#need to fight the fear first <.<< /div> Explore tagged Tumblr posts

[ruporas]

kiss of the divine

[turtleblogatlast]

I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.

[chloecherrysip]

We're going to save your brother.

[runespoor7]

nothing ever did as much wrong to fight scenes than the writing advice that writers should only write short sentences focusing on the action because (supposedly) that drives home that it's a fast-paced exchange of actions.

and that's how you end with a list of actions that are drier and blander than a script and absolutely no sense of urgency, danger or physicality. Why do I care if the main character is kicked into the chest if the writer doesn't tell me that it cuts off their breath, that pain lances through their arm, that blood splashes across their face when they spear an enemy through, that the warm copper smell fills their nostrils?

[camellcat]

thinking about angel!Liam just absolutely fucking decking demon!Theo

Liam is, at first, completely horrified, right? like, oh, dear heavens, he just punched someone! that's not very holy of him! ...but also, Theo is a demon... surely he's just... acting within his angelic duties... to thwart demon wiles... yeah...?

and Theo cannot decide whether to laugh his ass off because he just got an angel to punch someone or start panicking that maybe he's pushed Liam too far and he'll be discoperated or smth. which ofc he won't be bc Liam (as much as he loath to admit it) does not hate Theo, but they are not at the stage in which Theo is certain of that!!

but once Theo gets him back it (dreadfully, in Liam's opinion, and cruelly giddily in Theo's) becomes a Thing.

[kyouka-supremacy]

Well.

[buttercupshands]

So.

I did all of the achievements.

And Steam page is finally saying the game is 100% done.

[royalreef]

@infernalpursuit inquired: how does your muse react when they're scared? does it change, depending on what is currenly scaring them?

(( Oh, absolutely it depends on what's currently scaring her!

The thing you have to understand about Miranda is that she's less of a person, in the sense that her personality and reactions are organic and naturally occurring, and moreso that she's someone who has been so intensely groomed and micro-managed and pushed in such a specific direction that a lot of the way that she is is entirely on purpose.

Her personality isn't really a natural product of her birth nor her circumstance in the same way someone else's personality might be. It's more like... There's no way that people can go through something like what she had gone through and not turn out in a very similar way to her. It's a designed process in this way, something that very intentionally obliterates any other chance to be anything else, and makes becoming this highly specific mold of a person into a life-or-death matter, something that you can't will or whim or nature your way out of. Miranda is the way that she is because she's been intentionally ground down and shredded into the person that she is. She doesn't really have a concrete sense of self. She doesn't even really know who she is. She's not supposed to, she's just supposed to be a means to serve a singular purpose and a singular end, and all she even can comprehend doing is that purpose.

Fear is a major part of this process, this total obliteration of any other mere possibility, but I also feel like it's a little disingenuous to call it fear in the same way most people would relate to it. It's the kind of fear that's so big and bone-deep and constant that it stops really feeling like fear at all, the kind of thing that Miranda herself has a very hard time of realizing that she's feeling even when it's particularly bad.

It might be more accurate to call it getting locked into a constant state of flight-or-fight. It's a constant existential threat where Miranda is sincerely and totally convinced that she could die at any moment and anyone could hurt her as much as they wanted, constantly living solely in the very present and unable to think of what even a short distance ahead in time would be like, because she just never feels comfortable or secure enough to stop thinking of the right now. She's what happens when the fear has been intensified strongly enough that it never dips below what would be debilitating for anyone else, and thus has become wildly detached to her own body, physical harm to her body, threats to her own life, or any escalation of fear.

This is, in fact, one of the things that I worry about disappointing roleplay partners with at times! Because their muse will act scary or try to frighten Miranda, and it just doesn't work. She just doesn't respond to the situation in a measurably different way than how she normally does, because she's under so much constant stress and strain and terror that it's not really any different to her than how everything else already is.

The only real times when she starts to show it, in fact, are places where her aversion and fear of them have been specifically cultivated. Miranda is a tool, and a tool doesn't break under expected strain, but you do have to be able to sharpen it and make sure it remains useful. You do have to take it apart to do maintenance on it, make sure it's working. The points where Miranda starts to actually, sincerely, show her genuine fear and terror, are during these points and in these situations where her aversion of them can be used to punish her and make sure she's being redirected in the proper direction.

In which case, Miranda's fear response is also highly specific and the only real option that other people who have gone through it come out with.

Mostly, she freezes up. She starts fawning hard. She lets it happen, over and over and over again until the object of her fear goes away, because it's going to be easier if she doesn't fight back or resist. She starts disassociating, disconnecting from her body and her thoughts, forgetting where she is or what's happening to her, because then she doesn't have to be present to register it and the memories are easier to repress later. She starts to people-please, trying to make the object of her fear happy and content them, because doing what they tell her to do and making them happy makes it not last as long. If she just does what they want her to, then they won't hurt her as much. If she just listens when she's told, then she won't get punished as much.

