#negative animus

[fideidefenswhore]

philip making mary happy like she was 10 is a line i remember from her Children of England bio. so "for the first time since she was ten, when her father's eye had first lighted upon anne boleyn, she was truly happy." it's anne's fault again! so i guess weir wrote this novel from reading all her old books again, and not updating it with modern theories. which is kind of like endorsing herself.

also, she says mary had "dreams" about philip, "reliving the delights" iykwim. weird she changed that part.

the boleyn years are actually the only section of the book where weir imagined and wrote out long, extended, creatively reimagined scenes and conversations between characters; pretty much everything else, up till her marriage with philip, reads like a summary of events, either paraphrases or literal verbatim excerpts from her previous works. but, as she herself said in the author's note, the only piece of her life weir sympathizes for was her 'victimization' by anne boleyn; after that she says her sympathy for her is over (an objectively wild thing to say...no sympathy for the execution of her maternal surrogate in 1541? fr?). one gets the sense that the dialogue she gives mary concerning this is 100% what weir wishes she had said to her own father's 'other woman', that she never got the chance to say (tl; dr, revenge fantasy...i still have so many questions about that a/n...her mother was threatened with jail??)

she repeats the line about dreams; ('she was tormented by sensual dreams, in which [they were] making love'), however the actual portrayal of their sex scenes makes it explicit that she doesn't experience orgasm with her husband:

"this time she began to feel, in the core of her body, some tingle of response [...] but he was pressing on heedlessly to his climax and the moment was lost anyway."

and that is...the closest she ever gets.

she does this with her AB novel as well, which i just attributed to her hating her, because she portrays that in such a roundabout way...there's 'no alchemy' between her and henry (of like, all historical couples, this seems like a reach), and the evidence she could've used to support the choice (although, i think it's pretty clear now, especially from this A/N, where she says her own mother = coa, and this other woman in her own past = anne, that it was because she found it gratifying to write about anne suffering and unhappy and lacking pleasure in her life, again...revenge fantasy/transference) she dismisses (the 'vigor nor virtue' quote is a 'lie' from jane boleyn out of spite, anne even has the thought that it's 'not true'...?).

[haarute]

a friend of mine got a nice job and is moving to japan next month and it does get me thinking that Man, if i could, i would like to move to a different place like that if possible

[chaotic-minds-think-alike]

Finally finishing all these guys we’ve got charts and headcanons! (Long post)

(Height)

(Wingspan)

(Body length & basic shapes I used) (it might be odd but ignore any detail on the back, the shapes are for general body shape)

Headcanons:

Seawings: - Colors range from red and purple to yellow - Aquatic is based off areas of bioluminescence rather than singular scales (because no one wants to draw all of those) - Although they average small compared to the other tribes, gigantism is more common - Wing bioluminescence gene is always present but for some doesn't show, thus aquatic doesn't utilize the wings

Rainwings: - Can change the texture of their scales alongside color - Weakest bite due to their fangs, probably why they're vegetarian - Mimic interesting behaviors - Have forked tongues

Mudwings: - Colors range from olive green to purple-ish red - Very resilient - Able to breathe fire regardless of body temperature, the heat of the flame depends on body temp - Their horns constantly grow and sometimes have to be cut due to dangerous growing patterns - Love gnawing on things, tough foods like jerky is popular - The horn covers of fallen siblings are harvested and turned into instruments to remember them by

Leafwings: - Colors range from gold to teal (and pink to olive green during cold seasons) - Can appear to have false eyes - Bug-like just like the other Pantalan residents (because they're just some weird outlier like what is going on here) - Leafspeak doesn't actually allow them to hear voices from plants but rather increase the sensitivity of their antennae which pick up on the changes in plants - In colder seasons, regions that have deciduous trees influence leafwings in that their scales change into warm tones similar to fallen leaves for camouflage but this also negatively impacts one's leafspeak ability; this doesn't apply to evergreen leafwings however

Hivewings: - Colors range from hot pink to olive green - Can appear to have false eyes - Have elbowed antennae just like their "cousins", Hymenoptera (wasps, bees, ants) - Tend to disregard personal space/get close out of habit, being close means better temp regulation and better communication - All hivewings have stingers, wrist stingers, and a venomous bite but it largely depends on preference of which they choose and like muscles, they can be exercised to become deadly weapons - They're not capable of "emitting a horrible stench"

Icewings: - Colors range from white to pale indigo - Melanism is still very rare but more likely in icewings - Can be iridescent in any color, especially visible in lighter scaled individuals - The scales on their face is very fine and is flushed with blood which darkens the area and allows them to see in the snow by absorbing light, otherwise the glare from the sun reflecting off would be a hinderance - Their wings are thin and thus have visible veins most of the time - Idk how to describe their scales other than its kinda like basalt formations - From the side they appear large but are actually thin and flexible - They can freeze to death if they've gone without cold for a long time and then reintroduced too quickly - In hybridization, they have dominant genes, partially because the animus gene - The extra mane of horns can appear randomly on the body in singular spikes, they also make a clink sound when they collide as if they're made of ice, making a pretty scary rattle when disturbed

Nightwings: - Colors range from orange to purple - Albinism is still very rare but more likely in nightwings - Dwarfism is more common - Teardrop scales are always present, highlighted when the dragon has powers regardless of type - Pitbull ready to bite kids - They CAN hang upside down as the books suggest but not for long - By taking dust baths, they dull their scales to reflect less light and blend in better in the dark - Have white fire but cant breathe for long due to how hot it is (this is mainly to add onto the mysterious factor of em and I always liked the idea) - Due to eye sensitivity, they hate sudden bright lights and will close their eyes as they breathe fire

Silkwings: - Can have black or dark accents but never as a whole body color unless they've hybridized - Wing shapes vary widely - Can appear to have false eyes - Flamesilk is rarer than one might think - Very flexible and have strong tails used as a sort of 5th limb in climbing - Albino or melanistic dragons still keep their iridescence - Silk is emitted through a spinneret on the chin rather than the wrists - Prefer to travel in pairs (instinct)

Sandwings: - Colors range from red to olive green - Dark patters often mimic a snake's - Horse-like in complexion - Alongside their snake-like appearance, they have pit organs - Tend to move like birds - Poor eyesight but good hearing - Their horns angle upwards sort of like a bull

Skywings: - Colors range from red to yellow (and green because skywings are meant to be your typical fire breathing dragon which is most often depicted to be red but can also be green) - Tend to move like birds - Weaker than they appear - Green skywings are incapable of being or having flamescales - Their horns constantly grow and have to be filed down - A flamescale cant melt rock or metal by touch alone, only via fire is it possible - It's not that they don't want flamescales that they kill them, it's more of a mercy killing because of how lonely their life can be

[originalwinnerfanfish]

Well, I did it

Megatron - I love his tfp design. Probably one of the best iteration of Megs. He is huge, heavy armoured, his face covered with scars… He doesn’t looks like an ordinary military leader who is only capable of giving orders, but like real warrior who can destroy any enemy with his bare hands.

So, in the WOF version, he definitely shares some features with Princess Burn, not only because of his might, but also because of his horns shape and dirty-dark scales (that absorbed blood of his enemies)

Starscream - Boy, I hate him so much 🤣�� but in the good way, trust me! In my opinion, when the show's creators make you feel such strong negative emotions towards a villain, it means they've done a great job. Also, I think that his animation in the show was absolutely incredible, because even though he's a 3D model, he still manages to move like a 2D character, which is amazing!

I feel that in my design he still looks more like a skywing, than an icewing (which is kinda logical)

Soundwave - This one was tricky. I couldn't figure out what his mask would look like, so I just made his face a really dark color. I think Soundwave has both gifts of the nightwings, and he’s equally great at telepathy and a future vision. So he doesn't really need equipment to predict enemy movements, which makes him an ideal communicator in the WOF setting. His Laserbeak is part of the armor enchanted by Shockwave, and it might also allow him to open portals (but I'm not sure with this one)

Shockwave - My favourite evil genius. He would definitely have animus magic and mind reading. I think Shockwave is the only one who has advanced the study of magic so far, precisely because he combined it with scientific knowledge and created safer methods of using it, that don't damage the mind. It's like if a Mastermind got animus magic in books.

I also like to think that he didn't heal the damaged part of his face just so that his enemies would fear him more)

Dreadwing - This man deserved better! It's really a shame that he was removed from the show so quickly due to financial problems. It would be great if his arc got a proper conclusion in season 3.

Considering that I didn't want to make him a hybrid, it was difficult to choose a suitable color palette. So let’s just say, that I tried my best😅

I don’t think that he would have any nightwing powers, but honestly it doesn’t even matter - this guy can make a bombs, what else does he need to be cool

Arachnid - Did anyone even doubt that she would be a hivewing? Damn, she even got her own “Othermind” virus. Her design was the easiest to work with - just a little poisonous ass (suspiciously similar to Maleficent).

Just like Starscream, I hate her, but in a good way. She's one of the creepiest characters in the entire series, who’s acting like a fucking heartless monster, especially with Arcee, but even so, there's always was something mesmerizing about her. I just really like strong female villains

Knockout - Wery bright and charismatic guy, definitely one of my fav cons!

I tried to draw him as handsome as possible. Worked a lot on the face shape and coloring, and as for me it turned out pretty nice (finally).

Most decepticons think Knockout is as stupid and lazy as all the other rainwings. And it's not like he completely disagrees with that. Of course he’s not stupid and lazy, but if it’s means less dirty work on the battlefield, well, he’ll continue act like a tipical rainwing

(I also believe that Megatron keeps him as an “art”)

Breakdown - Fun fact: "Operation Breakdown" was the very first thing I saw in this series. And it was an interesting experience for 8 year old me. Maybe that's why I'm so scared of eye gouging scenes in movies now…

I think that he didn't have any siblings initially due to his parents nature, and even after meeting Bulkhead, he felt uncomfortable among the other mudwings. And this is why he later chose the side of the decepticons. And maaaaybe because of one cute rainwing influence)

P.s.

I think that, being mostly nightwings and icewings, the decepticons are much more concerned about purity of their blood and rarely accept half-breeds into their ranks.

During the war, there were many animus dragons among decepticons, which is why they have so many artifacts that allowed teleportation and communication at a distance. But, honestly, I still can't imagine what Nemesis would look like in this AU

[flawseer]

In your last ask, you mentioned misgivings with Book 10's ending, and especially how it pertains to Winter. I absolutely agree, and I know why, but I wanna hear your thoughts on it, too: What's up with Book 10?

The following is a (very long) examination of my personal feelings with regards to the WoF second story arc finale. While it is based on what is in the text, this analysis will be interpretive and fill in blanks with my own thoughts. Keep that in mind.

Hahhhh... okay. Since mentioning it in my last post I’ve gotten several requests to talk about my feelings regarding the second arc finale. There’s probably no way around it then.

If you haven’t read that last post (it was admittedly very long, and so will this one be), I talked briefly about why I didn’t like that part of the story. I have to warn you now, this will likely be the most negative and dour post in the history of this blog. In a few parts it will sound like I hate Wings of Fire, and I want to say now, while I still have the chance, that I don’t. I love this series, thinking about its setting and characters brings me joy.

I also—very emphatically—want to make it clear that I have no ill will against Tui T. Sutherland. I’ve looked around other people’s stuff a bit and there are a huge number of posts wishing violence upon her or threatening her for doing things to her series that people don’t agree with. That is NOT what I am doing here, shit like that is NOT okay! While I will be critical of her choices, I still respect her effort of bringing this vibrant, wonderful world of dragons to all of us.

Also, obligatory last disclaimer: If you liked the finale, that is okay. You are valid for feeling that way. I’m here to share my point of view, not to demand people agree with everything I say. Just be warned that you most likely won’t enjoy what I have to say. If you don’t think you can handle that kind of criticism, this is your guilt-free opportunity to stop reading.

Otherwise, let's get into it.

CW: Discussion of parental abuse, depression, disease, and extreme acts of violence.

In defense of the finale

Before I start to systematically disassemble this narrative and get lost in a quagmire of negativity, let’s talk a bit about the circumstances that brought forth this part of the story. The plot of this arc was a mess from the moment animus magic was unshackled from the restrictions it had in the first arc, and from then on there was no longer any conceivable way to end this story in a clean way. Sutherland had created an invincible, unbeatable, omnipotent villain; he could read minds, see the future with perfect clarity, and anything he could imagine he could conjure into existence at any time with no cost to himself and no drawbacks. She was likely wracking her brain about how to resolve this impossible conundrum. What we got wasn’t good, but I believe nothing could have been. The foundation was rotting and by the fifth book it couldn’t bear the weight of the plot anymore.

