#new radio shows

[zibus]

@janmisali I wonder if its in Esperonto.

[fairylando]

the other teammate is mad??? HE is mad???? entitled much and for what. if the scuderia actually did its fucking job carlos woud've had at least p2???? this whole team is a fucking joke THANK GOD WE'RE ALMOST FREE! FUCKING CALVARY?!!!!

[devilledeggz]

i just watched the truman show, and i am feeling many things- shoutout to narratives within narratives as a metaphor for how sick our concept of entertainment is, and the concept of free will shout out to 4th wall breaking, shout out to metaliberation, shout out to alternate timelines. characters trapped in the narrative i love youuuuuuuuu <3

[retrotenn]

🪲ANNOUNCEMENT🪲

TOMORROW MY RADIO SHOW IS GONNA BE SO SPOOKY HALLOWEEN AND I WILL ALSO BE JOINED BY WEEVILDOING AN AWESOME PRODUCER !!!!

we talk about candy and seals and miku… its so epic…and scarryyy!!!!

tune in from 11:30pm est tomorrow, ⛓️‍💥 below the cut 😆

main streaming link : https://wnyu.org/

alternative streaming link : http://cinema.acs.its.nyu.edu:8000/wnyu128.mp3

https://wnyu.org/

[ruby-static]

This is what investigating weird radio signals does to a mf-

Recently wrapped up Dead Money, and I am ready to make it everyone’s problem. This dude is NOT coming out okay.

[alternatemarvel]

The imagery of Alastor first seeing Lucian/Lucifer in Lucid Dreams of New Orleans has been stuck in my head for a while now. I’m still struggling with the lighting doing everything but what I want it to. Hopefully it did the scene justice @radiaurapple.

[hotdaemondtargaryen]

SATURDAY, 3RD. EWAN MITCHELL WILL BE INTERVIEWED FOR THE BBC RADIO 4 SHOW CALLED “LOOSE ENDS.”

THE EPISODE WILL BE AVAILABLE FROM 6.15 PM UK TIME ON.

[richardarmitagefanpage]

Author and actor Richard Armitage has a wee try at a Scottish accent

There’s more on The Afternoon Show on BBC Sounds

🎥: bbcradioscot

[elennemigo]

Listen Benedict in conversation with Zoe Ball on BBC Sounds! (he starts giggling at the back at 2:04:34 😂) Available for 29 days.

Also a couple of clips from the show shared on her IG (the karaoke anecdote is not to be missed!😁)

[thisdayindnphistory]

i can’t lie im kind of disappointed that the phagenda wasn’t a podcast. i am CRAVING d&p to be back and ingrained into pop culture the way they were at the bbc interviewing people left and right. like imagine the gay ass clips and the crazy stories that would float around on a regular basis right now if they did a podcast. im busy so watching a long gaming video is a luxury i rarely get nowadays but a phodcast? PLEASEEE

but they’ve toured 3 times already so they know it’s easy money and is bound to be successful so I respect them for chasing their bag i guess

[janmisali]

hi usawi

[ourtalechara]

[tomorrowusa]

It's the media, stupid!

No, I'm not talking about specifics of various news media outlets or nitpicking about particular stories or attitudes. The problem is the vast overall state of the media environment in the United States.

Kate Riga is on target with her blog entry at TMP. (emphasis added)

Democrats Just Can’t Compete In This Media Environment

[T]here’s one leading factor that Democrats absolutely need to respond to as quickly as possible to avert this kind of electoral disaster in the future: the media environment unequivocally favors Republicans. We don’t have a ton of data yet, and much of it is partial. But we can already tell that Harris performed best — that is, underperformed least — in the battleground states. In the places where her campaign flooded the airwaves with her messaging, put her on TV shows and radio stations and in local newspapers, scattered driveways with information flyers, positioned her beside local celebrities, she improved on the repudiation of Democrats that infected nearly every other state. In other words: In the states where she set up a temporary but pervasive media apparatus, she negated some of the nationwide drag. That speaks to the reality that most of the country is awash in right-wing propaganda all the time. For the olds, it’s Fox News and conservative radio; for the youths, it’s the right-wing manosphere podcasts and streams that Trump so assiduously courted all campaign long (plus soothing TikToks promoting retrograde gender roles, evangelical values and distrust of government regulation — think the trad wives and crunchy so-far-left-they’ve-looped-around-to-the-right content — aimed specifically at women). It helps explain Biden’s prodigious unpopularity, despite passing a ton of legislation that not only polls well, but has meaningfully improved people’s lives. It helps elucidate the consistent claims that people don’t know what Harris stood for, before and after she released her policy proposals. It’s a playing field that Republicans not only dominate; Democrats don’t even compete. They still depend heavily on traditional media sources that simply don’t operate the same way these right-wing PR arms do. And we know that these forms of media are powerful; they reach tons of people, and are seen as useful enough pawns that Russia has invested in some of them. This isn’t a novel observation. The Obama alums who started Pod Save America and the greater Crooked Media family did so after Trump won in 2016 specifically to try to build up a Fox News of the left. There are structural problems with mimicking this right-wing content beat-for-beat. The Pod Save guys, while open about their political allegiances, often criticize the party and its politicians. It would be much more difficult to recreate the fawning adoration of Donald Trump Fox News and those podcasts produce for, say, Joe Biden on the left. It requires creativity and investment, but I think Democrats and those aligned with them could do it. Voters say over and over that they prefer Democratic policies — even Republicans often vote for them when they’re standalone ballot initiatives. It’ll require a cultivation of talent, a saturation of these spaces, finagling how to wrest back the counter-cultural bad boy persona from those who are espousing a way of life most people consider retrograde, confining, divisive and exhausting, not to mention solely in service of the plutocratic elites that run the party. Obama was such a revelation because he hijacked technology in a way that was new and exciting for people, and it helped him micro-target low propensity voters. Trump has since taken that mantle. In the two and then four years ahead, Democrats have to find a way to get in people’s eyes and ears, to figure out how to make an affirmative case in these spaces that people would likely respond to if they were exposed to it.

