#rani attempts meta

[atopvisenyashill]

patterns of abuse with jaehaerys

this post made me deeply depressed and i reread f&b which was my first mistake.

tldr i’m making the argument that jaehaerys definitely sexually abused saera and alysanne, and likely viserra and gael, and also i hate this man. if you disagree and want to say so *nicely* that’s cool but if you hardcore love jae and don’t want to hear criticism, maybe just scroll past bc i’m not nice to him at all (obviously, i’m accusing him of csa lol).

breaking this down by each woman, so there’s 6 sections: saera, viserra, daella, gael, alysanne, and alicent.

saera targaryen

If she were the king’s firstborn, or better still his only child, she would be well content. Instead she finds herself the ninthborn, with six living siblings who are older than her and even more adored. Aemon is to be king, Baelon most like will be his Hand, Alyssa may be all her mother is and more, Vaegon is more learned than she is, Maegelle is holier, and Daella…when does a day go by when Daella is not in need of comfort? And whilst she is being soothed, Saera is being ignored. Such a fierce little thing she is, they say, she has no need of comfort. They are wrong in that, I fear. All men need comfort.

that’s septon barth’s opinion on her and barth is always right. simply put, she’s a deeply neglected child who acts like a brat to get her parents attention because she’s learned the only way they’ll pay attention to her is if she’s causing a problem.

Before she was eleven, she was stealing wine and ale instead. By twelve, she was like as not to arrive drunk when summoned to the sept for prayer.

The king’s half-witted fool, Tom Turnip, was the victim of many of her japes, and her unwitting catspaw for others. Once, before a great feast where many lords and ladies were to be in attendance, she persuaded Tom that it would be much funnier if he performed naked. It was not well received.

stealing alcohol at 10 and being a committed alcoholic at 12 is not normal behavior. it is a sign of something deeply at wrong at home. also, the way she kind of, sexually humiliated tom, someone who is too “innocent” to even realize she’s sexually humiliating him…gives me the ick re: how she views sex.

Saera had learned the art of getting anything she wanted from her father: a kitten, a hound, a pony, a hawk, a horse (Jaehaerys did draw a firm line at the elephant). Queen Alysanne was far less gullible, however, and Septon Barth tells us that Saera’s sisters all misliked her to various degrees.

i don’t like this. nothing wrong with giving your child gifts (see ned going above and beyond to get arya not just instruction on how to fight but also a specific style that would gel with being smaller than your average opponent) but in conjunction with “jaehaerys ignores saera unless she’s pressing him for an expensive gift which he immediately gives her and alysanne doesn’t get why he caved so quickly” its an alarming dynamic.

also speaks to how isolated saera specifically was, that the only siblings that like her (aemon and baelon) are usually out and about, and there’s a clear wedge between saera and her sisters, even viserra.

The screams were coming from Tom Turnip, who was lurching helplessly in circles trying to escape from half a dozen naked whores, whilst the patrons of the house laughed uproariously and shouted on the harlots. Jonah Mooton, Red Roy Connington, and Stinger Beesbury were amongst those patrons, each one drunker than the last. They had thought it would be funny to see old Turnip do the deed, Red Roy admitted. Then Jonah Mooton laughed and said the jape had all been Saera’s notion, and what a funny girl she was.

again with sexually humiliating tom.

it continues with her friends. it’s not unusual for a 15 year old girl to want to fool around with other 15 year olds but alys and perri are all guilt ridden and upset and alys is with child. it reminds me a lot of cersei sexually abusing taena in affc. when she’s caught (now, mind you, she’s been marched in front of her parents sitting on the throne and not brought to them in their private rooms. she’s being treated right off the bat as if she’s guilty of a crime and not guilty of being a shitty teenager):

“She went from denial to dismissal to quibbling to contrition to accusation to justification to defiance in the space of an hour, with stops at giggling and weeping along the way,” Septon Barth would write. “She never did it, they were lying, it never happened, how could they believe that, it was just a game, it was just a jape, who said that, that was not how it happened, everyone likes kissing, she was sorry, Peri started it, it was such fun, no one was hurt, no one ever told her kissing was bad, Sweetberry had dared her, she was so ashamed, Baelon used to kiss Alyssa all the time, once she started she did not know how to stop, she was afraid of Stinger, the Mother Above had forgiven her, all the girls were doing it, the first time she was drunk, she had never wanted to, it was what men wanted, Maegelle said the gods forgave all sins, Jonah said he loved her, the gods had made her pretty, it was not her fault, she would be good from now on, it will be as if it never happened, she would marry Red Roy Connington, they had to forgive her, she would never kiss a man again or do any of those other things, it wasn’t her who was with child, she was their daughter, she was their little girl, she was a princess, if she were queen she would do as she liked, why wouldn’t they believe her, they never loved her, she hated them, they could whip her if they wanted but she would never be their slave. She took my breath away, this girl. There was never a mummer in all the land who gave such a performance, but by the end she was exhausted and afraid, and her mask slipped.”

What does Jaehaerys ask after all of this? “Have you given any of these boys your maidenhead?” Her response:

“True?” said Saera. It was in that moment, with that word, that the contempt came out. “No. I gave it to all three. They all think they were the first. Boys are such silly fools.”

Now mind you, Alyssa and Daella have both died of childbirth recently and her parents are mad she had sex as a 16 year old bordering on 17 year old, and not the fact that she like, at best peer pressured her besties into having sex and now one of them is pregnant. jaehaerys has only asked if she’s still a virgin.

“I will be married,” the princess said. “Why shouldn’t I be? You were married at my age. I shall be wedded and bedded, but to whom? Jonah and Roy both love me, I could take one of them, but they are both such boys. Stinger does not love me, but he makes me laugh and sometimes makes me scream. I could marry all three of them, why not? Why should I have just one husband? The Conqueror had two wives, and Maegor had six or eight.”

i keep trying not to give my opinion and just lay it all out but the thing is i’d just be reposting the whole scene because it’s just filled with so much weird sex stuff. if you don’t remember it, go reread it. it doesn’t feel (to me) like regular “george is bad at writing sex” vibes but “george is purposefully trying to skeeve you out” vibes but i am willing to admit i could be wrong and he really just doesn’t understand what he wrote.

anyways remember how i said saera acts out to get attention from her parents? all she’s done here is act out, her “crimes” are basically nonexistent; beyond how alys feels about being pregnant, saera consensually had sex with boys around her age who aren’t married, and then blithely compared herself to some asshole relatives. if your teenager idolizes dick cheney that’s probably worrying but not a crime! this is not how jae treats it however.

When the princess heard his words, she rushed toward him, crying, “Father, Father!” but Jaehaerys turned his back on her, and Gyles Morrigen caught her by the arm and wrenched her away. She would not go of her own accord, so the guards were forced to drag her from the hall, wailing and sobbing and calling for her father.

The king was angry and unyielding, for his shame was deeply felt, and he could not forget Saera’s taunting words about his uncle’s wives. “She is no longer my daughter,” he said more than once. Queen Alysanne could not find it in her heart to be so harsh, however. “

saera tries to escape.

This time the princess was not allowed to return to her own chambers. She was confined to a tower cell instead, with Jonquil Darke guarding her day and night, even in the privy.

Princess Saera watched from the window of her cell. Jonquil Darke, her gaoler, made certain that she did not turn away.

that’s as her dad is murdering stinger btw. is he a creepy 19 year old? yeah. but like, making your 15 year old watch you murder her 19 year old trust fund baby stoner boyfriend sure is something.

so then they sent her to the silent sisters where she’s beaten all the time and has to pray all the time and she runs away, becomes a sex worker and literally never looks back.

The truth did not come out until a year later, when the former princess was seen in a Lysene pleasure garden, still clad as a novice. Queen Alysanne wept to hear it. “They have made our daughter into a whore,” she said. “She always was,” the king replied.

“You need her as a Dornishman needs a pit viper,” Jaehaerys said. “I am sorry. King’s Landing has sufficient whores. I do not wish to hear her name again.”

but before we move on, let’s look at one more related ick, when saera’s sons show up to the great council:

From Essos came three rival competitors, grandsons of King Jaehaerys through his daughter Saera, each sired by a different father. One was said to be the very image of his grandsire in his youth.

after her drinking, acting out, and jaehaerys’ focus on calling her a whore, explicitly pointing out that one of her grandsons looks just like jae is a choice. i know they’re super inbred. it’s still uncomfortable in context.

viserra targaryen

alysanne makes no sense here but i’m just gonna quickly explain instead of lay it out or we will be here all day bc viserra’s engagement is completely nonsensical. theomore manderly is old, ugly, has a shitton of heirs, and viserra clearly doesn’t want to marry him. also if she wanted to be queen, why is she going after baelon, aemon is still alive. anyways jaehaerys is no help here, then she goes to baelon for help, but she’s also super drunk.

Frustrated, Viserra next turned to her brother Baelon in hopes of rescue, if court gossip can be believed. Slipping past his guards into his bedchamber one night, she disrobed and waited for him, making free with the prince’s wine whilst she lingered. When Prince Baelon finally appeared, he found her drunk and naked in his bed and sent her on her way. The princess was so unsteady that she required the help of two maids and a knight of the Kingsguard to get her safely back to her own apartments.

she gets drunk with some friends again, goes riding, breaks her neck. i wanted to point out this pattern of drinking and acting out at a young age. as well as this pattern of targaryen daughters who aren’t “meant” for a brother and are promised to men who are old and with heirs

daella targaryen

i wanted to add daella because her getting married at 15 makes as little sense as viserra, and her match to a old man with several heirs is equally nonsensical. but also this:

“I would never marry her,” the boy said, in front of half the court. “She can barely read. She should find some lord in need of stupid children, for that’s the only sort he will ever have of her.”

where did vaegon get that mouth.

Daella was not clever, even her septa had to admit. She learned to read after a fashion, but haltingly, and without full comprehension. She could not seem to commit even the simplest prayers to memory. She had a sweet voice, but was afraid to sing; she always got the words wrong. She loved flowers, but was frightened of gardens; a bee had almost stung her once.

Jaehaerys, even more than Alysanne, despaired of her. “She will not even speak to a boy. How is she to marry? We could entrust her to the Faith, but she does not know her prayers, and her septa says that she cries when asked to read aloud from The Seven-Pointed Star.”

The queen always rose to her defense. “Daella is sweet and kind and gentle. She has such a tender heart. Give me time, and I will find a lord to cherish her. Not every Targaryen needs to wield a sword and ride a dragon.”

so daella is 12 at this point.

Her sixteenth nameday was fast approaching, and with it her womanhood. Queen Alysanne was at her wit’s end, and the king had lost his patience. On the first day of the 80th year since Aegon’s Conquest, he told the queen he wanted Daella wed before the year’s end. “If she wants I can find a hundred men and line them up before her naked, and she can pick the one she likes,” he said. “I would sooner she wed a lord, but if she prefers a hedge knight or a merchant or Pate the Pig Boy, I am past the point of caring, so long as she picks someone.”

i just don’t like this. other “simple” targs are not required to marry, like vaella and aelora, two of daeron ii’s grandfaughters so i don’t get why daella is pressured into marrying before she’s even of age. at least jae 2 forced rhaella and aerys because of a prophecy? what is jae’s reasoning for so sexualizing his daughter?

gael targaryen

this one is definitely a reach but i’d like to point out that this is basically all we know about gael:

Princess Gael, a sweet, shy child of seven, became the queen’s constant shadow and support, even sharing her bed at night.

and our information on how she dies is so shady:

A sweet-natured girl, but frail and somewhat simpleminded, she remained with the queen long after her other children had grown and gone, but in 99 AC she vanished from court, and soon afterward it was announced that she had died of a summer fever. Only after both her parents were gone did the true tale come out. Seduced and abandoned by a traveling singer, the princess had given birth to a stillborn son, then, overwhelmed by grief, walked into the waters of Blackwater Bay and drowned.

how does gael get pregnant by a traveling singer when she never leaves her mother’s side? why doesn’t anyone in court know gael got pregnant and killed herself until after aly and jae both die and how was this even found out?

am i implying that jaehaerys sexually abused all four of his daughters? yes because he literally sexually abuses his own wife.

alysanne targaryen

“I am forty-two years old,” she told the king. “You must be content with the children I have given you. I am more suited to be a grandmother than a mother now, I fear.”

King Jaehaerys did not share her certainty. “Our mother, Queen Alyssa, was forty-six when she gave birth to Jocelyn,” he pointed out to Grand Maester Elysar. “The gods may not be done with us.” He was not wrong. The very next year, the Grand Maester informed Queen Alysanne that she was once more with child, to her surprise and dismay.

he uses the birth that killed their mother and that is condemned by rhaena and alysanne as reckless and cruel of rogar to force on her. that birth.

at this point as well, he had abused saera and daella, then they’re gone, then viserra starts drinking and dies, then jae marital rapes aly into having gael, giving him access to another young girl to abuse…i’m aware this is a very uncharitable reading of him but…

alicent hightower (and kind of alyssa targaryen)

Ser Otto’s precocious fifteen-year-old daughter, Alicent, became his constant companion, fetching His Grace his meals, reading to him, helping him to bathe and dress himself. The Old King sometimes mistook her for one of his daughters, calling her by their names; near the end, he grew certain she was his daughter Saera, returned to him from beyond the narrow sea.

saera is the one he fixated on yet again but notable that he’s fixated on his daughters as he dies and not his sons, despite jaehaerys turning to drink after aemon died bc he was so upset.

He announced his intention to wed Lady Alicent of House Hightower, the clever and lovely eighteen-year-old daughter of the King’s Hand, the girl who had read to King Jaehaerys as he lay dying.

The Hightowers of Oldtown were an ancient and noble family, of impeccable lineage; there could be no possible objection to the king’s choice of bride. Even so, there were those who murmured that the Hand had risen above himself, that he had brought his daughter to court with this in mind. A few even cast doubt on Lady Alicent’s virtue, suggesting she had welcomed King Viserys into her bed even before Queen Aemma’s death. (These calumnies were never proved, though Mushroom repeats them in his Testimony and goes so far as to claim that reading was not the only service Lady Alicent performed for the Old King in his bedchamber.)

i know it’s just mushroom being a perv but a rumor that 15 year old alicent “serviced” jaehaerys existing besides rumors that he mistook 15 year old alicent for the daughter he last saw when she was 17 - and viserra was 15, gael 19, and daella 15, all around alicent’s age and all died before age 20. all the targaryen girls that weren’t born “for” a brother exit the narrative after some sort of sexual abuse that centers around jae, as teenagers; daenerys was born for aemon, alyssa for baelon, and maegelle for vaegon before they both fucked off and maegelle was too pious (and too old). this idea of being “for” a brother leads directly to alyssa’s death before 30:

“You were made for battles, and I was made for this. Viserys and Daemon and Aegon, that’s three. As soon as I am well, let’s make another. I want to give you twenty sons. An army of your own!” It was not to be. Alyssa Targaryen had a warrior’s heart in a woman’s body, and her strength failed her. She never fully recovered from Aegon’s birth, and died within the year at only four-and-twenty.

and alysanne being “for” jaehaerys is how he excusing sexually abusing her into a risky pregnancy. essentially what i fear is that because saera, daella, viserra, and gael aren’t “for” someone, jaehaerys gets it into his mind that that are for him. even without him raping them tho, that subtext is there! he is entitled to saera’s virginity and calls her a whore multiple times, even decades after she’s left, and murders her boyfriend in front of her. he claims a weird sexual ownership over his neurodivergent daughter daella and his alcoholic, depressed daughter viserra, and we get zero information on gael’s pregnancy or his reaction to it. but jaehaerys deciding his daughters are “for” him certainly has a basis in canon just judging from the erratic and worrying behavior of his younger daughters.

jaehaerys is a creep and i hate him and i don’t know how much of this is on purpose (like, will aegon vi or dany find out jaehaerys was a shady pedo and it shatters their world? will dunk and egg find it out and it affects their plot somehow? did george just put it in there to make a comment on power and monarchy and misogyny, similar to aegon iv raping the bracken women? or is just there for window dressing creepiness, like “i will pepper in the fact that jaehaerys is sexually obsessed with his daughters” thing?) or if george just made jaehaerys sexually obsessed with his daughters on accident?

on the one hand, it seems out of character for george. he romanticizes drogo thru dany’s eyes but it’s clear he’s meant to be seen as a creep (dany talking about being pregnant followed by “she had just turned 14” is sickeningly jarring for a reason) and also, drogo dies bc of his own pride. sansa doesn’t like any of the old dudes touching her; she is at least marginally freaked out by her wedding night, the unkiss, and lf & dontos taking liberties with her, and rightly. the story that’s told about the mountain raping a girl and making the father pay him is meant to disgust us. the walk of shame is a harrowing chapter to read, because whatever cersei’s crimes, this sexual humiliation is not something she deserves. on and on. yes, we all hate the way arya is sexualized in the mercy chapter, but crucially, she’s not blithely and happily seducing these pervs, she’s going hard candy on their asses. is this just messy set up for something like that?? i think, given how little dany knows about her family’s crimes that somehow learning jae sexually abused (and maybe even impregnated) his own daughters after she herself experiences sexual abuse would be huge. the same goes for aegon vi learning that sexual abuse runs rampant in his family tree; would he empathize with saera hiding out in essos to escape the sexual abuse of her father, see some of elia and his own plight in her? in gael?

or did george really just. not realize how sexually obsessed jaehaerys was with his daughters?

idk how to end this. where’s the winds of winter george i need answers.

