#my editor had a lot of questions

[deoidesign]

Gnawing gnashing etc. the usual.

Webbed comic

[aurorangen]

Just a heads up for upcoming posts. Reader discretion is advised for this story part and everything is told for storytelling purposes. I will not significantly show some of these trigger warnings in picture format, but they will be implied in the narrative:

tw bullying

tw alcohol

tw mental health

tw domestic abuse (implied)

tw cheating (implied)

tw blood / violence (possibly)

tw child abuse (emotional abuse and neglect)

It's my first time writing this kind of story. I feel you need to know some depth about Vincent's background. It'll answer some questions about his dad's disappearance (although still not revealing too much bc the mystery is still ongoing: you can speculate from any details shown). For those who have not read gen 3 of my postcard legacy, this story can be read with no context about it. As for those who know what is happening, you'll understand why I have done the things I have done so far, well hopefully anyway!

[reflectionsofgalaxies]

Bird App recap of the day:

HAPPY BIRTHDAY KRISTINA EDITION 💖

we had SEVERAL phrases trending, I think five in total but I only managed to catch four. At its peak ‘HAPPY BDAY KTY’ was trending at no.3 world wide 🌍

Warrior Nun was written about in TIME (top) and GQ (bottom quote) as well as in several other publications

And Tristán Ulloa tweeted this at Kristina

and BONUS:

all shared by KTY today ✨

[heartbrake-hotel]

Lordy honey yall makin me wanna write my own damn prompt. I got some more little tidbits for ya:

Elvis was turned during his first appearance at the International. But who turned him? I'm thinking there's some sort of deal going on between one the old vampires who invested in the building, maybe even the International's owner and Colonel Parker. They want Elvis to play there for as long as possible, and he isn't getting any younger--so they make it so he can't get any older, either.

At first Elvis is in a state of confusion, because fledglings (at least in my thoughts) are in a sort of fog when first turned. It helps them to adapt to feeding; cue Colonel Parker shoving cigarette girls into Elvis's suite, which he drains dry, much to his own horror when the initial feeding frenzy lifts.

And Colonel Parker isn't exactly picky with what he feeds Elvis: whoever is easy to get up into the suite, and high young girls are the easiest. Elvis tries, when he can afford it, to not feed--he doesn't know that if he drinks regularly then the frenzy won't come, but nobody has told him much of anything. His Sire isn't there, there wasn't any sort of ritual to his Turning as there normally is. No, this was just business.

aLRIGHT WOOHOO SMITTY MY LOVE LOOK AT US !!! im finally getting to this lmaoooo oOOPS 🙈 AND i have some mf THOUGHTS,,

(the orig hc post is here btw) ((idk if yall could tell but it Wrecked my Shit))

also it's been Sooooo long since we discussed this that u now have some Other relevant supernatural!au lore to pull from . so,, i hope u don't mind if i conflate the two universes a lil but ur worldbuilding in you ain't nothin' but a overtook my conscious mind weeks ago and has yet to relent 💝 oh nooooo.. whatever shall i dooooo.. 😏

far too many words under the cut. i, uh.. i may have lost control a lil 🤭🦇 ft. a frankly excessive use of pet names and an e who has been babygirlified maybe more than is appropriate within the confines of the plot (shocking, i'm sure).

right ok so !! vegas as a hub for at least some of the supernatural bc of its transient nature, high tourist volume, and seedy reputation. obvious check

for the most part, unaffiliated vamps stay out of vegas. like you said- it's too hard to monitor their blood concentrations when everyone and their dog is doing truckloads of party drugs well into the night.! but there are, of course, some Old Ones, who saw (or perhaps even built??) the city as their own personal playground btw this blends so seamlessly into the irl high-level mob ties its crazy lmao. marina's bringing up elvis is literally never not on my mind 🙏

if you're rich enough, or powerful enough (or have friends who are enough so), you don't have to fend for yourself the same way, so it's less of an issue. sucking out some rando party girl off the street is faaar beneath the pay grade of the handful of guys at the top, who have their meals carefully cultivated and hand-procured thru what is almost certainly a human trafficking ring

kirk kerkorian [or meyer kohn - u can pick ur universe, here] and the entire board of the international is of course among this group, exerting their power and influence (and perhaps Compulsion) to keep the flow of money running smoothly from the casinos below directly into their cash-lined pockets.

colonel tom parker [a demon again? or perhaps nobody in particular - either way he ends up hellspawn lmao whether literally or figuratively] is acutely aware of this when he first signs elvis on for the hotel's opening season - how could he not be? and of course everything goes perfectly smoothly for those first six weeks in 1969. **ik im twisting ur original idea just a tad but bear w me

but the longer the engagement goes, the more trouble colonel has reining elvis in. he had agreed heartily to those first fifty-eight appearances - purely to fund his upcoming world tour, you understand ("the snowman strikes again!"). but no matter how much colonel wheedles, he's not budging; elvis simply will not sign on for the next year.! he's finally holding his ground... and that's his undoing

coming off the back of his comeback special and last movie, e finally feels like he's got his mojo workin' - the king is back on top! after a looong decade stuffed fit to bursting with his botched movie career, he never thought he'd wrest any semblance of creative control away from the powers that be. but the last year or so has really made him see the value of his own opinion, AND the dangers of continued complacency. so with the backing of his family and extended entourage, he's heading halfway across the world just as soon as he gets off that stage for the last time.

colonel can't have that, not with the remainder of his hefty personal debt hanging in the balance. and with all the dough the hotel is raking in during the first dregs of their opening season, nobody up top wants their prize little cash cow flying away to london or japan or the rock of eternity or wherever he's fixin' to go - not if they have anything to say about it !

and so a plan is devised, swiftly, mercilessly, and without any pesky sense of remorse. after all, what do they have to feel bad about? they're just taking care of business

just after elvis' last performance, he's heading to his packed-up suite to shower and change for what he thinks will be the last time.. the boys are downstairs getting the last of the stuff in the cars and then they'll all head to the airport. he's got just a couple minutes to spare, and he assures them he'll be fine alone. just gonna run on up and change real quick, y'all don't needta worry about me none. [*evil colonel voice* wanna bet?]

he steps into his unusually empty suite, but before he can even shuck the towel from around his neck, his throat is being wrenched to the side in a vice grip as an unseen assailant steps from their hiding spot behind the door. he yelps, tries to throw them off, goes for the gun in his boot, but their grip is like steel, solid and unyielding, and before he can move much of anywhere there's a sharp prick in his neck and a sudden heaviness in his muscles he can't quite shake.

he assumes it's a syringe - he's not wholly unfamiliar with a needle, after all, and why would he suspect anything else? he guesses he's been drugged on account of... well, on account of bein' elvis presley. goddamn sonsabitches don't need any more reason than that. 'course, the sensation is a little different than he's used to - the gauge is unfamiliar, and he could swear he feels two distinct track marks - but by then his head is spinning too much to be certain of anything.

the last thing he feels is a rushing sense of complacency as his legs give out. his vision is swimming too much too see his attacker's face, but they let him go down, hard, and he crumples to an undignified heap on the floor helplessly as they turn to... leave? huh. not what he expected, but he supposes beggars can't be choosers

his sluggishly disjointed musings are broken only by the shadowy figure melting back into the shadows... his increasingly-addled mind knows he should be glad at their sudden departure, but all he can concentrate on is the inexplicable swing out of the vague sense of euphoria that had been the "drugs" kicking in, and a sudden accompanying feeling that he didn't like one bit. he could only describe it as a crawling fear, an absence, a kind of ripping deep in his soul... a pervasive sense of distance, of wrongness so festering he feared it was about to tear him apart from the inside out. he's suddenly certain he's not meant to be alone right now.

he gasps in the worst pain he's ever felt, and at the same moment, he's aware of a rush of footsteps in the hallway outside - he barely manages a wobbly gesture to the door and a slurred request to rip his goddamn tongue out b'the roots to the panicked faces of his boys crowding around his supine form before his vision finally goes dark.

when he wakes up, he's in an all-too-familiar bed. before running for the doctor and his daddy, a frazzled jerry sitting vigil at his side hurriedly explains that without him conscious enough to fill them in, all they knew is he wasn't fit to travel, so they'd unpacked his suite again while waiting for him to return to the land of the living. he's grateful, but assures him that as soon as he's feeling better they'll be heading out again.

he asks jerry to turn down the thermostat and flip off the light on his way out. the heavily-drawn drapes had already ensured it'd been near-pitch dark and freezing, just how he liked it, but he murmured it felt like he was burnin' up from the inside out, and his eyes were too sensitive for even the ambient glow of his bedside lamp. jerry does so and also fetches him a pair of big ol' sunglasses, without a word.

the doctors (who'd been summoned to the hotel; despite protests from the mafia, colonel had suggested that moving elvis to a hospital could be even more dangerous, what with this criminal still on the loose, and vernon had reluctantly agreed) hadn't been able to tell what he'd been dosed with - it'd metabolized too quickly to detect, apparently. all they can tell him after the last four days of monitoring his comatose form is that his vitals have been almost astonishingly strong. the only symptom he's had has been a high fever, but it breaks as soon as he's awake again- and actually, his body temp has overcorrected and is a little low now, is he feeling chilly?

they joke that whatever he'd been given seems to have actually helped him, and he's inclined to agree... despite the fact that they hadn't administered anything to him except an IV drip, in case it had any adverse interactions with whatever he'd been on, his chronic pain has mysteriously vanished. and since he's been awake and in recovery, he's only seemed to get more handsome and charming, no sign at all of being out of it and on fluids for so long. you sure wouldn't have known his recent predicament by looking at him !

he's got a host of baffling new symptoms as well, but nothing that seems dangerous or that points to any kind of diagnosis. he's growing increasingly thirsty, but the buckets of water he's drinking aren't quenching him. he seems to have lost his sense of taste (this one hits him the worst) - at first, the smell of food made him nauseous. now he can keep it down, but it feels like ash in his mouth. his light sensitivity lingers, though for the most part it's limited to natural light, and he takes to wearing the sunglasses often. he seems to have developed a sudden allergy to some of his jewelry - his silver rings and pendants now cause a burning rash. he has them remade in gold and doesn't give it a second thought.

he tells and retells his story to the cops, but they're left scratching their heads; it's widely assumed the panicked arrival of the mafia scared off the creep before they could pull off the rest of their plan. kill him, kidnap him for ransom... seemed like they'd never know for sure, but either way everyone agrees he narrowly escaped a much worse fate. colonel doesn't think it wise for him to be on the road, what with this continued threat hanging over his head, but jerry argues it doesn't seem any better to stay in vegas with this freak at large. and elvis points out that if the bastard follows him overseas, they have bigger fish to fry.

the boys seem confused that the attack doesn't appear to have played into his usual paranoia in any way; he doesn't know quite how to explain it, he tells them, but he feels stronger, somehow. more settled. like if it ever came to it again, he could handle himself. it might just be relieved cockiness, but what didn't kill him made it so he's at least not afraid again. he's been reflecting deeply on psalm 23, apparently.

and so the suite is once again packed up, despite colonel's protestations- this time with elvis under constant supervision, much to his good-natured amusement. it goes without incident, and they make it all the way to the runway before elvis is suddenly doubled over in pain in the back of the limo, sweating and shaking like a leaf.

he's groaning that it hurts, hurts s'bad, but can't say anything more than that, and within seconds the whole caravan has whipped around and is careening back to the relative safety of the hotel. by the time he's being ferried hurriedly up to his room, he's improving steadily, and by the time he's settled in bed and the doctors once more fetched, he's weak and badly shaken but seems no worse for wear.

the doctors can't explain this apparent relapse any more than the first, but tentatively give him a clean bill of health, and two days later they try it all again. this time he makes it within a couple miles of the airport, and it takes him four days to recover. the last time they try, he only makes it four blocks away from the Strip and is bedridden for a week. nobody has any sort of explanation, and the tour is put on hold indefinitely while they're seemingly stranded.

the colonel is the one who offers a possible solution. he'd been hovering around elvis' room the whole time (like a bad smell, sonny mutters when he's out of earshot), fluttering around with assurances that the hotel would gladly host them as long as they needed, maybe even sign them on for another season if elvis so wished...

