#my first try at drawing most of these characters

[tehkusogaki]

I'm seeing a lot of people in the comments disparaging this remake, but I do want to go into a few reasons why it doesn't look as strong as the original.

Now of course no one is immune to nostalgia goggles and it's very easy to have that "they changed it, now it sucks!" instinctive reaction, so I am going to try to critique specific things and go into why I think they don't work as well.

First, I want to point out the composition of these two shots and specifically where the focus is.

In our original Hiccup and Toothless literally meet in the middle. With both Toothless and Hiccup pushed off the edge of the screen.

In this version they kept Hiccup fully in scene, but look how the focus of the action is now off to the side. We aren't focusing on either character-- they're both still pushed off to the edges of the screen-- but it's no longer both of them coming together in the middle, but rather Hiccup taking up the scene with Toothless starting to invade it.

Now this bit may be a little nit-picky, but look how perfectly the curve of Hiccup's hand matches Toothless's snout in the original in a way they don't in second image. They are so close, running parallel to each other. That's a very powerful image, and the remake doesn't quite match it.

I see a lot of people in the notes saying the lighting sucks, but no one explaining why. Looking at the bottom pic, you can see it actually has a greater value scale. There are a lot more midtones. Why is this bad? Because the action disappears into the background.

In the first pic there is a clear line of action going from Hiccup's arm to Toothless. By having these the lightest areas in the shot your eye is drawn to them. Then the darkest parts are Toothless's body and Hiccup's vest and hair which make them pop from the background. The most visible part of Toothless is his eye. There's a little bit of highlight on his scales and there's lighter midtones around his body to help clarify his silhouette, but we are drawn to his eye because of the light on dark contrast.

In the lower pic there is some highlight on toothless's scales (look at all that Texture! Wowee! We sure can put our computers to good use adding in details), but why is that the part on Toothless that stands out? Why is that important? Hiccup's arm kind of disappears into the background, and I can see more detail in the background than in our main character. The light sandy beach wants to draw my eye down, but there's nothing important there.

Now I put these in black and white to better see the contrast, but back to the color version, the background is mostly cool tones with warm light settling on our characters: another way in which the first one makes the characters stand out.

The only thing really catching my eye in the second one is that the greens are maybe too green? I'm not getting the same delineation of foreground and background.

There are a few other things to be picky about.

Like Hiccup's costume. Now I don't know enough about costumes to confidently pick it apart detail by detail (and honestly can't make out enough details to do so anyway) but what is one of Hiccup's defining traits? His scrawniness, right?

Look at that skinny little arm reaching out for that dragon. Look how that thin strip of lighter colored fabric visible from under his vest accentuates how slender his trunk is. Look how clearly you can see how he leans away from Toothless even as he reaches out for him. You can see the hesitation in his arm through his slightly bent elbow.

I feel like the bulky, loose costume on the actor makes him look bigger than he should and obscures body language.

Now here's the part where I want to remind y'all that art is subjective. These are some of my thoughts on this, but are by no means the only way view this. Also, please be nice to this kid. He got a chance to play a favorite childhood character. I'm sure he thought it was pretty cool to be given the opportunity and is trying really hard to live up to the role. None of the things I've pointed out here are his fault. Don't be a dick! Actors are people too.

I don't like that this is a thing. But I'm sure many people really tried to put in their best effort into this. Don't let your ire with Universal/DreamWorks for making a cash grab of your childhood nostalgia turn into harassment of artists and actors. I've seen that happen too frequently.

And remember: animation isn't an inferior art form, sometimes it really is the best medium to tell a story in.

httyd got live actioned. trailer just dropped and its uh. hm

idk what i was expecting but what looks like a shot-for-shot remake except with ugly ass high definition cgi that detracts from rather than enhances the cinematography really is. well it's a choice.

[dissapointu]

“More to Love”

How each of the main Arcane characters treats you as a chubby partner, supports you through insecurities, and makes you feel completely loved:

Jinx

Jinx is immediately drawn to your softness, both inside and out. She’s not one to care about societal norms or what people say about appearances, and she makes that very clear.

“Who cares what they think?” she says, draping herself across you like a cat. “You’re perfect just the way you are. Besides, all this?”—she squeezes your side playfully—“makes you the best cuddle buddy ever.”

