#n its meaning

[artsyannierose]

I saw this quote on twitter and i was like “yeah that’s totally Nori”

No i have no idea how long it actually takes to make a robot baby but for the sake of this we’re gonna pretend its 9 months okay okay thanks

[umblrspectrum]

happy solvermas

[hinamie]

sidelong

[bacchuschucklefuck]

they licensed his ass

my finished piece of the FWMS (official name definitely 100%) thing we started a few days ago! I had fun I hope folks had and/or continue to have fun with the sketch as well.

[eights-world]

yknow how in kids shows theres almost always some episode with some weird love potion effect thing?? yeaaaa

[nonranghaes]

heads up: reader not feelin great, physically. doesn't get really specific. food mentions.

"hey." felix crouches down beside the couch. his hands are a little cold against your skin as he cups your cheek, head tilting as he tries to get a better look at your face as you peer up at him. "soup's done."

"'m fine..." you turn your face back into your sleeve, squeezing your eyes shut. "don't need it..."

he lets out a sigh, leaning in to kiss the side of your head. "honey..." his voice is soft, but the word hits you just as hard. you've always been his baby, his babe, or just your name, since there's intimacy in that, too. honey is saved for when he's worried. "it'll make you feel better to eat something. can't take medicine on an empty stomach, right?"

you just let out a whimper of pain. moving feels like too much for right now, but you know it's because you haven't eaten yet today. feeling sick means that everything is a chore. the only reason you even got out of bed was to let felix in since his arms had been full with the groceries he bought, and you practically face-planted onto the couch after you shut the door.

"i'll feed you." he says softly, fingers brushing against the back of your neck. "does that help?"

it does, a little. you turn your face again so that you can see him. he's still wearing an apron, hair pulled back out of his face as he smiles at you. he's your sunshine, even now when he looks a little tired from worrying. you want to be mad at your roommate for calling him, but... minho had good intentions. you know he did. even when you whined at him for calling felix before heading out to work, he didn't bicker with you but told you to call him if you started feeling any worse since felix wouldn't be there until closer to lunchtime (and even then, he ended up making a run to the store after he checked on you, leaving you boyfriend-less for a little longer). you muster up a nod, and felix kisses your cheek this time.

"good. i'll bring it here, okay? all you have to do is sit up." he starts to walk away, missing the way you paw through the air to try and catch him by the hand. "i'm glad minho called," he calls back to you from the kitchen, "i know it's nothing serious, but... i'm just glad he's looking out for you, too."

the blanket falls onto the couch as you slowly push yourself up so that you're sitting again. your head aches, and for a moment you feel something weird with your sinuses, but it's not as bad once you see how happy felix is that you're up again--even if it's only to eat something. you feel loved as he sits down next to you, carefully sitting the tray on the coffee table as he prepares to feed you soup by the spoonful.

and you feel it again hours later when you rouse to the sound of the front door being opened. minho stops to see you, home from work, and quietly thanks felix for caring for you so much. how wonderful, you think to yourself as felix rests his hand on your cheek, it is to live in a world with so much love embracing you every day.

[tiredtriedfailures]

what in the sam hell is this. by god you people are dogs.

thabkfully someone said it

[twentyfivemiceinatrenchcoat]

YOU’RE AN ANGEL, I’M A DOG ; SATORU GOJO

synopsis; an upcoming exam has been stressing you out, and satoru’s pleas for you to take care of yourself fall on deaf ears. thus, he sets his sights on your professor.

word count; 4.3k

contents; satoru gojo/reader, gn!reader, yan!gojo, as far as yanderes go he’s very mild i think (im sensitive u can trust me!!), mentions of blood, implied murder (not depicted!!), he threatens your professor w a knife lol, surprisingly fluffy??, gojo is soooo lovesick & smitten, he just wants his baby to live a happy life :( is that so wrong :((, also your parents love him <33 and he calls you honey <333 ideal man.

a/n; i blacked out & when i woke up this was in my drafts… mysterious. @kissxcore here u go alexis <33 one very smitten morally gray yan!gojo just for u!! i completely lost the plot halfway through but i had a lot of fun writing this!! :33 i don’t dabble in yan content at all so it was a fun lil challenge hehe, i hope it ended up . Somewhat .. decent…

satoru thinks you deserve everything good.

”haah…”

— the sigh spills into the air, like a dot of ink on paper, dripping with exhaustion; a palpable fatigue that has his heart clenching beneath his ribs.

just as he feared, you’re here. again. seated on the couch, in the living room, legs crossed and framed by flimsy strings of moonlight; illuminated only by the dim light of the laptop in front of you. carding through your hair, blinking sluggishly.

another sigh. deep, exasperated, from satoru this time. he keeps a single hand on his hip, brows furrowed in soft disappointment. 

”honey… what do you think you’re doing?”

you jolt, the sudden sound breaking you out of whatever trance you were previously in. when your gaze flits to his, craning your head to see him rest against the wall leading up to your bedroom, he thinks you look a little like a kid caught with their hand in the cookie jar.

it makes him smile. despite his disapproval.

