#my exact reaction to seeing the title

[dollvre]

HUSH NEEDS ME???

[genericpuff]

Lore Olympus just pulled off the biggest whiff in webtoon history.

I promised I would choose one of two headlines and of course, this is the one we wound up with. But should we really be surprised? Rachel herself seemed to be telling on herself down to the minutes leading up to the finale, fully confirming to us that yes, she's been writing this comic at the last minute, by the seat of her pants, for ages now.

(that second one was literally posted TWENTY FUCKING MINUTES BEFORE THE COMIC UPDATED.)

Welp, let's get into it. Possibly the last essay I'll ever write about this dumpster fire of a comic (but probably not, let's be real LOL)

CONTENT WARNING: DISCUSSION OF SEXUAL ASSAULT AND FASTPASS SPOILERS FOR THE SERIES FINALE AHEAD!

Holy crap, where to even start with this. I knew it was going to be bad. I knew it was going to be rushed. I knew it wasn't ever going to live up to what I had hoped it would be years ago when I was still a diehard fan.

But I didn't think it was going to fall quite this hard. Despite bracing myself for the worst, Rachel has once again let my expectations down through a final display of explosive mediocrity and disappointment.

Yes, the episode is called "You're Welcome", and yes, that instant "ick" you're feeling is the exact same as what we're all feeling. This title plays into the dialogue later, but what a shitty, lowkey mean-spirited title for the series finale.

Now, before we get into the actual episode, the WT ads for this are just... so desperate and misleading.

They are trying SO HARD to hype up something that isn't there, and at the last minute to boot, because Rachel definitely hadn't written any of this ahead of time.

First off, the bit about the gods being in "eternal chaos" of course isn't a stake worth worrying over because Gaia literally does away with Ouranos in the first 5 panels.

Did you really think I was joking about that 5 panels thing?

That's it. That's the death of Ouranos. As mysteriously and quickly as he arrived, he was gone, after Gaia ripped out of him what appeared to be some purple sunny side up - but it's actually, in fact, Apollo.

And that's when we start to get some of the worst dialogue I've ever seen throughout LO. Remember when I said LO's dialogue was like Shenmue 3? Welp, the finale decided to continue that tradition and further fuel the suspicion that this entire thing was written by ChatGPT.

Oh, by the way, that "thank you, ma'am" was Artemis' first and last line of the episode. So once again, just like in Episode 248, we're completely robbed of her reaction to Apollo being a rapist piece of shit and the character development she could have had as a supporting character. The women in this "feminist retelling" really couldn't be more half-baked.

Gaia stumbles upon Persephone, and I'm not even gonna fucking bother showing the panels where Gaia says it's time to "make things right" because they literally don't matter. Why don't they matter? Because Rachel just had to get in one more pointless time skip.

We're shown a sequence of pointless images that I'm not gonna show as I don't want to waste my image limit on them, depicting Hades having a sad day because his small wife isn't with him and oh nooo what could have happened?? Did Persephone finally divorce him ??

Nah, we couldn't possibly have an actually happy ending in this comic. Instead we get a completely pointless phone conversation between Hades and Hecate-

Not only is the grammar particularly bad in this episode, but the actual script-writing is atrocious. We literally did not need this phone conversation to happen because-

-we're cutting BACK TO THE PRESENT THAT WE JUST CUT AWAY FROM FOR A 3 MONTH TIME SKIP. FOR NO REASON BESIDES SHOWING HADES BE SAD OVER SOMETHING THAT ACTUALLY ISN'T THAT BIG A DEAL, AS YOU'RE ABOUT TO SEE.

I- I LITERALLY HAVE NO WORDS. I HAVE NO WORDS TO DESCRIBE WHAT THE FUCK THIS IS. ALL I CAN HEAR IN MY BRAIN IS THE LEGEND OF ZELDA ITEM GET MUSIC-

-BECAUSE THIS WHOLE THING SUDDENLY SOUNDS LIKE SOME CONTRIVED FETCH QUEST. WHAT DO YOU MEAN HADES AND PERSEPHONE HAVE PROVEN 'TRUE LOVE' IS REAL? WHAT DO YOU MEAN THEY HAVEN'T USED 'LOVE' AS A FORCE FOR DESTRUCTION?? ARE WE FORGETTING THAT HADES MUTILATED A GUY IN THE NAME OF 'LOVE'? THAT PERSEPHONE LITERALLY INVADED THE HOME OF HADES' CANONICAL FIRST WIFE BECAUSE SHE FELT MILDLY THREATENED BY HER?

This whole concept of "true love" that Rachel is trying to convey feels so juvenile especially for a series that has sold itself as being mature and thought-provoking and progressive.

HAHAHA SO FUNNYYYYYYY why does Rachel write like this. this is, at best, the writing of a 13 year old on fanfiction.net, which I SHOULD KNOW, because I WAS ONE OF THEM. BUT I'M 28 NOW AND RACHEL HAS ANOTHER 10 YEARS ON ME.

Okay, this is the part where I'm CONVINCED Rachel either just mashed this into the episode in the MINUTES leading up to its release, or she used ChatGPT or something. Because NONE of this dialogue makes any sense. Beyond how stilted and lifeless it is (seriously, this dialogue reads like something from Empress Theresa) Gaia is clearly meant to 'replace' Erebus here which I SHOULDN'T HAVE TO EVEN EXPLAIN IS SO FUCKING DUMB, but ALSO what is even Persephone trying to communicate here? "That is true, but it was a deal I was willing to make and ties me to the Underworld. Please don't change me." What? Gaia hasn't even insinuated that she's going to do anything to Persephone, why is Persephone immediately jumping to this conclusion? What does 'changing' her mean? Is she asking Gaia not to force her to sacrifice something (which she never did)? Or is she asking Gaia not to strip her of her Underworld status? Because again, why is that even something Gaia would do?

Maybe this is harsh but I'm pretty sure even Empress Theresa is more coherent than this, what in the flying fuck is Gaia talking about?

"I can just see the potential for conflict! To relieve you from the burden of the whats, the hows, and wheres." Like... okay, first of all, that second sentence isn't even a complete sentence, it's a dependent clause left hanging, but also what the fuck does this MEAN. Is she EXCITED for the conflict but then contradicting herself by saying she wants to relieve Persephone of that conflict? Or is she saying she can see the conflict it would cause for Persephone to have to perform duties in both realms and trying to insinuate that she's going to relieve her of those complications?

Here's what I think happened - I think that second 'sentence' wasn't supposed to be a sentence, but the start of the sentence to the next panel-

So with that theory in mind, the sentence becomes, "To relieve you from the burden of the whats, the hows, and wheres, you are to spend three months in the Mortal Realm to do spring and the rest of the year in the Underworld. That seems fair to me."

It's still a very poorly written line of dialogue, but at least with that fix in mind it makes sense. But man, you can really fucking tell this episode was submitted at the last minute because that's a serious syntax error that should NOT have happened in this two-time-Eisner-winning comic.

Errors aside, it's clear that Rachel is following through on having Persephone spend only three months in the Mortal Realm, rather than the traditional six. There ARE other translations that have that number closer to four, but those four are the time she spends in the UNDERWORLD, meaning she's always spending either equal or MORE time in the Mortal Realm. Of course, Rachel doesn't want her self-insert small wife power fantasy to actually have to be separated from Hades despite this being a retelling of The Abduction of Persephone, so instead of her spending three months in the Underworld, she's now spending them in the Mortal Realm, literally doubling the MINIMUM amount of time (four months) she was originally meant to reside in the Underworld.

But oh no, apparently those three months are STILL NOT SHORT ENOUGH FOR PERSEPHONE-

Of course, Rachel "Retcon" Smythe had to have her cake and eat it too. I always worried something like this was a possibility, but I never thought she would actually prove me right - not only is Persephone only separated from Hades for three months out of the year, but actually he can visit her any time he wants to, so really, they're not separating at all.

I think Rachel needs to look up "reunion" in the dictionary, because if you can visit each other any time, then that means the 'reunions' are no longer special occasions. This completely removes any semblance of depth or meaning from all of the storytelling leading up to this, all of it with the expectation that this was a retelling of the Abduction of Persephone, because that's what Rachel said it was going to be. At this point it's safe to say that Rachel has zero business attempting to "retell" mythological stories, because she doesn't even seem to grasp the concept of why they were written the way they were to begin with. Either that, or she really just doesn't care, and the only reason for making LO a Greek myth comic at all was to propel her career.

This also brings me back to those promotional ads, the other one that posed the question, "Will sacrifice be enough to bring these two back together?"

This is stating the obvious, but I need to make it perfectly clear - Hades and Persephone have never sacrificed a single thing. The only thing they could POSSIBLY quantify as a "sacrifice" is "not being tied at the hip for a few hours", because even Persephone going on the equivalent of a work trip next door is apparently enough to make Hades sad as we saw in the 3 month time skip panels. Why is Hades so sad and lonely if he can visit her any time? Why is he acting like he hasn't seen her in years when he's actually on his way to reunite with her? Why is Hecate calling to ask him if he's "okay" as if he JUST got separated from her, but actually he's about to literally go to the Mortal Realm to reunite with her?

Hades hasn't 'sacrificed' a damn thing, neither has Persephone. They've both always gotten exactly what they wanted, even at the cost of breaking the story's own established rules. Their 'sacrifice' is equivalent to what billionaires think are 'sacrifices' when they can't buy another yacht or go on that third overseas vacation for the month.

And even outside of this episode, when have these two ever sacrificed anything?

I've tried so hard to think of what sacrifices have been made by the characters within LO, and I genuinely can only think of one - and that was when Artemis chose to go to the Mortal Realm with Persephone instead of staying with her family in Olympus. That was a genuine, selfless sacrifice, made by a character who has been shelved in favor of focusing on the self-centered pink and blue airheads.

Being forced to be apart for a couple days to do the equivalent of a day job and whining about it the whole time is not a 'sacrifice'. Neither of these characters have ever sacrificed anything, they just feel like sacrifices because they have the integrity and empathy of soggy cardboard.

sigh Anyways, we're back in the present and Hades and Persephone immediately decide they're gonna have sex because ofc, and then we get this gem of a panel-

MMMMMM

FUNNYYYYYYYYYYYYYYYYYYYY JOKE

For some reason it's just a common thing for people to just be in Hades' home, and they can't seem to get any privacy as a result of this, but I digress. Turns out they still need to have that coronation for Persephone.

There is... so much wrong in these three panels.

First, to state the immediate issues - why the fuck are they mentioning Apollo at Persephone's coronation? Like first of all, no shit Apollo isn't gonna be there, but also, if this is supposed to be an event for and about Persephone becoming Queen of the Underworld, then why in the WORLD is Apollo even being mentioned? This is supposed to be a "feminist retelling" where the victims are empowered and heal from their trauma, but LO once again can't try to show any sort of positive growth for the victims without bringing up the assaulters and giving them screen time. It just goes to show that Rachel's idea of "healing" is purely rooted in the revenge, and not the growth. It's a very high schooler approach to this subject, hellbent on showcasing how all the meanies from the past are losers now and life just sucked for them forever, but inadvertently proving its own point that the victims haven't and can't move on because the narrative is spending so much time on caring what's going on with the abusers. It's the "I don't care! Look at how little I care! I'll prove it to you by putting in the effort of showing you how little I care!" approach, it doesn't really feel like moving on.