Jinx can sense when you’re feeling insecure, even if you don’t say it out loud. She’ll do anything to cheer you up: crack jokes, pull you into impromptu dance sessions, or draw silly caricatures of people who make you feel less-than.

When she notices you being hard on yourself, she’ll sit you down and make you look her in the eyes. “You’re mine, okay? I don’t want anyone else, so stop thinking you’re not good enough for me. You’re more than enough.” Her words may be blunt, but the sincerity in her voice is undeniable.

She loves running her fingers along your curves, tracing patterns absentmindedly while cuddling. “You’re like a human marshmallow,” she says with a grin. “Sweet, soft, and impossible not to love.”

Vi

Vi is fiercely protective of you, and your insecurities are no exception. She’s always the first to notice when you’re down on yourself and refuses to let those thoughts win.

“Hey,” she says firmly, gently tipping your chin up to meet her eyes. “Don’t talk about yourself like that. I love every inch of you—every single inch. Got it?”

She’s all about actions, too. If someone makes a rude comment about your weight, they’re likely to get a very stern talking-to (or worse) from her. “No one messes with my girl,” she’ll growl, wrapping an arm around you protectively.

Vi also has a way of making you feel like the most beautiful person in the world without even trying. Whether she’s pulling you into her lap, complimenting the way your clothes fit, or leaving kisses along your jawline, she never misses an opportunity to show you how much she loves you.

“More of you to love,” she says with a cheeky grin, kissing your cheek. “Lucky me.”

Caitlyn

Caitlyn’s love for you is steadfast and unwavering. She’s always been someone who values a person’s heart and character above all else, and she makes sure you know that.

“Darling, your worth isn’t tied to your size,” she tells you gently, holding your hands in hers. “You’re beautiful to me in every way that matters.”

Caitlyn is incredibly supportive when it comes to helping you feel confident. She loves taking you shopping for clothes that make you feel amazing, offering compliments that never feel forced. “That color looks stunning on you,” she’ll say with a smile, her eyes sparkling with genuine admiration.

When insecurities creep in, Caitlyn is patient and understanding. She’ll sit with you, listen to your concerns, and remind you of all the reasons she fell in love with you. “You’re my everything,” she whispers, pressing a kiss to your forehead. “And nothing will ever change that.”

Ekko

Ekko is all about making you feel like a rockstar. He loves hyping you up, whether it’s complimenting your smile, your laugh, or the way you light up a room just by being in it.

“Do you even realize how incredible you are?” he asks, spinning you around playfully. “Because if not, I’ll remind you every single day.”

He’s quick to shut down any negative thoughts you have about yourself. “You’re so much more than what you see in the mirror,” he says, pulling you into a hug. “You’ve got this light, you know? And I’m the luckiest guy in the world to be near it.”

Ekko’s favorite thing is dancing with you, holding you close and spinning you around like you’re the star of your own music video. He loves how free and alive you look when you let go of your insecurities, and he’ll do anything to make you feel that way more often.

Silco

Silco may not be the most openly affectionate partner, but his devotion to you is undeniable. He values your intelligence, your loyalty, and your kindness above all else, and he makes sure you know it.

“You underestimate yourself,” he says, his voice calm but firm. “You see flaws where I see strength. Don’t let anyone, not even yourself, diminish your worth.”

When you express insecurities, Silco listens intently, his gaze sharp and focused. He doesn’t offer empty platitudes but instead reminds you of the qualities that make you unique. “You’ve faced so much, and yet you stand tall. That’s what I admire most about you.”

Though he’s not one for public displays of affection, Silco shows his love through small, meaningful gestures: a hand on your back, a kiss on your temple, or the way he always makes time for you, no matter how busy he is.

“You’re mine,” he says simply, his voice low and steady. “And I wouldn’t have it any other way.”

Vander

Vander is a comforting presence, always making you feel safe and cherished. His love is warm and steady, like the foundation of a home.

“You’ve got nothing to be insecure about,” he says, pulling you into a bear hug. “You’re perfect to me, just the way you are.”

Vander has a way of making you feel loved through his actions. He’ll cook your favorite meals, leave little notes of encouragement, and hold you close whenever you need reassurance. “You’ve got a heart bigger than anyone I’ve ever met,” he tells you, his voice full of pride. “And that’s what matters.”

