#no but this is an INSANE post for this blog to have to make

[renthony]

#this for real. 2 things to add.#1: as someone who is autistic about the animation pipeline (and now gets to work in it!) this is a really stupid and disrespectful way to#view the production houses/teams that make 'kids shows'.#like people still labor on this and for the most part theyre making conscious choices and telling the best story they can#within the confines of the network and medium and budget!#like fuck dude! art you dont like is still art. a labor of love you dont love was still a labor. theres skill and time in this#2: i dont watch this shit cause im childish and juvenile. i love media analysis. i know what more complex media is#i watch 'kids shows' because like. on god? its the only form of an art i love that wont reliably trigger me#like even mixed in with all the autism that makes live action difficult for me to decipher and animation so so so intriguing to me....#the list of “adult media” i can watch without a doesthedogdie visit is insanely small.#but theyre not gonna randomly put a suicide joke into Phineas and Ferb now are they#ALSO ALSO: straight up ive seen anim/kids media that really IS that illuminating if you pull your head out of your ass#sry i dont like ops slight implication that the 'kids show watchers' are all just kind of like. disabled/stupid/inexperienced. anyway

This was an off-the-cuff post made in frustration after seeing a take that irritated me, so I apologize if it wasn't clear, but my point is not "people who like kids' shows are disabled/stupid/inexperienced," my point is that if you're trying to encourage people to expand their media horizons, making fun of the things they like is counterproductive.

I think it's important to encourage people to explore new media that challenges them and explores new topics they've never thought about before. My point is that derisively telling people to "watch something for adults" is counterproductive to that goal, in addition to being disrespectful to the art. Children's media is incredibly important and worth analysis in its own right, and I have profound love for the people who create it. I am writing from the perspective of someone who has volunteered in schools and is actively working with someone on lesson plans for a media studies class for kids.

I adore animation. I enjoy a lot of kids' media, which I said in the original post. I am a media analyst. I write essays about media and pop culture and get paid for it. I talk at great length about, and share many articles about, labor rights and the animation industry. I am working toward learning traditional animation techniques. Obviously you wouldn't know this if you don't follow my blog, but I want to be crystal clear that I am not coming from the perspective that "only disabled/stupid/inexperienced people watch cartoons."

I really have no patience for posts talking about "adults who only watch kids' cartoons," because, like...people accuse me of "only watching kids' cartoons," despite all evidence to the contrary. It doesn't matter how much I talk about other adult media I like, if I post too many things in a row about Steven Universe or The Dragon Prince or The Owl House, people come out of the goddamn woodwork to accuse me of "only watching kids' shows."

So I really can't take people seriously when they start talking about the supposed "problem" of "adults who only watch kids' shows." Are the "adults who only watch kids' cartoons" in the room with us right now, or are you basing your entire opinion of people solely on their fandom blog? Like, come on.

It makes me think of the couple years I spent volunteering in a school library. The librarian talked a lot about how it's hurtful to enforce "reading at grade-level" on every student with no nuance. Teachers would try to force their students to check out books "at proper grade-level," instead of letting students pick out whatever they wanted (even if it was "too easy"), and it resulted in a lot of students deciding books were boring, too hard, and only good for making them feel stupid. They started to hate reading entirely, because people constantly shut them down and told them they were stupid for not reading the right things. This was especially brutal on disabled students.

I personally apply the same philosophy to adults. You don't know what someone might struggle with, you don't know what someone's history is. You might think a piece of media is "too simple," but that's your experience and your opinion. People learn and grow and experience the world at different paces, and what seems to you like a "simplistic" piece of media may be the most complex, illuminating piece of media someone else has ever had the opportunity to experience. It doesn't make them "stupid" or "childish," and believing that it does is cruel and counterproductive. You cannot wield shame as a fucking cudgel if your goal is education, support, and helping people expand their horizons.

I don't think a culture of shame is helpful. I don't think a culture of "if you like 'childish' things, it means you're too stupid for anything else" is helpful. I don't think constantly making fun of children's media does anything other than demean people--and not just the people who enjoy it, but the people who make it, too.

[dreemurr-skelememer]

Dude I just have to say, you were like one of the first blogs I ever followed on tumblr, and I haven't really been super involved in the utmv fandom for a while now but every now and again I'll rediscover your blog. And like every time without fail you're posting about my current interest it's actually insane. It makes me so happy though, i love your art so so much

this means so much to me....thank you, im very flattered :}

[kc-idol]

Thinking about how a lot of the aphmau characters had favorite things that I wished was discussed more (both in the series and in fandom discussions) like for example Garroth’s favorite video game being Legend of Zelda and how he even cosplayed as Link in Mystreet Season 1 Anime Convention. Another example being Laurance’s interest in the Trans-Siberian Orchestra. Like does that mean he’s kind of a metalhead? I love hearing about the characters’ interests and hobbies. It makes them feel like real people with more to them than meets the eye if that makes sense. I know we talk about Zane being a brony a lot but what about the other characters too?

