#musical prompts

[mistresslrigtar]

You Don’t Know Me by Michael Bublé

Also congrats on 200 follows!! That’s awesome!!

Written for my 200 follower writing challenge. Send me a song prompt.

Thank you for the prompt, @abbyzwrites! I hope you like it.

Excerpt:

As he lifts his chin and stares up at the ceiling of his room, Link tries not to think about how close Zelda is standing to him. Or that she smells like spring rain and fresh flowers. Or that the straps of her shimmering periwinkle dress accentuate her collarbones. Or that the song she’s softly humming is ‘their’ song, but they’re not together. Or that the tie she’s currently fixing, after his bungled attempt, matches her dress because he never dreamed in a million years she’d accept an invitation from someone else to attend the Homecoming Dance.

[free-for-all-fics]

Phantom of the Opera (1943 Film) Prompts! Pls tag me if you’re inspired by any of these ideas and I’d love to read it! 🎭🧡

1. Erique Claudin was madly in love with you in his younger years. He was a very handsome and eccentric man with a great talent for music. You soon became lovers and later told Erique you were with child as soon as the doctor confirmed it. Not wishing your baby to be a bastard and raised out of wedlock, you and Erique made plans to marry as soon as possible, before your stomach could possibly give you away. You later bore a beautiful daughter, Christine. Erique had composed a song for you during your courtship and later added a part for Christine after her birth. When she was little, Erique would play the violin while you’d rock her to sleep and sing an old lullaby that you both knew from Provence.

Unfortunately, you died when Christine was still very young, devastating Erique. He didn’t know what to do without you. You were dead and he was clueless when it came to raising a girl all by himself. Due to his demanding job in the Opera House Orchestra and your untimely death, he didn’t have the proper means to take care of Christine, who was only a baby or toddler at the time. He couldn’t raise her himself, so he either sent her to live with your family or put her up for adoption. Either way, he made sure she went to a good home. Whether it was your maiden name or her adoptive family’s name, she took the name DuBois and never knew of Erique’s true connection to her.

As she grew up, she resembled you more and more each day. Erique never found another love after you. Twenty years of you being gone, and he wished every day you were still with him. When Christine began her singing career as a chorus girl in the Opera, he put his entire fortune towards her education, anonymously funding her singing lessons. She was blessed with the gift of her mother’s voice and every time Erique heard her sing, he heard you. After he’s dismissed from the Orchestra due to his hand injury, he has to withdraw his support from Mademoiselle DuBois only for a little while, just until he can secure another position. But a series of tragic events lead to him committing murder and his face being burned by acid. A man who’s suffered so much loss would do practically anything for the love of his daughter, even kidnap her and try to force her to stay with him in his home in the underground sewers forever. Christine is the last vestige of you, his darling wife, and he can’t bear to lose her.

He tells Christine that he’s her father and he loves her. She’ll now sing all she wants, but only for him. He keeps a portrait of you in his lair and tells Christine all about her dearly departed mother as he reminisces on his much happier memories of being an aspiring musician. He was young and didn’t have much money or commercial success yet, a starving artist. But what little money he had would always be spent on a ticket to the theatre, just to see you. He was in love with you from the moment he first saw you on stage, so his earnings were well spent in his eyes. He could live without food or a roof over his head, but he couldn’t live without you.

“She was in a repertory company. the same actors and actresses doing different plays, a different play every night. First time I saw her, she was a singer who had a broken heart, a lot of sad songs. Had everybody in the theatre crying, whole ocean of tears.”

“I don't think I'd like that.”

“Yes, you would. Everybody did. Next night, she was a dancer. Whirling around the stage, sparkles in her hair, lighter than thistledown. Took my breath away just to watch her.”

“Dressed like that?”

“Yes, child. Artist didn't paint her as pretty as she was.”

“Did you see all her plays?”

“Every one of them. Not just once. The theatre was my courting place. I sat right in the middle of the front row every night, where she could see me. After, I went backstage. Was four days before she even said hello.”

“Oh. Then what?”

“Then it was the wonder, the glory, sunshine, and lightning all at the same time. After we learned we were expecting you, I came to the Paris Opera House to join the Orchestra. With my salary, I built us a house. I then went back and asked her to be my wife. When she said yes, I was so happy I was dumbstruck for an hour.”

“Why did she go away?”

“It's none of your business why.”

“I'm sorry.”

“She tried to retire and stay home to focus her energy on raising you, but there was nothing here but the house...No theatre, no people...no company except for the birds singing. As much as she loved you, she wasn't used to it. I didn’t get home from the Opera House until late in the night. She got the lonesomes so bad she couldn't stand it. Uh...she went away for a little...back on the stage again.”

“In Paris?”

“Ohh...other places. Mostly Paris. Uh, standing around here talking, the spiders will be gaining on me. Be cobwebs in here thicker than before. Come, sit. Listen while I play for you. Did you know I wrote this song?”

“No.”

“I did. That’s why I wanted to teach it to you, but it was not to be. These aren’t just notes, there’s something hidden in the music. These notes here, they represent you. They find their way into every song I play. This phrase…this is your mother.”

“Are you in the song?”

“Somewhere, but it’s not important. You and your mama are all I can hear when I sit down to play.��

2. Erique becomes creepily obsessed with you, a young woman who works in the Opera House and reminds him of Christine’s mother. He may or may not have been able to marry Christine’s mother, but he loved her greatly all the same. He tragically lost her either through her death or her falling out of love with him, and has since never been able to get over her. You encountered him a few times in the foyer, on the stage, or outside the Opera, but that’s all. You were so busy with your daily work that you didn’t have much time to acknowledge him beyond a polite hello in passing. Erique was deeply offended and driven into taking further action with you after being criticized by Signor Ferretti for his love of you. He believed that Ferretti spoke out of turn and dared to insult not just him, but you as well.

“Claudin, if you don’t mind me saying so, you’re a fool. A man of your age might secure a young girl like her if he happened to be the director of an opera company, but a poor violinist…”

How dare he doubt your love or the piano concerto he wrote for you! He may be a man of forty-eight years and past his prime, but you never treated him differently from other men just because of your significant age gap. You smiled at him in passing, happily accepted all of his courting gifts which he spent a fraction of his fortune on, etc. It was Signor Ferretti who was the fool for failing to see how deeply he loved you and how you loved him in return! Unbeknownst to Erique, you mistakenly thought his anonymous gifts were from another potential suitor, a handsome man who was closer to your age. You’ve never thought of Erique in such a way, but he’s too delusional in his fantasies of you to realize this. He secretly has a marble bust made in your likeness that he keeps in his room so he may gaze upon your lovely face while he’s composing. But soon the marble bust isn’t enough. He needs to have the real thing.

