#my ultimate goal was being able to post writing

[chefwhatnot]

A Too-Close Analysis of the Double Exposure Treatments from Duskmourn (1/2)

Happy Prerelease Weekend everyone! During the announcement stream for Duskmourn, Art Director Ovidio Cartagena said that one of the goals of the "Double Exposure" Alt-art treatments was to capture the inner psyches of Legendary Characters. And that immediately tickled my neurons, so I decided to write a bunch about the different Double Exposures and what exactly they suggest about the different characters! This post will feature all the characters from Duskmourn who appear in the Main Story articles, with the rest coming sometime tomorrow probably.

The Wandering Rescuer-

In profile over the Wanderer is one of Duskmourn’s demons, seeming to show similarities to the demon depicted on the card “Vile Mutilator”. This demon in particular, and presumably other Duskmourn demons, possess the ability to kill survivors’ glimmers. The Wanderer is the only character we see in the story who has a glimmer, potentially because her will and connection to her home plane are strong enough to manifest one before any other members of the party can. So, having that connection to her home, to the place she has sought after for so many years and finally had the chance to return to post-March of the Machines, taken away by a monster… yeah, I can see how the Wanderer might be afraid of that.

Valgavoth, Terror Eater-

Unlike the other double exposure treatments, Valgavoth is the upper layer of this double exposure: he is the nightmare. He blends seamlessly into the door behind him, which is carved with a simulacrum of his core form. He is the House, and the House is Valgavoth. There is no escape from his grasp, etc.

Tyvar, the Pummeler-

Tyvar looks forward, fists raised in a fighting pose. His position suggests fearlessness, but a Cellarspawn still taunts him over his shoulder. “Oh why’d he be afraid of some random Cellarspawn” well he’s not, he’s afraid of what it represents. I posit that this Cellarspawn is the one Tyvar copies when he puts himself and Zimone into House camouflage in the main story. That action, while clever, nearly led to both of them being subsumed into the essence of the House if not for Zimone’s fateshifter. It represents bad change, the possibility that Tyvar isn’t infallible, and the way his transmutation abilities feel uncomfortably similar to that of Phyrexian compleation. But still, Tyvar stands proud and stares forward, ready to courageously curtail whatever may come. Also, only noticed this a bit after originally writing this section, but compare Tyvar’s Double Exposure card to Kona’s. Notice anything? The colors are inverted. Tyvar, the subject of the card, is rendered in magenta, perhaps showing how he is to be feared.

Kaito, Bane of Nightmares-

Kaito is surrounded by gaseous Cellarspawn who shy away from him, flinching back as though in pain. This, combined with his title as "Bane of Nightmares" suggests that there is something about Kaito that the House instinctively cowers from. Which, upon thinking things over, makes sense. He is a planeswalker: he has the ultimate trump card to ignore and escape the horrors of Duskmourn at any time. Plus, he is the only person we’ve seen who was actually able to pose a significant threat to Valgavoth, stabbing him through the chest at the climax of Episode 6. The ghastly cellarspawn are Valgavoth’s creations, and Kaito may be the only one they fear. (Kinda expect Kaito and Valgavoth to have an Ajani/Bolas or Elspeth/Norn relationship maybe.)

Niko, Light of Hope-

Niko is both layers of their double exposure, one calm and confident, the other in pain. Niko’s fears are all internal: fear of not measuring up to their ideals, fear of being forced to go along with whatever plans the powers that be have in store for them. Just as their magic creates reflections, the hand that skillfully balances five of their magic shards is reflected in agony on the "internal" layer. Yet, simultaneously, them being both layers of the double exposure seems to break the rules shown by the other cards. Extremely fitting for a master of their own destiny, wouldn’t you say?

Marina Vendrell-

Kinda similar to Victor’s Double Exposure treatment, the wings of a moth is overlaid on top of the subject’s face. However, Victor’s moth is covered in eye patterns, while Marina’s has the shape of a skull on its wings. Victor sees Valgavoth as a source of knowledge or power, Marina knows he brings only death. Notice, too, the way that Victor stares forward, making himself a part of the moth, while Marina glances to the side, attempting to reject its existence. Marina’s only safety now is that of denial: accepting how her actions doomed the plane to an eternity of nightmares would undo her.

Nashi, Searcher in the Dark-

Hey remember that time Nashi was trapped in a cage by a group of wickerfolk who slowly picked off the other Nezumi he cane to Duskmourn with and turned them into wickerfolk? Remember how a similar thing happened when Nashi ran into Tezzeret during that one side story and Tezzeret killed a bunch of Nashi’s friends? Remember how Tezzeret ALSO killed Nashi’s birth parents and everyone else in his village? Remember how everyone who gets close to him meets a horrible fate, to the point that eventually Nashi must find it easier to push other people away, to remain isolated because the only reasonable explanation is that he must be somehow cursed to bring ruin to the people he loves? Yeah.

Winter, Misanthropic Guide-

Winter pinches his forehead, deep in thought. Layered over him is a dagger with a strange handle that morphs into the hand of a corpse. This blade is a reminder of how he betrayed and sacrificed his friend in the house in order to escape Duskmourn. The blade faces the same direction as him, as though primed to stab into someone’s back. The hand is either the hand of his friend, desiccated and decaying, and/or represents the agency he had in the betrayal. Despite his claims that anyone would do the same, it is ultimately a decision he made, a path he followed, and consequences that he is responsible for.

Zimone, All-Questioning-

Over Zimone's face is a book, cover detailed with gnashing teeth and pages flipping ominously in the wind. But, as the story points out, how can there be wind inside the house? Zimone does not know, but she wants to. She wants to know everything, regardless of how outwardly intimidating the container of that source of knowledge may be. The spine of the book makes it look like her eye is closed, which combined with the reflective lens gives her an appearance of sleeping reverie. Her desire for knowledge blinds her to other potential threats, which the House knows and uses to sow the lures of her destruction.

That's it for now! Stay tuned for when I release the rest :)

[recallback-art]

oh yeah ftr, there's been talk floating around of a potential deal between tumblr and mid/journey and that's obviously bad news for me here. nothing is official yet and iiiii will probably keep posting until it is either debunked or confirmed, but be aware that i'm gonna delete this blog if its real.

if you'd like to help out small creators like me so we can keep our blogs here, email tumblr via contact us and tell them exactly how bad this is. be calm, be clear, and be serious so they take things seriously. k thaaaaanks sorry for the doom and gloom

[raguiras]

POV: Deuce's very first kiss from his crush

(Click for better quality)

I'm finally officially introducing my Yuu/OC x canon/Yumeship here! (✿◕‿◕) Writing this post took me forever, but I'm super happy with it!

Reblogs are super appreciated hehehe

(While Allen isn't me, I'm calling them a Yumeship because he's based on my younger self/me when I first started playing TWST & because the ship gives me a ridiculous amount of comfort!)

Allen x Deuce (aka Spade of Storms) is my ultimate comfort ship and they mean a ton to me.

These two are best friends who become lovers and closely mirror each other. Deuce is the delinquent with rather bad self-control who tries to be a model student, while Allen is a former honor student who's now a very lowkey delinquent with stellar self-control and a mature attitude.

Due to the fact that Allen and Deuce are so similar and yet the opposite of each other, they're able to excellently understand and support the other, and they help each other accept themselves.

Their ship blog: @spade-of-storms (facts, drabbles & more est. May 2024)

Now why exactly are these two perfect for each other? Well...

LONG TEXT AHEAD!

♤♤♤♤♤♤♤♤♤♤

Deuce:

Allen supports Deuce with all his heart. Instead of believing that someone "as stupid and temperamental" as Deuce could never become an honor student, Allen fully believes in him and encourages him. In comparison to when other people say it, these words actually have an incredibly strong impact on Deuce and are believable to him because he knows that Allen has similar experiences and speaks from them.

Allen doesn't think that Deuce is stupid in the slightest and views him as genuinely smart. To Allen, intelligence isn't determined by grades or academic abilities, but by morals, attitude, logic, and willingness — all of which Deuce has.

Allen doesn't try to change Deuce. Rather than turning Deuce into a full-on honor student and role model, which he isn't by nature, Allen prefers for Deuce to stay true to himself and work towards his goal while not suppressing any aspect of who he is — Allen knows exactly that forcefully becoming someone you naturally aren't would cause more issues than it would fix. In order to assist Deuce with staying true to himself while working towards his desired self, Allen does several things:

Allen lets Deuce be his 100% authentic self when they're together. Deuce tries extremely hard to always be polite and serious in order to maintain his reputation and not resort to old habits, but Allen, being very impulsive and easily angered himself, knows just too well that suppressing one's feelings and true nature isn't the way to go. When they're together, Deuce can openly rant about topics, use insults towards the people who angered him, and show his emotions without having to worry about how others perceive him or about how it might mess up his reputation — Allen would never judge Deuce nor share his secrets with others. This way, Deuce can be himself without restraints while also maintaining the way he wants others to perceive him.

