#band prompts

[unboundprompts]

hi! i wanted to ask how could i write a scene of a band performing and make it flow smoothly? Reactions to it and inner dialogue of the leader singer while performing?

I hope that makes sense!

Thank you :)

How to Write a Band Performance

Set the Atmosphere with Sound and Sensory Details

Use sensory language to capture the energy of the music, the movement on stage, and the audience’s reaction. Think about the sounds of instruments, the lights, the thrum of bass vibrating through the floor, or how the crowd looks.

Example: The drums kicked in, a thunderous heartbeat that pulsed through the packed venue. Strings followed, filling the air with an electric charge, and the lights dimmed just enough for the crowd to lean in, hungry for the next note.

Anchor the Lead Singer’s Focus

The lead singer might catch moments in the crowd, like a fan mouthing every lyric, someone laughing, or even seeing familiar faces in the sea of people. These little connections add a human touch and make the performance feel alive.

Example: He spotted a girl in the front row, eyes closed, every word leaving her lips like a prayer. She knew each lyric by heart, maybe better than he did. That look kept him grounded—kept him singing.

Use Inner Dialogue to Show Nerves, Confidence, or Distraction

Let the lead singer’s mind wander a bit, but keep it tethered to the music. They might think of something unrelated that they suppress to stay focused, or maybe they reflect on what this song means to them, especially if it’s deeply personal or symbolic.

Example: Here we go. Breathe. Just like rehearsal. But it was never just like rehearsal. Each word brought him back to the night he wrote it—a night he barely survived. He shook off the thought. No. Tonight, it’s just for them.

Describe Body Movements and How They Connect to Emotion

Physical sensations can be as telling as dialogue. The lead singer might feel the warmth of the spotlight, the stickiness of sweat on their skin, or the way their voice feels strong, raw, or strained.

Example: He gripped the mic stand, fingers tight, and leaned forward. His voice cracked on a high note, but he let it, gave it to the crowd raw. They wanted his truth, his realness. That was all he had to give.

Show the Crowd’s Reaction

Describe reactions like a wave, where energy ebbs and flows. The crowd might sway during slower parts, roar during the chorus, or go silent in the song’s more intimate moments. This back-and-forth dance adds rhythm to the scene.

Example: As the first chorus hit, the crowd became a sea of outstretched hands, fingers clawing for a piece of the music. A roar rose, then softened as they sang with him, their voices tangling with his own, something fragile and fierce all at once.

Balance Between Action and Inner Thoughts

To keep the scene flowing, alternate between what the singer does (interacting with the mic, moving on stage) and what they think. Too much inner dialogue could slow down the scene, so give action and reaction space to keep the reader engaged.

Example: He took a step back, holding the last note, letting it resonate through the space. He stole a glance at his bandmates. They were lost in the music too, faces set, eyes closed. It felt like the old days—a secret between them, shared with everyone.

End with a Climactic Moment or a Release of Tension

End the scene with a dramatic finish, like a powerful note, a burst of applause, or even silence if it’s an emotional song. The lead singer could feel relieved, drained, or exhilarated by the end.

Example: As the last chord faded, a brief silence hung over the crowd—a pause, a heartbeat—before it shattered with applause. He closed his eyes, letting it wash over him, knowing that for now, the song was enough.

[corkinavoid]

DPxDC Alt Rock to the Rescue

[Inspired by this art]

"...Alright, I might have an idea," John Constantine, who was seemingly busy texting someone for the past ten - or twenty, no one really counted - minutes, puts his phone away and snaps his head up.

The room falls silent. Superman blinks in surprise, Diana frowns slightly, and Batman's mouth is pressed into a thin, stubborn line. Flash recovers first.

"You have an idea?" He huffs a short, disbelieving laugh, "No offense, but I'm not sure a magic trick can help us against, you know, an alien fleet." He gestures to one of the screens on the wall, where said fleet is approaching Earth on live.

The rest of the Leaguers present don't exactly agree with him, at least not verbally, but the mood in the room shifts from tense, anxious alarm to an almost palpable annoyance. To be honest, no one was even sure why or how John Constantine of all people ended up in the meeting. It's not like JLD could actually help with an ongoing, massive invasion that was about to happen in less than three- Correction, less than two and a half hours. Besides, it's John Constantine. The man that never shows up unless outright bullied into submission.

