#my first try at drawing most of these characters

[m00ntunaart]

Mandalorian characters as Wings Of Fire dragons? Uh, YES PLEASE.

Welcome to stage 5 of "MoonTuna draws the most self indulgent nonsense that no one asked for".

But anyways, yeah! My rambling thoughts on the characters and this AU:

Din Djarin (NightWing):

I imagine Din as NightWing because in this AU I picture the Death Watch/Children Of The Watch as the NightWing Tribe. And after the Death Watch’s war against the other Mandalorians, they go into hiding on the volcano island (like the NightWings do in the WOF books).

And Din is the tribe’s Beroya (Hunter), so he’s one of the few selected from the tribe to leave the island through the hidden tunnels to go back to Pyrrhia to hunt food for the tribe. 

During one of these trips I imagine he find Grogu! Who in this AU is a human (scavenger)! Because if everyone is dragons in this AU, then it just makes sense that Grogu is the human instead lol. Plus then Grogu is still small enough to be in a satchel Din carries around, like in the show.

But Grogu still has his Jedi powers in this AU. Which has never been seen before in humans. Thus ‘The Mandalorian’ type shenanigans where Din takes Grogu around trying to figure out WTH is up with this infant human.

(Also side note: in this AU I still picture there being Jedi/force sensitive dragons (the Jedi Order probably works similar to The Jade Mountain Academy. Where the Jedi are from all the tribes and live in the Jade Mountain. 

Also in this AU NightWings DO have their mind reading/future seeing powers. But like in the books, they loose them once they move to the island and don’t know why.

ALSO ALSO Animus still exists! But they work more like Force Sensitive where it’s just born in some dragons, and isn’t necessarily hereditary. And it’s SUPER rare. So rare that many believe Animus’s don’t exist. (I imagine Anakin Skywalker is the first Animus in centuries))

Cobb Vanth (Sand Wing):

Cobb is super straight forward. He’s a SandWing because he’s a cowboy from Tatooine. Of course he’s SandWing. Though in this AU I imagine he’s a lot like Thorn from the books, in that he’s the Marshal/leader of a town (Freetown) in the desert that isn’t under the Sand Kingdom’s rule. Also I imagine he’s one of the first dragons Din meets when he goes out on his journey to find information on Grogu. (Since the tunnels from the NightWing Island to the Rain Forest to the Sand Kingdom are all connected basically).

Boba Fett (MudWing):

Okay so Boba just had to be a MudWing. He had to be. Though it was less because of Boba’s character and more because he’s a clone. The clones all being close to each other, having battalions, and calling each other brothers? Uh, that’s like MudWings in the books to a TEA. So yeah, the clone troopers in this AU are MudWings, hence Boba also is a MudWing lol. Though I also liked it because older Boba Fett (and the older clones we see in the shows) are a lot bulkier and muscled with age. They get DILF bodies is what I’m saying lol (except for like Hunter apparently, he gets to keep his twink dad body). So the big MudWing body type works well for Boba and the clones. 

Fennec Shand (RainWing):

Fennec to me was a RainWing MOSTLY because as an assassin, her being able to camouflage and make herself look like other dragons was super RainWing coded. Plus having the subtle but deadly RainWing venom just matched her energy so much. Plus I love the idea that Fennec is kinda a “outcast” in RainWing society. Her ‘resting’ colors are dark, she knows how to fight and kill and LIKES it. She left the Rain Forest because the RainWing life style was nothing like her personality (very Glory from WOF like). Plus it plays into the idea that no one expects her to be dangerous or competent because she’s a RainWing, and then she murders you violently while still looking like a goddess (is my Fennec love showing yet? lol). Plus it’s why she and Boba get along, he treats her from the start like the dangerous criminal she is, and not like some ditsy RainWing. Also idk how Boba and Fennec taking over Jabba the Hutt’s palace works in this AU, but if so Fennec is definitely the one mainly running the show from behind the scenes. She was born to micromanage.

[22ayla21]

Disease

You are sick, and your partner is taking care of you. With the participation of: Mydei, Phainon, Anaxa

From the Author: I have been sick for three days now and I would really like some comfort from someone.

• He sits next to you, not leaving a single step, as if guarding your sleep. Even if you say that everything is fine, Mydei remains in the room, quiet and focused, watching your breathing and temperature. If necessary, he will sit silently in a chair all night to help at any moment.

• He brings decoctions and medicines, brewed according to old Amphoraean recipes. They are bitter and smell strange, but he looks so seriously and attentively that it is simply impossible to refuse. Moreover, he always checks that you drink to the last drop, even if he needs to hold the cup himself.

• If you are cold, he takes your hands in his without further ado, warms them with his breath, sitting next to you. His body radiates natural heat, so he can literally warm you, like a living heater.

• If you fall asleep, he will straighten the blanket, remove the hair from her face. He can lightly and almost imperceptibly touch your forehead with his lips, checking the fever. For him, this is not something ostentatious - just a natural desire to be close and protect.

• He will build an almost military regime: medications by the hour, only healthy food, bed rest and a complete lack of physical activity. Any attempts to get up are ignored. He will gently but firmly put you back down, making it clear that he is in charge here.

• Anaxa would first conduct his own "research" of the symptoms, writing down every little detail in a notebook. He would be skeptical of conventional treatment methods, choosing the ideal formula for a balanced tea from the rare herbs of Amphoreus.

• He would strictly ask everyone nearby not to make noise and not to disturb you. And he would only allow himself to speak in a hushed voice, staying near the bed and whispering something like: "Silence helps the body concentrate on regeneration."

• Anaxa would clearly draw up a schedule for your rest, food intake and medication. Any deviation would be accompanied by his serious and condemning look.

• And despite all his scientific approach and bold character, Anaxa awkwardly but sincerely held your hand when he thought you were sleeping and whispered: “Just try to get better... I still need your ridiculous hypotheses.”

• When the fever subsided and you came to your senses, Anaxa would arrange quiet conversations, telling you about what he had read while you were ill. All with the hidden purpose of not getting bored and keeping your thoughts away from the illness. "You don't think I'll let you fall behind in knowledge, do you?" he would say, adjusting her pillow.

• If someone from the Grove of Muses wanted to bother you or impose their "treatment", Anaxa would silently stand in the way, looking lazily but coldly: "She is under my protection. And no, your methods do not stand up to criticism." No one argued.

• For his beloved, Phainon has always been a true protector, and when you got sick, he completely enveloped you in all possible care. He carefully monitors your warmth, straightens the blanket, takes care of the silence around and tries to create an atmosphere of peace, as if with his actions he wants to protect you even from illness.

• While you sleep, Phainon stays close. He spends time reading books, not letting you out of sight, periodically checking your condition. These moments of silence are the most exciting for him - he rarely shows his worries, but when you are sick, he cannot hide his inner anxiety, and silently protects your sleep.