Allen allows Deuce to be a delinquent in a safe, harmless way. If Deuce ever feels like doing something forbidden without breaking rules or staining his reputation, Allen (a very lowkey delinquent) has just the ideas for him. This provides a comfortable space for Deuce to live out his tendencies without falling back into bad habits.

Allen is able to introduce Deuce to a wide range of healthy coping mechanisms that work for him. Allen is a much angrier person than Deuce and is equally impulsive, but has stellar self-control due to the methods he uses, and passes them down to Deuce. As a result, Deuce doesn't feel the need to immediately lash out at others anymore and manages to become calmer and much more mature, taking steps into his desired direction.

Allen helps Deuce channel his "negative traits" into positive/helpful ones. With Allen's assistance, methods, reassuring words and unique view on things, Deuce learns how to use the qualities that he used to hate about himself to his advantage. Suddenly Deuce's anger is no longer a hindrance, but a source of energy and motivation.

Allen admires the things Deuce hates about himself. While Deuce wishes he wasn't as hot-headed, Allen views it as an amazing trait and sees the passion and longing for justice behind Deuce's fiery attitude. Additionally, Allen is able to help Deuce see the positive side of these traits, and aids him in channelling them into something good to use to his advantage (see above).

Allen is the only person to fully get through to Deuce. Due to them essentially having the same experiences, opinions, wishes and morals, Deuce felt comfortable trusting Allen with every last bit of his heart (in comparison to other friends) — not to mention that the way Allen was able to help Deuce so intensely and actually talked to him the way he needed it also played a role! Allen has his way with words and knew exactly how to talk to Deuce from the beginning.

Deuce can genuinely open up about his self-esteem to Allen. It's been heavily hinted at in the game several times that Deuce thinks incredibly lowly of himself, but this topic is usually cut short and he doesn't talk about it further with the canon Yuu. With Allen, however, Deuce can open up all he wants to. He knows that Allen has similar experiences and struggles with self-worth related issues himself, therefore not only not judging Deuce, but also fully understanding him.

Allen perfectly understands Deuce's past. Having been feared, avoided and known to be a delinquent/bad kid himself, Allen even understands the details extremely well. Neither of the two ever had a proper friend until they met each other on their first day at NRC.

Allen successfully helps Deuce with his studies despite hating school. Seeing how Deuce needs help, Allen (the "gifted kid") gladly volunteers, even though he's no longer interested in class and has sworn to drop the "honor student" facade himself. Due to Allen's easy explanations, methods, photographic memory and capability to catch on quickly, Deuce actually manages to improve his test results by 1-2 grades.

Allen's study methods are unique, which helps Deuce & is necessary for him. Being a slow learner (I also hc him to have some sort of intellectual disability), Deuce requires rather unique approaches to topics. As Allen is well-versed with both studying and psychology and also keeps Deuce's exact issues in mind, he's able to perfectly tailor methods and mnemonic bridges that actually work out for Deuce.

Allen makes sure that Deuce's desire to be a model student is & stays healthy. A fair part of Allen's trauma stems from being an honor student himself and having unrealistically high expectations regarding grades and attitude shoved down his throat by everyone at school (including himself), so he pays a lot of attention that the same doesn't happen to Deuce.

Allen respects Deuce a ton. Not only is Deuce determined, passionate, loyal, honest and eager, but he has the same core values as Allen, too. In Allen's opinion, finding someone with these traits is not only rare, but immediately makes them endearing to him.

Allen is patient with Deuce. He understands that Deuce occasionally has a difficult time processing and understanding things, and he isn't bothered by it in the slightest. This means even more when you consider that Allen is generally a very impatient person and is only able to be patient with those he truly loves and trusts.

Allen fills Deuce in when he doesn't understand something. Due to Allen being able to catch on extremely quickly, he can immediately explain things and situations to Deuce, helping him out and allowing him to get everything right from the beginning.

Allen indirectly protects Deuce. Known for being intimidating (in a good way), quick-witted, sly and a skilled schemer, most people — including those who enjoy picking on Deuce — shy away from Allen and avoid getting in trouble with his friends.

Allen stops Deuce from getting into fights. Whenever Deuce is about to get into a fight anyway, Allen gently but sternly reminds him of both his goal and the healthier coping mechanisms.

Allen understands that Deuce dislikes being picked on. Allen, being a sensitive person, hates it himself, and he actively tells off everyone who dares to make fun of Deuce or call him "Loosey Deucey". At times, Allen even gets snappy because of the inappropriate nicknames or insults directed at Deuce.

Allen inspires Deuce. Him being skilled at a variety of things and just logical in general gives Deuce the motivation to achieve the same. Deuce doesn't compare himself to Allen, either, and views him as an inspiration. If Allen can control himself and get positive things out of his negative traits, so can Deuce, right?! Not to mention that Allen is extremely tough and pulls through no matter what despite his mental and physical state...

Allen's maturity subconsciously wears off on Deuce. Even outside of the fact that Allen helps him grow and improve a lot through all the ways mentioned before, Deuce sometimes also subconsciously copies his boyfriend's mature attitude or asks himself what Allen would do in certain situations.

Allen is an advisor to Deuce. Deuce struggles with planning ahead, and Allen — a big-time overthinker who's extremely competent at scheming — is able to assist him. As a result, Deuce makes less bad decisions.

Allen loves blastcycles. Deuce can rant about them to Allen for hours, and the two often go on blastcycle dates together. Nothing is more fun than clinging onto your partner while driving at full speed!

Allen values Deuce's company like no other. Deuce regularly feels like a nobody, and Allen takes that feeling from him due to how much he connects with him and likes having him around.

BONUS: Allen is not only beautiful but also has an incredibly strong personality, drive, and determination and hasn't given up despite everything that happened to him. Deuce is a massive simp and his humongous crush on Allen has always been obvious due to how Deuce just can't shut up about him.

Allen:

Deuce loves and accepts Allen's body. As we have seen through his interactions with Azul and Epel, Deuce is very protective of people who don't fit the norm, and Allen is another such person — an intersex boy who was bullied for his unconventional body. Deuce has not only sworn to protect Allen from any possible discrimination, but also loves his body dearly and thinks he's super hot.

Deuce gives Allen a sense of stability. Allen's life was all about short-lived fake joys and prevailing negativity prior to coming to Twisted Wonderland, which made him feel disconnected from many things and people and gave him the feeling that everything is temporary anyway. However, Deuce's fierce loyalty and the strength of their relationship prove Allen wrong — yes, there can indeed be things in life that last forever.

Deuce's utter affection warms Allen's empty heart. Allen was never loved by anyone but his parents, who he thinks only love him because he's their son. Other than that, he never experienced love, affection, ... or even mere friendship. He was alone... until he met Deuce, who he somehow immediately connected with. It was as if their friendship was predestined by the universe... and with every day, Deuce's affection for Allen only grew.

Deuce genuinely admires Allen. Seeing how Allen always does his best, works hard, has ambitions and aims to improve impresses Deuce a ton. This is extremely healing for Allen, whose efforts were never properly recognized or rewarded before and who thinks that he needs to perfect at everything in order to be "someone".

Deuce makes Allen feel useful and resourceful. Allen often believes that he has no worth and could never make a change for the better no matter how much he tries, but seeing just how much he's able to help Deuce with a wide range of things proves Allen wrong — he's indeed capable of a lot of things. Not to mention that Deuce even passes some of Allen's tips down to Epel!

Deuce's honesty is refreshing to Allen. After being lied to and tricked by about anyone Allen ever knew before coming to Twisted Wonderland, Deuce's natural honesty and loyalty are an unfamiliar but utterly wonderful experience for Allen.

Deuce makes Allen feel understood. Allen often believes that others would view him as a monster if they were aware of his secret anger and opinions, but Deuce shares many of them. These two can openly talk about their values together and Allen feels extremely understood because of it — a feeling he barely ever experiences with other people.

Deuce helps Allen enjoy the moment. While he has some overthinking tendencies himself, Deuce is much more spontaneous than Allen and tends to act more on impulse. As a result, he can show his ways to Allen, allowing the overthinker to finally relax and think about his problems a little less.

Deuce doesn't hesitate to stand up for Allen. The fact that Allen was bullied for something he can't change in the past saddens and angers Deuce, and he has sworn to himself that he'll always protect his boyfriend. If there should ever be another situation where Allen gets bullied, Deuce won't hesitate to absolutely throw hands — this is not being a bad person and picking fights, it's standing up for an innocent person whose life was ruined by malice. Deuce wouldn't regret it in the slightest anymore, especially since Allen has helped him learn than anger isn't a bad thing.

Deuce helps Allen with becoming a proper mage. When Allen first gains magic during the final quarter of the school year, he has absolutely no control over it and is partially even avoided due to being a "walking health hazard". Deuce, however, sees this as the perfect time to pay Allen back for helping him study theory and decides to assist Allen with practical things. Through Deuce's determination and belief in him, Allen is able to improve much quicker than he would've without Deuce's help.