”ah — satoru! it’s… um.” a moment passes. he can practically see the gears of your mind turning, searching for a good excuse. ”… not what it looks like?”

he clicks his tongue. ”nice try.”

then he’s walking towards you, in long strides, gliding across the room like a butterfly in search of nectar. from the sweetest flower there ever was.

even when said flower is still awake, past midnight, pulling an all-nighter despite his frequent advice not to. his very frequent, very thoughtful advice not to strain yourself until you just about pass out.

but you just won’t listen.

”’m disappointed in you, baby,” he huffs, just playful enough to ward off any genuine feelings of distress. he could never truly be disappointed in his baby. ”what did we say about studying this late, hm?”

a sheepish chuckle slips past your lips. satoru is standing in front of you, hands on his hips, raising a questioning eyebrow as you squirm. lighthearted, yes, but genuine. it makes you feel a little guilty.

”… sorry,” you breathe, closing the lid of your laptop. knowing he won’t let you stay up any longer. with the loss of light, your face becomes shrouded in darkness. ”just can’t sleep when i’m so stressed.”

at that, satoru makes a tiny noise — something worried, a little sad, from the base of his throat. a soft frown finds its way onto his lips, and he blinks the sleep away from his senses. plopping down beside you.

”i know. i’m not trying to lecture you,” he croons, reaching out to cradle the apple of your cheek. you melt into him like molten honey, easy and sweet. ”just worried. know you’re stressed.”

and he does. he does know — it’s all he’s been able to think about, these past few weeks. to his dismay, he’s even begun to grow used to this sight, used to finding you in the midst of working yourself to exhaustion. fighting the urge to sleep, slumped over your desk, or cooped up on the couch. staring into your laptop like it holds the secrets of the universe.

time and time again, he’s told you to take care of yourself. tried to coax you into relaxing, rubbing your sore shoulders and kissing the puffy skin beneath your eyes. but this exam is important — you’ve told him as much, more times than he can count. he doesn’t doubt that you’re right. 

of course you’d be stressed. he gets it.

still, though.

”but you know it’s not good, yeah? that it’ll just burn you out?” his thumb goes to smooth over the dark crescents beneath your eyes, gentle as a feather. ”we don’t want that, do we?”

you bite your lip. trapping it between your teeth. he knows you know. ”… yeah,” you admit, a flimsy little sigh on your tongue. ”it just feels easier to do this at night. don’t know why.”

”my little night owl.”

that makes you smile, a little, but it’s not enough to satisfy him. he curls an arm around your waist, and drags you into his lap; gentle, always gentle, like all that exists under your skin is made of porcelain. like the lines of your face form a string of words, a label of fragile: handle with care. he always does.

with his heartbeat by your ear, his warmth melting into yours, it’s easier to speak. a pressure on your chest that fades away. ”i’ll try not to do it again,” you murmur, biting back a soft yawn. nuzzling into his neck. ”promise. don’t wanna worry you…”

satoru softens. 

(always so good to him.)

”it’s fine, honey. i understand.” he smiles, smoothing down your spine, counting the bumps of vertebra that slide along his palm. ”don’t worry that pretty little head of yours over me, alright?”

in return for his comfort, you wriggle away, lifting your head to give him a smile. one of your many smiles, each one fervently cherished by him; the one you’re wearing now is tired, a soft curl of your lips, the kind that makes him want to lull you to sleep. just the sight alone makes the anxiety in his veins feel like a worthy investment.

he doesn’t tell you anything that could cause that joy to diminish. doesn’t tell you that he can’t sleep without you, that he can barely breathe knowing you’re this stressed all time. doesn’t tell you that he jolted awake with a sinking feeling of dread, a gaping pit in his stomach when he didn’t immediately feel the warmth of your skin against his. doesn’t tell you that he always, always assumes the worst.

satoru doesn’t tell you these things. it’s a safety measure, an act of love. a bundle of unvoiced syllables, woven into white lies, silky and sweet. tailor-made to put your aching mind at ease. 

satoru thinks you deserve everything good.

it’s a theory, of sorts, a train of thought. a hypothesis made manifest. after many years of pondering, he’s arrived at the following conclusion; you are all that’s good. therefore, it only follows that you deserve everything that’s good, all of it and more. satoru believes you deserve every single thing your little heart desires — and he’s determined to give it to you.

so he’s been worried.

it’s not that he doesn’t trust you. he knows you’ll ace the exam, knows you’ll do your very best, knows you’ll make him proud. you always do. you aren’t the problem, no, never.

he just doesn’t trust your professor. 

that unfair, stuck-up, incompetent professor who’d fail his students just for being a couple minutes late, who curates his exams to be as convoluted as humanly possible. you and your friends are starting to suspect he just likes berating people for a living. satoru knows it all, he’s heard it all, of course he has. satoru pays attention to everything, when it comes to you. he knows all about your professor, the man who’s been making your studies pure hell for the past semester.

it makes his blood boil. steady, ruminating, hot and heavy in his veins. a rivulet of lava.