[thewingedwolf]

i love the Fates in hadestown bc they have so much sympathy for Eurydice during the chips are down, of course they do, she’s just a poor hungry girl who can’t escape her Fate, and we shouldn’t judge her bc if we were in her shoes, hungry and scared, and a god came to us and offered us a home, a lover that is cold and distant but will keep us safe and fed, could we really say we wouldn’t do the same.

but when Eurydice despairs over how shitty the deal she made actually is, they are practically gleeful at her pain. and when the people rail against Fate, when the workers straighten their backs and look Fate in the eye, dare to love and care and fight against the hand they’ve been dealt, and the Fates are livid. no longer full of sympathy for orpheus’ suffering, they ask who dares fight Fate.

i think the switch is so interesting in how it plays with the despair, poverty, and depression of all the central characters. Our grief and fear are happy to comfort us with “there was no good choice to make” when we’re down but when we pick ourselves up and try to be better, the depression rages back as a monster to stop us. The Fates love humanity and love the gods - until they dare to defy the Fates. Until they dare to hope for more than what is simply fated to happen.

[fallofcyber]

The Susan Foreman/Susan Twist Theory

So ever few years the Doctor Who fandom seeks to ask the question What about Susan, and Because of this new season the Theories have started back up again so lets look at the evidence.

Pre-Devil's Cord: It was speculated that Susan might return this season, the main evidence point is a woman we all have been calling "Susan Twist" based on the name of her actress.

Many people are speculating that based on this actress' name that there is a 'Twist' involving a 'Susan'. Now I wouldn't put it past RTD to create a season plotline purely based on an actress' name, but to state that this 'evidence' is a stretch is a massive understatement. So pre-Devil's Cord a crackpot theory that insists on speculating about the return of a Classic series Time-Lord, similar to the constant theories about The Rani, Omega, or even Morbius.

Post Devil's Cord: Now we finally have a solid piece of evidence, an explicit callout to Susan. In fact I believe the first time Susan is mentioned by name since the revival, when the Doctor is telling Ruby about his life on Totter's lane.

So we have two through-lines this theory hopes to connect. The Susan Twist mystery box, and an explicit call out to Susan Foreman. Now this callout to Susan seems incredibly deliberate, almost like it's attempting to introduce new audiences to the character. Plus the Doctor also speculates on her current status, whether she is alive or dead.

Also I'll bring up the 'Always a Twist at the End' song from the end of The Devil's Cord. Not only being a meta commentary on the nature of seasons of Doctor Who, but also a play on words referencing 'The Twist' a type of dance. There's always a twist, thus there is always a Susan Twist.

Post-Boom: We have a new Susan Twist cameo

and it's creepy ambulance lady. Currently the Susan Twist cameo hasn't added anything to the theory post Boom, but lets looks at something else for a second.

Varada Sethu

This is Varada Sethu who has been confirmed to be joining the TARDIS along with Ruby and the Doctor.

She shows up in Boom as the character Mundy Flynn. Now this could easily be another instance of an actor having a bit part in Doctor Who before Colin Baker, Freeman Agyeman, Peter Capaldi, Karen Gillan. However Russel has stated that the situation is more complicated than that. Specifically bringing up when Jenna Coleman showed up in Asylum of the Daleks before making her debut later in season 7.

Some speculation theorized that Varada Sethu's character was a regenerated Susan Foreman, but after Boom I believe something else is going on.

So this is all linking back to my 'The Doctor is trapped in a television show' Theory

( https://www.tumblr.com/fallofcyber/750149486367621120/okay-absolutely-off-the-wall-doctor-who-theory?source=share )

I think I might have an idea that could solve both the Susan Twist and Verada Sethu mystery. What if they aren't just reused actors on the show Doctor Who, but are reused actors in the show within the show. As in the reason we are seeing this actor show up in multiple places is because they are literally being recast in universe.

So in conclusion I do believe Susan Foreman to have some sort of relevance to the story, but I don't think she is at all connected to Varada Sethu or Susan Twist. Maybe she has a connection to Susan Twist, but I don't think they are one in the same.

[thewingedwolf]

I think what makes me most mad about Septa Mordane is how she’s clearly encouraging the rivalry between the two girls, and confirming the worst of both of their personalities in their minds in order to punish Arya for not being feminine enough. So Sansa gets her biases about beauty and class and womanhood confirmed by an authority figure, further cementing it in her mind, and Arya gets all her insecurities of not being good enough for her family confirmed, further driving a wedge between Arya and the Starks (except Jon). It’s a cruel way to treat a child, to teach one she’s superior and the other she’s inferior and it has catastrophic effects on both girls.

PLUS, she gets ass over tits drunk when she’s supposed to be looking after Sansa, which leads to JOFFREY of all people having to walk her home, and Sandor getting physical with her (in a great and complex scene, but a scene that shouldn’t have happened bc Septa Mordane decided to get drunk on the clock!) she doesn’t even have a cool death scene in the books, she’s just mean, useless, then dies. SmFh.

Do I want to rant about Septa Mordane being a terrible teacher who is incredibly bad for Arya’s insecurities or do I want to move on ?

You know what ? No I’m not moving on.

There is clearly a favoritism toward Sansa while tearing down Arya.Of course, she is insecure if the adults around her keeps telling her how bad she is at everything.

[myfandomrambles]

Dhawan!Master Character Analysis

A look at Confused motivations, externalized anger, performance, self-destruction, boredom, and trauma

Confused Motivations:

Something I find interesting is that The Master’s motivations are not understood by himself. He professes it’s because he is angry that The Doctor is a key part of who he is and the “specialness” being The Timeless child gives her, but this is no way the whole story.

A more complete read of the motivations:

A biological concrete aspect has been added to the vacillations of feeling less than and better than The Doctor causing anger. 

A compulsive need to control The Doctor and make them the same by putting them on the same “level”

Anger at being even more of a tool and creation of the Time Lords and loss of autonomy & control thereof. 

Anger that they hurt The Doctor 

Boredom, apathy, impulse control deficits and general control issues informed by trauma. 

I doubt he is aware of all of these layers, and I believe The Doctor in the story and us as spectators will choose the one they believe is the “real” reason, but it was never just one. The Master flattens these motivations and explains it to The Doctor as almost all disdain for her, and blind rage, both actively in his emotions, and subconsciously to himself. 

We know The Master has been used by the Time Lords their whole life (longer if the child in the flashbacks is Baby!Master) and has their autonomy stripped to be used as a tool of the aristocracy. He is dealing with having the Time Lords who have taken his autonomy directly on a physical level via The Doctor’s DNA. Just like the drums and resurrection during The Time War, we have direct physical meddling by the high council. 

The Master has always felt that The Doctor and he are the same, that she is better than him, and that he is better than her in turn. This vacillating perception of her and their dynamic with each other is something we can see tracing through their relationship. This comes into play where they are used as foils and mirrors to each other. The Doctor Pointing this function of being the same while opposed to each other:

Twelve: “He's the only person that I've ever met who's even remotely like me.”

Bill: “So more than anything you want her to be good?

An interesting way we can see this change how they refer to each other sometimes using the present tense and past tense of the word friend. 

Ten: “A friend, At first” [Ten spends most of the time focused on them being ‘the last’ over a real relationship, but offer a hand]

Thirteen: “The Master was one of my oldest friends. We went very different ways.” [Thirteen is intensely emotional about the master, more so then we have seen her at almost any other point, but shows mostly anger and exhaustion]

Twelve: “Of course she's not dead. She's a friend of mine. I may have fiddled with your wiring a little bit.” [Both Missy and Twelve focus heavily on their friendship and fall heavily on their intimate history]

The Master also changes the description of their relationship 

Missy:“friendship older than your civilization, and infinitely more complex.”

Dhawan!Master: “I'm her best enemy.”

We see how the Fifth Doctor has an almost apathy to The Master, Seven takes the time to give him a proper burial, Ten and Twelve both seek out their respective Masters dreading the loss. The Master also does this being open about wanting attention, playing lower stakes dreams, being truly murderous, and abjectly cruel. The Master's self-perception shits as well; playing god on Gallifrey, making a personal army, putting her on a pedestal, dragging her down, and a suicidal streak. I think this helps illustrate the behaviour throughout the whole season. 

The Doctor and The Master compulsively try and get the other’s attention. The obsession is something pointed out by multiple other characters namely; The Brig, Jo Grant, and The Rani. We can see this in him taking the time to play at being O and in how even when he yells about wanting her dead he also always knows she will live why else would he leave a note for her that would show when she got to Gallifrey. The Master will get none of the sought after catharsis and compulsion to involve The Doctor if she actually died. In their Eiffel Tower confrontation;

Doctor: “When does all this stop for you? The games, the betrayals, the killing?”

Master: “Why would it stop? I mean, how else would I get your attention”

 His involvement this whole season is only about The Doctor, even the side operations of working with the baddie on earth, committing genocide and paling with the CyberMen are all about The Doctor and his need to exert control over both of their lives. 

The Master is angry that The Doctor was hurt. The Master has always had a kind of “Only I can hurt The Doctor” mentality. And considering he knows how it feels to be used and manipulated, I don’t think he wants The Doctor to suffer in that manner by the Time Lords. I don’t think it’s contradictory to want to hurt everyone else and also be angry The Doctor was hurt. Because of the obsessive thoughts around The Doctor, it would alter the thought patterns, The Master is not working based on logic. 

A real empathetic connection to The Doctor is present in the way someone who is in a toxic relationship will have. This goes both ways we can see this in the way they have all of these periods of differing extreme emotions, especially if you look at Simm->Missy->Dhawan. There is love there when they had a healthier relationship back when they were friends/crushes, but over time it’s been compromised through each hurting each other (whatever you pick/know of canon this still holds true) becoming toxic for most incarnations. I also don’t think this hot empathy for The Doctor would contradict not even having a cold empathy for the innocents slaughtered on Gallifrey (The at least 2.4 7 billion kids did nothing wrong) 

In general, I believe after going fishing in the matrix either on a whim or not the act of burning Gallifrey was likely an impulsive act. But after this, I think planning came into it, along with building the blocks for performance. He can formulate an elaborate game to play with The Doctor, The Matrix, live on earth, and The Cybermen to stave off boredom and attempt to integrate trauma and it will fulfil his rumination on The Doctor and the high council. I’ll talk more about trauma and boredom later. 

Externalized & Cyclical Anger:

When you are angry there are generally two ways people display these emotions: they put their pain into their own body and mind or put it on everyone else. Anger is healthy and The Master has every right to be angry at the high Gallifreyans who have treated him and his best friend like garbage from the very start. 

Dhawan!Master is a perfect example of someone taking their own pain and putting on everyone else. He is angry at so many things, some justified, some not but is dealing with this through externalization. He displays self-destructive anger but goes about the self-harm/suicidality by causing as much damage outwards as possible. A common Master trait, but very prevalent here, taking his own hurt and making others feel it, a stated goal more than once. 

He took this anger at a set number of people onto the entirety of the Gallifreyan people and stepped up the “flirting” and games he plays with The Doctor to one of the most painful versions they have. We can see The Master and The Doctor’s relationships take many different forms of the years but it has always been grounded in the need for the other's attention and anger from The Master at being left. With these added sources of anger they toss at each other it makes sense that we get different versions of tipping point moments when one of them “wins”. 

Another key here is that The Master shows a long history of serious anger rage that comes out in extreme ways. He suffers outbursts regularly and it’s something that worsens over time but even The Masters who were more in control we still see how anger is an undercurrent. And while The Doctor has a similar undercurrent The Master has this pattern of explosive outbursts that have slowly become more character-defining. 

Part of the cyclical anger is also the fear under there. The Master is afraid of so much, of not being enough, of being left behind, of not being who they thought they were, of dying (historically he has gone to crazy length to live), of continuing to live how he is, of being the worst of him, of being controlled and of the Time Lords. The Master runs from the Time Lords, using them yes, but never staying there. 

The Timeless Child revelation might have acted as a trigger for larger displays of anger, however, I think it’s key to The Master that this anger was there way before now. And it has caused mass suffering before now, this sympathetic grief and anger The Master shows in Timeless Children is compelling but it’s best understood a part of a cycle of outbursts of those emotions severely worsened by this latest re-traumatization. 

Performance:

The Master, like The Doctor, is a huge fan of performance art. This is something that has always been there with costumes, voice changes, dancing, and using this for both just plain fun and as a real tool. On a strictly meta-level, Sacha Dhawan was living for every moment and being able to meet and even surpass Whittaker for screen presence. It was his story almost anytime he was on screen. 

Narratively putting on a show was key, as O he is literally playing a part for The Doctor, and even keeping in contact as this persona. When in the past he is theatrical in his introduction in the science expo, in his character reveal in Ascension of the Cybermen his dialogue starts is:

Master: “Wow! Oh! Ah! That's a good entrance, right? Be afraid, Doctor. Because everything is about to change... forever.”

He literally asks if they liked his entrance, they liked how he presented himself. Then follows this up with this big pronouncement. Begging for the people on screen and us to pay attention to him. Which is generally one of the only moments in this episode that people really remember from the latter 1/2 of the episode. 

The entirety of the interactions with The Doctor on Gallifrey has a semi-planned performative aspect like he has a bit of script in his head and is using the environment as a stage, monologuing for the vast majority of the time. He critiques the performance as much as the substance of the Lone Cyberman’s plan. The body language and mannerisms are also very large and have a dancing aspect to it, or come across as severe and are trying to get a rise out of The Doctor or Cyberium. 

Another aspect to the performance is how he has these set pieces, of bringing her in, then trapping her, playing with the Death Particle and more than anything is the CyberMasters. He introduces them with a big speech, does the march with them and uses them to make a point more than to actually build an army. It’s also important to think he had to make the costumes and had this macabre point of putting the Time Lords into the Cyber Armour. 

The performance is more than anything just begging for attention. The Master loves to blow stuff up, watch the smoke of buildings, and fight with The Doctor, but it’s clear that they tried really hard to impact The Doctor more than anyone else. It’s clawing to be enough for The Doctor, prove himself, to win. Another way this performance is as a mask covering the fact The Master is falling apart. It's the duality of The Master always loved putting on the show but there is desperation undergirding it. We can see how The Master can start to jump in his speech mannerisms become more desperate and this facade of control drips to the anger and fear consuming him. 

By putting on a show, he is in control. He fears to be out of control, and the loss of identity both the Time War and the Timeless Children gave him. Controlling how he acts, how others view him and setting out a roadmap. Control through hurting others, hurting himself, through acting and of course just basic controlling others. 

Self-Destruction:

The Master is highly self-destructive here, something that is connected to a form of “anger in” and the aspects of control we talked about before. When the death particle fails to go off the first time he seems somewhat disappointed it didn’t just end right then:

Dhawan!Master: “Worried, were you? I thought if he was compressed, the Death Particle would activate and all this would be over. I would've been okay with that. I thought it was a nice little gamble. But no, here we are, all still alive.”

He is gambling with his life, I believe this to him would be a second-best ending to finishing the whole game and be face-to-face with The Doctor. More than anything though, it seems he wants to be able to end everything with The Doctor there as well. In this case that is the ultimate control he is seeking, to end the fear, grief, bitterness and pain. Suicidal thoughts don’t quite care if you complete your plan. 

The ultimate version of this plan puts The Doctor in the position of if she wants to save the world she must also join The Master in an act of extreme destruction. The interesting thing is it fails to put The Doctor on his level because instead of an act of anger, control and wanting harm this one is to prevent more death. If she had been able to do it it would have succeeded in making her die as a hero which is the opposite of the stated goal. The Doctor has taken cruel and pointlessly destructive steps before but this wouldn’t have been one of them. The Doctor has also been suicidal before this point, those moments would have been a lot closer to them being the same then this actions as well. 

Outside of the moral quandary, this is actually not that different from a murder-suicide in real life on a psychological level. Murder-suicide is also incidentally a highly male crime, which adds to an interesting pattern of invoking male violence. The Master wants to end his life but if this was the only goal he could have done it a million and one ways and send a note to The Doctor if he just wished her to know. But, like in real life part of it is wanting to control the other person too, he wants to control The Doctor and himself. The Master here has had his self-belief shattered, is depressed himself and feels The Doctor has become something less manageable with all this new information along with Thirteen being one of the least interested in The Master's games. This is interesting as I said before Dhawan!Master is the king of externalizing violence so even when his self-loathing drives him to suicidal urges the need to have The Doctor die with him and end anything that could possibly live on Gallifrey takes precedent. 

