#no homo here
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ellewelle · 2 years ago
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Just bros being dudes
In book twenty four Achilles “longs for his manhood” and by that point he has brises back. platonic yeahhhhh sureeee.
“Now you lie here slaughtered, and my heart has no want of food or drink i only want of you” yeah, straight
Have his ashes mixed with his boyfri- I mean best friends ashes. Yep, just besties
Calling his “bestie” his most beloved on several occasions. Mhm, totally not gay
Literally going insane after pats death. Yuppers, no homo there
Crying so loud the gods at the bottom of the goddamn ocean could hear him. Totally hetero
“Why true heart do you come hither to lay these charges upon me. I will of my own self do what you have bidden me.” Yes yes, only the straightest of friends call each other true heart
"Draw closer to me, let us once more throw our arms around one another and find comfort in the sharing of our sorrows."
using the same language to mourn patroclus as andromache used for hector. really good mates
Heterosexuals you say? Surreeeeeeeee
edit: I love how no one has openly objected to this post
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almondpiglet · 7 months ago
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quick redraw stuff for day 1: official art/redraw of serireiweek... always loved how worried seri gets for reigen in these scenes heh heh
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tomwambsgays · 3 months ago
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"harry, i'll spare you another *20 hour mind-project*"
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heathersapples · 16 days ago
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OLIVIA COOKE & EMMA D'ARCY House Of The Dragon Season 2 Premiere, June 3rd, 2024
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homolobotomized · 1 year ago
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zoro's inability / unwillingness to conceptualize a world without / after luffy in fics already feels like coughing up a ten pound blood clot and then i remember he says shit like this in canon and i actually pass out from blood loss and die
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like genuinely why would he say this to me .
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dinoserious · 5 months ago
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heyy. can you two do that somewhere else
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ahoneesan · 1 year ago
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girls i think we need to roll wayyyyyyyy back on 'gock'. who decided that was an acceptable contraction, much less an ok thing to say with your mouth. you can say cock, i promise it wont kill ya
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thegreattyrant · 2 months ago
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Let it be known that Genlong definitely does NOT like women…
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thatoneluckybee · 11 months ago
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okay WHAT is it about longer Webtoons that inspires the character to infiltrate and overthrow the government or at least fundamentally change it
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anyataylorjoys · 9 months ago
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HOUSE, M.D. S3E16 | Top Secret
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necrowyrm · 1 year ago
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I would like to point out this actual panel from IDW Sonic #61
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kor0kke · 8 months ago
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Shitpost that I definitely had planned to post
Do not say hi to wild0moon from me
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iridescentmirrorsgenshin · 5 months ago
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analysing queercoding in sethos's haikaveh voice-line
(This analysis is from my Haikaveh queercoding essay found here!)
In Cyno’s Story Quest II Alhaitham and Kaveh’s progression goes unspoken by the Traveller and Paimon in comparison to previous events and quests where their relationship is questioned (which you can read here!)
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This lack of mention of the visible progression of their relationship points to a secrecy that the player is not privy to, and this development is only mentioned when Cyno highlights the unlikeliness of Kaveh and Alhaitham studying together in the House of Daena
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Kaveh and Alhaitham’s relationship has tangibly improved, in their dialogue with each other, their listening and comprehension of each other, and their active reliance on each other, however, a status of their relationship has still yet to be given.
With the lack of questioning from the surrounding cast, this appears to be a continual deliberate method of avoiding labelling Alhaitham and Kaveh’s relationship status (further discussed here). This aligns with the previous method of queercoding Alhaitham and Kaveh’s relationship in avoiding labels of friends, and here, it can be seen that labels such as ‘roommates’ are also avoided. This omission continues to be deliberate, and it is even more poignant due to the progression of their relationship, alongside the secrecy of what it entails and how it came about.
Sethos’ voice-line about the two highlights this to an extreme. As discussed, his voice-line is entitled ‘About Alhaitham and Kaveh’, and is the only voice-line in the game to pair together two characters when a character gives an opinion of another.
In this, Alhaitham and Kaveh are inextricably linked together - not only in being delegated a joint voice-line, but also due to Sethos’ opinion of them.
