's impossible. She doesn't know.

Has she spoken these words aloud, you would happily agree with her. But that's just momentary courage. Your tongue would be tied to knots in a hearbeat if that ever happens.

That begs the question again.

'Is it better to speak or die?'

"Whatever" she says in exasperation. "I'm not lovey dovey enough for this"

"Seriously. Just tell me what you would have said"

There. You are pushing again, desperate for that answer even if it's not directed at you. You would cling to a tiny hope if it's ever a positive one.

"I don't know. Probably tell him to speak because I don't want anyone going suicidal mode because of me"

"He will still go suicidal if you reject him after he confess"

"Why are you asking me those? Were you in such a situation before?"

You surpress a chuckle that nearly slips your tongue.

What a fool you are Minju. You can't even spot the truth that's hidden in plain sight. The truth that has gone rusty and rotten because it has been locked up for so long. Still, it's not her fault.

You have hidden it so well.

She doesn't need to know.

"Yes"

You can't believe you say the word. It's as if someone has possessed you and put those words on your tongue.

"Poor you"

And just like that, it ends.

You have expected her to push you, given her curious nature. You want her to lend you the courage to say those words you have mummur countless times in your dreams. But she just leaves you hanging there like that. Cruel.

Can't blame her though.

She doesn't know.

Another cough pierces through the invisible viel that has seperated you two from the world outside.

9:25 pm.

5 minutes away until this tedious session of back and forth ends.

Why is it that you don't want it to end?

The papers in front of you are bare as they were an hour ago. The book still turned at the same page. The question that haunts you still lies there, imprinted in black.

'Is it better to speak or die?'

Neither. Because that's a stupid question just like Minju said. It's constructed to mess with your mind. You gotta stop dwelling on it.

"Anyway-"

Chimes

That sound. It can only mean one thing.

Minju pulls her phone out of her pocket, the glow of it illuminating her angelic feature as she turns it on. Not a moment sooner, her lips hold the prettiest of smiles.

And in all the wrong ways.

"Gotta go"

Her dismissal cuts through the tense air as she hurriedly put the papers back into her bag. Is she that desperate to get away from you?

"My boyfriend's waiting for me. We have a date tonight"

You are not angry. It would be wrong. Though it's only natural to envy the one who's living your fantasy. But the faults are not in our stars.

"Alright. Goodnight"

Minju's footsteps echo on the mahogany floor as she finally escapes the torturous session you have put her though, flying away to an embrace better than yours in every way.

But it's ok.

Because she doesn't know.

She gives a quick wave to the old librarian who does nothing to reciprocate the action. That hag doesn't know how lucky she is.

"Minju"

You call before the rest of her form disppears through these creaking doors. She turns on her heels, a stray strand of hair clinging like an unifinished piece of art to her forehead. The shadows cast by the moonlight does nothing to hide her.

"Yes?"

You breath.

And utter.

"Is it better to speak or die?"

___________________________________________

Took the famous question from the movie "Call me by your name". Though I alter the story. Thanks for reading this madness.

[incorrectbatfam]

Tim and stpeh’s top ten patrol fails

——— (10) ———

Tim and Steph: *chained together*

Two-Face: *monologues*

Tim: *picks the lock*

Steph, whispering: Free me first.

Tim: Why?

Steph: Just do it.

Tim: *frees her*

Steph: *sprints past Two-Face to the bathroom*

——— (9) ———

Steph: I'm closing in on the museum. Where are you?

Tim: ETA one minute.

Steph: Alright, I'm doing a quick perimeter check. Doesn't seem like there's much happening here.

Tim: Where are you? I don't see you. And this entire gallery looks deserted.

Steph: I've never heard anyone call a science museum a gallery.

Tim: Science? I'm at the modern art museum.

Steph: Red?

Tim: Yeah?

Steph: We're both at the wrong place, aren't we?

——— (8) ———

Tim and Steph: *tied to chairs*

Ivy: I gave the city ONE REASONABLE DEMAND and they—

Steph: *scoots her chair*

Ivy: —but all they cared about was—

Steph: *scoots her chair*

Ivy: So now I'm going to make them pay for—what are you doing?

Steph, biting an apple: ...

Tim: She gets snacky.

——— (7) ———

[on a stakeout]

Tim, stifling a yawn: What time is it?

