#no he didn't know any of this

[iwasbored777]

You know what effs me up it's that when Gwen thought she's not welcome in her home before talking to her dad she takes the picture of her and Miles and leaves, as the only thing from her home that she wants to keep, and when she reunites with her dad and they're happy together the first thing she does is going to find Miles cuz she just doesn't feel complete if she doesn't have Miles no matter homeless or not or whether she has a device to travel through dimensions or not or happy or not she will keep any part of Miles that she has with her and that's what matters most to her.

It just makes the fact that she was cornered by her father who didn't let her move on after Peter and Miguel and Jessica who were forcing her to stay away from Miles even worse. And the fact that her dad knew she found happiness based on that photo had so much impact on his character development. She's a child who wanted nothing more than to be with her friend and that was the one thing that she wasn't allowed or wasn't able to do, some failed to see that, and those who saw that took advantage of not just her feelings but also her personal problems and demonized her for having any feelings and problems.

And it's so great that she has all her friends now, the real friends, who actually care about her.

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[tossawary]

This is petty fandom salt, BUT... I've been chewing on this phenomenon that I've been calling "Fandom's Darling". It is related to things like "Author's Darling" and "Mary Sue / Gary Stu" and "Protagonist Halo" and all that jazz, where one character gains a peculiar narrative weight in a story.

"Author's Darling" is when a writer has a favorite character, and the world and all other characters sort of get... warped to put the Darling in the spotlight. It's most noticeable in TV shows with multiple writers, when a character you personally like suddenly has their previous characterization destroyed to make another character look good somehow. Every other character might become weirdly incompetent. The Darling's feelings are treated as The Most Important Feelings in any given situation. The logic of the fictional world seems broken past suspension of disbelief in order to validate this one character's beliefs or skillset or some other fantasy. And so on.

"Fandom's Darling" is what I've been calling the pattern where a fandom essentially crowns a New Protagonist for their fanfiction stories (it's often a side character rather than the original protagonist, but it can also happen to protagonists). This character becomes the self-insert for all sorts of indulgent fantasies, gaining special powers or backstories, and/or becoming the focus of extreme whump, and/or hooking up with all the various hotties, starring in all sorts of tropey AUs, and so on. They're not always an obvious Mary Sue version of themselves, but the character's original personality and interpersonal relationships tend to get warped or dropped completely, and other characters tend to become a little flat around them. I call it "Fandom's Darling" because it's not just one self-indulgent fantasy fic (you do you! Have fun!) with characterization choices that I don't vibe with (I have neither the time nor the desire nor the authority to police anything, I am just venting), but rather a prolific mini-fandom of sorts revolving around this empty doll / fanon version of the chosen vessel character, so it becomes a little unavoidable.

I am salty about this (mildly frustrated) (imagine a soft sigh of disappointment before I just go do something else) because you are FUCKED if you actually liked the canonical version of this character and their interpersonal relationships. It's almost worse than liking an obscure character that no one cares about. There's about a thousand fics starring your fave, but maybe only about a dozen of them are actually rooted in any kind of recognisable canon.

[toodrunktofindaurl]

"Death's child"

twitter | bluesky | insta | 🔞 patre*n

[technically-human]

It's not complicated, it's just weird

[inkskinned]

the thing is that they're so fascinated by sex, they love sex, they can't imagine a world without sex - they need sex to sell things, they need sex to be part of their personality, they need sex to prove their power - but they hate sex. they are disgusted by it.

sex is the only thing that holds their attention, and it is also the thing that can never be discussed directly.

you can't tell a child the normal names for parts of their body, that's sexual in nature, because the body isn't a body, it's a vessel of sex. it doesn't matter that it's been proven in studies (over and over) that kids need to know the names of their genitals; that they internalize sexual shame at a very young age and know it's 'dirty' to have a body; that it overwhelmingly protects children for them to have the correct words to communicate with. what matters is that they're sexual organs. what matters is that it freaks them out to think about kids having body parts - which only exist in the context of sex.

it's gross to talk about a period or how to check for cancer in a testicle or breast. that is nasty, illicit. there will be no pain meds for harsh medical procedures, just because they feature a cervix.

but they will put out an ad of you scantily-clad. you will sell their cars for them, because you have abs, a body. you will drip sex. you will ooze it, like a goo. like you were put on this planet to secrete wealth into their open palms.

they will hit you with that same palm. it will be disgusting that you like leather or leashes, but they will put their movie characters in leather and latex. it will be wrong of you to want sexual freedom, but they will mark their success in the number of people they bed.

