#new techno music 2023

[x-heesy]

𝗜𝗙 𝗬𝝝𝗨 𝗖𝝝𝗨𝗟𝗗 𝗙𝗨𝗖𝗞 𝗠𝗨𝗦𝗜𝗖

𝝠 𝗧𝗥𝝠𝗖𝗞 𝝠 𝗗𝝠𝗬 𝗞𝗘𝗘𝗣𝗦 𝗧𝗛𝝠 𝗗𝝝𝗖𝗧𝝝𝗥 𝝠𝗪𝝠𝗬

𝗜 𝝠𝗠 𝝠 𝗗𝝠𝗡𝗖𝗜𝗡𝗚 𝗦𝝠𝗡𝗗𝗪𝗜𝗖𝗛 🎧💃🏽🕺🏼🪩🚀💥

𝗚𝝝𝝝𝗦𝗘𝗕𝗨𝗠𝗣𝗦 / 𝗜𝗡𝗧𝗘𝗥𝗡𝝠𝗧𝗜𝝝𝗡𝝠𝗟 𝗕𝗘𝝠𝗧𝗦 /𝗜𝗡𝗧𝝝𝗠𝗬𝗦𝝝𝗨𝗟 / 𝗘𝝠𝗥𝗚𝝠𝗦𝗠 / 𝗧𝗛𝗜𝗭𝗭 𝗜𝗭 𝝠 𝗚𝗜𝗙 𝝠𝗧𝗧𝝠𝗖𝗞 / 𝗦𝗘𝗫𝗗𝗥𝗨𝗚𝗦𝝠𝗡𝗗𝗦𝝝𝗖𝗞𝗦𝗪𝗜𝗧𝗛𝗛𝝝𝗟𝗘𝗦 / 𝗣𝗨𝗡𝗞𝗦𝝠𝗥𝗘𝗡𝗧𝗗𝗘𝝠𝗗 / 𝗛𝗘𝗟𝗟 𝗬 𝝠𝗦𝗦 / 𝗚 𝝝 𝗗 𝗜 𝗦 𝝠 𝗗 𝗝 / ΓЯДCҜФFΓHΞDДУ / 𝗗𝗘𝗘𝗣𝗗𝝠𝗥𝗞𝝠𝗡𝗗𝗗𝝠𝗡𝗚𝗘𝗥𝝝𝗨𝗦 / 𝗣𝗛𝗨𝗖𝗞 𝗜𝗧 𝟰 𝗣𝗛𝗨𝗡 / 𝗪𝗜𝗧𝗛𝝝𝗨𝗧𝗠𝗨𝗦𝗜𝗖𝗟𝗜𝗙𝗘𝗪𝝝𝗨𝗟𝗗𝗕𝗘𝝠𝗠𝗜𝗦𝗧𝝠𝗞𝗘 / 𝗪𝝝𝗡𝗗𝗘𝗥𝗙𝗨𝗟 𝗜 𝗖𝝝𝗨𝗟𝗗 𝗖𝗥𝗬 / 𝗪𝗘𝗜𝗥𝗗 𝗜𝗦 𝝠 𝗖𝝝𝗠𝗣𝗟𝗜𝗠𝗘𝗡𝗧 / 𝗦𝗜𝗖𝗞 𝗡 𝗧𝗪𝗜𝗦𝗧𝗘𝗗 🎧 / 𝗟𝝝𝗦𝗧 𝗜𝗡 𝗦𝗧𝗘𝗥𝗘𝝝 / 𝗧𝗛𝝠𝗡𝗞𝗦 𝗟𝝝𝗥𝗗 𝟰 𝗠𝗨𝗦𝗜𝗖𝗞 / 𝗜𝗠𝗙𝗥𝗘𝝠𝗞𝗜𝗡𝗚𝗧𝗛𝗘𝗙𝗨𝗖𝗞𝝝𝗨𝗧 / 𝗜𝗡𝗘𝗘𝗗𝗧𝝝𝗗𝝠𝗡𝗖𝗘𝗧𝗛𝗘𝗙𝗨𝗖𝗞𝝝𝗨𝗧 / 𝗦𝗨𝗕𝗕𝝠𝗦𝗦𝗠𝝠𝗦𝗦𝝠𝗖𝗥𝗘 / 𝗦𝗛𝝠𝗞𝗘𝗪𝗛𝝠𝗧𝗬𝝠𝗠𝝠𝗠𝝠𝗚𝝠𝗩𝗘𝗬𝝠 /𝗗𝗥𝝝𝗣𝗕𝗘𝝠𝗧𝗦𝗡𝝝𝗧𝗕𝝝𝗠𝗕𝗦 / 𝗥𝝝̈𝗛𝗥𝗧 𝗪𝗜𝗘 𝗛𝗜𝗥𝗦𝗖𝗛 / 𝗜’𝗠 𝗗𝗜𝗦𝗖𝝝