The thing about animus magic in arc 2 is that it is so potent, so all-powerful, and so free of restraint that everyone who uses it also HAS to be a simpleton, or they would be able to break the plot immediately and become god. From the moment Darkstalker broke out of that mountain, he could have said “Any and all spells that are cast with the intention to harm me, interfere with my plans, or do something I don’t consent to will not work, from now on until forever”, and he would have instantly won. The strawberry would have fizzled out. The Darkstalker-blocking earrings would not have been created, and no one could have saved the Icewings. On the flipside, Turtle or Anemone could have said “I enchant the concept of animus magic itself to no longer obey Darkstalker”, and his threat would have been neutered. Point is, powers as potent and easy to use as this really need limitations, or they will quickly eat your plot alive.

I don’t envy the situation Sutherland was in at the time at all. If you’re an author, that kind of thing is a nightmare. It really is no wonder she decided to blow up animus magic for good in her next arc, even if I would have preferred it to get more healthy restrictions instead of killing it outright.

The Darkstalker age regression thing

Everyone has talked this part to death already, but if I am to write a thorough analysis of my feelings regarding this finale, I’m going to have to talk about it as well. I’m sorry if I end up repeating a lot of things you’ve already heard.

This final fate of Darkstalker, to have his memories wiped and be reset to an infant, is really uncomfortable. As far as I am aware, though correct me if I’m wrong, Sutherland said in an interview that she didn’t want Darkstalker to die because, in her view, he did not deserve to. We can debate here about the philosophical question of whether anyone is truly deserving of death, and the merits of “justice” and “punishment”, but in general, Wings of Fire did not seem to have any issues killing off its villains prior if they committed suitably terrible acts. That makes this moment stand out as noteworthy.

Who is Darkstalker then--and if we assume villains can be “deserving” and “not deserving” of death--what about him speaks in his favor, or against? The guy had a pretty crappy childhood, coming from a broken home (there is that inadequate parent theme again). He genuinely loved his sister and felt protective of her, and whenever he liked someone he wanted them to be happy and feel affirmed. The thing that Queen Diamond does to his mother is awful and he is justified in hating her for it. He is also portrayed as rather sympathetic in Moon Rising. When he asks Moon to find his scroll for him and not to leave him, he is not manipulating her, he is sincerely begging for her help. He is stuck somewhere underground, trapped in darkness, in a space so tiny that he can’t move. He remains that way for months, lonely and sad. If you just focus on these aspects, it’s easy to understand why he has so many fans who want him to see healthy and happy.

On the flipside, while he is dedicated to the happiness of his friends, he doesn’t always go for the most ethical way to achieve it. He tries to brainwash said friends without their consent whenever they exhibit behaviors he doesn’t like, or when he thinks he knows better and wants to “fix” them. He has very little regard for other people’s autonomy, lies to his loved ones with alarming frequency, and is unhealthily attached to the idea of power. Those things are certainly not good, but they are his character flaws. These are his demons; everyone has them and they make him a person. If this was all there was to it, he might still be a villain, but I’d argue he’d not be wholly irredeemable.

But there are things about him that take him beyond the pale. Things that go beyond the realm of just being misunderstood, or easily excusable.

He is possessive. He wants Clearsight and Fathom for himself, and for them to listen to him primarily. When Indigo makes it clear she doesn’t like him and cautions Fathom against trusting him, he deceives his friends and traps Indigo in a wood carving, just so he can isolate Fathom from his support network and manipulate him easier. He alters Clearsight’s mind to make her more agreeable and stop her from holding him accountable for his actions; while he thinks he loves her, he only loves an idealized version of her that is wholly devoted to and unquestioning of him. This is why, when he later forcibly overwrites Fierceteeth’s existence to recreate her (which is another horrific thing), he tries to excise the parts he finds undesirable to create a perfect version of his lover. But this caricature he has created in his head is not and can never be Clearsight, which frustrates his attempts.

He is vengeful. Not against people who have actually wronged him, like Queen Diamond. That would be questionable, but understandable. What makes this unacceptable is his frequent targeting of innocent people who just happen to be related to the person who wronged him in some esoteric way. He enchants a secret murder knife that kills random Icewings regardless of who they are or what they think about the Queen, just because the one who took his mother from him happened to share their tribe. He hates Turtle and wishes death upon him in Moon Rising just because he is a green Seawing, like Fathom was. And then there is the big one: He tries to kill all the Icewings who are alive in the present day, where Queen Diamond is long dead and none of them have ever even met her. Even his mother, who suffered from Diamond’s actions the most and has the most reason to hate her, is horrified and calls him out on that one.

And lastly, he is sadistic. He revels in torturing those he hates. He forces his father to disembowel himself, while the latter is fully aware and powerless to resist AND the man’s traumatized daughter is watching. Later he sends a magical plague to kill every single living Icewing sans one.

It should be noted that Darkstalker possesses virtually infinite magical power; whatever he declares, with very few exceptions, will happen. Even if he wanted them dead, he had the power to prevent unnecessary suffering. He could have said “Arctic, fall dead instantaneously”, or “Every Icewing will fall asleep and pass away peacefully,” but he didn’t. He wanted them to feel pain and pass away in the most wretched, agonizing ways he could imagine.

So what he chose to do instead is—and I want you to picture this for a moment—Darkstalker sat down, calmly, and said “Henceforth every living Icewing, excepting Prince Winter and those of hybrid blood, will fall ill with an incurable disease. This disease will cause heavy internal bleeding and make its victims cough up blood and waste away for a few days, followed by certain death.”

This spell does not discriminate with regards to who its victims are. The book glosses over the implications, but imagine the ramifications. Young children are notoriously frail, how many newborns got infected and died because of this? How many families were torn apart because they couldn’t get the magic earrings fast enough? Or accidentally got one earring less than there were family members and had to decide who has to die?

Most of the Icewings were physically cured by the earrings, but an experience like that sticks with you for the rest of your life. Somewhere surely, a dragonet watched as his mother put the earring on him and then slowly wasted away because she didn’t have one for herself.

It’s really easy to overlook how horrific this spell is because it isn’t shown or dwelt on. But the trauma, grief, and suffering it caused must have been immeasurable.

And none of those victims have ever even met the person Darkstalker wanted to get revenge on. None of those deaths meant anything to anyone.

The attempted death toll and scale of the calamity here puts even Scarlet to shame. The ones who come closest to it were Queen Battlewinner and Morrowseer with their attempted Rainwing extermination. All three of those died for what they did. Gives you some food for thought for sure.

Peacemaker’s burden

Despite just airing all of his dirty laundry and declaring him an irredeemable villain, I actually do have a lot of sympathy for Darkstalker still. His story is really sad. He was a child born with an amount of power that nobody should possess, and it corrupted him to the point where it destroyed his life before it began. His parents were always fighting and no matter how good his intentions were, he was unable to understand why he couldn’t hold on to his friends and relationship. He kept making mistakes, then made bigger mistakes to fix those, until his hands were covered in blood and he couldn’t stop anymore. My belief is that, after he wakes up in the present and realizes Clearsight is dead, he loses his reason for living and becomes completely lost in his grief.

Therefore, my opinion is that it would have been appropriate for him to die. If not to punish him, then to finally grant him reprieve from all that rage and pain, and let him rest. I think that would have been a dignified end.

But instead he got turned into a baby. ... And then they decided to magically erase his father’s blood from him? I don’t know what it is, but something about that Icewing erasure makes my skin crawl?

The thing that turns this baby twist from weird into highly unsettling is the context. Darkstalker’s mind is erased, then modified into a new person via animus magic. This is the technique a lot of this arc’s villains used to victimize Hailstorm, Queen Ruby, Peril, Kinkajou, Fierceteeth, and Winter. The same technique is now used again, by the heroes, which is a dangerous thing to have your protagonists do if you want them to remain morally upright.

It is also very reckless, because in almost all of these instances, animus mind alteration has been shown to be very unreliable. The spells seem to wear down over time and are susceptible to partial breaking upon encountering certain strong stimuli. Hailstorm—while trapped as Pyrite—seems to retain trace amounts of his former memories, which is why Pyrite is subconsciously drawn to Winter and clings to him all the time. Ruby is able to ignore half of her conditioning because her familial love for her son partially overpowers the magic. Qibli is just straight up able to reason his way out of it.

The thing to note here is that spells of this nature require a very meticulous approach; you can’t half-ass your reprogramming or the victim will just think their way past it. If you alter someone’s mind, the wording of the spell must be ironclad, lest you risk it wearing down over time and even break.

Luckily we have nothing to fear in that regard, because the spell that created Peacemaker was written by a Rainwing with a total of four days of literacy training. No one better mention the name Clearsight to the new baby Nightwing, or next month is going to be rather interesting.

But that’s just speculation on my part. Let’s assume that, somehow, this spell isn’t as unstable as all the others. Somehow Kinkajou threaded all the needles, and masterfully dodged every conceivable pitfall to pen the perfect incantation, despite having been illiterate just a few weeks prior. This one is built to last and Darkstalker is sealed away really thoroughly, for good.

That is still absolutely terrible and morally dubious, because now you have Peacemaker, who for all intents and purposes is a COMPLETELY innocent little kid, saddled with this huge burden of being the certifiable reincarnation of a genocidal ancient wizard. He’s gonna grow up thinking things like “Mommy gets real quiet whenever the topic of the Icewing tragedy is brought up,” and “Why does Auntie Moon look at me like that? One time she accidentally called me a weird name, who is Darkstalker?” “What is this ‘Clearsight’ name my mind-reading friends from the village found in Mommy’s mind?”

In a village that will be full of mind-readers soon, eventually the secret will come out, and Peacemaker is going to learn what was done to him. A huge, messy load of undeserved baggage was forced onto this completely separate, innocent entity. He will be devastated. Whether he then chooses to forgive them for this remains to be seen. To be honest, he would be well within his right not to, and turn resentful.

Poor kid.

Qibli’s callousness

I love Qibli, he is one of my favorite characters. This happens to be his book, and the fact that I fundamentally dislike half of it makes me rather sad. If anything, I hope this tells you that I’m not just hating on it for my personal amusement. I really wanted to like this. I tried to, and I couldn’t.

Qibli is really weird in this one, to be honest. He is suddenly made to be co-dependent on Moonwatcher, fawning over her every third paragraph, saying how much he loves her, how he is an incomplete and dysfunctional wreck without her, how it physically pains him to be apart from her, oh if only the stars would grant his wish and split the mountains apart so that he may fly to his princess, his muse, his goddess of ebony wit. It gets so old.

And it’s not Qibli. He never acted this clingy towards Moonwatcher. It’s more intense than even Winter gets about Moon, and Winter was actually depicted with a crush on her in book 6. Qibli was always just a supportive element, eager to befriend Moon but never desperate, like he is going to keel over if he is separated from his true love five minutes longer. These very frequent love declarations feel so forced coming out of him. It strikes me like it was just written in service of the love triangle. Maybe if we make him confess his love every four seconds readers will overlook the fact that they had no proper romantic build-up.

You might rightly accuse me of bias. I have previously admitted I am fond of Qibli/Winter as a romantic pairing, on the surface this seems like I am just not happy with my pet ship being blocked by Moonwatcher. But I assure you, I am actually pretty flexible and accommodating even towards pairings that contradict my preferences. I have no issues with Winter/Moonwatcher, for example, because the possibility was properly established and they have good romantic chemistry in Winter Turning. In theory, I would have no problem with Qibli/Moonwatcher either if it was ever set up as an interesting romantic dynamic. But to me, it seems like Qibli is written as a good, supportive friend to Moon for four books, only to pivot hard into “Moon moon moon moon moon moon swoon” at the last second, and it just reads to me as obnoxious.

I got distracted. This section is called “Qibli’s callousness”, and I haven’t even talked about the main part.

Qibli and Winter have excellent chemstry together, whether you read it as romantic or platonic—both of these interpretations have merit and are set up. They’re always the highlight of any scene they’re in. Throughout the story arc you get the impression that these two really get on each other’s nerves, but they bond and grow into really strong friends who bicker a lot but have each other’s backs when it counts.