Steph: Half past one. Still nothing on the drop site. If you need some shut eye you can tell me.

Tim: Nah, I'll just use my phone.

Steph: *peers over his shoulder*

Steph: You're reading an adopted by Batman AU?

Tim: ...I was hacked. Just right now.

——— (6) ———

Steph: I could use a little backup.

Tim, shooting his grapple: I'm on my way. How many are there?

Steph: Four, though I bet more are hiding.

Tim: In that case, we better get you out of there instead of wasting time.

Tim: *swings by*

Tim: Grab on.

Steph: *grabs his legs and pulls his pants down*

——— (5) ———

Tim: What should I call my next contingency plan?

Steph: Fuck if I know.

[later]

Barbara: Alright, Tim, let's review your plan for...

Barbara: *squints*

Barbara: Everybody leave. I want to talk to Tim alone.

——— (4) ———

Tim: I'm not so sure about my disguise.

Steph, dressed like the 1980s: It's an 80s-themed roller derby. No way you can mess that up.

Tim: *shows up dressed like the 1880s*

Steph: I stand corrected.

——— (3) ———

Steph: You need to put that computer down. Have a Batburger.

Tim: No. I've almost got it. And don't try to distract me 'cause I've seen everything.

Steph, whispering under her breath: You haven't seen Superboy.

Kon: You called?

Tim: Oh for crying out loud.

——— (2) ———

Tim: *driving the Batmobile*

Steph: Hey, what does this button do?

Tim: NO DON'T THAT—

Steph: *hits the button*

Tim: *gets ejected*

——— (1) ———

Steph: Another successful patrol, if I say so myself.

Tim: All in a night's work.

Bruce: Where's Damian?

Tim: Huh?

Bruce: You were supposed to watch him.

Steph: Pfft, we knew that. He's right... uh...

Tim: We're just gonna—

Tim and Steph: *hop in the car and speed away*

——— (Honorable mention) ———

Steph: No sign of Robin at the dog shelter either. Did you locate his tracker?

Tim: It's offline. Best case scenario he just disabled it, but...

Steph: Oh God, we are in so much trouble.

Tim: Any other ideas?

Steph: Nope. I'm gonna get a drink of water real quick.

Steph: *goes into a store*

Steph: *comes back out with Damian*

Steph: Guess who I found trying to buy a butterfly knife?

Tim: I'll update Batman.

Tim, on the phone: Hey B, guess what?

Damian: *snatches the phone*

Damian: They abandoned me in Crime Alley!

Bruce: Red Robin, Spoiler, you're cleaning the lockers when you get back.

Tim: No wait—

Damian: *hangs up*

[appocalipse]

summary: you were way too drunk last night and said some funny things...so, of course, steve had no other option but take you to his place to take care of you. :)

read part 1 here

˚ ༘✶ ⋆｡˚ ⁀➷

Your head hurts.

Everything feels a little weird, in fact, but especially your head, spinning and throbbing and, when you try to pry your eyes open, the sudden harsh light streaming into the room feels like it's physically boring straight through your brain.

"Fuck," you whimper pitifully, eyes squeezing shut once more. Your ears are ringing, there's a coppery film lining the inside of your mouth and, for a terrible second, your stomach churns dangerously. "Fuck."

Someone hums somewhere near your right ear. A low, gravelly, vaguely amused sort of hum. There is absolutely nothing and no one alive on this green earth that would hum in that particular fashion except your best friend.

You peel your eyelids apart with great difficulty. When you tilt your head to the right, you see Steve sitting on the edge of the bed, gazing down at you with a soft look on his face.

Naturally, you proceed to freak the fuck out.

"Jesus Christ," you cry, scrambling backwards until you feel the back of your head slam against the headboard with a resounding thud. The dull throb in the back of your skull intensifies, and you have to fight back the urge to throw up. "Ow! Shit, I—What—what happened? Why are you in my—"

Hold on a second...this is not your room.

You cast an anxious, furtive glance around the unfamiliar setting of Steve Harrington's guest room. Panic floods your veins and has your heart hammering in your chest when you notice that you're clad in only one of his shirts and sweatpants that definitely don't belong to you.

Oh, Dear Lord.

Did something happen last night that you can't remember? Did something — oh, God, no.