Following his first act of murder and tragic disfigurement from the acid, he begins his reign of terror as the Phantom. He steals the master key to the Opera House and, with that key in his possession, he can open 2,500 doors! To say nothing of thousands of closets and cabinets. He can hide everywhere, the entire police force couldn’t find him here. He unlocks your door and sneaks into your bedroom while you sleep. You’re in such a deep slumber that you barely stir while he strokes your cheek, moves your hair out of your face, and presses his nose against your skin to inhale the sweet scent of your perfume. Oh, his love! His wife! He leaves you with a brisk kiss and disappears back into the sewers. He has such big plans for you! Wonderful plans!

You start to notice a man’s shadow following you, but it always disappears before anyone else can see him. You start to hear a man’s voice speaking through the walls. From what he says, he sounds lovesick and it creeps you out. You try to warn others but no one else believes you except Vercheres. You develop insomnia and deep feelings of paranoia because of your fear and anxiety. When an opportune moment presents itself, Erique kidnaps you and takes you to his underground lair in the sewers, drugging you to ensure your cooperation. While you’re asleep, he puts a wedding ring on your finger and a matching one on his own. His young bride is a vision! So very beautiful, so very lovely!

“You’ll stay here with me, my wife, won’t you? It’s been so lonely without you but you’ve returned to me at last, haven’t you? We’ll be together forever. Now you’ll sing for me, and I’ll play. It’s beautiful down there. Beautiful. Come now, my darling one.”

“There's a piano in the Opera foyer. Let's go there. You play, and I'll sing for you.”

“But you don't understand. We can't go back there ever. It was I who made the chandelier fall. I for you, my love. But I warned them. I told them there'd be death and destruction if they didn't let you sing. Come. See? Didn't I tell you it was beautiful? You didn't know we had a lake all to ourselves, did you? They've poisoned your mind against me. That's why you're afraid. Look at our lake, dearest. You'll love it here when you get used to the dark. And you'll love the dark, too. It's friendly and peaceful. It brings rest and relief from pain. It's right under the Opera. The music comes down in the darkness, distills it, cleanses it of the suffering that made it. And it's all beauty. And life here is like a resurrection.”

He forces you to play along with his deluded fantasies, often believing you’re his lost love and calling you by her name. You’ve tried to tell him you weren’t her, and sometimes it works. In his moments of lucidity, he calls you by your real name. Those hours or days are much more bearable for you. Other times, however, his behavior is unpredictable and trying to break him out of his fantasies has yielded disastrous results that have frightened you terribly. You’ve had to tread very carefully not to set him off because his personality can flip at any moment. Claudin as the Phantom talks in an extremely gentle, husbandly manner to you and almost never raises his voice to anyone, which makes him even more chilling with the murders he commits.

“Is that any way to talk to the father of your children?”

“Children? What do you mean children? We have only one child.”

“No, my darling. We have many children.”

“My god, what have you done? Tell me, what have you done?!”

“Would you like to see our daughter? Would you like to see our Christine? Would you?”

“Yes!”

“My darling daughter, your mother has returned to us. Come, give her a kiss.” He’s kidnapped at least three children; a boy, a girl, and an infant. The girl resembles Christine when she was a child. Same colored hair hanging in ringlets, same eye color, same porcelain pale skin and red cheeks. He’s trying to recreate the family he wanted but could never have before Christine’s mother either left him or died. Oh, God.

3. Unbeknownst to either of you, you’re Christine DuBois’ twin sister and are both daughters of Erique Claudin. You were separated at birth after your father put you both up for adoption. Your mother was dead or otherwise gone, and Erique was clueless when it came to raising two girls. While Christine is an aspiring singer and sings in the chorus, you’re an aspiring ballerina and dance in the ensemble. Despite your respective talents, neither of you are given much opportunity to shine. You’re both kept to the background and overshadowed by the prima donna and prima ballerina. You both encounter Erique a few times in the foyer or on the stage or outside the Opera. He showed concern for Christine when he noticed she wasn’t on stage during the Act Three curtain call and asked if she was sick. Similarly, he does the same with you when he notices you’re missing from the stage. Why weren’t you there? Forgive him, but he’s been here so long that you - everybody and everything connected with the Opera is so much a part of his life. You weren’t ill, were you? You’re not in any trouble? Oh, it’s impertinent of him, he knows, but uh…

When Erique suffers an injury to his left hand that prevents him from the use of his fingers and negatively impacts his performance, he’s dismissed from the Paris Opera Orchestra. He no longer has the means to anonymously support either of you. Claudin has secretly spent all his fortune on yours and Christine's education, and he has no money left to go towards his forced retirement. He has to withdraw his financial support from both of you only for a little while, just until he can secure another position. But Signor Ferretti refuses to tutor Christine any further without proper compensation and your ballet instructor is the same. Why should either of them assume Claudin’s burden after he spent all his money on the two of you? The girls mean nothing to them.

But your careers mean more to Claudin than anything else. Neither you nor Christine can afford the lessons on your own. A month’s salary wouldn’t be enough to pay for one of your lessons. Desperate to provide for his darling daughters, he hopes to have his piano concerto published and receive a substantial advance for it. But a misunderstanding leads to Erique committing his first murder and getting his face burned by acid. This sets off a series of unfortunate events that turns him into the Opera Ghost. A man would do practically anything for the love of his daughters, even murder anyone who would get in the way of their careers.

He later tampers with Biancarolli's drink to make her fall asleep and unable to sing. Christine, her understudy, has to take her place on stage. Erique also sabotages the current prima ballerina by putting glass in her ballet shoes or otherwise breaking her feet/legs by creating a terrible accident on stage so that she cannot dance and you have to take her place. He’ll help both of you reach your full potential and you’ll become a great and famous ballerina, as Christine will become a great and famous singer. Biancarolli, who suspects that Garron and Christine are responsible for drugging her, orders Raoul to arrest them. The prima ballerina suspects you of causing her injury and orders your arrest as well. But Raoul says he cannot because there’s no evidence. Biancarolli and the prima ballerina both say they’ll forget the affair only if both you and Christine are replaced as understudies and your performances are not mentioned in the papers.

Both Biancarolli and the prima ballerina are later murdered, along with their maids. They’ve been strangled to death by the Phantom to make room for the unsuspecting Christine and you to take their places. He later kidnaps both of you and takes you down to his lair in the sewer tunnels, revealing that he’s your long-lost father and you’re sisters. Words cannot express how sorry he is for disappearing from your lives and not being able to watch you grow up. If he could’ve raised his daughters himself, he would’ve kept you both in a heartbeat. But he didn’t have the means to raise two girls alone, and needed to give both you and Christine your best chance. So with a heavy heart, he gave you both up to be adopted by other families when you were only a few months old. Now reunited, he wants all three of you to be together forever. A happy family, as you should be.