Then there is a scene where Qibli casually tells Winter that he wouldn’t object if someone wanted to mind-control away some of Winter’s more objectionable traits.

This is genuinely a terrible thing to say to your friend. Like, it crosses a line and ceases to be harmless banter; you’re just telling them that there is something you hate about them so much that you wish they were someone else. Winter actually WAS mind-controlled earlier and felt (and proably still feels) guilty about having attacked Qibli in that state. And now Qibli says “Hey, I wouldn’t mind if someone did that to you again! Hue hue!”

It is awful, BUT I don’t necessarily object to Qibli saying this here. Qibli is in the middle of his character arc at this moment, so he is expected to be flawed. He is making a mistake by thoughtlessly telling Winter this horrid thing, and it seems like a believable continuation of his current character track. This is a reasonable development as long as the plot acknowledges that it’s a mistake.

Spoilers: The plot doesn’t acknowledge that it’s a mistake. Qibli never has a scene after where he reflects upon what he said and apologizes to Winter. When Darkstalker has Qibli trapped in his mountain jail and mind-wipes Qibli’s grandfather into a toddler (hey, wait a minute), Qibli gets visibly disturbed. Like, this is so off-putting to him that he gets queasy and Darkstalker hastily changes the spell. That could have been a great way to bring this back. Like in the epilogue, have Qibli track down Winter and tell him about disturbing baby grandpa theater and how he realized that wiping people’s minds is actually messed up and should have never said that to him.

But he doesn’t. He just lets Winter go, allowing him to believe he is broken and needs magical intervention to be tolerable. It leaves me to think that maybe he’s still okay with it, and fantasizing about rewriting his friend’s mind. Great.

Moonwatcher’s character death

You will find as this goes on that, I get the impression that the second half of this book takes all of the wonderful, endearing characters I have learned to love throughout the story and replaces them with really mean, or stupid, or otherwise inaccurate caricatures.

Moonwatcher’s relationship with Darkstalker gets plenty of setup and development in Moon Rising. You get the sense that these two could be great friends if their circumstances were a little different. It does a great job at making you think maybe Darkstalker is just misunderstood; maybe Moon should free him from his predicament.

Then at the end of Escaping Peril comes the emotional gut punch. Darkstalker actually IS a villain. He callously admits to Moonwatcher that he used his magic to make his own father gruesomely disembowel himself. Moonwatcher is horrified and disgusted that he would do that. There is no circumstance in which something like that would ever be okay. She ends the scene awash in tears because the person she thought was her friend is a murderer and a sadist. This is good, that is a natural reaction to what she was just told.

A few hours from there, in Talons of Power, Turtle finds Moon again and she is completely cool with Darkstalker walking free, despite crying her eyes out after feeling so betrayed earlier. That may seem strange, but this is still good because later, Darkstalker’s mind control plot is discovered. This scene was obviously written to set that up, Moon is mind-controlled into forgetting that Darkstalker could do something that morally reprehensible, and thus forgives him. This is also completely in line with his characterization in Legends: Darkstalker. It’s a kind of stunt he would pull to get Clearsight to shut up about him slipping into villainy.

In my earlier post I alluded to a moment where Moon is set to narrative auto-pilot and says something so rampantly off-kilter that it does irreversible, permanent damage to her character. It happens here, in the second half of book 10. Qibli gives Moon the Darkstalker protection earring, and Moon, somehow, says “I’m not being mind-controlled, Darkstalker really is my friend.”

I get what the plot tries to do here. It’s taking this concept of mind-control and adding a nuance, in an attempt to flesh out Darkstalker and give his character depth. He is ready to control everyone in the world, but for Moon, who is his best friend in this era, he wants her to remain herself. Perhaps this is his attempt at attonement for playing with Clearsight’s mind and driving her away from him. It is very touching in a way, viewed in isolation.

Unfortunately, it does not work with the full context of all the books. Because Moon is in auto-pilot mode right now, her main character trait is “Darkstalker=Friend,” so naturally she would speak in support of him. But this revelation has devastating retroactive consequences. The earlier scene that was written with Moon under mind-control is now altered into her having been in her right mind! She is completely okay with Darkstalker’s admittance to cold-blooded torture and evisceration, within hours of being so shocked by it that it made her cry and ready to denounce him. That is such a quick turnaround it’s giving me whiplash. And what’s more it turns Moon from a principled, upstanding girl into a sociopath who casually accepts gruesome torture and murder if it is committed by someone she likes.

Did Sutherland forget about the scene two books ago, where Darkstalker’s actions were so inconceivably horrid for Moon to learn of that she started crying? It baffles me that this made it into the final version. Her saying she was never mind-controlled makes Moon come off as so awful. This torture-excusing lunatic is not the same kind-hearted and insightful character I followed in all the other books.

Kinkajou’s character derailment

The world is a sad place when I have to question the way Kinjajou is written. Fortunately she is mostly fine, despite her having the biggest excuse to act out-of-character since she’s the victim of a mind-altering spell. Her only real moment of “what!?” comes at the end.

I already talked about her role in casting the spell that regresses Darkstalker into an infant. But I didn’t mention how her being the source of it is questionable in itself.

The clue is in the first paragraph of this section: She herself has experienced the effects of invasive mind-alteration. She was cursed by Anemone in the previous book to be in love with Turtle, and kind of half-struggles kind of not with it, it’s really strange. Turtle is appropriately horrified and acts like really awful things are happening, but then it’s mostly played lightly for some reason. My assumption is that Sutherland introduced this plot point, but then realized how uncomfortable this premise really is and tried to downplay it until the story got to a point where it could get done away with.

But I think the takeaway is still supposed to be that this was a horrid thing to do (which it absolutely is), and that Kinkajou will have to spend a lot of time trying to untangle her real emotions from the fake ones the spell created.

The point is: Kinkajou knows first-hand how awful it is to do something like that to another person. Ideally she should never even conceive of the idea to cast a spell like that, but if we’re really set on this Darkstalker baby thing and it has to happen, she should at least be a bit hesitant about it. And afterwards she should struggle with the guilt of having resorted to it. Not celebrate it and be proud, like it’s funny.

The assassination of Winter’s future

Now we come to the part I’ve alluded to previously; the part where all of these threads converge to utterly destroy one character and drive him to the brink of ruin. Let’s talk about Winter.

Prince Winter is the son of Tundra and Prince Narwhal, hatching in the same clutch as his sister Icicle. He spent his formative years being unfavorably compared to said sister—who easily took to traits that Icewing royalty considers desirable—whereas Winter struggled greatly to embody those same ideals. He was just a little too kind, too merciful, too gentle. As a result he often had to endure abuse from his parents, who made him feel like he was defective.

Because he was young and didn’t have any other frame of reference, he embraced this abusive narrative and began to drive himself with a vigor unreasonable for someone of his age. He scraped and cloyed for every bit of credit he could get, obsessing over advancing up the circle rankings in an attempt to “purge” the wrongness out of himself. To make his parents as proud of him as they were of Icicle.

This never worked. He was always seen as the runt, poised to embarrass the family name. Whatever he did, no matter how hard he strived, there was always something he could have done better.

The only real source of love and affirmation in his life was his older brother, Hailstorm. Where everyone else only saw what Winter wasn’t, Hailstorm embraced his brother despite of his “failings” and was openly affectionate with him. When Winter was with him, it was okay to not think about rankings all the time, and just be himself for a bit. I assume Hailstorm fulfilled a similar role for Icicle as well, which is why both of them love him dearly, and Icicle destroys her own life to bring him back.

Winter also has a fascination with scavengers, possibly because they are small and perceived as useless, like he himself is. He likely feels a kinship with them and observes them being craftier and more adept than everyone else sees them. This is therapeutic for him, to see that a thing can have merit even if no one wants to see it.

One day, he and Hailstorm sneak into Skywing territory so Winter can catch a scavenger as a pet. This excursion turns hostile when they are discovered by a roaming Skywing troop and faced with the prospect of capture, possibly execution. In a gambit to save Winter from this fate, Hailstorm mirrors the words of his parents, calling Winter pathetic and useless, so the Skywings will not think of him as a threat and show mercy. His act succeeds in convincing the Skywings, but it also convinces Winter, who does not understand Hailstorm only said these things to save his life. He returns home—believing his brother hated him all along—to face the wrath of his furious family for losing them “the desirable son”.

For all of his life, these themes have repeated themselves and haunted him. “I was born wrong and defective,” “I am unlovable,” “No one wants me.”

A few months after the war ends, Winter is one of the five Icewings enrolled in the newly founded Jade Mountain Academy. Shortly after departing, he unexpectedly returns home, having successfully rescued his older brother and bringing him back. He is made to believe that this erases his mistakes, his mother even pays him a backhanded compliment, an uncharacteristically “nice” gesture. He is promoted to the top of the rankings, finally his parents are proud of him.

But of course it is all a trick. The “adoration” afforded to him was all a ploy. Secretly, his parents abused power and tradition to arrange for Winter’s death. They force him into a lethal trial they intentionally rigged against him, all to finally erase that stain on their family’s honor.

Winter finally realizes the true nature of his parents’ opinion of him. Even when he succeeds, and does everything right, he is still defective, unlovable, and unwanted. He will never be anything else to his family. And so he leaves his homeland, pretending he is dead, resigned to live in hiding forever.

During this time, while at the brink of despair, Winter is able to draw strength from one source: His new friends from the academy. He vocalizes that, for all the abuse he suffered at the hands of his birth family, he fervently believes that THEY would never do anything like that to him. They chose to stuck with him, even when he was awful, and told him he was not hopeless. He was not a mistake; he could be deserving of love.

So naturally, he returns to them; they accept him readily, are willing to be his new surrogate family. When he almost burns to death at a later point, they fear and weep for him. When Qibli sets out to confront his own abusive family, Winter, despite being mind-controlled into a placid potato at the time, feels concerned enough for his friend’s safety to insist to come along (returning the favor of them accompanying him in his time of need in book 7). When Darkstalker’s mind control forces Winter to attack Qibli, he is shown ashamed and guilty of it once the control wears off again.

They bicker and struggle, and make mistakes, they break up but always come back together again. Time and time again the one thing that is always reinforced: When the cards are down, Winter loves his friends, and they love him. They would never intentionally hurt each other, or give up on each other.

I want you to keep in mind how wholesome, and loving, and mutually supportive this ramshackle band of misfits has been portrayed to this point... Because we’re moving on to the arc 2 finale, and it will do everything it can to corrupt all of it and consign Winter to a life of misery.

We arrive at aforementioned scene, where Moonwatcher receives her earring. Just a little bit prior, Winter had learned that Darkstalker unleashed a magical plague onto his people in an attempt to wipe them out. Now here is Moonwatcher, revealing that she is not under any spell, and has aligned herself with this guy willingly, speaking fondly of him as if he was a dear friend who never did any wrong. Winter takes this badly and accidentally breaks a vase; the narrative lingers on this moment and really tries to sell us on how unreasonable Winter’s reaction is, how he is overreacting, but let’s examine that interpretation for a moment.

Moonwatcher doesn’t yet know about the attempted Icewing genocide, but she DOES know about Darkstalker being okay with casting spells to inflict immeasurable torture upon those he hates. WE know that she knows this, so her stance here is already suspect. Yet she goes on to praise Darkstalker and refer to him as a friend. Look at this from Winter’s perspective. This “friend” of Moonwatcher just tried to kill his entire tribe, and he actually succeeded in killing his aunt, Queen Glacier, a person Winter greatly respects. Winter is currently unable to return to his homeland for fear of being branded a traitor. Even if he could return, he knows his obstinate and spiteful family would prevent him from attending the funeral, meaning he is not even afforded the basic dignity of saying farewell to his aunt. The aunt whom Darkstalker murdered by making her vomit her own blood until she withered away in her bed. And here is Moon, absolving the person who did this to Glacier from his appalling actions, despite knowing full well what Darkstalker is capable of and choosing to look away.

I don’t know about you, but I think I can forgive the grieving, emotionally overwhelmed boy for shattering a little pottery after hearing his trusted friend—who held his hand when he was dying—say that the guy who makes people disembowel themselves and wipes out entire countries may be misunderstood and not so bad. I think I would have a similar reaction. In fact, I would never want to talk to her ever again.

