#my askbox is always open!

[naboosands]

ALSO CAN WE TALK ABOUT EZRA AND AHSOKA’S HUG. IN DETAIL

[boring-kid-in-the-internet]

You’re also getting into The Digital Circus??? AAhhh I’ve heard so many good things about it: Can I infodump in the ask box about it after I finish watching the pilot??? (have way too much work right now, but am going to watch it later)???

Wait holy shiz you too?! sure! have fun watching it, it got the goods stuffヽ（´∀｀）ノ

[wildmoonatic]

i bring you: my casual clothes tankman design (and steve too)

i am so normal about found family tankdad

happy pride month lol

[harvestkitty]

6 disco fanarts from twitter requests!!!

[starspilli]

may i ask if you could draw cassie sandsmark? your art style is so gorgeous!!!!

yes of course!! ty 4 the request sorry it took me so long to get to

[goosefries]

hey yall! i just wanted to say thank you SO much for 16k views on my Rules AvA animatic!!!! i actually made a bet with one of my friends that if it got to 15k views i'd MAKE ANOTHER ONE!! and well. it hit 15k.

my next big becker-verse animatic probably going to take longer than this one since i've got a lot on my plate right now,

so in the meantime i thought i'd talk a bit about the animatic and share some of my favorite frames !!!

the animated segments are easily my favorite (obviously). that whole lead-up to the second chorus was SO FUN to draw. when i originally made this i didn't plan on animating any of it to the extent i did, i honestly was making it up as i went along

it turned out i added 3 entire animated segments which all sucked the life out of me (but look incredible). and also that part at the bridge GOD that was a nightmare to make

i wanna talk a bit about their designs since that's what people commented on the most:

it is completely intentional that second, chosen, and victim all have the same-ish hair shape. they all look alike cause they're all connected! dark looks so different because he's not a direct part of the victim->cho->sec line of succession. so he looks a bit out of place next to them LOL!

victim's hair is short in the beginning and grows out to this short ponytail, which changes the shape of his hair a LOT. this is bc over time there's a much larger gap between cho and vic (who look the most similar)

second is all round shapes and curls. he's soft and in his pjs and comfortable (for the most part). the only difference between sec and vic at the beginning is sharpness. if second straightened his hair he'd literally look identical to victim before he grew his hair out

cho's hair is a classic that i can never change, i'm obsessed with his horrible bangs. i forget to draw it a couple times in the animatic but after befriending dark he gets another little hair spike bc he gets messier

dark. dark mfing lord. hate to love him, love to hate him. his design is pretty self explanatory, all sharp and pointy and rough and tumble. if he comes back this season i'd probably soften some of his shape's but we'll honestly have to see

the color gang all have their own stuff that goes into designs, but a lot of it is shaved off for the animatic just b/c of simplicity sake + at the time that AvA season 2 happened they hadn't gotten the full extent of their characterization appearing in AvM

if you've made it this far i'll give you a little hint: my next BIG becker-verse animation will very likely be for AvM. i have some concepts for AvA ones but i really want to give AvM attention too since i cry about it like every few months

lastly, here's some unused frames that didn't make the cut:

THANK YOU ALL SM FOR THE SUPPORT!! <3333

[x-fag]

got way too carried away on this one. sorry if its bad i was under The Influence

even the reynolds got something to say

part 1, part 2, part 3, part 4, part 5, part 6, part 8

[laser-tripwires]

alright, R3 trailer analysis time. strap in.

y'all thought i was kidding about doing a shot-for-shot breakdown of this thing? i wasn't. let's go.

alright so we open on hardison walking down a hallway, tossing his phone from one hand to another (some things never change), looking up, and unlocking a door. from the jump, this is interesting - hardison is very present in this trailer, but we know from Aldis's recent comments in interviews that he's not going to be in this season a ton. i'll talk more on that later.

he opens the door to find parker hanging upside-down over a display case holding a small golden owl - we see later it's the target of their heist. she tells him not to trigger the floor alarms (once again, some things never change). we cut away before we can see hardison's reaction, but given as Sophie has the owl later on in the trailer we can infer that things went within some measure of fine.

