#my favorite aspect of my art style :)

[skellagirl]

Back in winter 2022 I started working on a comic of one of my favorite nsfw oneshots, Practical Demonstration, made like five pages, and then promptly dropped it cause I was still in the midst of Art Block From Hell, among other reasons

but the fic series recently got an update and I read it on a flight last week, which has renewed the brainworms :)

The comic's FAR from finished (I've thumbnailed the entire thing and it comes out to twenty-eight pages, while I have thirteen of those pages in varying stages of completion) but I've been having a lot of fun working on it and forcing myself to try and learn new things (backgrounds/environments, in this case) in the pursuit of Harvey Smut LOL

I thought I'd post some WIP shit here, in case ADHD gets my ass and I end up dropping it again 😭 pray for me

[theminecraftbee]

related ramble: genuinely if the part of decked out that appeals to you is "incremental progress in which the players must learn the map bit by little bit and also understand when to turn around and bail to learn more of the map later in another run", you don't mind games that are hard, and you like rpgs. please play etrian odyssey. please they're such good games and no one ever talks about them. please,

[imagirabbii]

How did you learn to draw?

I wanted the way I drew eyes to look like the Fun2draw artstyle so bad when I was 8 haha

[eggs-can-draw]

This girl is like an architect and I am just her NEW INVENTION

[aveloka-draws]

This might get buried, but I just have to say that I love your Leshy design! The way you balance the cuteness with the horror aspects of his design is absolutely astounding, not to mention the teeth on that guy! Also the mischievous way you draw his expressions really embodies the fact that he was the god of chaos. I could go on about the leaves, the arms, the fingers, etc but you get my drift. Anyway, he is one of my favorite characters you draw and I adore your art style, it suits the game very well!

Thank you! I love drawing the weird chaotic worm n.n

[harmoonix]

The Mist Spirit

• Astrology Notes •

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🌫️ - Your 8th house sign can indicate the legacy your ancestors left for you

Libra/Taurus in the 8th house = beauty, beautiful looking, popularity

Gemini/Virgo in the 8th house= Powerful voice, also the ancestors in your family could've had all beautiful voices

Aries/Scorpio in the 8th house = dominance power and confidence

Leo in the 8th house could've actually had wealthy ancestors

Capricorn/Aquarius in the 8th house are karmic already. Your legacy can be found inside you since you are here to break something bad from your family, also love for freedom

Pisces/Sagittarius in the 8th house = intuition, spiritual gifted, enchanting

Cancer in the 8th house = Most of your ancestors could've be women/females, psychic abilities

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🌫️ - Midheaven at 11°, 23° degrees can indicate that you may choose a career that implies technology

🌫️ - Midheaven at 1°, 13°, 25° degrees can indicate a job where you may take the lead role. Like to be the boss of some company

🌫️ - Midheaven at 2°, 7°, 14°, 19°, 26° degrees can indicate a job that implies art, music, maybe some fashion designer? C'mon girl you shine at these topics

🌫️ - Pallas (2) aspecting Mars can be fierce when it comes to righteousness, they respect people who are right and devoted

🌫️ - Pallas (2) harmoniously aspect Juno (3) - are the cutest people ever when it comes to commitment, these aspects get so along with eachother and makes it easy for you to tell your feelings (Good luck 🙏🏼)

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🌫️ - Pallas (2) in Libra/Scorpio or Capricorn in my experience cannot stand people who lie, like they don't like lying at all and can't stand it (Is always better to tell the truth)

🌫️ - Asteroid Ceres (1) square/opposition asteroid Juno (3) might indicate that you either your specific person needs nurturing in the relationship

🌫️ - Asteroid Lucifer (1930) aspecting Ascendant can hate favoritism. Like they don't like it when someone dear to them has a favorite person (also they may be get jealous fast)

🌫️ - Asteroid Lucifer (1930) aspecting Juno can show obsession with one eachother, but it can also make you and you specific person jealous asf

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🌫️ - Sun aspecting Uranus natives need to embody their unique traits and to not fear living in the shadow because they are different

🌫️ - Leo Placements can experience anxiety and overthinking about themselves kinda a lot. Especially they can have this fear of "What people will think/say about me" and honestly you shouldn't care because the only person who matters is you

🌫️ - Mercury in the 7th house natives are very special because they are the type of people who communicate everything with their specific person

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🌫️ - Sun/Mercury/Venus and Moon in the 11th house make the most cutest friendships ever, they tend to attract good people in their lives

🌫️ - While Mars/Saturn and Pluto in the 11th house tend to attract competition, because these planets in this house have bigger influence

🌫️ - Lilith aspecting the Ascendant has a very a big influence, they are the type of people who catches everyone attention when they enter in a room. They may have a very different appearance than others, from clothing style to their body features

🌫️ - Moon - Saturn intense aspects can be shy when they may first talk to someone new, but with the time as you know them more you can see they are different than you thought

🌫️ - Eros (433) in Taurus/Libra/Pisces are very romantic, Eros is Aphrodite's offspring and Aphrodite is represented as Venus. Also they might be most flirty people you can met

🌫️ - Venus - Mercury aspects can fall in love with people's voices first, like it can happen to hear someone's voice and fall for that type of voice

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🌫️ - Chiron/Saturn in the 1st house natives can have a highly anxious state since they were kids, they could have experienced anxiety and panic attacks a lot in their childhood

🌫️ - Lilith - Sun aspects are the type of people you can fall the first time you see them, it is because they can embody Lilith's traits with a misterious personality

🌫️ - Jupiter trine/sextile/conjunct Pluto can possess a lot of power when it comes to their spirituality and belfies, they are so strong spiritually

🌫️ - Having a lot of air signs in your chart is an indicator of you being an very socializing person. You like to talk, to express yourself, you live for communication

🌫️ - Capricorn/Aquarius Duo in a chart can embody Saturn traits faster than others, being responsible, respectful, good educated, polite, gentle and charismatic

🌫️ - Earth Sun combined with an Air Moon can possess great social skills and is that type of person who has a solution for everything, but often they can be hidden artists

🌫️ - Air Sun combined with an Earth Moon is the person who has a fight between brain - heart, often they are forced to chose which to follow, would you be more logical and follow your brain or would you be more affectionate and choose your heart?

🌫️ - Moon in the 7th house/Moon in the Libra seriously talking can get depressed or in a very sad mental state if they are not with someone they love. These people are hopeless romantics

🌫️ - I imagine the natives with Saturn - Venus aspects to be in denial when they first have a crush on someone, omg especially if you have Saturn quincunx Venus. Denial is such a thing for these aspects

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🌫️ - No matter what happens if someone with Pluto - Venus aspects loves you (for real) you are lucky because their love is so pure and so magnetic. You'll always remember their love

🌫️ - Sagittarius Venus 🤝🏻 Pisces Venus = Both being Jupiters kids, let's say they love life may be interesting and challenging in the same time

🌫️ - Aquarius Venus 🤝🏻 Capricorn Venus = Saturnian kids, they can share so many things in common, especially the love for freedom both of these natives seek for

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🌫️ - "We never go out of style" - description for Aries/Libra/Aquarius and Leo Rising

🌫️ - Asteroid Cupido (763) in Cancer/4th house remembers me so much of a person who is very shy to fall in love but their love is the purest it's so complicated with them (They have very beautiful eyes just like Bambie)

🌫️ - "I like me better when I'm with you" - Moon/Venus aspects DEFINITELY 10000%. They change their vibe, mood everything when they see the people they like

🌫️ - Ascendant aspecting Uranus has a unique flow, they are outstanding. Out of the crowd and always something unique is with them.

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💨 Nothing feels better than staying outside on a October morning feeling the cold breeze through your body. As a sign that falls arrived 🍁

🍁 And the photos for this post are mesmerizing

🍁 I hope everyone who reads my notes has a blessed Sunday full of light and joy 🍁🎑

-Harmoonix 🍁

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[goofy-clan]

Heyo! Narrator peep and creator of goofy clan! I wanted to share this fanart I made as a gift to the clan series that inspired this entire series! Enjoy!!

And now it’s time to pair cat with creator! Click more to see notes I left for the creators too!

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Goldsight belongs to @gray-thistleclan , I loved the way the cats were drawn in this series, and especially how the story progressed! Gold was always my favroite -w-! Even though she has the crazy disease now ;-;.

Eukltna belongs to @loudclan-clangen ! I loved the silly cats in this series, the artstyle actually helped me draw mouths easier! I love our doomed religious kitty, even if she was a bit odd. That crude oil does get everywhere huh…

Longstrike belongs to @juniper-clan ! The fact that the entire series was set in olden times is really neat! I also love the theme of seashells/ cowrie shells being bad, those are spooky! Long was my favroite, I was sad to see him go. So he’s drawn in the cozy sunshine!

Tigertoe Belongs to @circus-clangen ! Circus clan was actually a big inspiration for the puzzles/cipher aspects of my blog! I was always a sucker for finding stuff out, plus clowns are cool! I love tiger with all my heart, she was so fun to draw! Best entertainer :)!

