#my kingdom for just one more scene of them together

[apoptoses]

"MATE" SUPREMACY!!! 🥲

Idk I love it so much, it's so fucking evocative and it's both "yeah we definitely fucked" and also "the universe wanted it that way". otoh Spanish as a whole is a very romantic language so I'm not surprised they went with "spouse" (also a gender neutral term that indicates a strong level of commitment which is what they were going for here imo).

"I love both because mate feels fated, but spouse feels chosen and I just want them to have both, dammit", precisely. Armand doesn't refer to anyone else this way, as it's framed, like you said, as something that was a matter of choice. "I *chose* him as my spouse".

"Also there's just something hilarious about picturing David Talbot listening to this guy tell him porno stories, then satanic horror stories, and then pop in with a 'By the way my spouse-'." lmfaooo David must've been like "YOUR WHA- care to elaborate dear?" and Armand was like "nope, that's all you're getting, three paragraphs". Boss bitch move tbh.

"Have you read the other VC books in Spanish? What do these other vampires refer to their companions/fledlings/mates as?" I have! I read the first four books in both English and Spanish + TVA, B&G and Blackwood Farm (which was surprisingly more enjoyable in Spanish). Everything else I've only read in English. "Companion" was always translated literally as "compañero/compañera", which has no real romantic connotation unless you specifically want to interpret it that way. "Fledging" is a little more complicated imo because there's no literal translation in Spanish so they went with "vástago" which is a lot more like "offspring". "Maker" is always "creador" which is "creator", and I don't ever recall the word "mate" being used other than in that particular instance though I might be wrong? Usually when Anne specifically wanted to make a relationship romantic/sexual, she used "lover" which was also translated literally in Spanish as "amante". She really had Armand use "mate" for no reason other than to further traumatize us I stg 🥲 xoxo DA

She really had Armand use "mate" for no reason other than to further traumatize us I stg <- seriously!!! i don't recall any of the other characters ever choosing that particular word. thank god she had daniel and armand meet back up again and daniel move back in at trinity gate after laying that one on us, i don't think i'd have ever recovered had that been the last of them.

the other translations are so cool! the fact that she used fledgling in english in the first place has such interesting implications, like even though louis has technically been in the blood almost just as long as lestat he's forever his 'fledgling', always a baby bird in their relationship. in a lot of ways 'offspring' would make more sense and is less diminutive.

i gotta marinate in this a little more, now i need an excuse for armand to call daniel the devil's slut AND his mate in fic. or like, daniel to call out his use of 'mate' and ask him what was going on there because it makes me wonder if armand ever called him that to his face (probably not, though i can't put my finger on why just yet). or what words daniel would choose for him beyond lover and maker, had he ever submitted another chapter from his point of view with the two of them together.

anyways put all the words armand ever called daniel on my gravestone because this has taken me out this week

[acourtofquestions]

Rowaelin Chapter 41 Kingdom of Ash:

She'd rebuild it—what she had been.

Perhaps one last time, perhaps only for a little while, but she'd do it. If only for Terrasen.

Rowan swooped from the mast, shifting as he reached her side at the rail. He surveyed the night-black sea beyond them. "You should rest." She slid him a glance. "I'm not tired." Not a lie, not in some regards. "Want to spar?" He frowned. "Training can start tomorrow."

"Or tonight." She held his piercing stare, matched his dominance with her own.

"It can wait a few hours, Aelin."

"Every day counts." Against Erawan, even a day of training would count.

Rowan's jaw tightened. "True," he said at last. "But it can still wait. There are ... there are things we need to discuss." The silent words rose in his animal-bright eyes. About you and me.

Her mouth went dry. But Aelin nodded In silence, they strode into their spacious quarters, its only decoration the wall of windows that overlooked the churning sea behind them. A far cry from a queen's chamber, or any she might have purchased as Adarlan's assassin.

At least the bed built into the wall looked clean enough, the sheets crisp and stainless. But Aelin headed for the oak desk anchored to the floor, and leaned against it while Rowan shut the door.

In the dim lantern light, they stared at each other.

She'd endured Maeve and Cairn; she'd endured Endovier and countless other horrors and losses. She could have this conversation with him. The first step toward rebuilding herself.

Aelin knew Rowan could hear her thundering heart as the space between them went taut. She swallowed once. "Elide and Lorcan told you... told you everything that was said on that beach."

A curt nod, wariness flooding his eyes. "Everything that Maeve said." Another nod.

She braced herself. "That I'm-we're mates."

Understanding and something like relief replaced that wariness. "Yes."

"I'm your mate," she said, needing to voice it. "And you are mine."

Rowan crossed the room, but halted a few feet from the desk on which she leaned. "What of it, Aelin?" His question was low, rough.

"Don't you..." She scrubbed at her face. "You know what she did to you, to ..." She couldn't say her name. Lyria. "Because of it."

"I do know."

"And?"

"And what do you wish me to say?"

She pushed off the desk. "I wish you to tell me how you feel about it. If…"

"If what?"

"If you wish it wasn't so."

His brows narrowed. "Why would I ever wish that?"

She shook her head, unable to answer, and stared over her shoulder toward the sea.

It seemed like he would close the distance between them, but he remained where he was.

"Aelin." His voice turned hoarse. "Aelin."

She looked at him then, at the pain in his words.

"Do you know what I wish?" He exposed his palms, one tattooed, the other unmarked. "I wish that you had told me. When you realized it. I wish you had told me then."

She swallowed against the ache in her throat. "I didn't want to hurt you."

"Why would it ever hurt me to know the truth that was already in my heart? The truth I hoped for?"

"I didn't understand it. I didn't understand how it was possible. I thought maybe ... maybe you might be able to have two mates within a lifetime, but even then, I just ….." She blew out a breath. "I didn't want you to be distressed." His eyes softened. "Do I regret that Lyria was dragged into this, that the cost of Maeve's game was her life, and the life of the child we might have had? Yes. I regret that, and I wish it had never happened." He would bear the tattoo to remember it for the rest of his days. "But none of that was your fault. I will always carry some of the burden of it, always know I chose to leave her for war and glory, and that I played right into Maeve's hands."

"Maeve wanted to ensnare you to get to me, though."

"Then it is her choice, not yours."

Aelin ran a hand over the worn wood of the desk. "In those illusions she spun for me, she showed me variations on one more than all the others." The words were strained, but she forced them out. Forced herself to look at him. "She spun me one dreamscape that felt so real I could smell the wind off the Staghorns."

"What did she show you?" A breathless question.

Aelin had to swallow before she could answer. "She showed me what might have been—if there had been no Erawan, if Elena had dealt with him properly and banished him. If there had been no Lyria, none of that pain or despair you endured. She showed me Terrasen as it would have been today, with my father as king, and my childhood happy, and..." Her lips wobbled. "When I turned twenty, you came with a delegation of Fae to Terrasen, to make amends for the rift between my mother and Maeve. And you and I took one look at each other in my father's throne room, and we knew."

She didn't fight the stinging in her eyes. "I wanted to believe that was the true world. That this was the nightmare from which I'd awaken. I wanted to believe that there was a place where you and I had never known this suffering and loss, where we'd take one look at each other and know we were mates. Maeve told me she could make it so. If I gave her the keys, she'd make it all possible." She wiped at her cheek, at the tear that escaped down it. "She spun me realities where you were dead, where you'd been killed by Erawan and only in handing over the keys to her would I be able to avenge you. But those realities made me ... I stopped being useful to her when she told me you were gone. She couldn't get me to talk, to think. Yet in the ones where you and I met, where things were as they should have been ... that was when I came the closest."

His swallow was audible. "What stopped you?"

She wiped at her face again. "The male I fell in love with was you. It was you, who knew pain as I did, and who walked with me through it, back to the light. Maeve didn't understand that. That even if she could create that perfect world, it wouldn't be you with me. And I'd never trade that, trade this. Not for anything." He extended his hand. An offer and invitation.

Aelin laid hers atop his, and his callused fingers squeezed gently. "I wanted it to be you," he breathed, closing his eyes. "For months and months, even in Wendlyn, I wondered why you weren't my mate instead. It tore me up, wondering it, but I still did." He opened his eyes, and they burned like green fire. "All this time, I wanted it to be you."

She lowered her gaze, but he hooked a thumb and forefinger around her chin and lifted her face.

"I know you are tired, Fireheart. I know that the burden on your shoulders is more than anyone should endure." He took their joined hands and laid them on his heart. "But we'll face this together. Erawan, the Lock, all of it.

"We'll face it together. And when we are done, when you Settle, we will have a thousand years together. Longer."

A small sound came out of her. "Elena said the Lock requires—"

"We'll face it together," he swore again.

"And if the cost of it truly is you, then we'll pay it together. As one soul in two bodies.

Her heart strained to the point of cleaving. "Terrasen needs a king."

"I have no intention of ruling Terrasen without you. Aedion can have the job."

She scanned his face. He meant every word He brushed the hair from her face, his other hand still clasping hers to his chest, where his heart pounded a steady, unfaltering rhythm.

"Even if I had my choice of any dream-realities, any perfect illusions, I would still choose you, too."

She felt the truth of his words echo into the unbreakable thing that bound their very souls, and tilted her face up toward his. But he made no move beyond it.

She frowned. "Why aren't you kissing me?"

"I thought you might want to be asked first."

"That never stopped you before."

"This first time, I wanted to make sure you were ... ready." After Cairn and Maeve. After months of having no choices whatsoever.

She smiled despite that truth. "I'm ready to be kissed again, Prince."

He let out a dark chuckle and muttered, "Thank the gods," before he lowered his mouth to hers.

"You're my mate." Her words were a breathless rush. "And I am yours."

The world might have been burning around them for all she cared, all he cared, too.

"Together, Aelin," he promised, and she heard the rest of the words in every place their bodies joined. Together they would face this, together they would find a way.

Together we'll find a way, their mingling breaths, the crashing sea, seemed to echo.

Together.

[todayisafridaynight]

That fuckin new bucket list trailer for 8?????????

hey what if we all just cut ourselves in half after this huh

[trulyumai]

Protector of his Woman

Pairing: Messmer the Impaler x Reader

Synopsis: Leaving the kingdom was a choice, but leaving his wife? Out of the question.

Warnings: Talk of violence/Death.

Enjoy!

“Does thou take me for a fool?” 

The pale flame stood tall, beside him his wife gripped onto the forearm placed in front of her frame. She stood just behind said man, looking away from the escalating scene. Too distracted by the swiveling trees and smell of pine wafting through the air. 

“Of course not, your grace! Its, well, your mother thought it best-”

“My mother disgraces me with such a request, yet is unfit to be present?” 

The golden soldier gulped, a bead of sweat dripped down the side of his brow, illuminating his face with a light sheen. 

“N-no, she traveled to the capital today, y-your grace.” 

The knight squinted. His posture was rigid and offended by the mere man's presence. 

He stood on their porch, by their house and demanded his attention to the capital? 

How offensive, how misinformed how- 

“Husband?” 

The burning flames hushed beneath his palms as the attention diverted from the man, to the small women beside him.

“Wife,”

With half lidded eyes, the man moved a hand towards her backside and rested it upon her lower spine. The aura shifted, the heat died down and the ambiance of nature could once more be heard. (Rather than the sizzling of a flame that grew onto the man's digits.)

“Maybe it wouldn’t be such a bad visit. It has been a while since our last outing.” He felt the strokes upon his arm, soothingly moving up and down, up and down. 

“Leave us,” Messmer didn’t need to look up once more, as the soldier fled down their stone walkway. 

“She insults us, thou knows of her intentions.” 

His gaze stuck to her lucky honeydew on bread, it stayed there globbing onto each detail. Her eyes were bright today, full of light and love. Yet there was also worry there, and Messmer bit his tongue for placing such a feeling onto her. Her form sagged beside his, most of his arm held her body up, halting it from falling upon the rocks.

“She does,” a pause

“But she’s your mother, to not make an appearance would surely soil your reputation, my love.” 

“Have I not done enough? The bodies that lay upon the mountains, are they not proof of my unwavering loyalty?” His voice raised, startling the shorter woman, moving forward he gestured his hands around their vicinity. 

“All of this, all of it! It's safe because I deemed it so. Not the lord Godwyn, Not the unbeatable Melania. Me. The beholder of flames! Yet thee can be ruined- butchered, for not returning to an unloving kingdom?”

Mouth dry, she tried to speak- to comfort the rising temper of the man but no words budged. His eyes burned bright, they looked right through her. 

“No. I will not be returning, dear wife. For my place is here, by your side, in this house that I built for us,” Cautiously the knight placed himself back in front of her, and to her surprise, bent down on his knees. 

“Messmer! Get up this instant, your knees-”

A big palm covered her lips, its texture rough and calloused. It was so warm compared to the nipping air around them. And although she tried to be mad- she really did, it was hard when such a warmth was comforting to the girl. 

“My wife, I will protect thy until the flames of this land die out, until there's no one left but us to occupy such a fool of a kingdom,” 

“However,” 

The bigger man's hand dropped from her lips, both of his limbs instead wrapped themselves around her being, until his elbows molded together. 

“Do not ask me to leave your side again. Promise me.” 

“Husband… I simply canno-

“Promise me!” The man shouted, his grip tightened fastly around her.

Her nails dug into the man's wrists, and although she wasn’t in pain, his fervent yet fierce attitude scattered her mind. She wasn’t used to such a ferocity of emotion emitting from the man, aimed at her no less.

“I- I promise, I promise my love!” 

As if those were the words he was waiting for all his life, the man crumpled beneath her frame, his head buried between the ripples of her dress, with his nose digging into her stomach. 

She didn't know just how far such a devotion could- would go for the maroon knight. 

For how could she see the future, wrapped in nothing but flame and immorality?

“I  adore you, little wife,” Yellowed iris’ glanced upon her delicate ones. 

A laugh broke out between her lips, enchanting the man entirely.

“And I you, Husband.”

As if starved the man leaned up quickly; hungrily, to lock his lips against hers. Broken skin connected with softened and smooth, Messmer moaned out in content. 

If his wife was to be the end of the world, he would be her weapon. His flames would bathe her with as much loyalty he could give. 

What would he need a broken kingdom for, when such a devoted wife lay in his arms?

[wordslikesilver]

I swear I’m almost done being mentally ill about Elden Ring I promise but I never see anyone talk about Morgott’s heart wrenching death scene. It’s never overtly pointed out but please imagine the progression of events from his perspective. Lying on his back, staring up at the sky, defeated. He’s one of the ONLY bosses that leaves behind a corpse and it’s heart wrenching okay, it’s OBLITERATING. Because he’s lying there withered and broken, staring up at the golden boughs of the one thing in the world he loved, not the golden order, not the greater will, he loved the Erdtree and dedicated his ENTIRE life to it even though it never loved him back because not even a man as scorned as Morgott could live without love and the love was to keep his heart still beating in his chest when he felt most like a monster. He has spent his entire life keeping this crumbling kingdom together. For his mother, who hid him away so the world wouldn’t hurt him, for his father, the man who taught him how to bear the weight of a crown and stand taller than the ignoble origins you come from. And he was so alone. The only constant in his life being that golden tree that shone down into the sewers. He is the last of all kings. The horns about his brow weighed heavier than his crown.