#panicdynamicpandemic #trackoftheday #gifattack #gifmania #moody #edm #electronicmusic #shakewhatyamamagaveya #raaaaven #electroshockboogie #dancemfdance #partymusic #lostinmusic #thankslordfortechno

𝗧𝗥𝝠𝗖𝗞 𝝝𝗙 𝗧𝗛𝗘 𝗗𝝠𝗬:

Mư̵̛̞̙̩͔̭̠̅̈́̊͆͝s̶̢͎̮̝̭̫̞̏̒͛͗͜i̴̛͕͍̤̐͆͆͂̇̈́̍̍͊c̶̡̙̙̞̊̅̋́̒̔̈̑̑ Is̶̢͎̮̝̭̫̞̏̒͛͗͜ Th̶̨̢̺̪̻̱̞̓̓͊ͅe̵̯̞̎̈́̀͑̂̓̽̕͝ Ne̵̯̞̎̈́̀͑̂̓̽̕͝w̵̡̦̲͓͉̟̼͍̑̉̀̓ Re̵̯̞̎̈́̀͑̂̓̽̕͝l̵̡̬̹̙͕͍͙̜̂͌̾i̴̛͕͍̤̐͆͆͂̇̈́̍̍͊ǵ̷̦̈͐̓̀̉͌i̴̛͕͍̤̐͆͆͂̇̈́̍̍͊o̵̳̞̖̖̩̻̩̎̍̓́ṋ̷͆̽̍͊ by The Subs 🫶🏽 🇧🇪

House of g0D ✨

[celestialmazer]

Happy new year, aw the best 👍

[thebonesofhoudini]

So, as a new New Year’s tradition, I always like doing a DJ set to ring in the New Year. Here’s a 3 hour Dj set from me, very deep, techy, and dope, I like the energy of this set alot. So, enjoy...and Happy 2023. Mixed by me on the 1s and 2s. Also, be sure to follow me on Twitch.

Tracklist

Tekbeatz - In Da Mud

Geew - Marshmellow

Frank & Tony - Absence

Lucho - Mind Chariot

Juan Moreno - Consiousness

Gary Hattenberger & Melchior Sultana - The Spirit

Dubbyman - Never Know

Theory Of Movement - Avoir L'air

Genius Of Time - Purple Motus

Guterres - This Is Deep

Cramer - Morpho

D'Julz - Triumphant

A_B Sides 025 - Dnc

Devy - Naturally

Dubbyman - You Keep Me Waiting

Trinidadiandeep - Balls Deep

Anas M - Baton Rouge

Avidel - Gelly Ocean

Evius - Finally A Water Level

East End Dubs - Mind Traps

Lee Onel - Roll

Dan Goul - Matter Distribution

Reto Erni - First Mind

Eyth Aka Briki - Play Control  

Ekstendia - Deeping

Marincu - Fireflying (Club Mix)

Fabio Araneda - Say It

Zky - Dancing With The Devil

Unknown Artist - Fu-Gee-La

Unknown - Track001B

Skudge - Likemind

Patrice Scott - 3AM

Tribute - The Session

Lobo

[apopheniamusicofficial]

Apophenia - Apostasy

Check Us Out On Spotify! This Song Will Be Released Soon! [: Don't forget to tell a friend! (:

Video Credits: Public Domain - Electric Earthquake (1942)

[musicforyou]

Party Dance Club Music ♫ Best Party Dance Songs ♫ Electronic, techno, trance, house music ♫

[brights-place]

Trollex X Rapper! S/O

Pairing: Trollex X S/O

Warnings: Lots of Fluff

A/N: Okay my first ever thought today to get me distracted was listening to music so I just shuffled some songs form one of my playlists and a rap song was playing while I was writing and I was like ‘Oh shit I gotta write this!’ Now here we are!