There is no way I can read this scene in which Moon doesn’t come off as either an absolute lunatic, or critically stupid and callous. In fact, based on her earlier behavior I half-expect her to get over the news of the attempted Icewing massacre in a couple hours, saying “Eh, it’s kinda bad, but you just have to do these kinds of things sometimes, you know? I’m sure he had his reasons.”

Then there is the part where Qibli makes his off-color comment about how Winter’s brain could really use a good wash. I already went into how it could have worked but didn’t. But with the timing here, we’ve already had Moon spit on their friendship, so as Winter’s other closest friend, it naturally follows that Qibli also craps on his feelings.

Consider the context: Winter comes from an abusive household where his parents forcibly tried to change him away from who he was to purge the “wrongness” from him. When they betray him and he narrowly escapes their attempt on his life, he re-affirms his belief in his friends, and the knowledge that they wouldn’t treat him like that gives him the strength he needs to keep going. But now, Qibli asserts that Winter DOES need to be altered, thereby AGREEING with Winter’s abusive parents, rendering Winter’s affirmation from book 7 erroneous. Qibli WOULD treat him like that if it made Winter less “intolerable”.

Neither Moonwatcher nor Qibli ever make an attempt to repair this rift. Winter is left betrayed and alone.

Stuff happens, and the forces of the Nightwings and Icewings come to blows over Jade Mountain. With his two closest friends having written him off and his support network eroded, Winter relapses into thinking he is worthless, seeks validation in unquestioning patriotism, and realigns himself with his abusive family by throwing himself into the battle. Nobody wants him to, in fact his parents still hate him for it, but whatever. His father dies and his mother blames him for it.

Meanwhile Turtle, Anemone, and Qibli are cooking up a solution to the battle problem. They have the idea to make everyone’s minds connect in a huge empathy wave for a few moments, which I think is a pretty interesting idea for what it’s worth. But then they teleport both armies back to their homes, and the spell sweeps Winter up with them, taking him out of the rest of the finale and bringing him to the Ice Kingdom. The characters say “whoops” but aren’t further concerned with the situation. It’s all a big laugh.

Let me remind you that Winter is currently considered not welcome on Icewing territory. His family, whom he was sent back with, is extremely abusive and vindictive. His friends know this. Said parents have previously arranged for him to be killed, and are still on record as wanting him dead. His friends KNOW this. And now he is alone with them and a gaggle of other royal Icewings who all are extremely pissed off at him for ruining their sacred trial site.

It is very possible that he is being torn apart and mauled by an enraged mob right now. He could be forced into captivity and flayed. Maybe the interim regent is sentencing him to death and getting the rope ready. There is a million different horrible things that could be happening to Winter right now, while he is trapped alone with people who hate him, things his friends would be reasonably able to anticipate. And nobody is doing anything to get him out of there, to suggest bringing him back, even though it would only take a single spoken sentence to do so! They aren’t even concerned!

Then the climax happens, strawberry thing and all, and we get the coup de grâce. After all is said and done, the group decides that Winter is untrustworthy, and that they must protect the secret of Darkstalker’s fate from him, because they fear if he knew he would kill Peacemaker.

Moon, who read Winter’s mind in book 6 and reached out to him about how the “ruthless Icewing warrior” persona in his head is a facade and how she sees he has a gentle and good heart... Moon, who in book 7 finds out about Winter’s secret deal to kill Glory and STILL trusts him, who calls out his bullshit to his face because she KNOWS how kind-hearted Winter is and that he would never resort to murder... Moon who, again, held his hand while he was dying... thinks that the dragon she has reminded of his compassionate nature time and time again would kill an innocent child.

This is disgusting. Moon believing that is so far off the mark with regards to anything this group has embodied or done for any of the last 4 books, that my only conclusion can be that these are different characters. Maybe the Nightwing library collapsed on top of original Moon, and when Darkstalker magiced her back to health she came back wrong or something. I don’t know.

So after all of this, Winter is left alone. He somehow escaped from the Ice Kingdom; luckily there is a timeskip so we can just gloss over the horrible situation he was put in by his friends. He thinks about Jade Mountain. He reflects on everything that happened, how his parents never really loved him... How they hated him so much they tried to kill him... How he despaired, but found solace in his friends who loved him for who he was.... How those friends then betrayed him too and magiced him away... How they didn’t care about what happened to him... And he decides he is done. He won’t bother going back. A few people, probably Sunny, reach out to tell him he is welcome back, but he says “it wouldn’t be fair to other Icewings if an exile took up a bed”. The decision isn’t hard to make, after all there is nothing left for him there. Everyone has written him off, moved on and left him behind.

Kinkajou visits sometimes, tries to stay in touch, but that’s just how she is. Maybe the others sent her to check on whether he’s going to become troublesome. They don’t trust him. Better to keep an eye on him, he might kill the baby.

With nowhere else to go, Winter moves to Sanctuary, a place for rejects like him. I picture him standing there, at the edge of a cliff staring blankly into the distance. He is completely alone; no one wants to go near him or talk to him beyond the bare necessities. He could probably make new friends with the Talons of Peace if he tried, but there is no point. Why should someone like him have friends? It wouldn’t work. They’d just decide he is too inconvenient to be around. Sooner or later they would just tell him to leave anyway. It's better not to try, so he doesn't get hurt again.

And slowly it dawns on him. His parents had been right all along. It was never them, or the others, it was him. He is the problem. The Icewings said it, Qibli said it, Moonwatcher said it. There is just something fundamentally wrong with him.

He is defective. He is unlovable. Nobody wants him. He will never be anything, or have anyone. And so he stands at the cliff, looking over the broken vase fragments of his life... This is who he is. Prince Winter. A mistake.

And quietly, where no one knows or cares, he does the only thing he has left to do... he begins to weep.

As it is written, the tale of Winter is the story of a boy who is told he is wrong for being alive. He closes his ears and tries to keep walking forward, desperate to prove that he is not an error, that he has merit. But this book comes out and it unmistakably says that he doesn’t. He is nothing, and he deserves to have nothing.

And I just cannot accept that.

Why did this have to happen?

I think that the author was really struggling with the ending of this book. I’ve said before how much of a corner she wrote herself into with such an invincible villain. I think she came up with the strawberry idea as a solution to this problem. But as she was writing it, the characters kept fighting her. It was not a natural solution, not a decision the characters—as they were established—would ever make.

So concessions had to be made to force the issue. Established traits had to be bent slightly to make this plot work. The farther she went, the worse it got. The concessions piled up and turned into contrivances. Eventually the characters were no longer acting like themselves. Their bonds got stretched too far and some snapped. It’s a very tragic pitfall that occurs with long-running series.

I think Sutherland must have also been tired. Writing an entire book is a monumental task, and writing 6 connected ones even moreso. She also comes out with these things really quickly. Maybe she was burnt out? Maybe she wanted to be done and her attention lapsed. Maybe that’s why she forgot that Moon knew about the disemboweling. It seems reasonable to believe when you consider that the next story arc would make a relatively clean break from the problems of this arc, especially with regards to the magic system.

But I don’t know what ultimately happened, so I can only speculate. I reiterate, I bear no ill will against Sutherland for writing this. Even if I kind of hate everything about this finale, and very vocally wish it would be different, I don’t want this examination to generate (or reawaken) any hatred towards her, or to attack her personally. I understand the pain of an artist who gets trapped with something for too long and has to find the means, any means, to see it through to the end. I criticize the story, but I could never hate anyone for that.

But for me, I do not consider this half of the book as part of the story. The characters act too unnaturally for it to have happened. So to me, it didn’t. We don’t know what happened, maybe Darkstalker is still out there. Maybe they dealt with him. Maybe what actually happened is my crappy and self-indulgent rewrite of the ending which I will never show to anyone because it would be really embarrassing.

But whatever actually ended up happening, I am sure Winter never ended up at that cliff, pondering how worthless and meaningless his life was. He is currently at Jade Mountain, surrounded by friends who love him, and bickering with Qibli about the correct solution to their advanced calculus assignment that is due tomorrow.

Is there anything left to say?

Probably.

I didn’t talk about Anemone yet. You know, in the epilogue she enchants herself a bracelet that makes her “not be so mean all the time”. I find that creepy. To me it reads as Anemone voluntarily brainwashing herself with magic to erase her negative traits instead of growing past them naturally because she finds them undesirable and wants to work to change for the better. I would ordinarily assume that this is an overreaction on my part, and I’m just reading the scene wrong. But no, we just got through a part where the heroes brainwashing someone is treated as an unequivocal good and worthy of celebration, so I think my reading may actually be spot on. Why are we letting the little kid alter her own brain without supervision? Hello? Tsunami? Someone intervene maybe? This cannot be healthy.

Turtle stands out to me as the one bright spot in all of this. He (and Peril, but she’s mostly out of focus) remain as the only main characters of this arc who don’t have any mind-boggling out-of-character moments or sudden streaks of uncharacteristic callousness. I really like the part where Qibli goes to free Turtle from his captivity and plans to give him an earful about the comically unhelpful messages he’s been sending him. But when Turtle asks if what he did was helpful, Qibli sees how beaten down and exhausted Turtle is, and wordlessly drops his frustration to tell him “Yeah, they were helpful.” That is the true Qibli shining through for a moment, showing that he cares about the well-being of his friends.

Do I hate the pairing of Qibli/Moonwatcher? No. Well, I DO hate how it happened in the book, and how the story tried to assassinate Winter’s character to resolve the love triangle and make it happen. I don’t hate it on principle though. If you are a fan of Qibli/Moonwatcher and want to write fanfics about it, please do! I absolutely encourage you to do that! Maybe you can fix this mess and turn it into something that’s actually properly handled!

Mightyclaws keeps the power that Darkstalker granted him past the finale. That means all the spells that Darkstalker cast are technically still active. Does that mean the Icewings have to wear earrings for the rest of their lives? Do they get sick again if they take them off? Is Peril forever cursed to think of Darkstalker as a cool old uncle and has to somehow reconcile how everyone else thinks of him? How did the Nightwings relinquishing their powers work, do they have to wear the earrings forever too now?

And there is one more thing to mention.

My confession

You may have already intuited this, if you’ve been following the content of my blog. It is very heavily skewed towards the first and second arcs of the series. I would now like to confess something.

When I read the second half of book 10, I found it so disillusioning, Winter’s fate so upsetting... that I put down the series then and there. And I haven’t picked it back up since.

That’s right, I have not read arc 3. I don’t know if that makes me a fake fan. I know pretty much everything that happens in it, the controversial twist at the end, Pyrrhia coming back into the story later, Snowfall getting brainwashed by a piece of jewelry until she cares about a plot that had nothing to do with her or the fate of the Icewings, etc..

It’s not out of malice, or because it’s a new continent. The opposite in fact; I would have greatly prefered a clean break with a new setting—Bug-themed dragons in a slightly more contemporary, developed environment sounds fascinating and full of potential. I don’t hate Pantala or the new characters.

I just... I can’t really do this again. I can’t handle the thought of Pyrrhia coming back post-Darkstalker, with Winter showing up and talking to these guys again like nothing happened, seeming like a different person, joking around with them like his entire character wasn’t dragged through a mountain of manure to make the plot bend a certain way. I think as long as this is the ending that the story is continuing from, seeing that would just make me miserable.