And then the tree was burning. Lying broken on the ground, unable to truly die, his curse expelled from his body, he could only look up and watch the only thing he loved with all his heart burn down around him. The ashes falling like snow on his face. Can you imagine the heat? The resignation? The misery and the promise that if there’s ever a next time, he’ll do better, and if there isn’t then this shall be his final legacy and he’ll just have to accept that final truth before he dies. The self hatred washing over him and passing into quiet peace as he chooses to pass away together with it. Omens do not get reincarnated by the Erdtree. Loved and blessed by the crucible of life, they are not loved the same as all the rest of us. But that’s okay. For Morgott, that was okay. He would live nobly and die with honour in its service and that would be enough. He’d spend the last moments of his life bathed in the warm ashes of orange and grey, content that even if he never felt loved by anyone at all after being cursed and shunned all his life, he did his duty as best he could and finally repaid the debt he felt towards the tree that showed him the light for so many long, lonely years.

And then, then it makes me so fucking miserable because then a pair of gentle, scarred and terribly rough hands lift him up from the ground and cradle him with all the tenderness in the world. The roar of a lion salutes his passing, honouring him, mourning him. “It’s been a long time, Morgott.” No anger, no disappointment. Simply, sadness, that he could not see you sooner. Godfrey, his father, returned at last to hold him one final time as he passes away, the rune of death now unbound and finding its way to Morgott after all this time. His last memory would be of being held by his father, loved for all that he is in the ashes of all that he dedicated his life to. His body fades, his entire world upheaved one final time, and an easily missed detail in the cutscene is that Morgott’s body becomes a Grace that points towards you, the player, to guide his father to his next step along the path of Lordship. One final time, Godfrey is guided by the unyielding love he feels for one of his children. Fuck it makes me so miserable. How do write something so tragic and not spend more time with it? How do you leave that beauty hidden in the details like it’s not one of the greatest moments of the entire game? It’s so quiet it’s private, almost. Like we’re not supposed to see that side of either of them, being such an outsider. It’s sundering to think about. Annihilating. I love it with all my heart and I hope more people love Morgott too after reading this.

[the-hipster-nugget]

I think we need to talk about Scott’s third life death scene more often, specifically about the scene directly afterward with Martyn and Ren.

It’s so fucked up that Martyn chases after Scott, not hurting or actually touching him but follows him so his king can get a chance to kill him, but Martyn doesn’t touch Scott. Instead he yells after him these half baked apologies and explanations, trying to tell him “I didn’t want Jimmy to die!” That is actually insane.

As Martyn is chasing that boy he connected with at the start, the one he entered the nether with; they went through this worlds actual hell together. Now Martyn is tasked to take after Scott to not let him escape, someone he used to be close to, he chases with death in mind because his king commands it.

And Scott finally stops to face martyn, as the pathetic hand tries to tell him “we didn’t mean to kill your husband” is SO fucked up. Out of everything Martyn said, before having to watch his king murder him, he tells Scott that it was never his intention to harm Jimmy.

Upon Scott’s death, Martyn does not cheer or rejoice, he just lets out this pathetic noise of defeat after Ren murdered Scott for good. Martyn stands there feeling null and empty, while his king goes into hysterics.

Ren also, upon killing Scott, is immediately rushed with guilt and horror at himself. Starts sobbing, “how many more do I have to kill to this violence comes to an end?”

“It’s dripping into my eyes… I can’t see, I’ve been blinded by violence my hand.”

Ren sacrificed himself using Martyns hand, allowed his head to be chopped off so that he could become a red name- but even after all that, he cannot kill without guilt. Other red names like Skizz and Joel get this bloodlust and hunt like a predator. While Ren, the wolf king, kills and then he cries. He sobs and begs for Martyn to hold him. He’s a red name supposed to be thirsting for blood but it isn’t giving him that rush it should. He had Martyn take his head, and all for what? What was this all for?

He’s a red name, and the king of a red kingdom, with a red shield. He brought red winter in his wake, but he stays awake at night shivering in fear about the death of others. In his heart, Ren is too good hearted to kill without remorse. Despite it being his job, and something he sought out to do on purpose; he feels horribly guilty.

The blood dripping into his eyes blinding him is insane symbolism. Being a red name gives him this urge to kill, and it blinds the players. But doesn’t give Ren a rush of ecstasy or excitement, it scares him. Ren feels so blood thirsty that he gets dizzy, and it makes him want to cry. It makes him scared of himself, and he breaks down as yet another person died at his hand.

He begs Martyn to hold him, and all he can think about is before he had to murder another person. He never wanted to become this red king, never wanted his crown to be stained in blood. He wanted to hold Martyns hand, and enchant with him. That’s all he wanted, was a life of peace with his dear friend. Martyn was his friend, not his hand.

Ren asked for this, he prayed for red winter, but now that it arrived, he is so so cold. Ren just wanted to feel the warmth of spring.

Neither of them wanted to kill Scott. Neither of them felt satisfied watching Scott lose his final life, but they murdered him together anyway. They killed him, and then they cried about it. They hold each other in the dead of winter.

“How many more people do we have to kill before all this violence comes to an end?”

The red king just wishes red winter would finally end. He’s tired of his bloody crown weighing down his head, his weak scarred neck struggles to hold. Martyn holds his king in attempt to comfort him, but all he thinks about is how eventually, they will have to die too. Maybe if they’re lucky, they’ll die together.

[izzyzalezbian]

Ok, I know we're all still talking about the Bowuigi face grab, and don't get me wrong, it's a great scene and it deserves to be talked about, but I want to talk about my favorite scene in the movie

The Brother's Reuniting:

If you watch it, you can see Mario pull Luigi down, and press their foreheads together, before they hug. There's a battle going on right next to them- but they're only looking at each other. Holding each other, staring into the other's eyes, and just proving to themselves that they're okay.

They had to spend the entire movie apart, and in this scene, it's obvious the toll that this has taken on them. Mario even mentions in one scene that they've never been apart this long- and it happens in the middle of a new world and kingdom that they've never seen before? In the middle of a war? While one of them was locked in a dungeon, and about to sacrificed in the name of a forced wedding?

It's horrible for them, they're both on the brink of breaking down this entire movie (mostly Luigi, but Mario had his moments) and in this moment, right after Luigi almost died, where they're finally reunited, they don't care about anything elae in the world more than they care about each other.

Mario and Luigi need each other, no doubt about it. And it's not a one sided thing either- it's not cowardly Luigi needs big brother Mario to protect him- its Mario and Luigi cannot exist without each other.

I could go on for hours about how this movie shows just how much Mario needs Luigi, and I WILL, but not tonight (but probably tomorrow.).

Just, ugh, this scene was so good, and so meaningful. It's absolutely going down as one of my favorite scenes in cinema

ALSO:

LOOK HOW HAPPY THEY ARE TO SEE EACH OTHER

LOOK AT THEM

MARIO IS ON THE VERGE OF TEARS, AND LUIGI IS GRINNING SO HARD

JUST-

UGGGGGGGGGHHH

NOBODY TOUCH ME 😭

[shankss-magnificent-ass]

Imagine having deep discussions with the Whitebeard pirates

Ace: Have you ever wondered why the world government opposes people so far away from them, doing what we do?

Marco: [mutters] I wish you would just stop saying odd shit.

Whitebeard: well we're breaking the law, obviously.

You: It's a little deeper than that. It's because what many pirates do, is the same thing the world government does.

Marco: We are not similar in any way.

You: no, think about it, what does the world government do? They lay out a bunch of rules and if you don't follow them, they use violence to force most of the world into following them. And if a nation elects not to join the world government, or can't afford to join, they raid and pillage those islands and take their citizens as slaves.

Izou: On the other hand, if a nation does join the world government, they have to pay heavenly tributes, because if they don't, the Marines will raid and pillage your country. But if they pay the heavenly tributes, the marines will protect their nation from outsiders, like pirates and non-world-government-nations.

Whitebeard: However, on top of paying the heavenly tribute, the average person also pays local and national taxes, so it's a heavy burden for some countries.

Marco: Oh my gods, it's like a protection racket, that common thugs run, just on a massive scale.

Whitebeard: and, like many pirates.

You: they don't like pirates, for the same reason they don't like common thugs, because you all are muscling in on their turf.

Thatch: so most governments are just organized, and socially acceptable, thuggery.

You: Not all, look at Alabasta for instance, King Cobra has a lot of social programs for his people. Food programs and affordable housing for the poor. Medical programs that put a doctor in every village and a bunch of other stuff. The people should receive something back from their government besides 'protection'.

Ace: I know a lot of nations that are in the world government have a large lower class that they exploit labor from and bleed them dry with taxes, tolls, and fines. I can never forget what I saw at the Grey Terminal out of the Goa Kingdom's Great Gate.

Thatch: That's because in "normal society" they value wealth, and look down on and take advantage of people who don't have it. Meanwhile, in pirate culture, we value strength and look down on and take advantage of those who are weaker, like how we raid other crew's ships because we can, and they can't stop us.

Izou: [sighs] That's an oversimplification If I ever heard one.

Thatch: [steps into Izou's space bubble.] You got something to say to me?

Izou: I've been to both world-government nations and non-world-government nations, and I can tell you that they value both strength and wealth. It's just different classes value one over the other. The upper and more privileged class values wealth, and daintiness because they can hire the strong. While the less privileged value strength, because it helps them survive, because they don't have money.

Thatch: I know that, did you forget I grew up poor as shit, mister little daimyo's vassal-boy.

Izou: And I was a wandering beggar minstrel before that, also keep Oden's name out of your mouth.

Thatch: how about you fucking make me?

Marco: [hops between the two men and dramatically claps his hands together like a clapperboard.] Aaand scene, that was a brilliant performance, gentlemen.

Ace: it was almost hard to tell that you two are actually friends.

Thatch: [huffs] Alright, I'll take it back, I'm sorry Izou.

Izou: I'm sorry too

You: you all are too fighty.

Ace: bitch, you're the most stab happy out of all of us.

You: I am not

Whitebeard: Just last night, you stabbed Vista's hand with a fork because he kept reaching over your plate.

You: ... I did do that, but only after asking him to stop three times. Which is more than reasonable, he's a grown-ass adult, and he, and his fuck ass mustache, should know basic table etiquette by now.

Ace: and then you stabbed me for no reason, with the same fork!

You: that was for good measure, just in case you got any ideas!

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[blluespirit]

Overall NATLA Thoughts

Okay, now that I've watched the series, I can give my thoughts.

Overall, I thought it was good!!! I had fun watching it! I'd rate it a solid 6.5/10. It's nowhere as good as the original, but it was definitely enjoyable and made some nice changes here and there that I liked. There were also some things I was also Not a fan of too.

I said in another post that it's best to treat this like an AU of the original. There will things that are great and things that are bad. That's the nature of adapting something.

Having said that, I need to get my initial thoughts off my chest... here we go.

Things I thought were good:

Sokka's characterisation - I really enjoyed him! I thought Ian did a good job! He played the funny moments well and retained the underlying seriousness/cautiousness. It wasn't perfect, but I enjoyed the changes a lot and think it was overall a solid performance.

Zuko's characterisation - Like Sokka, I do think I was most satisfied with their performances. A lot of Zuko's moments from the cartoon are sometimes... well, cartoonish and definitely wouldn't translate to live action, but I think Dallas did a nice job at balancing Zuko's desperate anger and that occasional sassiness well.

Zuko and Iroh moments were great. Had me on the floor crying. As it should have.

The bending looks a trillion times better than the movie - I understand it would not have been easy for the actors but, overall, I was very happy about it.

The scenery was stunning. It just looked so beautiful. I loved it so much.

Absolutely ADORE that they made Zuko a good calligrapher and artist. I read a fic about a million years ago where Zuko is a fantastic calligrapher and I thought it was perfect and made so much sense, and now I can say it's canon. This is perfect for me.

S U K I

The Freedom Fighters were ✨ perfect

They were so real for making Oma and Shu lesbians

Koh, Wan Shi Tong and Hei Bai looked fantastic, but I have more to say about all of them below, unfortunately.

I actually like the change they made that Katara is Aang's sole waterbending teacher.

Aang is not perfect, and needed more goofy scenes HOWEVER, I did like how they've had Aang's guilt more prominent in the story. The original didn't do a very good job with that, imo.

Zuko entering is breaking and entering era by breaking into an impenetrable Earth Kingdom prison is just perfect.

In Masks, I like how Aang and Zuko got a longer conversation - that was pretty cute.

I liked how they changed Yue a bit and got her out of the arranged marriage... how Yue saw Sokka in the Spirit World before meeting him in the real world.

Things I didn't like:

Far too much info-dumping/exposition. So much spelling things out. It was not as egregious as the movie, and I get there's a lot of information that needs to be conveyed well and quickly... but sometimes it really took me out of the show.

Why are Mai and Ty Lee here.... I was hoping the live action would give them a bit more depth (and they might as it goes forward!), but why put them in season 1 at all if they're just going to stand around???

Some odd changes - putting this as one point, but there are some bizarre changes that didn't make sense to me, as they did not benefit the story or deepen the characters. I have two main examples: a) making it so Aang didn't run away from home, and b) making it so Zuko actually fights Ozai in the Agni Kai.

Characterisation of Katara was Not Great. I don't think I got many hints of the reckless, compassionate, badass Katara until the end when she fights Pakku and rallies all the women together to fight (which happens off-screen). She was sweet and kind, but she just lacked the fire that OG Katara has.

Azula's characterisation - Azula is desperate to impress Ozai and so her character is just…. brewing with anger, frustration, desperation. I was SO excited to see the Azula we are introduced too… perpetually and irritatingly calm, calculating and ruthless. She's perfect, she's terrifying! She's literally the character of all time. But this Azula had more Zuko vibes? I don't think there's anything wrong with giving Azula more concrete motivation by wanting to impress Ozai and establishing that Ozai is abusive to both his kids, but I do think trying to do that right off the bat is a mistake.

WHY is Wan Shi Tong here. I love Wan Shi Tong, but like I said: Why Is He Here? Why could we not have his iconic, ominous as fuck introduction from The Library, and instead he's introduced in a random season 1 episode giving Aang Information(tm) about the Spirit World.

When Aang gave Koh the statue, and then he just takes it and immediately lets all the villages go, and neither of them even say anything, I actually laughed out loud. Like, I am so sorry, but what in the jesus fuck was that.

Speaking of Koh - I think Koh is better the less we know about him. Roku saying ~all Koh wants is a family like the rest of us~ just pissed me off?? I like my Koh the Face Stealer Terrifying and Unknowable, thank you.