It's not about how Persephone and his other victims could have grown and healed, no, Rachel always needs to highlight just how much worse the bullies and haters and abusers are doing to make the victims seem like they've healed by comparison. Don't get me wrong, I can understand wanting to showcase the downfall of a character like Apollo, but this just... isn't the right context for that? Because it's once again taking attention away from the victim to focus on the abuser. It's once again spending screentime on the voices of the oppressors rather than the oppressed.

And speaking of, what the fuck is this punishment even? I knew Rachel wasn't gonna be able to resolve this plotline properly, she never had the capability to, but ... community service? Are you fucking for real? What is this even a punishment for even? Was this EXCLUSIVELY the SA, or does this ALSO include his attempts to overthrow Zeus by poisoning him, nearly killing Daphne, Eris, Eros and Psyche, trapping Eros and Psyche in an enchanted basement, and framing his father's 'death' on his half-sister? Because if so, how in the world is anyone content with community service? He hasn't even been turned into a mortal, HE'S STILL A GOD, so what's to stop him from going "WE'LL MEET AGAIN, SPIDERMAN" and trying something else? How is this a reasonable resolution in ANY context?

This is why I talked at length about what an issue it was to hide what Apollo really admitted to. Because now we really don't know what exactly he confessed to, and thus we can never really see the point of views of the victims outside of just Persephone - and we still don't even get Persephone's, because she just walks away from him and then he gets eaten by Ouranos and next we see of him is him doing community service! Once again, any emotional development that could be given to Persephone and the other victims is stripped away to make room for the point of views of the oppressive men. In this, the two-time-Eisner-winning "feminist comic" that is LO.

And that brings us to the "where are they now" segment. Yes, as we all feared, there's a "where are they now" segment, and it's as rushed and underwhelming as we ought to have expected it to be.

There is just... so much to unpack here, and yes, all of it is delivered in the dumbest way possible that only raises more questions than answers.

So Rhea and Metis are just back and we're not gonna talk about the implications of them being alive again?

Dionysus is a 3 month year old in the body of a teenager / young adult, and his mom is just alive now because Hades conveniently got his hands on more ambrosia and brought her back to life offscreen? But somehow Triptomelus and Hedone are still child-sized relative to their ages?

How did they 'heal Zeus'? And why is he so content with losing his power as King and Apollo being sentenced to community service after making an attempt on his life? How does he feel about the letter that Hera gave him? Did he even read it?

Where the fuck is Hebe in all of this? Is she okay? Do people still think it was her who put Zeus in a coma? Or did Apollo confess to that, too?

You're telling me Hera and Echo are just in a relationship now despite the fact that Hera is literally racist towards nymphs and there is ZERO reason for them to have a relationship in the comic beyond the fans making gratuitous headcanons out of it? How is Rachel, a bisexual woman, so bad at writing actual lesbian relationships and giving them the same amount of attention as the heterocis ones without shoving them into the background as props for insincere queer rep? And what about Hera herself? How did she overcome her role as the Goddess of Marriage to finally divorce Zeus?

"Ares is still a dog!" Haha! Ares is still a Persephone simp! Happy end!

Why is Eros just standing there smiling at the camera struggling to be seen past Hedone who's just floating right in front of him? You're telling me there wasn't a better place to put her out of that entire panel?

"Hades and Thanatos have been making more time for each other. Sometimes they even have a conversation." I'm sorry, is this supposed to be funny? The man abused Thanatos for years, treated him as just a lowly employee when he was literally his adopted son, and now you're trying to play it off as a joke that they're "making more time for each other"? What the fuck is this?

TGOEM disbanded? Why? What about the women who were genuinely a part of it?

Also, Artemis and Selene are just good friends now because reasons? Because they're both affiliated with the moon, I guess? Why is Selene even in this comic-

"They are still looking for Kassandra". Who? And why? This feels like such a last minute addition to acknowledge a character that the comic spent WEEKS foreshadowing only to have her finally appear as a pointless McGuffin, but it's so last minute that it does nothing. I'm assuming it's Eros and Psyche looking for her, but like... why can't they find her? They're gods, tracking down one mortal shouldn't be that difficult LOL ???

And also, where the fuck is Leto?? You're telling me she was an accessory - maybe manipulating Apollo, maybe not - but we don't see what happened to her? Is she just back to being a social outcast then? jesus christ this comic isn't finished-

Kassandra is where the "where are they now" sequence ends, and we're treated to one final horribly written dialogue scene between Hades and Persephone, where they tell each other how much they love each other in a desperate attempt to convince the audience that this is, in fact, a romance.

There's this thing in romances called chemistry, and if you're good at writing it, you shouldn't have to write dialogue like this. You should be able to see how much the characters love each other through their actions, through their small behaviors around each other. It's not always about what they say out loud, it's about what they don't have to say, because when two people really share that close of a bond based on love and trust and chemistry, words often aren't necessary.

Hades and Persephone do not have that chemistry. It has been apparent for years now, but this final exchange really is the nail in the coffin. There are no microexpressions or subtle emotions, no subtlety in their word choice, and nothing unique setting their voices apart. It's all just "wow thank you for being such a wonderful amazing partner, you are amazing and I love you" word salad that has to do all the heavy lifting for the completely non-existent chemistry that's been at its absolute worst throughout this entire season.

And worst of all, despite this story trying so hard to be focused around Persephone, around her story, her trauma and her healing, her voice... it's still all just about Hades. In the end, she's thanking Hades, and forcing him to say "you're welcome". All of it is trying so hard to convince us that Hades has been a positive addition to her life, that she 'owes' so much to him, but we've obviously seen plenty throughout the comic that begs to differ. And even if he were a better person than he is, it still doesn't change the fact that once again, the men are being held up above the women, with the women being grateful to the men who choose them. LO can try its hardest to convince people that it's feminist, but it is, at best, reinforcing the very same structures of the patriarchal system that it claims to despise and rebel against.

We do get one line from Hades acknowledging Persephone's part in the relationship-

-and it falls so fucking flat because it's still about him and what she does for him, and because nothing about their relationship was built on any sort of organic chemistry. There was a lot more chemistry back in S1, but it was still predicated on Hades lusting after a vulnerable 19 year old girl.

Yep, and that's it. That's the end.

Except it isn't because Rachel wanted to try and be smart by including an 'epilogue' that's really just stretching the episode out pointlessly for another few panels. And of course, we had to get another time skip, just a final dose of salt in the wound, this time to years ahead when we inevitably had to reconnect with Persephone and Hades in the future after Melinoe was born.

To recap, Melinoe doesn't remember... because Hades had Morpheus erase her memories.

This plotline has really started to give me the ick because it actually feels very familiar. Bear with me here, because I'm gonna go on a bit of a tangent about my own original work, but it's because I wrote a plotline exactly like this years ago.

There's this... turning point, in Time Gate: Reaper, when the main character Uzuki is kidnapped by a Reaper (see: undead) who wants to experiment on her in the hopes that he can somehow gain her abilities to bond her soul with others (which later allows her to literally possess people after she becomes a Reaper herself). Mitsuhiro, the male deuteragonist who kickstarts the plot by telling Uzuki she's got a limited amount of time left to live (which he knows thanks to his magical death timers that mark themselves on his skin), feels an immense amount of guilt after finding out she was kidnapped by the Reapers (at this point she's been gone for three months), as they were originally after him; he worries that she was made a target simply due to him associating himself with her, and vows to rescue her.

With the help of some other spunky teenagers and anime trope characters, Mitsuhiro does eventually rescue Uzuki - but for the three months she had been gone, she had been tortured, abused, and experimented on, causing her mind to split and for her to lose any sense of awareness of who Mitsuhiro or her other friends were. She was no longer herself after the hell she had been through.

Mitsuhiro's solution to this is to have Springlock - another Reaper with motivations that are not yet clear to the cast - erase her memory. This is not a light decision that comes without consequences - for the remaining duration of the story, Uzuki is plagued by night terrors and panic attacks, unable to really remember what happened to her aside from whatever brief flashbacks her brain recalls in its haze of memory loss. She is traumatized, both physically and mentally. She has lost three months of her life and memories, and doesn't know how to explain why she's covered in scars that are still healing, why she's missing organs, why she's now blind in one eye, and why the sound of scraping metal and ticking clocks gives her panic attacks. Mitsuhiro has convinced her friends that she's suffering from memory loss due to trauma, but only he knows the truth that he forcefully took her memories away from her, without her consent. This was not the right choice to make. It was not noble of him, it was not a grand gesture of love, he made a decision on her behalf without her consent that has now resulted in her becoming a nervous wreck. Sure, she still would have had PTSD if she remembered what happened, but at least she would know why and could then seek adequate help. Without those memories, she has nowhere to begin to heal. And so we see the consequences of this throughout [AFTERBIRTH] and even the upcoming Thread of Fate. It is a long-term problem that is not going to be solved overnight, especially not with Mitsuhiro withholding information from her.

Reading about Melinoe having dreams about her experiences trapped in Tartarus with Kronos ... it felt familiar enough that I had to talk about why the insinuations of this are so fucked up. I know there are people who are gonna handwave it away as "she's just a kid", "these are gods so what does it matter", etc. but ... it just feels like such an oversight to have Hades effectively erase her memory of her trauma and then hint at them still being present in her mind through her dreams. She did not ask for that. And the fact that she's now dreaming about it all does not bode well. But we're supposed to think Hades made the correct choice, regardless.

But none of this is effectively expanded on or explained, because we get one final scene of Melinoe and Demeter visiting Persephone, who has just given birth to... Makaria?

So it turns out Persephone and Hades are just able to have biological children now. Don't know why, but of course they both look exactly like Hades.

What I was really confused by though is the fact that it's Makaria and not Brimos. Do you remember Brimos? The child that was foreshadowed in Hades' original fantasy dream sequence about his future children about Persephone?

Either Rachel completely forgot about him, or she saw all the criticism over the fact that Brimos isn't a confirmed child of Hades and Persephone (rather, an epithet that can apply to basically any Underworld god including Persephone and Hades) and that her "research" was dependent on a book she read when she was 13 and decided to axe that. But she went to the effort of establishing that all the dreams Hades had were , in fact, canon visions of the future, so good job Rachel, you created yet another plothole on top of the hundreds of others.

And that's where the series ends, on a final nuclear-family-photo of Persephone, Hades, Melinoe, and Makaria. Of course, Dionysus and Thanatos aren't present in this shot because this is Lore Olympus and only biological children count /hj

Why Rachel couldn't move the "the end" portion to THIS part, I don't know, but I'm also expecting way too much of the person who finished this 20 minutes before it was due.

So that's it. Six years and that's what we get. I didn't expect much, but I was still incredibly disappointed, as were many others who walked away from this dazed and confused. Maybe it's all the "haters" deserve at this point. But what of the fans? While many of them are celebrating this ending at best and tolerating it at worst, I can't help but think of the fans of this comic who hung on for so long in the hopes it would "pay off", just for it to go out as gloriously as a wet fart.

As for me, I have such mixed feelings about Lore Olympus ending, but none of them pertain to the comic itself. Most of what I'll miss from this comic isn't the comic itself, but the people who have made reading it every week so fun, the artists and writers who have enriched the content with their own interpretations of what could have been, and the experiences of being part of such an amazing community made up of people who are as long-term-obsessed about this piece of media as I am.