• Phainon tries not only to care, but also to cheer you up. When he sees that you are getting bored or sad, he can unexpectedly add a little humor to his care to distract you. He does all this with a serious look, which is why light jokes sound especially warm and sincere, making you smile.

• The most touching moments happen when you are almost falling asleep. Phainon gently brushes the strands of hair from your face, mentally noting how defenseless you look. It is important for him to know that you will recover, because your presence gives him strength. He rarely allows himself such quiet displays of affection, but it is at these moments that care becomes almost sacred.

• When you are sick, Phainon does everything to create an atmosphere of peace around you. He is not intrusive, but his presence is felt constantly - he remains nearby, even if he cannot find words of comfort. Just his silent attention and willingness to come to the rescue give you a feeling of security.

[ivhmavie]

But I can’t help, falling in love with you

characters: park gyeong seok (player 246), hwang in ho (player 001), kang dae ho (player 388) and hwang jun ho (police).

how would be if the squidgame mens where in love with you

first of all, just a little advice that inglesh its not my first language! be kind

park gyeong seok (player 246)

➴ the MOST romantic of them all

➴ he is a true gentleman. He will practically court you, slowly get to know you and gradually introduce himself into your life. He also wants to give his daughter time to get used to you

➴ made thousands of draws and paintings of you

➴ wouldn't be able to buy jewelry, chocolates or other conventional boyfriend gifts. But would make a bouquet of flowers that he would pick himself, tied in a pretty ribbon and accompanied by a painting of you

➴ would like you to meet his daughter, and would be relieved when she likes you. She would be excited when you visited them and would always ask her dad when she would see you next

➴ always calls you “darling”, and think is It's adorable when you automatically smile when you hear the affectionate name

➴ would be a little shy about it at the beginning

➴ maybe he would be insecure about his conditions, but if you could convince him that you don't care about it then he would be happy and secure in your relationship

➴ would spend some time saving up some money to do something special when I officially asked you to be his girlfriend

➴ something like a small dinner together on the little porch of his house or an afternoon picnic in a park with a beautiful view

➴ gets happy to be able to call you his girlfriend whem he talks about you

hwang in ho (player 001)

➴ would be the most cautious of all, because of his job

➴ he wants to be able to trust you, and when that fear passes, another one follows, your safety is at risk by being involved with him

➴ would find a way to find out more about you, after investigating your life a considerable amount, then he would get closer, little by little

➴ absolutely would love to hear you talking about the things you like, your hobbies, everything

➴ would spend hours watching you talk, he think it's adorable to see your gaze move away as you remember a story from your adolescence or something futile that happened at work

➴ he would like to give you gifts, but would be worried that you would think he was trying to buy your affection

➴ so he would try to do it in a subtle way. The new launch of a makeup brand you mentioned last week, the bag you thought was pretty, things like that

➴ no matter how busy he was, would try to spend some time with you

➴ would schedule a dinner at a luxurious restaurant and have a special night with you to ask you to be your girlfriend

➴ he would do this when they were alone in an intimate moment

➴ he would try to hide his real job from you until you were in a relationship for a long time. He would probably use the excuse of being an heir or something to justify how rich he is

kang dae ho (player 388)

➴ SOOO shy and awkward about it at first

➴ would try to subtly approach you, being a helpful, funny friend who would always be there when you needed them

➴ he would always accompany you wherever you go and on your errands. Do you need someone to take you to the salon? He had nothing to do anyway. Are you going to the doctor to get some tests? You don't have to do this alone

➴ whem he finally took a romantic initiative with you, everything would be planned, down to the smallest details.

➴ not that he's meticulous, but he doesn't want to risk messing it up, and planning everything makes him less nervous

➴ he would buy you flowers, but he would put together the bouquet himself, he thinks that makes the gift more intimate

➴ looks at you with the most adorable eyes ever

➴ you two resemble a typical teenage, youthful and exciting relationship

➴ he would ask his friends for help to plan something for the proposal, he wants it to be perfect

➴ do something at a place you like or that is special to the two of you, like the first restaurant you went to

➴ would give you thousands of nicknames and I would love to tell people about you when you two were official

hwang jun ho (police)

➴ would be confident, and the most natural as you approach each other

➴ he's just so cool, it seems like he always knows what to do, he never seems to get nervous on dates and he always leaves you impressed

➴ even if work keeps him a little busy, he always finds a way to see you. You probably have lunch together during the week

➴ he’s not emotional, but he also hates the "casual" trope, no matter how slowly he takes things he knows what he wants

➴ remembers little things about yourself, your long-time friend who lives far away, your pet who died, your group of friends from high school

➴ he likes to touch your hair, when you are lying together watching television he would stroke it

➴ he would probably give you a gift like a necklace, bracelet or earring at the beginning of your relationship, and he's always happy and smiles when he sees you wearing it.

➴ whem he left work early, he would surprise you by visiting you early and bringing you flowers

➴ he's not the biggest fan of nicknames, but he thinks dear isn't cheesy and is romantic

➴ he would decide to officially ask you to be his girlfriend during a talk about you with someone and realized that no matter how much you acted like boyfriends, he had never made it official

➴ would buy you a beautiful engagement ring, and I would make a point of holding your hand so that it would appear when he introduced you to people

[newttxt]

hi quip! i really like your one piece comics and i am curious how you do them! i'm not good at comics and want to be better at drawing them! how do you learn how to make comics?

thank you!

uh oh... im afraid u have caught me at the perfect crossroad of "bored at work" and "unrelated task ive been meaning to do but keep putting off."

this is long. i hope you like reading (and grayscale progress pics). and of course!!! disclaimer before we begin that this is just how I, personally draw comics. there is no "right way."

quip's comic-making process!

Switching my typing to make this more legible...

My process can kinda be broken down into 6 steps:

Brainstorming

Thumbnailing

Sketching

Panels & Text

Lines

Tones/Colors

1. Brainstorming

My brain is a leaky sieve on a good day, so I sloppily jot down ideas in my phone notes the moment I have them. This helps me when it's time to draw too, because if I feel art blocked, I can look through old concepts and see what catches my interest.

Otherwise, I love drawing for other people's writing. :) And if worst comes to worst, doing manga/comic page redraws in my style teaches me new things every time.

Once I have my idea, I'll usually make a bulletpoint list of "plot points" or "story beats" I want. Then I plan the comic with this format that I've adapted from a tutorial I read once. I'm going to use my most recent comic (original comic post) as an example.

I start in the third column, writing notes of what I'd want to see in each panel. I also include the dialogue (in this case, I didn't have to write the dialogue! it's from the fanfic linked in the original comic post!). I usually write the whole name like [Luffy:], but at this point I've drawn so much of these guys, just the first letter works.

I like to handwrite these notes to get an idea for how much text I'm putting in a single panel.