they will crow that it's inappropriate for children so there will be no lessons on how to properly apply a condom, even to teens. it's teaching them the wrong things. no lessons on the diversity of sexual organ growth, none on how to obtain consent properly, none on how to recognize when you feel unsafe in your body. if you are a teenager, you have probably already been sexualized at some point in your life. you will have seen someone also-your-age who is splashed across a tv screen or a magazine or married to someone three times your age. you will watch people pull their hair into pigtails so they look like you. so that they can be sexy because of youth. one of the most common pornography searches involves newly-18 young women. girls. the words "barely legal," a hiss of glass sand over your skin.

barely legal. there are bills in place that will not allow people to feel safe in their own bodies. there are people working so hard to punish any person for having sex in a way that isn't god-fearing and submissive. heteronormative. the sex has to be at their feet, on your knees, your eyes wet. when was the first time you saw another person crying in pornography and thought - okay but for real. she looks super unhappy. later, when you are unhappy, you will close your eyes and ignore the feeling and act the role you have been taught to keep playing. they will punish the sex workers, remove the places they can practice their trade safely. they will then make casual jokes about how they sexually harass their nanny.

and they love sex but they hate that you're having sex. you need to have their ornamental, perfunctory, dispassionate sex. so you can't kiss your girlfriend in the bible belt because it is gross to have sex with someone of the same gender. so you can't get your tubes tied in new england because you might change your mind. so you can't admit you were sexually assaulted because real men don't get hurt, you should be grateful. you cannot handle your own body, you cannot handle the risks involved, let other people decide that for you. you aren't ready yet.

but they need you to have sex because you need to have kids. at 15, you are old enough to parent. you are not old enough to hear the word fuck too many times on television.

they are horrified by sex and they never stop talking about it, thinking about it, making everything unnecessarily preverted. the saying - a thief thinks everyone steals. they stand up at their podiums and they look out at the crowd and they sign a bill into place that makes sexwork even more unsafe and they stand up and smile and sign a bill that makes gender-affirming care illegal and they get up and they shrug their shoulders and write don't say gay and they get up, and they make the world about sex, but this horrible, plastic vision of it that they have. this wretched, emotionless thing that holds so much weight it's staggering. they put their whole spine behind it and they push and they say it's normal!

this horrible world they live in. disgusted and also obsessed.

[forgettable-au]

FORGETTABLE-AU (page 82-85)

THAT LAZYBONES!!

[BEGINNING] [PREVIOUS] [CONTINUE]

[what-am-i-doing-in-this-fandom]

Fic Idea where Fiddleford helps Stan rebuild the portal, but Stan finds out that Fiddleford has a wife and he's like

"You have a WIFE?? That DIDN'T marry you to steal your car and money???? What are you DOING here???"

"Yeah, well.... She's better off thinking I'm dead somewhere....."

"A WIFE. That LOVES you. Get outta here and go explain yourself, Idiot!!"

"She and our son shouldn't have to deal with--"

"YOUR SON???!!?!!??"

Anyways, so Stan helps Fiddleford reach out and explain himself to his wife, but expresses that he wants to keep being in Gravity Falls, so his wife and kid go to live with them in The Shack instead.

Blah blah blah, bonding happens, Stan bags Fiddleford AND his wife and becomes a step dad, God bless 🙏

[nenoname]

It's still interesting that TBoB called more attention to Stan's control over his mindscape (And if you go with the interpretation that the lost pages are partial truths that are heavily influenced by Bill, then he's the one insisting that only someone with training should be able to have that much control over the mind.)

Meanwhile we have a memory!Stan. Someone who apparently knows too much and is rather aware for being a simple memory.

From the Wheel of Shame, we know Bill was able dig up all kinds of dirt on Stan but... that wasn't why he was there in the first place, was it?

Bill couldn't find the code immediately despite a memory of Stan opening the safe being a few hours old at most and decided to have Mabel try find it for him (The original concept of the ep had it far more hidden but this was likely cut because of time constraints)

Ford did experiments on Stan's mind which likely meant using Project Mentem and actually looking around his mindscape, and his only reaction was to comment on his jokes-- despite what little we the audience know being enough to render us sobbing wrecks

(yes I refuse to shut up about this part cos the book's intro is extremely underrated)

Stan was able to replace his memories of Ford with the swingset instead and managed to hide Ford in his Bar Mitzvah memory. And that's not even mentioning the lack of visible Portal and Stan o' War which noticeably show up in Ford's dreamscape (the broken swingset manifesting anyway pains me tho)

He subconsciously has misdirects for his secrets that are both silly and manages to disturb everyone too

And while Bill-as-Soos being bored by the vending machine memory is a joke that's basically the crew's way of going "hey remember the thing way back in the first ep that's going to show up in the next one?" and in-universe appears to be Stan slipping up, it's interesting that they had Stan input the wrong code when it's consistent literally every other time its inputted (especially when it shows up correctly in the very next episode)

It's even possible that the safe code that Bill found could have been a misdirect too but we'll never know since the safe got blown open by dynamite.