when elvis finally roars that he just wants OUT of this place, goddammit in response to vernon's suggestion that he stop working himself up with leaving, colonel finally pounces.

he must put his foot down, he says. his boy is clearly in no condition to travel- no, no, not physically, he hastily amends, when elvis opens his mouth to remind him what the doctors said, but clearly mentally. something about the attack has left him emotionally unstable, it appears, and the idea of leaving, even though he's so sure he wants to, is clearly triggering some kind of psychosomatic attack. why doesn't he make up his mind to stay- not forever, just until his head is screwed on right. he can keep playing the international, and they can find him some head-shrinkers to fix him right up, eh? elvis doesn't see any choice but to glumly agree.

of course, unbeknownst to elvis, the real issue is that his Maker won't allow him to leave vegas city limits. he's been kept totally in the dark as to his situation and is thus totally suggestible, so when the vampire who Turned him (continually employed by the Ancients for just this kind of dirty work) uses their mental connection to Compel him to stay within a certain radius, elvis doesn't even know he's feeling it, much less that it's possible to fight it. his Bat simply obeys without question, to the confusion of his body and conscious mind.

if his Turning had been accompanied by proper ritual, if his Maker had explained any of his new life to him, if he'd received any guidance at all, he'd know he could override this instinct, break the Bond they shared (especially as ill-cultivated as it is), and be on his way. as it is, he's like a dog with a newly-installed invisible fence. a dog who's also growing steadily weaker since his Turning because of his lack of sustenance, mind you.

the colonel knows all this. he also knows that any doctors or psychiatrists that see elvis from this point on will be in the know, be provided by the hotel, and be payed handsomely to tell elvis exactly what the colonel wants him to hear. he send word to the Council that they've got him at last. they rejoice at the prospect of chaining elvis to their stage for an eternity, elvis begrudgingly signs the contract for another engagement, and this is where the real trouble starts...

it's been three weeks since he was inadvertently Turned, and elvis is feeling the affects of not having Fed, though he doesn't realize it. he's weak, he's thirsty, he's snappish, and can somebody turn off those godDAMNED lights !!! the mafia assume it's due to his mental slump and are at a loss except to wait it out, but the colonel thinks he has something to cheer him up. he winks and tells red that elvis will have a few, ehem.. lady visitors tonight, and surely they shouldn't be disturbed. the boys get the hint.

colonel sends up the ditziest cigarette girl he can find downstairs, a perky little blonde, so doped-up out of her mind she's wobbling in her heels. she gasped and flushed darkly when he told her that mr. presley was in need of her services; he hadn't even needed to slip her any cash to incentivize her troubles. he chomped on his cigar and grinned darkly as he watched her giggle her way to the elevator.

elvis, for his part, almost makes it. he'd answered the rhythmic little knock in his robe, loosely tied, and didn't miss the way the sweet young thing at his door gaped at the sight of all that chest on display. before he can even say anything, she's slipped under his arm and further into the room, and he raises an eyebrow and grins as he eases the door shut. he peruses her wares (the CIGARETTES !! im talking about the cigarettes..) more for show than anything else, and hands her a $20 in exchange for a pack he doesn't plan on smoking, telling her to keep the change.

she bends over far more than necessary while stacking boxes back in her tray, and flutters her lashes when she asks him if there's... anything else she can get him. flattered as he is, he tells her, he isn't sure he needs anything just now, but thank you kindly anyways, honey. truthfully, he's not sure he's feeling up for it, but she pouts so prettily as she swings her hips sadly over to the door, and turns back to ask if he's really really sure... the colonel had sent her up with express instructions to give him anything he wanted, she explains, sultry little whine in her voice, and he finds his resolve crumbling.

surely a little kissing wouldn't hurt, he reasons, might even make him feel a lil better, and her eyes light up in glee when he beckons her back over. but the minute she's in his arms, easing her way up to his lips as her eyes flutter shut, he isn't sure what comes over him. they're so close her heartbeat rushes in his ears, and without a thought he's effortlessly snapped her neck (with strength he didn't know he had) and is lapping frantically from her torn throat (pierced with the aid of sharp fangs he's never felt before). she never even saw it coming.

he moans as he sags to the ground, clutching her limp form and still slurping desperately as, for the first time since his attack, his thirst is quenched. he dimly realizes he's done something unforgivable, but his head feels like it's been stuffed with cotton, everything around him distant and foggy. the sense of panic he knows he should be feeling is a far-off twinge, all but muted by the combined cocktail of ecstasy running through him: fresh blood, dope, and a brain fog he can't quite attribute to either.

when she's dry he's sated, the sense of woozy relief hits him so strong that he barely manages to stagger to his feet and stumble over to the couch, chin and hands still covered in blood, before he's passing out for ten hours of the emptiest sleep he's ever had. when he wakes up, all traces of what happened are gone, and with a mind that finally feels clearer than it has for weeks, he almost manages to convince himself it was an incredibly fucked-up dream, so potent that the sweet metallic tang is still blooming on his tongue...

...until of course, the next time it happens. it goes much the same way: the colonel has no trouble locating a girl who'll never be missed- this is vegas, after all- and sends her, high as a kite of her own volition, up to the penthouse to keep company with a disgruntled and starving elvis. he drains her dry before he can even blink, but stays awake this time to spend the next few hours totally blissed out in an uncomfortably drugged haze. the more he comes down, the more he hates not only what he's done but also the way it makes him feel.

thus starts a vicious cycle: elvis, terrified of feeding, swears off blood, until he's half-starved but fighting himself at every turn. the colonel intervenes, sending throngs of low-risk girls up to the suite, where e simply can't help himself anymore, and enters a violent blood-crazed frenzy. he spends the hours after staggering around half-lucid, waiting for the effects to fade so he can convince himself he'll never do it again.

the stronger he maintains his tenuous mental fortitude- the longer he goes between feeds- the more girls he needs in a night to fill him up, and the higher he gets afterwards. he doesn't ask where colonel finds them or what he does with the bodies. he thinks dully that he doesn't much want to know.. it's hard enough on his conscience already.

of course, yet another thing nobody's bothered to explain to poor frightened fledgling elvis is that every time he refuses to feed when he should, every time he feels the welling signs of that dark hunger within himself and shoves them down in distress, every time his instincts are forced to take over and quite literally make him feed, that it exacerbates the mental fog he's feeling.

vampiric lore (which of course he doesn't know) attributes it to a sort of easing-in countermeasure; it's only newly-turned vampires, not fully in touch with their desires, that attempt to starve themselves so, clearly suffering from a mental block regarding the morality of preying upon their former species. to smooth their transition into acceptance of their new form, every time they're forced to feed rather than do it willingly, a potent release of hormones and neurotransmitters floods their system, both to combat any lingering guilt and to make them crave the mental release of feeding just as much as the physical.

if he were to feed normally, if he were to provide his body with the nourishment it needed on a regular basis, his instincts wouldn't have to override his mind this way. he wouldn't be forced to feed so violently or so much, he'd be able to control himself such that he could select his own victims preferentially and even bring himself to stop before killing them, and he wouldn't feel so overwhelmed afterwards.

elvis thinks of his... condition as an affliction, a temptation he lacks the strength to overcome, but really, it's his body's desperate attempt to stay alive when his mind insists on thwarting his ongoing survival at every turn. the bloodlust isn't a punishment but a protective measure, and one he could prevent if he'd take consistent care of his new needs.

and on top of all that, the particular way his intake is chemically tainted only adds to this anguish, because now he's unknowingly also developing a dependency on the drugs- the painful withdrawal symptoms of which serve to strongarm him into feeding even more frequently.

things are only exacerbated by his performance engagement starting back up; of course, it's even easier to find girls- hordes of them batter the doors to the showroom after every show, desperate for just another glimpse of him- but it also means he's got a responsibility to be right there on that stage twice a night, able-minded or no, and he takes that very seriously.

he's got people to support, after all, so he gets very used to functioning while highly intoxicated, whether that means performing, schmoozing the high rollers in the casino at the behest of his hotel benefactors, or smiling through a never-ending stream of reporters and photographers during every interview and press conference.

this is where the reader steps in !!!

you're one of less than a handful of vamps, just two or three, really, who manage to stick around vegas (and consume healthy blood) without the influence of the Old Ones, a feat you manage by staying off the Strip almost entirely. you stick to the suburbs, both as a way to ensure you're not tripping out after every meal, and to (hopefully) stay out of sight and out of mind of the powerful Ancients who don't want anyone infringing on their territory. this is very fright night remake vibes btw if anyone remembers that

but there's very little to do in the dusty, sprawling desert neighborhoods that isn't centered around maintaining the tourism industry downtown, especially for an immortal with nothing but time (and the occasional meal) to kill. you're nowhere near as experienced as those you seek to avoid, but you've been around the block quite a few times yourself, and sometimes the neon glow of the city lights overrides the quiet boredom of your safely-maintained little perimeter.

tonight is one such night: elvis presley had been headlining the international hotel for what felt like ages, or maybe just a blink - it was hard to judge that pesky human time, when their lifespans were so much shorter than yours. either way, he'd been this era's answer to jesus for a few decades now, and you had to admit you were curious to see him in person at last.

you decide on the midnight show- maybe if you're lucky, you can scrounge up a snack on the way home. you don't bother with a ticket- though you have more than enough human money stored up over the years, you're sure it's no use for what promises to be a sold-out show. the bouncers aren't any deterrent, either- you simply Compel them into checking the list for your name another time, and they let you in without a murmur. the showroom is packed so full, you notice as you survey the area, that nobody could ever notice one more.

you slip into a vacant seat at the end of one of the long tables that line the stage, with a group of screaming fans who don't seem to notice that they don't know you. you can't tell if their distraction is borne more from excitement or alcohol, but either way, you're grateful for the cover. you order a bloody mary as your own personal joke and bide your time until the show starts, perusing the booths that line the floor behind you. you recognize a few familiar Old Ones, by face if not name- no surprise, considering who runs the casino just outside.

eventually, the lights fade and the orchestra bursts into an opening riff. you clap with the rest when elvis struts out on stage, looking resplendent in a white jumpsuit, grinning wide and boyishly and practically glowing under the stage lights. his rings flash as he waves to the audience, courteous and attentive even as he starts singing. when the song's over he introduces himself and some of the VIPs, including the owner of the hotel (now there's a vamp who's been getting himself a lot of press lately), and the heavyset man next to him, apparently elvis' own manager. the man gives a simpering smile and wave to the crowd as the spotlights illuminate the booth, and you wrinkle your nose as you turn back to the main stage. you haven't placed it yet, but something seems off about that one.

elvis puts on a good show, you'll give him that, but the longer you watch, the more puzzled you become. he's slurring just a bit when he jokes with the band in between numbers, and more clumsy than you'd expect for someone so flexible; you'd say it was just another hollywood star using and abusing drugs if he didn't look so... panicked every time. he's twitchy, too, keeps getting down toward the edge of the stage like he's about to move out into the crowd and start planting kisses on his clamoring fans, like you've heard he does, but he keeps jerking himself back at the last second. they seem to think he's teasing, screaming louder every time, and he plays it off with a slow grin, but it's almost like... like he's afraid he won't be able to control himself, like...

ah. there it is

you zero in on just the barest flash of fang in his smile, and immediately suss out what's going on. elvis presley, a fledgling vamp in what is indisputably the worst city in the world for fledgling vamps... strange things are happening every day, aren't they?

that leaves you with more questions than answers, however... questions like where's his Master? why isn't he feeding properly? who's keeping him half-starved and strung-out? and most importantly, does he even know what's going on?

you narrow your eyes contemplatively as you watch him fool with the microphone before prompting the band to start the next song. all it takes is seeing his hands tremble around the cord to make you nod decisively and shoot back the rest of your drink. you suppose you can stick around a little longer than originally planned... after all, it seemed like elvis might need a little help fixing this, whether he knew it or not.

you lingered just a little after the show ended, waiting until the throngs of frantic women had pushed their way back to the lobby before heading after them yourself. you glanced around surreptitiously, locating the nearest elevator bay... and near it, a familiar older man with a cane whispering furtively to a clearly-tipsy young woman, one you recognized from your table during the show. she had caught a silk scarf fluttering down in front of her from the man himself and hadn't stopped screaming until the lights came back on. bingo

you ran one hand through your hair haphazardly, tousling it slightly as you stumbled your way over to them. "oh, there you are! i was looking for you," you chirped. she gasps and waves excitedly in the earnest way only drunk girls do, but your mouth is open again before she can speak and do something incriminating, like ask your name. "who's y'r friend? s'he coming upstairs with us?" you giggle, leering at... what had his name been again? ah yes, colonel parker. you silently gave a sigh of thanks for your heightened senses- you might not have recognized him just from your brief glimpse during the show otherwise.

the colonel glanced you over dismissively, clearly writing you off as another inebriated fan - his mistake, but exactly what you wanted him to think all the same. he gave you a leering grin and tapped his cane as he said "ah, i was just asking your friend here to do a simple personal favor for me..." you hummed disinterestedly until he continued "...on behalf of mister presley, of course." you gasped exaggeratedly and willed your cheeks to flush- lucky you had fed recently.

he seems to buy it, from the way his eyebrow ticks upwards when he sees your reaction "perhaps you would like to... accompany her to his suite, no?" he teases. you nod raptly, artificial stars in your eyes, and he snorts as he pushes the call elevator button for you with the top of his cane. "top floor. you two enjoy yourselves," he chuckles. the two of you giggle as he saunters away, towards the casino entrance.

as soon as the doors slide shut behind you, you straighten up and tidy your hair in the chromatic reflection until you're once again presentable. you brush off your outfit, fiddling until you're satisfied, then take a deep breath. snapping once to get your lightly confused companion's attention, your turn her shoulders towards you so she's making woozy and bewildered eye contact with you.