I think this is key because, for all the talk for pointing out that he is really suicidal, the murder-suicide aspect is really key to any honest reading of the situation. Because if the death particle plan had worked he would have just committed murder-suicide, even with The Doctor pulling the triggering. This act would have come after a psychological battering via The Matrix (which even if he has a real want for her to know it was done cruelly), threats to her friends, threats of mass violence, giving her the weapon it’s hard to say he wasn’t culpable in the death particle’s usage. Even the first plan would have killed her too. 

He is insistent that he broke her, she has nothing left, her world view is broken he finally brought her down. He needs The Doctor to be in the same headspace as he abjectly lost and searching for something worth living for. To feel understood and to be in control. Personally, I don’t think she has just accepted that none of this hurts and she is great because he gave her “gift of myself” and proved she “contain multitudes”, it feels more like her not wanting to give in to his control, to convince herself, but in the end, it doesn’t matter because he doesn’t win this time, and worse he dies without her. And interestingly she ends up taking the cowards route by making someone else fight her battle, this had nothing to do with ending the Cyber War it was ending a toxic relationship, a demolished culture and a Time War. 

Boredom:

Something I think I've not seen talked about a lot is that if The Master is displaying a show of chronic boredom this is something associated with a lot of people who are violent towards others and themselves. I think we can see this in his agitation, body language, speech patterns and just the sheer amount of what he accomplished during The Timeless Children. This is less visible in him being O as we don’t really know how much he was messing around or doing while in character, but the moment he stops the endless need to do something, anything shows up.��

If you think about it not everything he did is strictly necessary for the goals of destroying Gallifrey and then commit murder-suicide with The Doctor. But along with the need for a show, there is always something to do. And when each aspect of the plan finishes there is some joking and revealing but it also feels like “whoop that's done I'm bored again”. 

He’s compulsively doing something, anything, but as he mentions this isn't actually fully fixing anything. It’s something that really lends itself to both the outward and inward destruction. When nothing will ever calm the anger, nothing will help you regulate, no amount of stimulus can keep your attention, it leads to reckless and damaging behaviour. 

However, the game with The Doctor has to end, because this is the long game and now that we’re here she has to finish it too. The Doctor also has chronic boredom and he knows this, and that The Doctor has as little self-preservation as him. It tracks that when he makes the finale move he would assume The Doctor would be willing to act out too. 

Trauma:

I think it’s very clear this Master is dealing with trauma and we see a lot of signs, many of which I talked about but here is a list:

Agitation

Anger & rage

Chronic Boredom

Compromised empathy 

Compulsive behaviour

Depression

Destructive behaviours & suicidal actions

Dysregulated emotions

Enmeshment with The Doctor 

Identity issues 

Lashing out

Locus of control issues (Blaming everyone else while also needing to own it)

A need for control

Oscillating self-estimation

Preoccupation with those who traumatized them (with the timelords & The Doctor)

Reenacting trauma 

Ruminating thoughts

Sensory integration issues (stimming, could be linked to other conditions)

Trying to put on a show, (A trait associated with trauma linked PDS)

Thoughts of violence

Dysregulation of Emotions and Nervous System: The erratic emotions displayed by The Master overlaid with behaviours that some have identified as looking like stimming point to dysregulation. His feelings and affect jump around and are always at high levels. A point of interest, however, is that From Spyfall to Timeless Children the issue seems to worsen as the ability to put up a facade is gone. Now we know that it wasn’t really that long of a period where he was actively keeping it as we only saw him as O for a short time. But it tracks that after being exiled on earth and then into the Kassavian dimension his dysregulation would worsen. 

Preoccupation With Those who Traumatized Him: It’s so heavy in this story and even throughout the whole story The Master is locked on those who have hurt him, and the trauma thereof. The Master is used as a tool here the same way people manipulate The Doctor via their god and guilt complexes. The entire story is the Master having gone back to Gallifrey to try and enter the Matrix and then spend the whole time destroying Gallifrey and even then he can’t leave. New Who Masters specifically have their whole stories centred around the trauma Gallifrey did to them and their connection with The Doctor was changed by that event. And Dhawan!Master takes no action in this series that doesn’t involve this, even the plan with Kassavian is centred on getting the Doctor’s attention and setting up sending her to Galifrey. 

Replaying Trauma: This is a commonality between the master and The Doctor. They have been reliving the Time War, the same patterns of loss of their friends, being unable to turn off the training to be a soldier. The Doctor is often taking the same actions she did before, sometimes outside of her control, all of which were made during a trauma state or resulted in traumatic experiences. 

The Master replays the behaviours he learned during trauma as The Doctor does, but is a lot more likely to not only replay acts that they did that traumatized others, which The Doctor does too but also can replay what those who traumatized them did. 

The speeches we get from the master in Timeless Children is slightly off version of Rassilon's speech at The End of Time pt 1. 

Master: “Yes, it could! Behold your new CyberMasters, Doctor. All born from you, but led by me. How does that feel? Huh? Now, no time to lose. Don't move. Oh, that's right, you can't. Can you feel a new era dawning, Doctor? For Gallifrey.”

Cybermen: “For Gallifrey!”

Master: “For the Time Lords.”

Cybermen: “For the Time Lords!”

Master: “For the end of the universe itself!”

Cybermen: “For the end of the universe itself!”

Master: “Sweet dreams. This way, soldiers.”

Time Lords: “For Gallifrey!”

Rassilon: “For victory!”

Time Lords: “For victory!”

Rassilon: “For the end of time itself!”

Time Lords: “For the end of time itself!” 

The Master who destroyed Galifrey in the name of something Tecteun, and by extension the other founding fathers of Galifrey, is playing the same game Rassilon did and views himself as a god of Time Lords the same way Rasilon did. We also know The Master isn’t directly quoting them because he was not present when Rasilon made that speech, so this dialogue shows how he is in patterns of trauma. It also is important character and theme-wise because it plays on the ideas of autonomy and how the Master has essentially made himself the destruction and death god to Gaalifry in the way The Doctor was essential in its creation. While he is goading The Doctor to be both creator and destroyer. The Master and The Doctor are in fact these forces, even though I believe the Timeless Child is a victim of abuse and exploitation, but, it’s entirely true that The Doctor and The Master are playing at being gods. Something they have done on other planets before. 

This is also part of replaying trauma in the fact he has taken bodily autonomy and specifically regeneration from Time Lords to use as his own weapons. The CyberMasters are exactly what the worst version of Timeless Children are, complete manipulated weapons with no free will. 

Conclusion:

The story of Dhawan!Master is one that turned hard into both the idea of The Master being in pain themselves but also showing some of the worst cruelty the master has ever done in both their extreme assault of The Doctor and genocide. 

[catelyngrant]

2, 8, 14 for the fictional women thing.

2 - Villains

Nina Myers: My first fictional lady crush! Naturally she was a mercenary terrorist, which I think had my parents far more concerned than the “lady” part of the crush. I loved her so much in season one and even though I’d spoiled myself and knew what was coming, I had a complete meltdown when she was revealed to be the bad guy. She was such a delicious villain, though, and her dynamic with Jack was just blistering. She was doomed to a violent early end, and after seeing what happened to my other lady faves on this show, I’m pleased that she went out the way she did and that her storyline never got boring or disappointing.

(Book) Cersei Lannister: She’s horrible, truly despicable, but so complicated and oddly sympathetic. She more than just about any other character is the architect of her own destruction, and part of what’s so sad about her is that at least some of the things she wants - agency, freedom, power, to love and be loved - are completely understandable if not universal. Her desperate attempts to consolidate what little power she had and to ward off the things she feared most led (and continue to lead) to bitter tragedy not only for her but for everyone she crosses paths with, and the more she loses, the more determined she is to make everyone pay without ever truly seeing her own role in it. She’s horrible and unforgivable, but it’s sad.

Six: I struggled with whether or not she counted - and if so, which version of her? - but that ambiguity is part of what makes me want to include her. And the truth is that every version of Six (except Head!Six, I guess) was involved in the annihilation of the Twelve Colonies and in the first couple of seasons we don’t see a lot of them outside of the human’s POV, so they are established as villains. The fact that Caprica in particular, but also Gina and Natalie, end up being among the more sympathetic and nuanced characters on the show is a testament to the writing and Tricia’s portrayal; the robots who wiped out almost all of humanity go through perhaps the most growth of anyone. It’s incredible.

Astra In-Ze: I’m including her more for her potential and for my own understanding of the character (shaped through fic and meta) than for what we literally saw onscreen, which was a wonderful but woefully underexplored foundation. Astra is a really fascinating study in who the main characters could be. Kara, if she let the fury and grief of Krypton consume her and hadn’t had the Danvers to shape her view of humanity; Alex, if she didn’t have Kara and J’onn to keep her tethered and stop her from crossing the line in the name of what’s “right” (season two notwithstanding because she DID cross a lot of those lines with no consequences); Kara and Alex together if they ever came to a crossroads like Astra and Alura did, and the devastating consequences. It really breaks my heart that we didn’t get to see Astra continue to evolve and follow through on a true redemption arc, because the seeds of an amazing story were planted.

Patty Hewes: Less a villain than an anti-hero, but definitely villainous enough. I LOVE HER THOUGH. I’m forever salty that there’s not more of a Damages fanbase, because Patty is one of the most terrifying, incredible, capable, and brilliantly acted characters in modern television history. She fights for justice at all costs and arguably does care about the people she fights for, but she’s there for the fight - to win, and to crush all of those that tried to stop her or tell her that she should settle for anything less than total, scorched earth victory. The cost of that drives the story and all of the relationships in the show, and it’s just amazing to watch, though I do have issues with the latter seasons of the show.

8 - That I'd want to go on an adventure with

Maria Jackson and Rani Chandra: I’m cheating a bit, sorry, but I want them both. They’ve learned all about adventure and how to escape trouble, they’re quick thinkers and used to high-pressure situations, they’re fiercely just and won’t stand for anyone being left behind or cutting corners. Maria and I could bond over our mutual crush on Sarah Jane, and Rani would be the scribe of this little adventure and make sure everything is documented.

Ginny Weasley: Magic can only be a bonus here, right? And she’s very similar to Maria and Rani except more quick tempered and sarcastic, and probably a little more willing to play dirty if the situation arises.

Kara Thrace: She’s a great fighter and very clever, but she’s also interested in culture, history, and art, which I for one am hoping is at the forefront of this adventure rather than actual fighting and saving the world. I think she and Ginny would get along well.

Samantha Carter: Insanely smart and has the scientific know-how and field experience to take command and keep us on the right track. I’d feel way safer with her on my team if things go south, but she’s more interested in seeking out knowledge, new allies, and exploration than getting into fights, which is reassuring.

M’gann M’orzz: I feel like - apart from her obvious intellect and abilities - she’d be a great presence to have on the team. Everyone would like and respect her and if/when conflict arose, particularly among the more hotheaded personalities, she’d do a great job of getting everyone back on the same page and calling out anyone acting out of pride or stubbornness rather than for the good of the group. Also, while Kara would probably bring a flask full of something, M’gann has access to a whole lot more quality alcohol to liven things up. 

14 - I wish had better a love interest(s)

Kara Danvers: again, no more said

Elia Martell and Lyanna Stark: The same jackass ruined both of their lives, and clearly they should have realized that, teamed up to overthrow him, and ruled Westeros together. (Lysa Tully also belongs on this list - all of these women deserved so much better.)

Ellen Parsons: Her entire ending pissed me off. I’m sure that the dude she ended up with was perfectly nice and all, it just wasn’t right. But maybe that was the point. I really should rewatch it and see if my feelings on it have evolved.

Rachel Green - y’all have probably seen the epic Rachel/Joey tweetstorm that blew up this month and it just brought to the surface all of my rage about how much better Rachel deserved, and how frustrating it is that Ross/Rachel is one of the iconic love stories of this time period, because UGH.

Anastasia Dualla: This poor girl. She was hated for not loving Billy the way Billy loved her, and then hated for having the audacity to love a man in love with someone else even though he was the one who lied about it and married her anyway in some horrible attempt to get back at Kara. Dee wasn’t spiteful, or naive, or deliberately hurtful. She just wanted to be happy, and I wish so much that she could have found that, whether with another person or in another part of her life. 

send me numbers from this list

[gossipent]

Shubharambh 17th August 2020 Written Update: Raja And Rani Become Business Owners

Shubharambh 17th August 2020 Written Update: Raja And Rani Become Business Owners

Shubharambh 17th August 2020 Written Episode, Written Update on Gossipent.com

Scene 1

Raja discloses to Rani that we will attempt to locate the other shoe in a short time and on the off chance that we think that its, at that point we are doing this business. They begin searching for it. They discover the storeroom bolted. Rani takes the tool kit and breaks the entryway. They search there…

[vsplusonline]

Sridevi’s ‘English Vinglish’, Kangana Ranaut’s ‘Panga’ to Taapsee Pannu’s ‘Thappad’: 10 inspiring movies to watch on International Women’s Day | The Times of India

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Sridevi’s ‘English Vinglish’, Kangana Ranaut’s ‘Panga’ to Taapsee Pannu’s ‘Thappad’: 10 inspiring movies to watch on International Women’s Day | The Times of India

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Sridevi’s ‘English Vinglish’, Kangana Ranaut’s ‘Panga’ to Taapsee Pannu’s ‘Thappad’: 10 inspiring movies to watch on International Women’s Day | The Times of India

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01/11Sridevi’s ‘English Vinglish’, Kangana Ranaut’s ‘Panga’ to Taapsee Pannu’s ‘Thappad’: 10 inspiring movies to watch on International Women’s Day

Every once in a while filmmakers in Bollywood come out with movies like, ‘English Vinglish’, ‘Panga’, or ‘Thappad’ that breaks the mould. However, women-led films are still a rare phenomenon. Of late, Bollywood has been producing a string of female-centric films that deal with female sexuality, patriarchy, ambitions, passion, and abuse.

From Sridevi’s ‘English Vinglish’, Kangana Ranaut’s ‘Panga’ to Taapsee Pannu’s latest release, ‘Thappad’, here we give you a rundown of ten inspiring films that you can binge-watch on International Women’s Day!

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02/11‘Thappad’

Anubhav Sinha’s recently released film, ‘Thappad’ starring Taapsee Pannu is about a woman who re-evaluates her marriage after her husband slaps her in the face in front of a group of people at a party.

With some gripping dialogues and power-packed performances, Taapsee managed to hook the audiences to the movie. ‘Thappad’ received positive reviews from the audience and critics alike. This film is a must-watch on International Women’s Day.

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03/11‘Panga’

Ashwiny Iyer Tiwari teamed up with actress Kangana Ranaut for ‘Panga’. The film is inspired by the life of a national level Kabbadi player from India. It follows her triumphs, struggles and overcoming of stereotypes and reflecting upon the importance of love and family support to become successful.

Kangana Ranaut’s power-packed performance and an inspiring and relatable storyline make the film a must-watch on Women’s Day. It is a salute to all women who are brave enough to follow their dreams and become successful.

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04/11‘Mardaani’

Rani Mukerji impressed one and all with her power-packed performance in her cop-thriller ‘Mardaani’. In the film, Shivani, a brilliant, no-nonsense policewoman searches for a missing teenage girl which leads her to the depraved world of child trafficking. What follows is a cat-and-mouse game between the officer and a mafia kingpin.

Rani’s stellar performance and the film’s gripping storyline will keep you hooked to the movie right till the end. The movie is a perfect tribute to all the brave ladies out there on this Women’s Day.

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05/11‘Tumhari Sulu’

A simple story of a housewife who goes on to become one of the most loved radio jockeys won the heart of millions of people. Vidya Balan’s natural-yet-brilliant performance in the movie as, ‘Sulu’ is sure to make you smile.

The movie is a joy ride that one must try. It will make you laugh, it will make you cry but more than anything else it will teach you to believe in yourself and follow your heart. It is definitely on the list of your Women’s Day binge watch.

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06/11‘Manikarnika’

This patriotic and entertaining war drama starring Kangana Ranaut is the perfect Women’s Day tribute to the Queen of Jhansi who fought against the British East India Company, during the Indian rebellion of 1857.

Kangana once again treats us with her brilliant performances in the film. The film celebrates the glorious life of Rani Laxmibai and it is a must-watch on Women’s Day.

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07/11‘Lipstick Under My Burkha’

Director Alankrita Srivastava’s bold attempt to redraw the boundaries of women in our Indian society not only gained appreciation from the audience but critics alike.

Actors like Ratna Pathak, Aahana Kumra, Konkona Sen Sharma, Vikrant Massey, and others impressed everyone with their stellar performances. The movie is a perfect tribute to the changing times and changing attitude towards women in the society.

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08/11‘Mary Kom’

‘Mary Kom’ is Priyanka Chopra’s attempt at bringing to light the glorious life of female Indian boxer, Mary Kom. The film is all about her sharing her boxing aspirations with her coach and convincing him to teach her. Despite her father’s disapproval, she follows her passion.