Steve raises his eyebrows at you as though he can read your mind. "Relax. Nothing happened, relax, come back down," he coos gently, placing a placating hand on your arm. "And I...I didn't see anything, if that's what you're worried about. Nancy and Robin, uh...they helped you shower and get changed last night. Not me."

You cover your face with both hands, letting out a muffled groan as your memories come trickling back in. You don't remember every little detail from the previous night, but what you do remember is already more than enough to fill you with mortification and regret.

"...you said some pretty interesting things while you were drunk, though."

"Shut up," you mumble, peeking up at him through splayed fingers, "go away."

"Really, though," Steve continues, the teasing glint in his eyes a sure sign that he is very much enjoying your suffering, "who knew you found me so attractive?"

"Oh, Jesus," you mutter, groaning as you slide down to hide underneath the comforter, "where are my clothes? I want to leave now."

Steve snickers but makes no move to get up from his perch on the bed. You can hear the rustling of fabric, like he's adjusting his position as he waits for you to come out from under the blanket. "Clothes are in the wash, sorry," he says, sounding very much not sorry at all. "You, um, thought it was a good idea to lie down on the grass last night."

"Kill me now."

"Nope," he chirps, quite cheerfully so, "can't do that, because then who would watch Back to the Future with me tonight?"

You part the comforter just enough to peer up at him from beneath the thick layer of blanket.

"'Back to the Future'?" you echo, trying to ignore the fact that you feel a little lightheaded when Steve smiles down at you.

He looks nice. He always does, but even more so now for some reason — you're guessing it has something to do with the fact that you just woke up and haven't had the time to mentally prepare yourself for seeing him up close yet.

"Mmhmm. You up for it?"

"I'm pretty sure that my head is literally going to explode any time now." 

It's really not that bad anymore, but Steve doesn't need to know that, does he?

He nods seriously in agreement. "Right, because you drank way more than you should've last night. Might have mentioned something about rules and...mhmm, what was it? Oh, yes, dying if I didn't let you touch my hair…?"

"No, I didn't."

"You really did," he tells you, leaning back on the heels of his palms, "but don't worry, it was cute."

"I am very much worried," you say miserably.

Steve lets out a quiet sigh and leans forward again, hands reaching out to tug the blanket down far enough to uncover your face completely. "Come on," he says, "do you need anything? Aspirin, maybe? Food? Water?"

You consider his offer, taking the time to mull it over while you avoid his gaze. 

"Why did you bring me home with you?" you ask, curious despite yourself. "Why didn't you just take me home?"

"You, uh...really didn't want me to. Pretty much refused to let go of me all night."

"Steve."

"No, really!" he insists, holding both hands up in surrender. "It was like trying to pry a koala off a tree. You even asked—"

You let out a helpless moan of protest and turn away from him as much as you can, hiding your face in the pillow. Steve laughs, clearly delighted by the fact that he's managed to thoroughly embarrass you in less than ten minutes.

"You asked me if I—"

"I don't wanna know!"

"—would sleep in your bed with you."

"Nope," you whisper, your voice coming out a little garbled due to the way you've pressed your face into the pillows, "don't wanna hear it. Shut up, Steve, oh my God. Please."

"It was very adorable."

"I was drunk."

"Still. Cute."

You prop your head up on your elbow so that you can see him a little better, keeping the blanket held tightly around your shoulders as you do. "Sorry I called you. I don't even remember doing it, Tina just told me to and…sorry."

Steve looks down at his lap, shifting a little uncomfortably on the bed.

"I don't mind," he says, lifting his gaze up to meet yours briefly. "You said you missed me. At the party."

A dry, humorless chuckle leaves you and you cringe when the sudden motion sends a sharp pain lancing through your forehead. "Ow. Of course you would remember that," you say, cheeks heating up.

"Do you...remember everything?"

You blink, momentarily confused by the sudden change in conversation. "Everything?" you ask, more to buy yourself some time than anything else.

"You, um..." Steve trails off, clearly unsure of how to broach the topic with you, "you said I made you feel…stuff inside. That you felt stuff. Or something like that. Do you...remember saying that?"

You can practically feel all the color draining out of your face, leaving behind a blank canvas that hides none of your inner panic. 

"Uh...no, no, I don't. Do you have a...I need to, um, use your bathroom, like, right now, if you don't mind."

Steve blinks. "Oh, okay. Sure. I bought you a toothbrush earlier, by the way. It's in the medicine cabinet if...if you want."