"hi honey. having a good night? good. this is how the rest of it is gonna go, ok? now you listen to me-"

when the doors opened again at the thirtieth floor, the girl (tracy. she had told you absently her name was tracy) waved distractedly over her shoulder as she walked straight out of the elevator bay and into the nearby stairwell, head filled with what she believed to be an immutable truth about the elevator being out of service. she'd walk back to her room (on the off chance there was anyone downstairs monitoring the floor indicator dial), wake up perfectly safe in the morning, and think nothing of it.

meanwhile, you let yourself into elvis' suite with the key tracy had handed over, a parting gift from the colonel. you left the lights off, made yourself comfortable on the couch facing the door, and waited.

you didn't have to wait long- just minutes later, there was noise outside, multiple male voices speaking over each other as they all piled out of the elevator and headed for the door, elvis' the loudest. "yeah, yeah, i said i'd meet you down there, didn't i? doin' my damn head in... i'll tell ya what, y'all g'head and i'll call down there when i'm done. yes i swear, now git!" laughter and good-natured ribbing faded as the elevator doors presumably closed behind the crowd once again, punctuated with a sigh and the click of the door lock disengaging another time.

elvis didn't seem to notice you as he walked in, leaving the light off as well as he patted his face dry with the damp towel looped around his neck. he leaned against the wall with one hand to brace himself as he toed off his boots, then whipped his dark shades off onto a side table and gripped the bridge of his nose with another deep sigh.

"are you in any pain, mr. presley?" he yelped in undignified surprise and whipped around with a touch of vampiric speed, dropping the towel in his fright to discover the source of your voice. despite the pitch blackness of the room, his eyes locked onto yours immediately through the dark, without needing to scan the empty space around you- another sign of his transition. no mortal could see as perfectly well in this scenario as the two of you could.

"wh- who-" he stuttered some, regaining his bearings, as you cocked your head in evaluation. "i'm sorry to startle you, mr. presley," you say evenly, but pleasantly. "you can drop that shit straightaway, honey, that's my daddy. can jus' call me elvis." he murmurs absentmindedly, as if it hadn't been what he really intended to say but came out by habit. "and now that you know me, may i ask who you are? and better yet what the hell you're doing in my room?" he doesn't sound angry, per se, more resigned than anything, and you smile wryly in response as you introduce yourself. "real pretty, honey, but i'd like an answer to my other question, too." he raises his eyebrow, and you wonder if he's even aware of how much charismatic mental energy he's leaking right now. it was even more apparent to you now why humans throw themselves at him left and right.

"sorry, m- i mean, elvis. the colonel sent me up. i saw your show- you were fantastic, but i had a couple questions." "he did, did he? just wonderful," he almost growls, squeezing his eyes shut. "and some questions, you said? you a reporter?" his voice sounds hard-edged for the first time tonight, but he seems to relax again when you answer with a simple no. "just concerned, i guess." he hums tiredly at your response, vague though it is. "concerned about what, 'bout the show? i'll do my best to answer your questions, honey, but i really don't think there's all too much to be concerned about-"

"elvis, when was the last time you fed?" you can hear his breath catch from clear across the room. "i-i had lunch after rehearsals, but i ain't had dinner yet, if that's what you're askin'... pretty forward way to ask me on a date, but i-" you put a hand up to cut him off. "i think you know perfectly well that's not what i'm asking, elvis. when was the last time you fed properly? on blood?" "...ha! been watching a little too many dark shadows reruns, honey?" his words trip over themselves getting out, and eventually he gives up to just blink at you, speechless, owl-eyed, and afraid despite his frankly pathetic attempt at a cover. he looks like a little boy caught with his hand in the cookie jar only this time the metaphorical cookie jar is a number of very literal human corpses lol

you bite back a sigh- perhaps you pushed too hard there. poor thing is wringing his hands like he thinks you're gonna put him in cuffs any minute. "maybe we should start over- i'm here to help, ok? i wanna make sure you're alright, cuz i think you might have a lot of questions nobody's explained to you yet. c'mere and sit next to me, baby, and we'll just talk" you pat the seat next to you, flipping his casual pet naming back on him effortlessly. to be fair, he is a baby to you- only, what, a couple months old? that's nothing compared to your few hundred years.

he eyes the spot next to you but shakes his head, still looking like a lost puppy. "n-no, i- m'fine over here," he manages. you furrow your brow; he's gonna need to start trusting you if he wants your help, and this is a bad way to begin. "i promise, i'm not gonna hurt you, elvis-" that sure does it. "i'm not worried about that!" he exclaims. "m'worried about me hurting you!"

you breathe out a surprised little oh, suddenly understanding. "is that what you're so worried about, sweetie? i'm not afraid of you." you try to placate him. "y-you should be afraid of me, honey. i am."

and that's the crux of the matter, isn't it? it breaks your heart a little to know that this is what he's been grappling with alone. it's not meant to be like this- with time and acceptance, he was meant to gain eternal companionship (your semi-loner status nonwithstanding). and whoever heard of a scared vampire?

but you put that aside to focus on elvis- and quickly realize there's one more... little thing you might've left out.

"you don't need to be anymore, ok? i'm gonna help you learn to control it." you beckon him over again, and this time he makes it halfway across the floor before you realize you're not sure if you're Compelling him or not. he'll need to learn what it feels like eventually, in order to both use it and combat it, but now's probably not the time. you break eye contact, just in case, and he falters slightly, but keeps coming, putting you at ease.

as he gets close enough to hear your heartbeat, though, his eyes suddenly turn frantic, and he backpedals, once again in the grip of that familiar terror. "you- you have to get out of here, i can't-" you shush him, not unkindly. "oh, sweetheart. that one's my bad, ok? i guess i haven't been very good at this so far," you grin apologetically. "but you couldn't hurt me, even if you tried"

you use your superspeed to whoosh over to his side and back, the only sign you'd moved at all the slight sway of your hair in the breeze it creates- and the golden ankh pendant now swinging from your upturned palm. elvis gapes, hands reaching up to feel the now-empty space around his neck where the necklace rested just moments ago. "how...?" listen i really can't be assed abt the fact he wasn't wearing necklaces this early ok. it was a cool move

"forgot to tell you - i'm souped up, too." you wink at him, flashing your pupils the deep red they turn when you're Feeding. "and also i think a little stronger than you, given what i saw on stage tonight." this is soo cliche im sorry but Spooky Eyes HAWT. i don't feel bad about it actually

the immediate sense of overwhelming relief on his face almost aches to see, and he's crossed the remaining stretch of floor to practically collapse in your arms sobbing before you can blink. it's... very surprising, you'll admit, but not unwelcome, either, and you're sure the uncertainty lingers in your voice as you gentle him softly, petting his hair and rubbing his back and trying not to overthink the fact that you've known elvis presley for all of ten minutes and now... this is happening. whatever this is.

"woah- woah, hey, what's happening? what's the matter, baby?" he's shaking like a leaf as you hold him, trying to work out in what universe this makes sense. "i-i-i ain't-" he manages through tears. "i haven't been able to touch any-anyone this whole time without b-being so goddamned afraid i'd hurt 'em... and i just- i..."

your worst fears for him, first materialized as you watched him onstage and puzzled about the identity of his Master, are confirmed. "baby... have you been alone this whole time?" you whisper. he just nods from his resting place, face buried in your shoulder. IS this a weird level of intimacy for 2 virtual strangers? totally yup. DO i still think its arguably valid considering how desperately lonely i have decided to make this bitch? uh huh :3

you suck in a breath through your teeth, suddenly filled with the fiery emotion you've been tamping down all night- rage. rage at whoever organized this hit, at whoever must be profiting off it while elvis suffers and innocent girls die, at the colonel who's been shepherding bodies in here endlessly and apparently without deigning to give elvis any proper help or training- yeah, don't think you forgot about him.

but before you can do anything about that, you have to do something with the king of rock 'n roll, who's finally quieting down in your lap. you shove the anger back down, the same way you do your bloodlust- the same way you'll teach elvis.

he sits back up, furiously wiping his tear-stained face. "sorry, honey- i don't know what came over me." he barks a laugh but his eyes tell you it's for show. you tut at him, standing up to fetch him a tissue and maybe a bottle of water, if you can find it- you're sure there must have been one waiting for him after the show. his eyes widen again, but before he has time for concern you cup his cheek to brush the last of his tears away with the pad of your thumb, accompanied by a gently chiding look that says i'm not going anywhere

he has enough time to look sheepish before you putter back over to him with your spoils, talking a mile a minute to distract him. "tch, enough of that! that's part of the change- everything you felt before is doubly strong now. it can be hard to separate your emotions sometimes, especially when you're not used to it. you'll feel everything differently now, and twice as hard."

he takes a moment to mull that over as he mops his face and chugs the water bottle, then nods as he meets your eyes again. "i didn't know that, but it sounds- it feels right. what else can ya tell me?" you chuckle darkly, stretching out on the couch. "oh, just bunches, baby. get comfortable, cuz i know you've got questions- and i've got your answers."

over the course of the night, you explain everything to elvis- how he was Turned, the changes his body's going through, all the symptoms and abilities he'll experience now, why he's feeling the way he is, his options for feeding, how his habits need to change if he intends to keep going like this... it's a laborious process, given how little he knows and how much he thinks he does- he's already got a lot of misconceptions to retrain.

"hey, maybe you're the one who's been watching too many dark shadows reruns lately!" you mean it as a joke, but he flushes. "well, s'not like there's a, a handbook or anythin'! i've been tryin' to study up!" you burst out laughing, and he laughs with you.

at one point he orders up dinner for the two of you, which provides the perfect opportunity for you to offer him a creature comfort- "food? yeah, you can eat food. it won't sustain you, but you're free to eat for pleasure." at his pained look, you give him a knowing smirk. "i bet it tastes nasty right now, doesn't it?" he nods glumly, eyeing your super-rare hamburger, and you chuckle, eyeing him as you take an exaggerated bite. he groans in annoyance, and you laugh as you lick your fingers clean. "don't worry- that'll pass. it's your instincts' way of telling you that you're malnourished- kind of a deterrent from stuff that won't actually keep you alive. you'll be back to your peanut butter and banana in no time, promise." he cheers, and orders up a bottle of champagne, just for that.