After I describe all the panels, I go back and separate them into pages. I can't tell you how to know how many panels to a page. It's whatever works for you. I just kinda know about how big each panel will be, and so I can feel when I'm probably running out of space. (Also. You can change things later. I don't in this example, but I add/drop pages/panels all the time.)

2. Thumbnailing

Thumbnailing—as the name suggests—should be done tiny. Too tiny to accidentally get sucked into details.

This is about marking down blobs where items/characters go, and figuring out the paneling. I'll draw and redraw these a bunch of times too.

This is also the most time-consuming/brain-working part for me. If I were in a zine that did progress percentage, I'd try to finish thumbnailing around the 50% mark (but I'm also a moderately fast artist, so your mileage may vary).

I think the terrible quality makes them charming, actually. I really like how silly they look. :')))

I will add, when you draw your "page" rectangle, make sure it's the same proportions as your actual canvas for the final image. You want an accurate idea of how much space each panel will take up, especially if you have a lot of text.

3. Sketching

This is my most recent change to my usual workflow, and it's saving me a lot of time. I make my thumbnails a bit bigger (each one about half the size of the final canvas), and I sketch these basic body forms right over them.

It just helps give me placement for my actual lines!

I usually draw these in a paleish color so I can lower the opacity and not get distracted by them while lining. The random darker parts are to either help keep two forms separate (like when two characters have their limbs all over) or to better define sections that were too sloppy/poorly proportioned.

I also think this helps my poses stay looser, because I have more dramatic/wriggly shapes that aren't too bogged down by proportions yet.

Sidenote: I CANNOT show this here, but sometimes this is when I take videos. Of myself. I prop my phone camera up and shoot a video of me acting each panel. :/// It looks really dumb, but it also shows me fun body language ideas like hand gestures, expressions, weight distribution, etc. Just pretend you're an overdramatic cartoon character, and try not to worry about your roommates or mother walking in on you doing odd things. (You can also use the video for anatomy reference later, but I usually just capture the vibe and don't try to copy the actual video frame.)

4. Panels & Text

Oh, boy. So, the panels are usually just straight lines (though it's fun to make creative exceptions, like a round panel to mimic looking through a spyglass), but there are some fancy rules that I don't strictly adhere to.

I believe (I have no technical training in this. Take everything I say with a grain of salt) the vertical gaps (between two side-by-side panels) should all be a consistent width and the horizontal gaps (between two panels on top of each other) should be another. The vertical ones? Should be thinner? Because you want the eye to easily glide between them, whereas the horizontal gaps should be a visual barrier to keep you from jumping ahead. Just something I've vaguely noticed.

There are lots of fun "default layouts" you can look up. Or keep it a consistent grid. I think it's fun to sometimes have characters/objects sticking out of panels and overlapping others. This is just a matter of taste, creativity, and inspiration. (Read Witch Hat Atelier... It has some of my favorite paneling...)

You may also notice I have already done the speech bubbles. This is, to me, a crucial step. This helps me catch early if I don't have enough room for all the words. It also lets me plan the art in each panel with the speech bubbles in mind. There's nothing worse than working really hard on a panel, and then you realize there's no room for the bubbles.

I also try to lay them out in a way that guides the eye! Even without art, can people tell where to go next? Better yet, if I want people to look at panels out of order (aka not left to right, in my case), can I use the speech bubble path to make them? Here's just a vague example of what I mean.

As an added bonus, doing speech bubbles early also allows me to be lazy! :) Ignore the comic; I'm not supposed to post it yet oops,, There's a whole lot of drawing to do on each comic page, and I am not wasting my time on stuff that will be covered up. So yes, if I hide my bubbles, there are a lot of unfinished lines trailing off into nothing. (As a bonus, if there's a part of a character you're struggling with—and it won't look weird to do so—you can move speech bubbles to just hide the problem area yayyy)

Making the actual bubbles could be their own whole tutorial, tbh, but there are some general guidelines I use.

Zoom out when you choose your font size. You want to know how it will look to the average reader, so it isn't super teeny tiny or way too big. You generally want to keep the same text size for all your pages/bubbles.

When I draw bubbles, I try to size them about one vertical letter height (and some change) around the words [left side]. This isn't always the case though, because humorously large or funny shaped text bubbles can convey different feelings [right side].

On Procreate, I set my bubble lines to Reference and just drag-and-drop the white fill on a separate layer below the lines. (Remember to turn Reference back off again when you're done, or your fill bucket won't work right when you're drawing.)

To get the white outlines I use to keep the bubbles from cluttering up the art, I literally just Gaussian blur an all-white copy of the lines + fills... and then I copy and merge it 5 times until it's opaque enough. This is a terrible way to do it, but it works for me. :')

5. Lines

This is the part that I can't tell you how to do. I literally just. Draw right over my wacky sketched body forms. Boom. Comic drawn.

I'll make three suggestions:

Don't focus on making every panel perfect. Give a little extra love to big ones or ones you want people to linger on. Otherwise, know that people are typically speeding through the art. It's way more important to focus on storytelling than art technique. In my opinion, a good story that's told well will always be better than a beautiful one told poorly. (Some comics are beautiful AND well-written... Alas, I am just a hobbyist who needs to get the ideas out of my head at top speed.)

Put your background lines on a different layer. Put your foreground lines on a different layer too, if you have those. Basically, I try to keep the main part of each panel (usually a character or object) on my lines layer so I can erase background/foreground/etc lines to ensure clarity/focus.

You can make background lines lighter colors too. I have too many numbers sorry. (1) Background. The stuff that's farthest away. Lightest lines. Few details; more focused on shapes and the suggestion of a background (I'm not good at backgrounds). (2) Midground. Same distance away as the characters are. Lines can be black. (3) Also midground, and also the same distance away. But they're very detailed, so I lighten them so they aren't so distracting. (4) The characters. Black lines for focus. For people who haven't seen the comic, I swear they are just hugging. This is SFW. D:

6. Tones/Colors

Do not. Do NOT ask me. I don't understand colors. I hate working with them, but I try because I want to improve. I hate doing anything beyond the simplest grayscale shading. Please go elsewhere for your coloring/tone advice. This is how my color picker looks 95% of the time. I have pre-set "percentages" of black that I got by lowering the opacity of a black layer and just color picking it. I don't even know the exact percentages I used. Good luck out there. Be better than me.

7. Sharing

This is a bonus step that I didn't mention earlier, but it's actually the most important of all of them.

You need a friend. Or maybe a groupchat or discord. A family member or coworker if you're really close like that. I don't know.

Find SOMEWHERE you can spam wips and be cheered on. Drawing comics takes a while, especially if you're trying to tell longer stories than I'd dare to attempt. If I don't force someone to praise me for every line I draw, I shrivel up and die.

Also if and when you post online, add alt text. I'll admit I'm the first person to complain and drag my feet on this, and I literally use a screenreader myself when my eyes hurt (strong prescription glasses wearer). Comics should be accessible, because stories are fun and everyone should be able to enjoy them.