Stan was able to buy time by making his mind blank despite being genuinely terrified when Bill enters his mind (to the point that he breaks character and uses his own voice to yell), and could conjure up his living room (in colour opposed to his mind's regular greyscale) to make sure Bill didn't have enough room to flee, slamming the door in his face before the effects of the memory gun kicked in.

(EDIT: Random door analysis here)

And maybe the twins eventually told him that Bill had already been inside his mind after their W3 reunion, but all we know was that his conscious self was left in the dark for ages and wasn't really aware of Bill until Weirdmageddon.

TBoB showing McGucket's dreamscape also brings up the idea of the effects of the memory gun manifesting differently to each person. To Stan's mindscape, the memory wipe manifests as blue flames which immediately brings to mind Bill's powers but it's a far lighter shade (maybe to more closely match the memory gun and its eventual fade to white?)

The end of TBoB and the website poem also firmly reminds us about Stan's connection to fire but there's also the question if Stan himself is actually aware of it...

[sarcastic-clapping]

LET YOUR DAD DIE: IT'S FINE IT'S FINE IT'S WHAT HE DID TO HIS DAD.

Lestat + Claudia: Patricide & The Cycles of Violence - INTERVIEW WITH THE VAMPIRE (2022) - Catherine Lacy, "Cut" (2019) / Anne Rice, "The Vampire Lestat" (1985) / Anne Rice, "Interview with the Vampire" (1976)

[liketolaugh-writes]

Thinking about a full ghost Danny AU where he just straight-up dies in the portal. I think there should be more of those. <3

Character death, obviously.

------------

The drive back to Fentonworks was a blur in Maddie's memory, keeping Tucker on the line while he sobbed and stammered, trying and failing to keep himself together and explain what happened.

"-doesn't h-have a heartbeat and he's f-freaking out-"

"It just turned on, we don't know w-what happened, he, he said it didn't work-"

"-trying to keep Danny c-calm-"

"Please come home."

Jack's driving was even worse than usual, veering through the streets in an undisguised panic. Maddie hadn't been able to discern much from Tucker's ramble; the portal had finally turned on, but the kids had been messing around with it and Danny had gotten hurt. How hurt? Tucker didn't seem to be sure, but all three of them were in a state.

Jack pulled into their driveway and flung himself out, half the GAV still sprawled across the sidewalk. Maddie was right behind him, hanging up on Tucker with a quick assurance that they'd be right there.

"DANNY!" Jack yelled.

"In here!" Sam called back, from the open lab door. Of course.

Maddie slipped past Jack and got there first, almost falling down the stairs in her haste. What she saw there made her heart stop.

Danny wasn't there. There were three teens crumpled on the ground in front of the activated portal (a part of her sang, it worked, it worked) but Danny wasn't one of them. There was Tucker, staring blankly at the floor, and Sam, with her arm around a strange, glowing white-haired boy that was in tears - a ghost. A ghost? A ghost!

"GHOST!" Jack yelled in delight. The teen sobbed harder.

"Where's Danny?" Maddie demanded. Sam looked up sharply, her eyes wide like Maddie had never seen, her face dead pale under her makeup.

"I'm sorry!" Sam blurted out, looking nearly in tears herself. "I just, I, I thought it would be cool, it was just a picture, I, I didn't think-"

Maddie's heart skipped a beat. "Sam. Where is Danny?"

Sam looked at the crying boy next to her, huddled under her arm as if for comfort. The boy looked up, radioactive eyes swimming with tears and the water on his skin sparkling prismatically, and met Maddie's eyes.

"Mom," he croaked, his voice tripled and echoing with itself like a movie memory. "What happened to me?"

Maddie's knees gave out, and she crumpled to the floor, unable to take her eyes from the ghost in front of her. In a moment, she understood.