BONUS: Deuce is the warmth and honesty that Allen needs in his life. The boy's mere presence lights up Allen's day and Deuce's careful physical affection makes him feel like the most cherished person in the universe.

What else is there to them? (examples)

Both are extremely close with their families.

Due to being so similar and sharing many personality traits, loving each other so deeply allowed them to realize that they can easily love and accept themselves, too.

Deuce's previous incarnation had a crush on Allen's, who died way too early. In this life, the regrets of the past are being fixed.

Allen's the brain, Deuce is the brawn.

They're both extremely cuddly with each other.

LOTS OF COMPLIMENTS (from both sides).

Deuce often gifts Allen plushies.

Allen and Deuce are basically inseparable by now.

If you hang out with Deuce, you have to suffer through at least one tiny ramble about Allen.

...and much more that can be found on @spade-of-storms!

♤♤♤♤♤♤♤♤♤♤

Thank you so much for reading! I hope you like the art & ship and are looking forward to more of them! (✿◕‿◕)

[kaorucup]

speculating about the season 3 peepers villain arc

lately I've been thinking about season 3 again and I wanna cope with the fact it won't happen soon, so I want to talk about one of its concepts

(IT'S GONNA HAPPEN MAN, JUST WAIT UNTIL NEW PPG PROJECT AND THE NEW FOSTER'S HOME ARE ACTUALLY DONE)

something that's always piqued my interest was the mention of "peepers being tempted by the darker side" in official season 3 posts. (you know which, we've seen them all). it's not the only one there that interested me, but some concepts like the three new villains due for season 3 were actually deconfirmed by Craig himself in a Twitter q&a, and instead said it would be an existing character.

(I think. I'm not sure about that one)

see, things like that always change when everything is actually in production. I actually wanna make an entirely different post dedicated to the main antagonist and/or conflict because there's a lot of stuff to discuss there. but something that I truly think WILL make it into season 3 will be peepers' villain arc. I think there's a chance they could build off what's already in the show to lead up to this arc.

a quick recap of his attitude towards hater

in season 1, it's clear peepers tended to stay on hater's good side, since he still (somewhat) respected hater's actions in a way since he's been with him for so long + he only followed hater's goal of destroying wander and sylvia since they were their ONLY obstacle in their goal to rule the galaxy

I used this frame specifically because it's one of the only times he scolds hater in season 1 (maybe the only time, I forgot), and even then he's still scared to do so since hater even threatens him after this

and as we all know, by the end of season 1 and season 2 in general, he scolds hater A LOT more often because dominator's arrival spelled doom for the entire galaxy, even the villains. even before that, it was clear hater's obsession with wander was damaging the reputation of the empire, and hell other villains were even beating him on the leaderboard. by the greater hater, he's reduced to the 29th greatest. and now if you add hater's failure to initially properly focus on restoring his control over planets to putting his obsessions (wander in the beginning, dominator by the end) at priority equals one very pissed peepers.

in this particular frame, we all know this is a big moment in which peepers loses it and truly gets mad at hater for losing complete focus.

so when he finally locks in during the season finale it shocks peepers so much it moves him to literal tears. this man has been disappointed so much this season that this final move has made him truly happy. from my fair hatey to this episode, hater's ultimate goal is to save the galaxy to be able to conquer it again. so when that goal is accomplished he finally goes back to doing evil and attempts to conquer the secret final planet, peepers is literally so happy he has a heart eye. (not even close to being straight)

of course he's disappointed once more when hater begins to chase wander again.

"nothing ever changes."

2. peepers has greater plans for himself

"the universe will be mine!"

"if you ask me, I should be the one in charge."

I'm pretty sure I'm missing more moments where he shows an interest in becoming a great villain on his own. in general, it's made very clear that peepers is much more competent than hater. hell even evil sandwich has described him as a "smart guy who actually knows what evil is all about."

3. I FINALLY SPECULATE ABOUT THE VILLAIN ARC

So with all that background information out of the way, we reach the actual speculation.

these Tumblr posts by Frank Angones about season 3 are what got me to write this post. with this info in mind, I have a little scenario to share here

at the beginning of season 3, Hater would become a hero to the galaxy (following up from the ending to the end of the galaxy), and even though he tried conquering planets, he wound up either not conquering them or doing good deeds instead, to his own—and peepers'—dismay. again, taking the end of the galaxy's ending in mind, he clearly intended to conquer the new galaxy. however, it's clear he's definitely not as willing to do so and admits to peepers at one point that he tends to think about not being a bad guy. this of course breaks peepers' heart (yeah in that way too), and in a fit of rage leaves the empire.

he escapes to somewhere (idk where) and from there the antagonist(s) of season 3 either pick him up or kidnap him. from there they show peepers their ways and begin tempting him to join them.

from there more new scenarios can be made, depending on their motivation. Frank Angones has also stated that "there are worse fates than galactic destruction". in a future post about the season 3 antagonist(s), I'll explain more about what this could mean. since the post only says he could be tempted, we don't know if he would actually temporarily switch to their side.

if peepers joins an antagonist: he likely takes in their ideologies and hater (?) may have to remind him of his evil ways or something

if peepers declines: he realizes who he is to the hater empire and makes a move against the antagonist

secret options: the darker side is actually an actual villain (the antagonist(s) aren't "villains" like hater and dominator)

the scenarios are similar but I'll share them

if peepers joins them: he uses his knowledge and evil traits to the max to begin committing atrocities and stuff like that. hater and/or wander has to do something about it

if peepers declines: he realizes the villain is insane and goes back to hater (very, very, very small chance for a redemption, but maybe it will because wander can help him or something)

(I'm iffy on this one)

4. one final piece of speculation related to his backstory

when writing this post, I made two and two and found out something.

I don't tend to trust fandom wikis that much, but since the information seems to be accurate and aligns with what Frank is saying, I think all this implies the watchdogs mock peepers a LOT for being the shortest watchdog. what's also slightly implied is that his napoleon complex (in which he happens to be insecure about his height, which has been shown quite a bit in the series itself. "you are tall" being part of his motivational tapes, wander raises his soles to give him a sense of growth, the platform boots as a gift).

so if this is a big part of his origin story, I assume that way before he joined the hater empire with the other watchdogs, peepers was mocked for being the shortest. so when he and the watchdogs pledge allegiance to the empire, he "feels like he has something to prove", and begins from the bottom like most of the watchdogs until he's done so many evil things that hater notices him and promotes him to commander.

so now with that in mind, it makes sense why peepers would lose his mind over hater potentially giving up evil after pretty much devoting himself to evil for so long

once again, I yapped what I needed to yap and I'm satisfied

oh my god I spent like almost 3 hours researching and writing for this dear GROP

Edit: now that I think about it the way he said the line about the watchdogs feeling special and important in their interviews was actually kind of spiteful, which makes sense (poor guy wants to feel like that more often.....)

[athina-blaine]

kb/ms is truly transcendental yaoi, spectacular, amazing, 10/10, no notes ... from the perspective of a mithrun enjoyer

as a kabru enjoyer, however...

I'll start off by saying that of course Kabru doesn't want or need a romantic relationship to be fulfilled, especially not with a white man, none of them do, it's all non-canon, Dungeon Meshi isn't about romance or shipping, yes yes yes, but none of us are here for that right now!! We're here to fruitlessly argue why my blorbos kissing makes more sense than your blorbos kissing!! You know it, I know it, none of us are free of cringe!! Clown on clown violence!!

That being said ... 🤡

I just don't see what Kabru gets out of kb/ms. With Mithrun, it makes sense; Kabru has a huge impact on him and ultimately helps him reaffirm his will to live. That's very exquisite drama and excellent character writing. But with Kabru, I just don't feel that Mithrun's character interacts with his personal flaws and would instigate his growth anywhere close to the same degree. I have to imagine most fics involving them focus more on Mithrun's baggage and how Kabru helps him heal from that ... because that's mostly all that happens between them in the main story, lol!

And like, that makes sense, because ultimately chapters 61-62 aren't about Kabru and Mithrun; they're about Kabru working through his conflicted feelings in helping Laios conquer the dungeon. I think it's ironic seeing people complain about kb/ms having Kabru be Mithrun's accessory when, if anything, Mithrun's main narrative purpose, outside of illustrating the danger of the Winged Lion, is to serve as Kabru's obstacle. I'd even argue Mithrun represents Kabru's personal bad ending; Mithrun wants him to kill Laios and surrender the dungeon to the canaries, preventing the short-lived races from ever understanding how dungeons function and returning to the status quo that had gotten Utaya destroyed. It's only when Laios practically forces Kabru, straight up puts his thumbs to the screws, to work past his reticence and be emotionally vulnerable that Kabru finally puts himself on the right path to achieve his goals (it's, uh, still a bit of a bumpy ride, but they get there in the end, lol!). If he'd been this way with Laios from the beginning, he might have understood Laios' intentions from the start and saved himself a lot of pain, but it's only because of Laios' influence that Kabru is able to grow as a character and get his happy ending.