"that's another thing- we metabolize differently. your system can tell the difference between the liquid calories it needs and the solid calories you're feeding it just for fun. you won't derive any energy from human food, so you can't gain weight. no reason to store fat," you shrug. "but it also means-" you clink your champagne glass with his in a mock toast, "-you can't get drunk." he sputters, "well, why'd you even let me order the bubbly then?? this shit's expensive, so they tell me!" "i like the way it sparkles! it tickles my nose!"

the hours come and go, but the two of you barely notice, so wrapped up in your conversation. that's another thing you explain- how he'll need much less rest now, if he keeps himself healthy, but that until he's being nourished properly he'll be fatigued and need to sleep pretty much like before. he admits that he was practically nocturnal beforehand, anyway- he hadn't even noticed this one change among so many more pressing.

his drapes were heavy-duty, but you could see just the barest sliver of skyline out the window as the sun began to rise. "it's almost dawn," you whisper, conscious of the fact that the vampire before you is very young, and has had a very long night. a very long month, to be perfectly honest. he hums from where his head is resting on your thigh- you'd encouraged him to lie down an hour ago when he kept breaking off his sentences to yawn hugely. actually, you'd encouraged him to get some rest and you'd talk more later, but he'd refused to go to bed, assuring you he wasn't tired 't all, just sore from the show- he got muscle aches, you know, and he needed to stretch out. you hadn't been convinced then, and you were even less so now, keeping a fond eye on him (fond?? when had that happened) as he drowsed in your lap.

his end of the conversation had started lagging about the same time you started running your hand through his hair, until he was practically purring in contentment. you huffed in amusement. "more like a kitty cat than a bat, i think." he cocked an eyebrow and grinned salaciously, though he didn't open his eyes. "oh honey, i'll show you a cat... a pussycat, to be precis-" "HEY!" you swatted him teasingly and he snickered, settling down again. "keep it clean, presley." "yes, Master." you paused in your ministrations at that, just long enough for his brow to furrow. "you don't have to call me that." "yeah... but can i? i mean, would'ya mind if i-?" his voice was quiet, but sincere. "...ok. but only if you want to." he can hear the smile in your voice without looking, and it makes him smile, too.

"you do have a real one out there, y'know." "i know. but they ain't ever helped me none- all they've done for me is turn my life upside down and leave again. but you... hell, honey, i've only known you one night, and already things are starting to feel right side up again." you sit with that for just long enough to feel pleased before you reach down to tweak his nose. he giggles, and your bid to give the both of you a break from being so fucking earnest goes off without a hitch. the tension stays broken, but the tranquil mood remains.

"guess you're stuck with me again- i can't make it all the way home in that," you venture eventually, nodding at the lone streak of sun making its way past the blackout curtains to pool on the floor behind the piano. luckily far out of the way, or he might've had a particularly unpleasant awakening of his own, had he stumbled through the patch accidentally. he shifts minutely, well on his way to sleep by now. "mm, sounds jus' awful," he drawls, answer delayed only slightly by the fact that he's snoozing, his voice is so quiet that without your enhanced senses you'd have to strain to hear it. "can't imagine quite how i'll make it through if you've gotta stick around s'more." "even dead to the world, you maintain your sense of humor, huh, baby? and those lady-killer tendencies, i see" "yeah, well, i have killed quite a few lad-" "elvis!" you laugh, scandalized, as he huffs a laugh as well as he leverages himself up to sitting.

he rubs his eyes as he tries to get his bearings. "s'pose that's my way of asking real tactful... what happens next?" "well, first we've gotta detox you." "what, from the blood? i thought you said-" "nope, not from the blood. from the drugs in the blood." "from the w-" he gapes, looking shocked and hurt, and also a little appalled at himself. "i really am sorry to break it to you, sweetheart- there's a lot going on with you right now, and only some of it is due to... this," you reach up a hand to thumb at one of his fangs, which had slipped out as soon as you started talking about blood. "the rest of it is a combination of the vegas lights and whoever up top orchestrated the whole thing." he nods slowly, expression inscrutable. "we'll take it slow, i promise. ok?" "yeah," he nods more steadily now. "yeah, i trust you."

"well, then, mr. presley- are you ready?" he nods his head as if on instinct, then has the decency to look confused. "ready for what?" you smile, fangs out. "to start getting you fixed up... so we can take down those bastards responsible for this." he just stares at you a moment before a slow grin starts to take over his face, eyes darkening to match the quite literally bloodthirsty expression in yours.

"let's get to it."

[bonesbuckleup]

You’re writing a book?! What the hell that’s so exciting!!

I was gonna ask you about it bc I’m 👀🍽️ but then I saw the ask game you were having and realized that nr 17 fits perfectly >:) (ofc you can be as specific as you want/are able to be) I’m also really curious about 23, more specifically if there’s a place you often go to where you generally feel more productive?

(and if these have already been asked you can just pick whichever question you feel like you want to answer lol ♥️)

Answering out of order!

23. Describe the physical environment in which you write. Be as detailed as possible. Tell me what’s around you as you work. Paint me a picture.

I have a standing desk in my bedroom with a walking pad. On that desk is a Bluetooth keyboard, a stand for my laptop, and a second monitor. There's also a lamp, some speakers, a copy of Save the Cat Writes a Novel, a bunch of notebooks, some scrap paper, a mug with pens, some thumb tacks, and a candle. I've got a white board to the left, cork boards, and a conspiracy wall of paper taped everywhere for easy-access notes. I'm talking full Pepe Silvia set up, to be honest. It is not elegant, but it gets the job done.

17. Talk to me about the minutiae of your current WIP. Tell me about the lore, the history, the detail, the things that won’t make it in the text.

Rambling vaguely about my original projects beneath the cut. There are two: the one I'm about to rewrite that I've been submitting to agents, and then the shiny new thing.

Project One! A YA contemporary fantasy novel called Initiate. To steal my twitter pitch/aesthetic.

The women of 16-year-old Cal Townsend's family have two traditions--witchcraft and secrets. When her father suddenly dies, and Cal is sent to live with her estranged maternal grandmother on a remote island in Lake Superior, Cal unknowingly enters into both. Initiate has:

Great Lakes gothic vibes

A Superior-based magic system

Queer kids trying their best

Sentient shadows

Hauntings of various kinds

Breaking generational curses

So! Much! Ice!

ANYWAY. I am about to rip that one apart at the seams, so that's all I have to say about it. However, I am also working on a new one that would probably appeal to Batfam fandom fans, so why not pop it in here as well.

It does not have a title yet, and is only the crime mage boys wip.

Set in a world that's exactly like ours except magic is an unquestioned part of it, the vibe of the crime mage boys wip is The Outsiders meets Rear Window but, like, also with magic and Chicago. Basically almost everyone has the capacity to do small magic (light a cigarette with a snap of the fingers, etc etc), but a small portion of the population can't do any (null) and another small portion can do big magic (mages).

The Grayson brothers (I know okay shut up) are hanging on by a thread. Leo (23, null, Tired™️) has been his brothers' legal guardian for the past 5 years and works multiple jobs with long hours to keep them afloat. JT (18/19, on week 52 of being in a bad mood) was a promising mage who had his magic permanently cut off by the police after being in the wrong place at the wrong time-- effectively torpedoing every future plan he'd ever had in a single night and leaving him floundering. Miles (14, protagonist, text book flight risk) just wants to keep his head down and not add to his brothers' many problems.

To bring in some extra money, Miles secretly works for a PI and helps her gather evidence (photos of cheaters caught in the act, checking to see if people really live at addresses--low risk recon jobs, basically). But add in a witnessed murder, a DIY-vigilante who keeps putting himself in Miles's way, and a growing mages' rights movement sweeping over the city, and Miles is getting a hell of a lot more than he bargained for.

ANYWAY that one is still very much in progress, but please enjoy these picrews of the three brothers: Miles, JT, and Leo, in that order.

[pyrrhiccomedy]

I feel like we need a refresher on Watsonian vs Doylist perspectives in media analysis. When you have a question about a piece of media - about a potential plot hole or error, about a dubious costuming decision, about a character suddenly acting out of character -

A Watsonian answer is one that positions itself within the fictional world.

A Doylist answer is one that positions itself within the real world.

Meaning: if Watson says something that isn't true, one explanation is that Watson made a mistake. Another explanation is that Sir Arthur Conan Doyle made a mistake.

Watsonian explanations are implicitly charitable. You are implicitly buying into the notion that there is a good in-world reason for what you're seeing on screen or on the page. ("The bunny girls in Final Fantasy wear lingerie all the time because they're from a desert culture!")

Doylist explanations are pragmatic. You are acknowledging that the fiction is shaped by real-world forces, like the creators' personal taste, their biases, the pressures they might be under from managers or editors, or the limits of their expertise. ("The bunny girls in Final Fantasy wear lingerie because somebody thought they'd sell more units that way.")

Watsonian explanations tend to be imaginative but naive. Seeking a Watsonian explanation for a problem within a narrative is inherently pleasure-seeking: you don't want your suspension of disbelief to be broken, and you're willing to put in the leg work to prevent it. Looking for a Watsonian answer can make for a fun game! But it can quickly stray into making excuses for lazy or biased storytelling, or cynical and greedy executives.

Doylist explanations are very often accurate, but they're not much fun. They should supersede efforts to provide a Watsonian explanation where actual harm is being done: "This character is being depicted in a racist way because the creators have a racist bias.'" Or: "The lore changed because management fired all of the writers from last season because they didn't want to pay then residuals."

Doylism also runs the risk of becoming trite, when applied to lower stakes discrepancies. Yes, it's possible that this character acted strangely in this episode because this episode had a different writer, but that isn't interesting, and it terminates conversation.

I think a lot of conversations about media would go a lot more smoothly, and everyone would have a lot more fun, if people were just clearer about whether they are looking to engage in Watsonian or Doylist analysis. How many arguments could be prevented by just saying, "No, Doylist you're probably right, but it's more fun to imagine there's a Watsonian reason for this, so that's what I'm doing." Or, "From a Watsonian POV that explanation makes sense, but I'm going with the Doylist view here because the creator's intentions leave a bad taste in my mouth that I can't ignore."

Idk, just keep those terms in your pocket? And if you start to get mad at somebody for their analysis, take a second to see if what they're saying makes more sense from the other side of the Watsonian/Doylist divide.

[mortalityplays]

You need more free art.

I quit my job yesterday. Well, actually I quit my job eight weeks ago, but they finally released me yesterday for good behaviour. Don't get me wrong, I love what I do - but I do it for the wrong reasons. Working for major charities, you learn very fast that 'I want to make the world a better place' is a phrase you use to ask people for money, not to give them things. I was an ass-backwards fit for that world.

You need more free art. I need more free art. Everyone has felt the shift in our media landscape over the last ten years, away from access and towards nickel-and-diming the human experience. That lack of access is making life and culture worse for all of us, across the board. Paywalled news sites leave us less informed, attacks on the Internet Archive leave us less capable of research. Algorithmic social feeds and streaming walled gardens trap us inside smaller and smaller demographic bubbles, where we are increasingly only likely to encounter ideas that have been curated for us by marketing departments. Hasty efforts to resist AI commodification have only led to more artists locking their work away and calling for even more onerous systems of copyright law. This is not good for us.

We all need more free art.

So what am I going to do about it?

This is a question I have been asking myself for years. It's easy to sit here feeilng frustrated and thinking 'boy I hope SOMEONE does SOMETHING'. It's harder to take action in a world where I still have rent to pay. But hard doesn't mean impossible. Sometimes hard just means time-consuming, frustrating and slow. And sometimes it's worth doing something time-consuming, frustrating and slow because...I want to make the world a better place.

I'm going to do this:

1. From April 1st, I am relaunching as a freelance writer and editor.

This is the one that will (hopefully) help to pay the bills. I am a very good and experienced editor. I've worked on hollywood movies, I'm a member of the Chartered Institute of Editors and Proofreaders, I have clients who have been coming to me exclusively for more than 10 years.

Alongside bigger contract jobs, I am going to refocus on offering my services to small-press creators at a reduced rate. That means you, graphic novelists. That means you, itch and amazon writers. I want to help you develop your work, the same way I help large organisations. You can learn more about what an editor even does and what kind of pricing you can expect here.

2. I'm also going to start giving shit away. Like, constantly.

Next week I'm going to launch a new free shop. If you're unfamiliar, a free shop, giveaway shop, swap shop, etc. is an anarchist tradition of setting up a storefront where anyone can take what they like for no cost. Offline, this often means second-hand clothes, tools, furniture, food etc. Online, I am going to be giving away digital art. Copyright-free, no strings attached. It will (eventually) feature everything from print-res posters to zines, poems, tattoo flash, t-shirt designs and anything else we come up with.