I get people who ask me a lot if it's "worth it" to be so engrossed in the LO slander, who assume that I'm going to "regret" ever being a part of it all... but from where I'm standing right now, I couldn't ask for a better view.

Even if I didn't love every minute of it, everything I have here I owe to this comic. This stupid, wonderful, boring, amazing, pile of shit comic.

[lyrarizi]

THIS POST CONTAINS DISCUSSION ABOUT HAZBIN HOTEL LEAKS

i sadly saw the leaks of hazbin s2 and now a whole plotpoint is ruined for me, i can make sure if you are still saved from seeing them, this is my advice just take a couple days of social media ESPECIALLY of tiktok and wait until the leaks are removed from platforms because they are HEAVY leaks they arent just some simple conversations

how i found out is a gacha reaction video on youtube without ANY spoiler warnings, just dont watch upcoming reaction vids if you consume them people WILL take profit and make reactions, under the cut is the exact name of the video but im not going to type that here since its kinda on the nose and will give you a huge idea of what the leak is about

ALSO: i said under the cut that comments are a safe space to talk and discuss about the spoiler so do NOT look at them since they will showcase spoiler, so to make it clear hopefully

DO NOT LOOK IN THE COMMENTS IF YOU WANT TO STAY SPOILER FREE PLEASE <3

under the cut is discussion about one of the leaks so if you want to stay spoiler free i beg you do not read further

so about that leak..

i do not like it one bit, i am praying to god its fake because it is such a weird choice

because as we see in the leak rosie owns alastor's soul, that is heavily implied, and i myself do not like this choice

we can clearly see alastor does not like rosie and rosie only sees him as a pet and calls him so, this just ruins their whole dynamic for me

alastor and rosie seemed genuine friends and loved to spend time with one nother they were really cute, i thought alastor finally had somone he could lean on

so this

is all fake, all of alastor's moments that we thought were rare moments of his real joy, are fake.

rosie being happy that her best friend has returned from his 7 years disappearance to who knows where?

fake, she's just happy her pet is home to clean up her dirty work..

this also puts into perspective that alastor really does not have any real friends, niffty still always is on his leash so there is a power imbalance, husker probably hates him, vox hates him too and when they were friends i think alastor only was there for the entertainment or he saw him not as a friend anymore as soon as vox confessed

but i really do not like this.

i saw those two as a genuine friendship, married for tax benefits, queerplatonic, best friends for life, even lovers,

not as master/pet

they were cute together, alastor finally had someone he could trust and rosie had someone she could hangout with, gossiping together, rosie enables alastor and alastor enables rosie, maybe they were a bit transactional but you could clearly see they cared about eachother

in the leak we see a total different dynamic, alastor hates rosie and plays along with her, rosie takes delight in alastor's suffering and degrades him like calling him "pet" puts him in cages, uses him as a doll

this is the video i looked at:

im not shaming them this is just the internet but this clearly shows the leak without any sort of warning on the title, cover, or even in the description, i knew nothing about alastor's deal leaks so i had no idea this one would show leaks

as far as i know this the only gacha reaction up to this point where they react to leaks

but now, while i have been writing this post i have been thinking about it.

this is a fun twist i can say, nobody was seeing this coming this is an actual surprise

i can accept and deal with the fact that rosie is alastor's soulowner and maybe still find enjoyment in it, i mean i always love to see alastor suffer and him having 0 real friends is pretty funny (AND SAD)

but if you want to talk about the leaks here in the comments is a safe space to discuss, i can understand you would like to talk with someone about this revelation so come say hi in the comments if you want :D

UPDATE:

So have been thinking about the leak for a bit once i let it sink in

We saw the leak and it looks real (good animation that is hazbin hotel style and the voices are not ai or someone must have had a really good bot for that)

But just because we saw the leak doesn't mean we have context for it

I still am a full believer in the eve/roo theory even after this leak and have been pondering on this animatic

What if roo posessed or shapeshifted into rosie??

We know Alastor doesn't have a good relation with his soulowner and he seems to genuinely like rosie's company, he even bleats and his pupils dilate thats not something you can controle

So it makes no sense for it to be actually rosie

My theory is that roo wanted to be extra petty towards Alastor and decided to sing that song to him as rosie, because whats better than singing a song about owning their soul as their only real loyal best friend??

I know i'm just stretching at this point but i refuse to believe this without context and hazbin is already hella fucking complicated so this could fit

Anyways what do you think? You think this leak is real or fake, do you also not believe it or are you in denial? Lemme know i'm curious and love to trade theories! <3

[snufflesw]

The Reader learns about Aqua's newest plan to destroy his father.

Aquamarine Hoshino x Reader (gender neutral) One Shot. Word Count { 1241 } Spoilers for Chapter 148!

You're So Crazy, Manipulate Me. Title is lyrics derived from the song "Ecstacy" by SUICIDAL-IDOL .

You traversed the sparse wooden area. The summer wind was warm against your bare arms and the smell of the sea filled your nostrils. The seawater clung to your hair after swimming. Now, however, completely dry to search for the person who’d suddenly disappeared from the beach.

    The boy sat near the edge of a cliff, watching the sun as it was beginning to set.

    ”There you are”, you said, loud enough for Aqua to hear, and walked up to him.

    He looked up at you and his blue eyes met yours for a second.

    ”What are you doing here?” he said as you sat down next to him. You wrapped your arms around your legs and hugged them close to your chest.

    ”I noticed you left and went to find you”, you said and wiggled your toes to take off the sandals irritating your feet.

    Aqua looked back to the sunset.

    ”Just needed some time to think, that's all”, he said.

    You could almost see the cogwheels turning in Aquamarine Hoshino’s head as the sun reflected in his eyes. His expression was similar to that day the two of you first met; lost in thought. Scheming.

    You sighed and rested your head on your knees, ”We’re close now. The movie’s almost finished and we’ll have him. He’ll be ruined, once and for all. You’ll have your revenge.”

    Aqua bit his lip, ”But what if that’s not enough? What if the movie’s not enough?”

    You raised an eyebrow at his statement. He’d been so certain before, almost to a horrifying degree, that the movie would be the thing to put Hikaru Kamiki in an early grave; his scheming and heinous acts would be revealed for the whole world to see. He’d have to disappear; go incognito.

    ”What do you mean?” you asked.

    ”Ruining his status wouldn��t be enough to keep him from committing another crime”, Aqua said through gritted teeth. ”We cannot have another Ai-incident happen. His punishment shall be permanent. I want him to be removed completely.”

    Aqua turned slowly towards you as he said the last sentence. His eyes were wide, stars apparent in both despite his fringe covering most of his left eye. It was the eyes of someone who’d had enough; someone who was willing to go to any length to make sure his revenge be executed wholeheartedly. He looked maniacal, insane, beyond repair… and you thought he’d never looked more handsome.

    You chuckled. Aqua’s gaze softened at the reaction.

    ”You’re quite bold by actually telling someone of your desire to kill, Aquamarine”, you couldn’t help but grin.

    Aqua scoffed, ”I believe you of all people should know. You’ve helped me thus far.”

    ”It was our agreement, was it not? You helped me flawlessly exact revenge on my former life’s pathetic excuse for a husband. In return, I vowed to make Aqua Hoshino’s father pay for what he’d done”, the grin curled on your lips. ”So… of course. If you’ve changed the plan to instead kill Hikaru Kamiki, then I’ll happily follow your lead.”

    Aqua stared at you sitting beside him. All he could do was stare at the grin on your lips. The same grin you had on your face once your own revenge had finally been executed. You looked calm, but the grin curling at your lips told another story. It always did.

    He let out a chuckle. Your face was the one to soften this time by the reaction. There was no sign whatsoever of the maniacal grin plastered on your lips a mere second ago.

    ”I’ve never seen that expression from you before”, you raised an eyebrow. ”Only when you’re acting.”

    The genuine smile didn’t leave Aqua’s lips once he stopped chuckling. The residue of laughter was apparent on those lips who had just told you about his plan to murder.

    ”How fortunate I’ve been to find a partner in crime who wouldn’t think twice when it comes to abandoning morals”, he said,

    You blinked.

    ”Akane plans to stop me”, Aqua continued and looked down at the ground. ”Despite everything he’s done.”

    You snorted, ”Her and what army? Last I checked, she’s the only one who even knows the basics of what’s truly going on. I’d like to see her try to stop us.”

    Aqua stared once again at you beside him. Awe, was how he’d explain it. You thought like none he’d ever met before. You were intelligent beyond adequate measures. To have someone going through the same thing; someone to once again be reborn into a younger; someone who wasn’t his sister; someone who wasn’t afraid to get their hands a little bloody. It was as if the Gods had answered his prayers.

    He placed his finger underneath your chin. You looked at him with a brow raised. He gently stroked your chin with his thumb, looking into your unfazed eyes. A small sparkle. He could feel your breath sharply against his lips. You’d mastered the way your eyes worked, but the rest of your body still reacted in the way of a teenager. Featherlight touches did the trick.

    You stared intently into his eyes, never once averting your gaze. He wondered what you saw every time those eyes looked into his. Perhaps you could see his wants, his needs, his desires. You’d seen almost all of them before. Almost.

    Aqua closed the gap between your lips. A jolt of electricity soaring through his body at the connection of your mouths. You tasted like saltwater, and smelled like it too. But underneath the salt lay something addicting. Another scent adorned by your lips on his.

    You didn’t push him away. Instead, you tilted your head to give him the ability to move more freely. His lips grazed over yours and you felt the stinge of what was Aqua Hoshino. His lips were chapped, but they reminded you of the taste of coffee. A bitter taste incredibly difficult to swallow; but one with the power to have someone energised for hours.

    Aqua cupped your cheeks with his hands. Your hair tangled in between his fingers, curled like the grip you were holding on his lips. 

    Breathing was secondary, especially when your cold hands touched the base of his neck. An electric shock. You felt it in your fingertips as you touched the bare skin of his neck. Slowly grazing over his adam’s apple. He shuddered. It wasn’t even cold outside.

    Slowly, but surely, your lungs were greeted by the blissful feeling of oxygen entering your suffocating bodies. Your lips parting from one another’s, panting heavily by the lack of air for who knows how long. Time seemed to have stood still; the sun slowly setting in the horizon.

    You felt Aqua’s heavy breaths on your lips. His forehead rested gently against yours. Your hair was still tangled between his delicate fingers. Intertwined.

    ”That was very out of character of you”, you said in between breaths, grinning ear to ear. ”Are you sure you’re not acting?”

    Aqua’s face was flushed. Yours wasn’t any better.

    ”I’m not an actor”, Aqua said and forced you to come closer with the help of his fingers curled in between the locks of your hair. ”You just make me feel… so many things.”

    You smiled.

    ”All because I said I was going to help you kill your father?”

    Aqua nodded against your forehead, ”Yes.”

    ”How romantic of you, Aquamarine Hoshino.”

It was psychopathic, really. You were both psychopaths.

https://snufflesw.fandom.com/wiki/Home

[lurkingshan]

Things That Have My Attention In 4 Minutes Episode 6

Original timeline FINALLY let’s gooooooooo

Going back to the start to see Great’s utter lack of remorse for killing that woman, his spoiled brat reaction to his dad handling his mess, and his decision to help his terrible friend get away with a murder was a great reminder that he is in fact a terrible person.