(it was only a matter of time.)

satoru is a teacher too; he knows that type. one that has no business being a teacher, in the first place, one no student deserves to be subjected to. he’s met more of them in his career than he could even begin to count. the thought of one of his own students being at the mercy of someone so incompetent makes his skin itch.

and the thought of you, seated on the couch, crying and sniffling when he comes home because none of the exam questions made enough sense for you to even try —

it makes satoru want to claw his skin off.

it makes that tiny, tiny cavern in his heart extend, widen, like a maw, swallowing up his liver and lungs and sense of morality. an emptiness begging to be filled. 

there’s only one way to satiate it.

so he plants a wet kiss on your forehead, ruffles your hair, tucks you into bed and waits until you fall asleep. deep and heavy, a slumber you won’t wake up from anytime soon. he presses his lips to your forehead one more time — for good measure.

then he grabs his coat and slips outside.

the moon is visible through the window.

a thin crescent, nailed next to the dim stars, leaking a dream-like fluorescent shine; illuminating the office, so quiet he can hear those erratic breaths spill out, one by one. a heavy, heavy silence, thick enough to spread like butter over toast. 

(ah, that’s right — he forgot to buy the butter you asked for this morning. no wonder he feels so out of sorts. he’ll have to grab it on his way back.)

”who… w — what are — ?”

satoru stays silent. lips pursed, eyes keen, burning into the back of the man in front of him. close, almost chest to back, enough to have him scowling in displeasure. 

just being in his presence makes satoru feel a little sick. 

he keeps the blade pressed right beneath his adam’s apple, a silver glimmer in an office painted blue and gray. not enough to sink into his skin, but enough to have his heartbeat hammering, enough that satoru can practically feel those rapid flutters of life. brushing against his gloved hand.

he gets straight to the point. voice muffled by the fabric covering his mouth, low enough that it’s barely even audible. he’s careful, about this kind of thing. there’s a delicacy to the ill intent, something he’d be a little enamored with if it weren’t for the compass stuffed into his ribs — the compass that tells him this is wrong.

he just can’t bring himself to care.

”the upcoming exam.” his voice sends a shiver down the man’s spine. satoru can feel it. ”don’t fail a single student.”

silence. pure silence, suffocating them, tangling itself into the air. satoru can practically taste it — fear, familiar, that pang of panic. a ticking time-bomb. the knife stays pressed against warm skin, pushing, sinking, just a little, a drop of red against his pale throat. 

it’s enough to get your professor to make a little noise, one that vaguely resembles a whine. like that of a small animal, rolling over on its belly, eager to play dead. no word is spoken in reply, but he nods, just barely, a nervous tremble of his head.

satoru hums, approving. ”good.” he doesn’t loosen his grip. ”there’s a particular student i’m worried about. marked them down in the catalogue... i’m counting on you.”

another noise. a grunt of affirmation, a silent plea — satoru allows that fear to seep into his own bones, just a little, just to get a taste of it. cold on his tongue. he wonders if this is what helplessness feels like.

then he takes a step back. slow, tentative, dragging the knife with him. not before parting his lips once more. ”don’t turn around,” he warns. ”i’ll be back if there are any complications. this’ll be our little secret, hm?”

the man in front of him doesn’t say a thing. frozen in fear, paralyzed, not moving an inch. a fly trapped in his web. it’s a relief.

before he exits the room, satoru puts the final nail in the coffin. just in case. ”i happen to know what school your daughter goes to.” he waits for a flinch, and it comes almost instantly. like clockwork. “remember that.”

it’s an empty threat. your professor doesn’t know that, though. he doesn’t know that satoru knows his daughter, that he walks past her preschool almost every morning on his way to work. that she waves to him whenever he passes by, and that he makes it a point to always wave back. a little troublemaker; the rowdiest of utahime’s preschoolers. she has a bubbly laugh, and just lost one of her milk teeth. she was giddy when she showed him, a bout of giggles spilling from her lips as he cooed and ruffled her hair. 

he wouldn’t lay a finger on her. 

but your professor doesn’t know that, hasn’t got a single clue, and satoru delights in the fear that must be running through his veins. down his spine, crawling into every narrow of his skeleton, making a home for itself that he’ll never quite be able to root out.

a gulp. satoru hears it, in the quiet of nightfall, just before he shuts the door behind him. good.

the rest of the evening is a blur. satoru gets home, relieved to find you still asleep, and tucks you into his chest. makes a mental reminder to order your favorite take out tomorrow; a little reward for your hard work.

finally, he can sleep easy. knowing you’ll get what you deserve. 

three weeks later, satoru places his hand on the familiar doorknob in front of him, dragging his weight behind him. blinking sluggishly. 

there’s a sinking feeling in his chest, weighing him down — like an anchor tied to his liver. a compass, tucked between his fourth and fifth rib, one that’ll always stay lodged right there. he’s learned to grow used to it, a natural consequence, a sign that his humanity is still intact. 

that doesn’t make it any less bothersome, though.