“You’ll stay here with me, my children, won’t you? It’s been so lonely without my girls but you’ve both come to me at last, haven’t you? Now, Christine, you’ll sing for me. Y/n, you’ll dance for me. I’ll play. We’ll be together forever. It’s beautiful down there. Beautiful. Come now, my little ones. There, you’re not frightened now, are you? You know I’ll not harm either of you, don’t you? How could I harm you? I’ve always helped you. Haven’t I?”

“Yes.”

“Yes what?”

“Yes, you’ve always helped us.”

“Of course I have. Biancarolli knows. The former prima ballerina knows. She wouldn’t let you sing. She wouldn’t let you dance. They didn’t know how much I love you. Now they know. But it doesn’t matter now. Nothing matters except us. Now you’ll sing and dance all you want, but only for me. You will, won’t you, my darling daughters?”

“Of course…Father.”

4. You were born into a wealthy and well-connected family. Your father took the family on a tour in Europe where you were introduced to an English-born Parisian hostess, with whom you bonded. She was a stimulating hostess who didn’t care for her appearance, and while her ideas didn’t always agree with those of her guests, she was incapable of boring anyone. Her behavior was exasperating and eccentric and she had little respect for upper-class women, whom she regarded generally as inconsequential. She generally rejected female company and spent her time with male intellectuals. She made an exception, however, in the case of your family and you in particular. She demonstrated that women could be equal to men, an idea that you hadn’t learnt from your mother.

You were respectful of your family's opposition to you working as a nurse, only announcing your decision to enter the field. Despite the anger and distress of your mother and sister, you rejected the expected role for a woman of your status to become a wife and mother. You worked hard to educate yourself in the art and science of nursing, in the face of opposition from your family and the restrictive social code for affluent young women. After being confronted by two potential suitors who demanded you choose between them, you chose neither and pursued your nursing career unhindered by marriage prospects. You’re now working at the Opera House, as a literal theatre nurse. You take care of the performers and other staff in cases of fainting spells, accidents, sickness, or injury. Unlike your predecessor, you’re young, beautiful, and sweet-natured.

You met Erique Claudin and knew him only as a violinist in the orchestra. You encountered him a few times in the foyer or on the stage or outside the opera, but that’s all. He seemed eccentric but harmless. But over time, you found yourself wanting to take care of him. You’d notice how he’d keep odd hours and would hardly eat anything. Why doesn’t he get himself something to eat before the opera instead of keeping himself up all hours? You notice he has the same soup night after night, week after week. The Opera House staff gossip, falsely believing that his overdue debts is caused by him being a miser, and they complain about it.

“What that man does with his money is none of our business. If he wants to hoard it and starve to death, that’s his affair. But we hear he hasn’t paid his landlord for six weeks, and that’s as long as they’re going to wait before they toss him out onto the street.”

“What if he hasn’t any money? Maybe if they’ll be patient only just a little longer…”

“He hasn’t any money? After working for the Paris Opera all these years? What nonsense! What does he expect to do with his money? Bury it with him? If he does, they’ll dig him up and steal it. If he thinks he’s going to add a few francs to his fortune at the expense of others, he’s very much mistaken.”

An artistic genius he may be, but he wasn’t well-learned in the arts of the kitchen. He didn't do much more than toast cheese over bread and add a slice of already cooked meat to it since he couldn’t afford much else. So you cook him better, more savory meals using whatever’s leftover in the restaurant and still fresh enough. There was a roast chicken in the pantry and a previously made broth you found on the stove, so you made do with what you had. You made him another soup, but one that was full of cooked meat and vegetables. Sitting beside it on a plate was a chicken sandwich. You were unsure if he even drank tea, but still made him a cup with sugar cubes and cream on the side in case he wanted to add either.

Erik devoured the whole thing in seconds. Quickly setting the bowl of soup aside, he picked up the sandwich and savored the taste of the chicken, bread and mustard as it all came together inside his mouth. When that was finished, he happily over-sugared his tea and drank it down, feeling contently full for the first time in years. You worried he’d get a stomach ache and make himself sick from eating so fast, but you’re glad he enjoyed it. It seems he doesn’t eat a great deal, and that worries you. He should be eating and sleeping well since he works so hard. He’s very grateful to you.

“You’ve been very kind, you’ve been very patient. You’ll be rewarded for it, I promise you! Now please leave me alone.”

After Erique suffers an injury to the fingers of his left hand, he can only play simple melodies perfectly. He goes to you for help and you examine him. While you may or may not be able to determine the cause, you offer to provide physical therapy sessions, free of charge. You know he can’t afford medicine, but maybe this’ll help him a great deal. Perhaps his injury is only temporary, perhaps it’ll get better, but the aim of the Paris Opera is perfection. It’s with a heavy heart that the managers have Erique dismissed from the Orchestra. He’s been with the Opera a long time - twenty years. You wish you could do more to help him. You’re happy to care for him and he’s happy to play music for you in return, to show you his progress following your physical therapy sessions. He never sought more than a casual acquaintance with you but you become friends and, despite your significant age gap, you fall in love.

But then he commits murder and acid is thrown in his face, driving him to go into hiding in the labyrinthine sewers of the Opera House and begin his reign of terror as the Phantom. In his desperation to protect you and repay you for your kindness and time spent devoted to helping him convalesce, Erique would do anything for you, even murder. He’s so desperate for love and friendship that he may even kidnap you. Fortune had smiled upon him the night that you came to the Opera House, and he had savored every moment he had shared with you. You were his loyal caregiver and companion, when so many others had cast him aside. You had cooked for him, talked to him, and even laughed with him whenever he managed to gather the courage to tease you about something. You even allowed him to snuggle close to you as you read - never before had he enjoyed reading so much as he did with you. How could he possibly let someone come and take that away from him now? His darling daughter, Christine, will never care for him in his old age, but maybe you can. In your years working as a nurse, you’ve probably seen lots of gruesome and grisly injuries such as gunshot wounds, infections, amputations, etc., so he hopes you wouldn’t faint or reject him upon seeing his disfigured face. Even if nothing can be done for the acid burns he’s suffered, he still dreams of spending the rest of his life with you by his side.