When you’re feeling down, Vander’s the first to remind you of your worth. “The world’s tough enough without you being hard on yourself,” he says gently. “Let me worry about keeping you safe, and you just focus on being the amazing person you already are.”

All of these characters love you for who you are, making it clear that your worth goes far beyond appearances. Whether it’s through words, actions, or unwavering support, they remind you every day just how loved and cherished you are.

[nucleos]

Lucanis post locking in the romance quest/date idea

I really liked lucanis as a romantic character who isn't particularly good at romantic gestures but is way better when he just follows his instincts anyway sooo heres my idea for a post locking in the romance quest for Lucanis before his final act quest that would improve the romance a lot, bioware steal this idea for a dlc or update you have my permission.

----

Lucanis finds Rook in the kitchen as they come in, strides up to them very proud talking about a date. He's planned a date! Well, Bellara planned a date, he apprehensively admits, but he's excited and he's sure it'll be perfect and he'll meet Rook at the restaurant in Treviso whenever they are ready. He's got that cool confidence you see him with all the time.

When you get to the date, the camera pans you into the scene from above, and you are in the most gaudy romantic restaurant imaginable, I'm talking candles all around the area, rose petals on the floor and bouquets littering the room, it's A LOT. Rook and Lucanis are sat across from each other but between them is a massive food center piece that completely blocks them from seeing each other. Next to the table is a loud obnoxious music troupe serenading the couple before them much to both their dismay. Rook is befuddled trying to make small talk but can't see or hear past the things around them, whilst Lucanis is rubbing his brow frustrated and embarrassed. Amidst the madness, their entrees arrive and they look awful, they question what it is for a second, before Lucanis lets out a long sad sigh, Rook asks if he's okay and he waves his hand before looking down, making a comment to himself about how he really just wanted this date to be special. Rook hears this even though they aren't meant to, and tries to reassure him but alternatively decided to take initiative and suggest they ditch, making up an excuse, and exiting this wild scene and go for a walk around Treviso. He quickly agrees and they run out of the resteraunt ducking away from the loudness. The energy outside the restaurant is immediately less tense if still a bit awkward at first. They just small talk, laughing about it being Bellara's idea, talking about Lucanis's previous underwhelming attempts at romance he's had with others. He brings up the story about giving a knife to a person he tried to romance prior and being rejected, not really trusting his sense of romance. Rook reassures him and they both begin to ease. They go through the market, commenting on the things around them, Lucanis talking about his childhood in Treviso, Rook commenting similarly about her upbringing (faction/race character dialogue). They get to the flower stand and Lucanis picks one out after asking what Rook's favorite is. As they continue to get more invested in conversation, talking about his previous attempts at romancing Rook, mentioning his locking in scene being told it was underwhelming by the other teammates, what it's like dealing with Spite, maybe Spite throwing some insults at Lucanis for how terribly the date went at the beginning, commenting on what Rook smells like or something similar. As they begin to get past the market, the conversation begins to almost draw to an end, mentioning how late it is, with Rook looking up, saying how they think the skyline in Treviso is so beautiful. Lucanis clearly thinks to himself for a moment and then says he knows all the best viewing spots if they want to see? offering his hand and Rook agrees. He leads them to the spot, up spiral staircases across flat roofs, small moments of tripping and giggling, mentioning Rooks surprising lack of dexterity, until they end up in a secluded rooftop balcony area, with little flowers hang down from the tiles above it, dimly lit against the glittering Treviso skyline. Rook is taken aback, amazed by what they see before them, Lucanis starts pointing out some of the things he mentioned earlier in the market. This moment lingers until they realize they haven't stopped holding hands, a little stuttering, an awkward shuffle between the two until the moment silence is broken by a violin and guitar player playing on the street below. Lucanis asks if Rook would like to dance, they accept. It's a bit clumsy at first, little chuckles and misstep but they steady into it, a steady swaying (big ol obvious metaphor for the date). Lucanis mentions learning to dance for seduction and assassin reasons, Rook asking if that's what he'd been doing all evening (sarcastic mask dialogue). Moment is rosie, warm, and Lucanis asks if he could be honest for a moment.