Maybe I will just stay in the parts of the story that I fell in love with. And imagine a version of reality in which Pantala is allowed to exist on its own, where Swordtail was the fourth POV character of arc 3, where Queen Wasp stayed the villain throughout, and Snowfall got her own legends book about how she reformed Icewing society and fixed all the shit that poisoned Winter’s life, so future generations don’t have to suffer through the same stuff he did.

~~~~~

If you’re still with me, thank you for reading this far. I think this is everything I ever thought about the finale of the second story arc, so now I never have to talk about it again. Writing this was difficult. I found it crushing at times. This will probably stand as the only overtly negative post I have ever made on this blog. I love Wings of Fire, and I want to celebrate it. To add to it, not tear it down.

I hope this wasn’t too boring, or painful, or frustrating, or soul-crushing to read through. I’ll see you later, hopefully with a more constructive post.

[foolsome-phantom]

Celestia’s colors were a nightmare to get. She is a night/icewing!

Ethereal Skies is an ancient dragon. She was one of the very first animus dragons after being born under three full moons. Her sister was born with the same ability, however something went wrong one day. Ethereal was unaware of the negative effects of this magic and it drove her sister mad, until she could figure out how to help her sister, she locked her away in one of the moons and split her magic among several crowns and stones, all designed to only work for those who would use it for good. Ethereal, still enchanted with the spells of her youth, has far surpassed the age of the average dragon. Only allowing herself to rest once she sees her sister home and the crowns and stones given to those of righteous hearts.

[aspoonofsugar]

Have yo read Captive Prince? What do you think of Laurent's character? Does he foil any other characters (besides being mind to Damen's heart)?

Hi!

Yes, I have and I love Laurent <3 He has the most complex arc and is at the centre of the major conflict, so he foils several characters, who are used to explore his personality and to progress his arc.

In general, I would say three major jungian archetypes are used in Laurent's story:

Inner Child = the childish and most vulnerable part of a person, which is influenced by one's younger years. Laurent's inner child is embodied primarily by Nicaise, but also by every boy abused and raped by the Regent.

Shadow = the repressed part, which the person doesn't want to aknowledge. Laurent has severals: the Regent himself, Aimeric and Jokaste. They all embody Laurent's most negative side.

Anima/Animus = the anima is the female side of a man and the animus is the male side of a woman. It is usually used in romantic subplots to show two characters growing closer. Here, it is embodied by the bond between Laurent and Damen.

Laurent's arc is one where he integrates with Damen, but to succeed he also needs to save his inner child and to face his shadow. Or to fail and try again.

BROTHERS AND LOVERS

Laurent and Damen foil each others' brothers:

Laurent foils Kastor: both are the unfavourite child, but Laurent adores Auguste, while Kastor resents Damen. At the same time, Damen perceives them in opposite ways. Damen initially doesn't aknowledge the good in Laurent, while he doesn't see the evil in Kastor. It is as Nikandros says. At the beginning of the story, Damen sees things in black and white. By getting to know Laurent he learns complexity and that the world is in shades of grey. He integrates his own heart with Laurent's mind. His own idealism with Laurent's wisdom.

Damen foils Auguste: both are strong fighters and beloved leaders, able to inspire others. The moment Auguste dies, Laurent loses his heart and it is only with Damen that he learns to trust and to open up again. It is also through Damen that he overcomes Auguste's death and his sense of inferiority, which is carefully nurtured by the Regent. Laurent is brilliant, but his arc is about showing vulnerability and find new faith in others. He integrates his mind with Damen's heart. His wisdom with Damen's idealism.

So, as you said, Laurent is the mind to Damen's heart and has to rediscover his own interiority. He needs to love himself again. Only by doing so he can truly escape the Regent and grow up. This process of growth is the main focus of the trilogy and it happens twice:

Laurent fails to grow in the second book

Laurent succeeds and completes his growth in the third book

Let's see how.

NICAISE AND AIMERIC = LAURENT'S DARKEST HOUR

Laurent's darkest hour happens at the end of the second book. This is common for a trilogy. It is not rare for the second installement to end in a negative way. Now, The Prince's Gambit doesn't end badly. Laurent and Damen win and grow closer. Laurent even frees Damen and they have sex for the first time. Still, psychologically, Laurent risks a huge brakdown because of Nicaise and Aimeric's deaths.

Nicaise and Aimeric are two parts of Laurent:

-Nicaise is Laurent's child-self. He is petty and capricious, but he cares deeply. And yet, he can't show any vulnerability. The moment he does, he is killed. Moreover, Nicaise plaids for Laurent because he deep down thinks the Regent won't kill him. This is true for Laurent, as well:

"I didn't think he's really try to kill me" Laurent said "After everything... even after everything".

-Aimeric is Laurent's shadow. He is a young man, whose life is defined by the Regent's sexual abuse. Aimeric confuses the Regent's imitation of love with true care and fights to get it back, even if it means hurting people, who truly love him. Unconsciously, this is true for Laurent too:

"You play his games like you want to show him you can. Like you're trying to impress him. Is that it? You need to beat him at his own game? You want him to see you do it? At the expense of your positions and the lives of your men? Are you that desperate for his attention? Well, you have it. Congratulations. You must have loved it that he was obsessed enough with you that he killed his own boy to get at you. You win."

Damen's speech to Laurent is basically the same one Laurent gives Aimeric. Aimeric shines light on this specific aspect of Laurent. Laurent too still loves his uncle. He too wants his attention and on some level thinks of his uncle as his only family:

"When you lost your brother, was there someone to confort you?" "Yes," said Laurent. "In a way".

So, Nicaise and Aimeric embody Laurent's vulnerability. Nicaise is the child who still feels safe with the Regent. Aimeric is the young adult, who wants the Regent back. Both are Laurent. This is why Laurent wants to rescue them both. He grows close to Nicaise and tells him he will buy his contract and free him. He accepts Aimeric into his guard and refuses Damen's advice to send him away. And yet, the Regent uses them both against Laurent. He kills Nicaise and has Aimeric betray Laurent.

Laurent wants to help both Nicaise and Aimeric and the Regent tells him he can't. Just like he can't save himself.

According to the Regent's narrative:

Laurent is fond of Nicaise, but eventually leaves him alone out of selfishness

Laurent welcomes Aimeric in, but this is a blind spot that is used against him

By using vulnerable and abused kids, the Regent conveys to Laurent two messages. On the one hand Laurent isn't selfless enough to truly save anyone. He isn't good enough to be a protector like Auguste. On the other hand he is still foolish enough to trust others. He isn't smart enough to be a mastermind like the Regent. Too cruel and too foolish is how the Regent wants Laurent to see himself. So, that Laurent would feel trapped and cut others out.

And Laurent almost gives in, but is stopped by Damen:

"You tried to hurt me, and you have. I wish you would see that what you have just done to me is what your uncle is doing to you."

Damen goes through to Laurent and stops him from losing himself. He saves him from turning into a copy of the Regent.

THE REGENT

The Regent is Laurent's negative foil. He is who Laurent could become if he gave in to his worst instincts. As a matter of fact Laurent shares many similarities with his uncle:

Both are very intelligent master manipulators

Both are able to seize people's weaknesses and to use them

Both can be cruel and ruthless

Both tend to complicate things

This isn't by chance because the Regent does his best to break Laurent's heart and to warp his mind into a frailer copy of his own. He needs Laurent to think like him and to follow his rules, so that he can beat his nephew. This is why the Regent spends the years after Marlas by abusing Laurent in different ways.

The Regent's abuse has a double nature:

It has a sexual component: the Regent rapes Laurent multiple times as a child and shows possessiveness of him as a young adult. For example, many of his assassin attempts come with a sexual element. The assassins instructed to rape Laurent by using a drogue the Regent clearly used on his nephew as a child. Having Laurent and Damen sleep together, so that Laurent would eventually kill himself. Twisting Laurent and Damen's love story, as if to frame Laurent as dirty and despicable. Spreading voices about Laurent's supposed romantic feelings for Auguste. And so on...

It has an emotional component: the Regent keeps mentioning Auguste, which hurts Laurent in two ways. On the one hand it doesn't let him move on from his brother's death. On the other hand it drills into Laurent he isn't as good as the previous prince

"I hate to see you grown up like this," said the Regent, "when you were such a lovely boy."

The Regent basically blames Laurent for both growing up (physically) and not growing up (psychologically). He manipulates him by treating him as a child, while implying he isn't pure as a child anymore. The result is that Laurent hates himself.

This self-hate manifests itself in recklessness, suicidal tendencies and self-destroying behaviors. Like Laurent lashing out at others, when he is actually furious at himself. This is why specifically Laurent breaks Aimeric by using their shared trauma as a weapon. He hurts both Aimeric and Jord (who hasn't done anything, but being loyal to Laurent) because to truly face Aimeric means to accept himself and he can't.

Symbolically, Laurent kills Aimeric like he is slowly killing himself. This is why Aimeric's death happens after the reveal of Nicaise's murder by the Regent. Laurent kills Aimeric, just like the Regent kills Nicaise. Both victims are abused kids with frail and unstable senses of self, who deep down seek love and vulnerability. The lesson Laurent needs to learn is that he can't save the Nicaise within himself, if he doesn't help the Aimeric too. This is why it is important that Laurent is able to express empathy for Aimeric and to recognize he is a wounded person, just like Nicaise:

"Nicaise knew that when he got too old, he would be replaced." "Like Aimeric," said Damen. Into the long silence that stretched out between them, Laurent said: "Like Aimeric."

It is the first step to aknowledge his own hurt too.

AUGUSTE WASN'T GOOD ENOUGH

The second step is instead to face Auguste's ghost. Laurent's big brother is a double edged sword for the Prince. On the one hand Laurent deeply loves Auguste and is devastated by his dead. On the other hand his idealization of Auguste is unhealthy and leads to Laurent undervaluing himself.

These powerful contradictive feelings come to the surface in his "sparring" match with Damen. There, Laurent for once is able to show all his anger and grief. He lets it all out and is forced to accept he would have never been able to kill Damen in a fight. Still, another realization comes to the surface:

"I know," said Laurent, "that I was never good enough." Damen said, "Neither was your brother." "You're wrong. He was -" "What?" "Better than I am. He would have -" Laurent cut himself off. He pressed his eyes closed, with a breath of something like laughter. "Stopped you." He said it as though he could hear the ludicrousness of it.

Damen's words might seem cruel, but they are actually necessary because they break Laurent's internalised idolisation of Auguste. Laurent has been brought up with the convinction that Auguste is somehow better than him. This idea is present even before Auguste's death because of their father's favouritism. The early loss of his brother and subsequent abuse only makes this feeling stronger. Hence why Damen refusing this helps Laurent grow. Damen is the first one to see Laurent as his own person and to give him a choice:

Damen picked up the discarded knife, and when Laurent's eyes opened, he put it in Laurent's hand. Braced it. Drew it to his own abdomen, so that they stood in a familiar posture. Laurent's back was to the post. "Stop me," said Damen.

Laurent chooses to give up on his revenge. He chooses his present relationship with Damen over Auguste's ghost. He starts wishing for something positive for himself. He starts caring for himself. He starts looking toward a possible future.

JOKASTE = OPENING THE DOOR

To reach this future Laurent has to face Jokaste, who is really another version of Laurent:

"You're lucky we're alike," Jokaste said, stepping down. She and Laurent looked at one another like two reptiles.

Not only that, though, she is Aimeric and Nicaise combined in a single character:

Like Aimeric, she betrays a lover for selfish reasons (apparently)

Like Nicaise, she is caught up in a power struggle and has to choose the side, which ensures her survival, even if it means negate her heart to do so

"You mean, the only difference between us is that I chose the wrong brother?" As the stars began to drift across the sky, Laurent thought of Nicaise, standing in the courtyard with a handful of sapphires. "I don't think you chose," said Laurent.

This time Laurent is able to see this. He empathizes with Jokaste and gives her freedom. He opens her the door:

"We're alike. You said that. Would you have opened the door for me? I don't know. But you opened one for him."

In this way Laurent understands the Aimeric he could not understand and saves the Nicaise he could not save. By the end, Aimeric (Jokaste) is shown mercy and Nicaise (her baby) survives. Laurent gives Jokaste and her family a future. And in this way, he symbolically gives himself a future and a family. He opens his own door.

THE TRIAL

The climax of the trilogy is Laurent's trial in Ios. This choice is interesting on multiple levels:

It is an inversion of the ending of book 1, where Damen is blamed for the assassination attempt on Laurent's life and Laurent protects him. In fatc, it is not by chance that Damen mentions the episode in his initial defense of Laurent.

It shows Damen and Laurent's integration. As a matter of fact Damen is the one who realizes Paschal has the key to dethrone the Regent. He is able to do so because through Laurent he has learnt to observe others, to understand them and to empathize with them. Laurent instead selflessly gives everything up for the person he loves and bravely faces off the Regent with no plan, but simply with his heart. The Regent tries to turn it into a weakness and to force Laurent to give it up, but fails. Finally, he and not Damen is the one who fights Kastor and kills him. He uses the skills he has learnt for his revenge and uses them to protect Damen, instead. He chooses life and love over death and hate.