(ridding the world of a pest shouldn’t make him feel dirty. especially when he felt nothing but contempt for the pest in question, for the way he whistled as you walked by, the words he spewed before satoru met his eye. vile. putrid. why should he feel guilty for wiping a stain off the pavement?

it does make him feel dirty, though. a sinking feeling in his chest.)

there’s nothing to be done about it. satoru swallows the unpleasant taste on his tongue, and drags the door open, closing it behind him with a softness he reserves for you alone.

and there you are.

on the couch, farther away, already looking his way — lips instantly curling up into what he knows will be a smile. this time, it’s laced with excitement. one of his personal favorites. his gaze devours the joy in your features, the glimpse he gets of your teeth, that familiar crinkle of your eyes. 

you’re smiling. at him. you smile and his world wakes up, it’s dyed in different shades of blue, it’s brimming with life and love and something too good not to kill for. you smile and everything is right, good, worth it. you smile and it's as if the blood has been washed off his hands.

suddenly, all is well again. satoru exhales a blissful little breath.

“‘m home, honey,” he grins, a light pink dusting his cheeks, hanging his coat up before turning to face you. arms wide open. “did you miss me?”

his heartbeat stutters when you practically engulf him, all giddy giggles and that perfect smile, nuzzling into the crook of his neck. “mhm,” is what you chirp, pressing kisses down his collarbone, and he has to bite down on his lip to stop the shivers trailing down his spine. he tastes iron, but laps it up with a coo. sickly-sweet.

“missed you too, precious,” he purrs. “sorry i was gone for so long — had to take care of something.” 

he cups the back of your skull with his palm, large and crafted just to hold you, and marvels at how much you trust him. how you’re melting into his chest, fitting into every crevice of his heart. he wants to keep you there forever. forever and ever, always within reach, always close enough to touch. 

but he also wants you to be happy. he wants to see you run away, wherever the wind takes you, if only so he’ll get to feel you jump into his arms again, when you’ve had your fill of the world. when you come home to him, where you both belong.

satoru would never cage you. never, never, never. he wants you to enjoy your life — confining you wouldn’t do any good, would only stifle that pretty smile he loves so dearly. he wants your world to be large, brimming with life, blooming with fervor, wants the air to be clear enough for your beautiful lungs. he couldn’t build a world for you, here, in this apartment. no matter how big or luxurious. 

so his only option is to bend the world into a kinder shape — twist and mold until it forms a path good enough for you to follow.

(it’s worth it, he knows, he’ll always know. it’s worth it to see that smile.)

“is that a new coat?” you ask, naive and innocent, and it breaks him out of his thoughts, attention wired to the lilt of your voice.

“yeah.” it’s stylish, expensive, a nice shade of black. he had to throw the last one away. “looks nice, right? i’ll get you the same one, pretty.”

“you don’t have to, toru!” you hurriedly exclaim, knowing he’ll jump at the opportunity to spoil you. “i like the one i have now!”

satoru pouts. a soft huff, right by your ear. “you don’t wanna wear matching coats?” he feigns sadness, scratching softly at your scalp, drinking up the little purrs that bubble up in your throat. 

and you giggle. you giggle and all he can think is worth it, worth it, worth it. a stained coat or two means nothing. the blood on his hands is just insurance. 

“well, when you put it like that…” you shift a little, curling your arms around his neck, breathing him in. he wonders if you can smell the cleaning detergent. “i guess i wouldn’t mind a new coat.”

and he grins. “right? want me to buy you new shoes while i’m at it? some jewelry?” he peppers kisses down your neck, amusement laced in his voice. “the whole store?”

again, those giggles. again and again. he laps them up like fine wine. “okay, that’s too much.”

“but you deserve it!” he whines, sickeningly sweet. sick to his stomach with love. “been working so hard, my angel.”

and, suddenly — you light up. his little firefly. brightening, inhaling a giddy breath. pulling away, a little, and he does his best to bite back the frown on his face. you’re practically beaming, sunshine personified, eyes glittering with giddy joy.

“right! i almost forgot!” 

then you’re skipping away, happily, to retrieve your phone. and he knows what you’re going to show him, but still feigns surprise when he sees the score on your exam, that perfect 100 on the screen. still makes an expression of shock that he knows will get you to laugh, still picks you up and spins you around and tells you how proud he is.

he almost, almost feels bad, seeing you smile so wide; at what you assume to be the fruits of your own labour. almost feels ashamed, knowing that perfect 100 wouldn’t exist without the knife at your professor’s throat.

but, then again, this is how it should be. those numbers are the fruits of your own labour, because satoru is a part of you. and you deserve it, deserve it more than anyone — he knows you would have gotten it, even without his help, if your professor was competent enough to see your brilliance. 

satoru smiles. he is proud of you. and this is exactly how it should be. he’s just bending the world into its rightful shape, cutting strings from a wrongly woven web, righting the wrongs of the people around you.

you, you, you. the only thing that exists.

all of him is for you.