Ravenstar belongs to @fallenclan ! Oh boy where do I start. I think it’s super impressive how far the series is now, even if I picked up halfway through! I love how the cats look, fun fur colors! Raven is such a good villain, evil stinky cat. So here he is with a totally real (and not painted) star!

Kestrelstar belongs to @echoes-in-echoclan ! I love this series, even though I don’t get what’s going on sometimes, it’s still a wonderful read! I also loved the connected universe with circus clan, what a twist! Kestrel is my favorite, he’s such a cool old dude!

Sweetkit belongs to @mourningsbane ! It isn’t every day I see a eldritch horror/spooky clangen series! As an avid horror fan, I love how body horror is drawn and shown in this series! Honey is the best cat :)! But, I drew sweet today! They’re a good protagonist, because who better to explore the spooky uknown than kittens?

NettleIris belongs to @moons-of-dewclan ! I adored the art style of this series, and the fact all the backgrounds are drawn so beautifully! Even though this series tugs at my heart strings, it’s lovely! Makes me wanna go wander in the woods! Nettle is my favorite lil’ peep, best medicine cat. Plus, puffy cats are fun to draw!

ConiferSun belongs to @castaway-clan ! I love the trope of “rebuild and build anew” in clangen runs! Seeing the clan in this series slowly grow in size and for the leader to not be alone anymore was very comforting. Conifer is my favorite simply because they’re blue and just a wonderful cat in the series! They also get to look at the lady bug :)!

And that’s all! Y’all are cool Peeps, keep on rocking!

[arcadia345]

Astro observations🌺

FYI I’m not a real astrologer, just my observations :) TW🔞

The cancer moon men I know are pretty chill and laid back + funny, but the women are so bitchy and moody😭 with a big sweet tooth

Every twin I know either has Gemini or Pisces placements

You ever meet someone and their neck just stands out for some reason added points if they smell good, most likely they’re a Taurus rising/ mars. Good example is Megan thee stallion her neck is so cute to me hehe

Aries in the chart can show you the things you were introduced to at a very young age, the early memories that you think of and say ‘That was wild lol’

3rd: could’ve started learning way before you started school(like flash cards and things) siblings and cousins, music, having access to electronics early

4th: erratic home life, the woman around you could be go getters

6th: could’ve got a lot of injuries when younger, probably couldn’t have a peaceful day even if you tried, bad experiences with animals

7th: domestic abuse, might have seen people having affairs, lots of disagreements between couples

12th:paranormal events, you could’ve had a lot of deja vu moments without even knowing, tend to have strong spiritual gifts,people having ill intentions towards you

Aquarius moon or degree/ moon in the 11th tend to have a “second mom” a person that treats them like their one of their own children, sometimes even better than their own mother does. 🌚

The people with mars in the first house I know have so many battle scars on their body

Moon/cancer in 3rd love changing their voices, and they have a bad habit of not telling the whole truth / white lies

Water sign on the descendent- people are always wondering what you’re up to, no matter how much you show them they’ll still wanna know what you’re hiding

Your first house correlates to how you came into this world, I have Chiron (ruled by Virgo) in my 12 conjunct my ascendant, uhm she said she almost d*ed having me😀 and I was a C-section baby. And the hospital did her so dirty(you know much they hate black women) they didn’t even stitch her back up correctly or drain her fluids and to this day she still has problems. The also gave her extra dosages of drugs just cause she’s a plus size woman- honestly I could go on and on but it really correlates with my cap rising and Neptune/Uranus in 1st

Mercury ☌ Sun, these people voices are just💋💋 they sound so sensual and unique ugh hard to explain it but 🥴 ex. Jungkook , Tupac

Gemini/ Libra in 2nd love collecting things like figurines makeup clothes candles plushies, could easily be a borderline hoarder tho

Ives noticed that sun in 10th have a strained relationship with their father, but their later years in life their relationship gets better, or not could really go either way, also could have money issues in their early years but ends up climbing the corporate ladder. It may take you a while to tho but just know it’ll be worth it in the end :) also they always stand out at their work place in some way, the coworker that you’re glad to see clock in at rush hour cause you know they gonna handle shit

Venus- mercury positive aspects love giving out nicknames to their favorite people 🥺if they’re always calling you cute names just know they really care about you lol

Sag moons and degrees have no chill😀 like calm down bae sag anything tbh🚬

9th house ruler in the 11th could go to the same college with their old friends or could become very popular in the area they’re in, I think they’d make good bloggers

Air signs or degrees in 5th are trend setters.

Aquarius you inspire people, they could take things and make it into their own like art

With gemini here people will “copy & paste” ur looks. But no matter what it just looks like a knockoff version of what you did lmao it just never look as good as yours

Libra here people are very opinionated on how you express yourself either in a good way or bad, neither less you guys get a lot of compliments on your style

Every time I see a Capricorn rising with Neptune in the 1st it’s like their skin is see through and fragile😯makes sense tho since caps rule the skin and Neptune fogs things up. A good example is Ariana Grande her skin looks so delicate

Pluto/Scorpio in the 11th/11th house ruler in 8th, your friends could hate each other🤺 also they could have a rough life/childhood, trauma bonding or just experiencing traumatic events together is common here

Chiron in Aries (honestly any Aries placements it just depends on where it is), most people didn’t pay attention to them in their childhood in some way so they learned to be independent because of their lack of support cardinal things fr

That’s all for today! Give me a follow if you enjoyed💕

[paranormaljones]

Love and Attraction in My Adventures with Superman

As someone who has never been particularly drawn by superhero media, I wasn't really sure what to expect when I first started watching My Adventures with Superman about a week ago. I had seen a few posts here on Tumblr that had piqued my interest, but all I really knew about it was that it was well-loved and had an art style that I knew I liked.

I absolutely did not expect to fall head over heels for the show entirely, or to be moved to tears multiple times by the wildly sweet, revolutionary relationship between this adaptation's Clark Kent and Lois Lane.

I say "revolutionary" because this romance touches on a lot of things that I feel are lacking in most modern portrayals of romance, and it handles them masterfully.

Most of what I reference/talk about in this post will focus on the first four episodes of season one (with a particular focus on the fourth episode, Let's Go to Ivo Tower, You Say) , because they are my favorite episodes and I think I can communicate what I want to by pulling mainly from those episodes. But I will be pulling bits and pieces from the whole series so consider yourself spoiler-warned.

The main point is this: I absolutely adore the way that physical attraction and emotional attraction are balanced between Clark and Lois.

The fact that this is possible comes from how well-crafted the dynamic is between the two of them; Lois' raw passion and energy inspires confidence and a mutual passion in Clark, and Clark's gentleness and kind heart inspire a tenderness in Lois that she was never given an outlet to show or receive. From this dynamic, a wealth of physical and emotional intimacy is naturally born. But never in the series do the two aspects of attraction feel out of balance; rather, they play off each other effortlessly. When one is brought into focus, the other quickly follows.

From the first episode and onward, it's obvious that Clark and Lois are awed by each other's physical appearance. Lois outright describes Clark as "beautiful" (which, if you saw one of my earlier posts from not too long ago, is something that makes me so incredibly happy to see in mainstream media).

To be fair, she doesn't say that to his face and says it in a moment of extreme frustration. But I still count it.

Anyways.

Upon seeing Lois for the first time, Clark is practically frozen in wonder for a good few seconds.

Lois, too, experiences this initial moment of attraction and almost immediately makes contact, with a playful punch to Clark's chest as he holds the door open for her.

This is a detail I really love, because first of all wow, I aspire to have her level of confidence. But also, it becomes clear early on in the series that Lois expresses herself very physically. She has no qualms regarding physical affection. Clark, on the other hand, is much more reserved and, at first, generally only initiates contact after an invitation from Lois, or after enough time has passed in their friendship for him to know that Lois is very physical and wouldn't have a problem with it.

There is also an immediate emphasis on Clark's concern for Lois' physical well-being. Take a sip of water every time Clark asks Lois if she's okay just in the first episode alone and you will be well hydrated.

Later on in this first episode, while trying to infiltrate a warehouse, Lois confidently asks Clark to boost her up to a window so she can get inside the building. Clark is immediately flustered, showing how much he feels out of his depth even with physical contact that, on the surface, would have no romantic connotations. (But to be fair, Lois is asking him to put his hands around her waist and lift her up when they literally just met like maybe six hours ago. I would be flustered too.)

And when Lois loses her balance and Clark effortlessly catches her, his first response (after blushing, of course) is to ask her:

Even in moments where the romantic tension is thick enough to cut with a knife and Clark clearly knows it, his first priority is to make sure she's okay.

And thus begins one of the strongest underlying themes throughout the whole building-up of their relationship, which is trust.

I'm gonna jump ahead now to the scene that inspired this whole post: the stairwell scene in episode four.