***

Learning???

And I guess lastly, how do you learn to make comics? Two steps: 1) read them and 2) make them. This is the tragedy of creating things.

1) Reading them: I grew up reading comic strips, western serialized comics, and webcomics. I've always loved graphic novels too. Then in late middle school, I started reading manga (Death Note and Haikyuu were my first two), and now I'm trying to read more webtoons (sorry im so slow bree)!

I also... mass-consume doujinshi, thanks to proxy mailing services and bilingual friends/Google Translate/knowing some Korean. (I have an entire bookshelf of doujin, actually,,)

The thing is, it's not usually enough to just read comics. You also need to be thinking. :/ I notice paneling, comic devices, clever comedic timing, etc. as I go. It's just a lot of studying/learning while also enjoying the story.

2) Making them: You just have to start. :( Even if you think they're "bad." My first comics were actually just drawings placed randomly all over the page, connected by speech bubbles (yay... I was already practicing how to place bubbles to lead the eye around the page...). I was going to post a pic here, but I'm a coward. Backscroll my account and you can find some older ones though.

I also know my art in general improved dramatically when I did ten comics in ten weeks for my friend's fic. Don't do this. It hurt my hands/wrists. But do practice in moderation.

***

If you actually read all that... I hope it made even a modicum of sense. And maybe it was even helpful? Just know at the end of the day, there is literally no right way to draw a comic.

And if you aren't ready to go for it yet, you can start by just adding a couple speech bubbles to your illustrations or doodles! It's a way to add storytelling and dialogue writing to things you may already be making.

Yay. I love comics. :))))

[bullet-prooflove]

Hotshot - Eddie Diaz x Reader (feat: Brad Torrance)

Tagging: @kmc1989 @gatefleet @mckinleysbones @totalstitchlover19 @angelofthetrenchcoats

Companion piece to:

Bang - Eddie's new year starts with a bang.

Lifetime (NSFW) - One night with you makes Eddie realise he wants a life time.

El Paso - Eddie is forced to make a decision that hurts you both.

Possibilities - Eddie thinks about what might have been.

Welcome Back - Eddie discovers the reason you've been out of contact.

Home - Eddie lays eyes on you for the first time in six months.

Chemistry (NSFW) - You and Eddie have always have good chemistry.

90% Of The Work - Eddie realises he needs to put the work in if he wants to maintain a relationship with you.

Eddie finds out about Brad Torrance when the actor turns up on your doorstep, with an enormous bouquet of flowers in his hand. Eddie looks at him and then Brad looks back, taking in the topless firefighter fresh from the shower you’ve just taken together.

“Ah,” he says as Eddie studies him with a frown. “No chance that you’re her brother?”

Eddie shakes his head because despite the fact the two of you haven’t put a label on the relationship he understands that you’re committed to one another. He would walk through fire for you, in fact he has more than once. What he doesn’t understand is what the lead character from Hotshots is doing here, apparently attempting to seduce you.

“She consulted for my show a few times when Bob was busy.” Brad says by way of explanation. “We had a thing before I returned to the UK for a role on West End. It was only a couple of nights but well… you know more than anything mate, she’s unforgettable.”

It takes Eddie a second to digest all of this. He’s been back in your life less than twenty four hours and it occurs to him he has absolutely no idea about anything you’ve gotten up to in your time apart.

“Level with me.” Brad says, his arm coming to rest on the doorframe as he leans in close to Eddie. “Was this just a one night thing, a two night thing-”

“It’s a forever thing.” Eddie asserts because he wants there to be no mistake about the role he has in your life. “I’m the man she was trying to get over when she got under you.”

“Oh, you’re Eddie.” Brad says knowingly. “I’d say it’s nice to meet you mate but obviously…”

It’s not because they’re both territorial men, and right now Brad is making a play for the most important person in Eddie’s life after Christopher.

“You gonna let her know her Hotshot is here?” Brad practically purrs at him. “Or should I come back later when she’s done with you?”

Eddie’s jaw clenches, there’s a taste of acid on his tongue as he grips the towel around his hips, dark eyes blazing.

“Selena.” He calls out, his voice bellowing through the house. “Your Hollywood reject is here.”

He hears your footsteps, light and delicate behind him. He glances over his shoulder to see your wrapped in a light cotton robe, your damp hair falling across your features.

“My what – oh!” You respond, your eyes coming to rest on Brad, noting the flowers in his hand. “What on earth-”

“Selena love!” The other man exclaims, his entire face lighting up and that’s when Eddie slips down the hall, busying himself with getting dressed.

This whole thing with you and Brad Torrance, it’s beyond surreal.

He’s sitting the at the kitchen table, drinking coffee and texting Buck when you step into the room with an exasperated expression on your face. He notes the lack of flowers, his lips pursing together into a smile as he says. “So you and Brad…”

“You’re not jealous are you?” You say and Eddie wraps his arm around your waist, drawing you down into his lap.

“I’m impressed.” He states, his thumb ghosting over the apple of your cheek as he looks into your eyes. “Although I’m not sure how I’m going to live up to a Hollywood Hotshot.”

“Why would I need a Hotshot?” You murmur, your lips brushing over his, your hands threading through his hair. “When I have the real thing right here.”

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Like My Work? - Why Not Buy Me A Coffee

[dr9com9ge-ix]

Apparently Sprunki is getting a remaster and Nyanio has said that that they'll be replacing Wenda bc she's the worst of the content farms

Thoughts? Both in general and related to the AU

oh god, Okay opinion time. It’s a long one folks… It’s gonna get maybe a bit emotional and please don’t take my word as gospel or something, Have opinions please! I also use “you” alot when I’m not referring to any specific person/ when I refer to a general person so apologies if I sound accusatory or anything- It’s a habit of speech.

Okay actual stuff under the cut.

Dude can do what he wants, I already know of this news and choice (Honestly I really try not to think about it because it bums me out), The choice to abandon her is understandable considering like… The horrible content that has been made of her and not wanting to use the character anymore. I do despise content farms and what they do to media in general (I used to watch people discuss how bad they’ve gotten in recent years— MAN I also like TADC so I’VE BEEN THROUGH THE WRINGER TWICE MAN. It kind of hurts to see Sprunki so often in them that I stopped watching videos regarding dissing content farms.)

I kind of understand (Though heavily disagree with)people watching some of it in Sprunki’s case because of the lack of story driven media if you only focus on content on YouTube. I’ve tried watching like… I think GameToon’s Sprunki and just was like “Man… These characters deserve so much better than this, I’VE SEEN BETTER DONE WITH THESE CHARACTERS!!! ON TUMBLR!!!” and not to mention them literally stealing OCs and me not having the mental fortitude to handle like… How content farmed content’s tone usually is.