Congrats to… a bunch of us? for piecing together the original timeline correctly based on what we had. In the original sequence of events, Tyme was deep in his revenge plan, got dumped by his girlfriend for neglect, and then intentionally seduced Great so he could record their sex and use it for leverage against Great’s dad. Which didn’t really work. He’s not good at plans, y’all!

By the way, Tyme? Clearly not a virgin. I never liked that read anyway so I’m glad it’s dead. His awkwardness during his first time with Great in the redo timeline is more about his feelings being engaged, it seems.

Great being unphased about the video and just wanting more of that good dick makes perfect sense for his character. He doesn’t care about anything or even have real curiosity about what Tyme was after with that stunt.

And as we finish up the timeline we learn the source of Great’s regret. It’s not any actual self-motivated remorse or understanding of his moral failings, of course. Instead it’s Tyme calling him a coward to his face and rejecting him. His attempt to suddenly claim a moral high ground with his parents after his own string of murders was hilarious and I don’t think he gets the irony.

But someone does! Tonkla coming in clutch as the cause of Great’s cardiac episode was EXCELLENT. And it makes perfect sense because in this timeline, Great is one of Dome’s murderers along with Title. I think safe to assume we’ve been seeing everything else Tonkla was up to in this time in the cold opens, though the exact timing and sequencing of them is up in the air.

The only piece that’s still not tracking for me is Tyme’s side of the romance. The events of this episode explain why Great’s choices in the redo seem to center on getting Tyme to trust him, but they don’t explain Tyme’s reactions to him. This is hardly a love story for the ages. He and Great were emphatically not in love in this original timeline, so I don’t see why Tyme would trust him if he was also reliving this timeline. And if Tyme is not reliving things, that rushed romance arc in the redo timeline doesn’t really work. He has no reason to trust or fall for Great that easily. We also still haven’t seen how Tyme gets shot, so I am inclined to believe there is an additional timeline at play that fills in the remaining gaps and better motivates Tyme’s end of the romance.

Noting here that in the original timeline, the lady Great hit, Dome, and Nan all die, but his mom does not. So by saving that woman, Great inadvertently caused his mother’s death. Something to ponder as we head into the final eps and figure out whether these changes stick.

I’m still hoping that this story is going to take us to a nuanced and complex place and not lead to a pure happy romance ending for Great because honestly he does not deserve it.

It’s nice to finally have a week where we actually got a bunch of questions answered and didn’t generate too many new ones!

[greenhappyseed]

MHA 407 leak reactions

IT’S AFO/OFA BACKSTORY TIME!!! And buckle up for more history of quirks!!!

We open the chapter with a diseased, pregnant prostitute. Very Les Miserables.

She gives birth to twins (AFO and Yoichi) by a river and dies. The water’s current takes the babies away. Very Romulus and Remus.

The mice/rats make their return, eh? Remember Overhaul’s theory? And the experiments he does on mice to better understand Eri’s quirk?

A year later, the glowing baby is born, meaning AFO was born before the glowing baby.

Unfortunately, the publicity surrounding the glowing baby led to anti-quirk extremists, who targeted a young AFO. They think he is diseased and call him an “orphan of the paranormal”… so he kills them using the spike quirk he stole from his mom shortly after his birth. (Fun that AFO was keeping tabs on Overhaul, and he now aligns himself with the PLF, an extremist group that believes in quirk supremacy.)

Child AFO is a total asshat. He stole his mother’s nutrients, killing her and nearly killing his twin, Yoichi. He stole his mother’s quirk. He killed and attacked numerous people. He believes the world belongs to him. Meanwhile, Yoichi throws things at AFO to make him stop, just like young Toshi and his metal pipe. In response, AFO kicks his brother. The narration explains AFO kept Yoichi around as one of his “things.”

(Yeah, I’m not seeing brotherly love here you guys)

More tiny Yoichi reading his tiny comics, woohoo!! They really influence his thinking and make him believe AFO has some goodness in him, somewhere. AFO read some of the comics, and his takeaway was pretty much the exact opposite. Crazy to think the course of events could have been different if AFO said, “Can I read that?” and Yoichi said, “DON’T TOUCH MY STUFF!!!”

But then it turns out AFO killed the glowing baby and stole his quirk because AFO was jealous the glowing one had a higher follower count and held the title of “the first” when he wasn’t. The glowing baby had become a soldier fighting for peace, with millions of followers, and AFO just couldn’t let that stand.

HOLY SHIT, SECOND (KUDO) TOOK YOICHI’S HAND AND RAN FROM THE VAULT; AFO LOPPED OFF YOICHI’S HAND IN RETURN. AFO yells, “Why are you running? I just gave you power!” and then “If you’re not mine, then you don’t…” AAAAHHHHHHHHHHHHHHH HE JUST WANTS HIS TOYS BACK!!!!!

AFO doesn’t seem to know who Kudo is at this point in time. I wonder though if Kudo is one of the glowing baby’s followers, and that’s why Kudo wanted to take down AFO so badly. I also wonder if there’s a time slip between Yoichi and Kudo escaping the vault and AFO choking Kudo, or if the events all happen one right after the other.

I assume Third is there somewhere too, since he was right there with Kudo when rescuing Yoichi.

[aroaceleovaldez]

im really not a fan of Rick's recent trend of recycling bits of his writing that got a good reaction the first time and acting as if that's a valid substitute for. actually bothering to write something original a second time around. It's clearly just there as a callback and nothing more.

It's "Nico's rage exploded" and "Percy's rage exploded" with the exact same paragraph formatting. It's CoTG having titles like "My Singing Makes Things Worse, and Everyone Is Totally Shocked" (reference to TLO, when Percy says he thinks his singing would cause an avalanche) or "Pretty Much the Best Good-Night Kiss Ever" (reference to TLO "Pretty much the best underwater kiss of all time") or any other number of near word-for-word references to the first series. It's Nico calling Percy "seaweed brain" in Un Natale Mezzosangue (when Percy says in TTC that anybody but Annabeth calling him that is a major offense). It's Nico and Will falling into Tartarus in TSATS word-for-word referencing Percy and Annabeth in House of Hades, despite it not making any sense for their characters (and otherwise being written as Percabeth 2™). It's the show making huge changes but keeping random "fan-favorite references" (mostly overusing "seaweed brain" and "wise girl" and emphasizing percabeth) only because they're popular in-jokes and considering that a faithful enough adaptation to market it heavily as such. It's lazy writing.

And it's a disservice to the series and to the audience, because it clearly shows Rick doesn't have original ideas anymore (though given all his writing is heavily derivative to begin with, it begs the question how much was original in the first place and how much he has difficulty when he doesn't have a structured mythological plot to work from) and that there is an expectation that the audience will just sit down and accept that behavior hook-line-and-sinker. Everything recently is clearly such lip-service to the audience, either in retcons that are overt speaking-to-camera acknowledgements of things he's been criticized on or wink-wink-nudge-nudges of community in-jokes that have no business in the actual text (see: over-use of ship names in canon). Especially since Rick tends to be about 5 years behind on the fandom uptake. It's just so disappointing to see.

[kaciidubs]

Heyy babes justwonderingr if you'd let me be 🪼 anon if so? 😁

(DELULU WARNING!!)

☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆

Sooo i was just thinking what if Felix revealed that he has a girlfriendto stay, *Y/n*.Stays were really happy for him and stuff but *one* day Y/n and Felix decided if the 18+ fanart started happening,and *it did*.So they were looking at the poses and were wondering if they so *try* these sex postions. 🤭 ik ik its pretty delulu but you dont have to if not so its totally fine! ill find someone else to if so!😁 (Soft!Dom!Felix x sub!fem!short!reader plz 😚)

This turned out way cuter than I expected and honestly, it fits? Of course you can be jellyfish nonnie, thank you for your request!!

Life Imitates Art

❣ Summary: A spicy discovery turns into a point of inspiration for you and Felix. ❣  ❣ Word Count: 1.1k ❣ Warnings: Soft, Slight Dom! Felix, Sub! Reader, light humor, fluff, smut, Kama Sutra pose; Queen of Heaven, unprotected sex, creampie, slight degradation ❣  ❣ Female! Reader [No use of Y/N] | You/Your pronouns ❣  ❣ Additional Tags: Felix is referred to as Lixie, Lix, Baby, and Love, Reader is referred to as Sunshine and Baby ❣ Stray Kids Masterlist ❣ General Masterlist

“Oh… my god.”

Your eyes widened at the picture sitting on your phone screen; a wonderful, digitally drawn picture of you and your idol boyfriend in a position you couldn’t even begin to name.

“Lixie, have you seen this?”

The brunet haired man hummed from his upside down position on your shared bed, craning his head to peek at you over his phone, “What? Is it another patch update? I swear, if they nerfed my champ again-”

“What? Lix, no, shut up - look.” Turning your hand, you stretched your arm enough for him to meet you halfway and take your phone, his eyes squinting before widening almost immediately.

“Is this-”

“Yeah!”

“And that’s-”

“Yeah!”

Ever since you and Felix decided to go public with your relationship, the reactions from Stays were mixed but overall good; and, from that reveal came an influx of support and even fanarts depicting dates you two have been on, redraws of instagram posts, and even solo portraits of you. Though, in addition to the… safer content, came a silent undercurrent of not-so-safe content that you couldn’t help but peek into time and time again - you know, curiosity and cats and whatnot.

He went quiet for a moment, but you could see his eyes searching the screen before he hoisted himself into a seated position, his thumb scrolling across the screen leisurely.

“Holy shit… There’s so many…” Felix didn’t spare you a glance while scrolling, pink tongue peeking out to subconsciously lick his lips, “Some of them don’t really get your tits right but we can’t really blame them- Oh! This one looks fun!”

“Felix, I wasn’t showing you them as recommendations!” Reaching to take your phone back, he evades you with a delighted giggle, pressing on an entirely new post with blushing cheeks.

“But- Wait! Look at this one - you can’t tell me this doesn’t look fun!”

Turning the device to you, your eyes land on an image that makes your mouth run dry.

You - or at least, their depiction of you - are laid on your back with a blond Felix on top of you, almost in a mating press but it’s different; your legs are more towards your chest than out, and Felix’s hands are by your shoulders, keeping up elevated yet close. There’s faint imagery of hickeys dotting your skin, and a mix of hickeys and scratches marking what’s shown of his neck and shoulders.

Eyes flicking down to the caption, you quickly read the title - The Sun and His Queen [of Heaven].

“Well?” his saccharine hum nearly startled you, your focus on the fanart distracting you from his subtle scooting toward where you sat, “You think we can recreate this one?”

There were times where you praised his eye for detail, and this was one of those exact moments; hickeys marking your chest and neck, your nails pressed into his back, angry red lines highlighting previous trails left behind, and similar love bites blossoming on his fair skin.

A faint sheen of sweat coated your skin as you laid folded beneath him; your knees as close to your chest as they could go while his arms kept them trapped against the sides of his torso, helping you hold the pose while his hips slotted into the space between your thighs.

It was almost like a mating pose, but you felt more open, more connected, and with the slow, deep strokes Felix was delivering, you felt like you were on cloud 9.

He wasn’t faring any better, either, not with the way moans vibrated past his lips, his forearms flexing as he supported himself above you, skin glistening and freckled cheeks dashed in a pretty blush.