- Trollex with a Rapper! S/O YIPPEEE it was so fun to write this

- When you first met Trollex asked you all about your genre listening to how you explained everything and told him that a rapper is a musical poet technically your job was blending rhythm and rhyme to express stories, emotions, and ideas. They craft lyrics, hone their flow, and perform with energy that captivates audiences. Rappers often reflect on personal experiences or societal issues, becoming voices for their communities like what you did

- He couldn’t stop being interested in you after that and get pulled in more when you rapped into the microphone to show him an example with an random beat he gave

- He can’t help but raise a brow at you sometimes when you rock up to the studio and wait for creativity to strike, usually spending all night to work on your music he gets worried sometimes and tells you to relax and have some fun with him at the Techno reef Parties

- He would definitely make beats for your song and let you freestyle your way with the music he had given you.

- He love sit when you rap especially when you insult someone in an rap battle he finds it funny to see your smirk or smile

- He loves when you write and perform some of your rap songs or hip-hop music.

- He hates how your genre was criticised though sometimes… scratch that he hates when anybody discriminates and insults someone’s genre or music (it’s technically their race in Trolls)

- He loves you with all his heart but can’t help but notice how you and Prince D would vibe to hip hop together and rap he’s jealous of your bond since your technically in the same music genre even if your appearance was different your genre was the same

- Trollex though loves when you share your earbuds/headphones with him to show him some New rap songs or hip hop music you enjoy fucking falls in love with you all over again

- He had tried rapping once since you begged him to do it he was good like REALLY GOOD

- That mother fucker was good at it… not as good as Bruce though that man could go off (Bruce is VA is the guy who played my favourite character in Hamilton Marquis de Lafayette and Thomas Jefferson. NEHGEHE)

- He glows and has an bigger smile when you praise him as he quickly tackles you into an hug and snuggle into you which leads up to you holding him close to your chest and rubbing his back as he sleeps on your peacefully

- Trollex can’t help but admire how you hold your mic and go off at anybody or just have fun with it

- He loves how you send out messages through your rap speaking up and talking about issues and your own experiences while on stage.

- You know how I said he makes your beats? Well you also come by to his place and surprise him with an rap you wrote out of boredom without realising and asked if he could help make an beat for it

- he did and it was sold so fast 😭

- Trollex loves when you sing normally though even if you rap all the time he loves when you just sing in an slow pace and wants to dance with you slowly even if both of you were used to the loud techno and hip hop music

reblogs + comments are appreciated ⸜(｡˃ ᵕ ˂ )⸝♡

©brights-place 2023 — do not repost on another platform, copy, translate or edit my works! if you fit my DNI list please don't interact

[dokidokitsuna]

Felt like showing off the "redesigns" of the Grand Festival outfits that I did for my most recent Today's Work video. I just wanted to see how they'd look with some colors on 'em...and they are nice. ^^ Of course, if/when I do actual redesigns, they'll be a lot more effortful than this...

I've been enjoying the Grand Festival so far, I think. Walking around the grounds and listening to the concerts is surprisingly mesmerizing; they really nailed the ambiance. ^^ It was fun scrolling Twitter during my lunch break yesterday and watching everyone scream about the merch (that they can't have) and the idols (that they've already seen performing a million times before). ^^;;; If there's one defining feature of Splatoon's fanbase, I'd say it's unbridled joy and enthusiasm~.

I think it also goes to show that building an intricate, believable 3D environment can do a lot to make players feel immersed and included, even if they can't really interact with anything. The "Cheer" and "Bounce" etc. options are also great examples of 'a little goes a long way'; they're extremely cute. ^^ I wish we had them for earlier Splatfests...