I’m really writing this because Garroth liking Zelda was driving me insane. Someone correct me if I’m wrong but were some of the interests inspired by their actual voice actors’ interests? Like for instance Laurance liking that band, did his VA like it too?

ANYWAYS, garroth liking Zelda just fits because him being a knight in MCD and that translating into Mystreet as him liking those kinds of characters and media. He would have loved A Knight’s Tale (2001). I actually saw someone on instagram say that Heath Ledger in that movie would be their fan-cast for Garroth and I agree. Also saw on twitter a tweet of Aphmau and Garroth having matching Link and Zelda costumes for Halloween. It was so cute!!! Literally them.

So yea, sorry for my little ramble, I just needed to speak about this. I might post this on twitter too since there’s a community there as well. I’ll be posting my old headcanons and AUS to this blog as well!

[ashtonirwinsback]

Sometimes having hyper specific side blogs is a blessing

[pissed-whizard]

my blog is a gateway drug to cooler and better blogs (my mutuals)

[bacchuschucklefuck]

she turns, makes direct eye contact with you, smiles,

[math-memes]

[ghostsfruit]

I have brain worms so I just gotta share this.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

- Its late at night and Clark and Bruce are falling asleep together in the same bed -

Clark: Someone's really clingy tonight, you alright bats?

Bruce [nervously]: Oh, yeah everything's perfect! I just love to hold you.

- Earlier the morning before -

Bruce wakes up at 2 am, and sleepilly calls for Clark, before realizing he's completely alone in bed. He jumps up and makes his way out of the opened door, and continues calling for Clark.

Before he looks up and sees his boyfriend lazily floating about with his head slung back and his pillow barely holding onto his hand.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

- Bruce now uses himself as an anchor so this doesn't happen again, Clark doesn't mind one bit -

[gingerswagfreckles]

"OPs whole blog is dedicated to Zionism" actually my whole blog is dedicated to acknowledging antisemitism but thanks for making it clear for the class that you think that's the same thing.

[avenin7]

we really need to start writing more fics about the botw champion’s being the threats they are. guys they are SOLDIERS. WARRIORS. they are not out here having little cutesy times ok? they are fucking killing shit. Link canonically killed a dude. they are the best of the best at what they do. show it. give these characters depth. don’t just make them their tropes.

like i want less people to just go ‘oh and then they killed an enemy camp anyway.’ like HOW my guy? i am BEGGING please give these characters more depth than what they were given on screen.

especially urbosa! shes not just mommy figure or wine aunt she is a LEADER of her people and a warrior show her acting like one. revali may be a prick but he IS the best warrior rito village has ever seen. he’s not shying away at blood or violence.

MIPHA. my god MIPHA BABY GIRL!! what did they do to you? made you into a uwu wify who is only here to be romantic conflict for other ships??? (and then get mad at you for it?) or only make you links girlfriend? SHE IS A PRINCESS AND A FIGHTER. just because she’s kind does NOT make her weak! she was chosen to piolet a divine beast. they aren’t going to let someone who isn’t capable do that. (SHARP TEETH AND CLAWS ALSO?????)

daruk is massive and strong enough he could probably rip a bokoblin apart with his bare hands, his weapon is there to make everyone else feel better.

like if were gonna write fics about needing to comfort or about anyone being squemish make it Zelda. have her realize she’s basically traveling with some of the most dangerous people in the country and having to figure out how she feels about it.

Like come ON y’all! Think of the fics we could be writing!!!

[musashi]

i know the ace attorney fandom is just racist i know i know i know its racism I KNOW it makes no sense i can't try and make sense of it but every time i think about how weird they are about diego using a fucking innocent pet name for his girlfriend i feel fucking insane and then you ask them to elaborate and theyre just like "pet names are gross!!!" and im like ALWAYS??? OR JUST WHEN A BROWN GUY DOES THEM??? WHERE AM I??? ARE YOU FROM MARS???????

[just-null]

your yan!noritoshi is so wisnwonwpwjw RAAAHHHH going absolutely feral ... i want him . ive had so many thoughts abt him as like a yandere n then i saw your art n absolutely lost it /pos

IM ALL EARS, BABY!!!!!!!!!!!

GOD FUCK OKAY, HOLD ON, I ALSO HAVE SOME RAMBLES AND THOUGHTS ABOUT YANDERE NORITOSHI BUT IM GOING TO PUT THEM UNDER THE CUT.

I AM IN NO WAY RESPONSIBLE FOR UNLEASHING MY TJOUGHTS OFFICER. IT WAS MY GLORIOUS CULT MEMBER RIGHT HERE.

MERRY OCTOBER YALL

[disclaimer: im not a writer, but I want to get better. think of this as my practice. it ended up being so fucking long, but i swear it's just rambles, not a fic]

[warning for blood under the cut? keep that in mind for future posts]

OKAY LETS GO.