exterior shot now, of what looks like the louvre - the alarm sounds could be hardison setting off the floor sensors but i honestly doubt it and i think we can chalk it down to trailer editing; again, given as we see them attempting an on-foot exit with the owl later on in the trailer, i think what goes wrong isn't the owl stealing but is something else. we'll refer back to this image a good few times as the trailer goes on.

so, what does this tell us so far? a few things. one, they're in paris, which means that so far this is from the pilot episode - parker and hardison are dressed as waiters, put a pin in it. it's very likely that this is right at the beginning of the show, and the trailer is going to stay with this plotline for a while. right now, i'm very much just recapping what's shown on screen here, but that'll change as we start throwing in more elements and stuff to chew on. stay with me, this post is long, and this is just part one.

okay, so, cut to a grey bakery van speeding down the street. which immediately raises some questions - we know from the mastermind job that the team do have brick & basil trucks in paris. this is either a stolen vehicle for a getaway or there's something else going on.

sophie, eliot and parker are inside the truck. sophie's wearing a blue suit and eliot's in a dark checked shirt and black tee - again, put a pin in it, we're gonna be using outfits to pinpoint down some stuff as the episode progresses.

then, eliot says "We gotta find a way out of Paris, now." - which again confirms to me that this is from the pilot episode. i didn't go to electriccon, but i'd bet any amount of money that these outfits are the same as the ones they were wearing in the opening scene of R3x1 shown there.

i think it's really interesting that eliot says they need a way out of paris - not france, not this car chase. he doesn't say they need to lose these guys or that they need to get out of the country; apparently, whoever's chasing them is looking in paris specifically.

cool wing mirror shot of the dudes chasing them - black cars, guns, shooting, bullets bouncing off of the back of the crew's truck. oh boy. dunno about y'all, but these guys do not look like museum security to me. couple more shots of the car chase next, which i ain't posting here because quite frankly tumblr's image limit already wants me dead.

we're on a public road and france has pretty damn strict gun laws - narrows it down to law enforcement (no uniforms, no insignias, so possible but unlikely), organised crime (afaik we've never pissed off anyone in the wider paris area, but it doesn't rule it out) or private security. they're probably private security.

parker swerves, while sophie and eliot get thrown around. once again, some things never change. we get the start of a line from parker in the audio. i'll talk about it in a sec.

it's from here that, for me, this is going to imminiently all stop being straightforward. welcome to the next several thousand words of your life, entitled Lottie Bitches About Trailer Editing.

we get a better look at the guys shooting at them, now. definitely not law enforcement - but those are leather jackets and jeans rather than the nice pressed suits that RiZ and their ilk likes to put guys in. whoever this is, they're either ameteur (unlikely), organised crime (again raises the question of "who") or well trained and trying to blend in (raises questions about the firefight in the middle of a street). the team are in trouble.

but i'll also point something out - we can see from the angle here that these dudes have handguns. to quote everyone's favourite murder encyclopedia: "A handgun is unreliable over the distance from the street."

whoever these guys are, if they're trying to take out the team, they very probably weren't expecting their attempt to escalate to a car chase.

now, we see parker saying the line that started in audio a few seconds back - "This was supposed to be a quick little weekend heist." she's in the same outfit and appears to be in the same truck, so this is from the same episode, but those of you paying attention will have noticed the sudden apperance of a hardison directly behind her, and some white sheet thingies that weren't in the last shot. this isn't in the same immediate continuity as what we've just seen.

given as we see in a few secs that hardison was in the back(?) of the truck during eliot's lil fight scene, i'm imagining this line is from after eliot's done his lil fight. it's a great example of the kinds of trick edits we're about to see a lot of throughout this trailer, and if you weren't paying attention you'd think this would be one continuous scene.

next is more of the car chase. car chase is car chasing. i'm remembering the S5 and R2 trailers - speeding vehicles make for good television, apparently. makes for fluff for my post, though, and image limit. so. i'll just say that we didn't see roadworks on the last wideshot we got, so confirms that this chase is long and covering some ground. seems like a basic thing to point out, but as we've already seen with that parker line - trailer editing is deceptive. that's why i've been stating the obvious so much; the more baseline reality we can establish, the stronger a foundation we have for when the trick edits get worse later on. i told you this post would be a lot of me bitching about trailer edits.