The end result is that she's very... robotic, in a sense. She does what she is told, to the letter. She will do what she is told, and she will not fuss or cry or cause any further problems if it also hurts her as well. She will be good, because the only choice other than being good is total obliteration. They should tell her what to do. They should make her do what they want her to do. It's okay that she's not there, or it's hurting her. It's even better if that happens, in fact, because then it's not as bad. She will not mention it after the fact, she will not hold it against them, she will not upset them again. She will be good. She was designed to be good.

Which, again, is part of why Miranda's fear response can be so inappropriate sometimes... Because she's been cultivated this way, because other people punishing her is so ingrained into her mind as a fundamental way of being, very often she will pick the seemingly much scarier or painful option over that cultivated social fear. She will happily hurt herself for someone else, and she will not be afraid of it, or be very upset at all. She will happily do many frightening things and deal with things that anyone else wouldn't be able to, because she's already locked into a permanent state of terror, and the only exception would be what happens if she doesn't do this. She's a tool. The only thing a tool has to fear is not fulfilling its purpose.

It's why she keeps doing increasingly dangerous things, too, seemingly without regard to her own life or death. Fear is an adaptation which allowed living things to avoid situations and things that were dangerous to them. Because Miranda's fear is constant and always at its peak, she doesn't register minor fluctuations to it, nor does she have it to try and get her to avoid things that might or will hurt her. It's also why her pain response is so bizarre and detached, and doesn't take very many efforts to avoid pain in general.

It also means, too, is that the potential for other people accidentally setting off or triggering this particular type of cultivated fear is very high, basically intentionally so. She has to be easy to control and redirect as needed, after all. If someone else gets close to her, gets her in an intimate situation similar to how she was cultivated to respond to punishment, then she can very easily get locked into a loop that they didn't know they were setting off. She's not in the state of mind to notice contradictions or try and correct herself, let alone notice if something is wrong, so nothing she can do can stop this from happening beyond general discouragement from those situations.

It just also means that it can be rather upsetting for other people when they notice that Miranda's immediate fear response, in wholly out-of-proportion situations, is to just sit there and take it without protest, even to the point of seemingly not reacting to someone nearly killing her if they do it in the right way.

[my-thoughts-and-junk]

i have to think about chilchuck and laios forever

[valiant-portabella-pirkko]

Flourish AU - Dragonheart Pirkko - Durmond Priory

Champion of the Caustic Elder Dragon

"Lasting change isn't gentle. It's harsh, abrasive, and inescapable. Either we'll adapt or we'll die trying."

"A better world starts with deciding what we're prepared to lose."

[a-dash-in-the-middle]

wanting to visit the archives without looking like a fanatic bc nobody likes posting government documents online apparently

[inseparabiles]

I think writing the fic has cured us. Never had this much fun with the last half an hour of the movie. YES, Cara, name your fucking monkey your first consul responsible for military and civil affairs of the Empire. Fuck those other guys, Dondus has this covered. GAMES AND MASS EXECUTIONS let's fucking go!

Macrinus getting banged in the face with a rock? Eviscerated? Dunked into the ditch to rot? What a time to be alive. Eat shit you fucking garbage man. This is what you get for hurting people.

Ravi you're a beautiful underappreciated angel. I hope your children know that you're a hero.

[bag-of-milk69]

my Roman Empire is the fucking ichabar or whatever it is creepypasta

[littlebigmouse]

I saw Fight Club for the first time yesterday and to the best of my memory, this was the second time I consciously noticed Edward Norton in a movie (I have a bad memory for actor's names and faces, I may have seen him around but wouldn't know).

The first time was Primal Fear.

This makes Edward Norton the second most specific type cast in hollywood in my book (right after the actress who played cinderella's evil stepsister in like, three different adaptations).

[punkrockisafulltimejob]

I'm working on a project on my computer and vaping, this is the closest I've been to my normal pain level in days. I know it won't last, especially not when I'm trying to sleep later.

Trying to ignore the guilt of disappearing from work for three days, when the last time I did that it was my mental breakdown two years ago.

[devotedlystrangewizard]

totk really is one of those games that make me go "ok thanks for the characters, setting, and general plot, but ill take it from here <3" because the entire historical timeline had so much potential for interesting and nuanced story telling but they just went with the old zelda story formula and YES thats how theyve always done it but botw was such a reset in terms of gameplay that they couldve overhauled how they handle story in totk. but they didnt