NOTHING EVER REALLY HAPPENS WITH HEI BAI!!?? where's my precious spirit bear?? Like Aang never really does anything with him and the replacement Koh story is boring and it sucks.

Bumi.... sorry I just didn't vibe with him at all.

Things I can't decide on:

Fancy spirit knife to kill the moon spirit annoyed me a bit, but I guess they wanted to Kuruk something to work with and a little bit more interaction with Aang which I get but idk. I really flip/flop on this one.

I've been very on the fence about having Azula (and Ozai) being in the show in season 1 in general. I'm not sure if it benefited either of their characters.

Azula & Ozai's dynamic - Okay, so, I think they're trying to give Azula more depth, right? They're trying to establish what it was like for Azula to live with Ozai and that she's also (like Zuko) trying to desperately prove herself to him, but Ozai using Zuko's... achievements to do that just felt so weird. I get he's doing it to manipulate her, but that just felt so wrong when in canon it's very obvious that Ozai just didn't give a single fuck about Zuko. Ozai pits Azula against Zuko by saying he's a failure, he's a bad bender etc. Azula is born lucky, Zuko is lucky to be born - like, Ozai says that to Zuko's face. I don't know if I am communicating this point very well, but it just didn't seem right to me??

Zuko vs Zhao in the Siege of the North... I genuinely do not know how to feel about it! I didn't love it, I didn't hate it. I don't know how to feel about Zhao telling Zuko that his mission is a sham and that Azula is the prized one... It feels like it's saying the quiet part out loud? In the OG we all know that Ozai sending Zuko on that mission was an excuse to get rid of him, but we can work that out, no one actually says it. And then Iroh just fucking killing him/mortally wounding him instead of the Iconic scene where Zuko reaches out to save him despite everything Zhao has done to him, but Zhao's own pride gets in the way from letting him accept help from Zuko.

Zuko’s crew being the 41st is not necessarily a bad thing at all!!! But I do just want to say that in the original, the attack goes ahead, and presumably, those soldiers die. It’s horrible. Zuko’s sacrifice is in vain, and it was always going to be in vain because the Fire Nation as it stands would not allow Zuko's compassion to win. Ozai would not allow it. While not necessarily a bad choice (all the soldiers bowing to Zuko on the boat was so sweet I loved it!) but I think it does take away some of the horror of Zuko’s story (same as it does with making Zuko fight back in my opinion) because the whole point is that Zuko did the right thing - and he was punished for it, and those soldiers died anyway.

anyway...

Okay!! got that off my chest. I know I just had a big whine here, but I still had a lot of fun watching this show. I think some of the backlash is a bit over the top and unwarranted. It was never going to stand up to the original - and that's okay.

Enjoy it for what it is!

[rikusahoge]

"But be safe. No reckless stunts."

On Sora and Riku's respective recklessness as showcased in the series, and what it means for their relationship

Under readmore because i am going to talk a lot

As an aside: Im going to be pulling from the Japanese text, though I am not a native speaker or really any kind of speaker, so take what I say with a decent amount of scrutiny. I'm more than willing to be corrected on these conclusions!

One line that has stood out to me in kingdom hearts is the repetition of "no reckless stunts!" and similar phrases. If you examine the original text, three slightly different words have been used to mean "reckless", which I'll include below (pulled definitions from Jisho, mostly)

無謀 (mubou): reckless, foolhardy, rash, ill-advised, mad (scheme)

無茶 (mucha): reckless, absurd, unreasonable, ridiculous

無理 (muri): impossible, unreasonable, unjustifiable

Importantly for what i want to talk about is how "muri" is used in situations where a character wants to express that something is impossible (think of a character giving up all hope due to an insermountable obstacle in front of them, they may mutter something like "muri da...") keep a pin in this, it will matter toward the end.

Also note that each of these words starts with "無" (mu), which usually means nothingness or absence of something. The definition of this kanji isnt super important, it's more important that its presence ties these three phrases together in a really unique way as i hope to demonstrate.

what i propose is that both Sora and Riku are depicted as reckless characters, albeit in different ways. The established pattern I've noticed is that Sora: "mucha" & Riku: "muri". I will tentatively refer to "mucha" as "rash" and "muri" as "impossible" (despite that it does also mean other things in some cases! bare with me it'll make sense)

Dialing back a bit, we have seen countless moments of Sora acting rashly. It is one of his key character traits and it tends to get him in trouble. He has a big heart, and is quick to anger.

Sora's response to loved ones and helpless innocents that have been put in harm's way is to repetitively bash things with his keyblade (and ask questions later).

It's Sora's rashness that allows Org 13 to use him to complete kingdom hearts. The extreme end of his rashness is showcased when he stabs himself to release Kairi from his heart.

Tldr. I think it's pretty well established and easy to argue that Sora is one to leap before he looks.

Now, Riku might be a little harder to sell as reckless, because of how well he tends to hide it. He carries himself as a role model for Sora, and tries to be the responsible friend. But if we look at his patterns of behavior, despite how he carries himself, he is quite reckless!

Without thinking of the consequences, he rushes the open door when destiny islands falls to darkness, eventually succumbing to it himself. He lashes out several times at Sora, particularly dangerously when he fires off a dark firaga in Hollow Bastion. He closes the door to darkness with Sora without knowing what would happen to him if he was trapped in the realm of darkness. When Sora is asleep, he sacrifices his form to defeat Roxas, without any assurance that he would ever be able to get his old form back.

We see Riku's recklessness too in the fight against Xemnas. He recklessly throws himself in front of Xemnas twice, hurling Sora away from danger and taking a very nasty blow to the hip. I'd count his dive to save Sora in DDD among these, mostly due to his risk taking behavior when it comes to saving Sora. Finally of course we see it in KH3, with his ultimate sacrifice. (but i think importantly, this scene isn't just recklessness, but I'll explain in a bit)

So tldr. Despite Riku's mask of level headedness and resolve, he has been shown over and over to take massive risks without caring for the consequences. Which is pretty reckless, in my opinion!

Sora and Riku's recklessness, mind you, is also called into question by Yen Sid, who tells Riku the reason he kept Aqua's fate a secret was to keep Riku and Sora from staging a "half-baked attempt at rescue"

He says similar in Japanese, but i want to just note the word he uses when he describes the rescue attempt as reckless (highlighted for ur convenience):

(the highlighted word here is "mubou", it will come back later in an Important way, so keep it in mind)

he's *basically* saying that if Riku, or worse, Sora, knew about Aqua, they would have recklessly marched into the realm of darkness to rescue her. Because he knows they are both ... Like that.

I would be remiss to not mention that Sora's impulsivity and recklessness is something Riku admires! After Yen Sid tells riku not to be rash, and Riku excitedly tells Mickey he's ready to help save Aqua, Kairi observes that Riku has changed, and he's more like Sora. Riku asks if that's a compliment, but I think it's clear that he feels it is. He says it's more Fun to just follow his heart, which is sora-esque. (;_;) This is also something he brings up to Sora when they're on the dark margin together, that he's jealous of how Sora can just follow his heart. It's clear Riku has started to embrace his more impulsive side, to follow his heart like sora does. This is important later!

So now that I have my premise Mostly set up, I'd like to highlight a handful of scenes that I thought were really telling about how Sora and Riku relate to the terms "mucha" and "muri", respectively.

Let's start with Sora and "mucha".

The first instance i have found "mucha" used is in Olympus Colliseum.

lets recall How Herc initially loses his power in KH2, and compare it to the movie.

In KH2, Herc is tricked into leaving the colliseum unguarded by capturing Meg and hiding her in the underworld so that Herc and Sora must go to her rescue. Hades sends a hydra in to destroy the colliseum while Sora and Herc are busy fighting heartless and Pete and rescuing Meg.

Upon seeing the destruction in the colliseum, Herc falls to his knees, and you can visibly see his colors fade to a more ashen complexion, similar to his appearance without his powers in the movie. He calls himself a piece of shit basically and Meg helps him up to limp to safety, leaving Sora to defeat the Hydra (ahem sora helping riku walk in twtnw after xemnas fight anyone)

(Herc even has a second journal entry for his Desaturared form.)

You leave the world after defeating the hydra and jumping up on its back a few times, and after sora d & g are named true heros. Yay. But Herc doesn't have his power back yet, which will later be addressed in the second episode.

Herc's loss of power is much different from the movie. In the movie, he agrees to let Hades take his strength for a day in order to keep Meg from harm, and release her from the contract she had entered with Hades (iirc). This was all so Herc wouldn't get the chance to save Olympus from the titans that Hades revives in order to take Zeus' throne for himself.

Herc still tries to wonderboy his way into rescuing the town, and fights a giant cyclops. While he lacks physical strength and gets pretty much Pummeled, he ends up beating the cyclops with his wit - but in doing so, a pillar is knocked over. It is about to crush Herc, but Meg pushes him out of the way, and is crushed to death.

She gives her life to save him, which in turn returns strength to Herc, because the contract was only good if Meg remained unharmed.

What I'm mostly trying to say here on this tangent is Herc's loss of power in KH2 specifically is very reminiscent of Sora losing his keyblade in Hollow Bastion, which is later echoed in the keyblade graveyard when he feels he loses his strength to fight after losing his friends. I bring up the movie to show how bizarrely different it is from the Kh2 plot, perhaps precisely to make the parallel between Sora and Herc stronger (and the parallel between Herc and Riku, by the way - Herc falling to his knees, losing his power, and giving up, only for Meg to walk him to safety, is a parallel to Riku losing his will to fight and press on after the battle with Xemnas - Sora refuses to let him and in the same Exact way he helps Riku walk on)

So Hercules, when faced with the impossible wavers, and loses his strength and will to fight. This is important so keep it in mind. Impossible/Muri isn't stated here as far as i know, but it's important that he is feeling utterly defeated and unable to win.

The second visit to the world is when we first see the term "mucha"/reckless used as far as I was able to find. Hades casts Meg into the Soul Hole and Herc dives in to save her without hesitating (mechanically to write Herc out of the boss fight, but)

We later see Herc emerge with Meg, his godly aura restored (he is Radiant!) something that *should* have killed him. and should have been impossible. But his desire to save her was so great, he recklessly dives in, without knowing that he will succeed. Luckily, all he had to do to prove he was worthy of godhood and power in both the game and the movie was to use the strength of his Heart rather than his fists, as a true hero does:

Sora scolds him and tells him not to do anymore crazy stunts after this reckless dive to save Meg (screenshot makes it look like herc is saying it sorry lol) and that is where we can see the term "mucha" being used in Japanese:

instead of crazy stunts, Sora moreso says "but don't be reckless (mucha)":

to which herc responds:

"people always do stupid things when they're in love" (note he doesn't repeat reckless, he says "baka" lol)

so here we have a direct link between herc's sacrifice when he dove in to save Meg, the restoration of his power/Godhood, and acting recklessly (mucha), without Fear or Doubt, to save someone he is In Love With. put a pin in this because it's all connected.

Now moving onto KH2.9 and KH3. From the start of the game we are told Sora has lost the Power of Waking, and his Entire goal in the game is to regain it, wake Ventus, and prepare for the battle in the KBG with Xehanort.

The Power of Waking is already a very vague, disney-esque power, essentially the power to free sleeping hearts from slumber (and first introduced to us in DDD, particularly in terms of Riku waking Sora up in a sleeping beauty retelling but I'm getting ahead of myself)

Yen Sid suggests that Sora go to Olympus for clues to regain his power, as Just Like Sora, Hercules also lost his power, but was able to regain it.

It's pretty straightforward, but in the interest of not making this post a fucking novel ill try to keep it short. Herc tells Sora he's not sure just *how* he got his powers back, just that he wanted to save Meg with all his heart when he (recklessly) dove in to save her. The game is trying to tell Sora that it's the Power of Love that brought back Herc's strength, and that Love will be key in bringing Sora's PoW back, too.

Specifically, I think that Herc's story and the other worlds Sora visits are saying that it's True Love that will bring Sora's powers back. Acts of true love in KH3 are framed as courageous, selfless, and performed unconditionally.

Despite the visit to see Hercules, Sora still doesn't gain the PoW. He has an idea of what he needs to regain it, but he has to visit multiple Disney worlds to learn more about the power of true love and sacrifice (well also separation but thats not as important to this post) before he's ready to test it out for himself.

After Arendelle (i think) we get to another important cutscene where Riku, Sora, donald, goofy, & mickey meet up with Yen Sid to discuss the progress they've made on their respective journeys. Sora wants to go to the Realm of Darkness with Riku & Mickey because he's worried, but they Won't let him because he doesn't have the PoW. Riku does the fondest laugh known to man, eliciting a bit of anger from Sora, but explains it's because of what Yen Sid had told him earlier - that had Sora or Riku known about Aqua being trapped in the RoD, they would have recklessly gone in to save her.

he's pretty much directly quoting yen sid here, just like he does in English (saying half-baked instead of reckless too). So basically saying here Sora would have marched into (the dark world) recklessly (had he known where Aqua was) - again using "mubou" like master yen sid.

Interestingly, when we get to Sora telling Riku to not be reckless in the dark world to Riku, he's not repeating the same word for Reckless that Riku is using (Now this might be just a flow of the conversation thing, which i certainly cant confirm as a non-native speaker but i think it's still notable)

Sora says something similar to what is said in English; with a few distinctions. A rough translation would be "but don't overdo it, call me if anything happens" (need I gripe one more time that english localization cuts out sora telling Riku to call him; which is why he spends the rest of the time apart from Riku wanting a call, and why its so unhinged that Riku triangles for sora and basically summons him. I DIGRESS)

This line is translated as "but be safe, no reckless stunts" in English, which serves as a callback to what Sora tells to Hercules in KH2, (further solidifying a herc/riku parallel) but IMPORTANTLY, Sora is NOT even saying the same thing he said to Hercules in the Japanese script. He's saying something else - 無理しないで (muri shinai de), which is usually translated as don't overdo it - but literally means "don't do the impossible". This will be important later when I talk more about Riku so keep this in mind.

We immediately get Donald saying "Sora's the reckless (muri) one" (abbreviating for simplicity) but Jiminy disagrees. In English he says "He's not reckless, he just doesn't think!" but in Japanese he says this:

Which i know im going to butcher any translation I do, but Jiminy is basically saying "[Sora's] not muri he's mucha". That distinction is important enough for Jiminy to make a joke about it. That Riku might actually be the one who is overdoing it/trying to do the impossible (muri), while Sora is the one who runs headfirst into danger recklessly (mucha). Which, i think, is quite fitting, given the actions theyve done through the series.

Importantly we get one more instance of "mucha" which I think really ties Sora's trait "recklessness" together nicely, and puts into perspective what the repetition of these phrases is doing from a story telling perspective.