The movie is inspirational in every way and it is sure to leave you motivated to achieve your goals.

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09/11‘Pink’

Taapsee Pannu and Amitabh Bachchan teamed up to give us an edge-of-seat movie with ‘Pink’. The movie shows Amitabh Bachchan as a lawyer who helps the female lead characters in the movie to fight a high profile case of molestation.

The movie made the message, ‘No means No’ reach far and wide. The movie not only gained appreciations from the audience but critics as well.

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10/11‘English Vinglish’

This is yet again a simple story with a big inspiring message. Late actress Sridevi played the role of a housewife and caterer who is usually mocked by her family for not knowing English. Her attempt to learn the language helps her rediscover herself and reassert her value as a mother and a wife.

The movie will not only motivate you to follow your passion but also help you to dream big and achieve it. Sridevi’s impeccable performance in the film is simply unmissable.

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New world news from Time: Cambodia’s Opposition Candidates Swim Against the Tide in Election Panned as a Sham

When he was released from jail on Jan. 11, 2006, Cambodian activist Yeng Virak refused to thank Prime Minister Hun Sen for his freedom. He had just spent 11 days behind bars after being accused of defaming the government at an event celebrating human rights, and in his view he shouldn’t have been locked up in the first place.

“I was not a criminal,” he tells TIME at a cafe in the capital Phnom Penh, slapping a shaky table for emphasis. “There’s no reason to arrest me, so why say ‘thank you’ for that?” Startled, nearby students sipping sweet blended iced coffees looked up from their homework and smart phones. None of them have ever known a leader besides Hun Sen, the world’s longest-ruling Prime Minister, who is looking to extend his 33-year grip on the country through an upcoming election broadly panned as a farce.

Hun Sen and his ruling Cambodian People’s Party, CPP, left little to chance in the lead-up to the July 29 vote, intimidating dissidents and disarming his challengers. The main opposition party, the Cambodia National Rescue Party, or CNRP, was disbanded last year, its president Kem Sokha jailed on treason charges and senior officers barred from politics. Independent newspapers and radio stations have been forced to shut down or compromise their independence in a brazen crackdown on the press.

Read more: The Sale of Cambodia’s Last Independent Newspaper Pushes Press Freedom Into Peril

The U.S. and the EU have withdrawn financial support the polls — which they have provided for previous elections — over concern that the vote will not be credible. Cambodia, observers say, is slipping steadily toward authoritarianism a quarter of a century after the U.N. brokered an end to the country’s civil war and administered its first elections since the fall of the Khmer Rouge. The election will be “the most unfree and unfair” since modern Cambodia was established in 1993, according to Sophal Ear, an associate professor at Occidental College in California. “Any election without the CNRP is meaningless,” he tells TIME.

Western censure has also been supplemented with sanctions. The U.S. passed travel bans last year against senior Cambodian officials involved in “undermining democracy,” new bills in the House and Senate would add asset freezes. Last month, the Treasury Department struck its closest blow to Hun Sen’s inner circle, targeting Hing Bun Hieng, commander of the prime minister’s personal bodyguard battalion, which has been accused of violent attacks on civilians and opposition figures.

While the West has voiced near-unanimous disapproval of the ruling party’s actions leading up to the poll, Hun Sen still has the backing of a few foreign governments; most notably China, hardly a global role model in terms of the democratic process. Japan, a longtime donor to the country, has also agreed to some material support for the polls, while Russia, Singapore and Myanmar have offered to send observers.

Tang Chhin Sothy—AFP/Getty Images Hun Sen, Prime Minister and leader of the Cambodian People’s Party and his wife Bun Rany during a general election campaign in Phnom Penh on July 7, 2018.

Virak, 58, seems like an unlikely candidate to lead a political movement, but he has taken up the challenge. As a teenager, he survived the Khmer Rouge, separated from his family and toiling in a labor camp, while some 20% of Cambodia’s population was exterminated. Some decades later, the democracy activist and educator has found himself president of the Grassroots Democracy Party, one of Hun Sen’s many underdog challengers, taking up the mantle of the party’s popular co-founder, political commentator Kem Ley, after he was assassinated at a café in broad daylight in 2015.

Despite the clear obstacles to success, the Grassroots Democracy Party, or GDP, will be among the 20 parties on the ballot later this month. The exiled main opposition CNRP has been dismissive of what many Cambodians call “firefly parties,” flickering in and out of existence around election season. While some, like the GDP, have presented themselves as small but authentic challengers to the ruling party, others are viewed as CPP-backed proxies serving to legitimize the vote and lend the appearance of a multi-party competition.

“The number participating, whether it’s 20 or 200, is meaningless,” Sam Rainsy, the CNRP’s exiled former president, told the Phnom Penh Post in May. “Their only role is to help Hun Sen’s CPP in its desperate attempt to secure legitimacy.”

Many of the parties on the ballot will be totally unknown to voters: more than a third have been founded since January, and 17 have never served in Cambodia’s National Assembly. The five old enough to have competed the last time Cambodia went to the polls in 2013 earned a combined 3.06% of the vote, and not a single seat. In 2013, by contrast, the CNRP won 44% of the vote, its best ever showing, despite allegations against the CPP of voter fraud and ballot stuffing. After the opposition topped 40% again in local elections last year, the 2018 poll seemed poised to deliver a tight race, perhaps even a first-ever democratic transfer of power.

Read more: Chinese State-Linked Hackers Monitoring Cambodia’s Elections, Report Says

That seems all but impossible now. What remains of the CNRP, now rebranded in exile as the Cambodia National Rescue Movement, have called for voters to boycott the poll. But few parties are heeding that call. Some, like the Cambodian Youth Party, are brazen CPP proxies. Government officials have floated various strategies to inflate voter turnout, from distributing cash gifts and automatically registering voters as ruling party members, to declaring voting compulsory and threatening boycotters as “traitors.���

Whether it’s because boycotting the vote would put him at risk of imprisonment, or because he still believes democracy stands a fighting chance in his country, Virak isn’t ready to completely dismiss the polls. He says he believes the only way to bring change to Cambodia is to participate, engage the populace and try to beat the odds, stacked as high as they are against him.

“At any polling office in the territory of Cambodia, whether it’s the middle of the city or the top of the mountain where only elephants can reach, our logo is there,” Virak says. His party plans to contest hundreds of candidates across all 25 of the country’s provinces. “There is an alternative,” he says, “if people choose to vote for change, they can.”

July 23, 2018 at 12:03PM ClusterAssets Inc., https://ClusterAssets.wordpress.com

[atopvisenyashill]

king bran

so i’ve lined up my theory on how bran will be king in harrenhal but i was a little lax on details about king bran foreshadowing. there’s the “bran in harrenhal” stuff i’ve outlined which includes-

bran’s connection to the weirwoods & the magical connection the isle of faces has

the whent connection

bran being a metaphorical heir to robb by ruling over the lands robb was born, fought, and died in

the importance of harrenhal as a symbol of both the wasteful excess and hope for the future

but why king bran specifically? well…

ATTEMPTED SLAYING BY THE KINGSLAYER

for one thing, bran is our introduction to the entire series (barring the prologue, rip to 3 icons). he introduces us to the brutality of this world, to the themes of justice, kingship, leadership, to the Others, and to magic. that very important lesson about how the person to pass judgement must swing the sword, and must be sure that the life they're taking is one that deserves to be taken? That comes to us not through Jon, or even Arya, but Bran:

Yet our way is the older way. The blood of the First Men still flows in the veins of the Starks, and we hold to the belief that the man who passes the sentence should swing the sword. If you would take a man’s life, you owe it to him to look into his eyes and hear his final words. And if you cannot bear to do that, then perhaps the man does not deserve to die.

That last sentence in particular is a belief that really sticks in all the kids heads as they go about their journeys, and it is through Bran that we learn it.

But in his second chapter, Bran also introduces us to jaime, cersei, and the main plot twist of the first book which kick starts the war of five kings. before he's pushed from the tower, this is all we know about Jaime-

He’s blonde, he’s named Jaime, and he killed the king.

Then the first thing he does is attempt to slay Bran.

AEGON VI AND THE PISSWATER PRINCE

What’s most interesting to me regarding King Bran foreshadowing is that the story of how Bran survives the sack of Winterfell is very similar to Varys & Illyrio’s story of the pisswater prince. Here is Tyrion’s summary of it-

"And when the pisswater prince was safely dead, the eunuch smuggled you across the narrow sea to his fat friend the cheesemonger, who hid you on a poleboat and found an exile lord willing to call himself your father. It does make for a splendid story, and the singers will make much of your escape once you take the Iron Throne…

and some reminders about Bran, helpfully color coded-

It was not Bran we killed. It was not Rickon. They were only miller's sons, from the mill by the Acorn Water. "I had to have two heads, else they would have mocked me… laughed at me..."

Three times he had sworn to keep the secret; once to Bran himself, once to that strange boy Jojen Reed, and last of all to Coldhands. "The world believes the boy is dead," his rescuer had said as they parted. "Let his bones lie undisturbed. We want no seekers coming after us. Swear it, Samwell of the Night's Watch. Swear it for the life you owe me."

“Hodor must stay with Bran, to be his legs," the wildling woman said briskly. "I will take Rickon with me." “We'll go with Bran," said Jojen Reed. "Aye, I thought you might," said Osha.

Another interesting thing about Bran, the Reeds, and Aegon VI here-

“He has a song," the man replied. "He is the prince that was promised, and his is the song of ice and fire."

I swear it by earth and water," said the boy in green. "I swear it by bronze and iron," his sister said. "We swear it by ice and fire," they finished together.

BRAN, THE REEDS, AND THE FISHER KING

Now first of all, quick rundown with more color coding. The Fisher King is a character in Arthurian legend, involved in a story with Perceval and the Holy Grail (so you know we’re already cooking here bc Holy Grail stories are baller). The Fisher King is the last in a long line of kings tasked with guarding the Holy Grail. He is injured at some point, usually in the groin, and is rendered barren by the wound, and his land is a barren wasteland where nothing will grow because he is connected to the land. Only when a prophesied hero comes seeking him will the Fisher King be healed. Perceval, of course, comes seeking him, heals him, and gets the Holy Grail.

Now some of the beats of that story should sound familiar-

Thousands and thousands of years ago, Brandon the Builder had raised Winterfell, and some said the Wall. Bran knew the story, but it had never been his favorite. Maybe one of the other Brandons had liked that story. Sometimes Nan would talk to him as if he were her Brandon, the baby she had nursed all those years ago, and sometimes she confused him with his uncle Brandon, who was killed by the Mad King before Bran was even born. She had lived so long, Mother had told him once, that all the Brandon Starks had become one person in her head.

He was going to be a knight," Arya was saying now. "A knight of the Kingsguard. Can he still be a knight?" "No," Ned said. He saw no use in lying to her. "Yet someday he may be the lord of a great holdfast and sit on the king's council. He might raise castles like Brandon the Builder, or sail a ship across the Sunset Sea, or enter your mother's Faith and become the High Septon." But he will never run beside his wolf again, he thought with a sadness too deep for words, or lie with a woman, or hold his own son in his arms.

The stone is strong, Bran told himself, the roots of the trees go deep, and under the ground the Kings of Winter sit their thrones. So long as those remained, Winterfell remained. It was not dead, just broken. Like me, he thought. I'm not dead either.

What was he now? Only Bran the broken boy, Brandon of House Stark, prince of a lost kingdom, lord of a burned castle, heir to ruins. He had thought the three-eyed crow would be a sorcerer, a wise old wizard who could fix his legs, but that was some stupid child's dream, he realized now. 

No," said the pale lord. "That is beyond my powers." Bran's eyes filled with tears. We came such a long way. The chamber echoed to the sound of the black river. "You will never walk again, Bran," the pale lips promised, "but you will fly."

Now what’s interesting is in twoiaf we learn about some ancient rulers called the Fisher Queens-

From such we know of the Fisher Queens, who ruled the lands adjoining the Silver Sea—the great inland sea at the heart of the grasslands—from a floating palace that made its way endlessly around its shores.

The Fisher Queens were wise and benevolent and favored of the gods, we are told, and kings and lords and wise men sought the floating palace for their counsel.

And what do you know look at who Bran is traveling with-

“My father taught me. We have no knights at Greywater. No master-at-arms, and no maester.” “Who keeps your ravens?” She smiled. “Ravens can’t find Greywater Watch, no more than our enemies can.” “Why not?” “Because it moves,” she told him.

Jojen Reed was thirteen, only four years older than Bran. Jojen wasn't much bigger either, no more than two inches or maybe three, but he had a solemn way of talking that made him seem older and wiser than he really was. At Winterfell, Old Nan had dubbed him "little grandfather."

When they died, they went into the wood, into leaf and limb and root, and the trees remembered. All their songs and spells, their histories and prayers, everything they knew about this world. Maesters will tell you that the weirwoods are sacred to the old gods. The singers believe they are the old gods. When singers die they become part of that godhood.

I like to say this about Theon, when he sees Bran's face in the weirwood and thinks, "The old gods, he thought. They know me. They know my name." that this is partially true - Theon is beloved by the gods but what he doesn't realize is that the old god he is beloved by is in fact Bran Stark. When the old gods weep for Theon and Jeyne, it is Bran weeping for them! So similarly, the way the Fisher Queens in their moving castle were thought to be beloved by the gods the Reeds in their floating castle are beloved by the gods because they are beloved by Bran. This reinforces Bran's connection to the Fisher King imo - just as the old greenseers and singers/cotf are quite literally connected to the land because they have become part of the the weirwood hivemind, Bran has this same connection to the land.

AND what’s more is that the Fisher King story is likely to trace itself back to a Welsh story, of a magical King who gives his sister's hand away, only to learn that she is being mistreated, and musters a host to go save her. During a battle, the King is mortally wounded by an injury in his foot, and as he dies he tells his men to cut off his head and take it to London so he can protect their people from invasion, and for several years after he "dies" his head continues speaking. If that also sounds familair, do you want to know what that man’s name was?

Bran the Blessed.

MELISANDRE'S VISION

Now staying in the realm of magic, we also have this very interesting passage from Melisandre, emphasis mine-

Show me Stannis, Lord, she prayed. Show me your king, your instrument. Visions danced before her, gold and scarlet, flickering, forming and melting and dissolving into one another, shapes strange and terrifying and seductive. She saw the eyeless faces again, staring out at her from sockets weeping blood. Then the towers by the sea, crumbling as the dark tide came sweeping over them, rising from the depths. Shadows in the shape of skulls, skulls that turned to mist, bodies locked together in lust, writhing and rolling and clawing. Through curtains of fire great winged shadows wheeled against a hard blue sky. A face took shape within the hearth. Stannis? she thought, for just a moment … but no, these were not his features. A wooden face, corpse white. Was this the enemy? A thousand red eyes floated in the rising flames. He sees me. Beside him, a boy with a wolf's face threw back his head and howled.

THE REGENCY OF AEGON III

So warning this is part parallelism and part prediction

The Dance of the Dragons was done, and the melancholy reign of King Aegon III Targaryen had begun.

As he was still but ten years of age, the new king’s first act was to name the men who would protect and defend him, and rule for him until he came of age.

This was a council of which Septon Eustace heartily approved, “six strong men and one wise woman, seven to rule us here on earth as the Seven Above rule all men from their heaven.” Mushroom was less impressed. “Seven regents were six too many,” he said. “Pity our poor king.” Despite the fool’s misgivings, most observers seemed to feel that the reign of King Aegon III had begun on a hopeful note.

So many lords, both great and small, had perished during the Dance of the Dragons that the Citadel rightly names this time the Winter of the Widows. Never before or since in the history of the Seven Kingdoms have so many women wielded so much power, ruling in the place of their slain husbands, brothers, and fathers, for sons in swaddling clothes or still on the teat.

The smallfolk of the Seven Kingdoms speak of King Aegon III Targaryen as Aegon the Unlucky, Aegon the Unhappy, and (most often) the Dragonbane, when they remember him at all. All these names are apt. Grand Maester Munkun, who served him for a good part of his reign, calls him the Broken King, which fits him even better. Of all the men ever to sit the Iron Throne, he remains perhaps the most enigmatic: a shadowy monarch who said little and did less, and lived a life steeped in grief and melancholy.

There is also a big focus on the “tax policies” aspect of the story through these two child rulers. Much of Aegon’s regency centers around him butting heads with his guardians while Bran’s ACOK arc sees him as the ruling Stark in Winterfell and learning how to lead with mentors in Maester Luwin & Ser Rodrik Cassell. EYE also think it’s interesting how both Aegon & Bran get some focus on having a lil gaggle of companions around. Aegon has Gaemon, Jaehaera, Viserys, Daenaera, and Larra Rogare, while Bran has the Big Walder, Little Walder, Rickon, Jojen, and Meera. They both feel like very similar groups of kids that are thrown together & running amok with adult supervision that is more lax/not coming from their parents.