A basic rundown: Clark, Lois, and Jimmy are given an assignment to attend a tech unveiling for the city's top investors at Amazotech headquarters. Lois, naturally, ignores the parameters of the assignment and tries to use it as an opportunity to expose corruption in the city and get her stop-the-presses story. Clark very reluctantly follows her lead, believing that she will get herself into trouble . . . until Dr. Ivo, head of Amazotech, makes a few rude comments about Lois' appearance (Lois doesn't hear these, only Clark). This deeply irritates Clark and prompts him into revealing how much he knows about Dr. Ivo's corrupt business dealings, in an attempt to intimidate the truth out of Dr. Ivo, who responds by having Clark thrown out of the building and into a pile of garbage in an adjacent alleyway. Lois comes to find Clark (who is unhurt) and teases him about whether or not she should let him back in the building, since he didn't follow the assignment. Clark jokes that he doesn't even meet the dress code anymore, revealing that his suit jacket was torn as he was tossed out of the building.

Lois then reveals that she came prepared for this, and tells Clark to "take it off."

Clark immediately becomes flustered again and begins stammering as Lois pulls him back into the building by his jacket, continuing to tease him.

It's in these moments, as you can see, that the lighting of the scene changes. As soon as Lois says "take it off", everything is bathed in a rosy light. This happens frequently between these two; often, when we the audience are seeing one of these characters through the perspective of the other, the lighting takes on a very dreamy quality. This will come up again momentarily.

As Lois and Clark ascend the stairs, Lois removes her jacket and pulls a sewing kit from her pocket, admitting that she carries one on her because she herself has torn a lot of her clothing on her escapades.

The two then sit down on the stairs, and Clark removes his jacket. The lighting changes again, and we see Clark from Lois' eyes. It's clear by the dreamy lighting and the way that Lois blushes and involuntarily chokes out a "Wow . . ." that she is once again awed by him and deeply attracted to him on a physical level.

And this scene represents so much about their growing dynamic. It honestly has me floored.

But before I explain fully, I have to go on a tangent about my beloved Clark.

Throughout the beginning of the series, I believe Clark shows several signs that indicate that he is insecure about his physical appearance. Which you wouldn't expect, right? I mean, look at him. He's objectively a dreamboat. He was designed to be that way.

But at this stage of knowing so little about where he really came from or who he is, I think Clark struggles with not having a way to explain his physique. He admits that he wasn't an athlete in school; he was in the chess club. He doesn't work out as an adult. And yet he has the muscles of a bodybuilder. But, like so many other aspects of himself, he doesn't have a way to explain it. This causes a disconnect in how he sees himself physically; he likely feels as though he doesn't deserve his naturally impressive physique. And you could argue that he even does his best to hide it. As a civilian, he generally wears bulky, layered clothing like sweatshirts and sweaters. He slouches and carries himself in a very inward direction; his shoulders are often forward and his arms close to his sides, as if he is habitually attempting to make himself smaller.

This is one thing that brought me to tears when I saw it. The idea that a person can feel insecure about having physical attributes that would normally be seen as positive (and that they can't explain and/or feel that they don't deserve) is not very well-explored in media, but it is experienced by quite a few people, myself being one of them. But often in the real world when someone attempts to express this kind of insecurity, they are shut down and mocked and told to "be grateful" for what they have because others would envy them. Which I can say from personal experience is unbelievably damaging to a person's self image. So seeing this possibly be represented in Clark Kent himself was incredibly moving to me.

But back to the scene itself.

In the most recent gif above, this is the most vulnerable Lois has seen Clark thus far. What I think is so beautiful is the way that she invites him into this vulnerability by making herself vulnerable first.

Rewind a bit. Outside the building, Lois tells Clark to take his jacket off. Not a big deal, right? It's not like he's not wearing an undershirt. But Clark becomes flustered, not outright expressing that he's uncomfortable with this, but certainly indicating that he's not exactly at ease with it either.

Next we see them climbing up the stairs, and as they do so, Lois removes her own jacket and reveals her bare back to Clark in the process.

I believe this was incredibly intentional. This scene would have carried a very different tone if Lois' outfit was revealing in any other way. But the fact that her back is exposed symbolizes that she trusts him, in a physical and emotional sense. It's like when my cat Penny rolls on her back and exposes her fluffy tummy. Lois revealing this part of herself was her saying "I trust you, I feel safe with you, and I'll be vulnerable with you if you'll be vulnerable with me."

And only after that does Clark remove his jacket.

Because there is the factor of attraction at play, there is a lot of blushing and stammering going on in the beginning of this scene. These are two incredibly attractive people who are incredibly attracted to each other, after all. But immediately after the initial romantic tension, there is emotional vulnerability as well. Lois confides in Clark about her relationship with her dad, and the crippling self-doubt that she has kept very close to her chest. Clark jumps to reassure her in earnest, telling her that she has "changed his life for the better, in every possible way."

And that is what I meant at the beginning of the post when I mentioned balance.

Every moment of physical attraction in this series is followed by or harmonized with a moment of emotional vulnerability. Clark and Lois both invite each other deeper into each aspect of connection, and thus their relationship builds in an incredibly natural and beautiful way.

At this point, I think this post is about five miles long as the crow scrolls and I should probably stop now before all my thoughts run away with me. I could go on forever about the impact that this series and these characters have had on me, though. I will forever be grateful to the creators for giving us such an incredible series, and such a beautiful romance.

[so-bitya]

Whitewashing in Anime - Agni ft. Cithis

Browns of the Same Shade

Hello again! I decided to revisit this topic again now that we have Agni's official appearance in the anime. I also wanted to go over some aspects that I did not get to include in my first post.

In the end, Agni also got lightened! His skin tone was always somewhat darker than Soma's in both the anime and manga appearances. Yana does describe his appearance as a "dark-skinned woman" in her genderbend sketches. So, for the anime to lighten him this much to such an degree is disappointing.

The skin diversity in the anime has been pretty lacking so far. Once again, A1 studios was not perfect, but they did manage to give all three Indian characters different dark skin tones, while this anime has every Indian generally the same lightened shade.

(every indian character in the anime are the same skin tone... cloverworks stand up, you can't let a-1 studios beat you like this)

Personal opinion of mine, I feel like animation studios aren't willing to play with skin color values as much anymore. I remember even seeing white characters being various shades of brown, especially under certain lighting and environments. Unlike now, when every character looks bleached the second they hit the sun.

I also wanted to review what I think of Soma's appearance. Soma's skin tone isn't any darker than it was in the teaser shot sadly, so we can't blame the lighting. I already was expecting it, but it's still a shame.

One positive feature I'll give to the anime is that Soma's nose isn't pronounced all the time. In certain scenes, his nose isn't as sharp as it would be for other characters. I believe that's just the style for the anime and its dependent on the shot.

Anyway, I felt this image was pretty on topic with Soma and Agni's situation and just anime remakes/reboots in general lately:

Brown ≠ Grey

Something I'm embarrassed I forgot in my last post is saturation! I mentioned often how darker skin tones tend to be neglected, but not only that, but the color! The vibrancy in the skin, the life!

A common feature I noticed, especially in East Asian media, is how they avoid the "brown" in dark-skinned characters, by constantly making their skin tone duller, ending up with more grey-toned skin.

I often see art advice for digital artists that they should pick desaturated colors or colors in the "grey zone" as to not overwhelm the art piece. Which is fine most of the time! But when you apply that advice for brown skin, what you get are mostly grey tones, and end up having your character look like a zombie.

Here are some colors I randomly picked. The colors on the left are those sandy, dull grey tones I was talking about. If you want to get those richer, deeper-toned browns, you need to pick colors with more saturation like the ones on the right.

Now of course, color is relative and you can't just color pick your way around without considering how it fits in with the rest of the piece. You can even end up washing out your brown character despite choosing a strong brown color. You have to consider the background, lighting, undertones, the environment, and how they'll affect your character. There may even be times desaturated colors work better, but you have to at least consider why it works "better".

Let's take a look at everyone's favorite manga artist right now, Ryoko Rui! Ryoko Rui is praised often for her diverse character roster and creature design, however I always found her darker skin tones rather... lacking, as such for the elf Cithis.

(I color picked her skin tone and it matched my light grey shades above lol)

Her skin tone is very washed out and grey. She not nearly as dark as she appears in the manga. Once again, there's that dissonance between skin tones. Now take a look at the manga's grey tones.

When you see this, what skin tone do you imagine for her? Do you imagine the greyish, washed out tones from above or do you imagine something more akin to these black fae models I found?

(credit: @jaharajayde on twitter and @glassmarigolds on pinterest)

I'll give Rui credit that her color illustrations of Cithis improved and she's gotten better giving Cithis stronger undertones. I really like how the fandom has been illustrating her too, there's been some amazing fanart of Cithis such as these (the lighting in the last one is lovely).

Just adding saturation helps so much with skin tone. I even found an fan edit of Soma that added more color back into his skin, and he looks so much better for it.

One might say, "Oh what's wrong with having grey skin tones in a fantasy story!" Well... nothing really! You can have green or purple or blue characters if you like. But when there's already a startlingly lack of brown characters in a fantasy story, it can get awfully uncomfortable seeing the story portray different fantasy "races" with obviously non white racial features... but don't want to include any black/brown skin tones.

(fantasy artists would sooner give an orc dreads than a human, forget a "noble" creature like an elf... such decisions only reveals the artists' viewpoints)

It all just comes back down to avoiding that dreaded "brown". When it comes to these "reasons", we have to question whether they aren't just more excuses to not include black and brown people in stories, which makes me come to my next point:

Essence of Brown

There's some severe misinformation I want to address about Soma. I saw a fan a while ago say that Soma has a white mother which explains why he has light skin.