(I WILL REITERATE, I do not think you are a bad person if you watch GameToon’s content and like it-

I just do not like what content farms do in general for a media’s reputation and search results. ESPECIALLY REGARDING SPRUNKI as the creator was literally DOXXED over it as far as I know. Nobody deserves that for just creating things. It’s frustrating and heartbreaking when it happens.

Though watching farms does unfortunately support them and thus they make more and more usually low tier, low brow and if I’m being a pretentious artist… Heartless content. Made for a profit off of something they don’t actually like as much as who they’re targeting. If they did care they wouldn’t have taken other people’s ocs. They would have been consistent with characterization and themes—SHIT They’d probably try to have the SAME VAS for some characters!!!! I only watched some of it solely because someone on the sprunki tag said they gave Jevin a “hot voice” and I ALSO HATE HOW THEY MAKE HIM A VILLAIN A MAJORITY OF THE TIME AS FAR AS I’VE SEEN.)

Actually the whole horrible thing that happened to the creator and a video discussing it is how I got into Sprunki- I felt terrible and went “Why don’t I give into the impulse to draw something from this? I’m sure making something nice of it will be better than… Whatever horrors get spat out for ad revenue.” and I did! I think I do have a kind of underdog bias with a comment under one of the most popular mixes with the original mod going “Why they never use the blue one? :(“ or something so Jevin became my favorite and first to be drawn- With the rest following because I’d genuinely gotten so attached to all these funky little guys!

And regarding Wenda in my AU? She’s not going anywhere.

I would understand if the creator went “Please stop using her in anything.” I would respect that wish (albeit tearfully) but he didn’t he just told people to behave- Not act a fool and such which I don’t think making an AU is that…. It’s just making your take on a media you like as a fan. I’ve already like… Pack bonded with the OG characters and WENDA INCLUDED. I have so much planned for her she’s too important to it and also I think one of my friends would probably get really sad if I ever did just scrap her. I truly just want justice to be done for her (aka GOOD MEDIA THAT CARES ABOUT IT’S CHARACTERS) because I think she’s probably one of the potentially most interesting of the OG bunch if you take away any outside media (Like questions of “why did she do what she did in Horror mode?”, “How was she like previously? Was it a sudden snap or something a long time coming?”) and I think any answer to it is interesting!

I also kind of hate the reductive take of “Too many people do this interpretation of [character], I hate it now!! I’m doing a different one!” I see sometimes so I don’t want to hear about that, Sometimes that’s just the natural assumptions one would make about THE SAME CHARACTERS IN A MEDIA… And that’s an entirely different gripe unrelated to this! Like shush… There are fans of that interpretation and I’d rather you make yours WITHOUT disrespecting other’s interps.

Anyways summary is:

DO WHAT YOU WANT FOREVER!!!!! (as LONG AS YOU AREN’T HURTING/DISRESPECTING PEOPLE!!!!) Love your medias!! Make your arts!! And Sunshine Suburbia! Wenda is staying because… I love her too much. c,: And again DO WHAT YOU WANT FOREVER!!!!

[utdr-fracturedtimeline]

Since we got chara and kris' character sheet. Could we get frisks

Are they also wearing layers

And why did they go to the mountain

I've been trying to reply within a day or two but work is kicking my ass... But low and behold, Frisk! At this moment, they haven't told anyone why they went to the mountain. Most assume they fell by accident and got stuck like the rest of the children.

It's fun to see how much the characters have developed in just a short time frame! The story has evolved so much that I need to rebrand the title and old drawings, which means that the first release will probably be postponed for one more week. That way it gives me time to update everything and create a handful of pages to backstock. I will post updates as they come!

[manesvoid]

Drawing Breakdown!

I like to know how artists thinks and I figured other people might also like it! So let's try something new, a drawing breakdown! I will try to point out the most relevant choices I made when I drew this and explain why I made them!

Picture heavy so under the cut it goes

So the first thing that I wanted about this drawing is for the character to be suffering. They are not in a situation of power, we needed something oppressing. So the tendrils overlap the character and another way to showcase this is perspective. High angle view put the viewer above the character, it's good to make a character feel powerless.

(The reference hair was changed to accentuate this triangle shape, otherwise it would have gone too far up and distract from the face)

And to make sure you read the misery on the face, I tried to make the action lines point to it! (in truth my eyes want to focus on the chest more than anything. I almost added an eye here but it would have distracted from the cracked line (explained further down)

Second thing I wanted is for the character to not feel too masculine, this came in conflict with the perspective because to do so I wanted an 8 shape and very curvy lines of actions. There are some angles on the shoulder and the tendrils 'nose' to still show danger and power but I tried to make the rest as round as possible.

Now for the fun part! The character lore has a strong link with a dofus (dragon egg), especially one specific fire dofus with a cracked design. The overall shape of the drawing is supposed to remind you of it! If there are weird shadows or shapes it's probably to make the cracked line/

I added the red outline because the egg shape wasn't clear enough. If you check the background and the tendril body aren't the same colors.

And finally the lights. It comes from where the characters store the dofus, their belly:

And that's it ! Let me know if this type of content is interesting.

Request for @bitter-panacea , their OC Vanya!

I love Vanya

[doublxpresso]

MDZS color wheel challenge!

[eltanin0]

It's Otto Suwen

[bitegore]

# oh??? that also sounds so cool!!!!!, Ik for a fact that I'd play the hell out of smth like that, even tho I'm awful at combat, actually I think that'd only elevate the experience with the helplessness, anyway!!#that sounds like it'd do such a good feeling of unease and terror before the switch, and that switch would bring such an interesting crash of absolute panic down on the player when they're already in such high alert, jdgftsgbjdgduv, yeah very interesting very horrifying!!! (tags modified slightly to be a little easier to read)

Grabbing you. Talk about evil game design with me. Hi. You get it.

This is ofc one of my awful evil very-bad-no-good ocs, so I obviously know what her deal is, but the thing about the.

Well actually let me start at the beginning.

(also GOD DAMN this got wordy, so here's a cut.)

In its purely joke-level form, this started as a sort of mean-spirited jab at the spectre of the "I wish this game was in an alpine village rescuing my neighbors' cats" school of thought, which I was kind of unfairly conflating with Stardew Valley, which i was also unfairly conflating with Animal Crossing. At the time I was so sick I thought animating would be easier than drawing, so we're clear. I know those are three different games with only some vague crossover and not one coherent concept when I'm not sick, I promise, and also I don't even have anything against either of the actual games lmao. But conceptually, the idea was that - well, Erica has the demure pretty girl thing down, that's part of her character concept, that she looks like a demure pretty girl exactly as long as it takes for you to write her off as "not a threat" and then she kills you. So I was thinking to myself that it would be really funny to put Erica in a game that looked like a cozy resource management sim, and then just let her start wreaking havoc 3/4ths of the way through the game.