There's also just like, a lot of parallels between Baela, Rhaena, Jacaerys, and Aegon with Arya, Sansa, Jon Snow, and Bran. There are several good breakdowns of the Sansa/Arya parallels as well as the Jace/Jon Snow ones, so I won't dig into that here, but I think when you put all this together what you have between Bran and Aegon III is-

Two boy kings who will have a long regency

Both orphaned due to a brutal succession war

Both referred to as "broken" - aegon by munkin, and bran referring to himself

Younger - but not the youngest - brother coming into his seat after his older brother is killed

Both have names that are important in their families & frequently re-used - and in fact both share a name with their uncle

A very rare "winter of widows" where most of the houses are ruled by women due to all the men being dead and their heirs being babies is coming up in the main series

This anti parallel of Aegon being a very melancholy person & Bran being known to be “quick to laugh and easy to love.”

As for his relationships, we have-

His bastard born brother With Some Secret Paternity Going On, who is likely not going to be in the running for King at the end of the war (hopefully um, Jon Snow actually lives unlike poor Jacaerys)

His oldest brother dying at 16 during the war

One sister who is more adventurous and "tomboy"ish, who is associated with ships and travel

Another sister who is more ladylike, who has a largely political arc in the Vale

Both sisters are likely to take leading roles as political players in the aftermath of the war - I do suspect we will get some sort of “Hour of the Wolf” parallels here, just before or after Bran is crowned

SOME CHOICE QUOTES TO LEAVE OFF ON

Bran could perch for hours among the shapeless, rain-worn gargoyles that brooded over the First Keep, watching it all: the men drilling with wood and steel in the yard, the cooks tending their vegetables in the glass garden, restless dogs running back and forth in the kennels, the silence of the godswood, the girls gossiping beside the washing well. It made him feel like he was lord of the castle, in a way even Robb would never know. - Bran II, AGOT

Ahead he glimpsed a pale white trunk that could only be a weirwood, crowned with a head of dark red leaves. - Jon VII, ADWD

[atopvisenyashill]

that bit about joffrey is FASCINATING have you ever written about this in depth? I've always loved his character but I would never be able to like. Describe why exactly he is the way he is so I really appreciate your analysis of him loving BOTH parents and incorporating only their flaws - I always just assumed that he hates his dad and is annoyed by cersei (still loves her) but then the way we sexually humiliates and abuses sansa etc is so robert-coded like of course he emulates the bevavior of his father.

Also slightly off topic but i always forget that Joffrey is like canonically so good at all the proper princely things (thinking of that scene at Sansa and Tyrion's wedding when she's so upset that a monster like Joff could be so good at dancing) and - not to go on about GOT again - but I wish we had actually gotten to see that and him being charming etc. Huge props to the show for giving Joff the perfect wardrobe (the only thing they did right) but also f them for waiting all that potential

yes, they really said joff gets to have all the swag and then the moment he died they put cersei in that fuck ass bob and no one in the lannisters was allowed to serve again smh. and thank youuu i actually had to stop myself from rambling over him before haha, but i'll go into more detail here! so this was the comment from the other post-

joffrey is a kid just ruled by his first, most base instinct. his instincts, his core emotions, tell him to love and trust both robert and cersei, and imo he twists himself into a MONSTER to try to appeal to both of them. no one else matters - not his siblings, not his uncle, not his grandfather, not the realm. he needs to be the sort of vicious person they could both be proud of, he needs to be better than them both at violence, so he absorbs all of their faults and none of their virtues.

i definitely do see very often that people feel he only loves one or the other parent and while I do understand that reading, I don't think it's quite how Joffrey operates. I think he does love them both, and holds them both in high esteem. I do agree that he's annoyed by Cersei but that doesn't mean he doesn't value her opinion (as much as Joffrey puts value on anyone else's opinion, I mean).

Joffrey and Cersei

Joffrey relies on his mother more than almost any other male character we see in the series. We see him call for Cersei basically every time he's hurt, in trouble, or wanting to whine about something. Not only that, but you have everyone from Robert to Renly to Tywin himself saying that Joffrey is doted upon and inseparable from his mother. A few choice quotes:

"Fear is better than love, Mother says." Joffrey pointed at Sansa. "She fears me."

He takes Cersei's lessons to heart, however flawed they are. Her opinion matters to him, he wants her to see him as strong.

Nine cases out of ten seemed to bore him; those he allowed his council to handle, squirming restlessly while Lord Baelish, Grand Maester Pycelle, or Queen Cersei resolved the matter. When he did choose to make a ruling, though, not even his queen mother could sway him.

It's Cersei he listens to the most. We know that if a little King, even with his mother as Regent, doesn't want to deal with her, he can simply ignore her - that's what Jaehaerys does with Alyssa, after all. But Joffrey doesn't do this; he'll fight with her, he'll insult her, and he's not shy about doing it in public but he never disregards her out of hand.

Joffrey lurched to his feet. "I'm king! Kill him! Kill him now! I command it." He chopped down with his hand, a furious, angry gesture . . . and screeched in pain when his arm brushed against one of the sharp metal fangs that surrounded him. The bright crimson samite of his sleeve turned a darker shade of red as his blood soaked through it. "Mother!" he wailed.

His instinct, every time, is to turn to her for help. He loves her. He adores her. She's the only person around who tells him he's strong and smart and will be a good king. He leans on her for guidance, for comfort, he talks to her about fucking whores. He shares everything with her because he doesn't have a single friend. She models anger and violence for him constantly, she excuses his disturbing proclivities, so he molds himself to be the person she wants him to be, the king she wants him to be. People - including Tyrion and Tywin! - are always wondering why Cersei is blind to his cruelty, but the reality is she knew he was cruel and loved him for it.

Tommen did as he was bid. His meekness troubled her. A king had to be strong. Joffrey would have argued. He was never easy to cow.

For Cersei, cruelty is strength and in her eyes, Joffrey is as strong as they come. This isn't by accident; just like his constant cries for her are reinforced by her rushing to coddle him, his cruelty is reinforced by a mother who sees it as strength. It's almost like what Coldhands says to Bran - Joffrey is a monster, yes, but in Cersei's eyes, Joffrey is her monster.

Joffrey and Robert

Joffrey had never had a close friend of his own age, that she recalled. The poor boy was always alone. I had Jaime when I was a child . . . and Melara, until she fell into the well. Joff had been fond of the Hound, to be sure, but that was not friendship. He was looking for the father he never found in Robert.

From Cersei's point of view, I think she knows very well that Joffrey is searching for love, acceptance, and himself in Robert. She doesn't like it, but she seems to accept that it's natural for Joffrey to search for some sort of father figure, and doesn't seem to begrudge him that - imo, I think because she knows Robert is always going to reject Joffrey for his cruelty.

“Why would he [care]? Robert ignored him. He would have beat him if I’d allowed it. That brute you made me marry once hit the boy so hard he knocked out two of his baby teeth, over some mischief with a cat. I told him I’d kill him in his sleep if he ever did it again, and he never did, but sometimes he would say things…”

Whenever they interact, the few times they do, there's violence. People always take this as Cersei not allowing Robert to "teach" or "properly discipline" Joffrey but, well...does the above seem like helpful discipline? Knocking out your child because he freaked you out? Punishing extreme violence with more extreme violence? And it's not just Cersei that this moment sticks with, because Stannis brings it up as well-

"Joffrey . . . I remember once, this kitchen cat . . . the cooks were wont to feed her scraps and fish heads. One told the boy that she had kittens in her belly, thinking he might want one. Joffrey opened up the poor thing with a dagger to see if it were true. When he found the kittens, he brought them to show to his father. Robert hit the boy so hard I thought he'd killed him."

Since Cersei says Robert would "say things" and we see him threatening Cersei (the "or I'll honor you again" line), I don't think it's a stretch to say that Robert threatened to beat Joffrey nearly to death several times over.

And yet...Joffrey compliments his father, especially in comparison to his other relatives.

He wrenched free of her. "Why should I? Everyone knows it's true. My father won all the battles. He killed Prince Rhaegar and took the crown, while your father was hiding under Casterly Rock." The boy gave his grandfather a defiant look. "A strong king acts boldly, he doesn't just talk."

And Cersei believes this came from Robert-

"Father, I am sorry," Cersei said, when the door was shut. "Joff has always been willful, I did warn you . . ." "There is a long league's worth of difference between willful and stupid. 'A strong king acts boldly?' Who told him that?" "Not me, I promise you," said Cersei. "Most like it was something he heard Robert say . . ."

And of course, Jaime is the one who pieces together why Joffrey sent the catspaw-

“Yes, I hoped the boy would die. So did you. Even Robert thought that would have been for the best. ‘We kill our horses when they break a leg, and our dogs when they go blind, but we are too weak to give the same mercy to crippled children’ he told me. He was blind himself at the time, from drink.” Robert? Jaime had guarded the king long enough to know that Robert Baratheon said things in his cups that he would have denied angrily the next day. “Were you alone when Robert said this?” “You don’t think he said it to Ned Stark, I hope? Of course we were alone. Us and the children.” Cersei removed her hairnet and draped it over a bedpost, then shook out her golden curls. “Perhaps Myrcella sent this man with the dagger, do you think so?” It was meant as mockery, but she’d cut right to the heart of it, Jaime saw at once. “Not Myrcella. Joffrey.” Cersei frowned. “Joffrey had no love for Robb Stark, but the younger boy was nothing to him. He was only a child himself .” “A child hungry for a pat on the head from that sot you let him believe was his father.”

When you put it all together, you have a child who is ignored by his father unless he's being threatened with a beating, who is constantly calling him a monster, who watches his father harm and humiliate his mother day in and day out, who has no other paternal figure around but this violent, angry man who he is supposed to model himself off of, and a mother who encourages his cruelty because she believes it's the only way to protect herself, to protect her son. He's not just emulating his mother's cruelty, he's emulating Robert's violence specifically when he humilates Sansa at court, when he openly talks shit about Cersei - it's what he's seen modeled for him as kingly behavior!

The Abuse And Jaime Of It All

King Joffrey's face hardened. "My mother tells me that it isn't fitting that a king should strike his wife. Ser Meryn."

He knows Robert is abusing Cersei and he takes her dislike of it seriously even as he doesn't make the connection that she means he shouldn't be striking his wife period. Whether it's because Cersei directly told him (which could make sense; she's purposefully hiding it from Jaime but perhaps she confided in Joffrey) or because he witnessed it himself, he's aware of the abuse enough that he takes his mother's comments about not personally striking Sansa to heart.

"No," [Robert] thundered in a voice that drowned out all other speech. Sansa was shocked to see the king on his feet, red of face, reeling. He had a goblet of wine in one hand, and he was drunk as a man could be. "You do not tell me what to do, woman," he screamed at Queen Cersei. "I am king here, do you understand? I rule here, and if I say that I will fight tomorrow, I will fight!" Everyone was staring. Sansa saw Ser Barristan, and the king's brother Renly, and the short man who had talked to her so oddly and touched her hair, but no one made a move to interfere. The queen's face was a mask, so bloodless that it might have been sculpted from snow. She rose from the table, gathered her skirts around her, and stormed off in silence, servants trailing behind. Jaime Lannister put a hand on the king's shoulder, but the king shoved him away hard. Lannister stumbled and fell. The king guffawed. "The great knight. I can still knock you in the dirt. Remember that, Kingslayer." He slapped his chest with the jeweled goblet, splashing wine all over his satin tunic. "Give me my hammer and not a man in the realm can stand before me!" Jaime Lannister rose and brushed himself off. "As you say, Your Grace." His voice was stiff. Lord Renly came forward, smiling. "You've spilled your wine, Robert. Let me bring you a fresh goblet." Sansa started as Joffrey laid his hand on her arm. "It grows late," the prince said. He had a queer look on his face, as if he were not seeing her at all. "Do you need an escort back to the castle?"

I think it's pretty clear that Joffrey is dissociating here which also explains his very detached way of looking at Robert's abuse of Cersei. It freaks him out enough that he uses Sansa as an excuse to leave (giving her the Hound, then running off himself) but he doesn't show it. He's not even particularly upset during this scene, not throwing a tantrum or making whiny remarks like he does when he's usually upset. He only has a "queer look" - the stress of trying to reconcile his adoration of Robert and his love of Cersei just makes him fully shut down instead of confronting it.

Joffrey gave a petulant shrug. "Your brother defeated my uncle Jaime. My mother says it was treachery and deceit. She wept when she heard. Women are all weak, even her, though she pretends she isn't. She says we need to stay in King's Landing in case my other uncles attack, but I don't care. After my name day feast, I'm going to raise a host and kill your brother myself. That's what I'll give you, Lady Sansa. Your brother's head."

I think people often take his comments about how women are weak to mean he doesn't view his mother as a competent advisor. But you notice a pattern here - he gets shitty with her when it's about Jaime specifically.

"A great many people are sorry for that," Tyrion replied, "and before I am done, some may be a deal sorrier . . . yet I thank you for the sentiment. Joffrey, where might I find your mother?" "She's with my council," the king answered. "Your brother Jaime keeps losing battles."

"She's with my council" he says, because he sees no reason to not let Cersei run things without him, something Robert never lets her do. But "your brother Jaime" not "my uncle Jaime" which is a shift because he doesn't stop calling Renly or Stannis his uncles even after they rebel. He knows, he suspects, and what he resents is not Cersei fucking Jaime but Jaime fucking Cersei.

My read on this is that Joffrey sees his mother as weak for allowing herself to be seduced by Jaime, and sees Jaime as a lecherous seducer who is the cause of all his problems. If only Jaime hadn't seduced his mother, maybe his parents wouldn't hate each other. His claim wouldn't be under question. His mother should have just taken the abuse and bided her time instead of putting herself in danger and having bastards.

He loves his mother. He loves his father. And that's the human heart in conflict with itself that resides in Joffrey. Does he honor his mother, the only parent he has, or does he honor Robert, the patriarch he is supposed to emulate? If he has no other example of what strength looks like, is he even capable of figuring out a different path for himself?

[atopvisenyashill]

please please PLEASE elaborate on greywind as robb's husband. i feel like this take unlocked the option to 3d rotate robb within my mind...

Robb the Warg

Something I think is overlooked, largely because we don't get to look into his head (and he never confides in Bran or Catelyn about it) is that robb, like his siblings, starts the series by being given this supposedly divine animal companion that he shares a soul with. during the events of the first few books, all of the other starklings are accidentally warging and we see it affect them - they’re afraid, curious, getting used to eating raw meat in wolf form, and throw themselves into Identifying As An Animal. some quotes here, although none of this is stuff we all don't know-

Gendry nodded. Hot Pie said, "Hoot like an owl when you want us to come." "I'm not an owl," Arya said. "I'm a wolf. I’ll howl."

And later, when she's ready, Arya isn't the one to howl but another wolf-

When he stopped moving, she picked up the coin. Outside the walls of Harrenhal, a wolf howled long and loud. She lifted the bar, set it aside, and pulled open the heavy oak door.

Which leads us to think that perhaps it's Nymeria, that Arya made Nymeria howl, and perhaps Arya can still warg - something that is confirmed in the next book when Arya has dreams of leading a wolfpack and finds her mother's body, with Nymeria guarding it from being eaten by other wolves. Later on, Arya skinchanges into a cat in braavos while she's blind-

The priest winced and snatched his hand back. "And how could a blind girl know that?" I saw you. "I gave you three. I don't need to give you four." Maybe on the morrow she would tell him about the cat that had followed her home last night from Pynto's, the cat that was hiding in the rafters, looking down on them. Or maybe not. If he could have secrets, so could she.

We have several scenes where both Arya and Bran identify as wolves, and even howl alongside wolves. Rickon too howls along with the wolves, and his behavior becomes noticeably more animal like.

And of course we have jon snow, who even despite having visions of opening his third eye, meeting other skinchangers, and being involved in magical plots, is actively ignoring his own abilities. It's basically common knowledge at the Wall at this point, even Stannis comments on it-

“Aye. All that, and more. You are a warg too, they say, a skinchanger who walks at night as a wolf.” King Stannis had a hard smile. “How much of it is true?”

SO ALL OF THAT TO SAY....if Jon, Arya, Bran, and Rickon, all of whom have living wolves, are skinchanging regularly, if all these kids are practically steaming with magic...why isn't Robb? Well....he is! And the thing is, he hints at it to Bran-

"Did you hear Summer howling last night?" "Grey Wind was restless too," Robb said. His auburn hair had grown shaggy and unkempt, and a reddish stubble covered his jaw, making him look older than his fifteen years. "Sometimes I think they know things … sense things …" Robb sighed. "I never know how much to tell you, Bran. I wish you were older."