He begins to talk about how since he was young he wasn't the charmer like his cousin, he was only ever sure of the dagger in his hand, the hand of someone else feeling too delicate, and it being proven to him time and time again as something he could break, that feeling intensifying even more so since acquiring Spite, with these moments being too fragile and too beautiful for him to be allowed to hold. So, afraid to break them, he denied them, drowned them, thought that after the ossuary he would remain sunk under the ocean, that he would go down with these burdens, and let himself be enveloped by the water. But in these moments in front of Rook, someone who actively is striving to make the world around them better, faces the world every day, unafraid to find the good in it whilst against all the bad, he wonders... what it would feel like. Wonders what? Rook asks. To just... give in, he replies in whispers. He is inches away from their face at this point in time, his forehead against theirs. Rook makes a close whispered remark, like an I'm here. You're safe. I've got you, type line (I'm not a writer). He moves forward, leans into a soft but long kiss between them. The warmth of the moment swelling as the music plays around them. He pulls away slowly, his eyes meeting theirs, hazy and full of warmth. Rook smiles at him coyly, ''and how does it feel?", they ask. Lucanis releases a deep breath smiling back at Rook.

"Like coming up for air".

The camera floats up towards the skyline as the couple continues to dance and the scene fades to black.

---

yeah. im not a writer idk how to fancy this up at all, or make it less cheesy but thats my idea

[fawnduu]

Any advice for people who want to make comics but have trouble with the scripting stage? I always try to write out scripts but get bored and abandon them 😭

My advice would be get a loose script and then just start thumbnailing!!! You don't need to have everything nailed down to its final version before starting because comics take a really long time to do and you will get new ideas and change characters as you create the story! You also dont need to make a 'Professional script' since the only person who realistically needs to make sense of it is you! (*unless you are doing a project for an anthology/online pub/ trad pub)

Some of my scripts are literally just in the notes app on my phone that I wrote when I had a brain blast at 3am. The grammer is bad and the writing isnt beautiful but it doesnt have to be because its just information to help you draw the scene.

I follow what I call a path of least resistance rule when I make comics. Basically, if I get bored of one part of the comic making process, I start working on the next step of whatever I have done so far.

A lot of the time this is during thumbnailing for me since it requires the most focus. I'm often dialing in dialogue lines when im thumbnailing and setting everything up so it takes a lot of brain power.

I tend to thumbnail 10-15 pages and then I get those pages done before I move on. Unless you are actively in a book deal in trad pub there is no reason you need to work like you are doing a trad pub book and thumbnail EVERYTHING before starting the next step. The team is you, so the pipeline doesnt need to be coordinated with an editor/letterer etc. I find for making comics the most important thing is keeping up your desire to make them in the first place. Reward yourself with your favorite part of the process after doing something that is hard! And above all else cater your stories to you!!!

Pick things you enjoy drawing and themes/tropes you like and make a story that is all your favorite things, be indulgent as fuck because it will make you LOVE your story/characters and you need to be your story's #1 fan!!!!!

[ballinandcantgetup452]

I legitimately hope that BNHA takes from American comics and allows for several people to work on the title. Vigilantes is proof that Horikoshi will allow for legitimate spin-offs and not just "oooo they're chibi" type spin-offs. I honestly think that Horikoshi would be okay with more spin-offs if they were good ideas. Here's some ideas that I would want to see get greenlit in order of what I want the most to least:

------------------------------------------------------------------------------

Boku No Hero Career:

Basically just Deku trying to be an adult, while being a teacher, while being a hero. Basically, I'm asking for J. Michael Strazinski's run on Spider-Man. But I could specifically see somebody having a field day with how this new society works, and how hero-work is moving more towards helping the oppressed rather than fighting sludge monsters. There'd still be sludge monsters, I'm not trying to de-comicify My Hero, but it's a whole lot more of trying to fight the root of the problem. I think a strength of this potential story could be the use of non-violent conflict resolution. There'd obviously be action, but nothing bigger in scale than say the Overhaul fight. If you want to add inherent stakes, you can always have Deku's armor get damaged or something. Gun to my head, I could see the first long running arc about Deku and crew trying to end a prostitution ring. I also wouldn't mind an Izuocha subplot, but that's just my personal preference. I admit that part of this is just me missing JMS' Spider-Man run.