Yes, I said 'we' - while this is a curated collection, it will feature work from a variety of credited and anonymous artists and activists, all of whom have agreed to give their work away to the public domain. Some of it will be practical, some of it will be political, but a lot of it will be decorative or personal. This is, in part, a response to recent difficulty I had finding somewhere that would print a one-off joke poster for a friend that featured the word 'faggot'. Enough. No middlemen - no explaining ourselves. Just print our shit and enjoy it.

I'm very, very excited about this project. I'll have more to say about it closer to the launch, but you can expect it to go live on March 27th.

2.2 I forgot to mention the ACTUAL LAUNCH GIVEAWAY

To celebrate my launch, I am going to be giving away a ton of physical prints. When I went looking for my old stock to see if it was worth setting a new (paid) storefront up, I realised I had way more old work in storage than I thought. This will be announced in its own right on Monday, but this is why I've been hinting you should go follow my Patreon.

On April 1st, I will pick 8 random patrons (from across all tiers including non-paying followers!) and mail them a bundle of assorted prints and postcards. The prize pool includes A3 and A4 posters, packs of A6 postcards, and printed minicomics that I've previously sold for up to £12 each.

You don't have to be a paying subscriber to enter - this is strictly no-purchase necessary. It is purely and entirely a celebration of the concept of GIVING ART AWAY FOR FREE.

3. PORN, YOU PERVERTS

Because I still have to pay to stay alive, I am going to be subsidising all this free art with the introduction of Fuck You Fridays. Starting from March 29th, I will drop a new 18+ short story on the last Friday of every month, over on itch.io (yes I know my page is desolate right now, don't worry I'll get there).

The first edition, Go Fuck Yourself, is about, well - telling your boss where to stick it. Julia has had it with her millionaire man-child manager, and is just about ready to let him know what she really thinks. It's a short and steamy 5k words, with a gorgeous cover illustration by @taylor-titmouse, and you can pick it up for $3 starting from March 29th.

4. ANOTHER BIG SURPRISE

I'm keeping this one under wraps for now, but April 1st will also play host to one more (FREE) launch. If you've been following me for a long time, you might remember the other significance of this date (no not April Fool's day, though that is certainly thematically relevant to this entire effort). That's all I'll say right now. Watch this space.

tl;dr: I'm sick of paywalls and career ladders. I'm literally putting my money where my mouth is. More free art for everyone and I'm not kidding around!!!

[shrimpybbq]

the thought of drew and obx actress!reader sweeping award season with their crime drama😍 maybe it’s about 2/3 seasons too to really get their characters yearning…

Hehe they’re on the red carpet at the Emmy’s with the rest of the cast but they’ve split off together to do interviews. The reporters are ecstatic at getting the main actor and actress of the hottest tv show this year in front of them. Ever the gentleman, Drew has his hand resting on her lower back as he guides them through the interview line ups.

“So Drew! Y/N! How are we feeling? Your show is predicted to sweep the awards tonight - what’s that feeling like?”

Drew looks over and obx actress!reader before smirking cheekily. “I mean… I’m honoured,” he drawled, laughing as he received a playful swat to his chest at the now-famous remark. “No, but really, it’s really rewarding to know that people are liking and appreciating our work. Just a big thank you to everyone who has watched our little show. For letting us put two seasons out as well - it’s amazing to see people have faith in us.”

When the reporter turned to obx!actress reader, she spoke too, “Pretty much just echoing Drew, but it’s been quite intense! You know, you always have hope that your project is going to do well, but seeing the way this has blown up and the love from the fans for us and these characters has been incredible!”

Drew nodded alongside her. The cameras caught the way the pair had subtly begun to lean into each other, though it was clear neither was aware of it.

“And guys, coming from Outer Banks to this kind of show, it must be crazy! You two played an on-off couple before, but now for your characters, the stakes are a lot higher. What would you say has been the most important thing to help you portray this different kind of relationship, especially balancing the really challenging scenes you’re filming?”

Drew reached for the mic first, looking towards obx actress!reader momentarily for approval before speaking. “Yeah, I think knowing each other for so long beforehand was probably the most important thing. We would always debrief after scenes and check in to make sure we were both good, just keeping ourselves in good condition.”

He passed the mic to the shorter woman by his side, turning his attention to her.

“When you’re filming scenes that put you on edge and really push you out of your comfort zone, having people you feel safe with is just so invaluable. Pedro was great with that too, and all the cast on the show really recognised the nature of what we were portraying. Drew and I had a routine that each evening after filming, we would go and get ice cream from this place near the set and just chill. It was really great to just sit silently and eat for a while, you know?”

The interviewer nodded, incredibly pleased with the answers she’d managed to get from the pair so far.

“Ok! So my last question before you go is this - who is the best dancer on the set? Drew, I know you love to show off your dance moves, but there are quite a few great dancers in the cast!”

The pair both thought silently for a moment, before obx actress!reader leaned into the mic, “it has to be Pedro! He loves a quick dance party in between takes.”

“I’m also gonna go with Pedro,” Drew chimed in.

The interviewer grinned widely, thanking them quickly as their publicist began to shuffle the actors over to the next interview stand. The camera caught the pair waving goodbye as they moved over, not failing to capture the way Drew’s hand still rested on obx actress!reader’s back. This time though, her hand was resting on his bicep as she turned to talk to him, their bodies pressed closely together. The interviewer thanked her lucky stars that the pair were so touchy because her editor was going to love this.

[pedriscroquettes]

𝐈𝐌𝐀𝐍 ✮ PEDRI

summary. your boyfriend loves you more than yesterday but less than tomorrow.

warnings. none just pure fluff. i’m so glad my starboy is back.

gabri speaks! listened to iman by maria becerra and it’s so pedri coded. had to write this immediately.

the herd of sweaty players heading through the tunnel to their respective locker rooms was a surreal sight. this was the biggest assignment you had gotten in the three years of you working for a sports journalism column. obviously you knew your boyfriend had a hand in the big step and often received sly remarks from the coworkers you had never gotten along with because of it. luckily for you, you had never been one to undermine yourself or listen to the comments of others.

there was also your boyfriend who would constantly read your pieces out loud and compliment you on your endless knowledge of the sport and plethora of creative words. it was like having your own personal editor. you yearned for the nights before his breaks where the two of you would cozy up in front of the tv revising your works in progress.

“why can’t you ever write about me like this? actually why can’t you write about me period?” he would whine with his flushed cheeks making a special appearance.

“i don’t write about you because they only have me covering the scandinavian leagues.” you said matter-of-factly.

“just tell them you’re dating me.” he would always say.

you never did but with the spanish press it was inevitable that your relationship would see the light of day. your world had flipped instantly and you found yourself on the next flight to germany. it took you a lot of reassuring words to help you understand that you deserved to be there. your boyfriend didn’t write your pieces for you, you did, you were the important figure. so, there you stood with a mic patiently waiting for the player you’d be interviewing to show up.

your co-worker had failed to mention who you’d be interviewing which had you scrambling for various questions to ask. you were fortunate to have an extensive vocabulary for different positions so you were sure that no matter who you’d be talking to your manage to make them comfortable. when you’re met with incredibly pink cheeks you realize why your cameraman was so giddy on the walk towards the tunnel. they were making you interview your own boyfriend.

“live in one!” your cameraman yells loud enough for everyone to hear.

“you’re such a dick!” you quietly scold pedri who’s currently smirking at you.

“you wouldn’t have done it if you knew.” he shrugged and you couldn’t help but roll your eyes because it was true.

you notice the cameraman counting down from three and quickly regain your composure. it’s fascinating for your boyfriend seeing how well you hide your affection for him. this is the first time he’s ever seen you in action and it’s quite mesmerizing the way the lights make you glow and how well you speak. somehow with all the chaos surrounding you two and the sweat dripping off his forehead you’re more beautiful than ever. it must be because you’re in your element he thinks.

“croatia has really done a great job of keeping the ball outside their box, do you think you guys will be able to break through?” you move the mic towards him waiting for an answer.

“of course i mean my connection with rodri is just working super for well for us i think we’ll be able to advance through the midfield more in the second half. modric will not make it easy but that’s why we’re here, to stop him.” he pants.

“lamine has been excellent throughout the first half how do you plan on using him to improve the play?” you scramble to say as time is running out.

“well lamine is excellent with the ball i think he’ll able to get us far into their zone. it’s really a team effort. he’s probably ecstatic right now and that’ll definitely help us.” he answers.

“thank you pedri. good luck in the second half.” your words contain honesty and you give him the most sincere smile.

“thank you, hermosa.” he compliments you on live television.

you want nothing more than to slap him but his hands around your hips take you by surprise. his lips are so close to yours and you immediately forget the camera is still rolling. it’s a quick peck but it’s a kiss nothing less. it’s your turn to display your flushed cheeks. in the blink of an eye he’s gone and you’re left alone to deal with the aftermath. you hear your coworkers tease you through your earpiece and the cameraman is currently laughing at you. you’re quick to redirect to the anchors back at headquarters. that night you and pedri make headlines for your performance in the tunnel.

[olderthannetfic]

No, ppl, VPNs aren't even possible for many MANY ppl in the third world. You can't buy a VPN in a brick and mortar store, and many of us (adults who are parents of kids in schools and everything) don't even own credit cards. Many who do still cannot afford VPN because what is easily affordable to a Westerner could pay my bills for a whole month. It depends on how poorly my currency is performing against the US dollar.

Even Paypal is sth mythical. I mean, I've had pieces accepted in US magazines for what the editors said was a token payment, about 50 dollars. Man, those 50 dollars would've paid off so much! That would be a FORTUNE. But I had to waive the payment EVERY time because Paypal doesn't work in my country. Grrr.

That doesn't mean third world countries listed on the Paypal site can use it either. My country is on it but every time I filled surveys etc and they transferred the money, I couldn't get my bank to let me have it. I know a third worlder in another country who has had that happen to them too.

My heart goes out to fellow readers and writers in Malaysia. Some of the most mindblowingly beautiful fics I've ever read (they were gushed abt by Americans and Brits and Aussies so I assumed the writers were native English speakers) turned out to have been written by fellow third worlders, one of those in my own country! The idea of waking up to find my country decided to ban ao3 is just... unbearable.

I hope the Malaysians find a way around it. And I hope whoever made that horrible decision gets the worst RPF written abt them AND hears about it from their political rival.

--

Yeah, I'm always meeting fans online from certain countries: Malaysia, Indonesia, the Philippines. Some places just seem to produce a lot of nerds. Or maybe more people learn English? IDK. Both a lack of (popular-with-fans) local media and a lack of economic opportunity can incentivize foreign language learning, so I'm sure that's part of it along with a certain amount of randomness.

In any case, part of why AO3 is run on donations instead of having paid accounts with better features is that a lot of core fans who write the fic and make the recslists and make fandom happen turn out to be in situations where they literally cannot pay even if they have the money.

Someone who's popular might be able to get foreign friends to pay for their VPN, but even then, can they actually get access to it? Questionable.

As for the last, it will be with their political rival, and you know it! They'll have to hear from some aide. ;D

[put-me-through-the-wall]

Girl Next Door- Pt. 2

Simon 'Ghost' Riley x reader

Word count: 3k

Summary: Simon finally accept your offer for dinner. Did you mention you can cook?

A/N: I was a little slow on this but the idea of them getting close was stressing me out, okay? Also my MIL was in town and I couldn't get in the groove. All the support so far is amazing, thank you guys so much! If y'all like it there will be more to come. Warning: still slow burning

Join my Taglist

Part I

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Simon sits across from you at your tiny dining table pressed against the wall of your cramped kitchen. You managed to lure him in with a fairly nice bottle of unopened scotch you found in the back of your cabinet that had potentially fallen into one of your own boxes when moving from your ex's house. 