Like Arya's initial re-settling of her bond with Nymeria in the Riverlands, like Jon's continued refusal to admit how much power he has, Robb doesn't understand what he's doing, can sense something off about the wolves, but can't quite put it into words. Later on, some of the men remark on how Robb was able to find the goat trick around the Golden Tooth-

"How did the king ever take the Tooth?" Ser Perwyn Frey asked his bastard brother. "That's a hard strong keep, and it commands the hill road." "He never took it. He slipped around it in the night. It's said the direwolf showed him the way, that Grey Wind of his. The beast sniffed out a goat track that wound down a defile and up along beneath a ridge, a crooked and stony way, yet wide enough for men riding single file. The Lannisters in their watchtowers got not so much a glimpse of them." 

It's from a Frey, and just a rumor, right? Except later on, Jeyne makes this comment to Catelyn-

"Robb has not eaten all day. I had Rollam bring him a nice supper, boar's ribs and stewed onions and ale, but he never touched a bite of it. He spent all morning writing a letter and told me not to disturb him, but when the letter was done he burned it. Now he is sitting and looking at maps. I asked him what he was looking for, but he never answered. I don't think he ever heard me. He wouldn't even change out of his clothes."

Does that behavior sound familiar? It should because Bran also does this when he's warging - not only does he go still for hours, but he usually forgets to eat because he eats through Summer, something Jojen and Bran even talk about.

But that's the problem - Robb has no Jojen, no wildlings, no Jaqen, no Osha to tell him what the hell he's doing and that magic still exists. He's completely lost in the political story and cut off from any magical ties despite actively doing magic. And I think this weights heavy on him because while Arya and Bran, for example, start to identify more as animals, as wolves, as their warging powers go stronger, Robb shies away from this-

"A hall is no place for a wolf. He gets restless, you've seen. Growling and snapping. I should never have taken him into battle with me. He's killed too many men to fear them now. Jeyne's anxious around him, and he terrifies her mother." And there's the heart of it, Catelyn thought. "He is part of you, Robb. To fear him is to fear you." "I am not a wolf, no matter what they call me." Robb sounded cross. "Grey Wind killed a man at the Crag, another at Ashemark, and six or seven at Oxcross. If you had seen—" "I saw Bran's wolf tear out a man's throat at Winterfell," she said sharply, "and loved him for it."

Why is he so cross? Perhaps because he's losing the ability to differentiate between himself and the wolf he regularly shares a mind with, controls? Perhaps because he's killed inside that wolf's head? Perhaps because he thinks he's going crazy?

And of course, his final moment that echoes Jon's - Robb whispers Grey Wind's name, Jon whispers Ghost. And just like it's guessed that perhaps Jon whispered Ghost's name because he's about to actively slip into Ghost's skin for the first time so his body can heal without his soul inside it, Robb is slipping into Grey Wind in his final moments. As Varamyr points out, this is common with skinchangers - a second, much more simple life when your first is ended.

So all this to say - Robb is actively warging Grey Wind throughout the series and starts losing his own sense of self in Grey Wind.

Grey Wind as Robb's Wife

Okay but what does this have to do with their bond? Well the thing is...Grey Wind does not exist outside of Robb. Nymeria, Summer, and Ghost both go off on their own; Nymeria practically has her own plotline outside of Arya, and Ghost goes on a number of little adventures all by himself. But Grey Wind begins and ends with Robb. Much like how Catelyn refers to Ned as the rock her life was built on, how she died with Ned at the ending of agot, Robb is the rock Grey Wind's life is built on, and Grey Wind follows Robb into the grave just moments later.

Not only this, but Robb the Brother and Robb the Warg as identities start to get subsumed into what Bran calls "Robb the Lord" and eventually Robb the King. Because Robb sees this war as his identity, his reason for being, I think he sees himself as almost a liberator - he owes his existence to the brutal murder of the man who was supposed to be his father and his grandfather, as well as the kidnapping & murder of his aunt that anyone with eyes can see completely upended his father’s ability to Feel Happiness Normally. For robb, this war is about not saving his family, but righting all the wrongs and indignities that have ever been done to the north - and when you factor in how quickly the Riverlands flock to him, I think this adds to his resolve because the riverlands is soooo vulnerable and no one’s ever been able to get a handle on them, to properly protect them, not the Targaryen kings, not the petty kings but maybe HE can. It's as Catelyn says-

There would be no peace, no chance to heal, no safety. She looked at her son, watched him as he listened to the lords debate, frowning, troubled, yet wedded to his war. He had pledged himself to marry a daughter of Walder Frey, but she saw his true bride plain before her now: the sword he had laid on the table.

So he’s struggling with magic and identity just like everyone else, and at the same time being subsumed into this other identity of Robb the Lord, Robb the King. I think for a long stretch of time this means he’s combining these identities of Robb the Warg and Robb the King and viewing Grey Wind as his partner, his soul mate, his other half. AKA….his spouse. His husband. His true bride. All of this while he’s using Grey Wind not as a pet or even a defender (contrast to Jon who sends Ghost away when there’s battle or danger!) but as a weapon! But this isn’t because he sees Grey Wind as non sentient, not important, just an animal, it’s because Robb the King, Robb the Warg, it’s all tied up in his head in confusing & horrifying ways.

And that's the exact dynamic most noble marriages have! Men in most of Terros and especially in Westeros see their wives not as independent people but often as extensions of themselves. It’s why Viserys, Robert, Jon Arryn don’t see the “betrayals” at their wives hands coming, it’s why Catelyn phrases criticism in her head as “Ned would have done this", it's why the Khaleesis are required to go to Vaes Dothrak when their husbands die. And so the more Robb sees Grey Wind as his Partner In War, and the more he’s having these impossible true dreams where he is one with Grey Wind, the more Grey Wind is essentially playing the role of a Westerosi Wife for Robb. Summer, Ghost, and even Nymeria have like, lives of their own but Grey Wind is always in the same place as Robb, feeling the exact same things as Robb. Even moreso than Summer, Ghost, Nymeria, Shaggy, and Lady, Grey Wind seems to pick up on Robb's every emotion. He attacks Tyrion because Robb is angry, he bares his teeth at Catelyn when Robb gets cross with her more than once, and very often there's lines like ~Robb stalked from the room and Grey Wind padded along beside him~ or something to that effect.

What's really interesting is that when Catelyn gets back in ASOS, Robb has sent Grey Wind to the kennels because Grey Wind scares Jeyne - the moment Robb marries, he sends his wolf away. He's lost faith in Grey Wind's magical abilities after the "murders" of Bran and Rickon, the murders which sent him to Jeyne's bed in the first place and he says as much-

"I found them, remember? I know how many there were and where they came from. I used to think the same as you, that the wolves were our guardians, our protectors, until . . ."

And the moment Robb is separated from Jeyne, Grey Wind is back at his side, and Robb seems to not only prefer Grey Wind to his anxious little wife, but Grey Wind seems almost annoyed at the imposition of Jeyne-

The day was damp and grey, a drizzle had begun to fall, and the last thing he wanted was to call a halt to his march so he could stand in the wet and console a tearful young wife in front of half his army. He speaks her gently, she thought as she watched them together, but there is anger underneath. All the time the king and queen were talking, Grey Wind prowled around them, stopping only to shake the water from his coat and bare his teeth at the rain. When at last Robb gave Jeyne one final kiss, dispatched a dozen men to take her back to Riverrun, and mounted his horse once more, the direwolf raced off ahead as swift as an arrow loosed from a longbow.

Catelyn remarks that Grey Wind is at his side ones more - "where he belongs" - and from that point until they get to the Twins, Grey Wind remains at Robb's side. Every single scene afterwards mentions Grey Wind with Robb, whether Grey Wind is growling at someone, scouting ahead, or just receiving some scratches from Robb.

And they remain together until the day they both die.

[atopvisenyashill]

imagine you are baela targaryen and you want to name your daughter after your long dead mother. your husband lets you because it’s a suitable Velaryon name. the husband that you love because he acts like your dad is acting like your dad by fucking your niece, who is the same age as your grandson. he will carry on this affair until you are both dead.

you are elaena targaryen and the only freedom you’ve ever known is with your aunt’s husband who is older than your father. when they are all dead, you marry the grandson of your lover. you want to name your daughter laena, as a way of remembering baela & alyn and everything you all put each other through. your husband agrees because you’re both half Velaryon and he likes that you share this. you are not in love but you are happy. a war breaks out and he is murdered in front his mother. you have just suggested his niece marry a prince.

you are laena velaryon 2.0 and you marry a nice man around your age and have many children. your first born doesn’t marry for a long time but when he does, he makes a match with your cousin, who had an affair with your father that emotionally wrecked your mother. a war breaks out and you watch all of your sons die one by one except the very youngest, and they call this a mercy.

you are aelinor penrose and your husband refuses to consummate your marriage and you attempt to shame him for this. a lifetime ago, your auntie elaena told you a story about her sister who did the same thing, and it got her locked up for years, but your smart, savvy auntie elaena tells your husband he can live his life as he pleases without destroying his wife, and you think of the way your auntie elaena and grandma laena can’t even look at each other anymore, and you figure maybe you got lucky.

[atopvisenyashill]

Bran The Time Traveling Toddler

Yes that IS a reference to the Tyrion the time traveling fetus theory. The thing about MY insane theories is that they actually make sense and I’m right. Follow me please down the worm hole!!

There’s very clearly Someone Influencing things when it comes to the Starklings and even the overreaching plot in general - there’s enough weird magic surrounding them, whispering in the wind, that it’s a no brainer they’re being watched over. The question is WHO and WHEN. For me, personally, I think it’s Bran, and I think it’s an older Bran from the future (whether it be Bran In TWOW and ADOS or Bran post canon) trying to lead his siblings to safety.

Now, like my Harrenhal meta, I don’t think I’m saying anything new so much as compiling what people have said scattered across the interwebs. There’s a lot of theories about whether Bran can time travel, time travel in general in the series, how george has dealt with time travel before, and about the three eyed crow’s identity and I agree with bits and pieces of what other people have said - preston jacobs is a more famous example of this theory for example. But I don't want to get caught up on things like time travel paradoxes because, like, i don’t care about that, and george has talked about how time travel is more fantasy than scifi bc it’s just not really scientifically possible. do you know what that means? it means there’s no weird physical paradoxes because it’s ✨magic✨ and Bran isn't literally going through space and time. It's as Jojen says-

With two eyes you see my face. With three you could see my heart. With two you can see that oak tree there. With three you could see the acorn the oak grew from and the stump that it will one day become. With two you see no farther than your walls. With three you would gaze south to the Summer Sea and north beyond the Wall

Through his greenseeing abilities, Bran can see the whole of a lifespan, from conception to burial, and can pop out at any point in that lifespan, because a span of 100, 1000, or 1,000,000 years is all the same to the weirwood. So I don't think it's in the realm of Crazy Ass Theories to say that Bran is capable of a more magic based form of time travel. That he can whisper in people's dreams, on the wind, taking on the voice of the old gods themselves and doing his best to nudge things the way he needs them to be in order to keep the people he loves safe.

I also don't think Bloodraven is Three Eyed Crow (though I do think he also uses this metaphor of "flying" wrt magic, and that's why Euron also has a comment about flying in his dreams - I just don't believe that metaphor originates with Brynden himself. Rather, I think he picked it up from somewhere else), but instead, it's Bran, using the weirwood network to get all the pieces on the board he needs where he needs them to be for the endgame. Notice that Brynden doesn't seem to know what Bran is talking about when he mentions the Three Eyed Crow-

"Are you the three-eyed crow?" Bran heard himself say. A three-eyed crow should have three eyes. He has only one, and that one red. Bran could feel the eye staring at him, shining like a pool of blood in the torchlight. Where his other eye should have been, a thin white root grew from an empty socket, down his cheek, and into his neck. "A … crow?" The pale lord's voice was dry. His lips moved slowly, as if they had forgotten how to form words. "Once, aye. Black of garb and black of blood." 

Brynden mentions the watch, but doesn't mention the three eyed crow. Everyone simply refers to Brynden as the greenseer, not the three eyed crow, except for Bran himself, who simply assumes Brynden is the three eyed crow (and we know magical assumptions in this series are generally wrong!).

What’s double interesting to me about this “bloodraven is the three eyed crow” assumption is brynden himself makes his “a thousand eyes and one” comment - but doesn’t mention a third eye. Meanwhile, Bran’s narrative is obviously filled with bird references and the opening of his third eye from Bran feeding the crows on the towers before he falls then longing to go back to the crows afterwards, of a crow sending Jojen to “the winged wolf,” of his dreams of living as a bird in maester luwin’s rookery with his siblings - Jon Snow even compares him to a bird in their final scene face to face when he thinks bran has “fingers like the bones of birds.”

And notable that though both Rickon and Bran have a greendream where they talk to Ned in the crypts of Winterfell just before Ned is executed, Rickon makes no mention of a three eyed crow, but Bran explicitly sees him-

The mention of dreams reminded him. "I dreamed about the crow again last night. The one with three eyes. He flew into my bedchamber and told me to come with him, so I did. We went down to the crypts. Father was there, and we talked. He was sad."

"Shaggy," a small voice called. When Bran looked up, his little brother was standing in the mouth of Father's tomb. With one final snap at Summer's face, Shaggydog broke off and bounded to Rickon's side. "You let my father be," Rickon warned Luwin. "You let him be." "Rickon," Bran said softly. "Father's not here." "Yes he is. I saw him." Tears glistened on Rickon's face. "I saw him last night."

What that says to me is that the Three Eyed Crow has the ability to speak directly to only Bran and can only otherwise appear in a more ephemeral way to others. With the established rules about not being able to communicate properly with the past, I think this makes sense - being able to use the weirwood hivemind/greenseeing powers to appear in a different form to yourself but unable to appear in a concrete form to anyone else.

I think it's even likely we'll see Bran doing some of this nudging and whispering on page in ADOS or maybe as early as TWOW, but it won't be the exact same sort of "Bran can literally reach out and touch someone in a weirwood dream" that they had in the show with the later scenes. It'll be more like that very first scene in the show where we see Bran influence the past slightly - you know, when he calls out "father!" and young Ned turns around, having heard a voice on the wind-

And there's a direct parallel to ADWD here, where Bran is certain Ned heard him speaking in the godswood but Brynden says it's not possible (not possible for Brynden perhaps!)-

Lord Eddard Stark sat upon a rock beside the deep black pool in the godswood, the pale roots of the heart tree twisting around him like an old man's gnarled arms. The greatsword Ice lay across Lord Eddard's lap, and he was cleaning the blade with an oilcloth. "Winterfell," Bran whispered. His father looked up. "Who's there?" he asked, turning … … and Bran, frightened, pulled away. His father and the black pool and the godswood faded and were gone and he was back in the cavern, the pale thick roots of his weirwood throne cradling his limbs as a mother does a child.

It's not quite time travel. It's like the acorn and stump metaphor - Bran can't appear in his physical body in the past but he can make a bit of noise, perhaps even be mistaken for one of the old gods.

As TWOW and ADOS go on, I think we'll see Bran's powers grow (likely in ways that frighten him and horrify the reader), and we'll see the very beginnings of him influencing the plot that happens during the previous books, showing up in scenes we've already experienced, similar to the Ned scene above. I think this because, well...he's already done it!

Now, as for What Time Traveling Bran Has Already Done - it’s tricky because we have a LOT of magic users waking and shaking. I’m not including every single instance of weird whispering or funny birds here, just the moments I think are more likely to be Bran than anyone else because I think Bran mostly deals with his siblings. I imagine they're easiest to reach out to magically because they already have the ability to access magic, and they're also the people he cares most about. The most obvious to me is in A Clash of Kings, when Jon hears a voice on the wind, very similar to the young Ned scene in the show-

Jon VII in A Clash of Kings

The call came from behind him, softer than a whisper, but strong too. Can a shout be silent? He turned his head, searching for his brother, for a glimpse of a lean grey shape moving beneath the trees, but there was nothing, only … A weirwood. It seemed to sprout from solid rock, its pale roots twisting up from a myriad of fissures and hairline cracks. The tree was slender compared to other weirwoods he had seen, no more than a sapling, yet it was growing as he watched, its limbs thickening as they reached for the sky. Wary, he circled the smooth white trunk until he came to the face. Red eyes looked at him. Fierce eyes they were, yet glad to see him. The weirwood had his brother’s face. Had his brother always had three eyes?

Not always, came the silent shout. Not before the crow. He sniffed at the bark, smelled wolf and tree and boy, but behind that there were other scents, the rich brown smell of warm earth and the hard grey smell of stone and something else, something terrible. Death, he knew. He was smelling death. He cringed back, his hair bristling, and bared his fangs.

Don’t be afraid, I like it in the dark. No one can see you, but you can see them. But first you have to open your eyes. See? Like this. And the tree reached down and touched him.

This moment was when I really started paying attention to Weird Shit Bran Might Be Doing because of that line "not before the crow." Now, we know Bran mentions talking with Jon later on, in the very last chapter of the book, here-

 He could reach Summer whenever he wanted, and once he had even touched Ghost and talked to Jon. Though maybe he had only dreamed that.