“Fuck, you’re s-so wet, sunshine - fuckin’ dripping, b-bet you’re soaking the sheets.”

A wanton moan fell from your lips as you watched him with lidded eyes, pinned and pressed and stuck with no other option other than to watch and take it; the lewd squelching sound each time he rocked his hips forward - his cock pressing right into that soft spot at the front of your cunt - sending chills down your spine.

“L-Lix, faster, more-”

His hips shot forward with a harsh thrust, fucking a squeal straight form your throat as he picked up his pace at your pleading, teeth sinking into his lower lip as warm brown eyes studied your face.

“Like this? Need me just like this, huh? And here I thought you didn’t want the recommendation.”

Even if you had the energy to bite back at his subtle dig, you wouldn’t have had the brain power to do so from the way it was currently leaking out of your ears, the soft head of his dick nudging your g-spot with every delicious in, out motion - the slapping of his balls against the bottom of your ass adding to the filthy sounds filling the bedroom.

“A-Ah- baby, so- fuck- I can’t-” You weren’t even sure what you wanted to say, your mouth running solely for the fact of making sounds other than the high pitched ‘ah’s and ‘mmh’s that dominated your vocal chords.

Felix gritted out a moan, eyebrows pinching as your fluttering walls clenched around him, “S-Shit, tell me you’re close, baby - I don’t think I-”

“‘M so close, Felix, so fucking close, love-”

His hands fisted the sheets, knuckles turning white as he doubled his efforts into harder thrusts, sacrificing the speed he previously had in favor of making you reach your peak before he did - and, oh, did you reach it.

Within a few more targeted thrusts your body shook, pussy throbbing and mouth falling open to let out the most pornographic moan he had ever heard - enough for his pace to stutter before painting your walls white with his cum with a choked whine.

Blinking your eyes open - not even sure when you even closed them in the first place - you were welcomed to the sight of your flushed boyfriend, eyes dazed and sparkling as he lazily thrusted into you one last time before untangling your limbs from him with a soft sigh.

You both groaned as he pulled out of your fluttering hole, not even caring about the cum slowly making its way out of you as he flopped onto the bed beside you; giving you the space to stretch your sore legs before tucking himself into your side and peppering butterfly kisses along your shoulder and neck.

“Y’know, I don’t think I’ll be able to walk after that,” you laughed breathlessly, highly aware of the tingling sensation in your toes.

“Try being on top! It felt like I was doing the hardest plank in the world!” Felix giggled, nuzzling his sweaty face against the side of yours before placing a kiss to your hot cheek, “You did great, though - it was incredible.”

Humming in agreement, you turned your head to look at him with nothing but pure love and adoration, “It was, but I just have one little thing…”

He tilted his head slightly, silently urging you to go on.

“Next time, I pick the pose.”

[velvees-archive]

Making my case for ManoSouta, Ace Attorney’s token doomed yaoi

Bronco knew, and still he told nobody.

Ace Attorney Investigations 2 full game spoilers ahead!

Chalk it up to lucky guesswork or my expertly honed writer’s intuition (sarcasm), but so rarely do I latch onto side ships that when I found myself gravitating towards Bronco (Manosuke Naito) x Simeon (Souta Sarushiro, hence ManoSouta) simply because of this line, I knew something was up…

…and boy was I right.

Simeon Saint’s fall from grace was a direct consequence of subjection to a corrupt justice system and equally as corrupted individuals. There was his father, who saw Simeon’s existence as a means to an end (the end being a pharmaceutical “recipe” book that could cure Gusto’s affliction and a shiny world class confectioner title), his best friend, who kidnapped him and almost killed him on his dad’s orders, and—if that wasn’t enough to destroy someone’s psyche—there was the presidential assassination trio, who tormented, interrogated, and dangled their judicial and executive power over him like a special-brand curse.

This is a character who hit rock bottom so long ago he believes nothing is left of him except agony, paranoia, and anger. He crafts an intricate revenge plot that dishes Simeon-esque justice to everyone who wronged him. The acts are performed mercilessly, too, no hesitation, regret, or unnecessary feelings involved in the flawless execution of his plan.

Well, almost.

There was one person in the same boat—no family, no longstanding companionship (barring each other)—who set Simeon’s descent in motion. Ironically, it is also through this person that we’re shown what remains of his humanity.

For me to talk about Simeon’s feelings as shown before we found out he was the mastermind, though, we have to see how he reacted after the big reveal. Upon being fingered as the villain, Simeon makes it clear he does not feel remorse towards any of the people “he” killed. After all, they drew first blood; Simeon firmly believes retaliation was warranted.

That is, until Miles clarifies the following points surrounding Simeon’s kidnapping, his memory loss, and the fate of his and Bronco’s fathers:

The reason Simeon was kidnapped wasn’t so Bronco’s dad could kill Simeon’s; Bronco was only meant to stall Simeon so he couldn’t help his dad win the confectionary competition finale

When a murder did occur, the victim of the murder was not Simeon’s dad, but Bronco’s.

This is how Simeon responds:

“He deserved to die!…Didn’t he?”

This line, in conjunction with the contemplative flashback shown in the video, conveys Simeon’s uncertainty/regret about inciting Knight’s murder, though one could argue this is only in reaction to the revelation rather than a lingering attachment to Knight, who he “stopped thinking” was his friend 18 years ago.

But then he follows it up with this.

“Then what was all this…for…!?”

At this point, you have to ask yourself why Simeon is questioning his entire plan (keyword in the quote is all, not just Bronco’s death) because he realized whose father actually died. Technically speaking, Bronco did still kidnap him. On top of that, everyone else Simeon exacted revenge on still wronged him, so it makes no sense to say this unless Bronco’s supposed role in “Simeon’s” father’s death was pivotal in Simeon’s decision to proceed with his whole plot. In other words, the reason Simeon questions his plot after Miles’ clarification is because this fundamental misunderstanding was what pushed him to take revenge on everyone in the first place. Bronco’s betrayal weighed so heavily on him that Simeon had no choice but to kill him in line with his principles, but he didn’t actually want to.

I’m not saying he wanted to spare Bronco because of the power of friendship or some misplaced sentimentality. It was inevitable that Bronco would die by Simeon’s hand because Simeon vowed to get his revenge on everyone who hurt him. What I am saying is that Simeon’s resolve is clearly shaken once Bronco’s role in his suffering is cleared up. As soon as Simeon realized Bronco’s dad didn’t murder his dad, he regretted killing his only friend. This is the only time Simeon shows remorse.

You might think Simeon’s hatred for Bronco stems from his kidnapping and its consequences, aka setting off the chain of events that would ruin Simeon’s life outside of “his” dad dying. However, Simeon doesn’t hold a grudge over Bronco for anything other than the kidnapping. The statement, “If you hadn’t detained me 18 years ago…it wouldn’t have had to…end like this” is vastly different from “If you hadn’t detained me 18 years ago, none of this would have happened.” His “hatred” for Bronco was a personal grudge he had against his best friend, who also happened to be the son of his dad’s killer. Bronco was on Simeon’s list because his betrayal stung Simeon most. “What was all of this for” really meant, “I wouldn’t have gone through with any of this if I knew you weren’t involved.”

Had Simeon truly hated him, it’d be difficult to justify why he snuck away from his carnival preparations to talk to Bronco. Why did he pay such an incriminating visit when he’d already delivered Bronco’s chess set during visiting hours? And why did he tell Bronco he snuck something into it, leaving him vulnerable to counterattack should Bronco tattle?

Why did he bother saying goodbye?

Simeon’s actions betray logic because try as he might to hate Bronco with all his heart, he cared. Bronco Knight’s betrayal was the straw that broke the camel’s back, but imagine if the misunderstanding had been sorted from the start. Simeon's reaction to wrongfully killing Bronco was a stellar portrayal of his desire for genuine companionship, and a peek into what remained of his humanity before he was unmasked. He really was all alone.

If you’re still not sold on them being the doomed yaoi representatives of Ace Attorney, if a misplaced desire for revenge cutting their time short doesn’t make this tragic enough, then consider this: Bronco legitimately cared for and trusted Simeon, but unlike Simeon, he was left completely in the dark.

He’s legitimately excited to see Simeon’s performance. He happily awaited Simeon’s chess correspondences because he just likes being around him!!

Perhaps the biggest sticking point in all of this is that Simeon admitted he put something in his chess set, Bronco definitely opened his chess set, and yet when it came time for Fifi Laguarde to interrogate him (aka when she discovers the chisel), Bronco does not tell her he doesn’t own it, he does not tell her he’s been set up, and he does not tell her his best friend—who the precinct knows visited him—is the one who put it there. Why didn’t Bronco tell her?

That’s the greatest pull of their dynamic: we don’t know. Maybe everything happened too fast. Maybe he did try to protest. Maybe he ratted Simeon out but Laguarde was already in hysterics. Maybe Bronco didn’t understand why the chisel frenzied the warden so, and paid the ultimate price for it.

Or maybe, just maybe, Bronco already knew the moment he saw the chisel. Maybe he died a knowing victim of Simeon’s retribution. Maybe he thought it better that the knowledge of their past—Paul Halique’s ring and Simeon’s secret hatred— dissolve with his last breath.

Worse yet, maybe he couldn’t believe Simeon would do something like this. Maybe he continued to have blind faith in him despite the damning evidence. Maybe he believed in him.

[sky-is-the-limit]

(+18/MDNI/afab y/n)

(P.s I'm not a writer, just sharing my filthy thoughts about this man) Writers feel free to get inspired from the idea!

Okay, I get how most people say that Price would have a praise kink, I see the vision, I get it but I feel like that would be more outside the bedroom or in a more emotional/intimate situation. Generally? Corruption kink all the way, degradation and all. (I saw someone else talking about it and if you see this, I'm glad we share the same braincell)

It'd start with you accidentally calling him Captain or sir (especially if you have nothing to do with his line of work) while teasing him about something, rolling your eyes while stressing his title full of sarcasm. You know damn well, if there's a word that comes to mind every time this man steps into a room, it's authority.

So first time it happened, he'd demand you say it again so he can hear it from your lips, to make sure he heard that right while cornering you against the kitchen counter. If a look could make you foreseen how the rest of the night would unfold, it would be the one in his eyes while you repeat 'Captain' in a seductive tone, almost provocatice in a way when you realise how turned on he is by one single word.

Lips parted, pupils blown as if he had just calmed down from a third orgasm, all because you called him a word he hears a hundred times, every day, years now.

"I had an exhausting day at work and all I wanted was to come home and relax." He's used to commanding so many soldiers, receiving respect even from his superiors and yet here you are, with your pretty eyes, barely clothed and many years younger, teasing him with a smirk that's pressing all his buttons.

He thinks it's cute, really, how you act like you're gonna get away with it because he knows damn well a part of you is doing it on purpose. How you always stare at him like a starved woman when he's putting on his military uniform every morning before he gets to base, how you find every excuse to visit him in his office, just to watch him be that. Be the Captain who orders people around, the one who's in control.

"And you decided to be a disrespectful little brat, hm?" He leans in closer, barely an inch away from your face, his intense stare never breaking eye contact. The dominant tone in his voice sending a shiver down your spine whilst you unsuccessfully try your best to appear composed, a smirk forming on your lips before you turn your gaze out the window. Bad idea? Or the best one you had in a while?