He looks around your quaint little one bedroom apartment. It was a lot different than his own. The literal layout was the same. No extra rooms or walls but you’d done something different in here. The whole space had a cozy feeling to it. Every surface was decorated with useless gadgets and trinkets that he didn't understand the purpose of. Lots of blankets, pillows, soft things. You had music quietly playing through your TV speakers in the living room. A few lamps fill the dim room creating a subtle yellow glow that hits the high points of your face, softening your tired features.

"Do you think there's something wrong with me?" you suddenly blurt out.

"S'cuse me?" Simon asks, caught off guard by the question.

"Lately I've been feeling like there's something inside of me that attracts horrible guys. Like, is there a beacon coming out my head that says 'hey, come over here. I'm vulnerable and easy'."

Simon pauses, unsure how to respond. He watches your face closely. You're sad eyes looking to him for an answer he doesn't have. "I think you're...nice," but he has a feeling that's not what you wanted to hear.

"nice?" You let out a humorless laugh. "Maybe that's the problem. Nice must translate to doormat," You sigh and drop your head into your hands. 

Simon takes a sip of his drink. He's growing concerned this is entering too friendly territory. Then you pop your head back up.

"So, how much did you hear?"

"Not much"

"Yeah right," You toss him a coy smile. “Can I tell you what happened?”

“Sure,”

“Alright, so” you take a sip of your own drink and a deep breath before recounting your story. "I met him at work. He was really nice and offered to pick me up a coffee on his way in one day. I haven’t made any friends at work yet so it was nice just to chat over a coffee. Then we started having lunch together. Nothing serious just in the break room but it felt good to hear about something other than notes from my editor. I wasn’t looking for anything serious, I mean I moved here to focus on myself not continue dating more crappy guys. So of course he started texting me and he was really sweet. He complimented my outfits and thought all my jokes were hilarious apparently. I really wasn’t trying to get involved with this guy though. He said something about hearing I can cook and of course I said I do. It’s part of my job, duh. He’s giving my shit about it so I invited him over for dinner. I made this creamy potato gnocchi with Italian sausage that I got from that great butcher on the corner. I even hand rolled the gnocchi. I mean, who wouldn't kill for an authentic Italian meal?"

"He's sounds like some guy"

"Not really, I was testing out a new recipe for the column so, two birds one stone. Anyways, he comes up and we have some wine and listen to some music. It was going really well so far. Then I go to bring out a nice charcuterie board for an appetizer while the pasta finishes baking. While I'm bringing it to him I can see he's on his phone, texting someone and literally giggling. I walk up behind him and he is sexting. On my couch!" you throw you hands up incredulously. "Well, I thought he was. He’s looking at a picture of some girl bent over then I realize it’s me. He took a picture of my ass, while I was making him dinner. I couldn't fucking believe it. What kind of a scumbag does that to a woman preparing a fucking meal for him? Now, this is not something I'm proud of so let the record show this is very out of character for me but these were extraordinary circumstances. So, I dropped the fig chutney on his head. Right in his stupid quaffed hair. He jumps up and he's all mad and starts yelling and I'm yelling back. He calls me a crazy bitch then I call him a perv. After that he left." you conclude with a shrug.

"Wow" Simon responds, truly taken aback by the series of events. 

"Yeah, then you know the rest from there. I don't know what came over me. I guess after my last breakup I haven't felt very good about myself and this guy made me feel, I don't know- fun? That feels silly to say. I should’ve known better from a guy that works the celebrity gossip section. I probably looked like a big baby out there, how dramatic. I'm sorry about that, again."

"You don't need to apologize."

"After I moved here I thought things would be different. I thought guys in the city were classier I guess. Turns out all guys are the same. Just take what they want and go. Do you want another drink?" You point to his now empty glass. 

"Sure." You snag his cup and stand. He watches you walk over to the counter in your silky slip dress. The sleek fabric clings to your waist. Flaring around your hips and down your thighs. The warm light reflects on the shiny material, shifting with each step you take. It tightens perfectly about your waist and cinched with a neat little bow in the back. He wonders why you would wear a dress like that for this guy.

"So, do you date?" you question in a seemingly casual tone.

"No" 

"Yeah right," you laugh and look over your shoulder to see his stoney expression and your smile fades. "Oh, sorry, I just- I find that hard to believe."

"Why is that?" He tilts his head and you focus back on filling his glass. 

"It's just, you're a good looking guy. I would think you'd get plenty of female attention," You pivot back around and place the glass before him. You lean on the table with one hand and prop the other on your waist. 

"'M not interested," his gaze stays fixed on the brown liquid, grabbing it and taking another sip. He doesn't miss the way you deflated the slightest bit. 

"Maybe I should take a page out of your book, as in maybe swearing off men completely" The oven timer dings. "Oh! pasta!" You jump over and grab your oven mitts. You drop the oven door and slide out the sizzling dish. An aroma of cheese and basil fills the air. Your stomach audibly growls.

You pull down two plates from your cabinet. You serve up the steaming pasta, sprinkling parmesan and fresh chopped herbs for garnish. You proudly carry over the two dishes and place them carefully on the table. You place your hands on your hips while gazing down at the platter.

"This looks...great." Simon is truly taken aback by the incredible looking dish. 

"Wait, don't eat yet. Let me get a picture." You scamper into your living room, grabbing your phone off the coffee table and scurrying back. You hold your phone high above for a birds eye view. Simon scoots his chair back to avoid the gaze of the lens. The camera clicks with a flash. You examine the photo, seeming satisfied with the quality and finally taking a seat in your own chair. "It was okay if you were in the picture. I don't mind." 

"I do," he says simply. 

To anyone else, Simon comes off as rude or callous but you, you never seem to let his shortness affect you. You take his words and just keep going. You don't mind his lack of conversation. It seems you are totally satisfied with having someone there to listen. He was starting to think he didn't mind listening so much. 

"Oh," You shift uncomfortably in your chair. "Sorry then. Well, let me know what you think. Try to be detailed with your feelings about it if you can. You're my guinea pig and be honest. I don't want to put this out when it's garbage."

He proceeds to take a forkful in his mouth. He cannot control the groan that escapes his throat as the bold flavor hits his tongue. This is far cry from his usual take away food. He can't remember the last time he had a home cooked meal now that he thinks about it. 

"This is quite good." He grumbled between bites. Not caring to finish chewing before he's stabbing at the pasta on the plate once again. 

"Really? You don't need to be nice to spare my feelings. I don't mind criticism."

He shoves more in his mouth. "I’m serious"

"Thank you" You giggle watching him scarf down the still steaming hot meal. 

The two of you finish your respective plates without much more conversation to be had. On your last few bites you meet Simon's eyes as he reclines back in the creaky wooden chair, hands laying across his stomach. His head tips back with a satisfied grumble making a proud smile play across your lips. This may be the first time you've seen him express a true human emotion in your presence. 

"There's more if you want?"

"No, I'm stuffed." 

If you know one thing as a part time chef, food is the way to a man's heart. You knew if Simon tasted what you could make his ice exterior would melt away. You stand up and walk to the fridge. 

"Too stuffed for dessert?" you pull out a glass bowl filled with layers of custard, strawberries, cake, and whipped cream. "I made a traditional English trifle. Y'know for the holidays coming up and who doesn't love custard?" you shrug while carrying the bowl over to the table. You hurry back to the kitchen to grab two saucers and plate up the dessert.

"If I didn't know any better I'd say you're trying to butter me up." he comments, intently watching as you carefully slice through the layers. "What do you know about English food?" 

"Not much, which is why this is a special occasion. I can get some insight from a genuine Englishman," you slide the saucer to him. "Everything happens for a reason, I guess you were meant to be here tonight" you don’t realize how weird that comment is until it's already left your mouth. You suppress the feeling and internally cringe. You take a seat with your own plate and try a bite. "Hey, that's not too bad. I think Gordon Ramsey would be proud"

Simon actually chuckles when you compliment yourself making you giggle in return. This whole night is very different than you expected. Not that you were complaining.

Your leg bumps his underneath the narrow table. Your bare foot brushing up the edge of his pant leg for the briefest moment. A deep blush rises to your cheeks the second you realize it's his leg instead of the table's. 

"Oh, sorry!" you quickly draw your legs underneath your chair. Simon pauses his eating and meets your gaze. 

"S'alright," he slowly slides his long leg across the distance and nudges the shin of your tucked legs with the toe of his boot. "You scared?"

"What?" you allow your legs to relax, your calves sitting on either side of his outstretched leg. It felt natural, almost domestic. "You don't scare me." you're lying paired with an anxious laugh.

"No?" As he says this his foot shifts underneath the supports of your chair and yanks it forward causing your chair to skid a few inches across the tile, pressing you further into the table as you let you a surprised yelp. Hands brace against the edge of the table. Simon maintains his calm composure. "Are you sure?" he takes another bite of the fluffy dessert. 

You weren't sure if it was the liquor going to your head or the rush of adrenaline but you felt bold. You rest your cheek on your propped up hand, offering the most innocent eyes you can muster, as you delicately slide your foot along the smooth leather of his boot. Simon swallows and gently places his fork back on the table.

"What do you think of it?" you question in a hushed tone. your foot travels further up his ankle, dipping under his pant leg to feel his hot skin underneath. 

"It's sweet," He states simply but his words roll off his tongue smooth as butter. 

"Not too sweet?" You tilt your head the slightest bit.

"Hm," he hums in contemplation. Your eyes drift down to watch his hands grasp his drink. He grips the glass in his large palm. The rolled sleeves of his long sleeve reveal the muscles in his arm shifting when he raises the glass to his mouth. For the first time you notice a faint raised scar cutting through the outer corner of his lip and stopping just shy of the edge of his nose. He takes a long swig of the brown liquid, not quite finishing the drink. As he pulls back his lips glisten in the warm light. "Not bad when it's paired with a stiff drink," his tongue is quick to swipe across, collecting the residue. 

"I'll be sure to make a note of that." you smile sweetly. "Can I get you another drink?" You look down at the last sip coating the bottom of the glass. You make sure to flutter your lashes when you look back up at him. 

"Are you trying to get me drunk?" A smirk raises the corner of his mouth.

"No," you laugh. "Why, do you want me to?" 

He releases a deep gravelly laugh that makes your stomach stir. Then he glances at his watch and your stomach drops. 

"I need to get going." He mumbles. He pulls his leg away from yours and rises out of his chair. 

"Wait," you rush to stand, almost knocking your seat over in the process. "Can I- uh- get you a bit of pasta to go? There’s plenty left" Trying to think of any excuse to keep him here a moment longer. 

"S'okay, save it. Maybe I'll come by another time." He turns and steps out of your kitchen and into the hallway leading to your front door in only a few wide strides. 

"Are you sure?" You don't intend for your voice to come out as needy as it does. You follow on his heels like a lost puppy.

"I've got an early morning." Before he reaches the door he turns, seemingly surprised by how close you are to him. He looks down at your big round eyes. 

"Okay," you smile trying not to look defeated. "Well, you're welcome over anytime. I mean it, just knock and I'll probably be home. I'm gonna try writing at home more. Try to avoid that guy." You let out a halfhearted chuckle. "Maybe, you should get my number. Y'know, in case you want to check if I'm home."

"I'm alright, I'll just knock" His hand finds the doorknob. "Thanks for dinner, it was nice" Then he turns to go. Closing the door politely behind him. 

You rush to the peephole, watching his distorted figure step out of sight followed by the sound of his own door shutting. You rest your hot forehead against the cool wood grain of your door. 

You step back in the kitchen and begin putting away the leftovers. Piling the pasta into tupperware, rinsing the plates, collecting silverware. His glass remains in place with a sliver of scotch leftover. You hold the glass up in the light and see a faint smudge on its rim. You twist the cup around so your own mouth lines up with the imprint he left. You swallow the last bit slowly, savoring the way the sharp burn eases into a smooth, smoky aftertaste. You never liked scotch, but now you are starting to understand the meaning of an acquired taste.

The low atmospheric music is abruptly interrupted by an ad loudly cutting through the calm space. You rush into the living room to find the remote, hiding among the cushions and various throw pillows. Growing frustrated you end up walking over and manually hitting the power button. The silence that replaces it isn’t much better though. You step back and let your weak legs carry you until you collapse onto the comfort of your couch. The wine followed by the glass of scotch you polished off makes your head feel light but your limbs so heavy. You turn from your back to your side, realizing the used glass is still clutched in your hand. 