alright, eliot awesome time now! and our next line: "Drop me off." he's still in the front of the truck right now, provided that bit of webbing we see next to him is the same bit of webbing we can see behind parker and hardison for the 'quick little weekend heist' line. so this probably - probably - comes imminently after the 'we need to get out of paris' bit earlier. i have no idea what he's lifting here - some kind of sack or cardboard box? unclear.

we hear eliot say "This won't take long." it's in VO - but probably continues on from the last line. trucks stops, cars pull up. notable that the dudes leaning out the windows with handguns are now inside the cars, assuming that this comes after that bit of the car chase, which i think it likely does. pretty reasonable to assume that the next bits are all in order.

black screen, punch dude into car door, black screen. fun trailer editing for emphasis! this goon is wearing a beanie and a similar black jacket to the other guys, though his isn't leather. given the door he's stepping out of, it's likely that he was the driver who we couldn't see in the previous shots.

BADASS CAR SLIDE. this dude is one of the ones we saw shooting earlier - and, fun fact, this was the first screen any of us saw for R3. last filmed scene; most of the show was filmed in order with the pilot first, but some of the stunt stuff takes longer so they just gave up and flew everyone out to belgrade for this bit specifically, given as the electric entertainment folks had to be there for filming The Librarians: The Next Chapter anyway. if you go looking i think christian still has a video up on his facebook with the stunt coordinator from when they wrapped this.

another black screen then, because trailer editing. gunshot sound effect but we see that eliot's fine. still on the same dude here but a few seconds later in the fight, eliot slams him into the car. dude falls, fade to black, and then we cut to eliot opening the truck door (presumably just after this fight, given how haggered he looks) and we get what's easily the funniest line in the trailer from hardison: "There's my special little guy. How was your first day at school? Did you make any friends?"

...and a facial expression from eliot that i can only describe as 'dammit hardison'.

cut back to our louvre image, now in red and surrounded by some other pictures (we can see the eiffel tower, a skyscraper that turns up later in the trailer, the nola headquarters and a river i can't quite place yet) - this red and teal blue seems to be the colour scheme for all the promo this season. text sliding of "The Team Is Back" turning into "The Scheme Team Is Back" - first time i saw this i was expecting us to go into a bunch of different team nicknames, but we don't. which makes this interesting, because we haven't ever heard that moniker for the crew. i like it, it's cute!

from here, the trailer changes slightly and we go from an almost-chronological throughplay of the pilot into an avalance of clips from the season as a whole. means my job gets a lot harder. but on the plus side, cool titlecards for everyone! this is actually the most we get to see of random miscellanious episodes, so make the most of it.

first up, sophie! blowing out some kind of insence match thing, wearing a hippie-style denim dress reminiscent of tara's outfit in the future job. doesn't exactly narrow down what the grift is, because this kind of personality will be of great use in many circumstances, but means we're for sure in for a fun ride.

next up is parker and this is where stuff gets complicated.

there's a number of things here. one, parker's sniffing money - obvious, adorable, once again some things never change. two, she's in a blue waistcoat and shirt with a red bowtie, which we'll see her and hardison in multiple times throughout this trailer, making the second distinct plotline we can kinda almost follow.

the question of when in the show this is from is up in the air - but, given as among other things that stack of bills parker's got her nose in appear to be €200 notes, i'm currently guessing it's also the premiere. we'll keep looking back for this as time goes on. with the exception of some scattered clips, there really doesn't appear to be that many episodes mixed in to this trailer. i'm reminded that the s2 of a show called The Ark, an electric entertaiment show that came out last year, mixed up basically only the first three episodes and the finale for it's trailer (with again the exception of some scattered clips). we know hardison is in the premiere, episode two (put a pin in it) and probably the finale. i'm going to keep coming back to this because it's by far the most interesting question in this trailer, and luckily also one that we'll probably get an answer for relatively soon.

nothing unusual in the next few shots.