Bro ok so. if I'm not too delusional (yet) and don’t see him as a yandere, then this guy (Noritoshi) is still a strict fuck. he'd put you on the same level of importance as his clan if not a bit higher. but only by a bit. Your relationship would gradually bloom into something meaningful to him that he’d cherish you wholeheartedly. Only then would you grow in importance to Noritoshi significantly. He'd keep his resolve and all those healthy green flags. Because honestly? Noritoshi is just a green flag, he's so sweet..

But let's twist that into a yandere setting. I don't even need to twist too much, Noritoshi as a yandere is way too fitting.

Noritoshi was abandoned by his mother as a child, thereby fueling his lifelong goals to do as she said and bring her back. He didn't even think on his own accord, nor did he try to find a different way, or even follow her! He accepted his fate and made it his mission to accomplish the goal he was given. Despite the intense pressure of his worth being determined by an ability he was born with and the high expectations from the Kamo clan, he perseveres. That is until [spoilers] Noritoshi is exiled by his clan because of some Kenajku shit. All his hard work and future goals were ripped away from him without a second thought in an instant. Noritoshi was always the second thought time and time again, and now left as a man with nothing but the failure of his desired future.

That wasn't even the yandere part, that was all canon, what the fuck.

Yandere Noritoshi is the type to cling to scraps... He reminds me of an obsessive and protective yandere. obsessive about you because you become his everything.. his goal, his will to keep going, the light at the end of the tunnel. he wants all of you, from the best parts of you to your worst. He's also protective, because he cant handle losing yet another person so important to him. He'd rather tear himself apart than lose you.

He also seems mostly self-aware but can overthink to the point of delusion. For example, you pat him on the back and tell him he did a great job on something. He knows it's nothing to dwell on, but why does he feel like there's more to your words? Should he read in between the lines? but there's only one line! From then on, his mind would reel until he landed on a favorable conclusion. You meant that he was the only one who did great. The others paled in comparison in your eyes therefore you must favor Noritoshi in some way.. right?

Since Noritoshi was pretty deprived of any emotional support, you won't even have to try too hard to get his heart thumping. If you were to give him even just a bit more attention and care than the average person, like making sure he's eating alright or remarking that he's paler than usual after restocking his blood bags, he's hooked. He's self-aware enough to realize his blooming fondness for you is one-sided, so he simply admires you. that is, at the start. Note that Noritoshi is still new to these feelings so he's.. awkward. It's really cute.

Though these moments were cute to you, they slowly became horribly blissful to Noritoshi. Poor you, completely unaware of how you're slowly corrupting him in, what he thinks, is the best way possible just by giving him your attention. He thinks you're the last and only person still believing in him, so much so that everything and everyone else slowly becomes minuscule in the grand seam of things. He feels happy around you, like he matters, like he has someone to trust, like he has someone who won't abandon him. Because of this, he sees you as a new goal. A new hope. Failing you is not an option. Disappointing you is not an option. Hell, even a frown from you is unacceptable in his eyes.

Noritoshi tries to cling to you at this point in his own way... He enjoys it when you speak to him, or even sit next to him, so much so that he seeks you out when you're not there. You'd feel eyes boring holes into the back of your head, a sense of being followed, sometimes seeing your shadow accompanied by another, every time you turn around to be surprised by a familiar face. His footsteps are so quiet that you barely notice Noritoshi walking around.

Unfortunately, due to Noritoshi’s inexperience, the only way he knows how to impress people is by being “perfect” a.k.a. his strict, pain in the ass, annoying heir shtick. He would be the type to get on your case, scold, coddle, nitpick, correct you, and practically look like he's trying to bully you when in reality he's trying to hear praise from you for "helping" you. He’s waiting for you to see the affection and adoration behind his nagging, is he not being obvious enough? oh well, at least your eyes are on him for now. When most people in Noritoshi's life have either put him second or flat-out abandoned him, he's satisfied with anything he can get from you. Though he'd prefer praise, the thought of your attention being given to another even for a second makes his stomach feel like it's tying in knots, so he settles for your annoyed tuts and glares.

Of course, after a while, you'd get tired of this and tell him to knock it off. Or some variation of what a decent human being would do like, “Do whatever you want, but don't meddle in people's business.”

You KNOW he's going to be picking that apart in the middle of the night while looking up at the ceiling. What did you mean by that? Do you mean ANYTHING he wants? As long as he doesn’t bother anyone? Were you talking about yourself and everyone in general? Were you talking about someone specific? Did you leave it up for him to decide? Thoughts and questions circle in his head until he twists your words enough into something that he favors again. Ah, you allow him to do whatever he wants so long as he doesn't get in your way. But he wants to be alongside you... Did you mean in your way to the point of annoyance? Noted. From then on, Noritoshi's strictness softened into light nagging and bearable hovering. He'd knock it off completely through gritted teeth and furrowed brows if you threatened him with the silent treatment. He'll slowly start it up again until you begin ignoring him, only then will he get the hint and relax a bit. only until next time, of course.