Most importanlty, though, the trial starts as a farce, but by the end it becomes a fair administration of justice, which punishes the criminal and recognizes the innocent. Let's see how this change happens.

NICAISE = VICTORY

Laurent wins not because of his mind, but because of his heart. Specifically, he wins because of the relationships he builds and of his ability to empathize with the humblest people, those nobody cares about.

First of all, Laurent obviously wins thanks to Damen. It is Damen choosing him over his kingdom that makes it possible to the tides to turn. So, it is because Laurent overcome his internalized hate for Damianos and slowly comes to accept and love him, that he is saved in the end. In a sense, the night where he has to choose if to let Damen die or to save him out of loyalty in volume 1 is when Laurent chooses who he wants to be. He can let a man he hates die without risking anything, like the Regent would. Or he can save that man our of a sense of fairness, like Auguste would. Laurent chooses the latter and makes the first true move towards his victory.

Secondly, Laurent is able to touch the councilors' sense of morality thanks to Loyse, Aimeric's mother. She reveals that her husband basically sold Aimeric to the Regent in exchange of power. She also explains how the Regent conspired with Kastor to kill Theodemes. This testimony isn't decisive because the assassination of Theodemes is a matter of Akielos. Nonetheless, Loyse re-opens the trial and gives importance to Aimeric's story and pain. It is also important that she is a woman because the Regent hates women. She is the character nobody considers, as everyone is focused on Guion's, the powerful councilor. And yet, Laurent does and convinces her to break free from her husband influence for the sake of her son.

Thirdly, Laurent is saved by Paschal's testimony. That said, Paschal is only able to reveal the truth about the Regent's murder of the King only because of Nicaise. In general, Nicaise is a character, who ends up being important in the finales of all three books:

In book one, Nicaise goes to Laurent's apartments after the attempted murder. He is clearly worried and can't decide if to openly switch sides and tell Laurent the truth or not. He also appears to tell Laurent goodbye and to give him his earrings. Symbolically, Laurent is saying goodbye to his younger and most innocent self, as he prepares to enter war with his uncle.

In book two, Nicaise's death is revealed in the climax and it leads to Laurent's decision to march on Charcy. It also kickstarts Laurent's deepest psychological crisis, as he struggles to keep a clean mind and shows how deep he is hurt and desperate.

In book three, Nicaise is the one who indirectly hands Laurent victory, as it is him who stole Govart's papers and gave him to Paschal.

In other words, Nicaise is the one who leads to victory, which fits his name. As a matter of fact Nicaise means "victorious", the person who brings victory and he delivers.

Thematically, this is very important, as Laurent initially regrets to have grown close to Nicaise:

"I killed Nicaise when I left it half done. I should have either stayed away from him, or broken his faith in my uncle. I didn't plan it out, I left it to chance. I wasn't thinking. I wasn't thinking about him like that. I just... I liked him."

He believes that because of their sibling-like bond Nicaise is now dead. He believes his influence isn't enough to break the Regent's control over Nicaise. And yet, it is precisely because of Laurent's love and care for Nicaise that the boy is able to rebel himself enough to steal key documents and to hand them to Laurent's side. Nicaise dies tragically, but his life and Laurent's kindness to him are not in vain. They change the destiny of two kingdoms. Laurent isn't able to save his child-self, but his child-self is strong enough to save him. Just like Laurent might not cancel what happened to him in the past, but can still move forward:

"Stop it, you're hurting him. You're hurting him. Let him go." A soldier was holding him back, and the boy was fighting him. Laurent looked at the boy, and in his eyes was the knowledge that some things couldn't be fixed. He said, "Get that boy out of here."

The new Regent pet once again mirrors a part of Laurent. The side of him that still sees the Regent at family. And yet, Laurent is finally able to accept this part of himself, but is strong enough to start healing. Just like as King he has now the chance to help as many children as the Regent hurt. Laurent ends is arc by growing up. He isn't a child anymore:

"You think you can defy me?" the Regent said to Laurent. "You think you can rule Vere? You?" Laurent said, "I'm not a boy anymore."

He isn't a boy anymore, he can't be controlled by the Regent anymore. He can now start a new life as his own person, free from the Regent and from Auguste's ghost. A life of love and new relationships.

[novlr]

Any tips on how to write a character that holds grudges?

From the icy walls they erect to their unquenchable thirst for revenge, characters who carry a grudge can push a narrative into unexpected territories. So let’s explore how to write characters who hold a grudge!

Behaviour

Isolate themselves

Passive-aggressive

Obsessively focused

Delayed responses

Overly critical

Extreme reactions to the subject of their grudge

Avoid situations in which the grudge can surface

Deep-seated resentment

Struggle to let things go

Retaliatory actions

Interactions

Cold or curt manner

Avoiding direct communication with the subject of their grudge

Use sarcasm, irony, or veiled hostility

Use others as proxies for communication

Use formal language

Harsh tone

Active avoidance

Behave counter to the wishes of the subject of their grudge

React negatively to attempts at reconciliation

Body language

Stiff posture

Avoid eye contact

Crossed armos

Expressions of distaste

Turning away and shunning

Maintain physical distance

Grimacing

Dismissive gestures

Tension and crossed arms or legs

Clenched teeth

Attitude

Stubborn and unyielding

Unwilling to forgive and forget

A sense of entitlement

Bitter or cynical

A lack of empathy

Reluctance to let go of the past

Righteous anger

Unwilling to compromise

Feel wronged or victimised

A push to “get even”

Positive story outcomes

A grudge has the potential to foster forgiveness and reconciliation, serving as a powerful catalyst for personal growth. In time, the grudge-holder may come to realise their own mistakes and seek to make amends, leading to a profound understanding of the offender’s perspective. Ultimately, through this transformative journey, they may find the strength to let go of their grudge, providing a sense of relief and closure.

Negative story outcomes

Holding on to a grudge has the potential to inflict permanent damage on relationships, creating rifts that may never fully heal. The weight of the grudge can bring about unnecessary stress and mental anguish, consuming the grudge-holder’s thoughts and emotions. This can lead to a cycle of further conflicts and misunderstandings, pushing away valuable relationships that could have brought joy and fulfilment. In the grip of a grudge, a character may lose sight of what truly matters, becoming consumed by their resentment and losing the ability to appreciate the present.

Helpful synonyms

Resentment

Bitterness

Animosity

Hostility

Rancor

Enmity

Ill will

Antipathy

Antagonism

Hatred

Spite

Ill feeling

Bad blood

Malice

Vendetta

Animus

Malcontent

Petulant

Vindictive

Peevish

[wings-of-fire-confessions]

Hot take. Everyone needs to stop pointing at one character in Jade Winglet and be like “AH! They're THE asshole of the group! That one! That one specifically!” Because everyone is an asshole.

Moonwatcher won't shut the fuck up which causes people to feel bad (Reference; Winter Turning, Pg. 75) because, hypocritically, she only has a censor if it “benefits” (hard quotation because it has always failed her. Reference; Luna and Moonwatchers interaction) her.

Qibli is an ass, like, a HUGE ass. He pressures Turtle and berates the very thing he's self-conscious about. He's got massive main-character syndrome; he wants power, he always wanted power, but he wants COMPLETE control of power without any repercussions. One of the reasons he refused Darkstalker's offer was because he wasn't entirely sure he would slip something in there.

Winter is an ass, he literally attacks other dragons without thinking about it (Reference; Peril), he's quick to strike and like Qibli, berates Turtle for being “a waste of potential” to his tribe.

Kinkajou goes off on everyone's backs and uses the remnants of the magic scroll to control and transform Darkstalkers against his consent or will. She has essentially killed him via poison. The whole book and DS character arc was trying to push through a narrative that you shouldn't control people, that you shouldn't take away their free will, and that you shouldn't transform their being into a form for your desire and comfort. Yet it's completely flipped on its head because Kinkajou wanted to be “a little silly” with her solution in ending the IceWing and NightWing conflict. She does exactly just this and that makes her part of the asshole list.

Turtle is inactive, his inaction causes a lot of problems for the others in a negative way in order to preserve his own self. He uses animus magic on Anemone just to make sure that he doesn't get any attention but this backfires and his sister is left not only being used as a WMD by Queen Coral, additionally, she is also left feeling alone in her magic. Turtle just sat on the sidelines as he actively watched Anemone get used like a tool by her mother and groomed by a disgusting snotball of a power-hungry political obsessed eel bbq dragon. His “neutrality” was incredibly toxic towards the upbringing of his sister. Yet, despite being the one guy everyone likes to pounce on and beat down he's probably the LEAST asshole character out of everyone in Jade Winglet. You can point at Turtle's issue of “not doing anything” and dig deeper to realize he's a child for one (an even younger child when he enchanted Anemone) and for two it's an unhealthy trauma response from his family. He has helped and supported every single Jade Winglet member in their “fall/on their knees” development and all he ever got in return was those to treat him like garbage (with Peril being the only one who wanted to help him and realizing how shitty animus magic is for him and attempted to make a situation better by ripping up the scroll with good intentions in mind).

Peril is probably the most self-explanatory but she tries. I can't really say anything else about the flaming toaster oven w/ the pizza box inside it dragon that not everyone else has said negatively about Peril before. She's uncontrollable and she constantly talks about hurting others, yak yak yak… Brownie points is that she's attempting to become a better person and trying to find her own path in life.

Now that everyone has run away typing furiously in the comments reblogging tags about this and that I want to emphasize that everything I said above is about CANON CONTENT. You can LOVE YOUR ASSHOLES!!! I personally LOVE MY ASSHOLES!!! There is nothing wrong with acknowledging that the protagonists that you read aren't the greatest people in the whole wide world. I know I wouldn't want to be in the same room as Peril if she was an actual person; with that said that doesn't mean she ISN’T my favorite dragon in the whole gosh darn freaking series. Winter is a bastard, I love Winter. Qibli is a bastard, I love Qibli. Moonwatcher… Actually, no. Moonwatcher can not. (this last one is a joke and a personal opinion, if I was to look at her into it retrospectively and have a positive thing to say I would say she's very neurodivergent relatable, and her power is very autism-coded.).

Jade Winglet is full of bastards.

I love my Jade Winglet bastards.

Stop being in denial and using “well I don't like [Insert Jade Winglet Member] because of what they did with [Insert Plot Point Here]” and accept that your favorite is a bastard. Tired of hearing about this rank system on who's more fucked up than the other and debating if they deserve love and respect for that. Ofc they do. They're your favs, y'all don't need to push or morally justify trying to like your favs by putting another Jade Winglet member down. You aren't impressing anyone or going “GOTCHA!” for this thought process.

Now stop fighting you cursed dragon hyperfixated disaster fandom. (/j)

Drops Mic

.

[talonabraxas]

The Animus and Animus Possession

A woman is compensated by the masculine animus, the personified spirit of a woman that corresponds to the paternal Logos, representative of rationality, discrimination and cognition. It is the union of Eros, the expression of her true nature – that is, relatedness, connection and the feminine feeling value – and Logos that creates the instinctual drive toward wholeness necessary for psychological development and individuation.

While the animus is an eternal, inherited archetype of the collective unconscious, it is also influenced the context of one’s life, culture and personal relationships with the opposite sex. Therefore, it is both an archetypal image that possesses a degree of autonomy, such that it cannot be wholly integrated into consciousness, and a personal complex. The animus is best thought of as a kind of psychopomp or guide to the unconscious, formulating the bridge between a woman’s ego and the Self, the psychological totality of her being. According to Jung, “If the encounter with the shadow is the ‘apprentice-piece’... then that with the anima [or animus] is the ‘master-piece.’” (Carl Jung, C.W. Vol 9. Part I. Archetypes of the Collective Unconscious)

A woman possessed by the animus will develop emotionally charged, ‘sacred’ convictions and critical judgements, inflicted either against herself, causing deep feelings of inferiority, or indiscriminately against others. She exhibits ‘. . . a priori assumptions that lay claim to absolute truth.’ (Jung, 1951, p.15) When challenged on her position, she becomes abrasive and dogmatic. Such convictions are never true to the reality of her personhood, and in fact threaten her feminine identity and her relationships, for the animus-possessed woman is gripped by an unconscious desire for power and control. This negative animus lures her away from life and encases her in fantasies of how things should be. It can also manifest as a destructive attitude. According to Marie Louise Von Franz, the animus shares the primitive propensity of man as hunter, capable of murdering life for a woman. If the animus robs her of all life and leaves her in a state of emotional paralysis, she may become a vampire who sucks the life from others. This is quite unlike the anima, which serves to enhance life. In fairytales, such a negative animus may appear as the personification of death itself.