we've just a grumpy eliot in his natural habitat of punching people in what appears to be a kitchen. like sophie's, this isn't an outfit we see elsewhere in the trailer so we can assume it's from one of the as-of-yet-inscrutable midseason episodes. the apron eliot's wearing has a fleur-de-lis on it, meaning this is either in france or nola and because of the aforementioned non-reccuring of this outfit with the information i currently have i'd say it's just a random shot from some episode down the line.

next is bree, bree, my darling bree. we do not get enough of her and harry in this trailer (explained partly by electriccon peeps telling us that the two of them aren't in at least the opening of the premiere episode). nice to see she's still got the ace sticker on her laptop that she had last season.

then harry, playing what looks to be pool or snooker in a dark room. we see later on in the trailer that the team has installed a red games table, so it's likely that like breanna's titlecard this is at the nola headquarters. i'll be honest, when i saw this i almost reflexively ticked off the "harry does a terrible accent" square of my bingo board.

it was at this point when writing this post that i hit tumblr's image limit for the first time, and realised that that was going to be a problem. last and certainly not least of the title cards come hardison - in the same silly blue waistcoat thing as parker. we're going to come back to this exact shot later with a dialogue line, so i won't say much on it now.

cut to hardison at a briefing saying "We fix things," and a reaction shot of the crew, which we can tell is a straight shot reverse shot because of sophie's shirt. hardison's line continues on in VO with: "We stop bad guys nobody stops." behind him, we can see two headlines, one that's presumably 'lawsuit to be heard in court' and another that's 'activist strikes [...] blow for local [...]'. standard briefing, with the glaring exceptions of the fact that A) hardison is basically begging here - no reason for a big speech like this unless he's asking them something extremely important and B) eliot's in an arm sling. put a pin in it, we'll come back.

the next couple of shots are a blowoff and a seemingly unrelated moment of parker and harry saluting to someone offscreen.

the bad guy getting put in a car by some cops is actually the moment in this trailer i'm the most confident on. poster in the background says rio de janeiro, which is interesting. a while back, john rogers said on social media that they did an episode on water shortages in central/south america; i'm betting that's this dude. in terms of what episode, the premiere has a credit for "rio pedestrian", but given as that seems to be solidly set in paris i don't really know. cool that my stalking of a showrunner's bluesky has for once provided some useful foresight, though.

now for parker and harry here, which seems to be disconnected from our previous shot. harry's in his regular lawyer suit, but - as many people have pointed out - parker's costume here is extremely reminiscent of her MiB look from the first contact job. even the same hair. it's a cool look. she and harry are also saluting, which just raises... so, so, so many questions. i'm open to any theories or ideas people have for this - personally i'm just praying for another top secret government agents con.

alright next up is the most solidly baffling sequence of editing in the entire goddamn trailer, according to me. i'm taking this a little bit out of order so i can explain properly.

so, wideshot, eliot and harry playing pool/snooker (seriously someone tell me how to tell the difference) on the new table. breanna's talking, i'll go into what she says in a sec when i move into talking about the con. we cut from there to harry and sophie and then to bree putting some stuff on the screen (pin. it.) and then to sophie wondering what she's going to wear.

now.

notice anything?

bing bing bing! that's right, the random sophie and harry reaction shot has harry and sophie in completely different outfits than all the surrounding shots. why? fuck you! no idea. i did say that this post would be mostly me bitching about trailer edits. see why i made a whole point about establishing baseline reality? yeah.

right, let's talk now about the stuff breanna throws up on the screen, because it's some of the most interesting shit in the trailer:

"The scum of the scum," huh? we've got location markers on five dudes here - one unknown, one in transit maked over nola, and then guys in paris, montreal and karachi. paris, makes sense. nola, makes lots of sense. montreal and karachi? we've never so much as mentioned either of those cities.

this is clearly a breifing from some episode that we don't have a whole lot of information on. the dude located in paris makes me think it's somehow connected to the pilot episode, but i couldn't tell you how.

next shot, a sign saying mumbai airport, and sophie stepping out of a car in a blue summery dress in front of an airplane hangar. given as mumbai isn't really anywhere near any of the cities the bad guys from a second ago were hanging around, i'm willing to bet that this is an entirely different episode. we do come back to it once or twice throughout the trailer, though, so keep your eyes peeled.