(And even if one were a Mithrun enjoyer, ultimately the main source of Mithrun's life affirmation comes from the canaries. In that final scene, Kabru gets the ball rolling because he's outside of the canary hierarchy, but the scene ends with Mithrun being embraced by the canaries and as far as I'm aware the two don't interact with or reference each other post canon at all. Hell, it's Senshi who really drives the point home. Not that it matters when we're all wearing shipping goggles here, but it felt remiss not to mention it.)

At most, I can see how taking care of Mithrun would force Kabru to reexamine how poorly he takes care of his own body and that could make for some good drama. But even then, that change is ultimately instigated by Laios' influence on him, an extension of how Kabru wants to understand how Laios can see the value in monsters in an attempt to better understand his own trauma. If a person were to get into Dungeon Meshi specifically for Kabru and wanted to ship him with someone in a way that's most interesting for him, I'd be hard-pressed to argue there's a better choice than Laios (although who'd be cringe enough to do something like that haha right guys ... [sweating])

(Side note, though, I really don't vibe with the argument that kb/ms "reduces Kabru to a caretaker role" and that's why it's bad. There's plenty of instances where Kabru shoulders his friends' burdens (helps Kuro learn common tongue, listens to Daya's fiance about his relationship troubles, etc) and, more importantly, is seemingly happy to do so. I think Kabru genuinely enjoys looking after his friends and in the story seems to find plenty of personal satisfaction getting Mithrun to eat. I understand it has the potential to be more troubling considering Kabru is a brown man and Mithrun is a white man, but idk, it just feels on the same level as people trying to discount labru by saying Laios wouldn't take enough of an interest in people to want to start a romantic relationship, when his whole thing is that he does want to connect with people and just feels like he can't. It's not a bone I feel like picking, haha)

I honesty don't mind characters being "mischaracterized" in fandom or fic even to a large degree, I know it bugs a lot of people but I respect that ultimately fandom is little more than picking up the vague outline of a doll and playing with it and mashing their faces together. Besides, if I'm really worked up about it I can just write a fic and set the record straight myself, haha. This post is merely inspired by the supremely annoying subsection of twitter that acts like labru is the ship where it's just two dudes sitting in a room together. I'm just saying, Kabru ends the series whispering into the ear of another man as his day job and it's not Mithrun lmao

[writingquestionsanswered]

How do you know when your plot is over complicated?

Knowing When Plot is Over Complicated

I think story structure templates (Save the Cat , Hero's Journey, Three-Act Structure, Larry Brooks Story Structure, Seven-Point Structure, John Truby's Twenty-Two Building Blocks, Six-Stage Plot Structure, Dramatica Act Structure, etc.) can be really helpful in determining whether or not your plot is over complicated.

Fair warning: story structure templates are just guides... never feel like you have to follow a particular one, or follow a particular one exactly. Many writers cobble together bits of different templates, and others use them simply to inform next moves. They're just there to help you figure out how your story might go.

Having said that, browse through some different templates and try to identify key points in your story according to the structure's plot points. When you find one that seems like a reasonable fit (doesn't have to be exact), you can fill it out according to the plot points in your story. If you have several plot points that don't seem to fit, see what happens if you fill out a couple other different templates. If you consistently have the same plot points not fitting into structure templates, that could be a sign that those plot points are excessive and not doing much for the story. At that point, you can look at each excessive plot point and ask what happens if you delete it? What changes in the story? Are those elements essential? If so, can you effect those same changes by revamping another (necessary) plot point? If not, you can probably cut it... but you might want to save it in a file for use in a future story.

Another thing you can try is going through each of your plot points separately and ask yourself the following questions relating to how each plot point moves the story forward:

Does it move the MCs closer to their goal? Does move the character further away from their goal or create an obstacle that must be overcome? Does it move characters into place for the next plot point? Does it deliver information and/or develop information about back story, characters, or world that is crucial for understanding the story?

If you answered "no" to all of these questions and can't see anything critical the plot point does to move the story forward, it's likely an unnecessary plot point.

Even if you answered "yes" to one or a few of these questions for a particular plot point, it's still worth looking closer to see what exactly the plot point accomplishes. Are you sure that thing isn't being accomplished elsewhere, too? Are you sure there's not a way you could make a more necessary scene/plot point accomplish that same thing? Sometimes you can eliminate excessive plot points by taking what you feel needs to be kept and tucking it in elsewhere, into places you know need to be kept.

Ultimately, with a little critical thinking and "kill your darlings" honesty, you should be able to find and eliminate parts of your plot that are excessive.

I hope that helps!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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[genericpuff]

How should someone write for a comic? I want to start a comic but I’m a bit in the dark for how to write one

This is a very, VERY broad subject that, like the question of "how to draw comics", is very multi-faceted and impossible to tackle in one response. Especially because I myself also will not have all the answers.

What I will say is that regarding writing comics, let's say webcomics, it's not an uncommon thing in the slightest to see writers come into communities like /r/webtoons and ask for people to help them draw their passion project and to that I say... please don't LOL That's not to say that's what you were going to do at all, just wanted to throw that out there as an initial opening disclaimer. Ultimately the reality is that in webcomics, many of the people creating these projects are artists first and writers second (as one of those skillsets is way more accessible than the other), and already have their own passion projects that they're working on. So if you're going into purely writing comics, you're gonna need to manage your perspective on the industry and how it functions from a writer's POV rather than the POV of an artist who picked up writing as a consequence of wanting to get into comics.

That said, the beauty of writing comics is that, in general, it requires a lot less overhead than drawing a comic. That's not to say that it's necessarily easier, because god knows writing presents its own unique challenges, but writing a script generally takes less overhead and resources than turning that script into a comic. I can pump out 10 episodes of rough scripts for Rekindled in a day or two, with tweaking and editing along the way, but actually drawing those episodes takes weeks LMAO (and I wouldn't be able to pull off a lot of the stuff I do now without the help of my assistant @banshriek who not only provides a lot of expertise in drawing backgrounds, but lightens the workload in their help with shading and rendering! they also provide great feedback when it comes to the roughs stage <3)

So if you're starting out, just like the advice I give to budding webcomic artists, it's about starting. Build that experience, get some projects under your belt no matter the size or length that you can use to show your skills (and shop around for feedback from those willing to give it!), etc. Familiarize yourself with various genres, both writing AND reading! Like scripts for film, writing a comic script doesn't HAVE to come with the visuals even if that's the end goal, you don't HAVE to relegate yourself to finding an artist to draw your comic and then posting it online in the hopes it'll get seen. There's a lot that can be done with a simple comic script, whether it's sharing it to the world as is, adapting it to a novel, or pitching it to publishers/agents. Being a comic writer comes with a lot more flexibility in that way than being just a comic artist with no script (though, again, most indie comic artists will simply pick up writing to create their passion projects, it's a much bigger task for writers to pick up art for the sake of creating a comic).

Also establish your goals. Is your plan to write for some major industry some day? Or would you rather stick to writing for smaller productions? Just like with drawing webcomics, you should be setting your expectations in places that are reasonable to meet, rather than shooting for the top of the game right off the bat. If you're wanting to get into writing comics, your first major goal should be something like writing a complete script and NOT, say, getting to write for Marvel/DC lmao

As for the actual writing of comics, I highly recommend you read Scott McCloud's Understanding Comics, it delves into both the history and technical aspects of writing, drafting, and pitching comics in a very easy to understand way (it's a comic about making comics!)

Here are some other helpful resources I was sent by a pal recently that might also help familiarize you with the process of getting into the actual industry as a comic writer!

I hope this gives you at least a good place to start from! Again, it's ultimately a very broad topic that will vary from person to person (esp when it comes to the differences between genres and target demographics, ex. someone writing an action comic isn't likely going to use the exact same processes as someone who writes romance), but I hope this at least helps you find some direction in it all so you can establish your goals and start making steps in the direction you want to go in.

Good luck!!! <3

[jennyandvastraflint]

Would love to hear more about your thoughts on the commercialisation of fandom!!

Ooooh, boy you've opened a can of worms. I took a Fan Studies course at uni for a module bc I could choose it, and I did a lot of research into this specific topic... I hope it's okay that I'm just putting in some of my slides and then summarising underneath each!

Now, fandom in, for instance, fan fiction spaces, works on the basis of a Gift Economy in which gifts rather than money are exchanged. However, these gifts aren't just meant for one person, but for many, and even when you for instance do an artwork or a fanfic for someone, other people can still ALSO read it. These gifts can (but don't have to) be responded to with another gift, be it a comment on a fic, or a fic in return. Now, I could go into much more detail here, but I recommend checking out for instance this text by Trisha Turk on the TWC for some more in-depth stuff about this. (I'll list all the sources I used in the presentation in the end btw!) The gist of it is that fandom is a very complex system in which the reciprocation of gifts - and therefore labour - is distributed across the community.

(more under the cut)

HOWEVER capitalism, as always, comes along and tries to ruin things for profit.