After Sora finishes up the remaining Disney world visits, S, D, & G find out that Chip & Dale have lost contact with Riku & Mickey. Sora is very upset at this, and is Determined to save them (Riku) (with all his heart). Sora has NOT GAINED THE POW at this point, and they don't know how to even get into the RoD, so Sora opts to "let his heart be his guiding key" to find his way to Riku and the RoD. (Recklessly I might add, he hasn't called or talked to Yen Sid or consulted anyone about it lol)

He arrives at Destiny Islands and mysteriously finds Master's Defender which happens to be the key to getting him into the RoD. Right? Well. We know from the glossary that the established method of reaching the RoD is with a keyblade of darkness, through dark corridors, or with the Power of Waking.

Others have argued this (see SRT) but it's heavily implied that Sora regained the PoW on his way to rescue Riku. That he used it explicitly to get into the RoD is where people tend to be a little caught up in the details, because it *does* seem like Master's Defender plays a role, which begs the questions - is it a keyblade of darkness? What the fuck was it doing there? etc. (literally saw on a kh wiki that sora got into the RoD because Masters defender was a keyblade of darkness, which is unconfirmed currently lol) It's also not traditionally what the PoW looks like. There's a huge door that appears, Sora isn't using the kingdom key, he doesn't burst out of Riku's chest. Etc.

HOWEVER. I think with the context of the narrative arc Sora is going through, the foreshadowing present in the game, and The Reckless Rescue angle can at least prove that he DID regain his power here, regardless of whether or not he explicitly used it to get into the RoD. I'll try to briefly summarize the points I've seen made before I add my own.

After the visit to Olympus, Sora explains to Yen sid that he didn't regain his power but he still learned a lot. Yen sid stresses again that sora needs the PoW, Sora gets pouty, and Goofy cheers him up by saying "maybe something will trigger it real soon". Shortly after a bit of banter, there is a knock at the door, and Riku and Mickey walk in. The camera kmakes a point to show Mickey off to the side, then pan up to Riku as he walks in to close the door, who is centered in the view (almost as if we are watching from Sora's POV, who is anticipating Riku's appearance in the door).

Putting this side by side is a little unfair, since it's not an immediate jump from Goofy saying this to Riku's entrance, but it's pretty in your face about just what (or who) might be key to reawakening sora's PoW.

We also get some heavy handed foreshadowing in the next visit to Yen Sid's tower, right before Sora tells Riku to not overdo it:

Yeah. and he does, importantly, get the power of waking, not BEFORE he comes to the rescue, but BECAUSE he comes to the rescue.

Now for my contribution since I stole the last two/three points from other posts. Just before Sora enters the RoD, he tells D & G to stay behind and that he has to go alone. (Sigh, yes, this scene is a parallel to Riku using the PoW to save Sora in DDD - it *has* to be him, and him alone) D& G protest, but eventually relent. But Donald doesn't let Sora go without saying this:

(In English, Donald says "you promise to be good?" inexplicably) but in Japanese he tells sora (basically) "Don't be reckless" - aka. No Reckless Stunts, complete with the use of "mucha" (recall Donald in the previous scene was the one to call Sora "muri" before being corrected by Jiminy). This is similar to what Sora tells to herc, so we are pretty much full circle on this scene being a callback to Herc rescuing Meg in KH2.

Like Herc, Sora does the reckless thing. Like Herc, he heroically dives into the abyss to rescue his loved one with all his heart.

Like Herc, Sora regains his power the moment he resolves to rescue Riku, even if it is not made explicitly clear to Sora OR the audience (perhaps the fact that he regained the PoW is why he is able to save aqua, too)

I could probably go on about this and what it means for Sora for a long time, but I think it's high time I actually wrote about "muri" and Riku's recklessness, so let's rewind a little.

I've already brought up how Riku relates to Herc in terms of his recklessness and heroics, but theres a few more things to add. of course. I'll recap with pictures of one of the parallels i've already discussed:

So here i think at least metaphorically, we can argue that Riku has lost a bit of his "power"- or rather, his drive. After everything is over, he just collapses, ready to die or be left behind. Sora WONT let that happen. So Riku asks Sora to lead. He confesses to some of the jealousy and superiority he'd been feeling over Sora for the past few years, and seems to be trying to find a new direction in his life, having now repented Quite a bit for the sins he committed in KH1.

Riku's entire purpose for fighting after KH CoM and KH2 was to wake Sora up, keep him safe while he does his keyblade weilder duties, reunite him with Kairi, and send him on his merry way. Sora refuses to let him leave, and demands that he comes home with him. So he does. but without his jealousy over his feelings toward Sora, or without his feelings of guilt and feeling he needs to make it up to Sora, what is left to drive him to keep fighting?

DDD gives him a pretty strong answer - it's where he both rediscovers his sense of purpose and gains the Power of Waking in the process. And his dream eater powers too. btw

Riku's journey in DDD is, simply put, not really about passing the mark of mastery exam and becoming a keyblade master. it's about remembering What he lives for. remembering his promise to Terra, and how those feelings have evolved - from wanting strength to protect the Stuff that matters as a child, to, in DDD, discovering that the "stuff that matters, like his friends" was Sora the Whole time, and that Sora is actually a "precious best friend" that he wants to protect. It's About recovering his strength, like Herc needs to do in KH2.

So how does Riku regain his "strength"? By Sora-style taking a reckless dive into the deep abyss of Sora's heart to wake him using the PoW.

(Not once was I able to find any mention of "recklessness" here, or any particular language that ties this moment together cleanly with what happens in Olympus Colliseum in KH2, but the repetition of diving down into an abyss to rescue someone (with all your heart. etc) is Enough of a parallel to make the connection between this scene and Herc's dive to save Meg)

It is within the deepest depth of Sora's heart where Riku is interrogated by three pieces of Sora's heart about what he's afraid of, what he cares about more than anything else, and what he wishes - All canon answers involve the mention of "precious" - "taisetsu" (sorry im not explaining this one im going to just assume you know what im talking about if you are a soriku that reads meta you should know.) - to lose something precious, my precious best friend (fuck da english localization for this one), to recover something precious that I lost. It is here that we see Riku's simple "protecting important stuff" become "protecting something precious/my precious best friend" (note that this hasn't quite become "taisetsu na hito"/precious person but hes getting there)

Ansem the wise is there i guess and he tells Riku that his 3 answers are what were the key to waking sora up, and I think, importantly, are what give Riku his "strength" back. He has rediscovered his purpose, which is, to him, protecting Sora (with all his heart)

Continuing into KH2.9 we have another couple scenes that will both complete Riku's development from protecting stuff that matters to protecting a precious person and also continue to make a strong connection between him and Hercules.

It's been pretty well established that these two scenes are deceptively mistranslated, but i'll go over it again

Herc here is saying "taisetsu na hito" which is translated to "person I love most"

The EXACT phrase Mickey uses to tell Riku why he's feeling more powerful and fearless in the RoD, in the literal next scene in 2.9. They were supposed to be VERY CLEAR hit you over the head parallels but, well. SENA said fuck gay people i guess.

Riku repeats what Mickey says into his hand ("strength to protect my precious person") and recalls his promise to Terra, to protect the things that matter. (again it's implied it's always been about protecting sora, he just didn't have the language or understanding of himself yet to know how to say it)

There is absolutely no room for nuance here. This is explicitly framing Riku's feelings for Sora on par with Herc's feelings for Meg eg. explicitly romantic. And that it's his ROMANTIC LOVE for Sora that is what gives him his strength - not just to protect Sora, but also to do THE IMPOSSIBLE

phase ??? of my argument will now commence hang on to your butts. (i wrote this all in one night im tired)

Now that ive Exhaustively set that up. lets actually get back into discussing what I initially set up - riku doing the impossible "muri" thing.

As a reminder, Sora tells Riku to not "attempt the impossible/overdo it" in the RoD. And to call him if he needs him.

So Riku, instead of attempting the impossible in the RoD by facing the demon tide, does call Sora, which ends up being what saves the day! Yay!

I have bad news though! Riku is terrible at listening to advice when Sora is in trouble.

Now recall what I mentioned earlier about the fall of the guardians in the KBG and Sora's subsequent breakdown being a parallel to Herc losing his power in KH2. Sora *fails* everyone here, and he explicitly states he is worthless, without strength, when he loses them. It's very in line with Herc losing his powers in KH2.

(just putting these in here to hurt you and myself)

So, we get the Herc parallel, but it stops here for Sora. He doesn't do some grand self sacrifice for Riku to prove his heroism and regain his "power", but i think theres a reason for that beyond it just being Riku's time for the spotlight but I am getting there.

In the english localization, Sora says "we've lost, it's over". It's a subtle change from the Japanese, where instead of "it's over", Sora simply utters "muri da--" ("its impossible") (in the wettest saddest voice you can imagine)

It's at this moment where I do truly think we're meant to make the connection between Sora saying "its impossible" and Sora telling Riku to not attempt the impossible. It fits in nicely with Sora telling Herc to not do reckless stunts, with the slight change in language from "reckless" to "impossible", and with the impending self sacrifice. Riku knows that beating back the demon tide is impossible. But he does it anyway (compare to how, when faced with a much smaller demon tide, and he was losing, he listened to Sora's advice and called Sora for help instead of attempting the impossible)

So we have Riku's ultimate true love sacrifice for Sora, which both takes his life and grants him a spot upon an alter in Olympus, perhaps symbolically giving him some sort of ascension for his heroic deed. And again tying his sacrifice intimately to Herc's.

Because Sora and Riku are both "herc" and "meg" here I am going to make a little bit of a reach. Recall that I went through the effort of recapping the climax of the hercules movie. for no reason. There is a connection though even if it's loose, and i would kick myself for not including it.

In the movie, Meg, like Riku, protects a powerless Hercules from impending danger in her own act of true loves sacrifice. Her death gives Hercules his strength back (partly due to contract BS but it's still a romantic moment). And her death is what drives Hercules to dive into the Soul Hole to rescue her soul at a potentially great cost, which is what ultimately restores his godhood (showing his strength of heart). Riku sacrificing himself for Sora can be seen to be more like the events of the Hercules movie, Riku standing in for Meg - Sora does have to restore Riku's heart after it's been taken by the Lich, after all, much like Hercules brings Meg's soul out from the Hole. And Riku's sacrifice is what gives Sora the resolve to keep fighting. (not arguing with anyone who thinks it was only kairi because it wasnt lol)

So Riku attempts the impossible here, and ultimately he is rewarded. An interesting nuance is that the phrase "attempting the impossible" isn't meant to be taken as a challenge. From what ive read from native speakers, the phrase Sora uses really is better translated as "don't overdo it" as it is less about proving yourself to be able to overcome crazy obstacles and more about keeping your expectations in check. But Riku is reckless, and following his heart, which he learned from Sora.

I hope I've properly illustrated how Sora and Riku are both painted as reckless in different ways, and how the language used in KH3 is making direct references to Herc's reckless heroics in KH2 and in the actual Disney movie. And how these reckless acts are showcasing how much these two love each other, because I still have one more point to make. Namely, how this ties into Cinderella, and ultimately KH4.

In Terra's route of Birth By Sleep, he happens upon a distraught Cinderella, who has had her dress torn up by her step sisters. She was planning to go to the ball, but cannot, because it is "impossible" (muri)

Terra tries to console her. It's all very reminiscent of the scenes of Herc's, Sora's, and Riku's defeats.

After Terra fights off the unversed summoned by Cinderella's negativity (toxic much..), Out of the blue, the fairy godmother appears and makes everything better. She fixes up Cinderella with a dress and a ride to the ball, and sends her on her merry way.

She explains to Terra that she appeared to Cinderella to show her that her dreams *can* come true and that she typically appears only to people that have a strong belief in their dreams. Terra says he believes in dreams but you have to work for them, to which FGM responds that simply believing in dreams is already a difficult thing on its own. (Ventus also compares Terra to Cinderella. btw. because of his strong dreams)

Now. Sigh. Im not the only person that has pointed this out. The FGM quite literally appears to Riku, but only after a year has passed and they have no leads on Sora, and after it's implied that Riku is starting to lose hope.

In the limit cut, you can see Riku's sad wet puppy dog face as he talks about how hard everyone is working, and how they haven't found anything at all. He says "if Sora is really out there, don't you think we would have found something by now?" - Again, he's losing faith in his dreams of Sora's return. This is important.

I do not have the strength to go through and find all the times Riku told everyone to believe in Sora in KH3. It's a lot. And the last thing we hear him say Near Sora, is to let him go on his suicide mission to save Kairi - to BELIEVE in Sora (#wish).

So one, we know the dream Riku believes in is Sora, and two, we know he is starting to lose his belief in his dreams, like Cinderella before the ball, when he dress is destroyed.

Right after it's clear their is no lead through the data from Org 13, FGM appears, just like she did for Cinderella. And she tells Riku that His Dreams Are Literally A Key To Find Sora (that hes quite literally been #dream drop distancing into sora's dreams while hes in unreality is already so much without the FGM being there to explain this to him but KH is crazy!)

One last thing to really drive this home. The FGM brings Riku and Kairi to the nameless star to bring the three keys together.

And what does she tell Riku, before he leaves?

"Be careful. Do not attempt to do the impossible."

---------

if you read this whole thing... well... im proud of you. I know i definitely missed stuff, because it would be so hard to go through all the games and really dig for the use of this term especially when I dont speak japanese at all. and because i wrote this all in one night. But dont hesitate to comment or reblog if you have anything to add. I freaking love kingdom hearts

[iceunhie]

˗ˏˋ ꒰ ⊹ unexpected development ! ꒱ ˎˊ˗

summary ⁠☆ you get transported into your favorite otome game’s world as a shitty side character with a raging death flag. you try to prevent your inevitable destruction... but it doesn't go according to plan as much as you'd hope.

notes ☆ of course it's another scaramouche fic except this time it's plot is manhwa inspired

“This trashy game!” you curse, watching the pitch black GAME OVER screen linger in your phone. Happy music plays despite the current cg of your character at the hands of the tyrant character slash love interest Scaramouche. You sigh, tapping on the back button. “I was so close to completing his route… stupid, stupid game, ugh…”

Teyvat’s Seven Stars was a new otome game that you'd tried out for fun, bored out of your mind. The amazing art and soundtrack garnered your interest, not to mention the male leads were totally your type!

It had an array of tropes and spared no expense of flowery scenes and fanservicey excerpts that made you play despite its massive cashgrab feature. Heart fluttering near death scenes! Action packed romantic scenes with the main characters! It was consuming you and you loved it.

Even if the Scaramouche route was testing your patience.

You get that he was the most difficult to conquer out of all of them, but really, one! wrong! move! ….and an immediate gameover. Life sucks when he's your favorite character, and when your favorite character was notoriously known for having a horrid and difficult complete clear route that no one has completed yet, of course you needed to complete it, no matter what!

Damn it, now you've run out of love points to restart another run. Fuck you, system! Stupid trashy money grabbing game! You put down your phone, closing it. An immediate heavy weight settles on your shoulders, making you feel sleepy as you clutch your phone to bed.

Tomorrow… you'll complete his route for sure…

[ TEYVAT’S SEVEN STARS SYSTEM ACTIVATED! RUNNING GAME FILE NOW ]

Ah. You should've known what was coming.