right. the next sequence is A) important and B) fast, so i'm going to tackle it all in one block.

we've got a wideshot of a skyscraper with what looks to be the golden gate bridge in the background (making me think this is san fransisco, though it could just be a generic bridge). from there, we zoom in through the windows to parker dancing through some red lasers before reaching a keypad and pulling her balaclava off with an "I'm in."

now. a few things.

one, we've only seen red lasers once, and we've only seen parker run a solo break-in in a balaclava once. both happened in the inside job - the lasers in archie's flashback, and the balaclava as the episode opens. obviously, those are both aesthetic things, and given as parker's talking on her earbud we know she's probably with the team here. but it for sure pings my 'this is from a parker episode' spidey senses, especially given as - with the singular exception of that very crucial flashback - all the laser tripwires we've seen in the leverage franchise so far have been blue.

(oh and so i don't forget - @independent-fics sent me an ask saying that this scene looked like it was in the nola HQ, but i honestly think that's just them using it as a filming studio. won't be the first or the last time, and the zoom in from the skyscraper sure implied this was an external con. sorry.)

right, so, we've almost reached the bit of this trailer with actual. y'know. themes. i told you we'd come back to that hardison shot i skipped over earlier!

"I don't wanna do this anymore."

"You don't wanna crime anymore?"

and just. wow. yeah. so, we're in those blue waistcoats - meaning once again that i think this is either episode one or the finale, though e2 is still also a possibility (i'll explain why later). that's the same safe parker was standing in front of for her titlecard, so i think this probably takes place a few seconds prior to the liberation of those euros from earlier.

i wish we saw hardison's response to this. we're setting up a proper big arc for parker this season, from the looks of it. the question of retiring is one hardison's answered before - he's gone on record saying he never wants to get married, could never retire. i reckon that those things might both have changed, especially if the electriccon folks are right with the proposal spec. given as we do see parker happily pull that money out not long later, whatever he says can't be that devastating. i guess we'll find out.

but, speaking of devastating...

"I don't like watching someone I care about take punches meant for me."

now. before i dig into the meaning of that - and i will, i'm trying to analyse as well as summarise here - let's just look at the facts of the scene. given the outfits and the fact they're in headquarters, i think this is pretty soon after hardison's breifing that we saw earlier. because it's thus also probably the start of an episode (or possibly the end of the premiere?) that again narrows us down to pilot, e2 (THE PIN IS THERE I WILL GET TO IT I PROMISE) or finale. i'm saying e2 at this point, tentatively. depends on if we see eliot being injured or not.

oki-dokey, time for the analysis. i've had quite lengthy conversations about this with both @ghostlyarchaeologist and @aardvaark (and plagurised said conversations heavily in this section), and we're all kinda coming to the conclusion that... well, yeah. let's look at it from eliot's side: he didn't expect to live this long. no-one expected him to live this long.

i'm remembering the drop in sophie's face after the big tearful til my dying day thing in long goodbye. she knows eliot's gonna die for them. eliot knows it too. he's okay with that, he's not happy with it but it's as good an ending as he can hope for. and now we're over ten years later and "I'm afraid there's no such thing as a fair fight anymore." no-one can take him out. eliot knows how good he is but the truth is that he's goooood. and he's lucky, and he's smart, and he's surrounded by loved ones. he could grow old. this doesn't have to end on the wrong side of a bullet or a punch or a knife.

but in order for that to happen, he needs to let himself rest. which he won't, because there's always more to do. maria's right - he thinks that as long as there are bad people doing bad things, he doesn't deserve to be happy. maybe that's not how he consciously would explain it, but it's sure the rulset he's been living off for the last while, since we ticked over some imaginary expiration date. and it sucks, even if he's not really wholly in the wrong.

you noticed now that we're briefly cutting back to the first fight scene we saw, with eliot against the goons in paris and an unfun looking punch in the gut. if this brief montage is intending to show causality, then it again implies that this hardison scene is at the end of e1 or sometime in e2, especially given the following scene being our blue waistcoats again, and my current bet that those are premiere outfits. for something more fun, have hardison failing a vulcan nerve pinch:

i love the incredulous look on the guy's face. not how you do it, hardison! we can see parker breaking into a safe in the background here (or possibly breaking out of the room they're in?) and luckily for our overenthusiastic trekkie, eliot swoops in once hardison's down.

note: the arm eliot's using here is the one that doesn't end up in a sling. if my guesses are right about the ordering of all this and this is e1 with hardison's breifing being end of e1 or the beginning of e2, then this makes sense with eliot's arm injured in a preceeding fight. although, again, with nothing solid to tie the blue waistcoat continuity to any other scenes, we can't know for sure.