Fandoms continue to form because of the unrestricted movement and no one dictating what is well, "really" canon and what isn't. I'm sure you've witnessed some fans in more recent years refusing to ship things that "won't become canon anyway", positioning the canonicity of a ship or a scenario higher than... well, their own critical reflection and interpretation OF the media and their own creative endeavours. At the end of the day, canon for me personally is something to draw on, negotiate with, or reject if it's stupid, while more recent fandoms I've seen sometimes go about their engagement with fandom as a sort of... worshipping of canon almost, and where being noticed by the creators is sort of the ultimate goal.

Now, this is of course connected to corporations realising that hey, actually people engaging with our media and creating something about it bring in numbers, and with them being able to make a profit off of views on social media, they seek to drive certain forms of engagement with the content. However, they are of course seeking to police HOW you engage with things, and don't you dare stray from their vision too much. This, of course, harms especially marginalised communities who propose alternative readings of media, who subvert the show itself and who transform it into something else, adding themselves into the work and into a world where, by design, they were invisible. It's also an attempt to undermine fan activism and grassroots organising by fans (if you wanna hear more about fan activism shoot me another ask and I will ramble <3 edit: link to post about fan activism) by keeping them in line with a sterilised version of fandom. In this sterilised and controlled version, the forms most often encouraged are things like video edits (but don't be too out there, that's bad too) that can be consumed like content by fandom... They like video edits, sterilised fanart, and things that are easily consumed and bring numbers, but "don't you dare write that nasty Spirk fanfiction where they have sex in the captain's chair! Ewww, yuck yuck!"

Rather than having a fandom driven by community, you have one driven by consumption, and that has become increasingly clear in the past few years, with readers on fan fiction asking "When next chapter?", pressuring artists, writers, etc. for more 'content' for them to consume without a) participating in the Gift Economy fandom is built upon and b) realising that these fan works are gifts to the community in the first place, and not content... These are, by the way, often the same fans who will cheer on AI because now they can finally read a story they wanted someone to continue :D Instead of using their own fucking brain, they're asking a bot trained on scraping works to produce them some bad, surface level jumble of words just so they can consume, consume, endlessly consume without ever having to think.

A few years ago (well in like, the late 2000s), a site called FanLib wanted to profit off of the resale of fanfiction, but were quickly shut down. Their mistake was that they mistook the community of fandom for a commodity to exploit for their own commercial interests. I'm not sure you've seen it, but Wattpad has sent authors emails asking them to update their fics frequently because it would appease the algorithm (see Tumblr Post about this here), which leads me to my next little point!

Algorithms! If you have ever done fan edits and posted them on sites like TikTok, Instagram, etc., you'll have noticed that... unless you post regularly and frequently (like. one edit a day at least), the algorithm will NOT push your video at all and it will be buried. Algorithms are based on how well a post performs not in terms of actual community that is built, but of course on numbers. Wattpad also functions on an algorithmic principle, which is why you have some........ individuals coming to AO3 and complaining about the supposed algorithm, spamming their work and reposting it, yadda yadda. Basically, these fans are so used to being spoonfed by an algorithm by now, they are confused when they are actually left on their own and are supposed to learn some basic fandom rules. It's honestly frightening to see fandom not only be reduced to this surface level interaction and to number-based algorithmic systems, but also to the trend-hopping TikTokification of fandom.

A study done by Booth and Dare-Edwards published in 2021 that focused on school age children basically came to the following conclusions... Children still connect "fan" with the same stereotypes of obsessive and unruly individuals that were plaguing us thirty years ago. A whole bunch of children think fandom is a thing of the past and that it peaked in the early 2000s - and while fandom of course is different now and has changed with the spread of the internet, fandom very much still is A Thing. Further, children connected fandom and being a fan mostly with buying merchandise and collecting, and also with plain consuming content, echoing "neo-liberal associations of ‘emotion’ with ‘buying power’, but at the same time, seemed to pathologize those who practice fandom (as they see it) ‘too much’" (Booth and Dare-Edwards 230). The text concludes that while there has been an explosion of media and you are becoming more multi-facetted in what you are a fan of, lilypad hopping and essentially abandoning fandoms after a brief period of surface level engagement and consuming content is increasingly becoming more common. From my own experience, this is for instance the case with shows like Willow (2022), Good Omens(ish), etc. Pretty much anything more recent doesn't have as stable a fanbase and if you enter the fandom a month too late it's already fizzing out. It's really fucked up, honestly.

Right, after that long tangent about this, I want to bring up ancillary models, which is an attempt by capitalist companies to market the previously unwanted Gift Economy of fandom as something new and desirable, but something they are in control of.

Ancillary Content Models try to lure fans in with "free" Behind-the-Scenes content. The guise they have stolen from fandom of acting like a Gift Economy of saying "here, this is for all our dedicated fans <3 Consume :D" is used to downplay the commercial infrastructure these Content Models (honestly it's already in the name). The "gifted" content is more concerned with getting loads of people to individually consume as much of it as possible to create an alternative revenue on for instance social media through views, clicks, likes, etc. They're essentially trying to commercialise our viewing time and keep us engaged with that additional content as much as possible. Rather than having a community that comes together to share their ideas and stories around a metaphorical campfire, Ancillary Content Models want each person alone to sit and stare at the stuff they put out as much as possible, always placidly clicking "like" and demanding more. They also want to cultivate an "official" fan community (aka the ones most dedicated to consuming additional content) that they can monitor and control, and they don't encourage anything that's too... out there, too subversive, too queer, etc. Coined "re-gifting economy" by Suzanne Scott, capitalism with these Ancillary Content Models has warped the Gift Economy fandom functions on into a model that equates consumption with community, and which wants to profit off of fans' engagement and their free labour of making viral TikTok edits that adhere to the sterilised version of what a fan "should be". The example I used in my presentation for this is from The Dragon Prince, which, while I do love the show, has been pushing such Ancillary Content Models. They also have a Discord (which is regulated and monitored) as their "official fan community" place, and not only are the rules pretty strict, but it also just... doesn't feel like a community but just like a bunch of people wanting more content gathered in one place :/

Now, to conclude this, capitalism sucks and is trying to ruin fandom communities in order to replace them with something they can make some more money of, and rather than having a critical fanbase that questions things, they want one that endlessly consumes the "free" content they churn out. Stay active in fandom, remember we're a Gift Economy, learn the fandom rules, and keep hating capitalism <3

Fan Work: Labor, Worth and participation in Fandom's gift economy by Trisha Turk

Now, the sources I have used for this...

Repackaging fan culture: The regifting economy of ancillary content models by Suzanne Scott

Stanfill, Mel. “The Fan Fiction Gold Rush, Generational Turnover, and the Battle for Fandom’s Soul.” The Routledge Companion to Media Fandom, edited by Melissa A. Click and Suzanne Scott, New York, 2017, pp. 77-79.

"No one's a fan of anything anymore, this isn't 2002.": Surveying 7–17-year-olds on being a fan and contemplating the future of fandom. by Paul Booth and Helena Louise Dare-Edwards

[agentc0rn]

Another Pretty Long Character Analysis: Kieran and Nemona - Strength

disclaimer: not claiming this to be objective, just another writing piece full of thoughts done for fun because Kieran is such an interesting, in depth character ever

Okay so I mentioned this in my older post about kieran being the foil of nemona and their shared struggles with being at the top, socially excluded, and how strength as social arbiter displaced them in social settings. Like Kieran, Nemona became overly strong that no one wanted to compete and keep up with. Her passion is misread because of that plus the top statuses she holds as a wealthy multi-talented, high-achieving student. She is a good person and true to herself (her naivety to social cues perhaps is because of her lack of social connections with others). She means well and just want someone to battle with their efforts no matter the outcome and enjoy to the fullest. Battling is her expression of self, her way of enjoyment and connecting with others. Kieran is alike to an extent, with his strength already at a high level (stated by Carmen in the beginning), and his joyous expression seen during our first fight. This is supported by the fact as stated by Drayton how Kieran had fun battling pre-Teal Mask. These two rivals' love for battles run parallel with each other!

However, Kieran's transition reflects a common mindset that artists, athletes, musicians, etc. all resonate with: competitiveness + measure of worth in the things you like the most - you have to be good at them. I feel this strongly as well with art being my major source of passion - I pressured myself into thinking I had to be really good at it and not enjoy for the sake of doing it regardless of skills.

Battling was not only something Kieran liked doing, it was his main source of confidence and self-esteem.

We see that clear in Blueberry Academy, in dialogues and student culture, competitiveness is high, demanding, and brutal. Kieran may have internalized the idea, provided with his insecurity of weakness and his goal to become independent and reliant. Seeing that we were able to defeat him and sister with ease, he grew to admire but also envious of our esteemed strength, how our power seems to be favored by luck (having speical mons like Koraidon), inducing him to believe that if he worked hard, he could get to our level too. To add further, his lifelong admiration of Ogerpon supports his motivation and his aforementioned desire to be stronger. He wanted to be strong and cool as the ogre, not caring what others thought.