"Yep," you say, climbing out from under the blanket with as much dignity as you can muster (which is very little), "yep, okay, thanks. I'm...gonna go do that. Now. Okay, bye."

You spend a good five minutes inside the bathroom splashing water in your face while silently wishing for death to come claim you sooner rather than later. Then, you brush your teeth with the toothbrush Steve left out for you — which is totally not cute, it's not cute, why did he do that, ugh, damn him — before venturing out into the hall.

"Steve?"

"Kitchen," he calls out from somewhere at the bottom of the stairs, "you want pancakes?"

You hesitate.

The idea of staying to have breakfast alone with Steve Harrington seems oddly intimate after last night, a dangerous prospect that will undoubtedly lead to awkward small talk and more teasing. However, he did go out of his way to buy you a toothbrush this morning...

You swallow down the nervousness you feel and pad barefoot down the staircase into the foyer, following the sounds of clinking utensils and soft humming to the kitchen.

Steve looks up from his place at the stove when you appear in the doorway.

"Hey," he greets, giving you a quick once over. "How's your head?"

"Feels like there's a little person in there hitting it repeatedly with a little hammer," you admit, grimacing a little as you come further into the room and sit down at the island. "Thanks, by the way. For helping me out last night. And today. I really am sorry for...um, you know, that."

"'That'?"

You purse your lips and Steve grins.

"Yes, that," you mutter, swiveling your seat from left to right while you watch him attempt to read a recipe on the back of a box of pancake mix. "Drunk me is like, twice as embarrassing as sober me."

"Embarrassing isn't the word I'd use."

"Please," you scoff, "I was pathetic. I could barely walk by myself."

Steve glances back at you. "I didn't think you were pathetic."

You raise an eyebrow at him skeptically.

"Okay, maybe a little pathetic," he concedes with a little snort, "but mostly just…sweet."

"Sweet?"

"Yeah, sweet. Don't know if anyone's ever told you that before."

"Sweet," you say again, the headache suddenly no more than an afterthought. "That's how you'd describe me?"

Steve, apparently having given up on making sense out of the instructions on the back of the box, turns around to lean against the counter behind him and studies you with his arms folded loosely over his chest.

"Yes," he says, tilting his head to the side a little. "Not the word you expected me to say?"

There's something about the way he's looking at you. It's warm and piercing all at once, like he can see right through you. It makes it hard for you to breathe all of a sudden, hard for you to do anything but gape at him like a goldfish that's been pulled out of water.

"Uh, I'm...confused."

"Me too," he admits with a little huff of laughter. "I was thinking about what you said."

"About your hair?"

"No, well, yeah, but—" Steve pauses, dragging a hand down his face with a weary sigh. "Look, what you said to me yesterday, about the things I make you feel, I—"

"I said I'm sorry—"

"Don't apologize," Steve interrupts, shooting you an unamused look, "I'm trying to say something here, come on, give me a sec."

"Right. Sorry. Go on."

"You're not supposed to apologize for apologizing."

"I'm s—okay, right. Mouth shut."

Steve purses his lips to stifle his amusement at your antics. You fold your arms in front of your chest and keep your gaze fixed firmly on the marble countertop as you wait for him to continue.

"I, uh," he says, pushing himself away from the counter so that he can wander over to the other side of the kitchen, where you sit, "I feel things too, you know. With you."

"Oh."

"Yeah," Steve chuckles, scrubbing a hand across the back of his neck as he stops beside you, "'Oh'. Weird, right?"

You'd like to, but can't think of anything clever to say that would serve as a suitable response. You don't think Steve's looking for one, anyway, because he reaches out to tap his fingers lightly on the back of your hand, taking a seat on the stool next to yours.

"S'weird, 'cause I don't know if you meant what you said when you were drunk, or if it was just the alcohol talking, or what."

You shake your head quickly, and then wince because of the way the headache thuds behind your right eye.

"Robin says I'm an idiot and should stop being such a chicken," he continues, with a slight roll of his eyes. "And Eddie says if I don't 'shut up and tell you how I feel soon', he'll do it for me."

You nod, smiling despite your hangover. "Eddie's, uh, got a point, no?"

"Maybe," Steve allows, rubbing absently at the side of his neck.