There's just one little detail of this celebration that nags at me though, to be honest...Splatoon composers, blink twice if you need help. (⊙_⊙;;;)

When I realized that they did new arrangements for the concert performances, AND some of the in-game music, AND the victory and loss music...I began to feel something I call 'consumer's guilt'. :/

Like, of course we should get lots of special music for the Special final Splatfest, but it's been like this for the whole 2 years...special music for every holiday Splatfest, special music from the splatbands for the new seasons, random single drops from the idols throughout the year, dozens of tracks just for Side Order...considering the amount of time and effort that goes into composing and producing just one song it's hard for me to believe that they've had any time to rest, or even to just work at a reasonable pace.

It's only natural for this constant demand for content to take a toll on the quality of their work, and I feel that it has...interestingly, though, I feel the lowest-quality tracks are the earliest ones. '_' Like, splatoonwiki.org has a music page, where the music for each game is separated into sections...and the Multiplayer section for Splatoon 3 is the only one that I have no interest in opening. That is to say, the music we hear most often, while playing the main attraction of the game itself, is in my opinion 90% forgettable slop.

Back when the unofficial soundtrack first came out and I listened to the first 2 hours during a long commute, I remember being really disappointed that not even one C-Side song resonated with me...and the rest to follow weren't much better. To this day, every time some Splatoon battle music gets stuck in my head, it's always something from 1 or 2 (i.e. the games I never played ^^;) I can't even recall what 3's battle music sounds like on command...I hear it every day, and yet it all just slides right off my brain. Even the tracks from established splatbands...none of their 'new' stuff hits the same.

If I had to guess, the composers knew very far ahead of time all the stuff they would have to do, and decided to rush through the generic squid-rock to focus on the interesting stuff. If I had both Deep Cut's and C-Side's music on my schedule, I know which one I would want to devote the most time to. And if I had to develop a totally new sound for Free Association (the entity responsible for the music in Side Order, reflecting its surreal techno-industrial vibes) and H2Whoa (a random new splatband that only exists to ring in Drizzle Season 2023) I know which project would be more interesting to me, and inspire more creative choices.

...In a perfect world, though, ALL the music could be of similar quality and creativity, because they wouldn't have to make so much so often! >_< I mean, I know music is central to Splatoon's identity (it's what got me into the series in the first place) but I feel like things are getting out of hand...something about this constant deluge of new music doesn't feel sustainable. I've seen composer burnout before, and because music is so important to this franchise, I'd hate to see it happen here...

[iwillstabyou]

I have a confession.

As my delightful mutuals probably know, I am Swedish. I am a proud Swede. I live in England though, hence the language (men jag förstår lite svenska också). Therefore, naturally I was happy when my homeland triumphed in the Eurovision Song Contest 2023, mostly because my Swedish relatives FaceTimed me to celebrate the win and they were well and truly LEATHERED (and trust me, that is the truest form of entertainment).

As I’ve mentioned before, us Swedes are fucking FERAL when it comes to Eurovision, so the euphoria of the success coursed through my blood like opium. But much like opium, it skewed my perception of things. It blinded me to the true injustice of it all. It rendered me unable to recognise the truth: the fact that the true winner - Käärijä - was robbed of the title he truly deserved. His act had all the things that Eurovision is about: neon outfits fit for a dr Seuss character, lyrics that seem nonsensical but actually have meaning (and bonus, it’s not a depressing meaning), techno-metal mixed with a highly contrasting genre, slutty backup dancers, singing in Finnish, weird staging, etc. I could go on forever.

The point is, Käärijä slayed. He slayed hard. He slayed harder than Loreen could ever dream of. And I may not have registered it at the time, but looking back now, I realise that from the very first time cha cha cha blessed my ears, I was rooting for Finland, despite my Swedish bloodline. In fact, now I can admit that the aforementioned ‘euphoria’ I felt as the win was announced, was shallow. Deep down, I was actually disappointed. The more I think about it, the more I realise that our ‘win’ was a meaningless feat, fuelled by a jury of so called ‘experts’ who are probably mainly boring old sods with a poor music taste (not like that’s a new revelation - this is Eurovision ffs).