(That has been its own idea since forever - that most of my OCs work pretty okay as deuteragonists or primary villains, but Erica would be incapable of not coming off like a very boring side character until a late-game twist where she suddenly reveals herself to have been orchestrating all manner of problems and nursing some awful grudges behind a pleasant facade.)

Anyway the construction I came up with first was: resource management & character-driven dating sim, but then at some point, Erica starts killing characters and then she kills you and skips town. The only kind of combat system I like playing is the soulsborne-style kind that requires you to pay a lot of close attention to timing and spacing, so that's the kind of combat I was imagining. And. Well, like you said, I sure thought that it would be fun to play, actually, too.

So I settled on some mechanics.

The first part of the game is riffing very closely off games like Stardew Valley and Harvest Moon, where you have a farm, and you grow your crops and raise some animals, and then you take them into town and trade them for money and maybe points with some of the NPCs you get to interact with. You have an enemy set up - Erica's dad, petty nobility and autocrat of the town who no one likes - who will send saboteurs your way and try to price you out, but you can scare them off. There's a tutorial character (tall redhead with red sunglasses who doesn't talk much and spends most of the game writing in a notebook or making graphs; if you know my OCs you might have an idea who that is but don't worry about it!) who gives you the farm and all but demands you get into some sort of conflict with this petty noble, helps you set things up, and then generally goes about ignoring everyone and reading books while sitting around so you can click on him for tooltips if you want reminders of how the controls work. There's also a weird monster in the forest you keep hearing about and sometimes see the eyes of. Most if not all of the NPCs are neutral-to-friendly outside your established enemies, i keep going back and forth on if there should be any explicit Not-Affiliated-I-Just-Don't-Like-Outsiders characters but like there's enough going on and I want the players to get to at least the middle.

That's because, at some point about halfway through the "growing season", Erica's brother disappears off the face of the earth. The bad guy sends his cronies to run about town for a while asking the NPCs if they know anything, but the NPCs openly love you and kind of hate him, so you hear about it basically when he sends someone to your door with an apology and a letter asking you to look into it, because he cares more about his son than he does about keeping his economic stranglehold over the town or whatever. You can, like, turn this down, but if you don't, you get access to a second part of the game: PUZZLES!

(This is because the entire game is a puzzle, but we haven't gotten there yet. Kind of thing you're supposed to solve on the second playthrough.)

Anyway, Erica's brother is the first to die, but not the last. Next up is the post officer, so news can't leave town. Very scary. Then NPCs start dropping like flies but in an order that doesn't matter because I'm not introducing all of my cast here. But what you get to do is go to the scene of their (either last sighting or grisly murder), and there you get to get two pieces of "information" (old notes, 'this looks like zyx's handwriting', footprints that don't match a certain kind of shoe, etc) spelled out for you by clicking on the right items, and one puzzle you have to solve - like a cryptogram or figuring out what the code to a safe is with a note written over it - to get a third piece of information. You also get a list of 20 scenarios that might have happened, or a list of live NPCs you could blame for the murder. You have to match the right scenario to the right murder, and if you get it wrong, you only lose access to that scenario but it doesn't tell you what the correct one was, only that you were wrong, because I want to force you to do the other thing instead. Which is - if you think you know who did it, you can confront them. It'll only hurt your relationship a little, unless you're right about who it is, in which case Erica goes and does what you see above and then she KILLS YOU!!!!!!!! >:3

Well, not necessarily.

It's the kind of game where you're supposed to want to build up a relationship with the characters (so you care about them turning up dead and want to stop it from happening and all) so Erica is another character you can have conversations with, and stuff. She's actually positioned to be relatively important - she'll give you insider information if she likes you on her dad's business ventures, and she's romanceable! (But watch out.) This means that it would only be fair if I added a secret option where like.

Okay. Erica's deal is that she wants to look defanged, so that when she starts killing people, no one thinks it could possibly be her. So she watches her words, and she watches her mannerisms. Underneath that, she is a seething bloodthirsty person who hates almost everyone around her, has a ledger of slights a million incidences long she intends to repay tenfold in blood for everyone around her, and she also has the means to carry it out. What she doesn't have is a way to get away with it without someone pointing out that she did all this and it following her around. Which means: she is absolutely playing a particular role. But if you encourage her to get mean and bloodthirsty, she'll decide you like her mean and bloodthirsty because you are mean and bloodthirsty, which means... well, maybe you can be an accomplice and not a total 100% murder victim or nothing. So like. If you went the "man Erica your dad kinda sucks I think I want to kill him" route and didn't try to romance her!!!!!!!!!!!! then she'll invite you to go kill everyone in town with her actually. That's a different thing, this is long enough so I won't get into the mechanics of that one but it's a crowd rush (obviously) and designed to be a lot less Extremely Fuckhard.

But like, normalstyle, first she goes "wow omg that's such a hurtful thing to say! what's your problem :( my fucking brother is dead and you said i did it? what's WRONG with you? LOL SIKE yeah i did that shit and it was awesome. and im going to gut you like a fucking fish now" and then she hard-cut drags ydou into soulsborne-style boss combat.

She's got three phases! Uh... let me just copy-paste from my working document for this, actually, it's easier than describing it all casual. Please ignore the all-caps.

PHASE I: SPEED She is INVARIABLY FASTER THAN YOU. She has a small handful of common melee attacks that involve darting and lunging toward you. She has two less-common melee attacks where she comes close and stabs at you multiple times for combo damage, but does not block or defend herself, opening herself up to attack and knockback, which she is susceptible to. She has one rare melee where she feints and then hits you with the stick of her cane, dealing a mild bludgeoning damage but inflicting knockback, and then following up with her knife while you are dazed, dealing combo damage again. She has a dodge that triggers randomly. This phase lasts until her health is at 50%, and then the animation and then second phase is triggered. PHASE-CHANGE ANIMATION: MUH EPIC KNIFETOSS ERICA stops to inform you that she's kind of impressed, actually, she thought you'd be mincemeat by now. She then throws her knife aside, and switches her grip on her cane so that she can swing it like a bat. She does not have I-frames during this time, so she can straight up just be whacked at here. PHASE II: HAMMERTIME ERICA uses her cane as a WAR HAMMER (large, slow, blunt weapon) to deal HEAVY DAMAGE and DEBUFFS slowly. She is about half as fast as you. She has a most common melee attack that is just whacking you with her hammer. This STUNLOCKS you after a KNOCKBACK. She has a less common melee of sweeping you with the butt of her hammer, which deals KNOCKBACK, and then bringing the hammer down on you while you're stumbling in a twofer. This STUNLOCKS you. She has a least-common ranged attack that only triggers like, once per every fifteen minutes or something, where she just straight up kicks something off the ground in your direction. This is homing and cannot be dodged. It deals some minor damage but is mostly just a random thing to bother you with if you're playing ridiculously cautious. She has no dodge here. This phase lasts until her health reaches zero. PHASE-CHANGE ANIMATION: WELL NOW YOU'VE DONE IT ERICA gets annoyed and flings her hammer down, but before you can react, she is shapeshifting into her fox form. This one DOES have I-frames for coding reasons.