5. You succesfully bring to the present time Erique Claudin, a violinist from the 19th century, with a homemade time machine. In the split seconds between when Raoul fired his gun and the underground sewers were collapsing, you saved Erique’s life by sending him here before he could be crushed to death from the falling rocks. The underground tunnels are caved in, and nobody would ever try to move all that rubble to recover Erique’s body. He was presumed dead and Christine was rescued. In his time, only his mask and violin were left behind. You try your best to hide and protect him from exposure while he’s given a second chance at life. He may choose a different name or alias to go by. Modern medicine, technology, and makeup may help him either fix his face or acquire a mask that almost seamlessly blends into his skin more, covering his acid scars and giving off the illusion of a perfect face. His unique talent, behavior, and personality puts him in the spotlight, making it only a matter of time until he’s discovered and what you’ve done comes to light. Annoyed by the current primo uomo of the modern day Paris Opera House, a group of stagehands plot to scare him away and give his position to the young understudy with a shared identity - the Phantom of the Opera. Oh no.

[kochei0]

|| Birds of War

[stardustdetective]

Kill Bill - Hux

[iguessthisisanewobsession]

The ring was small and silver with a single emerald embedded in the metal.

It wasn’t something flashy, it probably cost less than the smallest gem from his vault all together.

But it was perfect.

Which made it so heartbreaking to turn it down.

“Dick.. you know me so well.. I wish I could take this ring, i really do.”

Dick was still on one knee in the little apartment, but he put the small box down on the floor as he asked.

“Then what’s stopping you?”

Danny let out a bitter chuckle,

“The US government.”

[unboundprompts]

hi! i wanted to ask how could i write a scene of a band performing and make it flow smoothly? Reactions to it and inner dialogue of the leader singer while performing?

I hope that makes sense!

Thank you :)

How to Write a Band Performance

Set the Atmosphere with Sound and Sensory Details

Use sensory language to capture the energy of the music, the movement on stage, and the audience’s reaction. Think about the sounds of instruments, the lights, the thrum of bass vibrating through the floor, or how the crowd looks.

Example: The drums kicked in, a thunderous heartbeat that pulsed through the packed venue. Strings followed, filling the air with an electric charge, and the lights dimmed just enough for the crowd to lean in, hungry for the next note.

Anchor the Lead Singer’s Focus

The lead singer might catch moments in the crowd, like a fan mouthing every lyric, someone laughing, or even seeing familiar faces in the sea of people. These little connections add a human touch and make the performance feel alive.

Example: He spotted a girl in the front row, eyes closed, every word leaving her lips like a prayer. She knew each lyric by heart, maybe better than he did. That look kept him grounded—kept him singing.

Use Inner Dialogue to Show Nerves, Confidence, or Distraction

Let the lead singer’s mind wander a bit, but keep it tethered to the music. They might think of something unrelated that they suppress to stay focused, or maybe they reflect on what this song means to them, especially if it’s deeply personal or symbolic.

Example: Here we go. Breathe. Just like rehearsal. But it was never just like rehearsal. Each word brought him back to the night he wrote it—a night he barely survived. He shook off the thought. No. Tonight, it’s just for them.

Describe Body Movements and How They Connect to Emotion

Physical sensations can be as telling as dialogue. The lead singer might feel the warmth of the spotlight, the stickiness of sweat on their skin, or the way their voice feels strong, raw, or strained.

Example: He gripped the mic stand, fingers tight, and leaned forward. His voice cracked on a high note, but he let it, gave it to the crowd raw. They wanted his truth, his realness. That was all he had to give.

Show the Crowd’s Reaction

Describe reactions like a wave, where energy ebbs and flows. The crowd might sway during slower parts, roar during the chorus, or go silent in the song’s more intimate moments. This back-and-forth dance adds rhythm to the scene.

Example: As the first chorus hit, the crowd became a sea of outstretched hands, fingers clawing for a piece of the music. A roar rose, then softened as they sang with him, their voices tangling with his own, something fragile and fierce all at once.

Balance Between Action and Inner Thoughts

To keep the scene flowing, alternate between what the singer does (interacting with the mic, moving on stage) and what they think. Too much inner dialogue could slow down the scene, so give action and reaction space to keep the reader engaged.

Example: He took a step back, holding the last note, letting it resonate through the space. He stole a glance at his bandmates. They were lost in the music too, faces set, eyes closed. It felt like the old days—a secret between them, shared with everyone.

End with a Climactic Moment or a Release of Tension

End the scene with a dramatic finish, like a powerful note, a burst of applause, or even silence if it’s an emotional song. The lead singer could feel relieved, drained, or exhilarated by the end.

Example: As the last chord faded, a brief silence hung over the crowd—a pause, a heartbeat—before it shattered with applause. He closed his eyes, letting it wash over him, knowing that for now, the song was enough.

[corkinavoid]

DPxDC Danny's Strange Gifts to the Bats

So you know how it's common knowledge to not accept any gifts from the Fae? Well, even if the batfam knows about it - I mean, they've dealt with a lot of otherworldly stuff, besides, you shouldn't take things from strangers no matter if they are Fae or not - they might not always abide by it. Unknowingly.

The trick is that you never know if it's a gift or not when you're dealing with the fair folk.

So things start appearing in the Wayne manor. Nothing out of the ordinary, really. A book left on the table in the library, a vintage teacup in the kitchen drawer, a cat toy with some real bird feathers. No one pays them much attention. After all, when you live in a family this big, you don't really keep track of who brings home what.

The book was probably left by Jason. The teacup is most likely Alfred's new addition. The cat toy is totally Damian's. It's not the first time and surely not the last when one or another member of the flock brought something to the manor. The book is put on the shelf, the teacup is now Steph's favorite, and Alfred the cat really likes those feathers.

And then, one day, they all get down for breakfast. Damian is the first to appear, with Alfred the cat in his hands, then comes Dick, who stayed in the manor for the weekends, and Steph, who was here for the movie night and decided going home was too much work. Tim comes to the table with a tablet that is quickly put away the moment Alfred starts serving food. Bruce and Duke come the last, taking their seats, and it is almost like a signal for everyone to start eating. After all, everyone is here now. It is peaceful and quiet, a rare but not unwelcome occurrence that Bruce greatly appreciates.

That is, until a few minutes later, Damian appears in the doorway.

"Good morning," he greets, and everyone at the table freezes.

And then does a double take.

Damian is in the doorway.

Damian is also sitting in his seat, eating waffles, the only one who did not stop when the other Damian appeared.

There are two of them.

Damian-sitting-at-the-table looks up to Damian-standing-in-the-doorway and smiles. His face is stuffed with waffles.

"Goov movning, bvothev," he greets back, and before anyone else can react, Damian-in-the-doorway clicks his tongue.

"You are in my seat. Move."

"I don't see your name on it, therefore it is not yours," argues the other one, not moving from his place. Yet now, when everyone can see his eyes, they finally notice the difference. The one sitting at the table has blue eyes.