It's not just Fox News – which is bad enough by itself. There are the rightwing talk radio stations dating back to the 1980s. They joined Christian fundamentalist stations which had been pushing social conservative positions since the 1930s. And now there are countless bro types who talk rightwing shit for hours at a time on their podcasts.

Apart from Obama's skillful use of social media when it was still new, Democrats have fallen behind with digital media. Most recently, Elon Musk bought Twitter simply to use it as a propaganda machine. Facebook and its sister sites like Instagram use algorithms which promote rightwing talking points.

There had been attempts to set up liberal talk radio. But they have been sporadic and met with mixed success. Al Franken set up a liberal radio network called Air America Radio in 2004. But it had only modest reach on mostly medium powered stations and ultimately filed for bankruptcy during the Great Recession.

We need to increase our news and information footprint in a major way and on multiple media platforms – and fast. Obviously that takes money and business talent. So if you find yourself next to Mark Cuban, Bill Gates, or Michael Bloomberg on a flight or in an elevator, have your pitch ready. If that doesn't happen, we need to start raising money on our own. Nobody said that freedom is free.

[jbaileyfansite]

Matt Bomer and Jonathan Bailey discuss Fellow Travelers's sex scenes on Radio Andy

[sunburnacoustic]

Dom news— a couple of weeks ago, Dom was invited along with his friend Andy Burrows, who is the illustrious drummer with the 00s indie band Razorlight (now reunited with their classic lineup), for an interview with BBC Radio 2’s Edith Bowman, who was sitting in on Jo Whiley's show, obviously to talk about the new Razorlight album Planet Nowhere since that’s just come out. Edith also knows Andy personally, she’s been interviewing the band for the last 20 years, and also is married to Tom Smith from Editors, who is also in a creative project with Andy called Smith and Burrows. So Edith is super casual and comfortable with them, and when Andy showed up for the interview, she mentioned that the original idea was for him to bring his friend and fellow drummer Dom Howard from Muse along: they had been hanging out and watching a film the previous night, and at the end of it, Dom had just gone, you know what, naaaahh; and decided not to come in with Andy the next morning.

I meant to clip that and post it here, since the interview is only available for the next 1 week or so, but my laptop has decided to die so tragically to the point where I could not edit and submit my radio show yesterday (annoying and tragic the way things can suddenly decide they don't want to work when 12 hours ago they were fine). So I am stuck at the moment. Anyway, you lose nothing because there was indeed no Dom present. Or we may have had a question or two about what's going on with Muse right now.

Here's the listen back link for the next few days. If someone else wants to clip the audio the interview starts around the 40-minute mark and ends at 1h10m-ish, they mention Dom around the 44th minute and at the end, where they cracked open a soundtrack vinyl on air and dedicated that to Dom, so there.

[talesyettold]

2048 AM Voices in the Wood: a new miniseries from Tales Yet Told

Tales Yet Told is thrilled to announce a brand new actual play coming this August, set in the Sublime–the setting of their series Strangers in the Wood. 

2048 AM Voices in the Wood is a five-episode mini-series following 5 broadcasts of a student-run radio show in a dystopian world, where “everyone has a place” and those who don’t like their place are cursed to transform into animals. 

Mixing the elements of DIY music, body horror, and TTRPGs, Voices in the Wood explores the anxiety, frustration, and fear of what it’s like to realize that the world you live in isn’t as “great” as those in charge would have you think while also exploring what it means to find hope and community amongst the chaos.

Voices in the Wood is an immersive listening experience using the framework of the Ennie Award-winning TTRPG: VOID 1680 AM–featuring an incredible cast of 17 powerful and diverse voices from across the actual play space, such as Josephine Kim (GUDIYA), Barnaby (Unprepared Casters), Sea Thomas (Transplanar), and many more. The series also showcases a soundtrack consisting of 28 independent, genre-spanning bands and musicians, such as We Are The Union, American Television, and Missouri Surf Club.  If you're sold and want to try our show, you're in luck! Ep 1 - 'I Don't Know Who Is Doing This' is available to listen to now!

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