That was Danny. His colors had partially inverted, his hair turning white, the colors of his haz-mat suit - God, that was his haz-mat suit, the one they'd made for him and that he never used - reversing to white-on-black. He'd huddled into Sam, shaking and gasping, but now was pulling away, looking at Maddie like- like he thought she could fix this.

"I think something's wrong," Danny said, his voice trembling somewhere underneath all the alien reverberation. "Should we go to the hospital or, or something?"

"I don't think the hospital can fix this, man," Tucker said weakly, lifting his head just to stare at Danny.

The portal powered down with a whine. Maddie jerked her head up with a gasp, and found Jack at the control box, backing up silently. Jack stared into the portal. Maddie followed his gaze.

She couldn't stop the scream that tore itself from her throat. Jack yelled too, running inside, tripping over the bundled cables, and collapsing unceremoniously short of the body inside. Careless of that, Jack crawled forward the last few feet, scooped up the body, and then started to sob, cradling Danny's burnt and blistered corpse against him.

"...Do we call 911?" Danny asked, voice cracking. Maddie's head snapped back to him from the corpse, watching him stare in bleak, lost confusion at his father and the body he was hugging.

Danny didn't even believe in ghosts. Neither of their kids hid it, treating their profession with a lighthearted exasperation at home and plain embarrassment outside. Somehow, the fact made all of this worse.

"What's happening?" Danny asked helplessly. Shock, the stable part of Maddie's brain told her. He sees what's going on but his mind won't comprehend it. (He wasn't expecting to die today.)

"Y-yes," Maddie said at last, and then forced her voice to stabilize. "I'll... I'll call 911."

But first, she held out her arms, and Danny all but scrambled across the room to throw himself into her arms, still shaking. He was cold as ice, freezing through her haz-mat suit, and that was before he slipped forward with a yelp and tumbled through her. He scrambled back with a cry and tried again, and this time fell solidly against her, hiccupping. She wrapped an arm around him, shushing him softly, and groped for her phone with the other hand. She couldn't take her eyes off Jack, now carrying Danny out of the portal and staring from his corpse to his ghost, looking shattered.

"911, what is your emergency?"

"My son is dead," Maddie heard herself say. Danny hiccupped and clutched at her tighter. There was a brief pause.

"I'm very sorry, ma'am. Where are you? Have you checked his pulse?"

"We're at the Fentonworks building, 18701 northwest..." She rattled off the address mindlessly, and reached down to fumble for Danny's wrist. He let her have it without complaint, too terrified to put up any resistance. She shuddered as she felt nothing, not even the tendons or bone that should be there. Then she looked up at the corpse in Jack's arms and swallowed. "Jack, h-his... his pulse."

Jack nodded mutely and fumbled for Danny's wrist, gingerly running his fingers down the burnt skin until he found the right spot.

"What do you mean, his pulse, his ghost is literally in your lap!" Sam half-shrieked, her mascara running and her fists clenched against her cheeks, her breath coming in short gasps.

"No pulse," Jack croaked hollowly, staring at Danny's ghost.

"Maybe they could..." No, it was a foolish thought, and she wouldn't put false hopes into Danny's head just to put off her own grief. She cradled him closer again, feeling him shudder. She spoke to the operator. "N-no pulse, ma'am."

"Ambulance and police are on their way," the operator said, calm and reassuring. "Can you stay on the line with me?"

"Yes." Maddie felt numb, her own hands trembling as she held Danny close.

"Thank you. Can you tell me your name? Is there anyone else with you?"

"Maddie Fenton," she said. "My husband is with me, and my son's two friends, and... and my son's ghost."

There was another brief pause.

"Alright, Maddie." Maybe it was her imagination, but she thought the operator sounded gentler there. They thought she was crazy, of course. Maddie shut her eyes. "Can you tell me what happened?"

"I, I don't know. My son Danny was home with his friends, and they called and..." Deep breath. She started over. "There was an accident in our lab. Danny was electrocuted by one of our in-progress projects."

"Is the device still on?"

"No, ma'am. We had to turn it off to remove the, the body."

Maddie continued answering questions on autopilot, most of her attention on her son, her husband, and the body. Danny had stopped crying, but remained glued to her side, shivering and sniffling. Jack continued to cradle Danny's body, but his eyes were now fixed on Danny, grief spread across his face. Sam and Tucker had both quieted, watching them with fearful, guilt-stricken looks.

It seemed to take forever for the police and ambulance to arrive. Sam got up to show them inside without being asked, staggering up to steps on obviously shaky legs. Maddie was too grateful to insist on her or Jack doing it; with Danny's ghost cradled against her and his corpse in Jack's arms, well...