The magician winces briefly and starts rummaging through his pockets under the weight of everyone's attention.

"I said I might," he amends gruffly, getting a cigarette out of one of his pockets and sticking it in his mouth but not lighting it. Seems like it wasn't what he was looking for, though, because after that, the man keeps going through the various places on his coat, patting himself down. "I know someone who can deal with it. Granted, I already owe him a great deal, but he won't say no," he pauses and grimaces, "At least I hope he won't."

"I do not think it would be wise to call upon gods in our situation," Diana tries carefully, but John pays her little mind.

"Or demons," Green Arrow adds, crossing his arms on his chest, "I'm not selling my soul to get rid of some rocket ships or whatever they are."

Now, that makes the magician bark a laugh. Or, maybe it's the piece of lime green paper - a sticky note, actually - that he finally finds in the depths of his pockets.

"Oh, your soul's gonna stay where it is."

"Constantine-" Batman starts, but John cuts him off instantly.

"Mine will stay wherever it is as well," he reassures the man, "It's not that kind of entity." And with that, he promptly sets the green note on fire - green fire - and uses it as a lighter for his cigarette.

The next moment after the note is reduced to ash, there's a shift in the air in front of him, and, before any of the heroes have a split second to react, there are two people floating in the middle of the room, backs pressed to each other.

Two teenagers, to be exact. A girl and a boy, both of them so pale that their skin looks gray, and both dressed in grunge, like they just came from a rock concert. Yet, that's where the 'normal' parts of their looks end - the boy's hair is so white it looks blinding, and moves in the air slowly, undeterred by gravity, and the girl's hair is neon blue, her ponytail flickering up like a flaming torch.

The boy nearly topples over as the girl leans her back on him harder and kicks her feet up slightly. The movement is awkward, like both of them were taken by surprise by the sudden relocation, and maybe the guess about the rock concert was not so far from reality; there are drumsticks in the boy's hands, and the girl is holding an electric guitar in her hands.

"The fuck?.." The boy asks no one in particular, as the girl makes an annoyed groan and straightens up, still floating in the air. Her guitar makes an aborted sound. Meanwhile, the boy's eyes land on Constantine, and his whole face scrunches in disgust, "John, for the love of Ancients, I was in the middle of something."

The girl takes a look around while her friend is busy expressing his annoyance and elbows him in the side, "Oi, look, it's the whole Comic Con in the flesh here."

Green Arrow sputters. Flash makes a wordless but very offended sound. The floating boy looks around, taking stock of faces in the room, and the disgust on his face morphs into exasperation.

He turns back to Constantine, "Really? I thought I told you I want no part in your furry parade."

"Alien invasion," the magician decidedly doesn't address any of that, instead pointing his finger to the screen behind him. "Thought you ought to know," he adds, a bit of sarcasm bleeding into his tone.

"Ooh, is it my turn to be your world saving buddy, Phantom?" The girl perks up, turning around and draping herself over the boy's shoulders with a giddy laugh. Her guitar shifts to hang in the air on her side all by itself.

The boy - Phantom - rolls his eyes. Bright green, glowing eyes that definitely don't belong to a human being.

"If I had a nickel every time I had to save the world, I'd probably be able to buy myself my own guitar," he grumbles and looks back to Constantine. "Do I, like, have to? Right now? You know, I don't get paid for this bullshit, and the studio we rented for rehearsal has an hourly rate, so if we can postpone this for about an hour and a half, that'd be real nice."

"The fleet is only two hours away from Earth," Batman supplies suddenly, and, when both floating kids turn to look at him, adds, "I can pay for your next rehearsal. Or a few of them." Evidently, Phantom's comment about nickels struck a nerve. Or, maybe, the man just likes throwing money at any teenager he encounters. Who knows.

The boy blinks, taken aback by the proposition. But the girl grins, sharp and wicked, and shoves her drummer - if the drumsticks are to tell - in the side again.

"Hey, free studio. Better than the last time."