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This separates them from the crowd due to an intimacy shared between the two of them. Sethos states that Kaveh is always speaking, to Alhaitham, in a low voice, as if to not let others overhear. This directly indicates a secrecy between Alhaitham and Kaveh which is not to be breached by the crowd, Sethos, and the player included, as Sethos fails to overhear anything to relate back to the player.
Sethos finishes by claiming that when Alhaitham and Kaveh are “together”, they become a different force entirely as if they were alone, as seeing them together means “you just can’t look away.”
Sethos’s voice-over creates an allusion to a secret existing between Alhaitham and Kaveh, and this secret conveys very much the essence of queercoding itself??
The two discuss something which cannot be known to the player, or someone attempting to breach the line between the public display of their relationship and that of their private relationship. This private relationship occurs outside of the player’s knowledge and pertains to the development of their relationship, along with what the two now consider the other.
The ambiguity of their relationship here only continues to point to the two’s connectedness, in that they are coupled together by an outsider. It’s interesting that rather than the personal pronoun ‘I’, Sethos uses the collective pronoun ‘you’ when referring to Alhaitham and Kaveh as a pair.
This directly addresses the player, and draws attention to the uniqueness of their relationship. Yet again, this is the same method used to purposefully cause the player to question Alhaitham and Kaveh’s relationship – and, just as other instances, there is no clarification.
This secret that is generated between Alhaitham and Kaveh directly equates to the idea of queercoding, as no definitive answer is given as to what exactly the secret, or intimacy, is – and this aligns with the game’s inability to confirm queer characters or relationships.
Alhaitham and Kaveh having reconciled is considered of prominent importance. This is seen in their balanced viewpoints having the power to bring about good for others, but here, it is specifically highlighted that Alhaitham and Kaveh are ‘other’. They are separate from the crowd, regardless of being surrounded, and they are perpetually in their own private sphere, despite attempting to be intruded upon by an eavesdropper.
Together, they become a unit that stands out, and yet this is contrasted by the intimacy of their togetherness. It is unknown what the two discuss, only that it is private between the two of them alone. This intimate covertness, this secrecy, in the presentation of Alhaitham and Kaveh’s relationship demonstrates the usage of queercoding.
As established here, this aligns with the queer taboo, in that closeted queer people live a life secret to the heteronormative public, and thus become ‘other’ in this secret part of themselves. The secrecy of Alhaitham and Kaveh’s relationship can correlate with the real-world negation from heteronormative bonds, found in queer relationships not accepted by the society around them.
This is seen in how the true nature of their relationship is avoided within the game, and, yet, is highlighted by several characters for the player to question. This lack of answer, as established, leaves the interpretation to the player. It appears deliberate that Alhaitham and Kaveh’s relationship status is constantly called into question in previous quests and events, but their relationship, when improved, goes unmentioned by the very characters that once questioned it, such as Paimon.
Yet again, Alhaitham and Kaveh’s relationship is styled to deliberately avoid labels, and yet, their closeness is deliberately highlighted. Along with this, the secrecy of their private life is poignant, seen in both Sethos’ voice-line and in the ambiguity of their relationship in Cyno’s Story Quest II.
With this method, the game purposefully allows for questions which ask as to the specific nature of Alhaitham and Kaveh’s relationship – just as it deliberately avoids giving a specific answer. Highlighting the two’s closeness, and the ambiguity of this, is an active method of queercoding.
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morickkk · 1 year ago
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Uhm yeah flower husbands appearance real
( scarian school au )
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Bonus:
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philyuri · 9 months ago
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the thing about the orange heart subliminal is that like. whatever it is it's funny as hell. if it's a little heeheehoohoo enrichment mind game puzzle for us that's funny as hell. if it is a genuine editing mistake that happened bc saying "love heart" with the orange heart had too many connotations then it's even funnier because the failed cover up (and the fact that the new purple heart doesnt match the broken heart emoji) makes it seem like a last minute panic decision, the visuals of which are hilarious. and also the Implications. like whatever it is: funny as hell. and homosexually sinister.
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crwndsprkzy · 2 days ago
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boyfriends
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