The paramedics arrived first, sharp-eyed and professional, but the first almost immediately faltered as he laid eyes on the scene. But Jack held up Danny's body beseechingly, his eyes wet and miserable, and they jolted into action.

"Thank you, ma'am," Maddie said to the woman on the line. "They're here now. May I hang up?"

"Yes. The paramedics will take it from here. Take care, Maddie."

Maddie hung up, and looked at the two paramedics as they filed down. They looked at each other, one inclined his head toward Danny, and they split up, one heading for Jack and the body, the other toward Maddie and the ghost. Both of them knelt beside their chosen patient, and Maddie fixed her attention on the one with her.

"Are you Danny?" the paramedic asked, unexpectedly gentle. Danny peeked up and nodded uncertainly, and the paramedic glanced at the body before seeming to make a decision. "Okay, Danny. My coworker June is going to check your body for signs of life to see if you can still be revived. Are you okay with that?" Danny hiccupped and nodded, though a new wave of tears welled up and trickled down his cheeks. "Can you tell me what happened?"

Danny hiccupped again, reaching up to wipe his eyes. "M-my friends wanted to see the p-portal," he managed, voice wavering. Maddie squeezed him, her own eyes welling up while the paramedic listened patiently. "A-and it didn't work so I t-thought it would be f-fine. I went inside a-and I d-didn't check if it was plugged in or anything, a-and then I tripped and fell and I think I hit a button and it turned on!" His voice rose until he was almost wailing. Maddie's throat tightened, and she hugged him closer. Her poor baby.

"You were electrocuted?" the paramedic checked softly.

"I guess," Danny sniffled. "I dunno. It just hurt. And then I felt really cold, and then I..." He looked down at himself and sniffled again, tears slipping nonstop down his cheeks. "Am I dead?"

The paramedic looked at his coworker, who met his eyes and shook her head. Maddie had to swallow a hiccup of her own, trying to be brave for her terrified son. The paramedic did a much better job at it, looking back at Danny and speaking gently.

"I'm sorry," he said quietly. "There's nothing we can do. June is going to call a coroner and explain the situation-" He caught the other paramedic's eye, and she gave him a nod. "-and we'll have your body taken somewhere it can be prepared for burial or cremation, whichever you prefer." Danny started crying again, and the paramedic exhaled and looked up to meet Maddie's eyes. "Obviously, there's no protocols for this situation. But, as his mother, I think it would still be appropriate for you to make a decision if he doesn't feel able to."

[gyroshrike]

I know we all appreciate dominant Mel, but I live for her getting chances to be handled with softness and care

[ruporas]

the interest check for the max vash plushie is finally available! he's the same size as his buddy wolfwood and comes with numerous accessories. there's more photos on the form itself, including what the current sample looks like.

if you're interested in him, please fill out the form here!

[hailsatanacab]

A Persuasive Argument - dpxdc

"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."

"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.

"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.

"Precisely! What better time to talk to you all than when you're all actually here!"

"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.

"I'm afraid I've lured you here under false pretences, Tim."

"This is where I live."

"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"

"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"

"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."

"So? We don't need Jason, I've read the Sparknotes."

"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."

"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"

"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"

"No, no, please go back to that, because what the fu—"

"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"

"Oh, yeah, Mr. Wayne! Thanks!"

"Please, call me Bruce."

"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."

Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.

"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."

[technically-human]

This happened, it just wasn't relevant to the plot

[royalarchivist]

Fit: Oh yeah, the great outdoors! All we need is a can of beans, and we'll have a good time.

Phil: There's two empty seats, I can't remember what– who they're for though. [Snorts then leans off-screen and laughs]

Fit: [Slowly realizes what Phil said] ...No. No. No. No! No! NO! WE ARE NOT DOING THIS RIGHT NOW! WE ARE NOT DOING THIS, PHIL. Ok? We are not doing this.

Sneeg: Do you wanna talk about it...?

Phil: [Continues laughing]

Fit: No man, this- this man thinks trauma is funny. He thinks trauma is funny– He thinks interpersonal emotional trauma is funny! Yeah, we're all laughing, Phil. We're all laughing. Yeah– [Monotone voice] "Hahaha! So funny." So funny. So funny.

Sneeg: Alright, bro. Why don't you go–

Fit: Gaslight girlboss, right? Yeah, that's what we do, that's what we do.

Phil: Oh my god– [Exhales and laughs] That tickled me, that was a good one. Uh, right–