The intensity of Noritoshi's coddling can fluctuate depending on your actions. (recklessness, obedience, shyness, etc.) it's his love language.

It's a completely different story if someone else decides to nag you as Noritoshi does... If someone scolds you, Noritoshi's on the offense. He's known for his occasional bluntness and sassy remarks, but this time... He's contradicting himself all in an attempt to get the other person to back away. If the one scolding you brings up points Noritoshi used in the past, he firmly denies them all and stands by your side. He'd rather sound hypocritical than let someone else care for you the way he does. Noritoshi stands in front of you, almost guarding you with his body and begins his barrage of deflective comments through his clenched jaw such as “That's not your place to say” “Shut it, they did no wrong.” “You don't know the reason why they did so, leave them alone.” and other things similar to that. Jeez, take your advice Noritoshi.. He’d argue and become antagonistic towards someone scolding you, even if it's exactly what he was about to do.

The same goes for someone who tries to be gentle with you to a lesser degree. It's nice that people see how wonderful you are, but having your smiles and kind words directed at anyone else other than Noritoshi is... Upsetting. The resentment gradually pools in the pit of his stomach and suddenly finds himself impulsively moving towards you and this "friend." He stands in between you and the kind person, trying his best to conceal his sneers. He wants nothing more than to have the third party get swallowed up by the ground or hit by a car, but he keeps his composure. Noritoshi sternly states how he’ll handle everything from then on and gives the third party a glare that's much more hateful than usual… Finally! Noritoshi has you to himself again! All is right in the world once more...

Noritoshi has always been on a very tight rope... Any wrong step and it’s going to snap. The more Noritoshi gets attached to you, the easier it is to convince himself that it's okay to cross certain lines to make sure you're safe with him. Even if that line he’s crossing, includes murder. It'd happen quicker if he caught feelings after the whole incident with the Kamo clan. You'd be the only thing he has left, the only thing he'd cling onto with every fiber of his being, emotionally and sometimes physically.

And like every fairy tale, a problem unconventionally shows itself much to Noritoshi's dismay... Noritoshi is shown to be prideful at times. Because of this, he'd try to conceal his more embarrassing emotions and reactions towards you. He wants to be seen as someone strong you can rely on, a steady pillar to your stability, someone who will do anything you wish at the drop of a hat, but it’s almost impossible to execute when he feels like he's nothing but putty in your hands at the slightest sign of positive reciprocation.

If Noritoshi felt his face heating up because your laugh caught him off guard, he'd turn his head to hide how that simple action made him nearly melt into mush. If your hand brushed against his, he'd quickly swipe it away. Not because he doesn't want to touch you, but because you'd feel how shaky and sweaty his palms got with just a graze. Noritoshi's gaze always lingers on his bow if you ever touch it causing his aim to decline in accuracy significantly.

He mentally curses himself out every time he pulls away from you because he knows he's sending mixed signals. Noritoshi loves you endlessly, but please spare his fragile heart. Your presence overwhelms him like no other, and he's utterly conflicted on how to act. He can handle being by your side like he wants, but the second your 100% focus is on him and only him, he’ll start to squirm under your gaze. Noritoshi wants to impress you! Stop being so mesmerizing for just a second so he can gather his thoughts and not embarrass himself! A-ah, but don't look away!!!

Tl;dr Noritoshi as a yandere is needy and petty as hell, but will explode if he gets an ounce of affection! He’s also! A creepy hopeless romantic who sends you mixed signals!

[doomedclockworkdotmp3]

his drippiest majesty

[khaopybara]

KHAOTUNG THANAWAT as RAY PAKORN episode 10 of ONLY FRIENDS

[theygender]

Just discovered the term les4les. Are we really trying to make biphobia cool again

[atopvisenyashill]

Bran The Time Traveling Toddler

Yes that IS a reference to the Tyrion the time traveling fetus theory. The thing about MY insane theories is that they actually make sense and I’m right. Follow me please down the worm hole!!

There’s very clearly Someone Influencing things when it comes to the Starklings and even the overreaching plot in general - there’s enough weird magic surrounding them, whispering in the wind, that it’s a no brainer they’re being watched over. The question is WHO and WHEN. For me, personally, I think it’s Bran, and I think it’s an older Bran from the future (whether it be Bran In TWOW and ADOS or Bran post canon) trying to lead his siblings to safety.