That snaps Phantom out of his stupor, and he groans, "Don't remind me." With a weary sigh, he runs a hand through his hair and leans back in the air, almost like reclining on it. "Okay, fine, sure. Do you want them, like, away from Earth- um, this is Earth, right?" He turns to Superman, surprisingly, looking for confirmation, and the man nods, thrown off guard. The boy nods back and continues, "Or you want them blasted into oblivion, or what?"

"Whatever suits your mood, kid," John waves his hand at the screen as if making a welcoming gesture, "But all the aliens gotta go."

Unexpectedly, that makes the girl's grin even wider, and she reaches for her guitar, floating around Phantom and looking him in the face. The look she gives him speaks of mischief, and the boy seems to understand what she's implying before she as much as opens her mouth.

"Ember, no," he pounts a drumstick at her.

"Ember, yes," she wiggles her eyebrows, "Come on, your wail is boring as fuck as it is, why not spice it up?"

"I'm not wailing," Phantom scrunches his nose, "My throat will hurt for weeks."

Ember runs her fingers over the strings of her guitar, and it makes a comparatively quiet, vibrating sound. A few cords shoot out of the bottom of her instrument, like ones used to plug an electric guitar to an amp. She raises her eyebrows, still looking at Phantom, a silent conversation between them.

Then, the boy huffs and rolls his eyes, twirling a drumstick in his fingers.

"Fine."

The cords fly at him like snakes, aiming at his neck. None of the Leaguers watching the encounter get to say even a word as the metal pins insert themselves into the boy's neck, acting like some twisted kind of collar. Phantom doesn't even flinch.

Ember's guitar, on the other hand, reacts to the connection quite violently: it makes a high-pitched sound all on its own and then changes color from black and blue to white and green, with lightning bolts instead of flames for design. The girl's ponytail flares up higher as she softly murmurs in delight.

Then, she turns to the people around them and smirks, "Which way is the evil alien fleet?"

Flash wordlessly points his finger to the right and up. The girl nods in satisfaction, turning in the air so her guitar is facing that way.

"You might want to cover your ears," Phantom advises, a sly smile on his face and a glimmer of anticipation to his eyes. John Constantine follows that direction immediately, and, taking his move as the best course of action, the other heroes follow as well. Except Batman, who only narrows his eyes and looks at both teens in the air apprehensively. Phantom shrugs, "Or don't, I don't hold any responsibility for your shattered eardrums."

"Pick up where we left off, then," Ember tells him, and the boy blinks:

"Wait, I thought you'd just-"

[For some wholesome experience, put your headphones in and listen to 'KULT' by Jisaiah, grandson, and Steve Aoki]

But the girl has already started a tune, nodding her head to the rhythm of it and slowly picking up the pace. Phantom huffs, but doesn't protest any further, floating up as much as the cords allow him and spinning a drumstick in his hand.

"Maybe I should join a cult

At least they'll tell me it's not my fault

That the world's a fucking circus

That my life feels fucking worthless," he spits the words out with a sneer, slowly rotating in the air until he is hanging upside down. His eyes are closed, and his voice becomes more and more staticky with every new sound. The volume of Ember's guitar gets up, higher and higher, until the walls and the floor of the room around them start to vibrate.

Then, Ember's voice joins Phantom's, and the boy brings his drumsticks down on thin air, mimicking the moves. Only, even with the actual drums not there, the air around him ripples like they are, and they all can hear the beat.

"Maybe I should join a cult

At least they'll tell me it's not my fault

When it all comes crashing down

We'll see who's laughing," both kids pause, just for a beat, and Ember uses that split second to spin the volume knob to the max before strumming her guitar in one wide, sharp move.

"NOW!"

The sound wave is not only palpable, it's visible. A wave of toxic green ripples through the air, knocking everyone present - sans the two kids in the air - to the ground, and goes beyond. The screens on the walls flicker and turn off, sending sparks in the air, and the comms give off loud, screeching noises, and-

The following silence feels almost deafening.

Batman, unsurprisingly, is the first one to stand back on his feet and see a few of the screens come back online.

Just in time to see that same green wave of... sound? energy? power?.. decimate the entire fleet like a wet cloth over a chalkboard. One moment, the spaceships were there, and the next they are gone, wiped out of existence.

Ember laughs, leaning back and almost doing a backflip in the air.