"Answer me. Was that your intention?" Price demands, placing two fingers under your jaw, a thumb on your bottom lip as he lifts your head up so you can look into his eyes.

"Yes." You whisper sweetly, putting on an innocent facade that would fool no one, especially him. You know exactly what he wants from you, what he wants to hear. Every word coming out of your mouth calculated to get the exact reaction you've been craving. You're proven right as you watch his bottom lip twitch at your simple, incomplete answer.

He seems fed up, annoyed with your disrespect but before you get to hear his next 'command', he stops before it even begins. You thought you could outsmart him, get a reaction out of him, how cute.

The smirk you had on your face, slowly dropping from your lips as it forms onto his, tilting his head to the side as if he's accepting an unspoken challenge you bet with him the second you called him by his title. His strong, defined arms drop from the counter where he had you trapped, crossing them over his chest as he takes two steps back.

"Then you get nothing." He announces nonchalant, leaning back against the table comfortably as you try to process what he just said. The expression on his face showing how much he's enjoying the surprised look on your face, watching your plan backfire and him not reciprocating your little game. It's torture, really.

You can already feel your black, satin panties soaking up the reaction happening from just his voice, your heart beating so fast like it's the end of the night when it hasn't even started yet. And so your plan comes down crushing on you as your mouth runs faster than your brain can even try to catch up when a whiney, pathetic "Please, Captain" escapes your mouth.

Yeah, that's exactly what he wanted to hear. If you could capture the look on his face right now, you could use it as comfort between the sheets when he's away and you have to do all the work yourself.

"You have to make it up to me, don't you think?" Price mumbles quietly, like every filthy scenario he can think of, is playing right in front of him and takes two steps closer to you, your skin burning with anticipation. Gulping down all the saliva that gathered in your mouth, you nod shyly before taking a deep breath. The sight of you must be truly pathetic right now but you couldn't care less.

"Get down on your knees for me." His command sends your body into a spiral, your brain can't even bother with working on something to say as your knees weakly give in, like every nerve in you was waiting for this. You don't even process how fast you drop down in front of him, the only thing bringing you back to reality is his deep chuckle, tone clearly mocking your eagerness as you slide your hands up to his thighs. Oh the sight must be really-

"Pathetic." Your eyes mesmerised, following the motion of his right hand as it grabs the buckle of his belt, your mouth already parting like you're waiting desperately to be fed. The sound of it being undone like music to your ears. Timidly, you turn your gaze back to his face, the slight smirk never leaving his lips as he looks down at you, his index finger caressing your bottom lip, softly.

"Let's see if that pretty little mouth of yours can still be disrespectful after I fuck into it."

[nodirectionhome-ao3]

Into Her Own Hands

Jilytober Day 15: "You can kiss me, you know." 735 words

———

They're halfway to the common room when James begins to apologize.

At Lily's surprised glance, he grits his teeth and looks away, pausing to hold a door open for her. "I'm not sorry I did it, mind you," he clarifies. "It felt rather good, if I'm honest—"

Lily smiles.

"—but I'm sorry you got dragged into the mess. It's not fair for you to get detention too."

He says the last bit rather hotly, as though burned by the injustice of it, but Lily merely shrugs.

"I didn't stop you," she counters. "McGonagall's right; Head Girls aren't supposed to look the other way when a student is getting punched in the jaw. Even if said student categorically deserves it."

James nods, but doesn't smile. The embers of that righteous anger that had flared so spectacularly in him earlier in the day are still smoldering on his face. Lily can still hear the words he spoke in McGonagall's office, ringing in her head clear as a bell.

I’ll quit today — I’ll quit right now. It’s just an empty title if I’m not using it to do what’s right!

She can see, even now, how much he meant those words. He really would resign his Head Boyship, really would throw it all away, rather than let Mulciber get away with the things he'd said about Muggle-borns. The memory of James's fist colliding with Mulciber's jaw flickers through her mind again, and even though she knows—intellectually—that his actions today won't solve anything...

She can't help but feel a little touched by them.

More than a little, really.

She doesn't quite know when it happened—when James Potter the schoolyard prankster became James Potter the leader. James Potter the warrior. But here he is, a knight in shining armor if ever there was one, and Lily can't stop looking at him.

"You can say it, Lily," James continues, and her heart sinks a little at the despair she hears creeping into his voice. "I was stupid today. I gave those pricks the exact reaction they were hoping for and I've probably made everything a hundred times worse. But that's my fault, not yours. And I won't let anyone think—"

"You can kiss me, you know."

She's not sure where the words came from; she certainly hadn't meant to say them. But there they are, leaving her lips. There they are, buzzing in the air between them.

James stops dead in his tracks. He turns to her with a wide-eyed stare, looking like—well, like a deer caught in headlights—and a warmth blossoms in Lily chest. A warmth that ignites with all the ferocity of a match to dynamite, until she's utterly consumed by it. Ravaged by this bursting of affection for James Potter and all his riotous selflessness. All his earth-shattering compassion. And she can't bloody believe she's spent so long denying this affection she has for him. She doesn't want to contain it any longer. She can't. Not while James is standing there, illuminated by flickering torchlight, staring at her open-mouthed like she is the only person he has ever truly seen in all his life.

She doesn't wait for him to recover from his shock. It's bloody well time she takes matters into her own hands.

A garbled sound of surprise leaves him when she shoves him—none too gently—into the nearby alcove.

"Lily, what—" he gasps, though he makes no move to stop her when she presses him against the wall. Her hands tighten in his robes, using them to propel her upwards until she's able to close the distance, to silence his words with her lips.

The fire inside her burns brighter, hotter, fiercer. She's absolutely engulfed by it, brought to life by these flames she's spent so many years denying. Kissing James Potter is everything she'd hoped it would be, and nothing at all like she'd dared to imagine.

It's right. It's so right, she never wants to know anything else.

They break apart only when it becomes necessary to breathe. She leans against him, hands still twisted in his robes, and finds herself uncharacteristically—blissfully—speechless.

His eyes glitter gold in the torchlight. That blasted smirk she's come to love creeps across his face.

"Whaddya say, Evans?" he asks, though the smug confidence of the smirk is decidedly undercut by the shine of pure wonder in his eyes. "Hogsmeade?"

[quigonswife8]

Saved her first: Leon Kennedy x reader

After he saved her first, you fight.

——

A/N: thank you for 90 something likes on my last fic, that means so much to me SOBS. especially since that was the first thing I posted since last year so thank you again.

BTW I'M NOT HATING ON ADA. I love Ada she's one of my favourite characters just for this fic you kinda hate her. I can’t come up with titles i swear😭

Warnings: Angst, sad, fight, implications of more than romance in a few parts.

Gif creds: @leon-jpg

----

Ada Wong. The name like poison on your tongue. The red-dressed mercenary, here one minute, gone the next. The woman, always seems to linger, like shadows on a forlorn path.

The first time you and the merc met, you were fixing him up- Leon Scott Kennedy. Ada had walked over a hint of something in those eyes. She eyed you confused, then looked over at Leon a hint of familiarity in her eyes.

They know eachother?

"Hello Leon."

"Ada...." Leon had replied, low and with a quiet grunt. He wouldn't even stare her in the eyes, only keeping those eyes on you, the person he secretly loves. Ada can tell something is going on...her eyes go to his finger no ring, then they fall onto you.

This "Ada" doesn't seem annoyed by you, though you still can't help but feel insecure next to her. She's so beautiful, her outfit clinging to her like perfection, surely Leon loves that...right?

"Well i'll be going." that's it? "see you around.".

The woman gives a wink to both of you before disappearing, and Leon rolls his eyes. He's very cute you can't help but smile a little at his reaction to this woman. Though soon you grow glum and Leon, once he turns to you, notices your change in attitude.

"She's nothing more than a friend to me."

Despite only being friends Leon takes your hand in his and gives it a reassuring squeeze. His blue eyes try and meet yours and when he's successful you note the small smile on his lips. Oh how you wanna kiss those lips so bad...

"Who...is she Leon-"

"We met in racoon." He replies not meaning to cut you off. A sigh follows and he runs a hand through his messy hair, "I was 21 at the time I told you, and she came along and turned my world upside down. As cheesy as that sounds, I liked it...liked how she made me feel. Then everything...stuff happened, and I met you, and I knew I had...found my person."-

-

After that day, one year later to be exact, you became a thing. After a kiss in the rain, his fingers running along your cheek, a question fell from the agent's lips. "be mine?" he'd whispered so softly into your ear, so softly it was almost like he could put you to sleep- not in a bad way, of course.

After spending the night together where he held you so gently and livingly, the next day he woke you up with breakfast in bed. Things only got better after that day, they seemed to be going well. Leon had gotten a promotion, you were scheduled to meet someone big for a job, and on top of that, your romantic life was pretty good.

That was...until Ada returned.

-

"I'm sorry!-"

"What a lie Kennedy.", you snap, scoffing. Dragging yourself to the half-opened supply chest you take some medicine for the headache brought on by him.

"If you were sorry you would have saved me first, not your her."

It's heartbreaking; Leon swore to you that he would always choose you, he made a promise. The two of you had gotten into a serious relationship and yet as soon as she returns it's like the past.

There was a monster. A scary, uneven limbed monster that had treaded towards the three of you. It had managed to disarm you so there was no way to grab the weapon. However it also disarmed her, Leon being the only one with a weapon still. It was choosing between the two of you to kill, you had expected Leon to run over and protect you.

He...didn't . He had run over to Ada first and protected her, while you were forced to watch. It was like someone had stabbed you in the heart and ripped said heart out, that's how much it hurt. Leon realised what he had done...he had looked over and seen your reaction, his heart breaking.

"How could you-"

"I'm sorry!"

Leon repeats, pacing the room. His hand sliding through his messy hair, his eyes to the floor- those eyes that look at you with such love now contain regret and pain.

"I-"

"No."- you cut him off with a scoff, your eyes full of tears. Tugging on the bandage of your right hand you shake your head.

"...no I...I need space-"

"Please-"

The fight only escalates from there. Leon grows angry, the two of you falling into a yelling match yet neither seem to want to say what's said. After the fight you end up storming out leaving Leon behind in tears and anger.

---

The house is dark when you return. The memory of playing monopoly the previous evening, nothing more than that- a memory. The stains on your cheeks evidence of the tears that have fallen for the past few hours. The house is cold, depressing, it makes you miss his arms around you despite being mad at him.

Memories of...that fight replay. You can barely even remember half of what was said. In the past, yeah, you've fought, just never this serious. Never in a way that threatened an end to your relationship.

With careful yet shaking fingers you take the phone off the wall and sit down on the leather couch. He used to hold you here, now all that occupies this space is one person- you. With those same shaky fingers you scroll to your photo gallery- your screen becomes wet as the heartbreak sets in.

That day you had been so happy...now you feel like dying.

"Leon!"

You scream into the empty house, sobs wracking your broken body. The phone makes a thud hitting the ground, your knees coming up to your chest. It hurts, you just wish you could go back in time and prevent the argument from happening. Both of you messed up, while you blame him for the whole fight you know you messed up too.

"LEON!"

It's pointless. Leon is never coming back to you, you'll always be lonely....although, only your brain convinces you of this. Leon never said this he only scoffed and treaded to, you're sure, the nearest bar to drown his sorrows.

