#new poster just dropped!

[a-very-sparkly-nerd]

YO?!?!

[luckybunny555]

Timebomb fans going crazy rn

[crystallakec]

unfollow me right now because invincible season 2 teaser trailer just dropped and I'm afraid of the person I'm going to be for the. next 3 weeks

[waketoearth]

en-o'clock 20 !

[orcelito]

Actually is there any cure to feeling like I'm a failure of a person if I don't keep posting fic regularly. Like I know this is not a job or anything. It's just for fun. But with how most people comment only within a day or two of when something is posted, I end up with weeks and weeks of no comments, even when the hits on my works still go up, so it makes me feel rather forgotten.

Like idk. This is probably just feeling worse bc im apparently phenomenally neurotic today. But I wish people commented on older fics more.

[nextstopwonderland]

aew taking Bryan off a poster in November and replacing him with CC and me trying to be completely okay about this and failing 🙃

[demonwebs]

our kind ruler @ban1te did the kindness to donate me a new url so i may never again be known as sweb, so if my url looks different it's bc it is. vote for gortash kids gnight

[lexyscross]

First official Five Nights At Freddy’s poster!

(via Jason Blum’s Twitter)

[siniov]

pflp — october of glory // أكتوبر المجد

[maximumzombiecreator]

It's often remarked how D&D 5e's play culture has this sort of disinterest bordering on contempt for actually knowing the rules, often even extending to the DM themselves. I've seen a lot of different ideas for why this is, but one reason I rarely see discussed is that actually, a lot of 5e's rules are not meant to be used.

Encumbrance is a great example of this. 5e contains granular weights for all the items that you might have in your inventory, and rules for how much you can carry based on your strength score, and they've set these carry capacities high enough that you should never actually need to think about them. And that's deliberate, the designers have explicitly said that they've set carrying capacity high enough that it shouldn't come up in normal play. So for a starting DM, you see all these weights, you see all the rules for how much people can carry or drag, and you've played Fallout, you know how this works. And then if you try to actually enforce that, you find that it's insanely tedious, and it basically never actually matters, so you drop it.

Foraging is the example of this that bothers me most. There's a whole system for this! A table of foraging DCs, and math for how much food you can find, and how long you can go without food, etc. But the math is set up so that a person with no survival proficiency and a +0 to WIS, in a hostile environment, will still forage enough food to be fine, and the starvation rules are so generous that even a run of bad luck is unlikely to matter. So a DM who actually tries to use these rules will quickly find that they add nothing but bookkeeping. You're rolling a bunch of checks every day of travel for something that is purpose built not to matter. And that's before you add in all the ways to trivialize or circumvent this.

These rules don't exist to be used, that is not their purpose. These rules exist because the designers were scared of the backlash to 4e, and wanted to make sure that the game had all the rules that D&D "should" have. But they didn't actually want these mechanics. They didn't want the bookkeeping, they didn't care about that style of play, but they couldn't just say, "this game isn't about that" for fear of angering traditionalists. And unfortunately the way they handled this was by putting in rules that are bad, that actively fight anyone who wants to use that style of play and act as a trap to people who take the rules in good faith.

And this means that knowing what rules are not supposed to be used is an actual skill 5e DMs develop. Part of being a good 5e DM is being able to tell the real rules that will improve your game from the fake rules that are there to placate angry forum posters. And that's just an awful position to put DMs in (especially new DMs), but it's pretty unsurprising that it creates a certain contempt for knowing the rules as written.

You should have contempt for some of the rules as written. The designers did.

[jonsnowunemploymentera]

I won’t start doomposting yet….but Gojo and Sukuna wasn’t just a clash of the strongest but also two opposing world views in a way. But now we have the prospect of Sukuna’s being validated and Gojo being the victim of that, which is erm…..

[ramelcandy]

PEPSI

They’re just dropping these beautiful ass posters while I’m already dead

[lackadaisycats]

Just gonna drop this whole thing here, since it's a shortie.

Lackadaisy Animation is on YouTube

Find the new poster art in the LackadaisyShop!

[synthient]

2nd watch, a few new details:

On the first watch, I was like "of course Owen couldn't go with Maddy the first time, her mom had cancer :(". But this time I caught that Maddy went missing "a few weeks" after Owen's mom died. Owen had nothing left to stay for. Maddy probably waited around for those extra weeks, just in case Owen had a change of heart. And yet,

The first time we see the dress flashback, it's through what seems like a relatively objective perspective. The second time we see it (as they walk to the grave), the memory has taken on the vhs-fuzz and aspect ratio of the pink opaque tapes. The real becomes unreal, an impossible fantasy, "kid stuff"

Happened to see a captioned screening this time, and the Tara from the streaming version is described as "Fake Tara."