”i knew you could do it. never doubted you for a second, baby,” he smiles, so wide his cheeks hurt, and you return it with a kiss to his jaw. 

”thank you. i’m just so relieved,” you exhale a breath, heavy, and it’s like he can practically see the stress melting from your shoulders and eyes. worth it, worth it, worth it. ”gosh. i’m gonna sleep like the dead tonight.”

”as you should,” satoru chirps, pinching your side. softly, brimming with fondness. ”but before that, we’re gonna celebrate. all day. and tomorrow too!”

another smile coaxed from your lips; this time, it’s a little bit shy. bashful, at the praise, his endless excitement. so precious he wants to kiss you breathless. give you all the air in his lungs.

so precious that he forgets about everything else. 

this is what you always do to him; wrap him up in a blanket of your love, cloud his veins with a nectar so sweet he takes the leap into your arms without a second thought. a foolish, lovesick butterfly, sticking to a single rose; dripping with honey, overflowing. the butterfly is too drunk on love to care. 

you’re his flower, his joy, the most useful form of anesthesia. with you in his veins, on his mind, your lips on his jaw — satoru can pretend that his hands are clean. that they always have been.

it all slips from his mind. your professor, the creep who catcalled you yesterday, that one classmate you’ve been complaining about recently. he forgets that they even exists, and satoru thinks that must be what love is: something that narrows your world down until you can make a home out of it. 

(something worth holding onto, no matter the cost.)

as always, it’s your voice that snaps him out of the trance he’s in. turning around at the sound of your call, the orpheus to your eurydice, too in love to save you from himself. you’re both getting ready to head out, dressing up for a well-deserved date. 

satoru feels himself smile. he does the dirty work, and you get to reap the rewards. heaven on earth.

“oh, by the way! would you want to have dinner with my parents tomorrow?” you meet his absent gaze with a tilt of your head. “they’ve been asking about you again. it’s such a headache, seriously.”

satoru giggles, barely containing how delighted he is. raising a playful brow. “oh? grumpy that you aren’t the favorite child anymore, hm?”

“okay, first of all —“ you stifle a giggle, pulling a drawer open, rummaging through it. freshly washed clothes. he washes most of your things. “you aren’t their child. and second of all —“

“— yet.”

a pause. 

satoru watches your gaze flick over to him, then back to the drawer, collecting yourself. a cute flush to your cheeks. “… whatever.” you clear your throat. “second of all — i don’t like how much they like you. what kinda spell did you put them under? it’s always satoru this, satoru that!”

a huff fills the air, and you mutter something that sounds a little like mocking, an obnoxiously imitated where’s satoru? that makes him chuckle into his fist. 

he shrugs. “i’m just a natural charmer, y’know? and, for the record; i would love to have dinner with them.” he sends you a wink, playful, and you roll your eyes. “are you joining us?”

a bout of laughter pushes past your lips, and satoru thinks he could die happy — just soaking up the joy that spills from out your throat. he wishes he could live in it, paint your house in it, wear it. he wants your joy to be all he ever feels. he feels sick at the idea of ever being out of earshot for it.

“yes, i’m joining you.” your scoff is dripping with humour. ”i’d hate to be the fourth wheel, but it is what it is.”

satoru stifles a grin. ”lucky me. three beauties all to myself,” he drawls, a seductive lilt to his voice, just to hear that little noise you always make with the back of your throat. vaguely disgusted.

”you’re so gross.”

a coo. like the buzzing of a bee. ”don’t be jealous, honey. know you’re my favorite, don’t you?” satoru smiles — more sincere than you’ll ever know. ”could never love anyone else.”

”so my parents are in second place?” you quirk a brow, amusement lacing your words, and he clicks his tongue. 

”well, they made you. i’d have to be a fool not to worship artists of such caliber.” 

”charmer.”

”yours.” the word is a knife at his throat, a stain on his coat, a love so heavy it’ll burn him alive. ”only yours.”

and again, you smile. all he can think is that you deserve everything, everything he could ever give you. it’s all he can think as you go about your day, as he leads you outside, as he watches that flicker of joy dance inside your iris. as he watches you walk wherever your heart takes you.

the thought remains when you return home, when you wrap yourselves up in blankets and he throws a leg over your waist and you curl an arm around his ribcage. it’s all he can think. 

satoru was born to be of service — to someone, to the world, to something or another. he was born to carry a weight on his back, so why not bear the weight of your burdens?

all he wants is to protect you. all he’ll ever need is that smile on your face. he was always bound to be just this: a dog at your heels, a halo around your head, the watchful eye keeping you safe from everything rotten in this world. he’s the butterfly, the spider, the web itself. and he’ll never let you be tangled up in it.

he was born to be of service to you. so service you he will, until it all comes back to bite him.