“Just as the mother influence is formative with a man's anima, the father has a determining influence on the animus of a daughter. The father imbues his daughter's mind with the specific coloring conferred by those indisputable views mentioned above, which in reality are so often missing in the daughter. For this reason, the animus is also sometimes represented as a demon of death. A gypsy tale, for example, tells of a woman living alone who takes in an unknown handsome wanderer and lives with him in spite of the fact that a fearful dream has warned her that he is the king of the dead. Again and again she presses him to say who he is. At first he refuses to tell her, because he knows that she will then die, but she persists in her demand. Then suddenly he tells her he is death. The young woman is so frightened that she dies. Looked at from the point of view of mythology, the unknown wanderer here is clearly a pagan father and god figure, who manifests as the leader of the dead (like Hades, who carried off Persephone). He embodies a form of the animus that lures a woman away from all human relationships and especially holds her back from love with a real man. A dreamy web of thoughts, remote from life and full of wishes and judgments about how things "ought to be," prevents all contact with life. The animus appears in many myths, not only as death, but also as a bandit and murderer, for example, as the knight Bluebeard, who murdered all his wives.” Marie Louise von Franz, The Animus, a Woman's Inner Man.

The animus becomes a valuable inner companion for a woman only once she is able to differentiate between the thoughts and opinions of this autonomous complex, and what she herself really thinks. To become familiar with the nature of her animus, she must create distance between herself and her convictions and look upon them with a critical eye. Manifest positively, the animus provides her with qualities of initiative, creative action, objectivity and spiritual wisdom. In his highest form, he is the incarnation of meaning.

“Just as the anima becomes, through integration, the Eros of consciousness, so the animus becomes a Logos; and in the same way that the anima gives relationship and relatedness to a man’s consciousness, so the animus gives to a woman’s consciousness a capacity for reflection, deliberation and self-knowledge.” Carl Jung, C.W. Vol 9. Part II: Aion. The Syzygy: Anima and Animus

Anima and Animus The archetype of the Anima/Animus forms a bridge between our personal unconscious, our personal unconscious and what Jung refers to as the Collective Unconscious. The anima/animus is the image making capacity which we use to draw inspirational, creative and intuitive images from the inner world (strictly speaking transpersonal inner world).

[aleielle-of-roshar]

Struggling to make an Antagonist for Gynaephora’s character arc… So I’mma do one of these things hehe

Gynaephora info:

Gynaephora, the young daughter of Hoarfrost and Graupel, is a rather cherished and innocent dragonet. Adored by her father, she is very much shielded by the darkness and cruelty of his reign, having grown up in a world of luxury and affection- her father’s stern love shaping her world.

    However small glimpses of fear and sadness around her hint to the darkness she’s yet to discover…

But of course her peaceful life wouldn’t last- after Graupel poisoned Hoarfrost in a desperate attempt to be free from his tyranny… At the young age of four in dragon years, Gynaephora found the crown thrust upon her, and the people’s hatred and anger shifted to her.

    She wears a small silver circlet with carved snowflakes in its metal; and a fluffy cloak.

    Hasn’t grown into her spikes yet- they’re very big for her smolness (think like a golden retriever puppy with their giant paws lol)

Sooo, I thought… Why not do one of those ‘comment to make a character thing’, and whatever y’all create will be made into a detailed antagonist, be they full on villain, or just some jerk >:D

If any of the comments are like, inappropriate for some reason, you’ll be skipped lol

First Comment: Tribe or Tribes (up to three, any canon tribes)

Second Comment: Name

Third Comment: Gender

Fourth Comment: Positive Personality Traits

Fifth Comment: Negative Personality Traits

Sixth Comment: Main colour

Seventh Comment: Accessories

Eighth Comment: Powers? (Be they from their tribe, animus abilities, or from an enchanted accessory)

Ninth Comment: Three Fun Facts

Tenth Comment: What kind of Antagonist?

[the-art-of-witnessing-the-cosmos]

7th house in relationship astrology

7th house in astrology deals with one to one relationships , love partner , our mirror energy, our other self . And thus planets in this house direct us to integrate their energy more consciously in our lives so that we can enjoy true intimate happy fulfulling relationships with ourself and the beloved as well. 💕

Liz Greene, a well-known Jungian analyst, writer and astrologer has this to say about projection and falling in love .

Animus/anima can only be realized through a relation to a partner of the opposite sex, because only in such a relation do their projections become operative. Relationships which contain any element of falling in love inevitably contain animus/anima projections; and the curious feeling of familiarity one has about the loved one is only too explicable by the fact that one has, in actuality, fallen in love with oneself. This does not necessarily mean that such projections are harmful or negative. On the contrary, they are a necessary catalyst for relationship, just as relationship is a necessary catalyst for self-awareness - the quest for the inner partner is responsible for our embrace of life.

We shall explore it in our next post ⭐

[thelesbianpoirot]

Do you have any advice for us lesbians who feel hopeless when it comes to our own dating life? I have ever only been with one woman and while I cared about her so much, I'm starting to realise now that I didn't mean much to her. And sex was actually depressing because she never wanted to return the pleasure I gave to her. It all felt, it still feels so hollow. And being a masculine lesbian makes it even worse - I feel like I've always been ugly but the sin of homosexuality AND masculinity makes me even uglier in the eyes of everyone. And I feel like so many women expect that if you're masculine, you will basically maintain this stoic persona 24/7. You'll be somebody who never needs anything, who doesn't need pleasure, love or joy. It's like having to repent for being a woman in a wrong way. I feel like I've only been ever used by other women or they played with me, and then when they realised I am not their perfect Animus, they discarded me. I know that's so much negativity in one anon but I really enjoy lurking on your blog and kinda look up to you as I'm a bit lonely. Like that post where you mentioned skipping class to have sex, that was so iconic. So I was just wondering if anyone else has ever felt like this? If you have some wise words? Or maybe I should just accept and cope with my own ugliness.

Can I tell you I feel seen by your ask? This ask is essentially my life. You are not alone. Do not be fool by the snippets of my life I share on tumblr. Me having a sex life was short lived, and I have been sexual with four women, one of which was a love distance relationships with phone, skype sex and regrettably sending nudes. I made out with a couple more women, but they didn't want to go further and I respected that. I am no don Juan, I just am not afraid to ask women out, I have lived in about four countries and I have spent way too much time on dating apps. Of the women I had actual sex with and made cum, none of them wanted to return the favor, but I enjoyed giving them pleasure, but after multiple sexual encounters with no women wanting to interact with my naked body, and make me cum, it becomes a read.

I had a post much earlier on this blog about how no women I have ever dated has been as passionate about me as I was about her. I believe a couple women I dated only dated me because we live in a small homophobic region and the lesbian dating pool is microscopic and they have few options. This is how they treated me. The women I skipped class to have sex with had an on and off again sexual relationship with me for several years, her family lived in my country but she was Canadian, she would stay for couple months, we'd have sex and she'd leave again, I was something to do while she was there, she mocked my skin color (she was also black) a few times and did many other rude things. But I was so attracted to her, it made me fucking stupid. Many interactions with women have made me feel repulsive, and not worthy of living. I would talk for months with a woman on a dating app, then move to whatapp, calling and texting to schedule a meet up, and she cancels or stands me up, multiple times. I exist to make her laugh or feel good about herself, but she doesn't want to be seen out in public with me. My homosexuality, my masculinity, my skin color, my weight, my shape, my everything has made me feel repulsive to other women. What keeps me going is reading romantic/erotic fiction and hoping it happens to me, forging platonic connections with women who actually care for me, and the understanding that MID to HIDEOUS broke untalented and boring straight men get to have beautiful female partners, I should too. There has to be some sexy weird women out there who are attracted to me physically, and will love me passionately. And me killing myself or something will just be another lesbian woman this world has gotten rid of. I keep living and wanting more for myself purely out of spite sometimes. Every comment that says "terf dyke kill yourself" makes me take better care of myself and prosper. My dating life would probably improve if I lived in a big metropolitan city in a country with 1mil+ people, because I can ask out beyonce if left alone with her for five minutes, my fear of approaching women is GONE, because she can only say no. I have had a girl I asked out in college laugh in my face, in front of her group of friends, I can handle anything. But I don't think I will ever not feel like some disgusting monster. I don't own mirrors, I had a eating disorder, SIS, we are birds of a feather. Only advice I can give is that They want you feeling this way, they want you defeated and hopeless, while straight pig men have loving wives and gfs. Why we can't we! Ugly to whom? I was just watching challengers today with some of my friends, the women spent the whole day lusting over the two male costars, I may be a lesbian, but I think I can spot a handsome man, one who society has told me is a handsome man, one who's personality overcomes his face and body, but those two men were ugly as sin to me, their faces just made me cringe disgust, yet I was in a room with 3 women lusting over them. Lets hope together that even if we're ugly, we're have three eligible women in the world of eight billion who eagerly want to fuck us, attraction is strange.

[teecupangel]

Hi this Jasmine Miles from AO3! I was wondering how you might interpret this following setting:

Its 2020 and Desmond Miles has awoken held captive by a really minor front of Templars, here he meets Leonardo Da vinci and they not only become friends but because of already seeing him in Ezio's memories, they become lovers. In time Desmond learns Leo was an assassin and they meet up with Altaïr and Ezio who are also here. They eventually escape and they form a new group of loyalists with Desmond as mentor, gaining confidence as he goes.

You say minor front of Templars and my brain immediately goes for the Templar team that kidnapped Noa Kim in the Black Flag webtoon but that happened around 2023 XD

2020 is the year Valhalla’s plot starts so we can set this up to be a case of “While Layla and team were checking the mysterious message that led to Eivor’s remains, Desmond wakes up in an unknown Abstergo facility”.

The plot would be less like the webtoon’s Templars but more like the movie’s Templars.

Hell, we can even put Sofia Rikkin as the leader of the Templars that have ‘taken’ Desmond.

This sounds like Leonardo Da Vinci is an Assassin in this one which he wasn’t in canon so this could be a case of the Leonardo Da Vinci Desmond is introduced to is said to be a descendant of Leonardo Da Vinci who came from an Assassin family.

He’s a fellow captive who is being forced to watch the past Leonardo Da Vinci’s memories.

To be more exact…

How Leonardo Da Vinci was forcibly made to use the Apple by Cesare Borgia.

Desmond was in the same boat. They’re not looking for certain POEs or anything.

They want to see the memories of Altaïr using the Apple.

It didn’t take long before Desmond realized that they were looking for those memories because they have an Apple in their possession (kept in a different location because Sofia Rikkin is not an idiot, Desmond Miles is the most dangerous Assassin to ever wield an Apple easily after Altaïr Ibn-La'Ahad) and they’re using data they gathered from the Animus sessions to try and create a ‘device’ that would control the Apple while they control the device because…

The Apple has a corrupting influence on everyone that wields it. Sooner or later, the user starts changing mentally and emotionally.

The only exception they could find to this rule were…

Altaïr Ibn-La'Ahad and…

Desmond Miles.

Leonardo was being used as a ‘control’ subject, to give a more accurate reading to compare to Desmond.

Because reliving the times Leonardo Da Vinci used the Apple aggravate Leonardo’s Bleeding Effect.

But Desmond hasn’t had any negative effect at all.

That’s when Sofia Rikkins orders from two other test subjects to be brought in and to be given the same setup.

To see if Desmond Miles is the exception or…

If it’s his bloodline.

Now, this is where the plot separates into two routes you can take:

Route 1: This is really a case of historical AC characters being reborn in modern day

This is the less sci-fi and untwist-y plot. Ezio and Altaïr are reborn into the modern day. If you want to hammer in the ‘history repeats itself’, they are both from Assassin families that got hit by the Great Purge and are related to Desmond in some way. Ezio actually calls Bill ‘Uncle Bill’ and the Great Purge killed his father and brothers and Ezio only learned about his Assassin heritage after their deaths. He had been on the run with his mother and sister and he got captured because he stood his ground to buy them some time. He doesn’t know if they’re safe or they’ve been captured. Altaïr, on the other hand, was raised to be an Assassin from the get go in a facility very similar to the Farm. He’s related to Desmond’s mother (his late father is Desmond’s mother’s distant thrice removed cousin or something) and perhaps is even the grandson of the previous mentor (or so it’s hinted because Daniel Cross describes him as looking like his grandfather). If you really want to hammer some kind of past that will create conflict between him and Desmond, they’re both from the Farm and Altaïr is actually the only one who survived the failed rescue attempt back in AC1 so Desmond feels guilty and Altaïr is too awkward to clear any misunderstanding Desmond might have.