Firstly, that information is false. It was a concept Yana had for Soma, but quickly decided to drop it. Soma is not half white.

In the early drafts of the series, Soma had a white mother and, thus, white skin. However, this was later omitted in final revisions.

(quoted from the official kuroshitsuji wiki as an excerpt from the character guide)

Yes, you can have mixed parents and any kind of skin tone really! But it feels... dishonest to create "reasons" why the manga's first major Indian character, joining a cast of white people in a European country, should have white skin as well. Especially considering Yana's artstyle, without Soma's skin tone and Indian wardrobe, is his physical characteristics like his face even distinguishable enough for him not to be mistaken as white?

Imagine I wrote a story set in France, and teased an appearance of an African character in story that only had white characters until now, only for him to be completely white in appearance, and identical to every other white man, except for the occasionally exotic dress and other drab stereotypes.

What would you think? That his race is only a dressing to fulfill an exotic need at times? That he's a supposed homage to another culture, but it's wrong to have him actually look like the majority of people who made said culture? Why is he even this way?

Did he have a white parent? A white upbringing? Lived in a white culture, lived a white life? Maybe he was separated from birth! From his hometown, his country, his people, anything to justify why my "brown" character is so divorced from that part of his identity, from that side of the family whose skin tone runs a little too dark.

And I think that's why Yana decided to drop the concept of giving him a white mother. Why go through all those loopholes and explanations? Why all that justification for him to have white skin?

It's just another way to avoid the "browness" again for a character, what makes them brown in the first place and related to black/brown cultures. It's what we should consider in the future when we find ourselves coming up with "reasons" why black/brown characters should be anything but themselves.

Whitewashing in Anime - Soma ft. Usopp

[katerinaaqu]

A question about visual arts this time

Do you have any favorite classics artwork(s) that is Iliad related? Like ancient potteries of Homeric heroes, mural arts, paintings during the medieval Europe, etc?

Oh my that is a very good question! There are so many pottery painting and murals of later years that portray so greatly the epic cycle that is so hard to choose!!! But I believe one of the old masters is definitely Exekias! As you remember from my small analysis on the preparation of Ajax suicide. He creates some amazing pasterpieces with the Iliad protagonists and he is very detailed in his style. See for example the famous depiction of Ajax and Achilles playing a board game:

His lines are very bold and his work is very detailed and not only that he includes even thematics that are lesser known such as the preparation of the suicide instead of the act itself or this board game that ellegedly happened in the middle of a battle. Of course we also have the so-called "Siren Painter" with the amazing depiction of Odysseus resisting the sirens songs from the Odyssey

But to focus more on Iliad as you requested (or the general aspects of the war) One of my favorites is definitely this Kylix that was drawn by a painter named Douris. here's an image of Odysseus approaching mourning Achilles (his arms are hanging from a wall which is a very interesting detail)

This Kylix involves the sharing of the arms of Achilles and the medalion in the middle depicts Odysseus handing over to Neoptolemous the arms of his father while holding a boetian-style shield instead of the well known shield of the homeric poems (and it is interesting given how most Neoptolemous depictions involve him killing Priam -he seems so innocent here doesn't he?!-):

A roman wallpainting from Pompeii is definitely one of my favorite Patroclus representations along with of course the infamous scene with him being taken care of by Achilles in a Kyllix

The fight over the body of patroclus in the black-figure style is also amazingly expressive:

The Berlin Painter has definitely one of the most expressive depictions of the battle between Achilles and Hector:

This depiction is around the neck of a crater, the figures are named and I loved how Hector is bleeding profoundly while untouched Achilles is going for the kil with his spear. Euphronius painter also has a very brutal scene of Achilles slaying Troilus:

An Amphora mostly black but for one red figure seems to be depicting Antilochus and is a really rare one from one I can tell!

I love how his long, wavy hair is arranged under the helmet and his obviously youthful appearance (he is a great source of inspiration for my Achilles and Antilochus story). I also love the Triptolemous Painter for making this depiction of the council of Achilles:

Not only do I love the cheeky pose Odysseus has; trying to transfer his ature through painting! Not only do we again see the arms of Achilles to the walls but also we have old Phoenix to the background with his hair tonred up with white color (thankfully rescued by passage of time) with his long hair thugged with the hair band and all!

Kleophades Painter has one of the most brutal scenes of the murder of Priam I have ever seen!

This seems to follow the line of the myth that Virgil speaks of in Aenead; Neoptolemus kills Astyanax before his grandrather before killing him too. In here he seems to have laid the dead baby to his knees and almost seems like either repeatedly stabbing him or beating him to death while Priam tries to shield his head. The baby also seems to have been repeatedly stabbed as well! And blood splattered everywhere!

For Diomedes this is definitely one of my favorites; the stealing of the horses with Odysseus

One can see his youthful appearance compared to Odysseus as they drive the horses away or the exchange of the weapons with Glaukus

I love his youthful appearnce and the thin features and yet the stout body to show his warrior status and the way he receives the shield with care in this, shows much on his personality really.

*

Oh there are so many different depictions by ancient art alone! I would be more than happy to elaborate further with specific images on specific heroes if you want on future reblogs because honestly the category is huge! Even scenes like geometric time paintings seem to be quoting Homer and either the funeral of Patroclus or Hector:

Thank you for the intriguing question! Made me remember many of these masterpieces!

[bunniehunn]

Yuubeni Chōga

Finally, Yuubeni’s character intro! She’s my yuusona/partial self insert(ish?) Tumblr destroyed the resolution click for a clearer view 😭😭 Me yapping A LOT about her under the cut!

Appearance:

Yuubeni is a young woman with light, freckled olive toned skin and dark brown, almost black eyes. Barely below average at 5’3, with a small build and curves. Still has some baby fat around the stomach area. She has short, curly dark brown hair, usually down. Her fashion fluctuates between the extremes of pink and feminine to looking like she just hopped out of a Dick’s Sporting Goods.

Personality:

Yuubeni is an introverted girl, who always likes to help her friends. She struggles a lot in multiple aspects of her life, like taking care of herself or school work, but she always seems to have energy to assist someone in need. She has adhd and anxiety, and she’s a little sensitive to negative attitudes towards her. She’s a bit naive and gullible, which gets her and her friends into less than desirable situations constantly. She’s also a bit self-conscious socially, and she tries to avoid talking much about herself or her interests in fear of embarrassing herself. If you do get her to talk about something she’s passionate about, though, she switches up to probably one of the highest energy people you’ve ever met. Of course, she’ll probably be thinking about that moment for days, scared you found her weird. She waters down her personality, and won’t let too many people get close. It’s easier for her to befriend extroverts so she doesn’t have to speak, or those who some might say are a little out of the norm.

Backstory:

Yuubeni was born into a very normal family. Her family moved around constantly due to her father’s job, and they never stayed quite in one place for too long. The most recent place they moved was the one they’d stayed for the longest, and Yuubeni really started to feel like she fit in. Of course, she can’t have anything nice, can she? Just as she finally felt comfortable, another move was announced. Distraught, she ‘took a walk’ in the middle of the night. During her ‘walk’, was the moment the sound of horse hooves clopping against pavement were heard, and moments later she blacked out. Waking up in a floating coffin was, obviously, VERY anxiety-inducing for her.

Now at NRC, she’s having trouble juggling her school work, duties, friends, and the constant overblots.

A relationship chart + some extra blurbs.

Random Tidbits!:

Started an art club at school! (Mostly so she can have school-sanctioned art time. Doesn’t expect anybody else to join.)

Gamer! Will get Ortho to convince (force) Idia to play with her. It’s a source of comfort for her.

Sings and acts, likes to do theatre but gets really bad stage fright. Like, straight up full-body shaking.

Her favorite flower is a hydrangea! Her brooch on her striped bow is based off a hydrangea petal.

Loves to do her nails in funky designs.

REALLY easy to scare. Do not scare her, she WILL cry.

Her main symbol/motif is a butterfly!

★彡

GAAAAH I FINALLY MADE IT!!! I’m really proud of her drawing, it’s only my third time attempting to mimick twst style and I think I did good. Sorry this is so long 😭

Tagging! @gimmeurmoneyagh @babyghoul138 @jadenui @taruruchi

@amai-sakura-chan @day-dr3aming @buttholesparkles @mirioho @cheerleaderman

@theolivetree123 @h0neybane @angelwishess @fell-e @tsubomisno1fan

@screamintoad @crystallizsch @skibidibabygirl @moonyasnow @beneathsakurashade

@boopshoops @the-rini-rush

[ranchstoryblog]

Ranch Story Community Q&A Volume 3: Igusa Matsuyama Returns!

Igusa Matsuyama, the legendary artist behind the Story of Seasons series since the original 1996 game has once again agreed to a Q&A featuring questions from fans from around the world! A big thank you to all the members of the community who helped make this possible.

Some aspects of the text have been altered to match localization people are familiar with. (Japanese names to English names, for example: Bokujou Monogatari (牧場物語) was formerly localized as Harvest Moon and is now localized as Story of Seasons, etc). Images were not part of the original text and have been added as a visual aid. Though we translated as many questions as we could, we did not include questions involving personal information or regarding unannounced releases. Please understand.