Now, like my Harrenhal meta, I don’t think I’m saying anything new so much as compiling what people have said scattered across the interwebs. There’s a lot of theories about whether Bran can time travel, time travel in general in the series, how george has dealt with time travel before, and about the three eyed crow’s identity and I agree with bits and pieces of what other people have said - preston jacobs is a more famous example of this theory for example. But I don't want to get caught up on things like time travel paradoxes because, like, i don’t care about that, and george has talked about how time travel is more fantasy than scifi bc it’s just not really scientifically possible. do you know what that means? it means there’s no weird physical paradoxes because it’s ✨magic✨ and Bran isn't literally going through space and time. It's as Jojen says-

With two eyes you see my face. With three you could see my heart. With two you can see that oak tree there. With three you could see the acorn the oak grew from and the stump that it will one day become. With two you see no farther than your walls. With three you would gaze south to the Summer Sea and north beyond the Wall

Through his greenseeing abilities, Bran can see the whole of a lifespan, from conception to burial, and can pop out at any point in that lifespan, because a span of 100, 1000, or 1,000,000 years is all the same to the weirwood. So I don't think it's in the realm of Crazy Ass Theories to say that Bran is capable of a more magic based form of time travel. That he can whisper in people's dreams, on the wind, taking on the voice of the old gods themselves and doing his best to nudge things the way he needs them to be in order to keep the people he loves safe.

I also don't think Bloodraven is Three Eyed Crow (though I do think he also uses this metaphor of "flying" wrt magic, and that's why Euron also has a comment about flying in his dreams - I just don't believe that metaphor originates with Brynden himself. Rather, I think he picked it up from somewhere else), but instead, it's Bran, using the weirwood network to get all the pieces on the board he needs where he needs them to be for the endgame. Notice that Brynden doesn't seem to know what Bran is talking about when he mentions the Three Eyed Crow-

"Are you the three-eyed crow?" Bran heard himself say. A three-eyed crow should have three eyes. He has only one, and that one red. Bran could feel the eye staring at him, shining like a pool of blood in the torchlight. Where his other eye should have been, a thin white root grew from an empty socket, down his cheek, and into his neck. "A … crow?" The pale lord's voice was dry. His lips moved slowly, as if they had forgotten how to form words. "Once, aye. Black of garb and black of blood." 

Brynden mentions the watch, but doesn't mention the three eyed crow. Everyone simply refers to Brynden as the greenseer, not the three eyed crow, except for Bran himself, who simply assumes Brynden is the three eyed crow (and we know magical assumptions in this series are generally wrong!).

What’s double interesting to me about this “bloodraven is the three eyed crow” assumption is brynden himself makes his “a thousand eyes and one” comment - but doesn’t mention a third eye. Meanwhile, Bran’s narrative is obviously filled with bird references and the opening of his third eye from Bran feeding the crows on the towers before he falls then longing to go back to the crows afterwards, of a crow sending Jojen to “the winged wolf,” of his dreams of living as a bird in maester luwin’s rookery with his siblings - Jon Snow even compares him to a bird in their final scene face to face when he thinks bran has “fingers like the bones of birds.”

And notable that though both Rickon and Bran have a greendream where they talk to Ned in the crypts of Winterfell just before Ned is executed, Rickon makes no mention of a three eyed crow, but Bran explicitly sees him-

The mention of dreams reminded him. "I dreamed about the crow again last night. The one with three eyes. He flew into my bedchamber and told me to come with him, so I did. We went down to the crypts. Father was there, and we talked. He was sad."

"Shaggy," a small voice called. When Bran looked up, his little brother was standing in the mouth of Father's tomb. With one final snap at Summer's face, Shaggydog broke off and bounded to Rickon's side. "You let my father be," Rickon warned Luwin. "You let him be." "Rickon," Bran said softly. "Father's not here." "Yes he is. I saw him." Tears glistened on Rickon's face. "I saw him last night."

What that says to me is that the Three Eyed Crow has the ability to speak directly to only Bran and can only otherwise appear in a more ephemeral way to others. With the established rules about not being able to communicate properly with the past, I think this makes sense - being able to use the weirwood hivemind/greenseeing powers to appear in a different form to yourself but unable to appear in a concrete form to anyone else.

I think it's even likely we'll see Bran doing some of this nudging and whispering on page in ADOS or maybe as early as TWOW, but it won't be the exact same sort of "Bran can literally reach out and touch someone in a weirwood dream" that they had in the show with the later scenes. It'll be more like that very first scene in the show where we see Bran influence the past slightly - you know, when he calls out "father!" and young Ned turns around, having heard a voice on the wind-

And there's a direct parallel to ADWD here, where Bran is certain Ned heard him speaking in the godswood but Brynden says it's not possible (not possible for Brynden perhaps!)-

Lord Eddard Stark sat upon a rock beside the deep black pool in the godswood, the pale roots of the heart tree twisting around him like an old man's gnarled arms. The greatsword Ice lay across Lord Eddard's lap, and he was cleaning the blade with an oilcloth. "Winterfell," Bran whispered. His father looked up. "Who's there?" he asked, turning … … and Bran, frightened, pulled away. His father and the black pool and the godswood faded and were gone and he was back in the cavern, the pale thick roots of his weirwood throne cradling his limbs as a mother does a child.