“satoruuu — stop stealing the blanket!”

he prays it never will.

[araneapeixes]

this is part of a one-page comic up on my Patreon but these panels were really the whole reason

[strangersteddierthings]

Fic where Wayne thinks Steve is Steve's middle name and that that's the name he prefers to be called.

He thinks Steve's first name is King because 1) Eddie always ranted about King Steve Harrington and he just thought Eddie was full government naming the kid in his rage and 2) he absolutely wouldn't put it past the Harrington's to name their only son King.

Imagine his surprise when he learns Steve's first name is, in fact, Steve.

[bones-of-a-rabbit]

what if i told u,,,,,,,,,,, i had another new au idea

say hello to the 'two-faced' au! where u start to work at the daycare and become besties with Sun n Moon right as Vanny is putting the whole virus-thing into motion. Moon rlly likes u and feels like he can b his genuine Professional Silli Boi self around u, so when he starts having some more murdery tendencies he makes the executive decision to just kinda Lie About It and make sure u don't know! and everything will be fine, so long as u never find out about those missing kids! or where ur coworker went. or why ur other coworker quit. or why that one guy is in the hospital. or,,

(it gets way more complicated when management starts to wonder if u could be tied to all these accidents that only ever seem to happen on ur days off)

[cheswirls]

short asl thing based on @where-does-the-heart-lie's modern au :) i started this over a year ago but the beginning is all dialogue and felt more like a script to me i suppose??? which deflated my desire to work on it. anyway i checked it over recently and it's completely fine lmfao, self-confidence restored here we go !

-

"Yo. Aren't you usually in the middle of your shift by now?"

"I've been banned from the hospital."

"Like, for life?"

"No. For the next, uh.. Twenty-two hours."

"That's oddly specific."

"It was twenty-four, but I fell asleep after leaving the building."

"That wouldn't have to do with why they kicked you out, at all?"

"Hmmm. I'm too sleep-deprived, apparently."

"Ah. And, um, you called me because...?"

"I pressed a random number in my call log after waking up. Lucky you, I guess."

"Yeah. Right. Lucky me. And your car keys are...?"

"Confiscated."

"Ah, right, of course."

A beat of silence. Two. Three, then "Look, if you're busy, then–"

"No, no.  You called me, so I'll be there. Give me twenty minutes."

"Alright. Thank–"

"Thank someone else. Also, if you fall asleep in my car, I'm taking it as express permission to drive you around wherever I want."

"Ugh, go die. I don't even know why I bothered."

"LUCKY YOU, I guess," sounds off way too loudly in his ear. "No take backs. See you in ten."

"I thought you said–" Sabo breaks off as the call ends, leaving him staring blankly at his phone's too-dim screen. He squints, turns the brightness all the way up, and still squints as the sunlight proves too strong for the display.

Ace shows up in more than ten but decidedly less than twenty minutes. Sabo doesn't waste much brain power on it, only climbing into the passenger seat and yawning into his palm while his other hand fixes the seatbelt into the buckle. Not a second too soon, too, as Ace roars the engine to life and peels away from the curb at record speed.

Ace fiddles with the radio. He turns the music up, then dial it back down to inaudible. They hit the expressway and he leans over the steering wheel, frowning with his eyes fixed on the road far ahead. Sabo yawns again and this appears to be the limit to his patience. 

"Hey, so, I had a thought after you hung up on me."

Sabo grimaces. "You mean you–"

"Today's Wednesday."

He doesn't elaborate. Sabo is too tired to process. "Yes," he follows, after a second. He glances at the sky out the front window. "What time is it?"

"Oh, uh." Ace fumbles with hand placement so he can lift his watch to his face. "Nine forty."

Sabo takes a couple beats to try and process this, moves his eyes away from the skyline, and sighs as he pulls his phone out. 2:47 is what the display reads, which sounds much more believable.

"How did the minute hand get off?" he mutters to himself, chancing a look at Ace's busted wristwatch. Ace raises a brow, taking his gaze off the road to scrutinize Sabo. "No, it doesn't matter," he mutters to himself once more, sliding his phone away back on his person and out of his hands.

"My point is," Ace continues, like he hasn't just been interrupted by a whole thing. "Your timeout will be done midday Thursday. Did they switch your days off?"

"No." Sabo sighs. "They technically gave me the next thirty-six hours. Technically closer to forty. Something like that. I go back in on Friday. Sometime.” He tries to smile and it turns out very lopsided, from that he can make out in the rearview mirror. “Can you tell I’m tired?”

“I don’t think ‘tired’ is an accurate description,” Ace quips. “When did you eat a proper meal last?”

“Uh, yesterday. Maybe.”

“Maybe??”