If you would like to read our original correspondence (in Japanese), that will be provided in a separate post.

Additional cosplay photo provided by Foxface from our community Discord.

Translations: @artycharmy (correspondence, outline) Editing and Clean-up: Jerome, @artycharmy, and @regularcelery

——— Anonymous asks: What is the relationship between Jamie and the Harvest Goddess?

Igusa Matsuyama: Jamie was treated as a fairy or spirit. I'm sorry, but I'm not sure if there's any points that link them and the Goddess.

Editor's note: the term Matsuyama uses is "妖精."

Tomato asks: I would like to ask about what their inspiration was for the outfits designs in the original release of harvest moon another wonderful life. Since I got reminded of the girl clothing brand Mezzo Piano when looking at the I love Kuma/I love bears outfit.

Igusa Matsuyama: I remember the only thing I thought of was using Spring-like colours! (All designs were made with seasonal colours In mind) When I knew that Daachan, who was planned to be used in a lot of events, wouldn't actually play a big role in the game, I put him on the T-Shirt so he could at least get some attention as a mascot-like existence.

Pansy asks: If you were able to create your own game for the Story of Seasons franchise, with no rules or limitations whatsoever, what do you think it might look like?

Igusa Mastuyama: Since I love dogs, I'd like to try making a Story of Seasons that's set in a world just full of dogs. Though that dream of mine probably won't come true.

Anonymous asks: The look of Story of Seasons has changed a lot over the years! What would you say is more challenging to create - simple designs, where you have to work with very little space, or complicated designs, where you have to consider many little details?

Igusa Matsuyama: A long time ago there were a lot of things you weren't able to replicate in video games. There were constraints for things like the number of colours and patterns for hair styles and clothes. It was difficult to work around those constraints, but at the same time a lot of fun. Nowadays, it's the complete opposite. Now we can design anything with hardly any constraints. And unlike a long time ago, now I'm asked to make more complicated designs, like patterns and decorations. However, if it's a big request, sometimes I run into quite a lot of trouble when designing. They each have had their own difficulties.

Anonymous asks: Hello, Matsuyama! Thank you for bringing the worlds of Bokujou Monogatari to life for many years. Your art has had a huge influence on me!

One of my favorite candidates is “Rock” from “A Wonderful Life.” I’d love to know any particular influences for his character design from 21 years ago, and his new design for the remake.

Igusa Matsuyama: I was told that he was a young, wannabe playboy, so I somehow ended up with that sort of design. For the remake, I made his clothes a little looser without changing his design, so he'd look even more playful. I, too, wanted to avoid changing him as much as I could as there are other people among the staff that also like the original for his “Rockness”. So, he got that makeover after everybody shared and checked their opinions with each other.

Jerome asks: On page 130 of the "Special Comic" manga there's artwork of Super Famicom characters that have never been printed anywhere else. Do you or Marvelous still have these? It would be great to see them in more detail in the future some time.

Igusa Matsuyama: They're all characters that appeared in the SNES version of "Harvest Moon." Nina's parents, Ellen's mother, Ann's father, Maria's parents (The mayor couple). I'm sorry. My SNES illustrations have gone missing...

Raven Bloom, Ryan, and Moth ask: How did you feel when your designs for the men in A Wonderful Life were repurposed to be bachelors? What do you think of the changes made to the bachelors in the remake of A Wonderful Life? I miss the “Bruce Campbell” look Matthew used to have.

Igusa Matsuyama: Matthew (マシュー) is Masshu (マッシュ) in the Japanese A Wonderful Life (Editors note: Charmy made a careless mistake when translating the questions, sorry Matsuyama san 🫣) When I first heard this name, the first thing that came to mind was Evil Dead's protagonist, Ash. You're right. I designed him after Bruce Campbell. I still love Bruce Campbell today. When Wonderful Life was under production, I had heard they weren't going to make a girl version, so I designed him not as a love interest, but as a quirky character. Knowing that he'd appear in the remake as a marriage candidate, I redesigned him as a character that would be liked by many. I hope you can enjoy the game for its nostalgia, as well as for being a shiny, brand new release.

Salmon Axe and Anonymous ask: I personally adore Doraemon x SOS game. Are you interested in working directly with or collaborating with other franchises in the future? And is there a series outside Story of Seasons you would like to work with now as a guest artist? (Could it be Pokemon?)

Igusa Matsuyama: I've loved Doraemon manga since I was a kid! Working as a guest artist? Hmm, I'm happier being the main illustrator, so nothing in particular comes to mind. I enjoy a lot of games in my free time, such as Fallout, Far Cry and Border Lands.

Anonymous asks: Even though we never see his face, was there ever a concept of how Woofio would look without his costume?

Igusa Matsuyama: I designed Woofio as the being that is Woofio, so there's no design of him without his costume.

Idris asks: Your style has upgraded a lot over the time to match the trends. Do you think you will ever go for an old school look (early HM) for a SoS game again? What do you think is the secret to your art’s charm?

Igusa Matsuyama: What I'm particular about when designing for Story of Seasons is making characters with head/body proportions and an atmosphere that go well with that release. First, I listen to the client's request then think of a design according to that. These days, game visuals have gotten fancier and fancier, so there's not many opportunities for characters with short proportions to make an appearance. To me, what's important when designing is "playfulness." More so than "pretty" or "cool" and such, I get attached to the character, have fun making the character. I find joy in character creation itself.

MacGyver asks: Yasuhiro Wada has shared some interesting stories about how chaotic the original game's development was. Is there anything interesting you remember from around that time? 

Igusa Matsuyama: Now it's a memory I can look back on and laugh about, but I'm not sure how much I can talk about it so please forgive me. If Wada hadn't been there back then, then "Harvest Moon" wouldn't have become a thing.

Toyberb and Anonymous ask: There’s a lot of different cow designs now, which is your favorite to draw?

Igusa Matsuyama: I've loved drawing animals since I was a kid, so I love all of the cows. Although the easiest one to draw is the cow with the big nose.

Anonymous asks: Were there any games where you made designs for protagonists of genders that did not end up available to play as? (Like a girl protagonist for Save the Homeland/Hero of Leaf Valley or a nonbinary protagonist for any game before A Wonderful Life)

Igusa Matsuyama: There's so many designs that got scrapped, but as far as I recall, there's not really many where that character's setting itself was scrapped. (Excluding Thumbelina, mentioned below)

Koharu asks: Were there ever any character designs made for other older SNES characters like Ellen for 64? Some magazines had Marie with blue hair, like the SNES character, so it made me wonder if she (SNES Maria) was meant to also be there at some point.

Igusa Matsuyama: I'm not in the position to make settings or scenarios where characters from other games appear, so I can't say, but I like the idea of older characters making an appearance!

Amina/k0iisu asks: Hello! I really love Hiro’s design specifically. Could you tell me a few facts about him/his design that might not be well known information? Thank you so much! I love your art :D

Igusa Matsuyama: Thank you very much! Hiro is a future doctor, so I tried to make them look as much like a doctor as I could. Also, to make him look friendlier, I designed him as your average everyday boy you'd see in the neighbourhood. He doesn't have a flashy face or hairstyle, but he's one of my favourite designs, too. I wrote this in the guidebook too, but what I like about him is the Asian flair I added to his clothes and the spot of colour around his feet.

Bunbun asks: I'm excited for the Nendoroid that was announced of Claire! I hope there will be ones of HM64 designs too. Since you have a lot of figures on your blog, how does it feel to be able to add one of your own characters to your collection? Are there any of your other characters you hope will get figures of?

Igusa Matsuyama: A nendoroid of Claire! I'm looking forward to it too, but when is it going to be released? If it's possible, I'd like one of Woofio.

Editor's note: Preorders are open for Nendoroid Claire now!

Chickee asks: A purple-haired princess character was rumored to have existed in Harvest Moon 64, but she didn't make it to the published game. Did you create a design for this character?

Igusa Matsuyama: That's probably Princess Thumbelina. Wasn't she Incredibly small? What I designed didn't end up being used. Speaking of HM64 characters, I pushed for them to include a pet turtle, but in the end it only appeared as an ornament. For A Wonderful Life, I asked for a turtle to be included again and designed a tortoise with a scarf, but it didn't make it as a pet and appeared only as a wild turtle that walks around the pond. I'm waiting for the day they finally include a pet turtle in the game.

emery flower147 asks: omg  I saw the pics where the AWL girls are in a team and Muffy has a shotgun and stuff? Do you think any other characters would work in a cool team like that?

Igusa Matsuyama: For the Friends of Mineral Town guide book, I had the five girls, Popuri, Marie, Ran, Elly and Karen work hard as Harvest Sprites. Also, for the guide books, I drew Pete (The old male protagonist), Sarah (The GB version female protagonist), and Claire doing whatever I wanted them to. I don't know if you can call it cool or not, but it was fun being in charge of that.

Ixur asks: A lot of the PoOT character designs for the regular villagers seem more popular than the marriage candidates in my region. Is that something that's been noticed by you/Marvelous in Japan? Lars, Clemens, Beth, and Misaki for example.