"That was nice, dipshit!" She shoves Phantom in the shoulder, and the boy snorts, plucking the cords out of his skin and grinning.

"Yeah," he agrees with a smile, not even looking at the screens around, "Maybe we should try rehearsing in space next time. Sing to the stars and all that crap."

"Sing to the stars?" Ember raises her eyebrows mockingly as the rest of the heroes scramble to their feet, bemoaning their ringing ears. "Na-ah," she clicks her tongue and turns to Batman, "You still up for paying for our studio?"

The man just grunts in a semblance of affirmation.

"Sweet," the girl grins and offers Phantom a hand for a high five, which he returns instantly. "Cheers to the world being saved once again!"

The boy just rolls his eyes and turns to Constantine, "Next time, be a dear and text me before summoning, or I'm going to sell your soul to Morpheus, and who knows what he'll do with you."

John Constantine grimaces. "I did," he offers grudgingly.

But both unearthly teenagers are already gone without a trace.

[Edit: I want everyone to know there's ART now!!!]

[Edit 2: There's more art!!!]

[ghostbsuter]

Very much inspired by this !!

—

Phantasm crashed into the side of a building, the rest of his team- the TeenTitans- stayed back. They were otherwise occupied, with the rest of the H.I.V.E. five attacking them.

They'd gotten a new member, one with a similar, nearly identical power set of their own new member.

Phantom.

Phantasm and Phantom, two mirror look alikes, they went absolutely feral whenever one was in sight. It was driving Robin mad, Beast Boy had joked about cloning but after they started to actually consider that option.

"Well, well, well." Phantom mocks, glowing green to Phantasm's red.

"Shut. The fuck. Up." Phantasm charges again, throwing the other into windows with a growl.

They kept bickering, hitting and injuring each other, until—

"Stop being so annoying!" Phantasm shouts, baring his fangs. Phantom, in return, stuck his tongue out.

"You're just jealous I got the Villain role!!"

At this point, their respective teams had called a draw and watched them fighting.

"You're a lousy villain!"

"I'm having the time of my life beating the shit out of you actually."

"I'm calling jazz."

At that, Phantom starts glaring. "I thought we agreed on not bringing this up to our sister?"

[hitlikehammers]

POV: when you overhear your boyfriend’s bandmates who ⛔️do not like you⛔️ talking to him—about YOU

“Be real though, Ed. Harrington? You can’t actually be serious, here.” Steve doesn’t like to eavesdrop, like, on principle. Which is to say he totally does it. He just doesn’t wholly approve of it, or think it’s a very good habit to have, while still doing it. “You got me,” Eddie sighs, longer and deeper than can be taken wholly seriously. “I’m running my longest successful con to date.”

rating: t ♥️ tags: post-s4, established relationship, corroded coffin, as in: the gang’s all here and being VERY JUDGEMENTAL of eddie’s taste in men, and maybe steve had to pick eddie up from practice today so he overhears it WHOLLY WITHOUT INTENDING TO OKAY?, no one ever REALLY want to hear what the people they love really think of them when said people don’t know who all’s actually listening, true love, declarations of feelings, it’s actually really fucking hard to stand up to your friends, happy ending♥️

for @steddielovemonth day ten: "We are all a little weird and life's a little weird, and when we find someone whose weirdness is compatible with ours, we join up with them and fall in mutual weirdness and call it love." —Dr. Seuss

also! Unnamed Freak is Doug for the purpose of this fic because the book can fuck itself I say so 🖤

“Be real though, Ed,” the voice that filters through, and holds Steve’s hand from pushing the car door shut loud enough to notice, is fairly reasonable, like trying to talk down a suggestion absurd enough to send someone to the ER—which means, of the subjects at hand? It’s gotta be Jeff.

“You can’t actually be serious, here.”

Steve doesn’t like to eavesdrop, like, on principle.

Which is to say he totally does it.

He just doesn’t wholly approve of it, or think it’s a very good habit to have, while still doing it.

“You got me,” Eddie deadpans, but it’s like, venom-laced. It stings just to hear and Steve’s struck with how much his life’s changed since Spring Break, and more still since…well.

Since Eddie.