“A ‘proper meal’ means different things to the two of us,” Sabo huffs. “On my account it was yesterday. I’ve had food since then, of course.”

“Alright, so here’s the plan,” Ace announces before absolutely whipping it around a curve. Sabo is his passenger in the passenger seat and had fully prepared to be so when he got in the vehicle, but he’d been vastly underprepared for this sudden course of action, which is how he ends up halfway out of his seat with his cheek slammed into the cold window. Ace doesn’t quite notice his brother’s terminal velocity until the car is once again on the straight and narrow, and only then it’s because of the audible thunk Sabo’s face makes when it collides with the glass.

“Aw shit. You good bro?”

“Ow,” Sabo mutters. “If I have broken bones I’m suing your ass.”

“Well, if you’re good enough to make jokes, I think you’re better than you’re letting on.” Ace keeps the wheel steady with one knee while he takes both hands away to crack his fingers. When he glances over at Sabo again, he looks even more pathetic – like he’s becoming one with the glass. “Anyway, as I was saying.

“I’m taking your ass home. You’re going straight to sleep and while you crash, I’ll make you something decent to eat and stick it in the fridge for you to heat up later. I’ll even make you two servings to eat two different times, since you clearly can’t be trusted to take care of yourself correctly.”

“Ouch.”

“I want you to conk out for as long as your body allows. We can reset your sleep schedule tomorrow, alright? Put your phone on silent; do not answer any calls. In fact, you know what, just give it to me.

Sabo glances over to see Ace’s hand held out to him, palm up. Fingers wiggling expectantly. His lips pull up into a grimace. “I’m not doing that.”

“Fine.” Ace takes his hand back. “But you will comply with everything else.”

“Wow! It’s so funny, I didn’t realize you turned into my mother overnight! Really tapped into your mom potential, huh? Anything exciting happen in your life that would cause that? I guess I wouldn’t know, since I’ve been a zombie for the past two days.”

“There’s nothing wrong with acting like your older brother, you dipshit, especially if you keep putting yourself through the wringer like this. You go home. You sleep. You wake up and eat. You go back to sleep. Then we do laundry. Does that sound agreeable?”

“That’s negotiable, at the least,” Sabo mumbles. “I will accept good food as a form of bribery.”

“Oh, nice, because I’m flat broke at the moment.”

Sabo makes a mental note of that, and then they’re pulling into the driveway. Ace lets him exit the vehicle by himself and then promptly manhandles him all the way onto the couch where it will be easier to force his body to relax than in a real bed. Ace knows this, so he calls him weird before chucking a loose blanket at his head. Sabo is almost too tired to function at this point, so he lets Ace have the last laugh in favor of finally closing his eyes.

Coming to is a surreal experience, especially since the sun is still out. He must make a noise because Ace is suddenly within view. His limbs are tangled in the blanket and still so heavy that he doesn’t bother moving. “Thought you would be gone,” he half-groans, eyes slipping shut again for a moment.

“I did leave,” Ace confirms. “I had to go pilfer some stuff to make stew with. It’s almost done, so I’ll hang here until then.”

Pilfer. That could mean any number of things. Sabo chooses to believe in the option where Ace is an upstanding citizen, and then remembers Ace saying earlier that he had no money. He frowns and squirms on the cushions enough to where it looks like he’s checking his pockets. “Where’s my wallet, Ace?” he bluffs.

“Somewhere around here,” Ace pipes up. “Your stomach will thank you for your contributions to the Portgas Household’s pantry!”

“Ugh, I got robbed,” he complains. “This sucks. ‘m going back to sleep.” He rolls over so his back is to Ace.

“Yeah, you do you, bro. Stew will still be here later. I’ll see you when you’re back in the world of the living.”

—

Luffy comes in late that night and slams the front door shut as loud as humanly possible. When he appears in the main room, he doesn’t seem to be upset, so Ace writes it off as a Luffyism. Sabo hasn’t stirred at the noise, so it’s all good.

Realizing this, Luffy pads closer to Ace’s side and looks at Sabo’s unmoving body warily. “Why is Sabo passed out like a corpse? Is he sick?”

“No, he’s not sick, he just can’t take care of himself. Which is why we are going to let him sleep for as long as possible.”

Luffy just nods to this, but it’s the uncomprehending Luffy-nod that means he’s just going to end up doing whatever he wants to regardless. Ace sighs, then jerks his head towards the kitchen. “He ate a little earlier, but I want him to eat again when he wakes up. There’s stew in the fridge if you want it – just leave him a little. Got it, Monkey D. Luffy?”

Luffy throws him a salute and then runs off in his socks. “Yippee! Ace made stew!”

“Think of your brother, Luffy, and make good choices!” Ace calls after him. “He’s a pathetic man who needs food to feel better or he’ll end up sleeping through Laundry Day!”

—

Sabo does not sleep through laundry day, but he does sleep for sixteen whole hours, so it’s just around noon when he forces himself up off the couch and into a warm shower.