He lets his hands slide down to the legs of your stool, fingers curling around the metal of each side. You don't quite understand what he's doing until he gives them a light tug, jerking you closer to him without warning.

You let out a little shriek of surprise as you reach up to clutch onto the first solid thing your hands find — his forearms. 

"Ah! What—Steve!"

He's got an amused smile on his face, but his eyes are bright and nervous all at once. Steve pushes your stool even closer to him, until your knees knock against his own and he's forced to lean down to keep his eyes on you.

You hold his gaze steadily as he edges closer. "What are you doing?" you murmur, watching his eyes flit downward to track the movement of your tongue as it peeks out to wet your dry lips.

"Not sure yet," Steve hesitates when your lips are a hairsbreadth apart. He watches, half-dazed, half-entranced by the way you stare back at him, unblinking. "But I've got a theory."

"A theory?"

He lowers his head toward yours. You press your hands flat against the hard plane of his chest to steady yourself, fingers splaying over the soft material of his t-shirt as you curl them around the fabric. Steve exhales, and you can feel his breath on your skin, a soft tickle that raises the goosebumps all over your skin.

"Wanna hear it?"

You nod slowly, aware of the way his eyes darken as they trace your face. He's so close that you can make out the fine dusting of freckles and moles that litter his skin, the long fan of his lashes as they flutter to a close. If you moved even slightly, your lips would brush against his.

"What's your…your theory?" you whisper.

You can feel his heartbeat thudding in his chest as he releases his hold on your stool, lifts both hands up to cradle your face instead. He slides the tips of his fingers along the side of your neck, lets his thumb trace your jaw.

"I think," Steve says, and you can tell he's struggling to string two coherent words together when you feel his thumb quiver against your cheekbone. "I think that, uh, you're—Christ, I—"

His nose brushes against yours and you tilt your chin up instinctively, chasing the brief contact. You smirk. "Christ, you...?"

"Shut up," Steve huffs out a breathless laugh. "I'm getting to it."

"Are you?" you tease, wrapping your fingers around his wrist, your turn to pull him towards you gently.

Steve goes easily, moving his hand from your face to brace the back of your neck. "I think," he starts, eyes crinkling at the corners, "that I might be in love with you."

It's such an unforeseen, unexpected confession that your heart almost gives out in your chest. 

You gape up at him, at his crooked grin, at his rosy cheeks. "You think?"

He blinks and then squints down at you like he can't decide whether he wants to be annoyed at your antics or kiss you. You hope for the latter, but he says, "What're you, a parrot?"

Shrugging, you're unable to keep your lips from quirking into a grin of your own. "Rude."

Steve's head falls forward and he rests his forehead against yours. You can feel his pulse thundering wildly against the hand you've pressed flat against his chest, and it makes you feel a little better about your own pounding heart.

"M'sorry."

You smooth a hand over his shirt and hook a finger under the neckline. "Forgiven," you tell him.

"Good," Steve says, nudging his nose against yours playfully.

You want to say something else, maybe tease him about his hair or something equally as inconsequential, but he doesn't let you. Instead, he leans down and closes the distance between you with a slow, tentative press of his lips to yours.

Now, Steve's mouth is soft and warm, and he kisses you like he's got all the time in the world. You shiver when he drags his fingers up the back of your neck, tangling them in your hair so that he can pull you closer yet.

You only pull back when the need to breathe becomes too urgent, giggling at the little noise of protest he lets out as you do. But Steve is nothing if not persistent, and he pulls you back in almost immediately, the movement so abrupt that you nearly topple backwards off the stool.

"Steve—I..." you manage to say, between your giggles and the heated press of his lips against yours. "I still...need to breathe, mister."

He huffs out a little laugh against the side of your neck, nips at the sensitive skin in retaliation. You squeal in delight and jab him playfully in the stomach, laughing as he recoils in mock agony.

"Stop laughing," Steve complains, the warmth of his own laughter tickling the underside of your chin when he nuzzles his nose into your neck once more, "come on, you're ruining the moment."

"Wait," you breathe, right before his lips meet yours again, "so...no pancakes, then?"

He drops his forehead against your shoulder and shakes with quiet laughter."You," Steve mumbles into the side of your neck, "are something else, you know that?"

You grin. "Apparently, you like that. Love that...no?"

You can feel him smile, the stretch of his lips curving against the skin of your shoulder.

"Apparently...yeah, I do. I do."