And because of that, I can now fully accept that the only real true winner of Eurovision Song Contest 2023 is Finland. So Käärijä, I speak on behalf of all Swedes (yes, all of them. The ones that disagree just aren’t as self aware and haven’t come to this conclusion yet. They’ll see the truth soon enough. Except for maybe Loreen, which is fair enough) when I say that we collectively give YOU the official title of “Eurovision Song Contest 2023 winner” that you so deserve. We didn’t want it anyway. We have ABBA, it’s not like we can ever beat that.

Congrats on the win, Finland!

[rivetgoth]

New Releases of 2023

Was waiting until the last few stragglers I was excited for were released lol but here is my list of LPs, EPs, and singles that dropped this year that I adored. I am probably missing some! But I’ve TRIED to keep it somewhat consistently updated. Just for fun, asterisks are next to artists I also saw live this year 🖤

I loved this year for music. Some absolutely insane new songs and albums this year.

Albums & EPs:

January 20: Ladytron — Time’s Arrow (synthpop, electronic)

*February 3: DIN — Up (synthpop, electronic, house)

March 24: Debby Friday — GOOD LUCK (dark electronic, industrial hip hop, darkwave)

*April 7: Shrouds — Grimoire (post punk, goth rock)

*April 21: Lead Into Gold — The Eternal Present (electro industrial, dark electronic)

*April 28: Male Tears — KRYPT (darkwave, EBM, dark electronic)

April 28: Bellwether Syndicate — Vestige & Vigil (darkwave, post punk, goth rock)

*May 11: Madeline Goldstein — Other World (synthpop, darkwave)

*May 12: IAMX — Fault Lines1 (dark electronic, darkwave, electro industrial)

*June 2: Puerta Negra — Playa Sola (EBM, electro industrial)

*June 3: ¿La Pregunta? — EP 2023 (EBM, electro industrial)

*July 28: MVTANT — Low Culture Metal Bodies (electro industrial, EBM, dark electronic, darkwave)

August 22: Patriarchy — Forcefully Rearranged (remix album) (dark electronic, electro industrial, darkwave)

*August 31: Hallows — A Quieter Life (darkwave, dark electronic)

*September 15: Sextile — Push (electro punk, electro industrial, techno)

September 15: Nation of Language — Strange Disciple (synthpop, new wave)

*September 22: Choke Chain — Mortality (EBM, electro industrial)

October 27: King Gizzard and the Lizard Wizard — The Silver Chord (neopsychedelia, synthpop, disco)

November 3: Deceits — If There’s No Heaven… (darkwave, post punk, goth rock)

November 8: Panther Modern — Deluxe (techno, dark electronic, EBM)

December 7: HEALTH — RAT WARS (dark electronic, electro industrial, noise rock)

Singles (not otherwise on albums):

*May 19: Harmony Index — Rainbow’s End / In My Dreams I See You Again (synthpop, trip hop, indie)

*August 9: Void Palace — Machine of Vision (EBM, electro industrial)

August 15: Vision Video — Normalized (darkwave, post punk)

*September 21: Pixel Grip — Bet You Do. (darkwave, EBM, industrial pop?)

*September 22: Sacred Skin — Bitter Heart (dark synthpop, darkwave)

October 6: I Speak Machine — BRING ME THE GIRL (dark electronic, electro industrial)

October 10: Grizz — Frightening, but blissful (darkwave hip hop)

October 20: Sleek Teeth — Gone (darkwave, EBM)

*December 13: TR/ST — Robrash (darkwave, dark electronic)

Artists w/ Multiple Singles:

*Catherine Moan Singles (synthpop)

January 13: Pavement 2

August 17: Jawbreaker

October 27: Undo Undo

*Some Ember Singles: (darkwave, New Romantic, dark electronic)

March 9: Love Comes Quickly

May 20: Touch

December 7: Pendulum

*Touching Ice Singles: (dark electronic, techno)

May 5: There Is So Much Pain in the World / Praise Kink

November 29: Jersey City / 2k14 soft grunge 

*Male Tears Singles: (dark electronic, EBM, darkwave)

July 7: sad boy, paint my nails

July 28: Switchblade

August 4: in this house

August 25: you are your posts

September 29: delete this conversation

October 1: IF YOU WANT, I’LL LET YOU

Bootblacks Singles: (darkwave, goth rock)