It's not quite time travel. It's like the acorn and stump metaphor - Bran can't appear in his physical body in the past but he can make a bit of noise, perhaps even be mistaken for one of the old gods.

As TWOW and ADOS go on, I think we'll see Bran's powers grow (likely in ways that frighten him and horrify the reader), and we'll see the very beginnings of him influencing the plot that happens during the previous books, showing up in scenes we've already experienced, similar to the Ned scene above. I think this because, well...he's already done it!

Now, as for What Time Traveling Bran Has Already Done - it’s tricky because we have a LOT of magic users waking and shaking. I’m not including every single instance of weird whispering or funny birds here, just the moments I think are more likely to be Bran than anyone else because I think Bran mostly deals with his siblings. I imagine they're easiest to reach out to magically because they already have the ability to access magic, and they're also the people he cares most about. The most obvious to me is in A Clash of Kings, when Jon hears a voice on the wind, very similar to the young Ned scene in the show-

Jon VII in A Clash of Kings

The call came from behind him, softer than a whisper, but strong too. Can a shout be silent? He turned his head, searching for his brother, for a glimpse of a lean grey shape moving beneath the trees, but there was nothing, only … A weirwood. It seemed to sprout from solid rock, its pale roots twisting up from a myriad of fissures and hairline cracks. The tree was slender compared to other weirwoods he had seen, no more than a sapling, yet it was growing as he watched, its limbs thickening as they reached for the sky. Wary, he circled the smooth white trunk until he came to the face. Red eyes looked at him. Fierce eyes they were, yet glad to see him. The weirwood had his brother’s face. Had his brother always had three eyes?

Not always, came the silent shout. Not before the crow. He sniffed at the bark, smelled wolf and tree and boy, but behind that there were other scents, the rich brown smell of warm earth and the hard grey smell of stone and something else, something terrible. Death, he knew. He was smelling death. He cringed back, his hair bristling, and bared his fangs.

Don’t be afraid, I like it in the dark. No one can see you, but you can see them. But first you have to open your eyes. See? Like this. And the tree reached down and touched him.

This moment was when I really started paying attention to Weird Shit Bran Might Be Doing because of that line "not before the crow." Now, we know Bran mentions talking with Jon later on, in the very last chapter of the book, here-

 He could reach Summer whenever he wanted, and once he had even touched Ghost and talked to Jon. Though maybe he had only dreamed that.

But I think it's both Bran in the present and Bran in ADOS speaking here - brothers reaching out to each other in their fear, and future Bran piggybacking off that connection to send a warning (this is back in Jon VII, during the shared Jon-Bran dream as before)-

Then he realized he was looking at a river of ice several thousand feet high. Under that glittering cold cliff was a great lake, its deep cobalt waters reflecting the snowcapped peaks that ringed it. There were men down in the valley, he saw now; many men, thousands, a huge host. Some were tearing great holes in the half-frozen ground, while others trained for war...This is no army, no more than it is a town. This is a whole people come together.

Bran warns Jon of the wildling army headed their way because he needs the Night’s Watch to stop fighting the wildlings, get them safely out of the True North (so they can’t be reanimated as wights), and focus on the Long Night. When you read the passage, it seems as if Bran is trying to awaken Jon’s third eye - something present baby Bran isn’t concerned with, because he barely understands his own third eye awakening. But a Bran in ADOS or beyond would know exactly what to say and do to get Jon and himself to wake up! Not just because of the paradox, but because of his connection to his brother and his vast understanding of his own magic. Similar to the idea that “who would know how to motivate Bran better than Bran himself” who would know how to motivate Jon better than one of his beloved siblings?

Arya X in A Clash of Kings

In the godswood she found her broomstick sword where she had left it, and carried it to the heart tree. There she knelt. Red leaves rustled. Red eyes peered inside her. The eyes of the gods. "Tell me what to do, you gods," she prayed.

For a long moment there was no sound but the wind and the water and the creak of leaf and limb. And then, far far off, beyond the godswood and the haunted towers and the immense stone walls of Harrenhal, from somewhere out in the world, came the long lonely howl of a wolf. Gooseprickles rose on Arya's skin, and for an instant she felt dizzy. Then, so faintly, it seemed as if she heard her father's voice. "When the snows fall and the white winds blow, the lone wolf dies, but the pack survives," he said.

“But there is no pack," she whispered to the weirwood. Bran and Rickon were dead, the Lannisters had Sansa, Jon had gone to the Wall. "I'm not even me now, I'm Nan."

"You are Arya of Winterfell, daughter of the north. You told me you could be strong. You have the wolf blood in you."

"The wolf blood." Arya remembered now. "I'll be as strong as Robb. I said I would." She took a deep breath, then lifted the broomstick in both hands and brought it down across her knee. It broke with a loud crack, and she threw the pieces aside. I am a direwolf, and done with wooden teeth.