Igusa Matsuyama: Marvelous doesn't really talk about that sort of thing so I'm not sure if they're aware of it or not. I don't do social media so I'm also not sure which characters are popular. I'm happy as long as the characters are liked. The design on Lars’s shirt is modeled after my beloved dog, so I’d be especially happy if you like his shirt too.

Anonymous asks: What do you think about people cosplaying your designs?

Igusa Matsuyama: It makes me very happy! I'm no good at sewing, so I really admire people who can make their own clothes. It's an honour having the designs I made be made into real clothes, and I think it's great to have fun acting out the characters.

Afro Fae asks: When creating designs for characters, how do you settle on a specific color palette? Do you take color meanings into account with a character's personality or do you go purely off of feeling?

Igusa Matsuyama: I keep in mind the overall colours the client asked for while designing. Sometimes I propose a new colour when I think there's one that fits better. I'm also careful when choosing colours and everyone's traits to make sure it's easy to tell which character is which when seen from a distance. However, in the cases of families and such, I do the opposite and give them all a common colour to give them a sense of kinship.

———

From all of us at Ranch Story, we'd like to thank Matsuyama from the bottom of our hearts for answering our questions again! Whether a fan has only just discovered the series or has grown up alongside it, so many people have loved these characters and worlds that Igusa Matsuyama brings to life, so it feels truly special to be able to have this opportunity. We'll end this article with Matsuyama's own words, as well as a parting gift.

Igusa Matsuyama: I'm so glad I could answer your questions again. I'm the one that should be saying thank you. It means the world to me knowing that everyone enjoys my illustrations! I added an illustration as thanks. I'll keep up the hard work!

[thewriteadviceforwriters]

The Writer's Guide to Mastering Dialogue

You've heard it a thousand times—show, don't tell. One of the most effective ways to do this in your writing is through dialogue. Dialogue helps bring your story and characters to life, propels the action forward, and engages readers. But crafting realistic, compelling dialogue is an art form that takes practice. Don't worry, Rin's got you covered. In this guide, you'll discover techniques for writing dialogue that sparkles. You'll learn how to make conversations sound natural, differentiate character voices, convey subtext and emotion, and use dialog for exposition. By the end, you'll be writing dialogue with confidence and watching your characters come to life on the page. So grab a cup of coffee or mocha (my favorite), settle in, and let's chat about the art of conversation.

Why Dialogue Matters in Your Novel

Dialogue is one of the most powerful tools in a writer's arsenal. It brings your story to life and creates realistic characters that readers can connect with. If you want to master the art of fiction writing, you need to know how to write compelling dialogue.

Dialogue reveals character and moves the story forward. Through dialogue, readers get a sense of your characters' personalities, backgrounds, and motivations. It's a chance to show, not tell, what your characters are like. Dialogue also propels the action and builds suspense, as characters chat about the events unfolding in the story.

There are a few keys to crafting believable and engaging dialog:

•Make it sound natural. Listen to real conversations for inspiration. Dialogue should flow and feel spontaneous, not stiff or forced. Use contractions, interruptions, and imperfect speech.

•Give each character a unique voice. The way people speak depends a lot on their background, education level, profession, and personality. Capture the subtleties of different speaking styles to bring your characters to life.

•Use dialogue tags and actions. Adding "he said/she said" and descriptions of characters' actions and expressions during conversations helps readers keep track of who's talking and provides context. Use a variety of tags like asked, exclaimed, and murmured.

•Move the conversation along. Keep dialog concise and avoid unnecessary filler words. Get to the point so readers stay interested in what's being said. Dialogue should always move the story forward.

•Show tension and conflict. Interesting conversations often involve disagreement, sarcasm, arguing, or questioning. Create tension through dialogue to keep readers engaged.

With the right techniques, you can make dialogue a pivotal part of your story. So listen, observe, and practice the art of great conversation - your readers will thank you!

Developing Distinctive Character Voices Through Dialogue

To develop distinctive voices for your characters, focus on how they speak. Dialogue is one of the best ways to bring your characters to life and propel your story forward.

Pay attention to your characters’ backgrounds, experiences, education levels, and attitudes. All of these factors influence how people talk in real life, so apply that to your characters. Maybe your wise-cracking character uses a lot of humor and sarcasm, while your shy character speaks hesitantly in short sentences.

Listen for speech patterns, accents, and catchphrases in real conversations and note them for inspiration. Capture the rhythm and flow of natural dialogue.

Give each character their own vocabulary based on their interests, jobs, and lifestyles. The tech geek’s dialogue will differ from the history professor’s.

Establish characters’ voices from their first lines of dialog. Look for a memorable way for them to express themselves. The impatient character may frequently use phrases like “spit it out already!” while the pessimist’s go-to is “what could possibly go wrong?”

Use dialog to reveal aspects of characters’ personalities and backgrounds without telling readers directly. Show, don’t tell. For example, a character who says “please” and “thank you” in every sentence likely has a polite and courteous nature.

Read dialogue aloud to make sure it sounds natural. Get friends or family members to read different characters’ lines. If anything sounds off, rework it.

With practice, crafting distinct voices for your characters through dialog will become second nature. Your characters' voices, conveyed through the words they say and the way they say them, will make your story come alive for readers. So take the time to get to know your characters by how they speak. Their voices are worth developing.

Using Dialogue to Reveal Character

Reveal Character Through Dialogue

Dialog is one of the best ways to reveal details about your characters and show their personalities. Carefully crafted conversations can expose a character's background, values, education level, and more without telling the reader outright.

As your characters talk, think about what kinds of words and phrases they would use based on who they are. An older British gentleman will speak very differently than a teenage skateboarder from California. Listen to people with similar backgrounds and life experiences to your characters for inspiration.

Also consider:

The rhythm and cadence of their speech. Do they speak quickly or slowly? Formally or casually?

Their vocabulary. Does your character use complex words and jargon or simpler language?

Grammar and pronunciation. Does your character follow the rules or have their own way of speaking?

For example, here's a short exchange that shows the contrast between two characters:

Jenny (teenage skateboarder): "Hey, you gonna drop in on the half pipe today or just pose by the ramp again?"

Mr. Edwards (older British gentleman): "I'm afraid vert skating is a young man's game, my dear. I'm quite content to watch you whippersnappers from the sidelines."

Even from this brief conversation, you get a sense of each character's age, background, and attitude without the author explicitly telling you. Mastering the art of subtext in dialog will make your stories come alive and allow readers to discover the depth in your characters for themselves.

Driving the Plot Forward With Meaningful Dialogue

To keep your readers engaged, your dialog needs to propel the story forward. Meaningful exchanges between characters should reveal information, create conflict, and raise the stakes.

Share Relevant Details

Use dialogue as an opportunity to share important details about the characters, their relationships, backstories, and the world they inhabit. For example:

“Did you hear they’re raising tuition again next semester?” Jenny asked.

“Ugh, not again,” Mark groaned. “How are we supposed to afford another five percent?”

This exchange informs the reader that Jenny and Mark are college students struggling with the costs. Look for natural ways to slip in context through dialog without sounding forced.

Create Conflict

Interesting stories thrive on tension, disagreement, and clashing perspectives. Have your characters bicker, argue, and challenge each other. For example:

“You never listen to me!” Alice shouted. “You always have to be right.”

“I’m not trying to be right,” Brian retorted. “I’m trying to protect you, but you’re too stubborn to see that.”

The quarrel fuels the underlying conflict in their relationship and keeps readers wondering how they’ll resolve their differences.

Raise the Stakes

Use meaningful dialog at key moments to increase the urgency, suspense or importance of what’s happening in the story. For example:

“The test results came back—it’s not good news,” the doctor said grimly.

Not only does this distressing announcement raise the stakes for the character’s health issue but it also creates a cliffhanger, leaving the reader wondering about the diagnosis and anxiously awaiting more details.

Meaningful dialog is essential for crafting an engaging story. Use it to inform readers, create conflict between characters, raise the stakes, and propel the plot toward a climax. With practice, writing authentic dialog will become second nature.

Creating Tension and Conflict Through Dialogue

To keep readers engaged, effective dialog should create tension and conflict between characters. As in real life, the conversations in your story should have stakes and push characters outside their comfort zone.

Show underlying tensions

Have characters disagree and argue to reveal underlying tensions. For example:

“You never listen to me. It’s always about what you want.”

“That’s not fair and you know it. I’ve sacrificed a lot for this family.”

This type of emotionally-charged exchange shows the couple has deeper issues to work through regarding resentment and lack of appreciation.

Create awkward situations

Put characters in awkward situations through dialog to ramp up the tension. For example:

“How’s the job search going?”

“Um, still looking. The market’s tough right now.”

“Really? I heard your company is hiring. I put in a good word for you with some people I know there.”

“Oh. Thanks, I guess.”

The second character is now in the difficult position of admitting the job search isn’t going well and they don’t actually have any leads. This cringeworthy moment translates the tension to readers.

Issue challenges and ultimatums

Have characters challenge each other by issuing warnings, demands or ultimatums, for example:

“If you walk out that door, we’re through. I mean it this time.”