But I think it's both Bran in the present and Bran in ADOS speaking here - brothers reaching out to each other in their fear, and future Bran piggybacking off that connection to send a warning (this is back in Jon VII, during the shared Jon-Bran dream as before)-

Then he realized he was looking at a river of ice several thousand feet high. Under that glittering cold cliff was a great lake, its deep cobalt waters reflecting the snowcapped peaks that ringed it. There were men down in the valley, he saw now; many men, thousands, a huge host. Some were tearing great holes in the half-frozen ground, while others trained for war...This is no army, no more than it is a town. This is a whole people come together.

Bran warns Jon of the wildling army headed their way because he needs the Night’s Watch to stop fighting the wildlings, get them safely out of the True North (so they can’t be reanimated as wights), and focus on the Long Night. When you read the passage, it seems as if Bran is trying to awaken Jon’s third eye - something present baby Bran isn’t concerned with, because he barely understands his own third eye awakening. But a Bran in ADOS or beyond would know exactly what to say and do to get Jon and himself to wake up! Not just because of the paradox, but because of his connection to his brother and his vast understanding of his own magic. Similar to the idea that “who would know how to motivate Bran better than Bran himself” who would know how to motivate Jon better than one of his beloved siblings?

Arya X in A Clash of Kings

In the godswood she found her broomstick sword where she had left it, and carried it to the heart tree. There she knelt. Red leaves rustled. Red eyes peered inside her. The eyes of the gods. "Tell me what to do, you gods," she prayed.

For a long moment there was no sound but the wind and the water and the creak of leaf and limb. And then, far far off, beyond the godswood and the haunted towers and the immense stone walls of Harrenhal, from somewhere out in the world, came the long lonely howl of a wolf. Gooseprickles rose on Arya's skin, and for an instant she felt dizzy. Then, so faintly, it seemed as if she heard her father's voice. "When the snows fall and the white winds blow, the lone wolf dies, but the pack survives," he said.

“But there is no pack," she whispered to the weirwood. Bran and Rickon were dead, the Lannisters had Sansa, Jon had gone to the Wall. "I'm not even me now, I'm Nan."

"You are Arya of Winterfell, daughter of the north. You told me you could be strong. You have the wolf blood in you."

"The wolf blood." Arya remembered now. "I'll be as strong as Robb. I said I would." She took a deep breath, then lifted the broomstick in both hands and brought it down across her knee. It broke with a loud crack, and she threw the pieces aside. I am a direwolf, and done with wooden teeth.

Once again, we have a voice - it seemed as if it was her father's voice - telling a Starkling to do something specific, reminding that Starkling of their ties to Winterfell, the north, and home. The voice she hears, speaking her true name, is the kick in the pants Arya needs to grab Gendry and Hot Pie and get out of Harrenhal. There's something interesting, engaging, heartbreaking, that when Arya is at one of her lowest points, lamenting the loss of her pack, and out comes the voice of one of her pack urging her to keep faith, and helping to inspire one of her best moments - I am a direwolf, and done with wooden teeth. Again, we have a voice trying to get the Starklings to wake up and face their reality!

Sansa in A Storm of Swords

That night Sansa scarcely slept at all, but tossed and turned just as she had aboard the Merling King. She dreamt of Joffrey dying, but as he clawed at his throat and the blood ran down across his fingers she saw with horror that it was her brother Robb. And she dreamed of her wedding night too, of Tyrion's eyes devouring her as she undressed. Only then he was bigger than Tyrion had any right to be, and when he climbed into the bed his face was scarred only on one side. "I'll have a song from you," he rasped, and Sansa woke and found the old blind dog beside her once again. "I wish that you were Lady," she said.

To be clear I think there’s a large change this is nothing. BUT. Considering Bran seems to be reaching out to his siblings, I like the idea that Bran, and magic in general, is trying to talk to Sansa but she can’t quite hear it. Winterfell and it’s magic and it’s family is calling it’s daughter home, even torn from her magical guide as she is, still trying to reach out through her dreams and through the animals around her. I’m desperately hoping that at some point in Sansa’s early TWOW chapters, we’ll start to see birds acting and speaking funny around her as Bran tries harder to reach his lost sister.

Theon Greyjoy in A Dance With Dragons

BUT. I don't think it's just the Starklings that get these messages from Bran - it's everyone he cares about, everyone he loves or will love. One of the other more obvious examples of this is Theon Greyjoy, himself clearly capable of some degree of magic, just like the Starklings-

The night was windless, the snow drifting straight down out of a cold black sky, yet the leaves of the heart tree were rustling his name. “Theon,” they seemed to whisper, “Theon.” The old gods, he thought. They know me. They know my name. I was Theon of House Greyjoy. I was a ward of Eddard Stark, a friend and brother to his children. “Please.” He fell to his knees. “A sword, that’s all I ask. Let me die as Theon, not as Reek.” Tears trickled down his cheeks, impossibly warm. “I was ironborn. A son … a son of Pyke, of the islands.” A leaf drifted down from above, brushed his brow, and landed in the pool. It floated on the water, red, five-fingered, like a bloody hand. “… Bran,” the tree murmured. They know. The gods know. They saw what I did. And for one strange moment it seemed as if it were Bran’s face carved into the pale trunk of the weirwood, staring down at him with eyes red and wise and sad. Bran’s ghost, he thought, but that was madness. Why should Bran want to haunt him? He had been fond of the boy, had never done him any harm. It was not Bran we killed. It was not Rickon. They were only miller’s sons, from the mill by the Acorn Water.

“he had been fond of the boy” please allow me this moment to contemplate killing myself thanks.

okay back on track but this is very self explanatory - we know Theon has some sort of capacity for magic because he had a vision of the Red Wedding in ACOK and unlike Jaime who just fell asleep on a weirweed tree, Theon was just up in bed. We see it again here, where Theon can hear a voice on the wind and then seems to see Bran’s own face in the face of the weirwood tree. Once again, the voice on the wind is trying to help a loved one of Bran’s find their way back to themselves, back to home. And Theon, for all the harm he has done, is still so so loved by Bran, and loves Bran in return.

Samwell Tarly III in A Storm of Swords

Sam made a whimpery sound. “It’s not fair …” “Fair.” The raven landed on his shoulder. “Fair, far, fear.” It flapped its wings, and screamed along with Gilly. The wights were almost on her. He heard the dark red leaves of the weirwood rustling, whispering to one another in a tongue he did not know. The starlight itself seemed to stir, and all around them the trees groaned and creaked. Sam Tarly turned the color of curdled milk, and his eyes went wide as plates. Ravens! They were in the weirwood, hundreds of them, thousands, perched on the bone-white branches, peering between the leaves. He saw their beaks open as they screamed, saw them spread their black wings. Shrieking, flapping, they descended on the wights in angry clouds. They swarmed round Chett’s face and pecked at his blue eyes, they covered the Sisterman like flies, they plucked gobbets from inside Hake’s shattered head. There were so many that when Sam looked up, he could not see the moon. “Go,” said the bird on his shoulder. “Go, go, go.”

Whoever this is - it's Bran!!!! - helps to save Sam and Gilly's lives, actively tells them to run for it, and just a little bit later, Sam is around to help save Bran in turn. I think there's also something to be said for the brotherhood connection here. They refer to each other as brothers in the book because of their connection to Jon; that connection to Jon, and therefore each other, means a lot to both Sam and Bran. There's a practical reason for saving Sam here in that he can help Bran in the "present" timeline, will likely help in the future, but more than that there's an emotional bond here and it seems to me that magic runs off emotions just as assuredly as it runs off of other important stuff like blood and and sacrifice and weirwoods.

Jon Snow XII in A Storm of Swords

With a raucous scream and a clap of wings, a huge raven burst out of the kettle. It flapped upward, seeking the rafters perhaps, or a window to make its escape, but there were no rafters in the vault, nor windows either. The raven was trapped. Cawing loudly, it circled the hall, once, twice, three times. And Jon heard Samwell Tarly shout, “I know that bird! That’s Lord Mormont’s raven!” The raven landed on the table nearest Jon. “Snow,” it cawed. It was an old bird, dirty and bedraggled. “Snow,” it said again, “Snow, snow, snow.” It walked to the end of the table, spread its wings again, and flew to Jon’s shoulder. Lord Janos Slynt sat down so heavily he made a thump, but Ser Alliser filled the vault with mocking laughter. “Ser Piggy thinks we’re all fools, brothers,” he said. “He’s taught the bird this little trick. They all say snow, go up to the rookery and hear for yourselves. Mormont’s bird had more words than that.” The raven cocked its head and looked at Jon. “Corn?” it said hopefully. When it got neither corn nor answer, it quorked and muttered, “Kettle? Kettle? Kettle?” The rest was arrowheads, a torrent of arrowheads, a flood of arrowheads, arrowheads enough to drown the last few stones and shells, and all the copper pennies too.

The Night's Watch seem to take this as some sort of divine sign, and Jon's friends take it as an excellent ploy from Samwell Tarly. But when Pyp confronts Sam over it a page later, Sam completely denies it -

“I had nothing to do with the bird,” Sam insisted. “When it flew out of the kettle I almost wet myself.”

Everyone has their theories about people warging Mormont's crow of course. I think what's interesting to me here is that Jon is really wrestling with the idea of leaving the Watch for Winterfell, in which case Janos Slynt was likely to take over command. Someone like Slynt being in charge when the Long Night is coming is a bad idea, and here, Mormont's bird directly contributes to Jon staying where he needs to be - watching over the wildlings and making sure they aren't turning into Wights.

(And this is getting into my other theories here, but IF Sansa as the Girl In Grey is true, I think this is a neat sort of timeline fixing - almost as if Bran is saying “no, not yet, the pieces aren’t aligned, Jon can’t leave yet, Brienne isn’t at the Vale to get Sansa, I haven’t trained enough, Jon still keeps slapping his hands over his third eye so he can’t see, I need to give myself more time here.”)

Bran II in A Game of Thrones

But...it's not just his family and friends that I think Bran is trying to help here, and of course, if he IS the Three-Eyed Crow, he isn’t YET. What I think is going to be a big climactic part of Bran's story is self sacrifice, giving up some of his own power, his own happiness, to save others. Yes, part of this is my absolute refusal to accept Borg Hivemind Fantasy Police State King Bran in that he will say NO to the hivemind, but I think there's something magical here as well!

I think in order to access great power you need to be willing to put your own body on the line.

Jojen mentions having gotten sick with "greywater fever" shortly before his greendreams started

Dany experiences a miscarriage then literally walks into fire in order to hatch her dragons

both Beric and Catelyn have to quite literally be gruesomely murdered in order for Thoros' fire magic to work to bring them back to life

Melisandre has to physically give birth in order for her shadow assassination to work

on and on it goes. In order to be capable of great power, you can’t just have a willingness to throw someone ELSE onto the pyre but yourself as well. But Bran is pushed out of the window instead of willingly jumping. Or...

The wolfling was smarter than any of the hounds in his father’s kennel and Bran would have sworn he understood every word that was said to him, but he showed very little interest in chasing sticks…Finally he got tired of the stick game and decided to go climbing….

The wolf did as he was told. Bran scratched him behind the ears, then turned away, jumped, grabbed a low branch, and pulled himself up. He was halfway up the tree, moving easily from limb to limb, when the wolf got to his feet and began to howl.

Bran looked back down. His wolf fell silent, staring up at him through slitted yellow eyes. A strange chill went through him. He began to climb again. Once more the wolf howled. “Quiet,” he yelled. “Sit down. Stay. You’re worse than Mother.” The howling chased him all the way up the tree, until finally he jumped off onto the armory roof and out of sight.

I think this is future Bran, finally becoming the Three Eyed Crow, inside Summer. Summer shows no interest in the game and it’s only then that Bran decides to go climbing. Future Bran is sacrificing himself for the greater good - but can’t stop his mournful cry of the fate that awaits his own young self.

[atopvisenyashill]

Who are Sansa’s potential contenders in your opinion?

i’ve talked about this before but i’d love to talk about it again lmao. i think the potential romantic endgame contenders are (in order of most to least likely) jon, brienne, theon, and podrick (there’s a wide gap between theon and podrick) and i use the term romantic like……i mean a little loosely. i’m gonna explain my criteria a bit.

sansa’s suitors must be

within a decade of her age

someone who has, when they meet her, a claim to a seat powerful enough to at least be in the same ballpark as the Starks

someone who would be willing to relocate to winterfell or near winterfell

someone who won't feel threatened by her title

shares her romantic sensibilities

someone whose identity subverts the typical Westerosi idea of what a True Knight and a Proper Husband is

someone who is actively trying and at least partially succeeding at being a good person, but specifically someone who has themes associated with what she desires - a True Knight and Hero From A Song

so let’s explain.

firstly, when we’re talking “potential contenders” i think everyone is picturing something slightly different. i’m talking about like. the relationship that will be one of the focal points of her story going forward, the relationship that will mean the most to her bc it fulfills her dreams while matching her growth and maturity, the relationship her story is building towards her meeting. i think there’s a lot of,,,idk confrontations on the horizon. theon hearing bran in the trees. dany’s nightmare about (probably) euron. everyone and their mother hearing wolves howling in the distance. half these characters are like on a boat, on a dragon, on a walk in the woods, literally on the way to meet someone when we leave them in feastdance and sansa is no exception to this - the Themes Are Coming For Her.

i think there’s been a build up over sansa’s story that she is going to meet The Hero Of Her Dreams, but they will not fit the typical mold of a hero. They will help empower her, protecting her physically while she protects them politically. There will be genuine love, and dedication. A bond to rival Naerys & Aemon, Florian & Jonquil, a person who will love her until the end of her days…a person who is also going to be helpful when it comes to her new role as The Stark In Winterfell. this means a) the line of succession will be dealt with in a practical manner and not swept under the rug and b) someone who likely has some sort of background in either politics or battle.

Maybe it’s a contradiction to say this relationship can be romantic and satisfying to read while also saying there's a chance it will be “subtext” but…I just think, looking at his inspirations being soooo focused on things like courtly love, chivalry, that a spin that involves Sansa feeling a deep affection for a Knight protecting her, with no men around (but again, crucially, having discussed how the hell she’s going to have kids, with a partner who will not shy away from a frank discussion like that) is still a satisfying "romantic" arc. Yes i am saying this is how I have my cake and eat it too, where Braime fucks and then Jaime dies, then Brienne stays in the North with a conveniently (publicly) single Sansa who leans on her for comfort. This is my meta and we're never getting the winds of winter to disprove it, but also I'm thinking specifically of the focus on rumors surrounding the sexualities of a lot of characters in F&B - Alyn and Addam Velaryon, Rhaenyra Targaryen, Laenor and Laena Velaryon, Rhaena the Black Bride, to name just a few very obvious ones - as well as the repeated princess and knight dynamic that follows both Sansa (with Dontos and Sandor) as well as is present in F&B (Rhaenyra & Harwin, Rhaenyra & Criston, Alysanne & Jonquil Darke, Aegon & Visenya imo also fits this) that this dynamic can be romantic but also not explicitly stated to be a sexual or romantic relationship. MOVING ON.

I think it’s actually most likely that Briensa and Jeynsa that are winning the “so which one is actually gonna go canon” war bc they’ll be single, in the same place, and clearly devoted to each other while like, Jon/Theon/Aegon/Sandor/Tyrion/Basically Every Man Shipped With Sansa are miserable and cold or dead elsewhere. (littlefucker isn’t included bc he’s definitely dead 😁). I just need everyone to understand my definition of “goes canon” is so so loose. ANYWAYS. EXPLANATIONS-

within a decade of her age

i am once again saying that every relationship with a huge age gap that starts with one of them below the age of 17 ends badly and the reason is bc george is not a pervy moron, he is actually writing about the ways in which the hypersexualization and forced child marriages in westeros are damaging to these girls. “but he said dany & drogo were in love!!” he’s very clearly the sort who likes to find the romantic and erotic in the grotesque and horrific, and looking at this from the character’s point of view. i think his comments line up just fine with the justifications these girls make to themselves about the marriages they are forced into. also he’s just an old man and he phrases things in ways that make you cringe sometimes, pls be serious 😭 the only exceptions to this rule are really Rhaenys/Corlys and arguably Rhaenyra's various romantic ties but a) none of Rhaenyra's romantic relationships end well and in fact help speed her right along to her gruesome death and b) Rhaenys and Corlys' relationship is fraught with political problems and also, he has an affair with a teenager so again, george is Saying Something about the reasons why certain types of men prefer women much younger than them. "but what about roose and fat walda?" they are both gonna die horribly, next question.