Tim all but jumps up from his seat, slamming his hands on the tabletop:

"You-" he nearly chokes on his words, when blie-eyed Damian looks at him, and then at everyone at the table with a confused frown.

"But I thought you liked the vintage films for your camera that I got you? And those four-leaved clovers?" He asks, looking almost hurt. The normal, green-eyed Damian looks thoroughly disappointed:

"Have you been accepting my brother's gifts, Drake? You're lucky they were not courtship gifts."

"Court-" Tim sputters in the middle of the word, looking between the two.

Bruce lets out a long, absolutely resigned sigh. Was it too much to ask for just one, single normal morning?..

Long story short, Danny, being a fae and also just generally a little shit, kept leaving gifts for Bats all over the manor, and they all unknowingly accepted them one way or another, so now Danny has the power to ask for something in return. He chooses to just come to the manor and dump the fact that he is going to live here on them at breakfast. Technically, he just ended the long line of gifts by giving the last one, himself.

| <-prev | next-> |

[caleod]

30-10-24 "Violin"

[kmesons]

@paulkins-week alternate: roleswap

it's still paulkins week for another hour (or so) in my timezone! I'm glad I got at least one prompt finished before it officially ended.

[emacrow]

Alfred's new ward making sure everyone is having great day during their day off from crime whether they want to or not.

Previous original post

Damian knew from day one of meeting alfred's new ward that he was going to be trouble..

He may have been stalking the kid doing alfred's work while alfred sat down in a comfy couch with a plate of fresh jasmine tea, his prescription medince bottle at ready and a raspberry strudel to nibble on.

He ain't going to replace his favorite Butler, not now, not ever. So Damian got Tim and Dick to help sabotage this heathen from taking over...Not knowing this kid was expecting their over the top sabotages. They tried scaring him with Titus but the little traitor lay there on his back getting belly rubs like it was heaven itself.

Changing the plumbing in his shower to freezing cold, but he walk out there refreshed. Tim trying to look of anything to blackmail him only for the batcomputer to go off the frizz with a virus.

Alfred did make sure to have his work sort out alphabetical because he is the Glue that keep these Wayne Manor going and everyone living in it not because caveman style creatures of the night.

Danny made sure Bruce didn't escape to his batcave on his supposed day off after 96 hours without sleep and spite driven nature, and don't even come with Justice never sleep excuses is going to run by him. He got Alfred's speical Bruce's tranquilizer gun at ready and he is not hesitating to shot you Bruce.

He does kept Tim from overdoing with the coffee addiction, giving him a better offer of coffee as long as he goes to sleep. Dick will still talk about Saturday night when Tim tries to sneak out to do some more investigating in the batcave only to see Danny dragged a unconscious Tim back to his room, a two tranquilizers to the back and one of his arm, though he didn't mention the Danny's glowing cat light green eyes that shine in the dark.

Danny's funny puns neon ghost stickers made dick's days, every morning as he goes to get his lunch, and he really want to know where he get them from.

Danny did actually helped a lot with the Wayne Manor as it never been cleaner before, Jason visited one time even mentioned that the chandelier never feel so clean to hang on from, not a speck of dust on it.

Damian getting a new animals book/documentaries, a new knifes for the collection or art supplies that match his demands in a way that keep his stabby nature at sate and bay for now.

Barb, Cass and Duke are amused by the fact that Bruce, Tim and Damian are having a little mid crisis that danny making them have day off on certain days such as holidays.

All this free time actually had alfred's going back to old hobbies that were nearly long forgotten such as conversations with old dear friends, practicing his old shooting skills, and having well deserved rest. Once his arm was healed, he stil did his duty along side with Danny as it was much quicker to do together as two people at hand.

What they will probably find out later on in the future that danny is actually Bruce's great grand uncle from his older sister side, and that he had disappeared when he was 20 years old in a old spooky town that vanished and still on today uneXplained series after his great grandmother moved to gotham. (But that another story for next post)

[poohsources]

🐝  *  ―  𝑬𝑷𝑰𝑪: 𝑻𝑯𝑬 𝑴𝑼𝑺𝑰𝑪𝑨𝑳 𝑺𝑬𝑵𝑻𝑬𝑵𝑪𝑬 𝑺𝑻𝑨𝑹𝑻𝑬𝑹𝑺.

Troy Saga ❛  do what i say and you'll see them again.  ❜ ❛  what do you live for? what do you try for?  ❜ ❛  say no more, i know tat i'm ready.  ❜ ❛  the blood on your hands is something you won't lose.  ❜ ❛  is the price i pay endless pain?  ❜ ❛  something feels off here, i see fire but there's no smoke.  ❜ ❛  we should try to find a way no one ends up dead.  ❜ ❛  why should we take when we could give?  ❜ ❛  i see in your face, there's so much guilt inside your heart.  ❜ ❛  have you forgotten the lessons i taught you?  ❜

The Cyclops Saga ❛  it's almost too perfect, too god to be true.  ❜ ❛  what gives you the right to deal a pain so deep?  ❜ ❛  your life now is in my hand.  ❜ ❛  remember them, we're the ones who carry on.  ❜ ❛  what good would killing do when mercy is a skill more of this world could learn to use?  ❜ ❛  i am your darkest moment.  ❜ ❛  i don't know where i went wrong but i warned ya', and you failed the test.  ❜ ❛  that's just like you, why should i be surprised?  ❜ ❛  unlike you, every time someone dies i'm left to deal with the strain.  ❜ ❛  i'll remind you i saw you as a friend but now we're done.  ❜

The Ocean Saga ❛  at this rate, we won't make it out alive.  ❜ ❛  please don't tell me you're about to do what i think you'll do.  ❜ ❛  yes, but how much longer til your luck runs out?  ❜ ❛  you rely on wit, and people die on it.  ❜ ❛  you're like the brother i could never do without.  ❜ ❛  and suddenly you doubt that i could figure this out?  ❜ ❛  keep your friends close and your enemies closer, never really know who you can trust.  ❜ ❛  'cause the end always justifies the means.  ❜ ❛  do you know who i am?  ❜ ❛  you are the worst kind of good 'cause you're not even great.  ❜

The Circe Saga ❛  whatever you need to say can wait some more.  ❜ ❛  there's no length i wouldn't go if it was you i had to save.  ❜ ❛  wouldn't you like a taste of the power?  ❜ ❛  don't thank me friend, you very well may die.  ❜ ❛  did you do something to them?  ❜ ❛  if you make one wrong move, then you're done for.  ❜ ❛  you and i are now evenly matched.  ❜ ❛  you've given me no reason to bestow you with my trust.  ❜ ❛  who's to say, with the mistakes i've made that they will be the last mistakes i ever make?  ❜ ❛  this is the price we pay to love.  ❜