—

[ CHARACTER FILE: [NAME] [LAST NAME] - CROWN PRINCE KUNIKUZUSHI’S BETROTHED! ]

What the fuck.

You think you've lost feeling in your jaw when the glare of the system shines bright, mocking you.

“[Name], you're awake!” You turn to the sound, and you face probably the most beautiful person you've ever seen. No, what the hell. You've seen him before.

Beautiful silky dark hair, glossy electric indigo eyes, a perpetual aura of ethereal lightness…. the game descriptions weren't lying after all. yes, you weren't dreaming. This was Scaramouche, or should you say at this point in time… Kunikuzushi?

He immediately clings to you. Oh. Oh. Well fuck. “I… uh.”

Scara- ahem, Kunikuzushi’s eyes are littered with tears and oh no you're a weak hearted person for your favorite character. “I'm so glad you're okay! I'm sorry, my mother- I mean, I'm so glad you're okay.”

The rest of the moments is a blur when your… fiance? betrothed? fills you in on what happened. Your mind is fuzzy and you can only piece together just a rough summary of what point in the game you're in.

So, you are currently three years early from the main story. Unfortunately, you are not either of the main protagonists Lumine or Aether. No, the system apparently hates you for being a hater and gave you the most egregious role.

A side character. A side character who barely even appears in the story, left to be trampled on by the story's plot. What's more, you're in the timeline wherein the current Kunikuzushi doesn't take the name Scaramouche because his Mother, the lone Queen Raiden Ei left him when he could not pass the Inazuma kingdom’s test to be worthy of the gnosis.

He took the name Scaramouche after being trained by the shady organization known as the Fatui, the main villainous force in the game and usurped his mother. In other words, a blackened tyrant character!

...And you were the betrothed his mother set for him - executed in the future because he didn't want any trace of Ei’s influence. Amazing.

The future Kunikuzushi would be an arrogant, tsundere and soft-for-only-one-person type of character, but now, he was like a gentle, tucked away from the world young prince.

Wait…. wasn’t he also gullible before?! Very cute, but it's no wonder he blackened so quickly with such a naive personality!

You, well, technically, the character [Name] [Last Name] ended up in this situation after they threatened to leave Kunikuzushi because he was far too fragile for their taste. A side character who’d contributed to Scaramouche’s blackening and paid for it with their life. That was who you were.

Okay, now you pity this boy a lot. He already had a traumatic childhood with Ei not giving him enough love and therefore a plethora of issues, and he'd even end up being a crazy tyrant who stopped at nothing to get the main protagonist in his grasp! For your death flag not to happen, you HAD to do something about that.

You had no choice.

To survive this horrendous fate, you came up with a plan. And that would be Plan give-kunikuzushi-all-the-love-in-the-word-before-he-meets-the-protagonist-and-turn-into-a-blackened-dark-tyrant!

Okay, lengthy plan, but to plan ahead is to be smart, so you can take care of the name later.

—

So far so good, this plan of yours. Plan get-kunikuzushi-to-turn-into-a-sparkly-prince character and not his blackened self was going well! (You gave up on thinking of a cool name) Thank god for cliche romance novels.

So far, you've increased your proximity to him, including him to spend time with you, showering him with bouts of affection and care. And so far, it's been paying off. The once secluded Prince has become so cute and so sweet!

You have to pat yourself on the back for this. You were doing the protagonist a huge favor that now they had a wonderful love interest in their sights for future reference.

Although, if there was one nitpick you had on your conduct, it would be the fact that Kunikuzushi didn't take kindly to others aside from you, and would even be panicked, utterly devastated if you even brought up the mere mention of leaving.

“Break… our engagement in the future?” if it weren't for him looking shell-shocked and deathly pale, the furrow on Kunikuzushi’s face would've been cute. “No! I don't want that! You aren't planning to leave me, are you?”

He gives you the most horrendous god kneeling look of a plea, and of course you drop the subject immediately.

“It was a joke, of course. I'd never want to break our engagement!” you hurriedly reassure, gently taking his hands in yours.

Kunikuzushi looks at you, all puppy eyes and pink cheeks. So cute. Who wouldn't want to stay by his side? You reassure him, “Whatever happens, I'll always stay by your side, okay?”

He looks at your intertwined hands with an unreadable expression on his face. “Do you promise?”

You nod. “I promise, Kuni.”

He nods, gripping your hands tighter, and his expression rivals a blazing sun, brimming with conviction as he pulls you in for a huge hug.

And of course, who wouldn't turn down an opportunity to hug their favorite character?

Surely this time, you’ll definitely escape the death flag and horrendous side character ending, right?!

You don't notice the shadow on Kuni’s face when the mere mention of being separated from you comes up.

In the back of your mind, you wonder what would happen if your Kunikuzushi met the protagonist. Would he immediately fall for them? you wonder, and an uncharacteristic pang of discomfort tugs at your chest. Ah, what would it matter.

You smile at the gentle, pristine and kind Kunikuzushi that's currently excitedly telling you about how Ei praised his sword skills after he beat his younger sister. Even if the main protagonist would come here, you could keep this adorable Kunikuzushi for yourself for just a little longer.

You kiss his cheek, and he heats up. Yes, the future can wait for now.

How the hell did it come to this?

“You told me you'd always stay by my side, right?” a hand slicked with blood is resting on the side of your face. Electric indigo eyes, these ones now having a ruthless glint to them, stare up at your own. “I've removed everything else that can take you away from me. Now, you have no reason to leave.”

By remove, he meant the man who'd decided to make a move on you after you went to the gardens for some fresh air. Hence the blood on his hands and sword, hence the reason why there's a dead body by your feet.

The once adorable and fair-faced Kunikuzushi still turned into Scaramouche after all, and you failed to prevent his blackening. He was truly, undoubtedly the same game Scaramouche.

But… Why was he acting like this? Wasn't this the exclusive feature only the protagonist should be experiencing?

He presses a kiss to your forehead, then the back of your palm. You blush.

Yes, he is now an extremely dangerous individual capable of executing anyone he deems appropriate to just for the sake of it, and yes, this same man is kneeling before you as you're just about to leave after the main storyline cg act just started. And yes, like the protagonist, you should stay far, far away from him.

But could you really? When he was pleading you with such an expression of longing and yearning? He takes your hand to caress it to the side of his face, eyes haughty and grin unsettling, gosh was he so… so attractive, like that.

“You won't leave, right?” Why was he so…. so sweet? Why was this scene structured as if you were the one he wanted to be with, not the protagonist? “You promised me, after all.”

….And why on earth did your heart leap out of your chest when he said he wanted you to stay?

(It was hard to pretend you didn't know why when the smile on your face said otherwise.)

1.5k words, only the real ones know that ive been planning a cliche otome game au since day 1 I HAVE NO IDEA WHAT HAPPENED TO ME WHEN I WAS WRITING THIS FIC 😭 might turn this into a series if people like this though <3

@ MHIIEEE : do not repost, copy or plagiarize or claim my content or work as your own.

[minhosimthings]

Dances Avec Les Etoiles ft. Heeseung

Synopsis: God how boring is love? For Lee Heeseung, it was perhaps the most boring thing in this rotten world. But for his parents, it meant buisness. And buisness meant getting Heeseung married off to a princess from another kingdom. And when the princess shares a peculiar interest, Heeseung starts to believe in Cupid again.

Pairings: Prince!Heeseung × Princess!fem!reader

Warnings: Brief smut scene in the beginning (not with reader), SMUT MINORS DNI (with reader), fingering, edging, orgasm control, french kissing hehe, dom!Heeseung × kinda dom!reader, mentions of food, sexual tension, hee is kind of a pervert, suggestive at places, fluff, swearing, angst, did I mention sexual tension, enemies to lovers (kind of), arranged marriage, playboi heeseung × playgirl!reader, reader wants adventure and Heeseung is the adventure

A/N: I have been writing and editing this for so long now and it's only part 1! Thank you for being patient with me and I promise to release the second part which has more smut in it very soon! @candewlsy your daddy papi has arrived

Part 1 || Part 2 || The wedding

The French Quotes Series Masterlist

Lee Heeseung was a man of logic.

Which left no room for the poetry in him, although he did say that he enjoyed it a lot.

He was a prince, a ruler soon to ascend the golden throne of Tarnow. Stupid name, he had always thought, it sounded like a wheelbarrow carrying a bunch of tar pieces.

But he had often heard that the poets never allowed someone to go on with their life just like that. What kind of poets would they be if they did that?

And so he had to be betrothed. With a star studded ring on his finger, an imitation of a smile on his face, and a bride by his arm. And a ceremony where there would be flowers, and dancing.

Dancing!

Heeseung had a clandestine love for dancing. The curve of arms and fingers, the movement of hips, the ballet of the feet twirling to create an invisible picture on the ground. And yet, no one knew of this rendezvous of his. Well, almost no one.

"Hyung are you really sure you're alright?" Heeseung's daydream was interrupted by a honey sweet voice from above him. "Get down from the tree, idiot." Another voice, strong as iron reprimanded him.

Sim Jake and Park Jay.

Two of Heeseung's band of best friends.

They had grown up together, due to their parents being close friends, what with the never ending borders they shared between the kingdoms. And he could always count on them to give him advice, whether it be of a bastard's or of a sage's.

"Unless you want to break your arm again, get down from that dumb tree." Jay scolded the brown haired boy, who was, at the moment, hanging upside down from a willow tree, "But you need another reason to visit your best friend don't you loverboy?" Jay added with a cheeky smile.

"As if you have more love in your life" Jake shot back, promptly jumping down from the branches onto the grass with a soft thump.

"Would you two stop bickering and help me out of my current predicament?" Heeseung snapped, letting out a sigh and leaning against the bark of the willow. He had always liked this particular tree. He remembered his mother's hands carefully handling the roots and planting the tiny sapling into the wet mud, talking about how the Duchess' daughter had ran off with some ragamuffin. It was a majestic tree now, like how the poets described the trees of the Gods to be like. He had liked that poem a lot, the one about trees and princesses and first kisses under first snows.

"You're going to get married to a completely random princess, big deal." Jay rolled his eyes, settling comfortably onto the freshly mowed grass. He was often the more mature one out of all of them.

"Where on earth are Sunghoon and Sunoo?" Heeseung questioned, checking his pocket watch. He shook his head, his other two friends didn't exactly know the meaning of being on time.

"Probably kissing themselves." Jake smirked, flicking a leaf at Jay to annoy him, which worked when Jay got up from his sleeping position with a glare smeared on his face and slapped Jake's head.

"Just pretend you have affection towards her and all that and it'll be over in a minute." Jay adviced wisely, looking over at Heeseung's drooping figure. "I wish it was that easy." Heeseung sighed, "I don't want to get married, what if she's snobbery?"

"Hyung don't get poetic." Jay said sternly, moving his head to face Heeseung, "What is even love in these ages? And I am sure she'll be wonderful enough to make you some heirs."

"What's her name again?" Jake questioned, looking at the tree with his tongue stuck out, probably contemplating whether he should climb it again or not, "I hear she's of the far East."

"Princess Y/N of the Kingdom of Witchelm." Heeseung scoffed, "Ooh maybe they have witches!"

"Absolutely not." Jay sighed with a tiring expression.

"Whatever, I'm hoping to pay Priscilla a visit today." Heeseung pushed his hair out of his face.

"Does she love you yet?" Jake ashed with a cheeky grin.

"God I hope not." Heeseung shuddered, "She's just got a good mouth and a nice pussy for me to take. See you later boys."

"Fuck I needed this." Heeseung sighed laying back. The girl looked up at him as she placed her hand onto his cock, her other hand resting on his thigh. She licked the underside of it slowly back up, circling her tongue around the head.

"Fuck has your mouth gotten prettier since last time?" Heeseung chuckled, looking at the girl.

"Shut up and let me do my work." She responded, "You know this is the last time right?"

Heeseung scoffed and placed his hands on her head. "I know."

The girl took the head into her mouth, causing him to jolt. He patted her head which soon turned into him gripping her hair when she went back down again, now bobbing her head up and down. Making sure she reached all the way to the base, Heeseung helped by pushing Priscilla down further.

“Keep doing that thats a good girl” he stuttered out. The hand that was on his thigh reached down to massage his balls, lightly squeezing.

Would his new bride be good at giving him what he wants? Heeseung didn't know anything about her. Nor did he care really. She's probably the regular Mary Jane, a dull lifeless, smiling body, without balance in anything. He wished and prayed fervently that some sort of ballerina took her place instead.

Maybe that'd finally make him happy.

The reflection of Heeseung's mirror stared back at him, not noticing the utter beauty of his eyes. He never cared much for his handsome features, much preferring when people complemented how light he was on his feet.

But it was shameful for his parents.

Dancing? For a crown Prince? Preposterous!

It would have been outrageous if the kingdom found out that their prince preferred dancing over decrees. It wasn't that his mother and father didn't encourage his dancing, they loved seeing their son do what he loved. But to be a prince, a ruler, was to keep a reputation, and that couldn't be spoilt by something their son loved doing.

Heeseung sighed, taking a deep breath and counting his steps, every slow movement bringing him his happiness back inch by inch. Would his bride like dancing?, he wondered, that would be a pleasant thing. Atleast one thing in common with her.

His thoughts wandered carelessly as his feet did, sliding across the floor effortlessly, a gentle sway of the arm here and there, the ballet of a sawn without his mate.

He would be betrothed by tomorrow.

A fateful tomorrow, he hoped.

"And now we introduce, Princess Y/N of the Witchelm Kingdom!"

The man had a ridiculously nasally voice in Heeseung's opinion. Maybe they should replace him with someone who doesn't sound much like a parrot.

"Heeseung stand up straight." Heeseung's mother snapped at him from his right shoulder. Silently grumbling, he obeyed and adjusted his drooping figure along with the drowsy expression on his face. He would have rather ate a carrot than do this right now. The sound of bells and trumpets and what not, and all the ridiculously maroon stained curtains irritated him far too much. The sun was broiling hot, and there was not even an inch of a cloud in the sky. And his nose was rather itchy as well. Perhaps he should ask Jake for that rum again...

"Welcome to Tarnow, Princess." His father's formal voice broke Heeseung out of his train of thoughts, and as he snapped back to his senses, he realised the presence of a figure standing before him. Not caring to lift his eyes to look at the figure, he quickly bowed.

"How was the journey, my dear?" His mother asked in a saccharine sweet voice. She only ever used them with babies, Jay and extra important guests.

"Well the carriage certainly did not like the hefty rocks, but it was pleasant." Heeseung thought he had heard an angel speak for a moment, "Your kingdom is magnificent, Your Majesties." The figure in front of Heeseung curtsied, and that's when he caught a whiff of her perfume.

It was intoxicating, as if it was pulling his closer.

His eyes flickered up, to take a peek at the woman. She was clad in deep shades of maroon with gold trimmings illuminating her figure perfectly. Was this his bride to be?