You reach across the gap and set it down on the coffee table with a thud. Your hand retreats back to rest under your head. You stare at it, taking in all the imperfections left on its reflective surface. Your eyes trace the rim once again looking for the smudge. On the corner you see the shadow of an impression peeking out underneath the red lipstick mark you have smeared over it. 

𝜗𝜚

Across the wall Simon falls back on his own couch. He looks around his dull apartment wondering what you have done differently to make your place look so welcoming. He never minded the minimal decorations he had. A photo frame with his team that his buddy gifted him and a couple of books always seemed like enough. After comparison though it just feels empty. 

He can hear you stomp across your floor. Footstep rushing from the kitchen until you're straight ahead. The sound of your TV turning off bathes the room in sudden silence. Only thing he can hear now is the rushing of his air conditioning unit. He considered your music annoying but now he couldn’t deny the way it added an unconscious energy to the small unit. Now sitting here, the cool tone of the overhead kitchen light illuminating into the living room he feels as though something is missing. Maybe a nice lamp would help. 

━━━━⊱♡⊰━━━━

Masterlist

Taglist

@azkza @neurolept @contractedcriteria @hidden-treasures21 @sprokat @stark-red19

Join the taglist here to be updated about new stories!

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[punkitt-is-here]

Read These Frequently Asked Questions Before You Send An Ask!

Patreon | Ko-Fi | Youtube

Heyo! I get a TON of asks each day, so I'm making this post so that folks know what's already been asked so my followers don't have to see the same stuff over and over, haha.

Hi! I'm Punkitt! I'm a game developer, artist, editor, director, and a bunch of other stuff! I'm working on an RPG called Astral Guard, a platformer called Susan Taxpayer, and I have a couple more fun projects in my pocket like Happup and Super Mario Death Row.

Did you know you look like weird al?

YES jesus fucking christ i get told this every day. if u send me a message in my inbox saying i look like weird al im killing you with like wizard spells and shit.

Why do you have so many hats? Do you know you have that many hats?

ye i like hats. :) free tumblr badges for one pea i like one piece and took as many as i could. free.

Where can I find your art/game development/horsecomix?

Great question! Everything I make that's my own and not a reblog is under "my posts", every bit of art I do is under "my art", any game development I do is under "gamedev", you can find all my MLP art under "mlp, my art" or "horsecomix" for the best stuff. I also have an "animations" tag and a "shitposts" tab. I also properly tag all my asks to be asks and write out the asker's name, so if you don't wanna see those just mute the ask tag.

Do you have a Patreon or a Ko-Fi?

I do have a ko-fi here! I also JUST launched a Patreon, which you can find here :)

What do you use for your art?

I use FireAlpaca and Paint.net for misc. effects!

What are you using to make your games?

I use FireAlpaca do make my assets! Astral Guard, Happup, and any other top-down RPG games I make are all made in RPGMaker 2003. Susan Taxpayer is made in SMBX2 Beta 4, a Mario fangame engine with lua support!

Why are you using a 2-decade-plus engine to make games?

It's fun!

Do you have a sideblog or something for your art?

Not right now! What you see is what you get. I do have a sideblog for Astral Guard though, if you want to follow that game specifically! @astral-guard

Can I make an OC based on your work? ABSOLUTELY!!!!!!! THATS THE COOLEST THING EVER!!!! LET ME KNOW IF YOU DO!!!! I WANNA SEE!!!!

Can I do dubs/redraws of your comics? As long as you credit me! I get a ton of notifs each day, so if you wanna show me (and PLEASE i so do wanna see fun dubs and redraws!!!) tag me or DM me!

Can I use your art as a PFP? Sure! Just credit me somewhere. :D

Are you the one who trapped her coworkers in a room and made them listen to TF2 lore?

Yep! Everyone had a blast actually. :]

Did you make that comic where Fluttershy eats the weed brownie/Rainbow Dash has a male living space/someone has a cutie mark that says they'll kill Ronald Reagan?

Yep! That's me.

Where are you in MLP right now?

Currently just finished Season 7! Haven't watched the movie yet.

Have you watched Equestria Girls?

Yep! Thought it was super cute. I watched up to Rainbow Rocks and plan on watching more.

What's your opinion on MLP so far?

I love it! I think it's cute. I really don't agree that there was some sort of huge quality drop after season 2 or whatever.

What do you think of G5?

Not my style! I don't really like either animation types and it just seems like I'm not in the audience anymore. That's totally chill, but it just doesn't grab me!

Have you watched any other MLP stuff from previous generations?

Nope! But I did see a compilation called Minty Being Autistic for Six Minutes Straight that I loved. she's perfect.

Favorite pony?

Don't got one, I love all the Mane Six a LOT, but I'm particularly fond of Fluttershy, Applejack, and Rarity!

Favorite episode/season?

I'm so bad at picking favorites! But any season past Season 1 I have a blast with because I feel like it's just more my style. I don't have a favorite episode, but the most recent one I can remember LOVING is the one where Starlight bottles up her emotions because it was REALLY funny.

Do you like Pony.mov?

Nope! And stop saying my stuff reminds you of it, it's a lil annoying!

Have you watched the Mentally Advanced Series/Friendship is Witchcraft/Other fandom vids?

Probably not! My interaction with the MLP fandom prior to last year was pretty minimal, so I'm making my way through the show first!

What do you think of Fallout: Equestria?

I think it's super weird but really fun because of that. I've never properly read any of it but it's very fascinating to me.

Are you transgender?

Yep! I go by she/her, I'm a trans woman. Have been for many years, but I only recently came out online!

Are you a lesbian?

Nah, I'm bisexual!

Can I commission you?

Yeah! I only have my commissions available on my Ko-Fi at certain times though, so keep an eye out! I usually announce slots being open at least 12 hours beforehand. Slots are usually first come first serve, but we'll see.

Can I use your art as a Discord emote?

Yeah man i'm not scouring every discord on the planet to find stickers of my work. i think it owns if people take my stuff and make it stupid injoke emotes between friends that makes me very happy.

Can I send you an ask inquiring about gender dysphoria?

I feel like this is beyond my capabilities of advice! I'm actually very comfortable with my body and I have been for many years, so I don't know if I can give any good or helpful advice on that front. Apologies, but there are many resources out there where you can ask about those things if you look for them, like Discord channels!

Favorite Color?

I'm a sucker for blue!

Favorite coffee?

Can't drink coffee, my stomach is cringe.

Favorite tea?

I'm lame and can't drink most tea but I love this one orange-flavored tea a lot. I also LOVE ice tea.

Can I say you're horsegender/punkittgender/a little gender goblin void thing?

Well, I can't stop you, but I'm kind of beyond that phase now! I really am a boring ol' plain she/her girl, and I like it that way. It's not much, but it's honest gender.

What's your favorite game series?

Mother, Kingdom Hearts, Mario, and I USED to say Fallout, but I found out I'm really only a big Fallout New Vegas fan.

Favorite game from those?

Mother 3 is one of my fave games of all time! I love KHII, and I'm tied for SMB3 and SMW. Also Fallout New Vegas fucks hard.

Any other favs?

Bug Fables, SLARPG, and TF2!

Favorite Movie?

Everything Everywhere All At Once, no question.

Oh, are you going to college?

Yep! I'm a film/theater major.

Do you have a YouTube channel?

Yeah! Click right here for it, I stream there and upload footage of my games/animations/my film projects + other stuff.

What is that little orange creature I see?

That's bweenop, my little persona that I use when I'm feeling a little scrunkly.

Do you have a ponysona?

Yep! Her name is Star Magnolia, you can search her on the blog to see art of her.

When will Susan Taxpayer/Astral Guard/etc. be out?

No clue! I take things slow, that's just how I am.

How do you work on so many things at once?

I make small, satisfying amounts of progress! I never try to complete one giant thing all at once, I just like doing small bursts of fun stuff. I got ADHD, so I learn to work with it.

Did you know you look like Weird Al?

Im going to run you over with a clown car watch out

WHY do you work on so many things at once?

Fun! I like learning, I like making cool stuff, and I like showing it to people :)

Do you need any help with your projects?

Potentially! I'll probably put out a post asking for help if I need it.

If you could be a horse, would you?

You kidding me? Several ton beasts with the frailty of a sickly Victorian boy; my clumsy ass would never survive.

Are you some sort of...furry?

yeag

Why do you reblog so much?

Brother I LOVE posting. that's just how it is.

Fav music artists?

It changes literally ALL the time but I will recommend ANYTHING by Vylet Pony, its music is incredible and probably the reason I'm a weird niche microcelebrity now.

Why are you like this?

theater kid + having a lot of fun on the internet makes you a bit silly hehe hoo

SUSAN TAXPAYER QUESTIONS

Is it out? Not yet! But hopefully sometime in the next year. I dunno! I take things at my own pace and keep stuff fun. :)

What are you using to make it? SMBX2! It's a free fangame engine for Mario episodes, but it's incredibly versatile and has a wonderful community, so I decided to make Susan Taxpayer in it.

Is there a demo? You betcha! You can find it right here. I'll also probably put it up on my itch.io.

How do I install it? I made a post here about how to run the SAGE '23 demo!

[tamberella]

Congratulations on your author debut, I'm so excited for your book!! 😇💕

Would you consider talking about the whole process of becoming a book illustrator /children's book author?

Thank you so much, I really appreciate it!! And I'd be happy to share the process!

It all started for me with my 3dTotal artbook. 3dTotal is a small publisher in the UK, and they mainly focus on collections of artists' work. They use Kickstarter to fund each book, and my agent (the amazing Seth Fishman at Gernert) discovered me through the Kickstarter for my artbook Windows to Worlds!

He asked if I had any interest in working on graphic novels or picture books, and I had already been thinking about picture books! He found me my first picture book project with Penguin Workshop, Mother of Sharks, written by the awesome Melissa Cristina Márquez, which came out last year!

While I was working on Mother of Sharks, I was also talking with him about developing The Bakery Dragon, based of course on this painting, which was (and is) one of my proudest artistic moments.

For a little background on the painting, I painted it right after a really challenging couple of months medically - I was dealing with medical complications from my chronic illness for about 6 months, and I wasn't able to finish a single painting the whole time, I was just too exhausted from hospital visits and being in pain. That painting was the first piece I was able to actually complete (both emotionally and literally) in about half a year. So it always held a really special place in my heart, and I really wanted to keep living in that little world. I think there's something in it that is very special to me, about being outside in the cold, seeing warmth and love through a glass barrier, and wanting desperately to reach it.

With Seth's guidance, over a couple months, I developed a pitch for it. The script developed slowly alongside the designs for characters, locations, etc.

(Early version of Ember above! He has changed a bit!)

I thought I had already read a lot of picture books, I've always loved them, but I read hundreds and hundreds during this process. There is something uniquely fun and challenging about telling a complete narrative in 48 pages (which is already a long picture book, many are 32!) My book also pulls some elements from comics, such as speech bubbles, which I found to be incredible assets for humor and character development.

My pitch included designs, some early example spreads, and a rough script with story beats and jokes! My agent took it out into the world, and the publisher we ended up going forward with was Knopf, an imprint of Penguin Random House! I absolutely love the Knopf team and the beautiful books they put out! My editor, Katherine Harrison, really understood what I wanted to accomplish and has been so incredibly helpful in her guidance!

And from there... through rewrites, dialog adjustments, and lots and lots of drawings, it became a book! I'm happy to answer questions about the process! I'll leave you guys with a little preview from the interior of the book! (And of course you can pre-order it here, gotta learn the author skill of always including that link haha!)

[beatrice-otter]

The President and the Police

It is curious to me that people who are (rightly) outraged at the police being sent against the college protestors and want to reflect that in their voting in the next election are focusing on the office that has zero power over the police, and not the offices that actually control the police. (This is especially aggravating because we've been talking about the police a lot over the last four years, and so if people actually wanted to change things you would think they would have figured out basic things like "who controls the police.")