Skycrawler Adventures:

Okay I only had one cool title name; sue me. But I just want more of Koichi, man. Horikoshi has said he's a sucker for Spider-Man and at the very least one cover is literally a direct homage to Ultimate Spider-Man Vs. Venom. If BNHC is JMS' run on Spider-Man, this is Tom DeFalco and JM DeMatteis' runs on Spider-Man. It's that early 20's, post-college and in your first big kid job vibes. Maybe we start with Koichi starting up his own hero agency and struggling to maintain it. Maybe we finally make him canonically autistic? I admit I'm projecting with that one. But I think that Skycrawler Adventures could be like Chainsaw Man Part 2. Not exactly, but in terms of making this into an epic.

Boku No 52

This title requires some light explaining. Back in the day, DC had an event called 52. This came right after the event Infinite Crisis. After Infinite Crisis, the DC universe had a one year time-skip. However, 52 also released at the beginning of said time-skip. The premise of the book being that each issue would cover one week, and by the end of the series (which had 52 issues), you would know everything that happened during the time-skip. The only real caveat with this book being that Batman, Superman, and Wonder Woman were practically off the table. So, you had to use more minor characters. The book had 4 all-star writers and it was an absolute smash hit. It's still beloved to this day. I think that BNHA could use something like this. It can even fit my prior two pitches in there. But you can also have chapters about the new class 1-A, Bakguo yelling at clouds, is Endeavor still trying to be a father, what is Momo up to, literally anything. You can have it showcase a bunch of new mangaka. I'm sure that Horikoshi had drawing assistants, let them have a shot at this. This one is definitely the least likely to get passed. But, I also think it has the highest potential.

I'm willing to bet that Jump DESPERATELY wants to have another Naruto or Bleach or One Piece. Specifically a manga line that lasts for a STUPIDLY long time that's extremely popular that they can ride into the sunset. I think that My Hero has that potential. I just think that they should keep Horikoshi as a consultant, and do brand new things.

[doublxpresso]

MDZS color wheel challenge!

[poorly-drawn-mdzs]

Wake up! Your legacy is in shambles!

[Episode Directory]  [First] -> Next

[eltanin0]

It's Otto Suwen

[shrews-art]

Soooo I have this college AU in the making if anyone is interested?

[mishalikessoundsandcolours]

Art dump :))

Art block has once again fallen over me and I'm physically unable to draw well, but here's some stuff I've managed during the last month

[xxplastic-cubexx]

one of my fave traits about erik is how sassy he is so i dont understand how im always surprised to find during rewatches of the xmen movies that he is So Sassy at like. any given moment

[gobstoppr]

hey guys am i allowed to say on main that i dont like metadad . am i gonna get beaten up for saying this.

guys i think we all took the term found family too literally and now everythings flattened into a boring nuclear family. guys can we stop. hello . is anybody there

[skrunksthatwunk]

devil marbly carbly ft me trying to figure out how to draw all of them in real time

(the dubstep weed jacking off shirt is from a meme i would source if i uh. remembered it sorry </3)

[wundrousarts]

Going to do a Nevermoor series reread in June + July + August ? if anyone else also wants to do a reread around that time, could be fun to have more of the fandom prepping for Silverborn

Did initially make a roadmap plan to split the books up into weeks on top of already being months, so that people could focus on specific parts and discuss each week….. but between the fact that I messed it up the first time, Silverborn kept getting delayed as I planned it, and I’m actually really bad at keeping to stuff like that (looking at you, Silverborn Countdown Challenge…) I’m deciding to just go for it at whatever pace happens.

[frenchfry99]

Waitttt....you said Lilly has a *honkable nose???*

.....

*Fnaf nose honk insert*

Lilly does the fnaf nose honk canon ‼️🎉

She's inviting you to join the clownery!

Do you accept the offer??

Bonus Lilly with a couple of her many friends! (lil one befriends anyone in sight)

Haven't drawn my Home design in ages,, he's such a silly fellow (as much as a house can be silly and fellow lol)

[fluffs-n-stuffs]

"As the most powerful Trainer and as the Pokémon League Champion… I, Lance the dragon master, accept your challenge!"

A quick portrait sculpt of my favorite champion to ease myself back into 3D sculpting after taking a long break from it 🙏✨

/Alt angles under the cut;