The tv guide page Owen finds by the electrical field is for "season 6, episode 1: Escape from the Midnight Realm"

Mr. Melancholy and Maddy's ex friend who accused them of dykery ("like a secret agent sent to ruin my life") were the same actor

All the school hallway motivational posters are thematically relevant, but this time I caught the "the only easy day is yesterday" and "courage: without it, no other virtues matter" ones

You can see the emotional shifts between Owen and Narrator Owen in real time (ie, Owen looking distraught as the firefighters surround Maddy's tv, then dropping the expression and looking coolly into the camera as she starts to narrate again)

There's an interesting recurring thing where audio from the near "future" plays over footage from the "past." ie, we hear Maddy's planetarium monologue, while we watch Owen still walking to the school to meet them. Something about time not working right, something about Owen playing back memories that already happened, something about inevitability and walking down a path with a fixed ending

Void High School, or VHS

[pathologicalreid]

central nervous system | s.r.

in which you are drugged on what should've been a routine case

margovember

who? spencer reid x fem!reader category: angst; hurt/comfort content warnings: being drugged, threatened sexual assault, season 10, blood, broken glass, in a bar but reader doesn't drink, jareau!reader. word count: 1.7k a/n: oh dear. this week was so eternally long. work was crazy busy i worked overtime and almost ended up in the hospital which all led up to me taking the lsat today. crazy shit, but margovember will prevail. also! i'm hoping to get masterlists updated tomorrow if that's something you've been waiting on.

“I don’t think I’ve seen you around here before,” an unfamiliar voice intrudes on your private thoughts, looking around the bar that you had been planted in to see if you could catch your UnSub before he had the chance to attack someone else.

He sets a glass in front of you, and you drop some cash on the wooden surface, you shrug, “I’m in town on business.”

The bartender laughs heartily at your response before shaking his head, “Sorry. I’m sorry. It’s just—that’s a line I hear a lot.”

Your face warms at the recognition that the bartender was flirting with you, but this is a man who gets paid to be nice. You take his words at face value and sip at your drink, “Well, I have no reason to lie to you,” you squint at his name tag, “Jackson.”

He wipes down a spill, hooking the rag over the sink, and smiling at you, “Well, it’s nice to meet an honest woman.”

Following him with your eyes as he walks away, that last comment rubs you the wrong way, but Jackson Gleason was the bar manager, and Garcia had already cleared him from the suspect list.

You find yourself wishing Hotch had sent you into the bar with an earbud to communicate with the team, but instead, you were handed a phone, preprogrammed to alert the team if you hit the power button. There was a plainclothes officer somewhere in a corner to keep an eye on you, and the rest of the team was at the precinct or in an unmarked van outside.

Kate had coached you to the best of her abilities, but this wasn’t your first time going undercover. Catching serial rapists was more her speed, but she was pregnant, which immediately took her out of the running. Sipping from the thin straw in your glass, you let your eyes wander around the bar, antique posters and advertisements are littered across the walls, and someone just started playing Radiohead on the jukebox.

Eyeing the phone in your purse, you sigh, stirring the ice in your cup listlessly.

“Can I get you another? Maybe something stronger?” The manager offers, returning from the employees-only door with a new package of straws to restock the bar.

You shake your head, holding your empty glass out of him to take, “The same thing is fine.” Ignoring the fact that you don’t drink—you couldn’t drink on the job; all you’d been given was a coke.

He raises his eyebrows at that, “Suit yourself,” he says, ignoring the fact that you were trying to hand off your already dirtied glass to him and filling a clean cup with ice and coke.

Brushing it off as company policy, you thank him for the drink, placing another few dollars on the bar and smiling at him. Over your shoulder, you glance at the plainclothes officer, engaging in an animated conversation with another patron over whatever sports game is playing on the TV. You suspect he’s a little too good at pretending to be off the clock.

You make a face at the straw in your glass, and the bartender notices, “Sorry, just ran out of plastic.”

Taken aback, you use the paper straw anyway, sipping at your drink while you still can—knowing the straw will inevitably disintegrate.

It doesn’t take long for you to notice something wrong, a dull ache in your chest exacerbated by a slight rise in your body temperature. Your fingertips feel hot like they would after coming inside from the cold. You look down to find the emergency phone in your purse, but your head droops with your eyes, every controlled movement before a struggle.

“Hey,” Gleason says, jutting his chin in your direction, “You don’t look so great.”

A different version of yourself would’ve given him snark in return, but that different version of yourself would’ve been able to feel her extremities. “Woah,” You breathe, trying to swing your legs off of the stool only to find that you’re much higher from the ground than you initially thought.

When you lift your head again, whipping it back so hard you’re afraid it might fly off, he’s standing directly in front of you, “Why don’t I take you out back? You can get some fresh air,” the offer is innocent enough, but it rubs you the wrong way. His hand is on your waist, at the very least you know that’s wrong—you have a boyfriend, and it’s not this guy.