Once again, we have a voice - it seemed as if it was her father's voice - telling a Starkling to do something specific, reminding that Starkling of their ties to Winterfell, the north, and home. The voice she hears, speaking her true name, is the kick in the pants Arya needs to grab Gendry and Hot Pie and get out of Harrenhal. There's something interesting, engaging, heartbreaking, that when Arya is at one of her lowest points, lamenting the loss of her pack, and out comes the voice of one of her pack urging her to keep faith, and helping to inspire one of her best moments - I am a direwolf, and done with wooden teeth. Again, we have a voice trying to get the Starklings to wake up and face their reality!

Sansa in A Storm of Swords

That night Sansa scarcely slept at all, but tossed and turned just as she had aboard the Merling King. She dreamt of Joffrey dying, but as he clawed at his throat and the blood ran down across his fingers she saw with horror that it was her brother Robb. And she dreamed of her wedding night too, of Tyrion's eyes devouring her as she undressed. Only then he was bigger than Tyrion had any right to be, and when he climbed into the bed his face was scarred only on one side. "I'll have a song from you," he rasped, and Sansa woke and found the old blind dog beside her once again. "I wish that you were Lady," she said.

To be clear I think there’s a large change this is nothing. BUT. Considering Bran seems to be reaching out to his siblings, I like the idea that Bran, and magic in general, is trying to talk to Sansa but she can’t quite hear it. Winterfell and it’s magic and it’s family is calling it’s daughter home, even torn from her magical guide as she is, still trying to reach out through her dreams and through the animals around her. I’m desperately hoping that at some point in Sansa’s early TWOW chapters, we’ll start to see birds acting and speaking funny around her as Bran tries harder to reach his lost sister.

Theon Greyjoy in A Dance With Dragons

BUT. I don't think it's just the Starklings that get these messages from Bran - it's everyone he cares about, everyone he loves or will love. One of the other more obvious examples of this is Theon Greyjoy, himself clearly capable of some degree of magic, just like the Starklings-

The night was windless, the snow drifting straight down out of a cold black sky, yet the leaves of the heart tree were rustling his name. “Theon,” they seemed to whisper, “Theon.” The old gods, he thought. They know me. They know my name. I was Theon of House Greyjoy. I was a ward of Eddard Stark, a friend and brother to his children. “Please.” He fell to his knees. “A sword, that’s all I ask. Let me die as Theon, not as Reek.” Tears trickled down his cheeks, impossibly warm. “I was ironborn. A son … a son of Pyke, of the islands.” A leaf drifted down from above, brushed his brow, and landed in the pool. It floated on the water, red, five-fingered, like a bloody hand. “… Bran,” the tree murmured. They know. The gods know. They saw what I did. And for one strange moment it seemed as if it were Bran’s face carved into the pale trunk of the weirwood, staring down at him with eyes red and wise and sad. Bran’s ghost, he thought, but that was madness. Why should Bran want to haunt him? He had been fond of the boy, had never done him any harm. It was not Bran we killed. It was not Rickon. They were only miller’s sons, from the mill by the Acorn Water.

“he had been fond of the boy” please allow me this moment to contemplate killing myself thanks.

okay back on track but this is very self explanatory - we know Theon has some sort of capacity for magic because he had a vision of the Red Wedding in ACOK and unlike Jaime who just fell asleep on a weirweed tree, Theon was just up in bed. We see it again here, where Theon can hear a voice on the wind and then seems to see Bran’s own face in the face of the weirwood tree. Once again, the voice on the wind is trying to help a loved one of Bran’s find their way back to themselves, back to home. And Theon, for all the harm he has done, is still so so loved by Bran, and loves Bran in return.

Samwell Tarly III in A Storm of Swords

Sam made a whimpery sound. “It’s not fair …” “Fair.” The raven landed on his shoulder. “Fair, far, fear.” It flapped its wings, and screamed along with Gilly. The wights were almost on her. He heard the dark red leaves of the weirwood rustling, whispering to one another in a tongue he did not know. The starlight itself seemed to stir, and all around them the trees groaned and creaked. Sam Tarly turned the color of curdled milk, and his eyes went wide as plates. Ravens! They were in the weirwood, hundreds of them, thousands, perched on the bone-white branches, peering between the leaves. He saw their beaks open as they screamed, saw them spread their black wings. Shrieking, flapping, they descended on the wights in angry clouds. They swarmed round Chett’s face and pecked at his blue eyes, they covered the Sisterman like flies, they plucked gobbets from inside Hake’s shattered head. There were so many that when Sam looked up, he could not see the moon. “Go,” said the bird on his shoulder. “Go, go, go.”