PHASE III: HEY GUESS WHAT IDIOT IM NOT A VAMPIRE AFTER ALL! ERICA turns into her FOX FORM, the STRANGE FOREST BEAST! This comes with a SECOND HEALTH BAR about the same size as the first, but ERICA's RESILIENCE is higher! She uses her FOX FORM as her weapon (unarmed melee is the fastest kind of weapon and she has teeth. which are basically blades). She has multiple hand grapples. She has multiple swats that deal KNOCKBACK (no stunlock). If you're really bad at dodging, she can pounce on you with both hands, which deals DEVASTATING DAMAGE, STUNLOCK, and KNOCKDOWN (not KNOCKBACK, which is a stumbling); this comes with a short period where she holds still, laughing, and you can attack her if you want. She has a mouth grapple that allows you to cheese her by utilizing the last couple seconds you have mobility to stab her through the mouth; this is very hard. The grapple deals DEVASTATING DAMAGE and inflicts BLOOD LOSS, a mechanic that only appears for this boss fight and saps your health. She can bite normalstyle, which deal HEAVY DAMAGE. She moves VERY QUICKLY because she moves at the regular speed she walks at but she is now about 5x the size of her usual sprite, which means she covers ground much faster - and she's FAST in her first phase. You have to know WHERE she's going by LEARNING HER ATTACKS or you are just FUCKED fucked. At the end of this phase, if you beat her, Erica laughs, and then collapses to the ground. WINNING the fight on the first run triggers an ANIMATION: Erica, laying down, says "Wow. I really underestimated you. You and I, we must be more alike than I thought. Fair's fair, I guess. Should've done my homework." Then she coughs and slumps. As soon as the camera is pointed away from her, there's a rustling sound, her laugh sounds, and when you turn back, she's just gone. WINNING the fight AFTER the first run triggers a different ANIMATION: ERICA, laying down, says "Ah... you've - oh, you've beaten me. Woe is me... took you long enough, but truly, I have been bested," and then she more dramatically coughs and slumps. As soon as the camera is pointed away from her, a voice line plays - she says "Sike! You don't have it in you!" and when you turn around, she's just gone.

So you see. She's kind of mean once the jig is up. She's not like that before this. But also like, even if you win you don't win. On account of this isn't the end.

Also if you don't guess that she's killing people, or you just fully ignore the entire mystery (you can get involved after the first invitation!), there's a different thing that happens. One day you come into town and everything is just on fire, and also Erica is covered in blood (see: above LOL) and holding a knife. my girl is killing people. no longer up for debate. When she sees you, unless you were doing the secret pro-murder route (which means you have to succeed at a conversation first and if you answer the wrong way she does still try to kill you) she just goes to try and kill you pretty much instantly. If you win at the conversation you get to kill everyone with her again. But either way, at the end of this one, there's still nothing to do, really. Except go home.

So you go home. Your tutorial guy is still there. He's still not talking to you. Your farm is just on fucking fire though. If you click on him, the usual tips menu is replaced with text that says something along the lines of "Tips: LOL".

There's a-- it's not a cutscene because you CAN technically interrupt by attacking them if you want, it's just a terrible plan because you'll aggro them both at once. But Erica shows up and it's basically a cutscene. She and your fucking tutorial guy (he's 'the redheaded man' on account of he never tells you a name lmfao) have a conversation that makes it very clear they were working together this entire time. Like, here's a piece of that exchange:

ERICA: You were right about schemes, turns out. ERICA: They're so rewarding to finish. THE REDHEADED MAN: Nothing like knocking down the dominos, huh? ERICA: Mm... I don't think I'd say dominos. It's too juicy. ERICA: Bringing a real mean plan into fruition. THE REDHEADED MAN: Fruit, huh. ERICA: You nurture it, watch it grow, and then when you taste it... ERICA: ...It's the sweetest thing in the world. THE REDHEAEDED MAN: You're wasted on murder. You could be a poet. ERICA: I'm multifaceted. I can do both.

Then at the end of this they agree that you're like, a perfect patsy, and fuck off to go travel the world now that someone else is going to stand accused of all their murders, since you're a stranger from out of town who showed up, openly had a conflict with the guy who ran the town, and then there were ~all those murders~. Anyway, roll credits!

Then like. There's a second thing I was thinking about and... well, honestly, almost definitely want to keep because it would be a little miserable otherwise. Which is that you can just swing a weapon at anyone at any time, but the game won't like, prompt that basically ever unless someone starts it. That's because unless you swing it at Erica or one of the enemy characters, nothing happens and they just go "[player name], what was that for? ow!" or something.

With one other exception. Which is the tutorial character, our late-game turncoat.

If you swing on THE REDHEADED MAN, he dodges and takes off his glasses. This triggers one of the only directly-triggerable voice lines. THE REDHEADED MAN: I assume that that was an accident. If you swing on THE REDHEADED MAN a second time, he dodges again and throws his hair out of his face. This triggers another voice line. THE REDHEADED MAN: What are you doing, [PLAYER]? If you swing on THE REDHEADED MAN a third time, you can actually hit him, revealing the health bar. It is fucking ridiculously huge (actually, the same amount of health as ERICA, but visible all on one bar). THE REDHEADED MAN: Are you fucking stupid, or are you smarter than I think you are? THE REDHEADED MAN: I guess we'll find out, hm? This will trigger the SECRET HAVEN FIGHT.

yeah okay that tells you his name, this is my oc Haven. in the actual story with him and Erica they DO work together to kill everyone in Erica's hometown, starting with her family but certainly not ending there; they don't quite do it like this though. Also of note is that this is the only character in the entire game who swears, because I think it's funny to have a marker on the game for profanity but it's for a route that only happens if you do something that the game doesn't tell you to do.

Anyway I haven't ironed all the mechanics of this fight out yet because I'm not sure how to make the character work while also making the fight, like... theoretically beatable. me when i have a character who likes to use mind control to tell people to hold still so he can disembowel them and then i need to make you fight them and have some way to win:

But that's what I got.

And i can't even lie. If this was a game someone else made and I could get through the resource management part without getting horribly bored I'd have such a good time with the rest of it. As long as I get the combat system right anyway.

also of note is that there's wolves who will steal your livestock and troublemakers who will steal your crops on top of the saboteurs and you can get in scuffles with them all if you want, also that there are ghost stories you can collect that are all actually about erica in her guise as The Scary Forest Monster Fox or haven/tutorial guy in weird costumes breaking into people's houses at night, there's a polyam grocer couple that wants you to be their third super badly and will bribe you for it, there is an anachronous lesbian biker gang, and you can get 'chaos jobs' that you can pick up that occasionally include 'break a window in xyz's house and we'll give you twenty bucks'. also that our tutorial guy can't be prompted to speak but, if you spend a lot of time around certain characters, has rare voice lines that trigger *eventually* that are like. mild catty insults except for erica. who he likes so he says something complimentary instead. I have a lot of things going on here.