"Prince Heeseung." You threw a curtsy to him, noticing the way his fawn like eyes were staring at you. Maybe the rumours were right. All the princes of Paradoxica were scoundrels who lounged after women.

"Princess Y/N." Heeseung finally bowed back, and you took note of the fact that his eyes stayed to the ground, not lingering over your figure as most usually did. Maybe he did have a tinge of respect in him.

"Well why wait here in this heat? Shall we lunch inside?" The Queen said in a joviant manner, extending her hand to you, which you took gratefully and stepped inside the castle walls, finally feeling at peace.

You were completely unaware of the pair of deer eyes following you.

Heeseung's first thought upon seeing you was the way you wore yourself. He had often learnt that the best of dancers always moved differently, which was always evident whenever he'd attend balls. The truest dancers would always walk as if they owned the very earth they walked on. Heeseung always felt that they had clouds for shoes.

And the way you walked, the way you held your shoulders, the way you each step echoed with the sound of the air, there was no way you couldn't have been a dancer like him.

But you were a princess, he reminded himself, his soon to be Queen. Dancing was to be put to the side for some time.

Or so he thought.

The luncheon had went quite well in your opinion. Apart from the fact that the King and Queen would not stop talking about the proposal ceremony and the wedding, and their son smirking into his peas whenever his parents came upon the topic of grandchildren, it had gone by in a breeze.

You were happy that Heeseung hadn't talked to you. You were far too tired to have any 'getting to know each other' conversations. He seemed a bit monotonous to you, at first glance atleast. You had always learnt never to judge a book by it's cover. But sometimes advice was made to be ignored, so you simply went on with your day, not caring about what kind of a person Heeseung was.

The rumours were enough for you to summarise his persona anyway. The people of Witchelm talked about him as if he was a splendid rose, one everyone wanted to take a look at. Kind, courageous, handsome, generous, blah blah blah. You would rather have married a fish if it was described as more interesting than him. Although the rumour that he really 'got around' in terms of pleasure had interested you. If that had been true, maybe you did like him. Atleast he would be understanding to the fact that had lied to everyone that you were still a virgin.

Tarnow had been a luxuriant kingdom, known to everyone as the first kingdom formed in all of Paradoxica, the oldest one, it spoke quite well through the aching castle walls when you were exploring the southern wing.

It was in a word, beautiful, with the fading architecture and all the women clad in luxurious silver, dancing their hearts out on the street. How you wished ever so fervently that you could join them.

Dancing was your life ever since you took your first steps. Witchelm was renowned for dancing, for ballet, ballroom and everything in between. It was a pity that you hadn't heard anything about the hobbies of the Prince. Perhaps he preferred dancing too. That would be a pleasant surprise, you thought, as you stepped into your chambers, where all your luggage had been arranged neatly.

"I think I can take over from now on." You curtsied to the girl who had led you over to the chambers. She bowed back and was about to leave when you thought to ask her the question that had been lingering in your mind for long.

"Is there a ballroom here?" The girl turned back abruptly at your question. She had hair as dark as coal and eyes even darker. A pretty sight.

"Oh yes, your Highness." She smiled at you, "We have the biggest ballroom in all of Paradoxica in fact. Most of the King's balls and state dances are held here."

"Then, there must be a place where they practice their dances is there not?"

The girl chuckled at your question and clicked her feet together.

"There is a humongous room in the western part of the castle that's basically empty space for dancing. But the Crown Prince spends most of his time there at night, so we aren't allowed to go there much. I can show you the way if you want."

"The western wing." You sat on the bed with a soft thump, "I can find my route don't worry. Thank you for everything."

The crown prince and dancing..... Peculiar. Very peculiar, you thought as you lay on the bed. You were thankful for finally getting out of the heavy purple gown, and putting on some actually comfortable robes. Although you had begged your mother to let you wear your favourite lavender shades, your mother has refused and put you in the darkest and most sweltering maroon gown. It was safe to say that you were a panting dog by the time you got out of the gown.

Picking up your quill and paper, you smoothed out the creases as you thought about what to write to your best friend back home. Gaeul was the kind of person to find out everything about someone before loving them, no matter what methods she used, so it wouldn't be a problem if you wrote 'i think the Prince likes dancing because a girl told me an extremely insignificant detail' in the letter to be sent to her.

Dipping your quill into the ink pot, you were about to start your letter when-

Knock knock knock

The door tapped thrice. It was safe to say that you were confused. Lunch was just five hours ago and it wasn't even dinner time yet, the sun hadn't set even though the sky had turned a deep purple.

Donning a clock over your robes, you stepped out of the comfortable silks of the bed and strode over to the magnificent, carved door. Tugging on the handle, the door made a creaking noise at it opened, making you cringe at the sound. You caught a figure lingering at the door. The same girl was there, the one who had led you here earlier today.

"Oh hello there." You said, opening the door to its full length, "What is the matter?"

The girl shuffled her feet before your eyes fell on her hands. A tiny black box.

"Someone left this in my chambers with a note attached to it your Highness." She said, "It gave the instruction to give it to you."

You looked at the box with uncertainty before snapping your eyes up to the girl. You took the box from her, your finger gently brushing against hers.

"What is your name?" You questioned, realising that you hadn't asked for it before. "Giselle, Your Highness." She answered, still looking at the ground.

"Thank you Giselle. You may go now." You shot her a smile which she returned meekly and scampered off.

Closing the door behind you, you eyed the box with uncertainty. What if it was some poison which wafted into the air as soon as you opened it? What if there was a lizard inside? You really did hate those dumb creatures. Thousands of thoughts flooded your mind as you looked at the box. You were reminded of your father's words to stop reading so many books with plots of bloodshed and mystery. As if you'd ever stop.

Caressing the box with your hand, you noticed how fine of a quality it had, it couldn't have been sent by any ordinary person. You lifted the lid of the box with hesitation running through your veins, only to find inside......a necklace?

A dainty pearl necklace lay inside the box, along with a tiny note, which you did not notice at first. You were far too captivated by the shimmering necklace. Pearls were a rare occurence in Witchelm, with it being a landlocked kingdom. But Tarnow, you had heard, had a vast coastline, so pearls were easily found.

You pondered upon who it could have been sent by. A secret admirer perhaps? The thought did excite you. But who on earth would send a box like this in these times?

As your thoughts ran wild through a forest again, your hand slightly tilted the box, and the note fell out. You bent down to pick it up and immediately took note of the fact that it was paper which was used for royal decrees. A secret admirer from the ministry?

Unfortunately your mind was disappointed as you ran your eyes through the note.

Wear it for me princess. Love, Heeseung.

Of course. A secret admirer, what were you even thinking? No one would have the courage to give the princess of a foreign country, a pearl necklace.

Rolling your eyes, you settled the box and the necklace into a drawer and put the tiny note into a separate one. The prince had a handsome signature, far better than your scribbles anyway.

The western wing had never seemed like a more interesting place

"I hope you find the chambers a comfortable place my dear?" The Queen's voice rang in your ear. God the atmosphere of the dining table made your hands sweaty.

The little conversations you had with the King and Queen weren't enough conversation for you. It was too.....formal, to regal. You wanted fun, but you knew you wouldn't get that. Not until tonight atleast.

Your plan to sneak out into the western wing was extremely flawed but you had not a care in the world. So what if there would be hundreds of people standing guard? You were quick on your feet, a dancer's gift.

You had silently observed Heeseung throughout the dining session. He seemed quiet, all the talkative ones do at first glance. You noticed the way his foot tapped away every now and then without a care and his fingers drummed his fork in hand. You hadn't a single idea if it was on purpose or not. You had read in the book Gaeul once loaned you that artists, like painters or dancers, can never keep their body still. They always have to be doing something with their hands or feet. So either Heeseung was secretly a painter, or he was a dancer. The former seemed to have more possibilities but it could always be the latter considering Giselle's words about the western wing.

Only one way to find out.

Your skin was filled with goosebumps as you walked down the chilly corridor. You were greatly surprised that there weren't many guards, perhaps Tarnow cared less about security.

You shouldn't doing this, this is dangerous, said a voice in your mind, but did you ever listen to it? No, no you did not.

The western wing was easy to locate, what with the huge painting of a woman pointing her finger towards a large corridor, with the words "Western wing" engraved onto the painting. It was darker than the other parts of the castle, maybe it was a secret wing shut off to everyone else except the Prince. There weren't many doors here either, which caused you to let out a sigh of relief. The dancing room would be easier to find.

And it indeed was, as you now stood in front of a huge oak door, the only one for miles on end. You hoped fervently that it wouldn't creak like the door to your chambers. And to your relief, it thankfully didn't, and the spectacle inside made you let out a gasp.

The prince.

So he wasn't a painter after all.

He was a dancer!

A plain show of beauty, you thought, the Prince was. He looked ordinary at first glance, but now, as your eyes trailed his moving figure, his feet gracefully gliding across the floor, hitting each moment to the melodies of the song he was humming, you'd have thought it was Apollo's incarnate himself. You were mesmerized by him, by his every movement, he was gentler than a swan with his fingers, his robe moving in sync as if he had been commanding it.

My my, he looked like a groom in need of a bride, you thought. You didn't know whether it was past midnight yet, even as the clock struck itself and made a loud noise, you were too distracted by the dancing prince. You would have loved to watch him for a bit more, if not for-

CREAK!

Stupid door!

Heeseung's head whipped around to the door as his humming and dancing stopped abruptly. "Who's there?" He cried, clutching his hand to his sword belt, "Come out!"

There was only one idea in your mind at that moment.

Run.

You hoped fervently the next day that the bags under your eyes would be put off by everyone as exhaustion from the long journey. You hoped that no one thought "Oh the princess obviously must have sneaked out to the dance room and ogled the prince!" Although the possibility of that happening was very low.

You slyly avoided the Queen's questions about your sleep by asking her about when the royal potrait of the groom and bride to be would be painted. And she responded with much happiness that it was to be this afternoon!

This afternoon. With the prince. Wasn't that a joy?

Your schedule was much packed that day, which was disappointing since you had wanted to sneak out to see the main ballroom which Giselle had informed you was in the Northern wing. First, you had to get into your gown for the portrait, which would easily take the entire afternoon. Then the actual portrait session would arrive and God knows how much time a simple layer of paint will take to dry.

"Do you paint my darling?" The Queen asked. "Yes." You answered, knowing damn well you couldn't draw a line if you wanted to. Well a lie in a lie is a truth wasn't it?

Afternoon arrived and so did the sweat drops on your forehead. Damn this gown, you thought as you dragged the heavy on the floor. You decided the first thing you'd do after becoming Queen is ban whatever material this is.

Approaching the door where the Queen had directed you to, you took the handle in hand and tapped it thrice to let whoever was inside know that you had arrived. "Come in." A familiar princely voice answered.

Oh great.

"My Lord." You sunk into a curtsey, not letting your eyes meet Heeseung's. Had he always been this tall and handsome or were you dreaming?

"Heeseung, princess, call me Heeseung." He wore pride quite well in his cunning smirk, you thought, as you looked at him quintessentially.

"Then you may call me by my name as well." You replied, glancing behind him to see an easel propped up, "Where is the painter?"

"Oh him? He's always late." Heeseung leaned back against the table behind him, "So princess, enjoying the palace's attractions?"

"Stop calling me that." You said, rolling your eyes out of annoyance, "And if the attraction is you, then no I'm not." He made the word seem like an enchanting melody, the handsome bastard.

"Would you prefer darling?" He smirked, pushing the stray strands of hair out of his face again. He looked like a siren, pulling you into an ocean you wanted to escape from, but didn't know how.

"Say, my darling," he leaned forward, looking at you with darkened eyes, "You're still a virgin aren't you?"

"Why, do you want to corrupt me?" You scoffed, settling yourself down on the loveseat, "Well bad luck, I'm not."

Heeseung looked taken aback for a moment, his eyes widened and he blinked a few times, but he composed himself quickly.

"Ah we have a little liar do we?" He chuckled lowly, his eyes still looking you up and down, "So you're a bad girl aren't you?"

"I don't care Lee." You crossed your arms, "This is just a marriage for politics, there's no way in hell you are going to magically make me fall in love with you, like in the books."

"You read romance?" Heeseung cocked his head to the side, "Well there's a thing we have in common."

The door to the room burst open before you could get another retort out and you breathed a sigh of relief as the painter rushed in with his assistants and started running about arranging everything.

You were even more thankful when you had to sit down for the portrait, far away from Heeseung. Although a weird pose, you supposed the painter would magically make something out of it.

Heeseung was more interesting that you had previously thought. Atleast he didn't treat you with the insufferable respect most princes did. He was....cocky, rude, daring. A rather sweet taste on your tongue.

Oh how you couldn't wait to sneak out to the west wing again.

You remembered to bring a shawl this time, draping it around your shoulders so that the cold, carved rock of the palace wouldn't let your skin break. You cursed yourself for almost knocking over a piece of what looked like driftwood sitting atop a table, willing aways it's time. The kingdom of Tarnow really had its unusual traditions.

The conversation you had with Heeseung today ran in your mind over and over again and again. You liked the taste of him, the way he stood, the way he held himself. And the way he spoke. You were going to have to come up with new retorts everyday. Well that's more interesting than suffering a life of 'i love you' or 'i will die for you'.

But for now, peering at him through the slightly ajar door was more than enough. Oh how he danced, the movements he made, an astral ballet in the air. He looked at peace, that cocky and confident demeanor was no more, it was replaced, instead by calm and cool. Your eyes tried not to linger to his waist and arms, how his shirt pressed tightly against his muscles. The sinful thought of having a touch of them echoed through your mind. The curve of his body fascinated you, oh he looked as pretty as an angel. Perhaps there is more to Heeseung than you thought.

"She's interesting, too Interesting." Heeseung drawled, as he chewed on his quill tip. To his right sat Park Sunghoon, another crown prince, who had inherited his kingdom without marriage and without everything Heeseung despised. At the moment, he was the only one who could provide Heeseung some comfort.

"Interesting as in she didn't fawn over you or interesting as in she's no a virgin?"

"Both." Heeseung answered leaning back in his chair, "And she's such a mystery, god I want to know more about her."

"There is a thing called conversation you know." A third voice called from across the room. A red haired man was sitting atop the table, casually willing away at grapes.

Kim Sunoo. The youngest crown prince.

"Oh really?" Heeseung smirked, "I though conversation wasn't mandatory or what was it you said last time Sunoo? 'Conversation is only for the loveless?'."

"You know who I meant it for." Sunoo rolled his eyes and hopped off the table promptly, "Anyway the Princess of Witchelm seemed a lovely character. I had a brief incursion with her out in the garden, and she's.....interesting."

"That's what hyung said too." Sunghoon popped a grape in his mouth from the table, clenching his face at the sour taste, "Just run up to her and you know, ask her what she likes."

"Great advice, Sunghoon."

"As if you can do better."