“Don’t threaten me. You need me more than I need you.”

Throwing down the gauntlet in this way forces characters to back up their words with actions, which heightens the tension and conflict. Readers will keep reading to see who comes out on top!

Using dialog that highlights tension, creates awkwardness, and issues challenges is a great way to craft page-turning scenes that keep readers on the edge of their seats. Mastering the art of writing gripping dialogue is key to writing a story that resonates.

Avoiding Common Dialogue Mistakes

One of the biggest mistakes new writers make is crafting unrealistic or clichéd dialog. Your characters’ conversations should flow naturally and sound believable to readers. Avoid these common dialog doners:

Repeating Characters' Names

In real life, we rarely use someone's name in every sentence when talking to them. Only use a character's name when beginning a new exchange or for emphasis. Repeating names too often makes the dialog sound unnatural.

Overusing Exposition

Don't have characters explain things solely for the reader's benefit. Only include exposition that makes sense for the characters to actually say to each other. Find other creative ways to convey important backstory or worldbuilding details.

Forgetting Emotion

Dialog without emotional cues like facial expressions and body language can seem flat. Use emotive verbs and adverbs to show how the lines are delivered. For example, "she exclaimed" or "he muttered angrily." Also describe characters' physical reactions and behaviors to further bring the scene to life for readers.

Talking in Complete Sentences

Real conversations are often choppy, filled with interruptions, tangents, and imperfect grammar. Vary your sentence structure and length. Use fragments, run-ons, and breaks when appropriate. Not all dialog needs to be in perfectly punctuated full sentences.

Clichéd Phrases

Certain overused phrases like "it's quiet...too quiet" or "we've got company!" indicate lazy or clichéd writing. Come up with original ways for your characters to express themselves that fit with their unique personalities and situation. Avoid reusing trite or familiar sayings.

With practice, writing natural-sounding dialog will become second nature. Pay close attention to how real people speak, and aim to replicate the flow and cadence in your writing. Follow these tips, and your characters' conversations will truly come alive on the page!

Formatting Dialogue Correctly

When writing dialog, formatting it correctly is key to making it clear and compelling for readers. Here are some tips for formatting your dialogue effectively:

Use quotation marks

Place all dialogue between double quotation marks (“”). This indicates the character is speaking. For example:

“Hello,” she said. “How are you today?”

Start a new paragraph for each new speaker

Having each character's dialog on its own line makes it easy to follow who's talking. For example:

“Did you finish your homework?” Mom asked.

“I'm almost done,” I replied. “Just have some math problems left.”

Describe the speech

Use speech tags like "said", "asked", "replied" to indicate how the dialog was delivered. For example:

“I don't want to go to bed yet,” the little girl whined.

Punctuate properly

Place punctuation such as periods, commas, question marks, etc. within the quotation marks. For example:

“Where are you going?” she asked.

I said, “To the store. Do you need anything?”

Use beats

"Beats" are actions or descriptions that replace the "he/she said" tags. They make dialog more engaging and help set the scene. For example:

"I'm tired." John yawned and rubbed his eyes.

"Then go to sleep." Mary folded her arms, annoyance in her tone.

Avoid over-tagging

Don't tag every single line of dialog with "said" or the character's name. Let context and formatting do some of the work for you. For example:

"Did you talk to Mom today?"

"Yeah, she called this morning."

"What did she say?"

"That she'd be home in time for dinner."

Following these guidelines will make your dialogue clear, compelling, and help bring your story to life. Readers will appreciate dialog that flows naturally and is easy to follow.

Using Dialogue Tags Effectively

To write effective dialog, you need to master the use of dialog tags. Dialog tags are the parts of speech that indicate who is speaking, such as “he said” or “she asked”. When used properly, dialog tags can enhance your story without distracting the reader.

Choose tags that match the tone

Pick dialog tags that match the emotional tone of the dialog. For example, use “he whispered” for hushed speech or “she shouted” for loud, angry speech. Avoid reusing the same generic tags like “he said/she said” repeatedly, but don't get too creative either. Stick with simple verbs that imply the manner of speech.

Use action tags

Action tags describe a character's physical actions or expressions while speaking. For example, "“I’m not going,” he shook his head.” or ““What a day!” She ran her hands through her hair and sighed.” Action tags bring dialog to life and help the reader visualize the scene. They also give you an opportunity to reveal character details.

Drop the tag when implied

Once two characters establish a back-and-forth dialog, you can often drop the dialog tags altogether. As long as it's clear who is speaking, the tags become unnecessary. For example:

“Did you finish your homework?” Mom asked.

“Most of it,” I said.

“Most of it? What didn’t you finish?”

“Just some math problems. I’ll do them after dinner.”

“You’d better. I’m checking it tonight.”

After the first two lines, the reader understands that Mom and I are the speakers, so the remaining dialog does not need tags. Dropping implied tags creates a snappier feel and prevents repetitive, unnecessary tags.

Using a mix of well-placed dialog tags, action tags, and implied dialog, you can craft seamless conversations between characters that flow naturally, without distraction. Keep practicing and listening to real-world conversations for inspiration. With time, writing compelling dialog will become second nature.

FAQs About Writing Dialogue

When writing dialogue, questions inevitably come up. Here are some of the most frequently asked questions about crafting realistic and compelling dialogue.

Do I use quotation marks or italics?

In fiction writing, use quotation marks (“”) to denote direct speech. Only use italics for thoughts or emphasis. Quotation marks allow the reader to easily distinguish between dialog and narration.

How do I avoid “he said, she said”?

To prevent repetitive “he said/she said” tags, use action tags that describe the speaker's actions or expressions. For example:

“We should get out of here,” he whispered, glancing around nervously.

She slammed her fist on the table. “Why didn’t you tell me sooner?”

You can also drop the dialog tag altogether if the speaker is clearly identified through context or action. The dialog itself and how you structure the conversation can imply the tone.

How do I make dialogue sound natural?

Pay attention to the cadence and rhythm of actual conversations. Dialog should:

Sound like natural speech, not formal writing. Contractions are okay!

Have an easy back-and-forth flow. Keep responses concise and avoid monologs.

Capture unique speech patterns based on a character's background and personality.

Include interruptions, changes in subject, and imperfect grammar. We don't speak perfectly in real life!

What are the rules for punctuating dialog?

Use a comma between the dialogue tag and the dialog: “Hello,” she said.

If the dialog tag comes before the dialog, end it with a comma: She said, “Hello.”

If the dialogue is interrupted by a dialog tag, use commas to separate it from the tag: “Hello,” she said, “how are you?”

Use a period to end a sentence of dialog: “Hello.”

Use a question mark for a question: “How are you?” she asked.

Use an exclamation point for excitement or emphasis: “Wow!” he exclaimed.

Start a new paragraph each time the speaker changes.

Following these tips will have you crafting dialog like a pro in no time. Let me know if you have any other questions!

Additional Tips For Writing Dialogue

Keep it concise

When writing dialog, less is more. Keep exchanges brief and avoid long speeches. Readers will get bored quickly if characters drone on and on. Focus on using just enough dialog to convey key information or advance the scene.

Use natural language

Write dialog like people really speak. Use casual language, contractions, slang, and imperfect grammar. Drop words like “um”, “like”, and “you know” into conversations to make them sound authentic. Read your dialog aloud to ensure it flows naturally. If it sounds stilted or awkward when spoken, it will come across that way to readers as well.

Share emotions

Dialog should reveal characters’ emotions and attitudes. Have characters express feelings like excitement, frustration, fear or affection through their word choice, tone, and body language. For example, a character who sighs, rolls their eyes or speaks in a sarcastic tone conveys a very different emotion than one who smiles, makes eye contact and speaks enthusiastically.

Keep it relevant

All dialog should serve a purpose, whether to reveal something about a character, advance the plot or set a mood. Avoid “empty” exchanges that fill space but add no value. If a conversation seems pointless or dull, cut or rewrite it.

Use action and description

Don't rely solely on dialog to carry a scene. Include action and descriptions to give readers a more complete picture. For example:

"Where were you?" Anna asked.

Mark sighed and ran his fingers through his hair. "I got stuck at work. I'm really sorry."

The description of Mark's actions and appearance helps the reader understand his emotional state and see the full context of the conversation.

Leave room for interpretation

Don't have characters over-explain or outright state their feelings and motivations. Leave some details to the reader's imagination. For example, instead of:

"I'm angry that you lied to me," Amy said angrily.

Try:

Amy folded her arms and glared at him. "You lied to me."

The emotional context is clear without having to explicitly state Amy's anger. Subtlety and nuance in dialog make for a more engaging read.

Conclusion

So there you have it, the keys to mastering dialogue/dialog in your writing. I hope my extensive research was enough information for you all. Focus on listening to the voices around you, develop unique voices for your characters, keep your exchanges tight and impactful. Remember, dialog should always move the story forward, not just fill space on the page. With practice, writing compelling dialog can become second nature. Now go eavesdrop on conversations, study your favorite books and shows, and get to work crafting those conversations. Your characters and readers will thank you for it. Keep at it and before you know it, you'll be writing dialog with the best of them!