Because Steve is well aware the man can cut glass with how sharp his tongue can get, they did go to high school together whether they ran in the same circles or not.

It’s just strikes Steve in the moment that not once since Vecna, has Eddie turns that tongue on him.

Now, other uses of his tongue—

“I’m running my longest successful con to date. Yep, totally pulled it over on all you bitches,” and where it could be playful, every single word is sharpened to stab, to pierce, to drag the wound out so it bleeds, like a shiv to remind someone where they fucked up, in perpetuity.

“Please applaud.”

And oh, even Steve flinches at that tone, and he’s not even the target. Hell, he’s still in the driveway—he doesn’t make a rule of crashing band practice, no matter whose parents’ garage they’re using; Eddie’s van is just regularly in the shop for one thing or another, so he’s gotta come get his man. But he doesn’t, like, push his way in. Sometimes doesn’t even get out of the driver’s seat. He knows Eddie would more than welcome him; has the handful of times he’s ventured to step in to apologize for interrupting but remind him they have to pick up the shitheads. But one: Eddie is alone in his welcome, and like, the polar opposite of the other three guys, who range from staring daggers at Steve to sneering so scrunched up to the nose that it’d give Carol Perkins at her snittiest a run for her money.

And Steve wouldn’t have made it this far if he didn’t know how to recognise where he’s not wanted, and learn how to make the calculated decision of whether to walk or push his way in. And much as he loves Eddie? Steve actually wants his friends to eventually come around from probably, like, muttering ancestral curses under their breaths at him or something.

Plus, from what Steve understands? Jam sessions are personal. Sacred. Eddie had blushes and stammered the first time he let Steve listen in on works in progress; and Steve had rewarded him for the gift of it liberally and with genuine gusto. It’s earned him repeat performances on the regular, but Steve gets it’s a private thing in general. And these guys don’t know him, don’t presently care to—don’t trust him.

He figures it’s like…masturbating in front of someone. The art thing, the depth of making music and stuff. Showing your soul a little bit, losing control for the betterment of the final product.

Now, he and Eddie definitely have masturbated together, it’s actually fantastic foreplay, or even just a deliciously sloppy go on its own. But that’s neither here nor there. And also totally fucking different.

Steve really doesn’t want Eddie masturbating in front of anyone other than him, ever again. Steve’s sure as shit not looking to on his end; definitely not with the other members of Corroded fucking Coffin.

The metaphor might have gotten away from him. But you get the picture.

“No, man,” and that’s, that’s Gareth’s voice, Steve’s almost sure. Sharper. Concerned but also caustic on the undertow. “It’s just,” he snorts, the disbelieving sort: “this can’t be real.”

Okay, yeah. Tone plus actual words add up.

“Yeah, just,” Doug laughs a little nervous, like of all of them, Eddie’s verbal attack had the most weight in tempering his response of the three of them; “blink twice if you���re being held against your will.”

They all chuckle, but it’s toned down the whole way around—even Steve can clock that. These guys are boisterous when left to their devices, Steve’s taken note of that. Mostly watching from the sidelines—almost exclusively when they don’t know he’s there to watch.

Again: does not condone eavesdropping.

Does not try at all to refrain from doing it.

“I mean, you don’t expect us to believe you’re actually fucking him,” and oh, yeah, okay: Steve was pretty sure he was the topic conversation here, and despite some of the setbacks of recent years, he’s not insecure when it comes to relationships especially.

He’s definitely the only one fucking Eddie. And Eddie’s the only one fucking him.

And while he doesn’t really hold it against these guys for being wary of him—he wasn’t really a perpetrator of their high school woes, but he definitely didn’t do anything to make them less…woeful—so he’s mostly bummed about it for Eddie’s sake, and on principle, but like, seriously.

Doubting Steve successfully scoring Eddie Munson? Like, Eddie’s a catch, Steve of ll people is well aware, but. Steve’s also been long past fishing the shallow end of the pond, y’know?

Give him some credit.

“Right,” Steve narrows back in on what’s happening in the garage that he’s definitely feeling less guilty bout, seeing as he’s definitely a subject of the debate unfolding, but Eddie sounds…angry. Pissed off in that way he gets when he’s fed the fuck up.