Ace is around, which is mildly unexpected. But he’s still half-asleep, so everything is at least a little unexpected. He glances up from playing video games with Luffy to see Sabo leaving the steam-filled bathroom with his hair hanging around his shoulders. “You look like a wet cat,” he calls.

“Sabo’s awake!” Luffy cheers. “Ace thought you died at one point.”

Ace elbows Luffy in the gut, making him hunch over. “I did not!”

“He totally checked to see if your heart was still beating!”

“I’m undead, actually,” Sabo says completely seriously.

“Does that mean you don’t need to eat anymore?” Luffy questions. “Because I ate all the stew last night.”

“I saw that coming and made extra.” Ace finger-guns in Sabo’s general direction. “That’s why I bought two sets of ingredients. With your money!”

“With my money,” Sabo echoes, because it’s such a wild statement to have to deal with this early in the day. Well, early for him. “Fuck you.”

“I mean, I can tell Luffy where I hid–”

“Thank you, Ace, for agreeing to share your quarters with both of your brothers so we can all do laundry today on your dime!” Sabo raises his pitch so his voice is mockingly squeaky when he says this. He starts moving down the hall before Ace can start to argue, letting his and Luffy’s voices bleed into the background.

When he comes back out, now dressed, it smells significantly better than before. “I reheated the stew,” Ace announces, gesturing for Sabo to take a seat at the kitchen counter. “Let’s all have lunch before we head out.”

“You have to drink this too,” Luffy tells Sabo, sliding a Gatorade across the counter so it sets in front of him when he finally does take a seat. “Ace’s orders.”

“Gotta get those nutrients back somehow.”

“Aren’t we so considerate, Sabo?”

“Do you even know what ‘considerate’ means?” Sabo asks, lips quirking up into a half-smile. At Luffy’s shrug, it turns into a real smile. “Well, thanks anyway. Both of you.”

“No sweat. And look!” Ace brandishes a five dollar bill for both to see. “I found this baby for us to use on coins! It’s all on me today–”

“Where’s my wallet, Ace?!”

[dizzybizz]

mostly jrwi riptide but also @bardace's oc forts is here

[hinamie]

so just know, I'm healing / even though it don't feel like it

insp

[bacchuschucklefuck]

soon it'll be dawn again

transcript under the cut ⏬

page 01

Fig: no way? - you're still up?

Riz: Wh– yes?

Riz: Why'd I not be.

page 02

Fig: I me~~ean - that took.

Fig: whole day.

Riz: Yeah?

Fig: 'm beat.

Riz: you should sleep.

page 03

Fig: nah. my guy's still up

Fig: I wanna hang out.

page 04

Riz: That's really nice.

Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.

Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.

page 05

Fig: yeah, but you do it…

Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.

Fig: That's right… - though. Yeah.

page 06

Fig: sometimes it's someone else who - doesn't want the same thing to happen.

Riz: … - mm.

page 07

Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.

Riz (off screen): to anyone too, not just. - the people you /love/.

page 08

Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.

Riz: So I'm doing as much as I can now… 

page 09

Fig: Hey.

Riz: ?

Fig: Go dig some dirt with me.

page 10

Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)

Fig: o yea.

Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.

page 11

Fig: here u go

page 12

Riz: uh

Fig: now we make a thing! - 'm pretty good at freehanding a bowl.

Fig: I'll show u

page 13

Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try

Riz: uh - What. do I carve?

Fig: anything!!!

page 14

Fig: and– yep just seal the inside uh. seam?

Fig: yep that works - okay time's up! all contestant hands up

Riz: [blank speech bubble] - okay - wh. what's next?

Fig: haha - watch this.

(sound effect text): FWOO—MP

page 15

Riz: WH– DON'T JUST DO THAT???

Fig: Now it's fired!

Riz: THAT WAS NOT SAFE

Fig: (actually it's just dry. if u add water rn it'll dissolve)

Fig: ok catch!

Riz: [blank speech bubble] - careful!!

Fig: dw no need haha

page 16

Riz (thought bubble): oh - it's warm…

Fig: now I want you to throw this.

page 17

Fig: u gotta do it - c'mon

page 18

Riz: wh– - It's like 3AM right now

Fig: oh it's not /fired/ fired it's not gonna make a loud noise

Riz: And then just? leave a pile out here?

Fig: pour water over it & it'll be gone I told u

Riz: but

page 19

Fig (off screen): RIz.

page 20

Fig: I've done all this before.

Fig: Can you trust that at least?

page 21

Riz: no, I– - I do. - I trust you.

page 23

Riz: okay what happens now

(sound effect text): glob

page 24

Fig: we do it again!

page 25

Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)

Fig: see! you're already learning

Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.

Fig: Things change.

page 26

Fig: I've learned my lessons with "forevers". - But - as an artist

Fig: I can give you one thing: - You can always do it again.

page 27

Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.

page 28

Fig: So?

page 29

Riz: Yeah. - Yeah! - let's make another one.

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.