No, your boyfriend is outside of the bar in a van, waiting for your signal because you’re… oh. “No,” you whisper, trying to get your breathing under control. “I’m— Where’s my phone?” You’re digging through your purse as he stands you up and guides you to the back of the bar, closer to a large exit sign.

Sirens are going off in your head, but even they sound separated from your situation. “I can call a cab for you,” he assures you, leading you by your arm and closer to the back door.

“No,” you say again, “I really need my phone…” his grip tightens on your wrist, practically dragging you out of the bar while you use your free hand to find your phone, pushing the power button before it slips out of your hand, clattering to the ground. “That really hurts,” you tell him, now able to give more of your focus to evading the man who was most decidedly not Jackson Gleason.

Pulling your arm back, you manage to break free from him, the momentum from your struggle sends your hand flying into a picture frame, shattering the glass and causing the UnSub to spin on his heel. “Look at what you did,” he seethes, gripping your hair at the back of your head and forcing you to look at the shattered glass.

Your mouth gapes at the sensation of your hair being pulled until there’s a rush of cold air and he pushes you forward, into the waiting arms of someone else, “Woah, hey, I’ve got you,” Spencer says, keeping you off of the floor and, with the help of someone else, carrying your dead weight over to one of the booths.

Spencer clambers into the booth seat first, seating you in front of him so that your back is pressing against his chest. You let out a low groan when he wraps an arm around your waist, keeping your body from flopping onto the sticky hardwood.

“Do you know what you took?” He asks, pressing his face into your hair so that the two of you can keep your voices down.

Vaguely aware of the way his fingers are pressing into the pulse point on your wrist, you shake your head, “I didn’t take anything.”

He hums in response, “You were drugged. I— I’m so sorry we didn’t realize who it was sooner. By the time we realized there was a discrepancy in Jackson Gleason’s file, you had already pushed the alert button,” he tells you, being careful not to move around too much. “Can you lift your head for me? It’ll help your breathing.”

With tremendous effort—and some help from Spencer—you lift your head, letting it rest on him. Now, you can see that the majority of the bar has cleared out, Rossi watches you nervously from the bar, telling Spencer something about paramedics. You huff, “Where’s JJ?”

“She’ll meet us at the hospital, love,” he answers you, pressing a gentle kiss to the side of your head.

Trying to adjust yourself, you shake your head indeterminably, “No, it’s… I need my sister. I need my sister.” Somewhere—a past version of yourself, perhaps—you knew that JJ was at the hospital, speaking with one of the survivors.

Spencer speaks with someone that you can’t see, they’re standing in your periphery, a mangled blur of a person. Moments later, something cold is pressed to your face, and the sensation makes you jump, “Ow,” you whine, though it doesn’t hurt.

“Ducky?” Your sister’s voice rings through the phone, and you’re surprised to hear her using your nickname. Although, your status as JJ’s little sister tends to come through when you’re hurt.

You hum into the receiver, “Hi, J,” you greet wearily.

A sigh of relief is her next response, “Hey, Derek said you’re waiting for the paramedics to take you to the hospital, and I’ll be here to greet you when you arrive. Does that sound alright?”

“It’s cold in here,” you mumble, wondering if Derek is the blurry shape remaining in your periphery.

There’s a pause on her end before she speaks up again, “I’m sorry, Ducky.” There it was again. “You’ll be okay though; you just have to wait it out.”

You nod as a jacket is laid out on your lap; Spencer must’ve heard you mention being cold to your sister. Your boyfriend whispers something to you, “Spencer says the paramedics are here and I can’t talk to you anymore.”

JJ laughs slightly on the phone, “I’ll see you when you get here, okay?”

“Yeah, J,” you whisper, letting someone take the phone from you. You frown at Spencer, “I don’t feel quite right.”

Helping you get on the gurney, Spencer holds your hand while an EMT wraps a blood pressure cuff around your arm, “He likely gave you a central nervous system inhibitor.”

You nod slowly, wrinkling your nose when the other paramedic shines a light in your eyes, “I am nervous,” you answer. Trying to listen to the medical personnel as they explain what’s going on, but it all goes in one ear and out the other. One of them crudely wraps a cut on your hand to staunch the bleeding, but you couldn’t even remember when it started to bleed.

Anxiously, you pull your bottom lip between your teeth. “Don’t bite down on your lip,” Spencer instructs, “You could bite right through it and not even realize.”

Releasing your lip, your eyes widen at him while he pulls a blanket over your shoulders. “That’s scary,” you whisper.

“I agree,” he says, leaning forward and pressing a soft kiss to your forehead, “It is scary.”

[saglaophonos]

good omens fanart account where every piece of art i very subtly draw aziraphale fatter and fatter until i am releasing art of peter griffin with blonde hair and neil gaiman reblogs it calling me “talented innit” and the post gets thousands of reblogs and most of the tags are applauding me for my #fat rep and the gigantic inflation kink aziraphale art is even featured on the tumblr sign up page