September 23: Forbidden Flames

December 1: Wilderness

[burlveneer-music]

Kyoto Jazz Massive & Echoes Of A New Dawn Orchestra - KJM EOANDO ~ KJM 30th Anniversary Edition - "Power" (ft. Vanessa Freeman) has all the makings of a disco classic, and an inspirational message for these dark times to boot

Kyoto Jazz Massive delivers this brand new EP, 30 years after their debut ! A first and exclusive KJM collaboration with Echoes Of A New Dawn Orchestra (aka Jéroboam), the very special Parisian band who's been performing with KJM live in Europe for the past two years. On this occasion, KJM recorded four new tracks with EOANDO, including three new songs ("Power", "Love Wars", "Impulsive Procession") and a rendition of "Stand up", a previously released composition. To complete the album, you'll find a stunning cover of KJM's biggest hit "Substream" by Echoes Of A New Dawn Orchestra and their signature song "EOANDO's Theme". "Power" and "Stand Up" were recorded with Vanessa Freeman and "Love Wars" with Bembe Segue. The London based duo have been singing for KJM live since 2004. "Power" is crossover music, blending jazz funk and French disco with a gospel flavour. Vanessa Freeman’s uplifting lyrics appeal to people’s consciousness, bringing energy to the audience. "Impulsive Procession" melds many genres, Afro, funk, jazz, fusion, soul, rock, house and techno, inspired by several of KJM’s most respected music legends. "Love Wars" is a live band rendering of broken beats with a boogie feeling featuring Bembe Segue’s edgy spiritual vocals. A new version of "Stand Up", originally released in 2008, has been re-recorded with Echoes Of A New Dawn Orchestra playing live in the studio and fresh vocals laid down by Vanessa Freeman. "Substream" is one of KJM's most popular songs, covered by Echoes Of A New Dawn Orchestra for Tokyo Crossover/Jazz Festival official compilation “Tokyo Crossover Night 2023”, which was recorded as an organic disco version at Danilo Plessow’s studio in Paris. Closing the album is "EOANDO’s Theme", specially composed by Echoes Of A New Dawn Orchestra for KJM. They understand how much the Okino Brothers love this kind of boogie funk jam with brazilian/balearic vibes. 

[camerongrn]

starfucker - slayyyter

the 2nd studio album of hyperpop icon slayyyter, 'starfucker' was released throughout 2023 and is undoubtably one of the best hyperpop inspired albums of this century. this album delves into 80s inspired electronic music taking clear inspiration from her previous work and other much more sensual 80s-like tracks of her peers. slayyyter explores a dramatised view of hollywood, highlighting the cultures surrounding drugs, fame, and vanity. the old hollywood aesthetic surrounding this album is one of its key selling points, and pairs extremely well with its musical contents.

as mentioned, hollywood is the driving narrative of 'starfucker', slayyyter relies heavily on those tropes of glitz and glamour of both old stardom as well as current stardom. the themes of this album feel like they're lined with a slight tint of narcotics; this pairs well with the techno inspired instrumentals. the album teeters between these mellow and sensual songs and these high-energy and electro-inspired songs; i love this. this contrast really keeps the album interesting and really accentuates the duality of fame.

my favourite track is 'i love hollywood', the opener off the album's standard version provides the listener with a clear introduction to the themes explored within the album. this satirical dance-pop track explores an exaggerated portrayal of the glamourous and hedonistic lifestyles associated with that coked-up hollywood setting. the tongue-and-cheek lyrics are the song's highlight: "and i've never done a drug; i've never done drugs in my life; you're doing coke right now". it is such a great album opener.

overall, 'starfucker' is such a great introductory album if you want to get into that hyperpop realm of pop. it drifts away from THAT traditional hyperpop sound, however tracks such as plastic and purrr really explore that. the ironic themes of the album really tie it together amazingly, it is such a good portrayal and discussion of that glamourised hollywood lifestyle; both new and old.

favourite track: i love hollywood

least favourite track: tear me open

spotify link: STARFUCKER (Deluxe) - Album by Slayyyter | Spotify

★★★★★ 5/5