What I find interesting is how Kieran and Nemona handles their way of battling with us. Nemona guides you through the journey while challenging herself to learn in new ways - she restarts her journey essentially. For Kieran, even though he has experience, he struggles with the losses against us (confidence issues and again, aside our MC Role, there is some skill difference given that we fought the titans, area zero mons, team star, and gym leaders). He does change up his tactics, but ultimately does not see victory. He ends up restarting in a way back at BB academy. As a result, Kieran becomes more isolated throughout his training arc and his domination in the league. Him strictly calling out others for slacking inadvertently turns him into the fearsome "oni" figure that he idolized and thus earns him an unfavorable reputation as the president (similar status with Nemona) of the League, for instance, a dialogue between two students mentions how how ever since he became champ, the League club became less fun....Despite the contrast of tensity in these circumstances, Nemona is misunderstood in similiar manner with Kieran.

If memory serves correct, Nemona really gets into the battling mood and sometimes forgets about hers and others' limits, but does acknowledge them given a few instances when she does not battle you. Whereas for Kieran, once he entered the extreme zone, he fully devotes himself to strength at the cost of his mental, social and physical well-being. He discards his limits, giving everything he has got that ultimately eats him from the inside. The final scene when he reacts to losing may also show not just his struggle to grasp reality but a literal side effect on his health (no sleep = poor mood, poor thinking)

He desperately clings to the idea that endless training would grant him the guaranteed chance to beat you ("I know I am making the right choice") and no longer enjoys battling. Battling became a constant test of worth, the last and only means of proving himself. Even though he did become stronger, it drained his health, energy, sanity and reputation. Again, in an ironic way, he really became the oni (self filling prophecy).

at the end however, when we reach out to him to be confident in himself, that we needed his help, it gave him that confidence boost. We all believed in him - he really needed that support. Maybe seeing terapagos going berserk had him gain self awareness that he was like that too and how that caused harm to not only himself but to others.

One small thing to point out that he is like Terapagos in a way. Both are small, secluded and strong lads who end up going wayhire with their mass power.

Not to sound corny but I really felt Kieran’s frustration about losing. I was competitive too but soon let go of that. It’s fine to improve yourself but doing that to be better than others as your main reason can really cause burnout. Anyways this is a disorganized list of thoughts I wanted to share but if you read it the entire thing I really do got to say thank you for taking the time to do so.

EDIT: fixed some grammar and stuff because this was just a run-on draft lol

[utilitycaster]

This is probably something that will be obvious to many but: writing about fictional works but not creating fanfiction/fanon to me tends to fall into four categories, and I think it's really important to get how they intersect before getting weird about other people's posts.

Opinion. Eg: I like relationships based in mutual understanding. This is my opinion. It is correct for me. Might not be correct for you! Note that this is pure opinion, with no argument.

Interpretation: Eg: Beau and Yasha's relationship shows a great deal of understanding in each other's shared experiences, including abusive parents; a shared tendency to believe, at least earlier on, that things will go badly and that they don't deserve better; and difficulty expressing their feelings verbally but letting out frustrations through fighting.

Fact/Evidence: Beau says she is unused to things turning out good, and Yasha believes herself to be, as she says, very unlucky or cursed. Her letter covers that she expresses herself through fighting.

Conclusion: I like Beauyasha.

Argument is Opinion + Interpretation; a valid argument is Opinion + Interpretation + Evidence. Meta can include opinion but ultimately is Interpretation and good meta is Interpretation + Evidence. It's fine to post just an opinion, but if you want to change minds, you need an argument, and if you want to be able to hold your own against a counterargument it better be valid.

You can have the same interpretation and facts and different opinions and therefore different conclusions. Someone else could say "I like messy relationships (opinion) and so Beau and Yasha's shared understanding (interpretation, same as mine) is not interesting to me (conclusion)." You can also have a different interpretation from the same facts, either because you are including a different set of facts on a topic or because there is ambiguity and room for different lenses.

If your goal is to change someone's mind - and to be honest mine usually isn't - you are unlikely to change their opinions. Eg, If someone says "I don't like Beauyasha because I prefer messier relationships" I'm not going to convince them on the grounds of "you shouldn't like messier relationships." I need to either put forward an interpretation that supports a messier relationship, or, more realistically, say "understandable, have a nice day" and move on with my life.

That last bit is important - a lot of people also argue on the basis of "well obviously this interpretation is the only one, so you should draw the same opinions from it." and that's likely to fail; either the person disagreeing with you overall does agree on the interpretation but has different opinions (as in the above example), or they have a different interpretation (eg: Beau and Yasha have attacked each other repeatedly) and that is the basis of their opinion (I don't like that). You need to figure out which is going on and address that should you wish to change their mind. And again, I think you should ask why you want to change their mind.

The last point is that all of the above is valid given the text and reflect different perspectives. But if someone were to say "I don't like Beauyasha because Beau turned into a porcupine and moved to France, and I don't like long-distance relationships" the invalid portion is that this literally did not happen (fact leading to interpretation). If someone can correctly dispute the facts of your interpretation (as they stand at the time, obviously; no one is penalized for not being precognitive) then you are fucked, argument-wise. If I point out that Beau did not turn into a porcupine nor move to France, this person's argument falls apart. They can still dislike the relationship, but if they want to justify it with an argument they better find a new interpretation, and fast.

Before I move into the end I will note that you can also just not vibe with something, and that's purely in the realm of opinion + conclusion, a la "this rubs me the wrong way" or "I find this annoying" or "it's cute" and all of those are valid to hold for yourself, and also inaccessible to anyone else

The conclusions I draw from all of the above are first, making posts that are only your opinion/conclusion is always fine - say what you want - but treating it as an argument is a waste of time, and so anything of the order of "how could you not like xyz (unspoken: because I did)" is pointless because my answer is going to be "easily, and with confidence." Secondly, I think it's valuable to look at posts, even those with arguments, as primarily interpretation rather than opinion. Putting forth a separate interpretation is a disagreement, but it's not a disagreement necessarily directed at you; it's disagreeing with you but the parallel play option is available! You do not need to go out trying to convert all to your same mindset. I think a healthy fandom ecosystem has multiple interpretations and opinions and respectful disagreement; the positive version of "let people like/dislike things" (ie, they can like it or dislike it and if you're normal, your enjoyment is not contingent on theirs). Thirdly, get your facts straight or suffer the consequences. And finally, if you are trying to make an argument for an ongoing work and do so over time, your opinion must be fairly consistent even as the interpretation naturally evolves otherwise it becomes clear that you are arguing in favor of a foregone conclusion (often via moving the goalposts). If you say "I like characters who are willing to make painful and difficult choices, and Blorbo always takes the easy way out, so I don't like them" and Blorbo develops into a character who is able to make painful and difficult choices, if you start critiquing Blorbo now on the basis those choices that's still fair but you better come very correct, and it might be wiser to just say "I don't fuck with Blorbo, if you do that's great but I don't."

[hazardsk8r]

(THIS IS AN OUTDATED POST)

(i've been writing this since 2 in the morning, so i'm sorry if the writing here looks messy. /gen)

everyone's asleep? COOL!!!

time to ramble about my hypothetical vicdark AU that no one outside of my comfort zone would probably want to hear!! /lhj

okay so... what if dark doesn't die, and he ends up teaming up with victim and it turns a little gay?

like... hear me out maybe.

warning though, this is mostly based off of headcanons. so if this is inaccurate. whatever, fuck it, we ball.

(getting this out of the way before we start, i'm going to be referring to alan as noogai3 here.)

---

okay so dark lives, right? HIP HIP HORRAYYYYYY!!!! we celebrate!!

but sadly he's in terrible critical condition. so what does he do? break into some hospitals and steal some shit like bandages or whatever sticks need and goes into hiding in a cave and starts trying to heal himself.

while in hiding, victim has been using their mercenaries to try to bring both dark and chosen into justice for two reasons.

one, justice of course.

but also two, they're trying to get more information on noogai3 since they're both created by the same dude and thinks the both of them are a good way to get closer to their ultimate goal of confronting the son of a bitch. (albeit, in victim's pretty fucked up way.)

meanwhile for dark, he's somewhat recovering and is able to somewhat fend off for himself. albeit, still kind of weak.

a little while later, the mercenaries had found out about dark's location and decided to pay him a little visit. they all show up to the cave while dark is probably eating a sandwich and try to convince him to surrender, which he doesn't. so the mercenaries then start fighting dark to try to arrest him and it was probably the coolest thing ever for like.. 30 seconds.

with the worst timing ever, the virabands end up failing on dark and he ended up getting beaten up bad... again. so he gets paused and taken to the hoverbikes, and the mercenaries fly off with one of the most infamous criminals of the outernet arrested.

back at victim's company, dark gets placed into healthcare immediately for about a week. later with dark mostly recovering, victim then decided that it was finally the right time to question him about noogai.

victim heads over to dark’s bed and begins to question him about noogai’s whereabouts.

dark mentions that he really doesn’t have an idea about where noogai currently lives at the moment. but he does know how to bring objects outside of the outernet into there. especially since noogai was able to be teleported there.

victim becomes intrigued. they begin to question dark more. eventually, the interrogation ends up derailing into a somewhat deep conversation about what happened and how the two ended up where they are.

victim talks about what happened to them in the first ava with noogai3 just abusing the shit out of them and ending up deleting them. and victim wanting to get revenge on the little shit.

dark then rambles on about how noogai also fucked him over in a way that coded him into being automatically destructive towards chosen out pf his control, but still ending up forming an alliance with him and escaping from the pc, to then how it all went into shit in the showdown and how “betrayed” he felt by chosen rejecting his virabot idea.