"Seriously dude, you try the Vulcan Spock thing again?"

"It's gon' work one of these days."

(not if you do it like you just did, it won't.)

and with that, i'm going to finish off part one here - there's a minute left of the trailer but i'm a little bit sick of dodging around tumblr's image limit! we've still got a lot of ground to cover, including a truly ridiculous number of parker awesome moments and a few returns to a lot of stuff we've already covered so far (i promise i will take out all those imaginary pins).

endless thankyous to everyone who chipped in with help and theories and rubber ducking and more than a few sanity checks - @lindseymcdonaldseyelashes also deserves a mention because any time i'm citing electriccon i owe my info to her. part two can be found here. i've been lottie, my main is @the-tomorrow-road, and you can follow me here for endless streams of leverage crazy. the con is on!

[fafodill]

If you want to tip me for my work or get a commission, you can go on my Ko-Fi here!

I'm fairly knew to this system, but I've also been taking commissions on insta for a few years now (go here if you want to see the rest of my non-hp work)

If you want a pocketable version or your pookie having tea with you or just a silly interaction between them, or anything else really, I'm just one DM away~ And you can look below at the art I can do as inspo if you want.

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Here you can find all the HP stuff I drew:

Order of the Phoenix: 1, 2, 3, 4, 5

Hogwarts Staff silliness: 1, 2, 3, 4, 5, 6, 7, 8,

Standalone Snape: 1, 2, 3, 4, 5, 6, 7, 8, 9

Headcanons: 1,

Other Snape art: 1, 2, 3, 4, 5, 6, 7, 8. 9, 10, 11, 12, 13, 14, 15, 16, 17, 18

Snirius: 1,

Sex Pollen: 1,

'The War of the Roses' tribute: 1, 2, 3

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Stuff I wrote

My long-ass essays on Severus: Snape&Intimacy, deprived!Snape, Snape&Food, how to bed deprived!Snape, Snape&Hogwarts staff little headcanons

Snape Dreams: 1, 2, 3

On crackships: snophilius, lockmort snaugusta slugvans greblack and kreagulus,

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Metas and Other things

Great posts from articulate people explaining why leaving the fandom because of JKR is not the solution: seriousbrat, saintsenara

My favourite metas: About Snape SA, Bellatrix, Snamione compatibility, manipulative/morally grey Dumbledore, Snape's potion 'mastery', why do we love Snape, one of my fav Snape headcanons, why Sirius changed so much (jkr discussion), top 10 kinkiest/most vanilla characters, Snape through the books, Snape knowing many curses

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Fanfic Reco Masterpost🦇✨

[dragodraws1]

Deciding to draw Eragon with Elven features after reading the first book is a very … interesting decision

I know that the more elven/draconic characteristics will probably appear in Eldest or the book after that, but I liked to think that Eragon probably already developed these characteristics during the course of the first book and didn't even notice.

I imagine it's like a pimple, you don't notice it's there unless you go to a mirror and notice it's there, the only time he considered touching his ears to check it was when Brom mentioned such a detail to him, so to me it makes sense that he wouldn't have noticed it yet because he's been through so much that these details haven't even crossed his mind again.