The gardens of Tarnow were a place you reveled in. The freshly mown grass, the sweet scent of daffodils, and the sight of bees almost everywhere elated you. And most importantly, the willow tree.

The grandiose tree reminded you of someone who knew what they were worth, like a Queen who knows exactly what she wants. That's who you wanted to be. A Queen who rebelled, headstrong like your mother always told you to be. And you would fill the streets with dance, music and laughter. Maybe even prompt Heeseung to show off his moves....

"And to what do I owe this pleasure?"

Death would have been more pleasurable than to endure Heeseung right now, as his voice disrupted your peace and quiet.

"You owe your hand in marriage apparently." You stared straight at him, not daring to break eye contact, which was hard considering how menacing Heeseung's stare was.

"Admiring the willow eh princess?" Heeseung plopped down next to you, landing on the grass with a soft thump, "You know, I planted this when I was an adorable child."

"Adorable?" You scoffed, "More like a fiend." Heeseung chuckled at your statement, turning his head to look out towards the landscape.

"I planted most of the trees in this garden." He said, staring ahead with unwavering affection in his eyes at all the greenery, "They've grown a lot since then, my mother says that planting them at a young age allows them to grow with you." The love in his tone made you want to coo at him, but you composed yourself, remembering what kind of a person he was.

"Was that too cheesey?" Heeseung smiled, turning his eyes to yours. "Just a little." You responded, not having the heart to break the moment.

The silence that followed was a dire one, but it was peaceful. Heeseung and you sat in it as if you were fluent, letting the breeze whip your hair about, and the grass seep into your veins. You were so immersed in the butterfly landing on the daffodil that you didn't even notice the leaves sticking to your hair.

"Your hair looks like a bird's nest right now, princess." You heard Heeseung laugh as you turned your head towards him. "Excuse me?" You said, pulling your hand up to stroke your hair, being horrified when you pulled pieces of leaves sticking to it.

"Oh for fuck's sake." You mumbled under your breath, "Ah damn this, I'm going back to the chambers. Good day, Heeseung."

"With a nest in your hair?" Heeseung raised a cocky brow, "Princess, be logical. No one is going to respect a future Queen who looks like she's walked out of a jungle." Heeseung's words were mean but true, "You know I can just remove them, if you ask kindly with that pretty mouth of yours."

You had never wanted to slam his head into a wall more than now. But your reputation also mattered. You were torn between the two choices; Heeseung or risking your reputation?

"Fine." You sat back down on the ground, "Take them out."

"Nicer, princess. Add a pretty please too."

Oh he was on thin ice. You rolled your eyes and grumbled, "Could you please take these leaves out of my hair? Pretty please?"

The scent of Heeseung's neck pressed to your nose as he leaned over to remove the leaves carefully. He touched your hair rather gently, as if you were a fragile doll, which surprised you. Your hand kept lingering at his stomach, holding itself back from touching his muscles.

"There." Heeseung leant back, "All pretty princess again." "Thanks." You muttered, making your way to get up.

"Uh uh uh princess, we aren't done yet." Heeseung pulled you back down, making you snatch your hand away from him, "I want to strike a deal with you."

That night as you watched Heeseung dance gracefully on the stone floor, you wondered how this was the same person you had met in the morning. The same person who had made you a wretched deal, now danced under soft candlelight, unaware of his future bride watching him through clandestine corners.

"Meet me in my chambers tomorrow, and I'll think about not spilling to everyone, your little 'pureness' secret."

Fuck the world. That was your first thought as you woke up the next day, got dressed, had breakfast, had a conversation with the Queen, and made your way down to Heeseung's chambers.

For what purpose must this have been done? For what purpose did you have to be betrothed to a man like him?

"Fine day, isn't it princess?" Heeseung smirked at you from behind his desk. Papers and scrolls were strewn all over the desk, along with ink pots and a couple of what seemed to be drying paintings. A few more were hung up on the wall.

"Is this why your mother asked me if I paint?" You traced your finger over a dried painting of a daffodil. Still life, boring as it may be, still caught your eye. Heeseung smiled to himself.

"She asks everyone that, thinks her grandchildren will be some sort of prodigies." "Grandchildren?" You looked up from the painting to Heeseung's smug face, "We aren't even close to friends and she wants grandchildren?"

"Rule of Law princess, there's an entire book about it." Heeseung leaned back, spreading his legs a bit further, god that shirt stuck to his muscles well.

"What am I doing here anyway?" You scoffed, sitting back on the chair facing him, "You want me to do your assignments or something?"

"Assignments, actually." Before you could blink a huge stack of papers lay in front of you, all stamped with decrees, "And in return you'll get some get sex and your secret not being spilt."

"Good sex?" You laughed haughty, "I highly doubt that. Especially from you."

"You think I can't fuck you better than your lovers?" Heeseung raised a brow at you, leaning back against his desk. "No I don't think so." You simply replied, reaching out a hand to get one of the decrees, but it was caught by Heeseung and before you could even flinch, he had you pressed against the desk.

"Want to test that theory?"

Your retort stuck in your throat when you engaged in a searing kiss and your lips met aimlessly—a real mess of tongues and teeth. Heeseung licked a strip across your teeth and thrust his tongue deeper, exploring the inside of your mouth like a sacred temple with only one chance to visit. Heeseung opened his mouth and gasped, lingering with a few more short, honeyed kisses between his panting breaths and your muffled moans. You scolded yourself for even getting a sound out of yourself at Heeseung's touch.

Heeseung's hand moved up your thigh, and you pressed your mouth to his throat, sucking hard enough to leave a mark.

"That's not the ideal place to leave a mark princess." Heeseung glared at you, to which you merely shrugged your shoulders. So what if Heeseung had a few hickeys on display to the kingdom?

Heeseung's hand travels upto your back, easily removing the dainty dress you had on. You silently thanked Giselle for giving you a dress instead of a gown today.

“is this what you wanted?” you slid your panties to the side, as Heeseung was about to reach further down your slide. He wouldn't have admitted it but he almost drooled at the sight of you. Taking a second to admire you, his voice echoes through your body, “I wonder how many others can have you like this.”

"Not many." You keep your eyes on him, "none of them fuck me as well as I want them to."

You lean forward a bit, making sure he gets a fantastic view of your cleavage. You decide to push the boundaries a bit further, your voice dropping to a sultry tone, fingers playfully tracing the edge of your bra's strap.

Heeseung's exhales a shaky breath, "you're playing with fire, y'know that?" His voice is low, it only spurs the warning and longing lingering inside you.

The world narrows down to the heat of his touch, the electrifying sensation of his fingers on your skin. You feel the rapid beat of his heart against your chest, mirroring your own anticipation. Heeseung's eyes, lock onto yours, a silent agreement passing between you.

Your nails scrape against his scalp and you squeak in shock as Heeseung's hips surge upwards, forcing his hard cock against you. The unabashed moan he lets slip is sinful and it’s all you want to hear for the rest of your life. You can’t stop the urge building up inside you, you’re not even certain you can stop moving your hips even if you wanted to.

His fingers catch the waistband of your bottoms. Heeseung traces your clit over the fabric feeling the warm, wet patch you’re leaving in them and then he teasingly slips a finger underneath, swiping two fingers along your slit, thumb, and index finger opening your pussy to his gaze. He presses a finger inside of you, slowly stretching out your tight hole. You groan, and his eyes roll back at the way your walls stretch around him. You rock harder against him, fucking yourself into his finger and wrapping your arms around his neck again. you just want to feel him against you.

"Fuck you're a tight one." Heeseung smirks into the crook of your neck, taking in your delicious scent, "Is this good enough for you princess?"

His half-lidded eyes look up at you as you contort on top of him, feeling overstimulated, with a single finger.��He coos, his other hand sweeping over the back of your head sweetly, pushing back stray sweaty hairs. He nudges your nose with his, hand on the back of your neck, and tries to meet your eye. The squelch as his finger fucks into you, fast and deep, is the most beautiful thing he’s ever heard.

You can feel the tightening of your stomach, your intestines begging for air as your mind wants nothing more but to break free. The sweet edge of release feels better than ever with Heeseung than anyone else you've ever done this with. Fuck was he good. Just as you felt his finger sweep across your cunt one more time, and hot liquid come upto your cervix-

"Heeseung!" You gasped, feeling the painful feeling of having him pull his finger away from you. His smirking face added the fuel to the fire of your anger, as he slowly bent away from you, collapsing onto a chair and spreading his legs far. God did you want yourself propped on that thigh.

"I already told you princess." Heeseung's smug voice infuriated you, "Sex as a reward remember? And you haven't done anything so no reward. Simple logic."

"fuck you" "When princess?"

You were thankful Heeseung didn't make you work all night, you had time to admire his dancing again. He seemed so different when he was alone, so much more gentler, and it only made you hate him more. Why all the cocky behaviour when he was surrounded by people? You liked this softer side of him. You wished that he would get the courage to show that side to the world. Maybe in due time as all things come.

The rest of the days went the same. Rise and shine in the morning, greet Giselle as she gave you your bath, breakfast and burrowings, rush off to Heeseung in his chambers, do your 'assigments' whilst glaring at Heeseung, who glared back, get the desk a bit messier than it had been, and then sneak off to the western wing at late night to watch Heeseung. It was a bit redundant, but you liked this. Maybe it was the fact that Heeseung was someone who made you cum properly (although you wouldn't admit it) or maybe it was the fact that, from the past few days, he had started opening up to your more.

Ignoring the fact that your time with each other consisted of making angry retorts, you noticed that now, you knew more about Heeseung than before. His friends, family, ancient history, his hobbies everything, from A to Z was in your memory now. And you had to admit that you liked knowing more about him.

His sunlit eyes everyday as they silently perked up at the sight of you, the way his mouth dropped to give you the daily retort along with a tiny compliment too, the way his smirks now turned into smiles, and the way he leant nonchalantly against the great willow, when you'd go out into the garden for a little rest. Was this the love the poets described?

"Good news princess." Heeseung strode into his chambers as you stretched your neck from sitting in the chair all day completing a decree, "We're having a ball."

Collapsing on his bed with a thump, Heeseung groaned as he stretched out his aching limbs. Jay really did always do a number on him in practice.

"A ball?" You questioned, rising from your seat, walking over to the bed and climbing on, "For us?" Heeseung looked at you and nodded. "It's supposed to be a pre-pre-pre wedding ball, according to mother dearest."

"Will there be dancing?" You asked excitedly. You hadn't danced in so long that your feet longed to be in some tap shoes and a big flowy gown again.

"Yep, and guess what?" Heeseung smiled at you, "We're going to dance together."

"Oh I am an amazing dancer." You bragged, raising your chin high, "So it's fine if I outshine you right?"

"Please, I am much better at dancing." Heeseung sat up, facing you, "It's fine princess, they'll notice you at the wedding if they don't at the ball."

"Dance for me then." You gave him a cheeky smile. Would he agree? This is what you had been wanting for a long time. "No." Heeseung merely said, checking his bitten nails.

"Are you that horrible of a dancer?" You chuckled. But before you had time to laugh more, a fluffy pillow landed straight on your face with force. Heeseung's smile had never been wider.

"Don't do that you bastard!" You cried, picking up a pillow and hitting his shoulder with it to which he laughed raucously. "Or what?" He laughed again, hitting you with the pillow repeatedly. Stray feathers let loose from the pillows but you had not a care in the world as Heeseung chased you around the room with the pillow clutched in his hand. This had been the most fun you've had in ages.

Young love? So refreshing for a narrator isn't it?

You looked stunning. Your reflection, clad in soft hues of your favourite colour stared back at you, as your eyes ran up and down your body, hugged tightly by the fabric.

The ball had came sooner than you had anticipated, maybe it was the fact that you were so excited for it.

You'd be dancing your heart out tonight. With Heeseung. How you had longed to match his movements for so long, and now you finally had the chance.

"How do I look?" You meekly asked Giselle, who looked like a jewel in her own gown. "Like a true Queen, my lady." She giggled, dipping into a tiny curtsy.

"Shall we move then?"

Heeseung hadn't been too excited about the ball. He had seen too many of them to be entertained by any. And plus, there wasn't a proper lady to dance with either. Where were you? His thoughts, which were running aloof, came to a halt as his eyes landed on someone descending from the staircase.

Was that....you?

Indeed it was, as he blinked his eyes a few times to get into his mind the fact that you, his bride to be, were walking down from the staircase, looking like someone he's always loved for centuries. That, he did, but of course he wouldn't tell you that. Your snarky remarks from time to time, the way you smiled at his retorts and the way you remained a complete mystery to him, no matter how much he found out about you. Love, love, love, was what Jay had told him.

"My lord." You dipped into a curtsey in front of Heeseung. God he smelled exactly like the willow, enchanting and sweetly poisoning. You tried your hardest to avert your eyes from the tightly hugging fabric around his arms and his belt too. You fervently wanted your hands to be tied to it.

"You look pretty, princess." Heeseung winked at you, wrapping an arm at your waist, but not before giving you a look of access, "May we?" He motioned towards the dance floor, where a few women and men had their arms wrapped around each other lovingly. Would Heeseung and you ever be like this, you thought, as he led you over to the marble floor. You would have liked that, you'd have liked that a lot.

You could feel the eyes on you as Heeseung took your hands to his lips and pressed a small peck there. "Ignore them." He smiled up at you, "Time to show off your dancing, princess."

Gulping down the breath you've had in for a long time, you gasped in silence as one of Heeseung's arms pressed against your waist in a position for your waltz. You took your breath in accordance with Heeseung as the violins whipped their bows and the grandiose music began.

Dance was often described as the art of the soul, you'd never seen a living example of it, until now, as your entire body and mind moved in synchronisation with Heeseung. It felt as if dancing on a cloud you've longed to be on, when you were swaying with him. His grip on yours, his eyes tracing yours, and his demeanor being the one of the swan you had spied on in the western wing, it enchanted you, pulled you in to the whirlpool of Heeseung himself. You could have stayed like this forever, swaying in a gown with Heeseung at your start.

Heeseung was intoxicated as well, it was sweet venom lacing his veins, as the clandestine rendezvous of your movements got him to the highest of highs, one that even the most addicted couldn't have reached.

"Enjoying the view?" You cocked a brow at him, noticing the way he was staring at you. You were thankful that a lot of other people had joined the dance and you weren't the only ones dancing now.

"Funny, I was about to ask the same thing." He smirked at you, his eyes tilting down to your cleavage.

"You've seen more than just my cleavage and it's still driving you crazy isn't it?" You raised your chin, "Pathetic, Heeseung."

"Pathetic is it princess?" Heeseung's voice dropped to a low, as he leant over to your ear, his breath hitting your cold skin, whispering words that made your breath drop.

"More pathetic than the western wing?"

To be continued.....

Taglist: @amazzwon @heeseungshim @yunabi436 @kvmariii @sacrificeatmeup send an ask to be tagged

[the-kingshound]

To tie you over until the official update, and to reward everyone for being so patient, here is the complete first scene of the next update, picking just after MC left with Saraah.