(putting this here just in case. but i do NOT think that chosen “betrayed” dark in any way. all chosen did was say no to violence and destruction once and dark got all petty and upset and decided to dramatically call it betrayal. ok we good? alr lets move on)

so both victim and dark are kind of just sitting there now.

victim doesn’t forgive dark immediately, but has been able to empathize with him in some kind of way.

so victim walks off telling dark to get more rest but they’re going to let go of him soon in like a few days, but dark tells victim to stop for a second.

victim questions what dark could want this time, and dark explains that he can help victim with their project.

victim goes like “okay, no. i have a whole team dedicated to this and i don’t need more hands over this project.”

but dark explains how he’s good with technology and all that kind of stuff, and that he can help even bring noogai3 into the outernet so he could be sent to justice.

and something about those words just kind of resonated with victim. like they’re both two sides of the same coin.

so victim just goes like “ok i’ll think about it.” and leaves.

but yeah victim eventually ends up agreeing out of hesitation because like… that’s a criminal they’re working with LMAO. but they did admit that they could use another stick who’s kind of close with noogai to help with the project as well.

so yeah. victim lets dark take part of the project and dark pretty soon became victim’s second right hand guy apart from agent lol.

also victim had a team from their technology department make personal new virabands for dark since the old ones just don't work anymore now, which looks pretty damn snazzy if you ask him lol.

(here is my rushed presentation with an equally rushed edit of what it looks like)

from then on, to probably a year now, they have been working pretty closely with each other on the project!

cue the really fucking gay shenanigans with a side of angst.

---

and that’s how they met! that's a whole lot of words! but i need to describe my personal interpretation of their dynamic real quick.

think of their dynamic in the way that they’re both a force to be reckoned with. they're both really smart in their own ways. with victim's knowledge on how to control others, to dark's knowledge on how to ruin others lives and destruction. but i think they're both equally smart when it comes to technology lol.

they’re both pretty uncaring towards others except for each other. they both only think about things that only benefits them. they’re both really confident in their own crafts and tend to get passionate fairly easily. they also tend to do really huge nice things for each other but swear that it’s “nothing personal”.

there’s also no such thing as the “meaner” one of the duo because frankly, i think they’re both equally evil bullies. there are differences though.

victim is kind of like the more colder one of the duo and way more professional than dark. but they can become pretty fucking insane too though if you push the right buttons and make them feed into their more toxic traits.

they’re really unsure how to respond to personal affection to the point where they usually just reject it, but also because of their disgust for it. idk it’s either one of the two.

dark is the more playful insane one of the two, like he would just come up with the most insane shit imaginable and victim would always have to be like “hey dude it actually sounds pretty fucking awesome. however, you need to stop.”

he’s the more bolder affectionate one out of the two, always pulling victim to hugs and putting an arm around their shoulder to victim’s disgust, but they do gradually get used to it a little bit though.

… yeah that’s kind of about it for the basics about the au.

---

closing statement? i dunno.

i think it's kind of funny how i heard a random piece of dialogue from the class of 09 visual novel and think "what if that's victim and dark... HOLY SHIT-"

yeah uhhhh if you're still here, thanks for reading through all my bullshit. i couldn't be more thankful /pos

might post more stuff soon because tbh i've gotten a pretty huge attachment to this ship and au...

sorry lmaooo. be sure to like and subscribe idk

[whompthatsucker1981]

Help Siraj and his family be safe and rebuild their home

Hey, I'm writing this post in behalf of @siraj2024, who has reached out to me this month for help. Ever since the genocidal campaign on Gaza broke out in October, Siraj, his wife, and 3 children have been forced to relocate 6 times so far, their reality like many other Gazans, of being confined to a cramped tent subject to weather, without access to running water and are food insecure. There is no school for the children to attend, having to tend to daily tasks like fetching water instead of playing, and the precarious conditions and dismantled healthcare have them at risk for illness and disease.

Their family home was destroyed in the airstrikes, and their ultimate goal with this fundraiser is to eventually rebuild the home and repair the damage. The target of the campaign is to reach 82 000 Canadian Dollars, but as of now they have an initial goal of 10 000 CAD to relocate his family to safety as quickly as possible, the current amount in his fundraiser as of now on the 21st of July is 8039 CAD.

His campaign has been verified as legitimate by multiple Palestinian bloggers here such as @nabulsi , and to help you can continue sharing posts of his campaign, and donate if you are able to. There are other ways to help too, as Siraj has reached out to several people willing to help raise funds: there is an art commission raffle organized by @sheplaysbassdotmp3 , and a book raffle organized by @magnus-rhymes-with-swagness .

Please help share and donate/take part in the raffles if you can. Keep his campaign circulating.

@90-ghost @northgazaupdates @sayruq @fairuzfan @fallahifag @sar-soor

[starlostlix]

Fukuchi is a 'tragic hero' and how his narrative on the page parallels that of the current manga narrative

[Sorry for the bulky title I didn't know how to phrase it with any less words.]

Anyone who has seen my post probably knows how interested i've been in the writing of Fukuzawa and Fukuchi in recent chapters, and I've just recently had an idea (inspired by a post by @starlightshadowsworld about Fukuchi and Fukuzawa) that Fukuchi is in some ways a 'tragic hero', mostly inspired by Macbeth (I have studied Macbeth like 3 separate times in school I think it may stick with me forever in some way).

So a tragic hero is usually a central character of a story, someone who is noble yet experiences a tragic downfall linked to a fatal flaw in their character. But some antagonists can also be tragic heroes. A tragic hero has to be virtuous to gain audience sympathy, have a tragic flaw that leads to their downfall, and suffer a reversal of fortune.

- So where does this apply to Fukuchi?

Fukuchi can be considered virtuous - he has goals of world peace, he's portrayed as a hero in his movies and to the people of the world, and he has his willingness to give up his life as part of his plan - which can all lead to the anime audience/manga reader and the people of the BSD universe feeling sympathy for him.

He also has his fatal flaws - he works with untrustworthy people like Fyodor to try and make his plan work (ultimately leading to his plan failing and him being turned into a weapon), and he displays a sense of cruelty despite his personal limit of 500 deaths for his plan. I do think that his ability itself is also a fatal flaw - his ability (being able to strengthen any weapon by 100x) is inherently made for combat and destruction, and goes directly against his ideals of world peace. In fact, the reason Fyodor needed him in the first place was his ability. In universe, his bloodlust and his own friendship with Fukuzawa would be seen as his fatal flaw, as may be written on the page.

Then the reversal of fortune. His original plan was to die and world peace to be achieved via the page from that. Instead Fyodor uses him as part of the Tripolar singularity and he is now the vessel of the Divine being that threatens to destroy everything around it - and goes directly against his ideas of peace. But that is OUR narrative - the people of the BSD universe were to have the narrative of Fukuchi being defeated in battle by his own friend, his bloodlust luring him to his own defeat.

But being a 'tragic hero' is to mean that his actions are inherently flawed, much like Macbeth being willing to shed so much blood for his own gain. Fukuchi's actions put the world in danger, even with his noble goals of world peace, and it is his flaws and actions that have led to the world being in such a dangerous situation - leaving it vulnerable to not only manipulatiors like Fyodor, but possible corruption via a potential dictatorship. His ideas were overly optimistic and doesn't account for these potential disasters enough (and no, placing Fukuzawa as leader does not solve this issue - what about who comes after? will they be as kind? and even then he's just shouldered his dear friend with a huge burden he didn't want in the slightest. i'd argue that's also another flaw of his - not having the necessary compassion to consider the effects his plan may have on fukuzawa, teruko and others involved and seeing that his goals may not be worth those.)

- So Fukuchi clearly hits all those boxes, but why do you keep mention the in-universe BSD population?

Well the main idea is that the narrative we see in the manga parallels that of the one the people of the BSD universe would see.

Fukuchi (his body now possessed by the Divine being) is creating all out destruction in Yokohama, with no reason or remorse for it. It is likely that this is how Fukuchi, if the page took effect when he was defeated, would be viewed by the public for his actions with the Vampirism and the One Order. Nothing more than a mindless monster, where his bloodlust is his fatal flaw, rather than his ability and his trust in the wrong people.

This is why i theorise that the final blow to kill the Divine being/Fukuchi will be done by Fukuzawa - preserving the effects of the page and playing out exactly like the page would have predicted. Essentially I also see the narrative of the page being applied to defeating the Divine being instead of just Fukuchi.