[imrowanartist]

I don’t know if people are unsure if they can send me asks or tag me in things, but uhm you absolutely can! I’d love to be tagged in tag games and answer asks 👉🏼👈🏼

[fitpacs]

also just a quick note from me

i’ve seen people making posts about stepping back from the community or leaving completely, due to the rocky last few weeks, and i just want to say that i support you 100%!

i’m proud of you for putting yourself first and detaching (whether temporarily or permanently) from what no longer makes you happy, just as the admins have! i - and many many others - support your decision like we support those of the admins.

should you wish to return to the community in the future, we’ll be here to welcome you back with open arms, and if you don’t return - we wish you the best and we’re grateful for your contributions and the time spent here!

and if you are still in the community and still worried about what’s going on - that is absolutely valid! fear of the unknown is perfectly natural, and we’re all here to support each other. however you’re feeling is perfectly valid.

x

[mintypsii]

doodle requests from twt

[rustyboltzz]

ok no deep burning questions but here's some silly ones

is iris a dog or a cat person? and on a similar but not exactly the same note if she was turned into a critter of some kind thru some anomaly would she be a dog or a cat (or something else :eyes:)

if she played minecraft what kinda style would she have (redstoner builder speedrunner fighter etc)

Oh my god... Iris asks.. how I've missed you!!

We're gonna do this a little differently this time. Within the ask, I'll include some little art to go along with my answers, I hope you enjoy! :]

(Perhaps you aren't into reading. If not; you're able to simply scroll through the art within this post by selecting one and swiping back and forth. That or you can scroll down like a normie.)

First question; 'Is Iris a dog or cat person?' Being honest? Neither! If she was to pick between the two, probably dogs, she has specific trauma tied to cats due to Omega-7, which I could explain in a separate ask if you'd like, but in terms of dogs? I think she feels in-between about them. I think she generally thinks they are 'cute' and is probably bonded to the idea of them being protectors (I like the idea that she bonded with some sniffer dogs while on Omega-7), but the fact that they are very high maintenance and demand a lot of her attention and physical affection is overwhelming for her. In short, they're nice to be around temporarily, but not her ideal long-term pet.

As for a pet, though, I think she'd enjoy some sort of lizard or reptile. I asked GlassAutomaton something similar to this in the past, and I agree with what he said there, so I'll just say it here as well; I can imagine her enjoying upkeeping their enclosures and the heat of their sun lamps. I also just think she has this particular affection for them because she grew up in a place where there was a significant amount of them just around regularly. They remind her of home.

I like to think she has this particular affection for snakes, salamanders and geckos in particular, and they inflict a rare case of cuteness-aggression from her when she sees them, but I feel she'd have a hard time ever asking for one as a pet, not because she thinks her overseers wouldn't allow it (I actually think they'd like her to have something other then Alpha-9 to devote herself too) but because she'd get embarrassed about being caught being so affectionate with another little being, even if they're an animal. The gods forbid Iris Thompson from baby-talking an animal in another's presence, in her eyes at least. Gotta keep up that 'Cool-Girl' persona, I guess. (The one that only exists in her head. Aha.)

Next question! 'If she was to be transformed into a little critter of some kind, which would it be?' Picking between the dog and cat, it's a bit hard to choose, I think she shares a lot of attributes with both of those animals specifically. With cats, she's similar in the aspects that she's naturally drawn to warm places, always a little bit touch and go with affection and her mood, and secretly a bit of a cuddle-bug, even if she'd never admit it. And with dogs, I'd say she's very praise-driven, even if subtley, a bit of a suck up when it comes to those she cares about, and quite demanding when she wants to be. I guess this answer ends with her being an Eye-Pet, if that reference isn't too niche. Which, from my understanding, and reflecting back on my five-year-old self's memories, is the mixture between the two animals. But who knows, maybe there's another glorious mixture of the two I'm failing to bring up.

As for any general animal I think she'd transform into, I guess I'd say it would be fun to see a Snake-Iris, which I know is something that's already been conceived somewhere. There's not a lot behind this past how I've connected her with reptiles, and the fact that I think she deserves to unhinge her jaw and swallow a mouse whole, just a little.

Final question! 'If she was to play Minecraft, what playstyle would she attach herself to?' Honestly, it's a little bit hard to choose on this one because I never really imagined her being a fan of sandbox types of games to begin with, but! I'd like to imagine she'd probably attach herself to the 'miner' type playstyle. She seems the type to get into the game for a couple of weeks and devote herself hard to one goal at a time, like upkeeping a fort and a farm and grinding for all the best materials (Atleast the ones she deems 'ethical', whatever that means. I think she'd learn about the villager trading system and be mortified.) only to get incredibly embarrassed that she wasted her time on such a 'nothing' task and never touch the game again.