Pressing your body onto the couch you close your eyes drifting off into more sorrow

Time skip

He should be at a bar, drowning his sorrows in alcohol- that's what usually happens...right? No, this time it's different. He's walking through the almost-desolate store hands full of your favorite things. "it's my fault" he says out loud not caring if he looks crazy right now.

Leon holds back his tears, while walking to the car. The non-motorbike which he would usually have, but ended up crashing, sits in the parking spot. Leon gets flashbacks of all the times you've driven around, his hand in yours, planting kisses to your cheeks.

"I'm such an idiot."

Leon loads everything into the car and hops in. Sighing softly he starts up the car and drives off to your shared home praying that you'll forgive him.

----

"I'm sorry."

His hands are around you, practically crushing you. His tears soak the white t-shirt that clings to you, his face buried so deeply. Leon is a mess which is rare since he doesn't like showing these types of emotions often.

"Baby please forgive me."

His hands shake, his heart racing so fast you can feel it.

"...was such a fool, I messed up. I didn't mean to- damn it" and like before he clings to you, except this time it's tighter. Leon holds you like he's holding the world, like if he lets you go then the "world" will disappear. He crushes you not even caring, the fear takes over anything else.

"You hurt me by choosing her."

"I know- I know baby I know"

Leon looks up at you, his lip quivering. He stares at you terrified of losing you. He runs a hand along that same scar, pressing forward to press a wet kiss to your cheek. "...i'll make it up to you I promise, ti amo." Leon brushes his stubble against your cheek- "Ti amo...ti amo tanto."

His Italian makes you swell, even though you're upset with him. It's like he's breaking down your defenses slowly yet surely, yet that fight still lingers. How you found out they slept together, the complicated yet intimate feelings they shared, the way they shared a kiss the night everything changed for him.

"If you really don't love her-"

"I don't! I stopped loving her when I fell for you."

Leon leans closer, wiping the tears from your cheeks- you never realized you started crying. He smiles weakly his hands taking yours.

"I love you. Always, baby."

Leon waits, he waits to see if you'll realise he's right. If you'll kiss him, hug him, hold him like before. The waterworks threaten to spill, you stare at him in silence....there's nothing but silence. The intimacy and heartbreak are the only emotions present right now....and Leon waits.

He waits...waits, hoping you'll forgive him- if you don't, he's not sure what he'll do. In one last attempt he mutters your name...the sound of your name on his lips...finally seeming to break you. With your left hand you raise it and touch his tear covered cheek...and with your right you wipe the tears away.

"I forgive you and I..." You sigh. "I'm still a bit upset at what you did but I...I messed up too. I love you."

Just like that Leon pulls you into a tight, "scared of letting you go" like before, kiss. He causes you to melt into the kiss, kissing back with such love and lust, almost causing a needy whine to fall from your lips. He holds you tight in his arms the kiss drawing out, something both of you desperately needed.

--

I don't know how to end fics istg but hope ya'll like this anyways :)

[shreddedleopard]

I genuinely think William’s real name is actually still William, just with a different surname.

Hear me out.

#1 — irony.

Remember the omake where Bonde asks him and he’s got his ☺️ face ‘that’s a secret, heh heh heh.’

Lol William is the biggest mischievous jokester going. This would be his exact reaction if people were asking like 👀 omg what is it?? And all along he’s like, lol will.i.am guys, chill. No-one cares about your first name, it’s your surname which means anything around here. You’ve all been barking up the wrong tree. Which brings me on to my second point ~

#2 — symbolism.

I cannot scream enough about how bloody genius it would be for William’s name to be, in fact, just William, but with a more common surname like ‘Smith.’ For the purposes of this discussion, let’s call him William Smith. As an orphan, he gets adopted into the family Moriarty, where there is in fact another William: Master William James Moriarty. Immediately, you have two boys of similar ages with the exact same first names, highlighting how, in fact, they should be equal if we’re looking at their basic information and identifiers. But what is it which sets them apart, and is the very message and theme running through the heart of Yuumori? Class inequality. And what dictated your social class at the time, so very unfairly? Your family lineage.

The name of Moriarty is what gives Albert’s little brother his superior, privileged position in life, over William ‘Smith.’ And yet, they are both young boys, both Williams, both should have the same sort of start in life in the equal world our William wishes to create. But they do not; the moment they are given their surnames — the moment those are penned on the paper of their birth records following ‘William’, the chasm that divides these boys is immense and unfair.

#3 — interesting coincidences, hints and clues in the text.

• William loves Shakespeare — that’s part of his identity in the same way being a mathematician is. He quotes Shakespeare all the time, he grew up in a library and has all of the plays memorised. Shakespeare’s first name was also William. Additionally, Shakespeare’s birthday is believed to be April 23rd. William’s birthday is listed as April 1st — April Fool’s Day, and it has been confirmed that this is a fake birthday, so we don’t know his real one currently. (But my guess is it’s still in April).

• The Moriarty’s never call William by his name, pre-fire, but the children at his orphanage do, and they call him Will.

At the Moriarty house, he is on the receiving end of more hate than Louis; they seem to despise him to the nth degree. I wonder if this might be because he shares a name with their precious William, and this irks them. They refuse to call him by his name because that doesn’t belong to him, filth from the streets, it belongs to their beloved son who can do no wrong.

I can see a mother like Lady Moriarty refusing to call another boy by the name she gifted her son, especially when William reminds her that there is something she had in common with his own mother — someone who she would view as completely beneath her: they chose the same name. What a disgrace, to be associated or viewed as having a similar mind to a woman of such low standing!?

We also see William only ever call William Moriarty with the title ‘master’ in front, as though he also feels the need to make the distinction. This could just be because he’s trying to be polite, though. I could honestly dissect the entire first chapter panel by panel and highlight how William being William is such a simple but perfect concept which highlights this noble family’s insecurities, discrimination and narrow mindedness. William Moriarty feels the need to constantly reaffirm his own identity in the presence of our William.

Because … if they share full names now, with the adoption … the lines are blurring. What makes one William Moriarty superior to the other? A worrying thought indeed for this boy. (Answer: there is no difference, they’re both equally deserving of opportunities in life.)

It all makes such perfect sense and explains away the awkwardness of the writer having to avoid use of William’s name simply because ‘it needs to stay hidden to create the mystery.’ This gives the characters themselves reason within the text to avoid using it, which makes everything so much more authentic and real. It makes sense because it does, not because it has to for the plot.

• William promised not to steal anything. Twice, we see him reassuring and then reaffirming that he wouldn’t steal anything, and both times are in the presence of William Moriarty.

If we want to take this statement in light of names, and toy with that lovely device foreshadowing, William having always shared the same first name would in fact mean that statement holds true — he did not steal William’s name; it was always his own to begin with, and Moriarty was a name given to him as part of his adoption, the same as it was given to Louis. He really didn’t steal anything, despite the fact that he was probably made to feel guilty or worthless every day because of the name he shared with William Moriarty.

This also means that William probably never actively deceived any of the townspeople, either; it really was just a case of mistaken identity which he manipulated for his own cause.

The townspeople made the mistake, rather than William outright lying. William is, by trade, more of a master manipulator who turns situations to his advantage with his quick thinking, rather than straight up lying or deceiving people (see: The Merchant of London.)

• Sherlock saw his birth name but never mentions it. And still chooses to call him Liam. Yes, we might’ve had a conversation happen off screen. Yes, Sherlock might choose to do that because that name is sentimental and William has asked not to be called his true name for reasons unknown. But it would fit so beautifully if William really is his name, and Sherlock’s realisation that day when he read the birth records was that oh, so this — William ‘Smith’ — is Liam’s real name. Naturally, he would continue to call him Liam with no discussion needed, because it’s a shortened version of William.

• We have lots of characters who share the name William, but with different variations on the shortened version; another symbol of how people can be equal in some senses but also their identity can be individual to them also. William H Bonney is Billy the Kid, the mathematics genius William and Sherlock stumble upon in Durham is called Bill Hunt.

#4 — practicality and marketing.

People become attached to characters and their names, and there comes a certain point in a work where it’s very difficult to alter a character’s first name and still retain a fan base’s sense of identity for that character. Calling William say, Robert, from now on, or revealing that as his true name while we continue to see him referred to as William is all sorts of confusing, emotionally. Perhaps it’s just me. But the idea that I’ve been calling William the wrong name all along feels off and sad, whereas the knowledge that he’s at least been able to keep that part of himself consistent, when everything else has had to be an act, is actually really comforting and empowering.

I’d love to write another thought dump on why William being William all along is also, so very emotionally delicious when you explore the implications in the story; it’s heartbreaking and makes him an even more sympathetic character who I just wanna hug, so perhaps I’ll come back to this! Because re-reading those earlier chapters with this in mind really hurts so good.

He stole nothing; he was always the true William, that at least is one thing that always belonged to him — it was only society and us that dictated there was one William worth knowing more — was more interesting and held more narrative power — than the other.

This is still William’s story.

[lanawinterscigarettes]

Okay, I have a request idea if thats okay. Could I please request a Dhawan!Master x reader where master has found a special plant/ flower or something which alters the perceptions of the person. (Say if an enemy uses it on the victim then the enemy becomes the victims friend (or even more) and they plan to use it on the reader and while it's working/ being used. The reader sees and feels a lavender haze on them and they want more of it. (I had to sneak in a Taylor swift reference)

I'm absolutely obssessed with this idea!! I leaned into the taylor swift reference you slipped in, hence the title lol. writing this was so much fun, I really hope you like it! <3

I feel a lavender haze creepin' up on me (Dhawan! Master x reader)

Warnings: drugging/altering ones brain chemistry via a lavender plant, I think that's about it

The Master was infatuated with you, even though he knew he shouldn't be. For starters, you were a companion to the Doctor, his best enemy; not to mention the fact that you despised him.

He tried to forget about you, but he just couldn't. Something about you seemed to draw him in and left him wanting more. And since you would never just up and leave the Doctor for him, he'd have to resort to other measures to get your attention.

Kidnapping you was an obvious first choice, but he didn't need you hating him more than you already did. While he'd love to just use his hypnosis on you and be done with it, the Doctor had gone to great lengths in order to protect your mind from his persuasions, so he'd have to take a more hands on approach.

He frantically flipped through one of the several books he owned on intergalactic flora, hoping he could find something to help. It was then he stumbled upon something that was akin to a lavender flower, except it could reverse the chemistry of one's brain and make them feel the opposite of what they'd initially felt for whoever gave them the plant.

A devious grin spread across his face as the wheels started to turn in his mind. This was exactly what he needed.

You, meanwhile, were strolling casually throughout a garden full of the exact same plant. The Doctor had to land the TARDIS for repairs, so she'd encouraged you to explore the nearby area while she got them done.

A shiver went down your spine as you suddenly got the feeling that you were being watched. Frowning, you turned and looked behind you but saw no one there. You figured it was just the wind or perhaps a local critter. Until you turned back around to find yourself face to face with none other than the Master himself.

"Oh, great. It's you," you grumbled while rolling your eyes. The Master tried not to appear upset, although he was clearly disappointed you had that kind of lackluster reaction to seeing him.

"Yes, it's me, indeed." He flashed you a bright, charming smile, which did nothing to get rid of the unimpressed look on your face.

"What do you want?" You asked bluntly in an irritated tone, crossing your arms over your chest as you glared at him.