In addition, the people of the BSD universe would have had sympathy for him until this point. Not just Fukuzawa and Teruko, but all his fans who enjoyed his movies and the soldiers and politicians who idolised him. Whilst the current manga narrative has some attempts at evoking sympathy for him, most of the fanbase don't feel sympathetic to him (which flips the narrative presented in-universe).

[So essentially the current narrative we the reader see is possibly mirroring the one already written on the page - at least that's what I'm trying to say (i'm kind of confusing myself trying to write this, I had a point but it's kind of slipping my mind when I try to explain better). I hope this makes sense to at least one person lmao. This has been in my drafts for a bit so I hope it still makes some sense.]

[xkseii]

It's a goodbye

It's a bit overdramatic, but I'm a bit of a drama king, so it's no surprise for everyone.

As stated, it is a goodbye. I am not planning to continue this blog for various reasons. This account both fueled my passion for writing while also fueling my hatred for my own writing. I have the feeling that I can't keep up with the expectations, and neither do I feel like I will be able to spend much time on a work that satisfies me.

I've met amazing people, whether they were anonymous or we ended up being mutuals, or friends. This year was amazing for me, even if there were some moments that dragged me into low mental states. I'm thankful to all of you, even if you were just here and enjoying my writing, it made me really happy and feel supported.

I may log in from time to time to reply or read some asks, because there are some anons that I have grown closer to, and even if I leave, I would love to have life updates! Maybe one day, I'll drop by to post a fic and leave again, but I doubt it will happen. None of my work will be deleted, and my account won't be deleted either, everything will stay as it is right now.

→ ✉️

My dearests,

To the current 3.799 people who took the time to follow me and perhaps give me some kind of place in their hearts and lives,

Thank you very much, to all of you. I wish you the best in your life, whether it's in your studies, in your job, or any other destinies.

Don't forget that you all deserve the best, and to be happy. Prioritize your mental health and your feelings, don't forget that you are a human being and deserve to be treated as such. You are loved by people—at least one person, which is me right now. I love all of you.

Please, take care of yourself. Don't forget to drink water, eat, and take a break when you need to. Do not pressure yourself; it won't make you work better; it will only stress you out more. Take your time and go at your own pace; even if you go slowly, it will always be a step forward toward your goal.

Be happy and have a good life. I hope I'll be able to interact with some of you again.

Ever your writer, valeksei, xkseii, onirique-amaranth.

But ultimately, your Aleksei.

[writingquestionsanswered]

Anonymous asked: I struggle with motivation to write and figuring out what I want to happen in my story. I'm really good at picking out tropes, understanding character motivation, seeing where the story is going, recognising good writing, etc. I often have dreams that are full-fledged, complex stories, so I know the creativity is there. It's just, for some reason, when it's my intent to create, nothing happens. I get stuck thinking 'they'll see this coming' or 'this wouldn't work', and I can't figure out how I want it to go. So, I feel like I'm pretty good at stories... when I'm not trying? And i dont know how to do it without trying. I hope this makes sense lol

Struggling with Motivation and Direction

Being able to recognize good stories and dream up good story ideas is a great place to start, but there's more to writing a good story than ideas, tropes, and character motivation. Stories revolve around conflict (internal, external, or both) and the protagonist's pursuit of a goal that will resolve that conflict. Stories have structure... they go through specific phases (setup, rising action, falling action, denouement) and hit specific plot points (hook, inciting incident, midpoint, climax)... and sometimes more specific phases and plot points (there are all different theories on what those are). And through all of these phases and plot points, your character is growing and/or changing (and or changing the people/world around them) while in pursuit of their goal/resolution to the conflict.

There are some writers who can come up with an idea that instantly includes all of those important phases and plot points, and they can sit down over whatever period of time and almost effortlessly hammer out a first draft. However, that is not the case for most writers or most stories. Most stories require some level of plotting or planning ahead of time to work out what happens in all of those specific phases and plot points, and what the character has to do in order to resolve the conflict, and figure out how the resulting events cause your character to change and/or grow/and/or change the people/world around them. Some writers do the bare minimum amount of pre-planning, but then they push through that work as they write, figuring everything out as they go. It's anything but effortless. It's really hard work.

And the thing is, you will probably figure out that you're a planner--meaning that you generally need to put whatever amount of plotting/planning into a story before you write--or you're a pantser--meaning that you do a minimal amount of planning ahead of time but take the time as you're writing to figure things out. Or you may find it depends on the story you're writing. Either way, don't give up just because a story isn't naturally falling out of your fingertips onto the page. Stories are like lumps of clay that you want to turn into a beautiful sculpture. You're not going to pinch here, pull there, and voila. It takes a lot of time and effort to shape them into the thing you want them to be. And sure... there are sculptors who can sit down and create a gorgeous sculpture out of a lump of clay in mere moments, but for most it's not that easy. Same with writing.

So, don't give up. You're right where you need to be. Spend some more time learning about how stories work. (You can look through the posts on my Plot & Story Structure master list to start with.) Read a lot, and when you read, see if you can pick out the different story phases and plot points. Analyze stories you love to see how you work. Author K.M. Weiland has a story structure database that pulls apart popular stories and breaks them down into all those different pieces. There are also a lot of great videos on YouTube about story structure and plotting.

Ultimately, keep at it. You'll get there!!!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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[thistransient]

Halfway through July, and I have neglected to write my yearly birthday introspection, although it did occur to me that between my birthday and the new year I was in fact doing two introspections a year anyways.

For certain reasons I've been waffling about it, but it's also quite nice to be able to look back and compare with the previous year, to see what's changed (sometimes unexpectedly) and what's still the same. Last year I mentioned I "made a close friend [...] and disentangled myself from a draining relationship", but in the end I had been drawn to said friend because he was the polar opposite of the person I was disentangling myself from, and while a different extreme might have been refreshing in the moment, that too was unsustainable in the long run. I think what finally dragged me out of the cycle of too-clingy/too-distant nebulous just-friends-but-what-if sort of relationships was twofold: I started going to counselling with a goal (not the usual "I feel like I'm having a breakdown so I'll see a therapist for 3-6 months before ditching"), and also got into a communal hobby such that I was able to make casual friends and attend regular and diverse events with a time limit (rather than laser focusing on one person and relying on them for all my socialising).

A year ago I said I was feeling adrift, goal-less, and filled with the sort of summer malaise inspired by the scorching Taipei weather this time of year. Unfortunately we are still rather scorched. The temperature and UV levels somewhat put a damper on my usual practice of walking around outside looking at things. On the positive side, I did struggle through the adrift-ness and applied for one (1) grad school program over the winter, which I didn't get into but I did learn that I feel better when I'm working on something, and I was also motivated to finally take Taiwan's Chinese proficiency exam to open up my options for the sort of programs I could try for in the future (I passed a level higher than I expected to, and it was great to feel acknowledgment of my competence at something I'd really put long-term effort into). After the grad school rejection I started planning the trip to Ladakh, which allllmost felt like it involved a similar level of paperwork and fuss- and actually pulling that off in the end (ok, even tho this was after my birthday) despite all my fears and anxiety (particularly around travelling post-transition) was also a great confidence boost. (For a week after I also had this frantic urge to drastically change my life, and I can't tell if it wore off with time or if the heat simply drained out all ambition beyond staying out of the sun and sitting in front of the fan eating cold dragonfruits.)

I have at least two proper goals now, and although one may require starting over entirely from an educational standpoint, as they say, "the time will pass anyways". On my bike rides at night I do tend to start pondering what shall become of me, creeping along in the years but being no closer to permanent or even temporary residency status than any other time I write about it either wistfully or with well-intentioned but otherwise ultimately futile determination, nor feeling like I am useful for any sort of capitalist pursuits. (I suppose this is the part of reflection wherein things have stayed the same, and we must stay tuned for next year.) But I also believe I have made some progress in deflating a little the omnipresent catholic guilt at simply existing, not to mention the adjacent notion that enjoying life a bit and not being maximally miserable at all times is a SIN. By this I mean I have gone twice now to a nice hair salon to let a beautiful woman shampoo, condition, and also give me a haircut that doesn't bear a strong resemblance to a bichon-frise immediately after.

All in all, I would say the verdict is incremental improvement. (Okay maybe I'm also racking up incremental nerve damage from all the shibari but you win some you lose some.) My housing/employment/visa-running status hasn't changed dramatically but I feel more hopeful and kinder with myself. I think my Chinese reading speed has kicked up a notch. I've managed to keep the instant noodle consumption under control. I've sent a lot of postcards on my quarterly trips, which are generally well-received. I have taken great delight in growing many plants in the window cage (whether they survive is another thing, RIP to the tomato plants while I was away, bravo to the basil that miraculously rehydrated from what seemed to be a completely unsalvageable state, sorry to the lemon tree sprout that was apparently doing fine on its own before I came back and over-watered it to death). Things feel kinda okay, and I used to be quite suspicious of this because surely they were only going to get worse again, but these days I figure hey, even so, might as well enjoy it while it lasts.