Do I think she's good at grinding? Somewhat. On the most basic levels. I think she'd start to feel her brain twist inside her skull if she even tried to conceptualise a Redstone farm, let alone a mob farm, I mean, c'mon! She needs to give her opposition a fighting chance! Trapping them in a chamber and swiping at their legs is just too far for her! She may be a fighter, but she has morals..

Speaking of fighting, I think one of the things she genuinely does get good at in the game is the combat system, even if she's just practicing it on the hostile mobs. If there is one thing Iris Thompson cares about, it's her safety, and it's also most certainly being prepared.

Finally, I think far in the future, or perhaps not, her and Jacqueline (SCP-1985) would play together. Iris would probably play hardball at first when Jacqueline suggests they start a little world together but eventually cave at the prospect of building something with someone else. It's a flattering idea to her, even if she'd never admit that. I think Jacqueline has a much more laid-back playstyle. She enjoys the nature and life the game holds in its scenery. She enjoys being able to build something beautiful from scratch. I think she's an immaculate builder and devotes far too much time to perfecting her landscapes within their worlds. Makes her and Iris a neat little cottage away from it all, and while she finds it a bit ugly, doesn't abject when Iris builds fortress walls around them to keep them safe, maybe just spiffs up her watch towers a little bit.

[orb-weaving]

So anyone want to tell me about their rarepairs

[bearimba]

Finally sat down and drew my hgss redesigns >:)c They're still a bit rough but I think overall I like where they're at!

misc notes vvv

Lyra:

cute but tomboyish style

doesn't really change her appearance at all ever. The pigtails remain her main hairstyle her entire life, and she tends to wear the same clothes until they're falling apart and then some.

doesn't really care about how she looks beyond her own stylistic preferences. once she becomes champion and functionally becomes a celebrity, she tries a little harder since it seems to matter to the people around her.

a big fan of gingham patterns I think :) picnic vibes

wears a lot of long sleeves (she gets cold easily. this doesn't stop her from wearing shorts all the time as well). might put on a dress once every never.

she likes painting her nails sometimes but always picks it off.

Ethan:

skater boy/athleisure aesthetic, later adds a hint of techwear. most of his style hinges on what he thinks is cool or is trending

cuts his own hair based on vibes and vibes only. is surprisingly very good despite this. helped Kris clean up her hair, and is the only person Silver trusts with his.

^^^to clarify on the shaved head thing, his parents were very wishywashy when he first came out as trans at ~13 ("what if you're too young to know!" kind of stuff. queer culture wasn't very mainstream in Johto but they're very supportive now that they're more informed), so he shaved his head to show how serious he was about it.

the kind of person to get 50 million mismatched tattoos, except his grandmother would actually murder him (cultural/generational difference). he gets patches to iron on his jacket instead.

Kris:

drastic switch from vaguely outdoorsy to very alt/butch aesthetic

partially dressed for other people as a kid, never really got the chance to find her own style.

resulted in a full-on identity crisis in her early/mid-twenties, chopped her pigtails off in the bathroom at midnight. she had to call Ethan to help her fix it---he was very supportive and only made fun of her a little :D

continued to experiment, finding herself and her preferences even outside her style. questioned her gender for a bit as well before deciding she was comfortable in her femininity and just happened to enjoy presenting masc.

professionalism is still very important to her, so she cleans up when at the lab or otherwise in a work/formal setting.

Silver:

wore grungy clothes out of spite (both in a transmasc way and because his father was very strict about public appearances), shifts to a more refined/practical taste. leather jackets, cargo jeans, high-collared shirts, etc. but elegant.

how he looks is important to him, but he didn't have the time/money/energy to spend on upkeep while living on the streets

comfort and aesthetic are equally important to him---this makes it difficult to find clothes he actually likes.

hates how he used to look because no one took him seriously (baby-face + stolen oversized clothes + obviously forced deeper voice)

slowly worries less about passing, eventually leans back into his fem side (this time in a genderqueer way). he's the most likely of the johto4 to wear makeup (mostly just eyeliner) or nail polish (always black). he likes maxi skirts especially :)