The Underworld Saga ❛  all i hear are screams, every time i dare to close my eyes.  ❜ ❛  i no longer dream, only nigtmares of those who've died.  ❜ ❛  when does a man become a monster?  ❜ ❛  now you tell us our effort's are for nothing?  ❜ ❛  how has everything been turned against us?  ❜ ❛  do i need to change?  ❜ ❛  i'm the only one whose line i haven't crossed.  ❜ ❛  what if i'm the problem that's been hiding all along?  ❜ ❛  what if i've been far too kind to foes but a monster to ourselves?  ❜ ❛  if i became the monster and threw that guilt away would that make us stronger?  ❜

The Thunder Saga ❛  you wouldn't have spared me. i made a mistake like this, it almost cost my life.  ❜ ❛  i've got a secret i can no longer keep.  ❜ ❛  you know that we are the same.  ❜ ❛  we must do what it takes to survive.  ❜ ❛  tell me you did not know that would happen.  ❜ ❛  if you want all the power, you must carry all the blame.  ❜ ❛  how are we supposed to trust you now?  ❜ ❛  how much longer must i suffer now?  ❜ ❛  someone's gotta die today and you have got the final say.  ❜ ❛  please don't make me do this.  ❜

The Wisdom Saga ❛  you've made your worst mistake here.  ❜ ❛  this cruel world doesn't give out presents just for being good.  ❜ ❛  you're my friend, i couldn't ask for more.  ❜ ❛  did you know you talk in your sleep?  ❜ ❛  i'm what you want here, i'm what you need here.  ❜ ❛  you don't know what i've gone through.  ❜ ❛  i know your life's been hard, i'll stay inside your heart.  ❜ ❛  life would be so much worse if you had died.  ❜ ❛  you dare to defy me, to make me feel shame?  ❜ ❛  no one beats me, no one wins my game.  ❜

[free-for-all-fics]

Tanz der Vampire/Dance of the Vampires and Dracula Musical Prompts! These are written with the German productions in mind, but really any adaptation could work. Pls tag me if you’re inspired by any of these ideas and I’d love to read it! ❤️🩸

1. You’re Count Dracula’s daughter/son and Graf von Krolock’s wife/husband. Describe what your immortal life and marriage is like. You may have been addressed as Countess/Count Dracula while you were still unmarried and later Countess/Count von Krolock after your marriage, but as the biological daughter/son of Count Dracula, you’re still technically a Princess/Prince. Your father was a Prince of Wallachia in his mortal life and later became the King of Vampires, after all. You’re vampire royalty; your beauty, charm, family name, etc. made you highly sought after by men and monsters alike. But there was no better a match for you than Graf von Krolock. He’s a handsome and charismatic nobleman with a flair for dramatics. He’s technically lower in status than you, but you don’t care. You love him for reasons far more important than rank, so you’re not too bothered with the fact that you married down.

In all your centuries together, you’ve never for a moment regretted your choice to take him as your husband and eternal mate. Moving from Castle Dracula to Castle Krolock was easy since it immediately felt like home. You’re no stranger to acting as Mistress/Master of the Castle; you loved making Krolock Castle your own and adding your own personal touches, whether it be the interior of the castle or the garden/cemetery outside. Maybe it’s because you wished to have a son or daughter that your husband later turned Herbert and adopted him as yours and his son. If you wanted an heir, he would kidnap anyone of your choosing from a human village and turn them at your request. Herbert may not be yours by blood, but he would be your son in every other sense.

2. Beauty and the Beast AU: You’re Sarah’s sibling and Graf von Krolock is fixated on you instead of her because he believes you to be the reincarnation of his beloved husband/wife/lover. You look and act exactly the same, it’s uncanny. He kidnaps you, maybe half mad with grief and delusional from his centuries of black melancholy and loneliness. While you’re technically a prisoner in his castle, he doesn’t treat you like one. The castle is your home now so he lets you explore freely. You may go anywhere you wish, except for one locked door. That room is forbidden. You can’t leave the castle grounds or go beyond the garden/cemetery. He won’t let you. If he’s not watching you, there’s always another vampire or servant who is.

“What’s the story with the locked room upstairs?”

“It belongs to the late Graf/Grafin. We don’t go in there.”

“It might help me figure out what’s going on if I could take a look inside.”

“Best of luck. That door locked itself up tight the day of his/her funeral. There’s not a key in this world that’ll open it. Many have tried - myself included, I regret to say. If you’re really going to try opening that cursed door, if you’re really going to try breaking in to explore the late Master’s/Mistress’s room, the only advice I can offer you is this: Don’t let the Master catch you. Do you understand? Don’t let him catch you.”

During your captivity, you’re haunted by nightmares of lying dead on a stone bench deep within the castle’s chambers. The chamber can be accessed only through the window, set high in Krolock’s castle wall. A large bat flies in and hovers over the bench, regurgitating blood onto your dormant body. Your corpse starts to interact and bond with the dripped blood. Within seconds, you’re once more resurrected as a vampire. You wake up in a cold sweat from these night terrors. You either wander the castle halls in the dark and get lost, only to later be found by Kukol or Krolock himself. Or the Count is either lingering in your doorway or leering at you from over your bed, watching over you and waiting for you to awaken.

He lets you partake in the annual Dance of the Vampires, a celebration when the undead come to life in the cemetery and the castle again lives its former glory for one night only. He gifts you a beautiful suit/dress and protects you from the other vampires. He’s made it more than clear that only he or Herbert are allowed to dance with you. Are you truly his long lost love reincarnated or has the Count‘s mind succumbed to madness from centuries of existential pessimism? Are you truly a flickering light of hope in his shroud of black melancholy? Whether you remember your past life or not, could you ever find it in your still beating heart to love him despite him being your captor? Would you let him damn your soul and give you his vampire kiss so you can join him in eternity and save him from this inhabitable hell of loneliness?

3. Graf von Krolock was once deeply in love with you, Dracula’s daughter/son. You were his beloved wife/husband and eternal mate, but something happened where you were either killed by vampire hunters or died tragically. Your father was devastated by your untimely death. In his grief, he blamed your husband. Count Dracula and/or Graf von Krolock may have avenged you by hunting down, brutally killing and sucking the blood of the humans that took you away from them, but it didn’t make either vampire feel any better. They were still hollow. Even if your death wasn’t murder and was an accident, they’d still set fire to the villages and instill fear in the humans for what was done to you. Blood was spilled and heads rolled. No man, woman, or child was safe from their wrath.