(Keep in mind I used both dialog and dialogue just in case there's a few who get annoyed with that.)

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TheWriteAdviceForWriters 2023

[moodybluezzz]

Deidara NSFW Alphabet (18+)

[I've never done one of these before and proofread at 2am so hopefully this isn't a dumpster fire. Warning for NSFW content under the cut.]

[Word count: ≈1.3k]

A = Aftercare (what they’re like after sex)

Deidara gets very sweet and mellow after sex. In fact, it seems like that's the only time he doesn't have an explosive amount of energy. He'll wipe the sweat from his forehead and ask you if you're okay with a satisfied smile. If you're not completely wiped out he'll cuddle and talk to you until you fall asleep with your head resting on his chest. He's not gonna want to budge so cleanup usually waits until the morning after. He prefers admiring the mess you made together anyway.

B = Body part (their favorite body part of theirs and also their partner’s)

Deidara's favorite part of his own body is, unsurprisingly, his hands. He knows he's skilled with them because of his art, and having two extra mouths is a blessing in bed that no one else has. His favorite part of his partner is their face. He loves admiring your features and expressions as he toys with you.

C = Cum (anything to do with cum, basically)

Deidara tends to finish quickly and usually pulls out so he can cum on your body, whether it's your back, thighs, face, or wherever else he can make a mess of. “My best masterpiece yet~”

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

Deidara doesn't give a damn about getting walked in on and secretly likes showing off what's his. (Plus, seeing the priceless reactions of the rest of the Akatsuki is just a bonus.)

E = Experience (how experienced are they? do they know what they’re doing?)

Deidara is barely experienced, if at all. He's young and too caught up in the Akatsuki to have dabbled in relationships very much. Luckily his natural confidence and dexterity make up for the inexperience.

F = Favorite position (this goes without saying)

I don't see Deidara as the type to do gymnastics on the regular. His favorite position is probably missionary, since he gets to see your reactions and admire you up close. If he's feeling dirty the worst he'll do is doggy style so he can pull your hair and be a little more dominant.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Deidara is absolutely the type of person you can joke with, or hold a conversation with, during sex. Although he takes his relationship and intimacy seriously, he likes to have fun so it's never too intense.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

Deidara is just about as hairy as any average guy, but it's not very noticeable because of his light, blonde hair.

I = Intimacy (how are they during the moment? the romantic aspect)

Deidara isn't the most romantic guy ever, but when he's alone with you his intimate side is on full display. This is especially clear in how careful he is not to hurt you. He balances showing you that he cares and keeping the mood light so you can both have fun.

J = Jack off (masturbation headcanon)

Deidara jerks off a lot, usually before bed or when he's bored. And yes, he uses the mouths on his hands for extra pleasure. (Can you blame him?) He'll imagine his partner’s pretty face going down on him as he licks along his own length.

K = Kink (one or more of their kinks)

Sorry but Deidara just isn't that kinky, unless you count him using his hand-mouths on you. He's not a full-blown exhibitionist, but he does also enjoy the thrill of fucking in places he could get caught.

L = Location (favorite places to do the do)

In his room at the Akatsuki base, and it doesn't matter whether anyone else is home or not. The place may be cluttered with art supplies but he makes room for you quick. He also once tried having some fun with you on the back of his clay bird, out in the open night sky. It was a little scary at first, but you had to admit it was exciting.

M = Motivation (what turns them on, gets them going)

Deidara likes someone who can match his energy - seeing you have fun or marvel at his latest work is enough for him. He's also a sucker for a bit of praise and some clever pickup lines about art and explosions.

N = No (something they wouldn’t do, turn offs)

Sorry sadists, the man said himself that he isn't into BDSM. He absolutely won't do anything that seriously hurts you or leaves marks on your body, aside from some light hickeys. He sees it as ruining a masterpiece.

O = Oral (preference in giving or receiving, skill, etc.)

Deidara is the KING of giving head - he was blessed with three mouths and you'd best believe he's gonna use them. He'll eat you out while the mouths on his hands lick along your sensitive inner thighs, or kiss you passionately while he reaches down and lets his other mouths go to town.

P = Pace (are they fast and rough? slow and sensual? etc.)

Deidara's movements are quick and shallow. He just prefers it rough and fast. His last few thrusts are always a bit slower as he takes in how you look as you finish, though.

Q = Quickie (their opinions on quickies, how often, etc.)

Deidara will never turn down a quickie, even if you just wrapped up a mission and you have to sneak away and find a hidden spot to have some fun. He'll probably end up having more quickies than longer sessions when he's busy with missions, but that doesn't mean he won't take his time pleasing you when you're back at the base.

R = Risk (are they open to experiment? do they take risks? etc.)

Deidara is probably the most risky out of everyone in the Akatsuki. He can't help but get off on the thrill of fucking in “public” places or when the rest of the team is around, and he doesn't stress much about getting caught either. Unfortunately Deidara is also not the most discreet and Tobi has definitely stumbled upon some unholy things while looking for him.

S = Stamina (how many rounds can they go for? how long do they last?)

Deidara could go for more than one round if he really wanted to, but most of the time he's satisfied with one round and just wants to relax afterward.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

Doesn't own any toys of his own but definitely isn't opposed to using them with you.

U = Unfair (how much they like to tease)

The lovable asshole that he is, Deidara teases pretty often, mostly verbally or with his tongues. However, he gives in pretty quickly and gets right to the fun part.

V = Volume (how loud they are, what sounds they make, etc.)

Deidara is very vocal and not ashamed about it whatsoever. He doesn't hold back on moaning and loves talking dirty as he fucks you. Some of the Akatsuki have definitely gotten pissed at him for keeping them up at night.

W = Wild card (a random headcanon for the character)

Might be down for a threesome with someone else in the Akatsuki? 😳

X = X-ray (let’s see what’s going on under those clothes)

About average with more length than girth, plus a faint trail of blonde hair leading down to it ;)

Y = Yearning (how high is their sex drive?)

Deidara's sex drive is high, but not to an unbearable extent. He's young and full of passion, but he equally enjoys spending quality time with his partner as well, so most of your time together is spent pretty innocently.

Z = Zzz (how quickly they fall asleep afterwards)

Deidara is pretty full of energy and never falls asleep immediately after sex. Sometimes he'll stay up for a short while to spend more time with you, and other times he'll jump up and run to his desk, getting straight to work on some new art project that he thought up.

[shinidamachu]

kagome higurashi, occupation: it girl

We're constantly talking about what a fashion icon Kagome is, but I haven't seen many actual analyses of her style or how it got translated from the manga to the anime, so I thought it was a fun, innocuous discussion to have this @inuvember. I'm not an expert on the subject by any means, but here's a compilation of my observations.

The first thing I noticed is probably the most obvious: she thoroughly enjoys showing off her legs, which she does by wearing an obscene amount of skirts, rarely jeans and never shorts, not even as a PJ.

The interesting detail is that she mostly pairs them off with a top that would completely cover her arms and shoulders, which is smart because puts her legs even more in evidence and brings an elegant balance to it. Sundresses seem to be the only exception to that rule:

Now, when it comes to prints, the anime left me the impression that she favors solid blocks of colors rather than especific patterns, but comparing to the manga it's easy to see that's just not true.

Not only does Kagome rock any print she wears, she also seems to have a preference for plaid variations.

Sadly we only got to see in the anime through the sundress above and the iconic Day of Days outfit (the high school uniform doesn't really count).

She likes her flowery patterns as well, although that's only really a thing in the manga. Of course, I understand Sunrise probably toned down this aspect of her clothing choices to make them easier to animate, but we can still mourn it.

The next one is particularly sad to me because it was one of my all time favorite manga outfit of hers and they replaced it with one she had used before in The Soul Piper and the Mischievous Little Soul.

The same outfit was recycled again in Sota’s Brave Confession of Love. It was literally copy and past, except for the colors.

And to add insult to injury, this was the original look:

Another thing that was pointed out by @kagomehigurashi in this amazing post is that her "stay at home" clothes are incredibly versatile: she can go from very fashionable sweaters to her fun SHAM shirt collection just like that. But when she goes out, she goes all out.

Overall, I think we can conclude that her wardrobe was pretty colorful. Especially in the anime, there's not a lot of black, if any, and Kagome tends to go for pastel. She also seems to be a big fan of overlaying: her outfits are often completed with cardigans, coats or jackets.

Plus, I'd say comfort is a priority for her. The vast majority of her clothes don't seem restricting at all and her shoes consist basically on loafers, sneakers and ballet flats. Even the heel we saw her wear once was of a wedge type.

She rarely uses accessories, but she limits herself to one or two when she does. It's usually a purse and some jewelry or belt (at least in the manga). Her hair is always down except for the occasional braid (also only in the manga), PE ponytail and bath bun.

It could have been interesting if Takahashi had also used Kagome's fashion sense to showcase how much she changed during her journey, but Kagome's style remained extremely consistent. I guess she found it very early on what she was about. I'd describe it as romantic boho, but I don't even know if that's a thing.

What I do know is that it was far from basic, that she appeared to be having a lot of fun expressing herself throught it and that it felt more mature in the manga, even if most of them are just covers or bonus art.