Whoever this is - it's Bran!!!! - helps to save Sam and Gilly's lives, actively tells them to run for it, and just a little bit later, Sam is around to help save Bran in turn. I think there's also something to be said for the brotherhood connection here. They refer to each other as brothers in the book because of their connection to Jon; that connection to Jon, and therefore each other, means a lot to both Sam and Bran. There's a practical reason for saving Sam here in that he can help Bran in the "present" timeline, will likely help in the future, but more than that there's an emotional bond here and it seems to me that magic runs off emotions just as assuredly as it runs off of other important stuff like blood and and sacrifice and weirwoods.

Jon Snow XII in A Storm of Swords

With a raucous scream and a clap of wings, a huge raven burst out of the kettle. It flapped upward, seeking the rafters perhaps, or a window to make its escape, but there were no rafters in the vault, nor windows either. The raven was trapped. Cawing loudly, it circled the hall, once, twice, three times. And Jon heard Samwell Tarly shout, “I know that bird! That’s Lord Mormont’s raven!” The raven landed on the table nearest Jon. “Snow,” it cawed. It was an old bird, dirty and bedraggled. “Snow,” it said again, “Snow, snow, snow.” It walked to the end of the table, spread its wings again, and flew to Jon’s shoulder. Lord Janos Slynt sat down so heavily he made a thump, but Ser Alliser filled the vault with mocking laughter. “Ser Piggy thinks we’re all fools, brothers,” he said. “He’s taught the bird this little trick. They all say snow, go up to the rookery and hear for yourselves. Mormont’s bird had more words than that.” The raven cocked its head and looked at Jon. “Corn?” it said hopefully. When it got neither corn nor answer, it quorked and muttered, “Kettle? Kettle? Kettle?” The rest was arrowheads, a torrent of arrowheads, a flood of arrowheads, arrowheads enough to drown the last few stones and shells, and all the copper pennies too.

The Night's Watch seem to take this as some sort of divine sign, and Jon's friends take it as an excellent ploy from Samwell Tarly. But when Pyp confronts Sam over it a page later, Sam completely denies it -

“I had nothing to do with the bird,” Sam insisted. “When it flew out of the kettle I almost wet myself.”

Everyone has their theories about people warging Mormont's crow of course. I think what's interesting to me here is that Jon is really wrestling with the idea of leaving the Watch for Winterfell, in which case Janos Slynt was likely to take over command. Someone like Slynt being in charge when the Long Night is coming is a bad idea, and here, Mormont's bird directly contributes to Jon staying where he needs to be - watching over the wildlings and making sure they aren't turning into Wights.

(And this is getting into my other theories here, but IF Sansa as the Girl In Grey is true, I think this is a neat sort of timeline fixing - almost as if Bran is saying “no, not yet, the pieces aren’t aligned, Jon can’t leave yet, Brienne isn’t at the Vale to get Sansa, I haven’t trained enough, Jon still keeps slapping his hands over his third eye so he can’t see, I need to give myself more time here.”)

Bran II in A Game of Thrones

But...it's not just his family and friends that I think Bran is trying to help here, and of course, if he IS the Three-Eyed Crow, he isn’t YET. What I think is going to be a big climactic part of Bran's story is self sacrifice, giving up some of his own power, his own happiness, to save others. Yes, part of this is my absolute refusal to accept Borg Hivemind Fantasy Police State King Bran in that he will say NO to the hivemind, but I think there's something magical here as well!

I think in order to access great power you need to be willing to put your own body on the line.

Jojen mentions having gotten sick with "greywater fever" shortly before his greendreams started

Dany experiences a miscarriage then literally walks into fire in order to hatch her dragons

both Beric and Catelyn have to quite literally be gruesomely murdered in order for Thoros' fire magic to work to bring them back to life

Melisandre has to physically give birth in order for her shadow assassination to work

on and on it goes. In order to be capable of great power, you can’t just have a willingness to throw someone ELSE onto the pyre but yourself as well. But Bran is pushed out of the window instead of willingly jumping. Or...

The wolfling was smarter than any of the hounds in his father’s kennel and Bran would have sworn he understood every word that was said to him, but he showed very little interest in chasing sticks…Finally he got tired of the stick game and decided to go climbing….

The wolf did as he was told. Bran scratched him behind the ears, then turned away, jumped, grabbed a low branch, and pulled himself up. He was halfway up the tree, moving easily from limb to limb, when the wolf got to his feet and began to howl.

Bran looked back down. His wolf fell silent, staring up at him through slitted yellow eyes. A strange chill went through him. He began to climb again. Once more the wolf howled. “Quiet,” he yelled. “Sit down. Stay. You’re worse than Mother.” The howling chased him all the way up the tree, until finally he jumped off onto the armory roof and out of sight.

I think this is future Bran, finally becoming the Three Eyed Crow, inside Summer. Summer shows no interest in the game and it’s only then that Bran decides to go climbing. Future Bran is sacrificing himself for the greater good - but can’t stop his mournful cry of the fate that awaits his own young self.