Your father and husband never reconciled their relationship following your death. No matter how drawn out or excruciatingly painful they made the deaths of the hunters that slayed you or how many centuries passed, nothing could numb the pain your absence brought upon them. Your husband has never remarried; no mortal nor vampire could fill the void you left behind. No matter how beautiful, smart, etc., no one could ever hope to take your place. You were his mate, his one true love. Your old bedroom doubled as your personal study and it was one of your favorite rooms in the entire castle. It’s still exactly as you left it. Torn apart with grief, Krolock either keeps it locked up tight and has Kukol hide the key out of his sight so he’s never tempted to step foot in your room ever again. Or he’s the only one who’s permitted to hold the key and enter. He personally sees to keeping it clean and orderly, free of any dust or signs of decay. You wouldn’t want your favorite room to be neglected and left to rot away with time, so he keeps it pristine for you. He knows you’ll never step foot in this room or his castle again, but cleaning keeps his mind busy and helps him cope with your loss. This room brings back once happy memories of you now marred by tragedy, but it makes him believe for a few fleeting hours that you’ll come home.

“What’s the story with the locked room upstairs?”

“It belongs to the late Graf/Grafin. We don’t go in there. Ever. Only the Master would be allowed to go in and out. It’s best not to ask questions or go poking around.”

“It might help me figure out what’s going on if I could take a look inside.”

“Best of luck. That door locked itself up tight the day of his/her funeral. There’s not a key in this world that’ll open it. The Master likely carries it on him or keeps it somewhere hidden. I wouldn’t even try, if I were you. You’d be dead the second he caught you snooping around in places you weren’t supposed to be.”

To this day, Count Dracula refuses to have anything more to do with Krolock, citing what he believes is your husband’s failure to protect you. They haven’t spoken since the day of your funeral. Dracula is unyielding in his belief that Krolock could’ve or should’ve done more and that your death is your husband’s fault, even if it’s not actually true. You were his only surviving child and heir, and he only wanted the best for you. He didn’t approve of your choice in husband. If you had listened to him and never married Krolock, maybe you’d still be here. But you went against his wishes and married him anyway, and now you’re gone.

The King of all Vampires has held onto his grudge against your husband for centuries and isn’t going to ever let go of it unless, by some miracle, you’re brought back. Speaking of which, a group of humans are spending the night in the abandoned ruins where you supposedly died. They’re here to tell scary stories and urban legends, but get much more than they bargained for after they inadvertently resurrect you with their blood. The first thing you do upon awakening is kill and feed from the humans closest to you. You’re so weak and feel like you’ve been starving for centuries. You can’t be bothered to chase the others while they scream and flee in horror upon realizing you’re more than just a legend. First, you want to find and reunite with your father and husband. What happens next?

4. You’re Graf von Krolock’s beautiful and enchanting daughter, but have no interest in men. While Herbert has fallen in love with Alfred, you’ve been trying to claim Sarah’s heart. Neither you nor your brother understand subtlety; it’s in neither of your vocabularies. You’re both laying your seductions on thick, uncaring if your approach makes Alfred or Sarah feel awkward and uncomfortable. Awww, they’re both so cute! Herbert is very playful and fun. He loves playing games and chases Alfred all over the castle. The poor man is scared half to death as he tries in vain to run away and escape your flamboyant brother. Once Herbert finally catches Alfred, he holds him tightly in his strong embrace and carries him off to his bedroom, where he will read him poetry and tease him all night. He wants to take his sweet time seducing the boy before he bites him. He wants to make love to Alfred first. He wants Alfred to want him, to give in and reciprocate his love.

Meanwhile, you’re obsessed with Sarah and constantly interrupting her many baths to spoil her with extravagant gifts such as a beautiful red dress and matching red boots. You’d love nothing more than to join her in that tub and explore her naked body. You can tell she’s been sheltered her entire life and has never experienced the touch of a man nor a woman. You doubt she’s ever touched herself and would love to show her how to do it. She’s so innocent and naive; you want to corrupt her so bad and show her the sins of the flesh, just as Herbert wants to do with Alfred. But you’ll be patient for now and turn up the vampire charm once she arrives at the Vampire Ball, wearing your gifts. You’ll dance with her all night and you’ll bite her to turn her into your heart’s companion. She’ll be your mate, your lover for all eternity.

Krolock either steps back and lets you and your brother handle it, or he actively encourages you both to pursue your romances but leaves you to bite your lovers yourselves. He’s too wrapped up in the Vampire Ball or his own existential pessimism to watch over you or your brother’s activities. There comes a time when each vampire must turn their first human, and there’s no better time to learn than now. Either way he’s not going to come between his children and their newfound paramours. Despite your differences and his serious disposition, your father loves you and Herbert more than anything. He’s just too fucking exhausted all the time, wrapped up in the festivities or crushed by his own black melancholy. He can’t be bothered to always get involved with your and your brother’s whims or…whatever this is. He’s raised you both well enough over the centuries that he trusts you know what you’re doing.

5. You’re just trying to donate blood but your lovers/husbands, Count Dracula and Graf von Krolock, are acting like total weirdos. They’re both leering over you the whole time and have no concept of personal space. If you have a fear of needles, they’re running their long fingers through your hair and scratching your scalp with their long nails as they kiss your forehead to comfort you. They’re making sure you have plenty of snacks and water so you don’t pass out. But they’re both eager to taste that sweet, sweet blood. You knew you should’ve left them at the castle, but they were stubborn and insisted on coming with you. Bringing vampires to a blood drive is like bringing them to an all-you-can-eat buffet. If they leave your side, it’s because they’re bothering the other nurses trying to take blood, insisting that it shouldn’t be that hard to find a vein. They’re asking inappropriate questions about where the blood is stored and if they could have a bag or two to go. No, they can’t have any blood bags. This blood isn’t for them, it’s for the countless humans that need it. The poor patients and nurses look nervous and probably think the vampires are going to eat them.

You knew being a human and having two vampire lovers/husbands was going to be incredibly awkward and uncomfortable, but they seriously have no chill when it comes to blood. Even after their centuries of vampirism, you have to bribe them to behave with promises of letting them bite and drink from you once you fully recover and your blood replenishes. If your arm wasn’t stiff from having a needle or tube in it, you’d face palm so hard. This is the last time you’re bringing them with you when you donate blood. These Counts are lucky they’re so handsome, charismatic, and amazing lovers in bed. Sometimes you don’t know what you’d do with them otherwise. They love having you sandwiched between them every night so they can lay their heads on your chest and listen to your heartbeat. It’s like music to their ears. They can almost dance to the beat. It’s one of their favorite sounds, apart from the noises you make when they make love to you. Hopefully when they finally turn you into a vampire, life with them will be less chaotic. Spoiler alert: Eternal life with them is even more chaotic than it was when you were mortal.