Dont worry about it!

Stardew Valley-inspired Erica animation, drawn sometime in January while I was sick as a dog. This took ages, and all because I wanted to animate the bloodstains moving properly. The framerate isn't even quite right lol.

[shrews-art]

Soooo I have this college AU in the making if anyone is interested?

[newttxt]

20 questions for fic writers

thank you @strawhattery for @ing me, even though i do feel like it's a not-so-subtle urge to finish my current wips... (i need the kick)

for reference/those who only see my art, i used to be a fic writer who occasionally drew. that's obviously changed, but i am trying to write more, so you can find me at pseudoanalytics on ao3.

1) how many works do you have on ao3?

44, but only 35 are linked to me (9 are anonymous...)

2) what's your total ao3 word count?

347,773 😰

3) what are your top five fics by kudos?

while i nodded, nearly napping (suddenly there came a tapping) [haikyuu, ushiten]

redacted :/

the inherent romance of classical conditioning (or, the fine art of emotional recognition) [haikyuu, sakuatsu]

you're really pushing it (but you're going much too slowly) [haikyuu, ushiten]

redacted :/ (sequel to the first redacted...)

4) what fandoms do you write for?

most of my fics are so old i can't bear to look at them, but i'm trying to write more for one piece. then i've written a decent amount of haikyuu, pacific rim, and star wars.

5) do you respond to comments? why or why not?

initially? i absolutely do! but as any of my friends will tell you, i struggle to even reply to dms or texts. so alas. i drop off pretty quickly

i LOVE comments though, and i eagerly read and reread them frequently ;__;

6) what's the fic you wrote with the angstiest ending?

oh sheesh. you may only ask once (so be prepared for the reply) which is a bad end for pacific rim 2. or i guess... a worse end. it's also a bit of a role swap au, if i remember correctly.

7) what's the fic you wrote with the happiest ending?

i... honestly don't know. i typically write happy endings. i like to write "missing scenes" and post-canon, so things tend to be rather open-ended or to just lead into the next part of canon. my memory is also not my prize-winning quality, so i can't really remember how my fics ended pre-2018ish.

8) do you get hate on fics?

i know i've gotten some ruder bookmarks, but not typically, no. i get more hate on art or in my ask box, but i honestly just delete it all, so it never sticks.

9) do you write smut?

yes, though its debatable if it's "smut" so much as "sex in such an irreverent context that it becomes humor." i cannot take sex seriously, so alas, i rarely write it seriously. i use it more as comedy and a tool for character studies. i do enjoy a stoic character's facade getting cracked open.

10) do you write crossovers?

i don't write legitimate crossovers, with characters from different medias intermingling, and frankly, i rarely do au's either.

but if i have one weakness, it's that i am ALWAYS a sucker for a pacific rim au. yes, i am rotating a one piece version in my head.

11) have you ever had a fic stolen?

i had a sakuatsu one reuploaded to wattpad under someone else's username. they deleted my author's notes and added their own, as if they'd written the fic, too. hilariously they even used my art for the cover.

it got taken down, but idk why. i never reached out about it.

12) have you ever had a fic translated?

yeah! i've had 5 translated, and i've had 2 turned into podfics, which is cool.

13) have you ever cowritten a fic before?

nope. i'd be terrible to work with, tbh. my writing process is a holdover from my journalism days, and the steps are a mystery even to me. i think i'll stick to drawing art for other ppl and their fics.

14) what's your all time favorite ship?

i will hold to the fact that it's asanoya from ao3. they were the first ship i got really invested in, and i see their impact on everything i ship to this day. they were my "blueprint," if you will. i still get smiley when i see art for them!

on the flip side... terezi/vriska was also a formative ship for me. but i won't discuss that.

15) what's the wip you want to finish but doubt you ever will?

rip go ahead and start talking (i'll pick up the slack). it's my 1-of-2-chapters ushiten fic that i should just mark as complete, since the first chapter can stand alone.

16) what are your writing strengths?

hard to determine your own strengths, but i think my dialogue/characterization are pretty strong, especially since i still regularly flex those muscles when writing comics. i also think i'm funny.

17) what are your writing weaknesses?

writing.

but seriously, i am so bad at sitting down and just hammering out a fic. don't get me started on outlines or longform works. i'd rather grab my pencil and start drawing, i'm afraid.

18) thoughts on writing dialogue in another language for a fic?

i think there are ways to interweave words or terms in other languages, but overall, i'm a fan of just standardizing everything into one language. if your character understands it, i think all readers should be able to understand it. and i'm not a fan of when you're expected to scroll to the end for a translation; i think it interrupts the reading flow.

this is a generalized opinion though. i think there are ALWAYS storytelling exceptions, so if the other language usage is really important to your theme/intent, i can see why you would do this!

19) first fandom you wrote for?

please don't do this to me. it was maximum ride. yes, the james patterson books about the kids with bird wings. i wrote 4-5 fics, i was in middle school, and — as far as i know — they are still up on ff dot net. no, i won't elaborate.

20) favourite fic you've ever written?

hands down, it's the sakuatsu domesticity simulator. it's not necessarily my best work in terms of writing skill, but i also drew over 50 images for it and html coded it into an interactive story. i'm just proud that i started a big project by myself and i actually finished it!

it's my dream to someday make a whole visual fan novel. i feel like the domesticity sim was the first step.

oh boy i'm bad at tagging but if @syrupfog, @lawsbbygirl, @macabrekawaii , @bmouse, or @cooknumber3 want to go for it... :))

[mishalikessoundsandcolours]

Art dump :))

Art block has once again fallen over me and I'm physically unable to draw well, but here's some stuff I've managed during the last month

[wundrousarts]

Going to do a Nevermoor series reread in June + July + August ? if anyone else also wants to do a reread around that time, could be fun to have more of the fandom prepping for Silverborn

Did initially make a roadmap plan to split the books up into weeks on top of already being months, so that people could focus on specific parts and discuss each week….. but between the fact that I messed it up the first time, Silverborn kept getting delayed as I planned it, and I’m actually really bad at keeping to stuff like that (looking at you, Silverborn Countdown Challenge…) I’m deciding to just go for it at whatever pace happens.

[frenchfry99]

Waitttt....you said Lilly has a *honkable nose???*

.....

*Fnaf nose honk insert*

Lilly does the fnaf nose honk canon ‼️🎉

She's inviting you to join the clownery!

Do you accept the offer??

Bonus Lilly with a couple of her many friends! (lil one befriends anyone in sight)

Haven't drawn my Home design in ages,, he's such a silly fellow (as much as a house can be silly and fellow lol)