The President does not and never has controlled the police. Anywhere in the US. Policing is a local matter. The vast majority of law enforcement is done by the city police (employed and governed by the city), county sheriffs and their deputies (employed by the county), and state police (employed and governed by the state). The laws and regulations and policies are made at the local level. So are hiring decisions! If you want to change things--and God knows the police are corrupt and violent and bigoted and awful, and DESPERATELY need to be changed--you can't do it through which presidential candidate you vote for (or don't vote for). You do it by voting for your local elected officials: town mayor and city councilmen (or whatever the exact positions are in your area), your county sheriff, and your state representatives. And then following up by doing things like attending city council meetings and raising the question of police reform--and talking to your neighbors and people in your community and building a coalition of people to work on alternatives to the police and convincing people to try some of them. If you live in a city that has a protest that the cops have been called to, please call your city government and complain. It won't magically change things but it'll be a little bit of pressure in the right direction.

The President does have some control over Federal law enforcement, but that's the FBI, DEA, ICE, and other more specialized groups (like the military police and Fish and Wildlife enforcement officers). And God knows that they could desperately use reform as well! ICE in particular should be abolished. So yeah, your vote for President will affect those organizations. (Trump, of course, loves ICE and wants to expand its powers and reach.)

But if you are rightly concerned by police response to the protests, and want to use your vote to do something about it, you need to be thinking locally.

And good news! Local elections have far fewer people voting in them, so it's actually much easier to affect things at a local level than it is to affect national affairs.

I know this, because I've seen it happen in my community. I am a supporter of an immigrant rights group in my community, and a while back our little local police department hired a guy who had been fired for racism by the biggest city in the region. This is extremely common; most trained and experienced police would much rather work in larger cities which pay better. So a lot of small towns and county sheriff's departments have trouble getting "qualified" people who want to work there, and regularly hire cops who are only willing to move to rural areas because they've been fired for cause and no larger police department will touch them.

But in this specific case, the local immigrant support group was watching, saw he'd been hired, and swung into action. They encouraged their members to call the city council, and go to city council meetings, and write letters to the editor, and after a couple of months of this the city council conceded and got rid of the guy. If you get a group of people together to make a concerted effort, you can make a difference in the policing in your local community.

But the President can't do jack about it. So don't blame him, blame the people who actually hire, train, and write the policies for the police. Who are all local people living in your area!

[my-castles-crumbling]

unrequited - @wolfstarmicrofic - word count: 535

"Is Your Love Unrequited? A Quiz for the Wishing Witch," James read from his stolen copy of Witch Weekly.

Sirius laughed, leaning his head back on Remus's lap, nudging his arm to signal he'd like the taller boy to play with his hair. "Go on, then."

"If you answer yes to five or more of these questions, he's interested," James continued, settling back on his pillow and skimming over the text. "Oh, this is.." he rolled his eyes, making a gagging noise.

"No, read it, I need something to wash all the Arithmancy from my brain, my head aches!" Sirius pushed, groaning only a little when Remus's magical hands moved to massage his temples.

"Alright. First, he initiates physical contact," James recited, eyes flickering up at Remus and Sirius.

Remus's hand stuttered for a second, but continued, combing through his hair. "Obviously those editors don't know Padfoot," he laughed. "Remember the time he greeted every new first-year with a hug?"

James and Peter both chortled. "I forgot about that!" Peter laughed.

"Two, he remembers details about you," James read, smirking a bit.

Again, Remus's hand stalled before continuing.

"Well, I'm fucked. I have a shit memory," Peter piped up, breaking the awkward silence.

Remus looked down at Sirius for a second, meeting his eyes. Damn, Remus's eyes were so beautiful. He could stare at them for days..

"Three, he makes lots of eye contact," James continued, shocking Sirius out of his thoughts.

Remus's hand stopped completely, now, coming to rest on Sirius's shoulder. "So...I can't make eye contact without girls thinking I fancy them?" he joked halfheartedly. But the entire time, he was looking at Sirius.

"Maybe I should stare at Evans more..." James murmured, only for the other three boys to interrupt with a chorus of "No!"s.

But Sirius felt a bit nervous, now. This was becoming more than a coincidence. "What's the next one, Prongs?"

"Erm, yeah. Four. He gets jealous when you've dated other people," James read.

Sirius froze, mulling this over in his mind. All the times he'd avoided being with Remus when Remus brought a girl to Hogsmeade. All the times Remus had seemed extra moody after he'd brought someone back to the dorm...

"Blimey, sounds like Pads and Moony!" Peter said unhelpfully, an oblivious grin on his face. "I don't think either of them has ever liked someone the other was dating!"

Sirius cleared his throat awkwardly, avoiding eye contact with Remus, now. "Ha, yeah," he muttered. "Last one, Prongs?" Might as well get it over with.

James looked back at the magazine, only to laugh out loud. "Five," he read with relish. "He introduces you to his friends."

Silence.

"A strong foundation of friendship and mutual friends is important in a relationship. If he wants you to be friends with his-" James continued with a shit-eating grin.

"Alright," Sirius interrupted, head still on Remus's lap. He sat up, looking at Remus.

Remus looked back nervously.

"Well, Moony. That's five for five. According to the magazine, we're mad for each other. What do you think?" he asked hesitantly.

"I think James and Peter need to leave the room," came Remus's reply, making Sirius grin like an idiot.

[skyfallscotland]

Ok so Rebecca did a one hour panel today in Sydney with Lynette Noni hosting, where she asked questions and then they opened it to fans. I've kind of summarised the things I haven't seen mentioned over and over, but I don't frequent the subreddit anymore or use TikTok, so there might be overlap. In any case, it's long. Settle in. I've sectioned it into plot/character relevant first, then themes and interesting facts about her and her writing. Basically, you all came with me. 💗

• In book three (and every book thereafter) we'll be going to more and more new places. She specifically worded it as "watching the map expand" whether that's significant or not, I don't know. (I was thinking Isle Kingdoms for OS, but maybe that's just my wishful thinking).

• She implied Jack will have a reason (explained) for uh...being a power-hungry prick? lol

• She's hella defensive of Dain, which I love. #DainApologistsClub 😌 Some highlights include:

"You guys give Dain so much shit for the same thing Xaden does. You really do and you're so fast to forgive Xaden and not Dain. Why? Is it because he's hot?"

And, "when push comes to shove, all Dain did—yes he violated her boundaries, as does Xaden—but all he did was trust his dad when his best friend no longer spoke to him. That's it."

"When Dain looks at her (in the interrogation chamber) and says 'if you had just told me, none of this would have happened', he's not just talking about the interrogation, he's talking about Liam, he's talking about if she had just trusted him (in Fourth Wing) it never would have happened." 😢

• She was asked about Liam's appearance in the interrogation chamber and definitively put to rest any signet theories involving that. "She's so alone in that moment and...I don't read fan theories but sometimes they reach my ears; she's completely disconnected from her magic in that moment, she can't even reach out for Tairn or Andarna, which are the bonds that are actually most important to her. She can't reach out for Xaden. And that's the one person who would have prevented that from happening the last year, so it's natural that's who her mind would summon."

• She's thought about a spin-off series, but she's just trying to survive this series.

• Someone asked her if there'd be any redemption and romance for Jack Barlowe and honestly, thanks guys, I don't think she's ever coming back to this country 💀 ("Are you getting enough sleep? Uh...I mean, from his prison cell maybe? No.")

• Someone asked "what is Garrick's signet and why hasn't it been shown yet?" (shoutout to this girl, she's the real MVP) to which Rebecca said "it's very much in book three, I love it."

• Someone asked about the orange dragons and unpredictability re: Amber, Jack, Varrish and then Imogen and Brennan. Rebecca said some dragons might look for traits like their own and some look for balance because it's a partnership; and that Brennan as a strategist needed that little bit of unpredictability in his life (lol, I think he got it).

• She didn't always plan for Violet to have two dragons. Originally it was going to be one (Tairn) and the editor had hoped that she would sway towards a weaker, smaller dragon and she thought that was a little too close to Abraxos in ToG, and so they compromised and gave her both. She also went on to say she doesn't like overpowered heroines and since Tairn is extremely powerful, Andarna balanced that out. (I'm not...I'm not sure how that works out? But that's what was said.)

• We are definitely going to find out more about the original six (and Lynette asked if that was a spin-off possibility and was shushed, so she's thought about it at least, but I get the idea she's thought about a lot of possibilities 😂)

• There's no timeframe for the release of the final two books.

• Someone asked if Violet's dad was Malek to which she was kind of shocked. He's not a god, guys. And low-key I JUST WANT TO KNOW HIS NAME. 😤

• On Sgaeyl: "You do (get more of her) but holy crap is she pissed. So—I'll tell you that about Onyx Storm—she is really, really mad at Xaden and she's not exactly speaking to him at the moment. So it's hard for her to speak into that bond when she's not speaking to him." 💔

• She was asked about the Violet dated Halden theory (which was fucking hilarious because the poor girl misspoke and asked if Xaden dated the prince and we were all really confused about which TikToks the poor thing had seen (note to self: consider cam/xaden), anyway after we got to the bottom of that, Rebecca replied, "I think you should read the third book." Which I'm taking to mean, the man is making a damn appearance and we're gonna find out for ourselves 👀 Hey, if I'm lucky maybe we'll even find out his surname

• Finally she said she has EP on the Amazon series, they've all been exceptionally protective of it and that she's happy with how it's going (they're not near casting yet and she doesn't want to really comment on that ever, to leave each role open to as diverse a cast as possible). She said the production team has come to the signings in LA to meet readers and see what they love and are passionate about when it comes to the series to make sure that's honoured.

"Like I mean, I've seen certain...like what can I say without getting tackled to the ground? Let's just say they've already taken steps to make sure that what you guys love about the story is envisioned and that it's not run amok. And I'm very happy with it, they're super protective of it." Which could just be me reading into it, but the first place my brain went was the dragons 👀🐉 and the CGI or whatever.

• She was asked about where the inspiration for the universe came from and she said that when her Entangled decided they were going to do romantasy they asked her for five pitches and Fourth Wing was one of them (she won't say what the others were because she might still write them someday). She said she likes the fated mates trope but she wondered what that would look like if the dragons were the ones mated, not the humans and the humans who couldn't stand each other were forced to be around each other because of this. 

• Her first ever book was romantasy but it didn't sell

• She's never really written enemies to lovers before.

• She likes found family themes because she was raised in a military family and moved around a lot, so that makes it hard to keep in touch with your extended family, and after she married her husband and became a military wife, it was their found family that was there for her—it was her found family who helped her move her house, who sat with her when her husband was injured in Iraq, etc, so she thinks it's very important to show that your family is also the people you choose and that can be just as strong as any blood tie.

• She was asked (by Lynette) why she wanted to show death and the reality of war and she said, "I've been surrounded by it. My husband's been at war since 2003, he spent 22 years in the army, first as a 19 Delta cavalry scout and then ten years as an apache pilot and we buried our friends. And I saw what it did to him, and I saw what it did to our friends, I saw what it did to our children, to us, and I love being able to examine it from a fantasy perspective just because I think fantasy gives us a unique environment from which to critique our own world by viewing it through the lens of another. And I've always delved into those themes as to why we do this to each other and where is there hope to stop it?"

• As an author her favourite scenes in Fourth Wing were the dagger stealing scene (very important to their chemistry and romantic development—"she's the only person he's taught ever, how to actually kill him") and the first kiss scene.

In Iron Flame it was the interrogation scene and how that ends with Dain and Xaden and everything coming together.

When asked about a similar scene from Onyx Storm that elicited the same strong emotion from her she said "you're not gonna like it" and that's it 💀

• She would consider writing fantasy again after she's done with the Empyrean world, maybe one of her other pitches, but she won't truly think about it until she's survived this one.

• She spoke about the "kill your darlings" writing advice and how if you love a scene but it doesn't move the plot, you've gotta cut it, and how she did that with the final scene in Fourth Wing, which was originally 7k words of Violet POV pulling information out of Xaden.

• When asked about fan theories she actually said something I found a little sad. "I don't listen to fan theories. One, I'm not on TikTok—it's a little bit more important for me to be alive than to listen to what other people think they know about me, and two, I don't ever want fan theories to bleed into my writing."

〰️ And that's it! If anyone's going tomorrow, please voice record the whole thing and report back lmao 🙏 🫶🏼

ETA: part two is here, x