SPOILER

Camelot, the King’s private chambers

Arthur fixes once again the cape around his shoulders.

“How do I look?” he asks, turning around.

Tristan steps forward, his movements measured and heavy, posture rigid as it almost always is. He is Arthur’s oldest Round Table Knight, and he bears the sign of age as well as numerous scars acquired during his years close to King Uther. The majority of them aren’t battle scars, but Arthur doesn’t allow themselves to think about it, because it would surely make them spiral.

“You look like a King.”

Despite the cool tone of his voice, bordering on detached formality, his words bring Arthur a sort of soothing comfort that is there regardless of the meaning of the words themselves. Even that is only temporary, though. Arthur’s lips curve up in a hesitant, slightly strained smile.

“Will it be enough?”

Tristan takes a step forward. Slowly, just brushing him, he fixes a stray lock of his King’s hair.

“Yes, it will. It needs to be.”

The discomfort, though, doesn’t lessen around Arthur’s insides. Instead, it only grows when Tristan lowers his arm and takes a step back. Immediately, he misses the contact. His mind buzzes in the same way it did when, trembling, he would walk at night towards the Knights barracks and seek Ser Tristan’s embrace after what his father put him through.

He doesn’t-

He-

Suddenly, Tristan is holding him again. His body isn’t warm, the armour poking Arthur in a way it could become uncomfortable if not for the way the static slowly leaves his brain, leaving a mess of uncertainty and fear behind.

Arthur buries his face in the crook of the older knight’s neck. “I don’t know what to do...”

“You are doing everything Uther would not have done,” Tristan says, evenly. Arthur feels the warm caress of validation on his prickling skin.

Tristan would know.

He lets the silence stretch for a few moments before he murmurs, in a hushed confession, “they are a battle mage. The one who disfigured Bedivere.”

Tristan doesn’t pull away from the embrace yet; even though these days his physical contacts with the King are much shorter in length than they were when he was a terrified child. Arthur soaks up his presence now, while he can.

“The Venegard child?” Tristan asks.

Arthur nods against his neck.

“I will speak of it with them soon. Otherwise, they will rightfully think-“ Arthur’s voice fades.

“…my father would have put them-” he starts to say, voice trembling and cracking on the last word. Anticipating their anxious, spiralling thoughts, Tristan pulls back, though leaving a hand on the King’s arm.

“None of that. He is dead and buried. As for you, don’t burden yourself with more than you can carry.”

Arthur exhales. The weight that has settled heavily on his stomach doesn’t lessen.

“Just as the kingdom is my responsibility, my spouse is my responsibility as well.”

The older knight is about to answer when a knock interrupts him. Arthur wipes his face, curving his lips in a slightly wobbly smile and calling, “yes?”

Ser Ector enters first, placing himself at Tristan’s side and leaving space for Mordred to approach Arthur. Some of the previous stress is replaced by tenderness at the sight of him so put together, face set in a formal expression.

“Oh, look at you,” Arthur can’t resist his cooing. “Are you all set?”

Modred nods, solemn. He stays silent, as he often does, though Arthur has to say that he has been quite less closed off around his soon to be spouse. It might be a naïve hope, but he still does wish for Mordred to grow closer with them. Arthur has tried his best but… obviously, if Mordred feels comfortable around someone, even if it isn’t him, he will welcome it with open arms.

“The Venegard child is about to enter the Chamber of Lords,” Ector announces, ever so direct.

Arthur inhales, straightening himself up as much as he is able to.

“Well then. We shall go. It wouldn’t do to be late to my own wedding.”

[eddiezpaghetti]

Okay, so my experience with Stranger Things is a weird one.

I didn't care when it first came out, started to watch it out of "might as well" in 2020, wasn't interested in it enough to make it past S2, forgot about it outside of going "oh, hey, cool, there's a lesbian in it now, I guess," in S3, got really annoyed when "Running Up That Hill" got popular from it because it was a song I listened to on fucking loop after one of my best friends died in high school and I fully expected its appearance in the show to ignore the whole survivor's guilt theme of the song (and was very happy to learn later that it did the exact opposite of ignoring the lyrics), saw people drawing Eddie, suddenly got a lot more interested, watched just the fourth season like a fucking psychopath because I was seriously only there for Eddie, then got interested enough to start the show over properly, having mostly forgotten what I did watch of the show before.

And let me tell you something from the perspective of someone who started with the complete fourth season, who wasn't there from the start, who wasn't tainted by ship goggles or this internal battle of hope and despair, who wasn't theorizing about what the painting could be or expecting Mike and Will to kiss when Volume 2 happened or rooting for Mike and Eleven's relationship to go down in flames or whatever the fuck. Just someone who went blind into Season 4.

It's really fucking obvious that Will and Mike are gonna be endgame.

Like holy fuck. It's so fucking blatant I don't even know why people are nervous.

No sane fucking person would shoot this scene this way if they wanted the audience to care about El and Mike as a couple. Despite being all blurry in the background, Will's reaction to what's happening here is smackdab in the fucking middle, clearly showing that the important part is what's going through his head here. What he's feeling. It's like the opposite of that scene from Kingdom Hearts II where Sora and Riku reunite and Kairi just fucking vanishes into the aether while it's happening because, despite the fact that she was standing between them when the scene began, she doesn't matter to the scene, so she's just kind of gone when the camera angle changes. Will could have been behind one of their heads, or so far in the distance he blends in with the background, but he's not. He's so obvious that despite being massively blurred out, he's still the first goddamn thing you look at. What, you think that's an accident? You think he's in the middle of this dramatic fucking scene because of a mistake? He basically has a big flashing neon arrow pointing at him with "THIS IS THE POINT" being screamed through a megaphone.

And then this?

They're paired up like they're taking fucking prom pictures. Each one of these pairs is so fucking close to one another and so fucking far from everyone else. It's not, "Oh, they're standing vaguely near each other in a group shot," it's fucking Noah's Ark out here. Again, there's no way to take this as an accident. It's not just a framing issue. If they wanted to make the shot look balanced while still not hiding anyone else behind El, they would have scattered people around much more naturally. Even if they wanted to keep Nancy with Jonathan and Hopper with Joyce, there's so much room on that hill for three people to stand on El's left and three on her right. But they didn't do that. They put Mike and Will together on purpose in the most obvious way possible.

Like I get that coming up with crackpot theories is fun in and of itself and I'm not blaming anyone for having fun. I totally get the appeal of arguing a point and reaching for every stupid little thing to pull into it because it's like a game, okay? I've done that. But if you're trying to actually convince someone (whether it's someone who wants to believe or someone who's pissed at the very idea that Mike and Will could be in love), stay away from blue and yellow lights, stay away from costume design, stay away from the existence of closets in backgrounds. And don't worry about whether Mike's gay or bi when he's in love with Will either way. I'll give you a little tip about persuasion: You're only as strong as your weakest argument. Even if you've got strong stuff in there, too, the person you're trying to convince is going to dismiss anything you say as complete insanity the second you start going on an entire tangent about the shape of a character's fucking pocket.

Sometimes, clothes are just clothes. Sometimes, there's a closet in the background because it helps establish that a character is in a bedroom. Sometimes, blue and yellow are just a couple of colors that look nice together. And sure, it might be set designers and costume designers and cinematographers smirking and winking at the audience from behind the camera. But if the show was just those things, instead of those things in the context of everything else, they wouldn't be saying anything of note.

But this?

This tells a story all on its own. Someone with no context can look at this and automatically assume that each paired person is standing with someone they care about deeply, seeking comfort as they watch some sort of disaster unfold. And yeah, romantic couples usually come in twos, and we live in an amatonormative society, so that's going to be the first association anyone makes seeing a bunch of people paired off.

It's the same reason you look at this

And go, "Oh..."

"Those two are probably a couple."

And I genuinely don't understand how people could have watched S4 Vol. 2 and gotten scared. Because as someone who went in with no investment whatsoever, I just looked at these two--

--and went, "Oh, those two are a couple. Good for them." And I moved on. Shut up about the trees for five seconds and just see the forest for what it is.

Oh, and if you're still nervous? Little thing from a storyteller here: You don't leave a hanging thread like "Will confessed his romantic feelings for Mike by projecting them onto El, but Mike either didn't understand or at least didn't say he understood," without coming back to that later. That's Chekov's gun hanging on the wall, babes. It's gonna fire at some point. If Mike was going to reject Will's feelings, if they weren't relevant, they would have had that discussion in Argyle's van. There'd be no reason to leave you in suspense.

[themisteriousentity]

"Golden Deer is boring though it's lackluster, the characters aren't as strong as the other paths there's less conflict-"

You fool. You absolute buffon. Golden Deer is perfectly designed. Not only does it feed into the whole "alliance" theme well by having the characters still work together despite their differences and feelings well before hitting those A supports, but it's ALSO the only route that actually puts the focus on YOU the player. Or, rather, Byleth themself

Black Eagle is about whether or not you can agree to Edelgard's ideals of acceptable sacrifice and perspective that there's only 1 way to do things. The branching happens when you decide whether or not you agree, but ultimately it just explores opposing or agreeing with Edelgard. Anything more than that is really just incidental to that main concept, whether it's Crimson Flower or Silver Snow, the entire time you're focused either on helping Edelgard achieve her goals or you're focused on showing her how wrong she is alongside the Black Eagles who think it's their duty to correct Edelgard's wrongs (and I have a whole separate thing in regards to how the cast acts in Crimson Flower verses Silver Snow). It works really well for characters designed around an empire, a domineering form of government where (usually) a singular ruler determines the course and focus

Blue Lions is focused entirely on working on past issues and learning to bring yourself into the present, but it's done almost entirely through the cast more than the player. The Blue Lions themselves all have their own traumas and deep-seated past issues that hinder or help progress. While both Blue Lions and Black Eagles have a lot in common when it comes to traumatized characters and ideology, the ideology is front and center, while in Boue Lions, their interpersonal conflicts are front and center. This shows especially in the final (non romance) scene, where Dimitri decides that his personal attachment to Edelgard and past memories still matter, and he reaches out a hand, despite her immediately trying to kill him. It's fitting for a route designed around a kingdom, which is usually built entirely on interpersonal dealings between the ruling class

Golden Deer, however, is designed very differently. Unlike the other 3 routes, the player, or more specifically Byleth, is put as the driving force instead of the Lord. And this is actually what makes Golden Deer such a good route and one with the best ending of all of them. Claude has ideals, but he isn't a person who wants to force others to follow his path like Edelgard. Claude has lived a life of strife where his past motivates him, but it doesn't chain him the same way it does Dimitri. Instead, he works on understanding everyone around him and working together towards agreed upon goals, while taking on stuff that isn't agreed upon onto himself. But more than that, while all the Lord's value your opinion, Claude is the only one who actually takes what Byleth wants (rather than just what they think about specific matters) into consideration for his plans. Repeatedly you tell Seteth in Silver Snow that you don't want to kill Edelgard, but he pushes that you have no choice. Pretty much the entire first half of Azure Moon is Dimitri ignoring you. And in Crimson Flower, you've all but completely submitted to Edelgard's will with a couple of exceptions (which actually proves my point because it's specifically in regards to the Golden Deer because you can fight the entirety of Crimson Flower while sparing all of them except for Judith). But in Verdant Wind, Claude doesn't hide that he has a problem with the church and wants Rhea gone. In Golden Wildfire, without Byleth, he's more than happy to just get rid of her without a second thought. But when Byleth is the protagonist, he goes out of his way to accommodate your wants into his plans and goals. When you express as the player that you want to reason with Edelgard and ponder if you can't walk the same path, Claude agrees with you and says he'll make it happen if he can, with the other Golden Deer mostly agreeing. When that,can't happen you both lament the fact that Edelgard gave you no choice together. He makes finding Rhea a priority, mostly because as curious as he is in general, he wants to help you find out answers only Rhea can give you. And all of the Golden Deer do this to some extent, with each other but also with you as the player. I think Hilda and Marianne's A supports with Byleth show this best personally, but that's a personal opinion. And it just works so well for a route designed around the idea of an alliance, people coming together and agreeing to work towards a goal bigger than themselves

And that's not to say the other routes aren't as good as Golden Deer, they're all equally well written, but it just makes me sad when I see people giving the Golden Deer route grief just because the characters aren't the same when it does its theme so beautifully

[she-posts-nerdy-stuff]

Some little details you might have missed in Six of Crows and Crooked Kingdom

(Maybe part one?)

When discussing the Ice Court Heist at the start of the book Wylan explains that he speaks Fjerdan and although Jesper teases that he probably isn’t very good at it, the fact that Wylan has been to the Ice Court at least once before would beg to differ; as a diplomatic meeting it would probably be considered impolite if he and his family didn’t speak at least some Fjerdan when being hosted by what I assume to have been the royal family or at least higher-ups in the Fjerdan government. However, when he’s drawing up plans of the Court on the boat, Kaz asks why nothing is labelled and Wylan says “I don’t know Fjerdan”. He does, in fact, know Fjerdan (and it’s confirmed later that he speaks it well), but he is hiding the fact that he cannot write

In the Bathroom Scene™️ Kaz says that Inej’s tell is the way she squares her shoulders before making a move, “as if you’re waiting for the audience’s attention”. When Kaz goes to the slat in the next chapter, after the fight he squares his shoulders before making his speech to launch a coup against Per Haskell. I think this is really interesting and it absolutely shows what Inej realises at the time, that “the fight was just the opening act” but this, the talking and the convincing and the persuasion, this is Kaz’s superpower. I think this is so interesting and says so much about him, but it’s also a great Kanej parallel. More than any character I can think of, Kaz absolutely embodies the quote “I discovered at a very young age that if I talked for long enough I could prove anything right or wrong, so either I’m god or truth is relative. And either way, boo-yah” (which by the way is a quote from the brilliant sitcom Community)

This is my favourite Wesper parallel: in soc when Wylan uses a bomb to save them from the parem-drugged fabricator, Jesper says “Wylan earned his keep”. Wylan replies “Did I?” and Jesper says “Well, you made a downpayment”. At the end of Crooked Kingdom when the pair are able to go back to Wylan’s house because Van Eck has been arrested, Wylan asks Jesper if he really meant it when he said that he would stay and help run the business by reading to him, and Jesper says of course, but “I charge a pretty steep fee”. Wylan blushes and replies “well I hope the medik is here to fix my ribs soon, because I’d like to make a downpayment”. THEY’RE SO GODDAMN ADORABLE

This one I think is something people just forget, but Nina and Matthias are heavily implied to have slept together on Black Veil when they got from Ravkan embassy. The pair go to get changed and reappear “rumpled and rosy several long minutes later”. Jesper laughs when he sees them- he says “Staying on task?” to which Nina replies “I’m teaching Matthias all about fun. He is an excellent student, diligent in his studies” as Matthias gets progressively more and more embarrassed. But yeah I’ve never seen anyone talk about it I think people just forget