His ego deflated some, but he pushed down his feelings as he presented a lavender bouquet to you. "These are for you, my dear. Here, take them."

You glanced down at the bunch of plants, narrowing your eyes at them suspiciously. "Why? What're giving me these for?"

This was proving to be a tad bit more difficult than he thought. The Master was used to people falling for his charms instantly, but they just didn't seem to work on you.

"I'm giving them to you because a beautiful person deserves beautiful things," he said flirtatiously, doing his best to hide his desperation. He couldn't force you to take them from him: the plant's magical and scientific properties would only activate if you willingly accepted the offer.

You thought he looked a tad bit pathetic, in all honesty. It kind of made you feel bad for him. "If I take these, will you finally leave me alone?" You asked in an exasperated manner.

Eagering nodding his head, The Master grinned. "Of course, darling. Anything for you." It was hard to miss the way you rolled your eyes at him for a second time, but he wouldn't have to worry about your disinterest for much longer.

"Fine." You snatched the bouquet from him, and almost immediately after the power of the plant started to take affect. Your eyes became glazed over as you watched him, feelings blooming in your chest that you'd never felt before.

His eyes were such a gorgeous shade of brown, and with the way his lips looked, all you wanted to do was kiss him. "Wh- Whoa," you muttered to yourself as you deeply inhaled the intoxicating scent of the bouquet in front of you.

Forget seeing through rose colored glasses, right about now you were seeing through lavender lenses. A hazy feeling started to creep up over you as your vision dimmed.

"Are you alright, my dear?" He asked with slight concern, not anticipating the effects of the plant to act so quickly or be so strong.

"You're really amazing, did you know that?" Your voice was a tad bit slurred, almost as though you were tipsy from alcohol. In you opinion, being drunk on the love you felt for him was much better.

The Master beamed with pride as he reached out and took your hand in his, pulling you in close. "Of course I do. You're just as wonderful, might I add."

You let out a giddy laugh in response, your eyes having a purple tint to them on top of their now cloudy look. "We should do something together, just the two of us."

His entire face lit up with joy as he finally had to opportunity to spend time with you in a way that didn't involve you hurling insults at him nonstop. "My dear, I'd love nothing more."

He led you back to his TARDIS, filled with excitement over the idea of you finally wanting him just as much as he did you. It would be quite the surprise for the Doctor when she returned to find her companion had parted ways with her, too awestruck by the feeling of a lavender haze all around them to care.

end notes: I probably shouldn't enjoy writing fics involving the reader being drugged as much as I do lmao

Likes < reblogs | comments are greatly appreciated <3

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🏷 taglist: @theonetruepotato87 @sessa23

[okwonyo]

엔하이픈 ; everybody watching us . . .

staring﹒ hyungline + femreader genre﹒ fluff, idol au && est. r.s warnings ﹒ no proofread. && english isn't my first language wc ✢ 360. alternative title ❔ how he lowkey confirmed your relationship. © ( okwonyo )

JIAH'S NOTE. none

희승 - (๑˃ᴗ˂)ﻭ

interactions ; it might seem simple and boring. however, just close you eyes and imagine heeseung that gives you a high-five, on camera, after you got a win for your song. then the interactions will become more comfortable and ─ dare i say ─ intimate. as in, hugging on stage when he sees you, fixing your hair, whispering jokes in you ear, ect....

pictures ; when you go on a date with him, he takes a ton of pics of you and you do the same for him. therefore, when you posts the pics he took of you, he does the same. making sure to choose the ones where you can see you were at this place together.

종성 - (⌯︎˃̶᷄ᗝ˂̶̥᷅⌯︎)

matching clothes & jewelry ; i may have said it before, but, i say it again. matching clothes and jewelry is such a jay thing to do, and he would proudly wear shirt the matches with your dress in public after you did. also, would definitely wear a necklace with the first letter of your name everywhere he goes + the promise ring he bought with you.

gifts ; hear me out, jay shows a guitar he bought on a live or on weverse which he wrote "i love you" on. everyone goes crazy about this, is it for someone special ? is it from someone special ? then a week later, you show the exact same guitar in a live, claiming someone has given it to you...

재윤 - ☆⌒ヽ(*'､^*)chu

reactions ; it's not like he is doing it on purpose but, he would be so expressive when you are around. he was trying to hide it before but now, he doesn't care anymore. he is, oh so shy, even though you are not even in the crush era anymore. if you are promoting your albums at the same time, every time you say a not so funny joke; we can see jake clacking in the background or when you are both at a award show, when you walk by enhypen and bow at them he giggles like an idiot.

your dog ; jake loves to see layla and your dog playing together and often take pictures of the two of them doing so. he even posts these pictures sometimes and also those of you and layla together.

성훈 - (*¯︶¯*)

ideal type talk ; ever since you got together, everytime a variant of "what is your ideal type" would come up, he would describe you. from head to toes, everything that makes you, well, you. personality and features will be said, as if it's a prier or a cake receipt.

mc interactions ; after he begged belift, for months, to let him mc with you and finally had what he wanted, sunghoon has been non-stop flirting with you. in front of the cameras, of innocent groups ─ that have no clue what is going on ─ and poor third wheel wonyoung.

[dontcallpanic]

In honour of Halloween I'm going to share a kind of spooky story I literally stumbled across. (Because why not!)

This is a story of local legends, strange old folk, my unhealthy obsession with death rituals, chimneys and uhh corpses.

Okay, let me set the scene.

I have a friend who had the wonderful privilege of growing up on an old Welsh farm. It's surrounded by fields and woodland, streams and lands. It's a complete maze. Very easy to get lost. One day we're going for a walk and her elderly dad joins us (along with their three dogs!) there are also two kiddos in tow. It's an expedition. The kids know where they're going (we think) and within seconds we're deep down the cwm, winding through trees, over the same(?) river multiple times. We go up and down and around and around, there's mud, sticks, water and chaos until we duck under the massive trunk of a fallen tree and come across the ruins of an old house deep in the woods.

(not the house, this is a different ruin but it's like this but more intact)

All four walls are still standing, there's no roof but you can clearly see the windows and the wooden lintel above the door is still intact, just about, and of course, there is a massive fireplace (it is rural Wales after all).

My friends dad is a man of few words and is very softly spoken and is essentially an 80 year old hippie (affectionate). He has spoken to me once in my life and that was to tell me about his dog. So, imagine my surprise when he leans in to say:

"This is the last house in Wales where they used to take the bodies up the chimney."

This actually isn't the most surprising thing I've ever heard in my life but I'll admit it took my brain a moment to catch up. But, I've been around the old places a bit and I had to write a paper on death rituals once so as far as I'm concerned there is no better way to start a conversation. I'm metaphorically rolling up my sleeves because this is New Information and this is my jam. So I'm like

"Oh, I've not heard that one before. I know there are some Welsh houses with special doors or like trap doors in the ceiling so people can get the coffins in and out but I've never heard of them using the chimney before."

And so he manages to tell me a little bit about how the smoke was purifying and about how the house was lived in until the 1950s by a little old lady and how big the chimney is - you know, the usual small talk, until one of the kiddos tries to eat an ivy leaf and runs off which brings the conversation to an abrupt and premature end.

Fast forwarding a bit, later on I mention this story to my mum thinking she might get a kick out of it being the last house of this type in Wales or something like that. Her reaction is instead:

*shocked gasp followed by hushed whisper* "I've heard of this... I read it in a book..."

Now, my mum is weird and she doesn't elaborate, just repeats the phrase 'i read it somewhere' again and again before I change the subject. And I don't think much else about it

But when I next see her (a few days later) not only has she remembered that I mentioned this, but she has brought the book! She hands it to me at the right page and fixes me with a bit of a look and says

"it's terrible..." and walks off.

The segment she's marked begins with the title: Night of terror in... and then the exact name of the little tiny hamlet where we are currently staying.

"Okay" I think, "that's a bit weird. What are the chances."

It's not enough to give me heebies though, the book is on ghost stories local to the area so it's kind of the done thing for each little area to get a shout out. So I begin reading and honestly I'm more hoping that it'll give me some info on why they thought exiting through the chimney was a good idea and what the purpose this served.

History time: So, it turns out this is a custom local to this area. (Oh, I think, that's why I haven't heard this one before!) It's linked to the gwylnos or wake night (which I have heard of - it's essentially a vigil) and this custom of taking bodies up the chimney is called called hirwen-gwd which literally means long white bag.

At this point I begin to get the tiniest heebie because I don't like mummies and bodies wrapped up in shrouds really creeps me out.

I ignore this and bravely soldier on to find out that it seems that the soul needed help escaping the body and the house where the person passed away. It wasn't uncommon for doors and windows to be left open to help the soul escape.

And the coffin actually plays a minimal part in this ritual because apparently the body is actually taken out of the coffin, and taken up... And then back down the chimney. Which was definitely not what I was expecting.

It then mentioned that this ritual was abruptly abandoned in 1760 following "a strange and terrible happening at a gwylnos"

A slight aside, it's worth mentioning that most Welsh customs (especially the historical ones) had a reputation for getting extremely rowdy. The Welsh make excellent beer and cider and any occasion is a great excuse to well... get pissed. Yes, even funerals. (As you can imagine this was extremely Frowned Upon by the puratins).

Okay so long story short, the custom mutated over the years and so, while they were taking the body up and down the chimney, someone had to lie in the coffin to stop the devil taking over. For reasons unknown the person who had to lie in the coffin had to be the person who was the most drunk. (It's a pretty extra drinking game, I'll give them that).

So, on this night in 1760, as the others go outside to see to the hirwen-gwd, a young man lies down in the coffin and the lid is placed back on. The others see to the ritual and generally have a "jolly old time." On completion of the ritual they untie the ropes and return inside, back to the coffin only to find that the young man inside is, himself, dead.

This both horrifies and terrifies the family to the core and news spreads through the community like wildfire. (God, imagine coming back from hauling your relative up a chimney to find someone else dead in their coffin... )

The cause of death remained unknown with some people saying he had died of shock after being confronted with the devil himself. So naturally nobody wanted to risk it and the custom was abandoned literally overnight.

(view over the valley at night - the house is technically in this shot)

So, I'm reading all of this and yeah it's pretty weird, but so am I, so the thing that I find the weirdest is that in this story they mention the house where this happened by name and let me tell you, that is extremely rare. You never get anything anywhere near so specific with these stories usually.

So I do what anyone else would do and start looking at old maps of the area to see if I can find where this house was. Did it even exist? Is it still standing? Is it nearby? Wouldn't it be funny if it was that house in the woods?

Well, it took a bit but I did eventually find the house listed on a map from 1850-1890 and to my genuine surprise, it is actually, honestly the ruined house in the woods that I visited with my friend the other day.

At which point her dad's words made much more sense.

At the time I thought he meant the last example of that kind of house where they would have done that ritual... not THE LITERAL LAST HOUSE where they had to stop the ritual because someone died!!!!!

Oh, and that lady still living in the house in the middle of the woods in the 1950s... Definitely a witch!

And there you have it, that's the story of how I accidentally visited the house that ended the tradition of hauling corpses up and down the chimney.

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If you made it this far thanks for reading! Diolch yn fawr iawn, I hope you enjoyed a tiny slice of true Welsh history and lore 🩵

Also tagging @oldefashioned and @cantchangemypast because you might enjoy this story!