SO. it’s not gonna be tyrion. it’s not gonna be sandor. it’s not gonna be littlefucker. they’re too goddamn old and sansa spending the rest of her life rationalizing these guys perving on her when she’s barely even middle school aged is not (imo) the ending she is going to get.

this leaves us with the rest of her more popular ships - jeyne, margaery, harry, sweetrobin, aegon vi, jon, theon (admittedly pushing it here! i can be logical about this!), podrick, and brienne (technically bran and arya are here too ig, i mean if we want to be really fair to all ships). onto the next criteria-

someone who has a claim to something in the same general social circle as winterfell

technically i do think there’s a chance george goes for something radical at the ending like abolishing the monarchy and if he does that i will kiss him on the mouth (with consent from him & parris). BUT. i think the most likely ending is more of a loosening of the feudal system - showing us the next few hopeful steps away from absolute monarchies. what i’m saying is The System still exists and will still exist throughout twow and ados, so I think it’s logical to assume that Sansa is not going to marry “beneath” her. if anyone does, it's arya.

anyways that’s a double pass on sandor & littlefucker. this is also why i admit pod is a stretch - the paynes aren’t nobodies but pod himself is from a cadet branch, so fairly low in the pecking order . i mostly include him bc i think he’ll make a name for himself alongside brienne, potentially enough to overcome that gap and he fits the rest of the criteria too well imo to completely disregard him. “why can’t sandor or littlefucker do that” bc sandor doesn’t have enough time before the end of the series to make up for all the shit he did as the hound In The Eyes Of The Public Or, Crucially, Sansa’s Family and littlefucker is going to die 😁

you could argue this also crosses out jon and jeyne. COUNTERPOINT - jeyne is a girl it literally doesn’t matter so long as she’s high enough to be one of sansa’s ladies and she is, so she passes; jon is one of three targaryens left alive (and even if aegon's a blackfyre, he doesn't know that so still counts!!) and all the secrecy around jon's legitimacy + robb’s will means clearly something is cooking here. also he has an impressive resume on paper.

someone who would actually live in Winterfell

I don’t feel it’s necessary to argue that Sansa is going to be IN WINTERFELL and END UP IN WINTERFELL bc she lichrally builds Winterfell after Arya, the sibling she interacts with the most, hears a prophecy about a girl slaying a giant IN A CASTLE MADE OF SNOW. This does not feel subtle nor like a stretch. Whether she’s a regent for Rickon/Bran, a ruling lady, or a queen, she is GOING HOME the same as the rest of the Starklings and she will be important in helping rebuild it. Therefore, the person she’s with has to not only be cool with being at Winterfell often, they have to not induce immediate fury and rage in her siblings.

sandor? triple dead. tyrion? we’ll call him 1.5 dead to be polite. aegon vi? doomed and dead. harry hardyng? does Not seem likely to relocate. littlefucker probably would relocate but good luck getting two steps into the north or riverlands without every living starks’ “it’s time to beat that annoying fuck up” alarms blaring in their heads ready to run him through.

theon is a hard maybe but since he actually feels bad & also grew up with them, i think he has plenty of time in the next 2k pages of story to make up some ground with jon, arya, and bran. margaery feels like a hard maybe as well - it’s looking bleak for the tyrells & i don’t think margaery’s family is going to let her move to the north without a good reason. but i also feel like. there’s too many unknowns to technically count her out.

brienne & pod Will be living in the North and they Will be on the guard and That Is That. jeyne & jon don’t seem to have any plans on leaving the North any time soon either.

someone who won't feel threatened by her title

this is a near constant through line in her story - that whoever marries her will want her for her claim first and foremost. it's going to factor into her relationships, specifically about how she's going to have a child. whether she has a secret marriage, longstanding affair, or a public husband, it's going to be someone who is not constantly trying to usurp her power literally or metaphorically.

that means no aegon vi, no sweetrobin, no harry, no littlefucker, no tyrion. tyrion's claim to the westerlands is a competing one with her, and tyrion himself is interested in her title way more than sansa as a person (it's why he doesn't see her escape coming and why he's so bitter over it - the whole time he thought she was a silly girl and had no idea she was plotting to escape and nearly did escape at several points. he thought she was helpless! you can bet your ass he is going to feel threatened by the idea that she does not need his ass). sandor, imo, will also feel threatened by her having such a lofty title, and i cannot see him being capable of any sort of secret marriage. "well they could just marry publicly" she's not publicly marrying a man known to be a child killer. to be completely honest, i think margaery would feel threatened by her title as well.

jon, podrick, brienne, jeyne are all people who would not only not feel threatened, they would be proud, celebrate it, actively fight to keep her in a state of power. theon is imo a maybe - the theon we meet in the beginning would objectively feel threatened by Sansa having a title loftier than his. a theon who has lived through everything he has by the end of the dance is imo much more likely to be happier out of the spotlight. all of them as well would be willing to be frank about how she's going to have a child, and would not mind Sansa saying something like "my children were fathered by a wolf."

someone who shares her romantic sensibilities

listen. she's gonna like, get along with her suitor. someone who won't laugh at her for wanting to be swept off her feet, someone who also craves a more romantic life.

this eliminates, imo, harry, sweetrobin, littlefucker, and sandor, probably aegon vi as well.

brienne, jon, theon, jeyne, and podrick are all romantic types - jon imagines having children named after ned and robb just llike sansa, theon had dreamed as a hostage of marrying sansa and calling ned father, brienne dreams of lofty knightly ideals of protecting the weak, and podrick and jeyne both have stories very much tied to subverting the ideas of a true knight and a damsel in distress.

someone who is an Atypical True Knight

💙✨this is a post about briensa✨💙

true knight/hero from a song themes + marginalized in some way in Westeros = brienne, jon, theon, tyrion. sandor feels relevant here in that he is not a true knight but he clearly wants to be after his encounters with the stark girls and also he doesn't look like one either.

aegon vi could arguably count due to being dornish, so i guess i'll give him a .5 in this category. harry is as typical as they come, and neither margaery nor jeyne have anything that links them narratively to the concept of a true knight or hero from a story (except, i suppose, for jeyne's link to theon). podrick is also fairly typical but again, kinda lowish for a noble so i guess .5, and he also has several scenes where he's expressly linked with being an Atypical True Knight (mainly, the scene where he saves Tyrion during the Battle on the Blackwater).

a True Knight

i simply do not think the lesson sansa is going to “learn” here is that no one will ever love her for who she is and her marriage will be about her claim and nothing more because there are no True Knights left. every time someone is like “she won’t have a romance bc her story is about not needing love” i find it mind boggling because in what world is asoiaf about not needing love, first of all, and second of all, her arc wrt her desires for marriage and love has so clearly been tied to this concept of a True Knight and the idea that a True Knight does not always ~look good~ and that someone who is not a knight may be capable of good and that you can always just Choose To Do Good at any point but you have to Make That Choice, and that is all very different from “not needing love.” Sansa is naive yes but!! Sansa is Dunk sitting there surrounded by strong handsome men in expensive, gorgeous armor and asking if there are any true knights among them-

EXCEPT SOMEONE WILL STEP UP TO THE PLATE.

“a dream of spring” means there will be just a little hope. so help Will Come and they will be a True Knight they just won’t take a form she expects. this is a large part of the reason why i’m on the briensa train. Brienne is The Truest Of True Knights! She serves a King she's in love with who doesn't love her back faithfully, she swears a vow to Sansa's mother after comparing Catelyn's courage to that of a knight's and laments the fate of women who die unremembered in a birthing bed, she's on a noble quest to find Sansa with an assist from The Most Infamous Knight In Westerosi History, she’s the secret descendant of The Other Truest Of True Knights, and I feel it’s very clear from geography, theme, and foreshadowing standpoints that Brienne and Sansa are going to be linking up soon.

I have always felt that the Ashford Tourney Theory is linking Sansa to both Jon and Brienne narratively - Jon for being the dark haired Targaryen Prince defender and Brienne for being the Dunk descendant and True Knight that interrupts the tourney. Not only that, but Jon has that "she wished for a hero to strike him down" "ed, fetch me a block" parallel that I think is really important.

BUT. They're not the only ones with links like this. Theon has the similar link of how life is not a song and is actively grasping for redemption when we last left him. Podrick, like Brienne, is on a True Knight's quest to save Sansas and is discounted as a hero despite having several heroic moments for himself - including actively seeking Brienne out to help with her quest. Tyrion frequently struggles with concepts of morality but is on an absolute downward trajectory.

Who is not tied to these last two concepts nor acts at all like a True Knight? Aegon VI (arguable I suppose), Harry Hardyng, and once again, Littlefucker.

IN SUMMATION

Who doesn't fit any of the critera? Littlefucker, and that's why his ass is grass.

Who fits very little of the criteria? Tyrion (too old, not likely to live in Winterfell, cares too much about her title, on a downward spiral), Sandor (too old, too low born, not a True Knight and not becoming one any time soon, plus Arya will kill him if he tries something), Aegon VI (would not relocate, is not tied to the concept of a True Knight, plus he's doomed), Harry Hardyng (would not relocate, cares too much about titles, is not a true knight nor atypical in way, doesn't seem given to romantic sensibilities).

Who fits most of the criteria? Jeyne Poole and Margaery Tyrell. However there are pretty big plot reasons Margaery won't have any sort of romantic, subtext or otherwise, long lasting relationship with Sansa so even though on paper she fits, I think she's highly unlikely to impossible.

Who fits all of that criteria, ie, close to her age, has an important name (or has a reason why it doesn't matter), and is an Atypical True Knight with a romantic outlook on life with narrative links to Sansa? Brienne of Tarth and Jon Snow, and arguably Theon Greyjoy and Podrick Payne.

Anyways I think Sansa should start a bisexual polycule in the North. Thank you for coming to my ted talk.

[atopvisenyashill]

Hiiiii what are your theories on what post-resurrection Jon with be like?

So I AM curious if he’s gonna be a bit more animalistic. I went back to look at Varamyr and I feel like Varamyr is a weirdo but he doesn’t act like an animal, despite spending a lot of time as an animal. Now you can contrast this to some of the Starklings who will do shit like growl and howl and stuff, and Jojen in fact warns against staying an animal for too long.

“Bran the boy and Summer the wolf. You are two, then?"

"Two," he sighed, "and one." He hated Jojen when he got stupid like this. At Winterfell he wanted me to dream my wolf dreams, and now that I know how he's always calling me back.

"Remember that, Bran. Remember yourself, or the wolf will consume you. When you join, it is not enough to run and hunt and howl in Summer's skin."

But the thing is - it’s Rickon Bran and Arya doing that. Bran & Arya are barely old enough to be self aware and Rickon is a literal toddler (I think all the Starklings refer to him as “the baby” not as in “the youngest” but as in he is TINY still). Jon is sixteen. I do wonder if he adjusts better simply because he’s older. But to flip back again…Varamyr is our only reference and Jojen explicitly warns against it. So will Jon have a temper? Will he growl, go nonverbal when emotional, like Rickon does? Will he howl at the moon like Bran and Arya? Will other people find him unsettling? Not in the “why is this grown man acting like a wolf” way but in that way that actual wolves are unsettling….you know the stories about how you KNOW if you’ve seen a wolf because they’re fuck off huge, they LOOK like predators, and your instincts tell you “this thing can kill me” in a way they don’t when you see a regular dog? What if he’s just unnerving to be around?

I do wonder about his physical look as well. Every person who ~comes back from the dead~ still bares the scars they got while dying. Beric & LSH’s injuries seem to healing human slow - that is to say, if they hadn’t received killing blows, Cat’s vocal chords would be healing at about the rate we see LSH start to regain speech, and Beric’s various cuts are scarring & healing at a normal rate. Bran is paralyzed. Drogo is…all of that. Will he face some issues with his body because the wounds are still healing? Will he have some more stiffness in his limbs, like the way his burnt hand has problems? I don’t really know how he would pick up the red eyes and white hair from ghost - Beric, LSH, Bran, even Drogo, they don’t suddenly change eye or hair color or something, and Brynden was BORN albino it’s not like his magic made him that way later - but I’m ngl I still kind of hope he’ll have the red eyes, I think it’s neat. He doesn’t need white hair tho I think that’s overkill.

When it comes to his priorities, I think we're going to see a huge shift. I know everyone ragged on the show for just having Jon be like "yeah i'm peacing out bye" bc there's going to be more hubbub than that but I do think Jon is going to feel incredibly jaded when it comes to the Night's Watch. I always come back to his confrontation with Maester Aemon and the fact that Aemon is distressed by his choice to not attempt to help Elia and her babies...

Maester Aemon sighed. “Have you heard nothing I’ve told you, Jon? Do you think you are the first?” He shook his ancient head, a gesture weary beyond words. “Three times the gods saw fit to test my vows. Once when I was a boy, once in the fullness of my manhood, and once when I had grown old. By then my strength was fled, my eyes grown dim, yet that last choice was as cruel as the first. My ravens would bring the news from the south, words darker than their wings, the ruin of my House, the death of my kin, disgrace and desolation. What could I have done, old, blind, frail? I was helpless as a suckling babe, yet still it grieved me to sit forgotten as they cut down my brother’s poor grandson, and his son, and even the little children …” Jon was shocked to see the shine of tears in the old man’s eyes. ...“Once. So you see, Jon, I do know … and knowing, I will not tell you stay or go. You must make that choice yourself, and live with it all the rest of your days. As I have.” His voice fell to a whisper. “As I have …”

There’s nothing he could have done and he knows it. AND YET. How do you justify to yourself hiding out at the Wall in safety while children of your house are slaughtered? How do you make your peace with it? You can’t! Love is the death of duty!! Aemon doesn’t ever make peace with it! He spends the last days of his life hating himself for being so old, being unable to help Dany, reaching out for the brother he’s long lost in his dreams. I think being murdered by his men, after months of arguing with them, of trying to get them to put aside their shitty little beef with the wildlings and focus on the real threats to their safety, and the knowledge that “Arya” is ALIVE OUT THERE, it’s all going to massively change his priorities. When you factor in the girl in gray turning out to be Sansa (don’t boo me i’m right!!)…I don’t think he’s going to hem and haw about being a brother of the night’s watch, I think he’s taking his shit, and he’s getting the fuck out of dodge.

But when it comes to his state of mind…again, I’ve come around to the idea that Jon is going to be resurrected 100% due to Northern type magic, and not anything Melisandre is doing. I’m willing to be wrong on this one btw, I do think there’s still a shot some funky magic brings him back but I think with all the build up to Jon actively warging, to accepting his magic, and opening his third eye, is in fact building up not just to Jon spending a long time in Ghost while his body is found and resurrected, but that his body will HEAL while he’s not in it the way Bran’s does, and he comes back to an injured but on the mend body.

If he’s waiting around for his body to heal though, he’s going to be spending a hot minute inside Ghost & greenseeing. Possibly longer than Bran did. I think like Bran, he’ll have his own mini vision quest as he wanders and sleeps in ghost’s body - and I think he’s going to find out Bran is still alive. See, Bran figures out that Robb is dead through a green dream, then buries the memory-

The dream he'd had . . . the dream Summer had had . . . No, I mustn't think about that dream. He had not even told the Reeds, though Meera at least seemed to sense that something was wrong. If he never talked of it maybe he could forget he ever dreamed it, and then it wouldn't have happened and Robb and Grey Wind would still be . . .

And we know Summer is aware of his scattered siblings, dwelling on them often. I don’t think it’s out of the realm of possibility that the connection works the other way. We also know Bran is still dwelling on his family, with his weirwood dreams focusing on Ned. Similar to Aemon, similar to Jon’s whole story, Bran struggles in balancing his love for his family with what he feels is his duty. Not only that but imo there’s a lot of connections between Jon and Bran when it comes to magic. Jon is the only character we see saying goodbye to Bran, which has always stuck out to me. Bran also attempts to open Jon’s third eye before Robb (presumably - i think if bran was talking to robb in his dream, he would have brought it up) Sansa, Arya, or Rickon (again, presumably).

It seemed to sprout from solid rock, its pale roots twisting up from a myriad of fissures and hairline cracks. The tree was slender compared to other weirwoods he had seen, no more than a sapling, yet it was growing as he watched, its limbs thickening as they reached for the sky. Wary, he circled the smooth white trunk until he came to the face. Red eyes looked at him. Fierce eyes they were, yet glad to see him. The weirwood had his brother's face. Had his brother always had three eyes?

Not always, came the silent shout. Not before the crow…. Don’t be afraid, I like it in the dark. No one can see you, but you can see them. But first you have to open your eyes. See? Like this. And the tree reached down and touched him.

And Bran has that near miss where he and Jon are in the same places at the same time, with Bran running into Sam & Gilly. Additionally, we get all those scenes with Mormont’s crow doing weird stuff and we have no idea if it’s Bloodraven or Bran - it’s very possible Bran At Some Point In Time has been trying to get Jon’s attention for a long time.

All of that to say I think there’s a build up to Jon and Bran being the first Starklings to reunite, but not in body, just in mind! While trapped in Ghost’s body greendreaming about his thought to be dead brother, Bran will have the opportunity to jumpstart Jon’s magic the way his was, and Jon will realize Bran is still alive - potentially even exchanging important information about the Others, Winterfell, and Jon’s real parents…Both boys return to their bodies, turn to the people they’ve sworn their lifetimes to and go “actually fuck this shit and fuck you too” and try to leave.

Try, being the operative word here, of course.