Because, technically, Desmond has more experienced among them (as Altaïr’s experience is more akin to an elite foot soldier), Desmond takes on a leadership role and that’s the start of the ‘let’s plan how to escape this place’ arc.

Route 2: This is a cloning plot that gives a ‘reborn AC characters’ red herring

Leonardo would note early on that “they say I’m Leonardo Da Vinci’s descendant and an Assassin. I don’t feel like either of them” which Desmond (and the narration) would mistake as Leonardo saying he feels like a failure.

No.

Leonardo has no memories of his life before waking up in the Abstergo facility.

That’s because he is one of the clones made from Leonardo Da Vinci’s remains using the technology left behind by the Phoenix Project.

Desmond has all his memories and believes he’s Desmond Miles but he actually isn’t and he finds this out when Altaïr and Ezio are placed in the same facility.

Altaïr only has memories up to that fateful night he spent with Maria.

Ezio only has memories of a night of passion with Sofia.

If they were reborn, why would they only have memories up to the ‘time’ of conception of Desmond Miles’ ‘next’ ancestor?

Sofia Rikkins didn’t bother to lie to Desmond when he confronts her and he learns the bitter truth.

Leonardo, Altaïr and Ezio are all clones.

As well as Desmond.

Altaïr, Ezio and Desmond were cloned after Sample 17 because Desmond Miles’ actual corpse went missing for some reason.

Cue existential crisis here, a callback to the whole ‘what makes us who we are but our memories?’ and hurt/comfort all over.

Because Altaïr and Ezio are pretty much ‘newborn’, Desmond takes on a leadership role and that’s the start of the ‘let’s plan how to escape this place’ arc.

Unorganized Notes:

I picked the movie’s type of Abstergo facility because (1 if this is reborn route) this gives you the choice of doing other possible reborn characters to include to the new group of loyalists Desmond’s gonna lead or (2 if this is cloning route) to keep the audience from fully guessing that this is actually a cloning facility by making them remember the movie’s setup

Altaïr calls Desmond ‘Al Mualim’ once and Desmond felt so disturbed everyone laughs. ‘Al Mualim’ now becomes their pet name for Desmond whenever they want to tease him or when they think he’s planning to do something stupid

Leonardo and Desmond’s relationship is slowly blooming when Ezio enters the fray and, well, with Ezio there, there’s now this awkward love triangle thing going on with Desmond believing that Leonardo would fall in love with Ezio again, Leonardo being torn by his feelings for Desmond and the Bleeding Effect’s feelings for Ezio and Ezio not actually realizing he’s part of a love triangle because he just sees Leonardo as his BFF.

Altaïr in the background, suffering through these three idiots’ drama and wishing he could just kill every last security personnel around… just to get away from all of these.

Sofia Rikkins is colder and more professional in this one. Cal killing her father after she and he got sorta close really fucked her up.

Up to you if you want Cal and his team to show up. I placed Sofia as the ‘main Templar’ because she’s one of the few Templars high enough in Abstergo to be able to do commandeer an entire facility, she has knowledge of the Animus, and is part of the Templar inner circle in some capacity.

[mahayanapilgrim]

Why Do So Many Men Hate Women, and Why Do So Many Women Hate Each Other?

A question from our Sangha: "Dear Lama la,

Why do so many men appear to hate women, and why do so many women seem to completely hate other women, especially those who seem conventionally successful?"

This is a complex and sensitive issue. To explore it deeply, we'll look at concepts from Jungian psychology and Buddhist teachings over the next several posts and comments section. You are invited to participate. Let's take a compassionate approach to these difficult questions.

In Jungian psychology, each person has an "anima" (inner feminine) and an "animus" (inner masculine). When these parts of us are ignored or suppressed, they can create harmful projections onto others.

For men, a wounded anima might lead to projecting negativity onto women, breeding resentment or idealization that turns into disappointment. For women, a disconnected animus can foster competition with other women instead of solidarity.

Understanding these inner dynamics can help us find balance and reduce conflict with others.

Jungian psychology also teaches about the "shadow" —the parts of ourselves we reject. Society often values masculine traits like assertiveness and downplays feminine ones like nurturing, pushing these qualities into our "shadow."

This repression can lead to hostility. Men who reject their inner feminine may project negativity onto women, while women pressured to conform to ideals might criticize those who don't fit in.

Healing involves embracing our shadow and reclaiming these neglected qualities.

Modern culture often reinforces rigid ideas of masculinity and femininity. Men are discouraged from exploring empathy or sensitivity, leading to discomfort around women who embody these traits. Women, meanwhile, are encouraged to see each other as rivals rather than allies.

This conditioning fuels competition, rivalry, and resentment. Moving beyond these stereotypes allows us to see each other more fully, respecting both masculine and feminine qualities.

Healing Through Buddhist Tantra

Buddhist Tantra encourages moving beyond rigid gender boundaries. In Tantra, wisdom (feminine) and compassion (masculine) are seen as interconnected, complementary aspects of wholeness.

Tantric practices teach us to integrate these qualities within ourselves, helping men and women cultivate both strength and empathy.

By seeing masculine and feminine as equally valuable, we reduce the need to project our expectations onto others.

In Buddhist Tantra, visualizations of deities in union, called yab-yum (father-mother), symbolize the unity of wisdom and compassion, masculine and feminine.

Meditating on these deities helps us internalize a balanced perspective, transforming how we relate to ourselves and others. We start to see others not as opposites but as partners in embodying wholeness.

Buddhist Tantra doesn't suppress emotions like anger, jealousy, or desire. Instead, it transforms them: anger into clarity, jealousy into appreciation. This approach allows us to face our emotions rather than projecting them onto others.

By learning to purify negative emotions, we build a deeper respect for both feminine and masculine qualities in ourselves and others.

Tantra celebrates powerful female figures like Tara and Vajrayogini, who embody wisdom, compassion, and transformation. Male practitioners connect with these deities, healing any negative views toward the feminine. Female practitioners connect with male deities to strengthen power and clarity.

This practice helps both genders integrate qualities traditionally seen as "other," leading to a more balanced self.

Tantra sees the body as a sacred vessel, not something to deny or degrade. This respect for the body encourages a deeper respect for both masculine and feminine forms in all their expressions.

By valuing the body and its energies, we heal distorted projections that lead to misogyny or self-criticism, allowing us to appreciate each other more tully.

Tantra includes daily practices to integrate these insights, guiding us to see all beings as embodying enlightened qualities. By viewing each interaction as sacred, we reduce judgment and embrace empathy.

This perspective fosters unity, helping men and women to see each other as reflections of wisdom and compassion. This mutual respect creates harmony within and around us.

In Buddhist Tantra, true healing lies in embodying both feminine and masculine energies within. By integrating these principles, we dissolve insecurities and move beyond rivalry or resentment.

This journey invites men and women alike to find wholeness within, fostering a compassionate world where divisions based on gender begin to dissolve.

May this be of benefit

[clearsighting]

woah sixty notifications anyways,

to preface arctic is my favorite character but narratively not in a “wow he’s a good person” way so let that shape your opinion of my opinion

giant fucking essay under cut i’m sorry

can anyone hear me. why is arctic portrayed in the fandom as tragic and had a negative character arc after killing those icewings with his magic. when he’s been horrible the entire time, just more subtly. he found everything in his life to be utterly tragic and boring and it all to be a big drag. he was a prince and he was expected for the animus powers he held and the offspring he’d have. arctic saw himself as an extension of diamond— which all princes are to their queens, basically— and he hated it. he had no authority over his own life and this was also enforced by the ranking system and general icewing culture.

…except that he never had any ill thoughts about that. it was always about what power his mother held over him. interesting! he didn’t care for the system and the hierarchy enforced by it, because by being an animus prince he was naturally at the top all the time and he didn’t have to care about how he treated other dragons because he was his mother’s favorite little dragon.

he detested THAT. his MOTHER was the one deciding everything for him. and he was powerless to do anything about that! how could a prince stand up to his queen and mother, animus or not, and live past that conversation. so he lashed out outside of that. he hated and ignored snowflake because she was just an extension of his mother. he describes her as “sparkly and boring the way mother likes” because he never bothered to see past what role she served in his life. she’s actually deeply complex as we can tell by runaway winglet where she’s her own pov, with an intricate and dark mind and more motivations than arctic ever had in his life.

arctic does not care, because he considers her lower than him. his mother can exercise her power on him through other dragons all he wants, but he still knows that he is severely more powerful and more important than any other dragon except her in his life. …and also, i think he has a weird complex about female dragons. hear me out,

when arctic meets foeslayer, it’s the first time he meets a nightwing. he expects them all to be boring and not of any interest to him in the slightest, but foeslayer just happens to overhear his conversation with snowflake and finds it hilarious. she laughs in his face, makes fun of him for forgetting his betrothed’s name. this is interesting to arctic. nobody has dared to make fun of him in his entire life because of his status. instead of being upset, like most icewings would, his situation with diamond shaped him to respond with amusement. what does he have to gain from laughing at himself with a nightwing? well, he gets a bit of freedom. room to stretch his wings and see beyond his mother’s (and the icewing rankings, but mostly he thinks of it as his mother) suffocation on him and every opinion he dares to hold.

arctic barely sees foeslayer as a romantic interest because because she’s charming, funny, pretty. he sees her as a way to piss off his mom. look at this dragon who doesn’t follow rules, who is starkly not an icewing noble with pretty glittery scales, who is not at all someone diamond could ever see her precious animus son with. foeslayer is crass and doesn’t think before she speaks and clumsy and not at all caring of how other dragons think of her and arctic likes that. he even gives her one of his earrings and enchants it, dares to defend her in the meeting hall by saying that she hadn’t actually stolen it and that he had given it, because he knows it’d get to his mother. he’s spitting at the ground in front of her feet, saying, “i can do more than you want me to”, “i am my own dragon”, and “you don’t decide my life”.

to arctic, female dragons in his life are a tool more than they’d ever be individuals.

obviously arctic’s rash decision to fall in love with a random nightwing is not the narrative’s favorite choices. obviously.

let’s skip forward a lot and, almost at the end here i promise, look at how he treats his offspring.

by the very start he meets darkstalker with contempt. he doesn’t like his name (because it’s creepy, and because foeslayer chose it and not him) and he doesn’t like how much attention foeslayer gives him. let me restate. arctic, the grown, married, ADULT MAN. Is jealous of his newborn son for taking up more time in foeslayer’s life. how interesting.

he detests darkstalker because he also looks more like a nightwing than whiteout. we don’t see whiteout hatch (because darkstalker is off running around and being the most self absorbed guy ever, even if he pretends he’s not) but we know this about her and arctic. arctic named her, and arctic doesn’t think of her as much of a dragon and more of a pretty thing he can flaunt around until he’s done. darkstalker points this out, which is means to scrutiny because darkstalker himself is a very unreliable and rose tinted narrator, but i think it makes sense based on arctic’s track record, honestly.

female dragons are NOT anything he cares about as individuals. Loud and clear. this is not a trait that is recently developed after he finds out foeslayer ‘betrayed’ him. He has been like this the entire time.

he wants to bring whiteout to the icewing kingdom not because he cares about her, but because he wants to use her and make his mother like him again. arctic wants to go back and grovel to his mother using his daughter as a bargaining chip, because he doesn’t want to kill his offspring, that’s a bit too much for him. but he does want his mother’s attention back, because foeslayer has stopped serving the role of a surrogate caretaker to him. now that she knows better. arctic by this point has learned loud and clear that the nightwings (against foeslayer’s wishes and hidden from her but he doesn’t really care by this point) wanted to steal him for his animus powers.

that’s.. not what he wanted. in the unwilling prisoner sense AND in his fantasy of sticking it up to his mother and spitting in the face of her power over him. now he’s in the power of another queen that he doesn’t like. isn’t that great, it’s all looped back on itself and arctic realizes that he receives consequences for his actions of being a complete asshole and misogynist!

anyways yeah. he’s one of my favorites because he’s deeply complex, at least in my brain if the complexity i’ve outlined here was unintentional on tui’s part and was just a big fumble that ended up being GOLDEN. also this essay doesn’t exist to try and convert anyone into my way of thinking and as a big brainwashing scheme to make you like arctic, no, i just wanted to get my thoughts out clearly before i got cancelled for the thought crime of liking a fictional dragon misogynist.

anyways cheers if you’ve made it this far, thanks for listening to my insanity.