6. Dracula didn’t kill Van Helsing’s wife, Roseanne. Instead he turned her into a vampire and put her under his thrall, either as revenge against Van Helsing or because he was in love with her too and felt spurned when she decided to marry Abraham.

7. Underworld AU: Roseanne was a vampire and Dracula’s biological daughter. She fell in love with Abraham Van Helsing, a human man. Even though it was against vampire law, she and Van Helsing continued their secret love affair, whether or not he ever knew she was a vampire. They eloped and Roseanne later became pregnant with a Dhampir child. Upon discovering her pregnancy, Dracula killed his own daughter. He loved her, but the abomination growing in her womb was a betrayal of him and the entire vampire race. He did what he had to do to protect the species. Since his wife’s murder, Van Helsing has sworn revenge on Dracula and has dedicated his life to vampire hunting, determined to slay the Vampire King himself.

8. You’re Professor Abronsius’ grandchild and either Krolock or Herbert are in love with you. Instead of Sarah, you’re the one who gets seduced and kidnapped by vampires. Your grandfather is so busy with taking his notes or exploring the Count’s library that he gets easily distracted and sometimes forgets what he’s doing. Wait, why is he in this castle again? Oh yeah! To rescue you from the bloodthirsty vampires. Right, right. He loves you, never doubt that. The moment he realized you were gone, he was desperately searching for you. But it’s no surprise you were kidnapped right from under his nose in the first place. Even if you had kicked and screamed, he was probably deaf to your cries for help, having blocked out all noises. He often forgets the world around him.

When he does finally come to rescue you, he’ll probably ward off the vampires by lecturing and admonishing them. Poor Abronsius never even realizes it, but it’s already too late for you. Krolock or Herbert has already bitten you. By dragging the newly transformed you out of the castle, your grandfather didn't exactly save mankind from the vampire plague. You can’t return home with him. Krolock’s castle is your home now. The Count and/or his son will come after you to bring you back. Your grandfather walks off singing about his "victory” while you’re starving. That young assistant of his looks so appetizing. Just one bite won’t hurt.

9. Count Von Krolock spends a lonely and melancholy life in his old castle in the mountains, in the company of his son Herbert and his servant Koukol. Krolock has never been the same ever since he lost you, the love of his mortal and/or immortal life, to an unforeseen tragedy. Your untimely demise was so long ago that the Count has lost track of time and can no longer remember when exactly you died. Your body has since been laid to rest in a beautiful mausoleum near his castle cemetery. He’s given you only the best. The most beautiful coffin/casket, flowers from his garden, etc. The epitaph on your grave has worn down with time and is practically illegible. But he still remembers the words he had lovingly engraved underneath your name. Ever since your death, The numbness and loneliness of his existence is interrupted only at the annual Dance of the Vampires when the undead come to life in the cemetery and the castle lives again, for one night, its former glory.

You’re not a vampire, but you rise from your grave with the rest of the undead. For one night only, your body is magically restored and you become flesh. You’re just as beautiful as you were the last time Krolock saw you alive, before you were taken from him. Your voice is the same, your hair is the same, your scent is the same, etc. You and your beloved Count make the most out of the few hours you have together. You dance the night away in each other’s arms before the Count escorts you back to your beautiful resting place. He holds your hand as he helps you climb back into your coffin/casket and gives you one final kiss before you return to your annual slumber. He closes the lid just before the night ends. Just before sunrise, your body decays once more. He can never bear to watch you change back. But he can still hear it. It’s just as unbearable, or maybe even worse. He retreats back into the castle before the sun can burn him.

“Until next year, my love.”

[r3ynah]

Family of Distinguished People.

So like what if, the Fenton family is just a family full of heroes, villains, and vigilantes. like.. just imagine a long line of people that had or has contributed to the world somehow. Like the Fenton parents as Supervillains, Jazz as a Vigilante, Danny as Hero. Dani just decides to travel not too interested, but does help with her family if needed, Dan does the same thing.

BUT WHAT IF joker is actually a close relative of the Fenton Family (ex. Uncle, Cousin,Family Friend) and like he's just there all happy with his (found)family during family reunions, birthdays and shit.

And the batfam are just like so confused and stressed to why the joker goes missing once a month.

While Joker is literally having a game of Monopoly with the elementary kids at amity park (the kids couldn't bother, they've saw scarier things they handled scarier things) cue Joker giving the kids a hundred dollars because he lost.

This is just one of my what if prompts, that i got locked up in a vault. Might delete this later who knows.

[lastoneout]

math fans 🤝 insect fans 🤝 country music fans 🤝 comic book fans 🤝 rap fans 🤝 furries 🤝 history fans

having randos pop up to say cruel things and/or offer incredibly misinformed critiques/fun facts about your interest whenever you have the audacity to bring it up

[noxcheshire]

Epic the Musical has come to a close but the way I went absolutely FERAL when Odysseus came in just taking people OUT. Absolutely no mercy, not even an ounce of remorse in those red eyes. He had gone through hell and back only to hear his own people wanting to hurt his wife and son.

Like, the amount of anger and relief he must have felt coming onto those shores after fighting Poseidon. The feeling that must have come from entering his castle’s halls, running a calloused and aged hand across the walls that have withstood the test of time while he had been away. The tension slipping from his shoulders as he makes his way further inside only to hear the noise, the rattle, of suitors plotting destruction onto those he loved.

If he had been any later, any longer — how pained did it make him to know what could have happened? What could have been had he allowed himself to slip into the cold embrace of death down into the waters?

But also, I immediately got shot back to a one shot here on Tumblr about Tim being Odysseus’ reincarnation and how Danny is the new Penelope that he loves very deeply.

Do you know how much I want Tim to do the same? How relieved he is that he is returning to Danny, that all the pain and suffering he had endured just to come home to him, to once more breathe in his scent and feel the loving weight of Danny’s arms around him? Only to stop dead in his tracks, ears ringing with the sound of discontent, of others planning harm to Danny, of slobbering eagerness to pull him down, and take Danny from Tim?

Tim who feels as if he has gone through something like this before.

Tim who feels that weight of a blade in his hand as he stalks the halls and tears through the dark, like a memory howling to be resurfaced.

Tim whose eyes are cold, without mercy, or second chances didn’t he say that ruthless is mercy upon because Danny is so very, very loved.

[veinsfullofstars]

“Any more stupid questions?”

Bonus live reactions to being saved from a Dark Matter ambush:

Started 07/13/24, finished 07/27/24, updated for color correction 11/02/24. | Kintsugi AU Masterpost