“I’m out,” Steve hears scraping of equipment, the guitar case flipped open; “can’t actually make it next week,” he adds like a footnote.

It’s clear within a second he’s the only one who takes it with that same…energy.

“But we have to practice before the open mic—” Jeff, ever the voice of reason, sounds baffled; on his way to ticked off but not quite there yet.

Eddie, however—as is his wont in this type of mood—could not give two shits where the people around him land on the anger-o-meter; he’s exceeded them, even if only in his own head, and they are all therefore irrelevant to his very responsible decision to put distance between himself and doing something stupid he can’t take back.

It’s not the nicest way to deal but, honestly? Steve’s mostly just proud of Eddie for sticking with a coping mechanism that, while not without consequences, generally works better than most.

“I’ll see you guys in two, then. Probably.” And the case clicks shut, definitive, and Steve’s proud of that too; that Eddie’s not digging a hole when the guys re trying to bait him, intentionally or not, over Steve.

Steve doesn’t need Eddie to complicate his band, his friendships, over what the two of them have. One, it’s not their fucking business. And two?

Steve doesn’t thing he’s being self-important in saying he and Eddie…are bigger, and more, than even the very beat high school band.

Not that Steve would ever ask Eddie to choose or some bullshit like that. And he really does believe Eddie’s going places, if that’s what he decides he wants. But…there’s that.

Then there is them.

Different, like, stratospheres.

“What the fuck came up that you can’t make it next week? When we’re staring down our first actual shot at Battle of the Bands this year,” and yeah, of course, if anyone’s gonna try to drag the whole thing out, it’s Gareth. Kid’s got a fucking temper.

“Something more important.”

Which yeah, that’s what was going through Steve’s mind, basically, but—

“The hell could be more—“

“I have plans,” Eddie hisses, viper-quick and fucking deadly, shuts them all right up for it, but then he spins a 180–preens so big Steve swears he can hear his shoulders go back and his chest puff out:

“It’s my anniversary.”

So…yeah. Just because it was where Steve’s head had just been at doesn’t mean his whole chest goes all gooey to hear it said out loud.

And in front of Eddie’s band, who…they aren’t hiding from, but they have discussed keeping kinda mum around. For the same kinds of reasons Steve’s been privy to just in the past couple minutes.

But then Eddie’s voice follows the feeling in Steve’s chest like they’re tethered there, and honestly, more times than not?

Steve thinks they just might actually be, and he’s not proven wrong with the way Eddie halfway coos:

“Our anniversary.”

“Your what?”

Jeff, again, is that middle ground: actually confused, laced with being angry that Eddie’s ducking out.

“Six months,” Eddie answers, soft-like, a little dreamy but in this way that’s rooted somehow still, and in being struck all over again by a level of shock Steve understands, sometimes feels in reverse, but still doesn’t understand being felt so deep as it sounds, now, when it’s applied to…him.

It’s wild y’know?

“I’m like,” Steve hears Eddie’s curls brush against something as he shakes his head—Steve’s money’s on him crouched by his case, or having it already slung over his shoulder:

“Never thought I’d get something to celebrate like that in the first place, but get to keep it, that long without fucking it up?”

Steve, again, wants to give up the pretense and walk the fuck in there and kiss the shit out of his boyfriend because one, same, but two?

Dumbass.

Steve goddamn adores him.

“You mean, with Harrington?” Gareth’s spitting and Steve just shakes his head, a little sad—he doesn’t know what’s crawled up that kid’s ass about him, man; he’s not so much younger that Steve never saw him or didn’t know of him but godDamn: the circles he ran in at the time weren’t the ones doing shit yet when they were in the same elementary school, Steve was barely popular in middle school, and come high school the worst anyone he knew did to the frosh was bang them into a locker—not great, but.

Not worth this shit. And the worst part is if he doesn’t know what’s crawled he did to really piss Gareth off this bad? He can’t even try to Harrington-charm his way back into the guy’s tolerable category. Like, even his best fucking not-pot brownie recipe didn’t sway the fucker.

“Yes,” Eddie is answering, the answer emphatic, like he’s brimming with feeling over it, but then clipped too, like demonstrating that he was brimming and is now being forced to clip it all backis very much the intent: “of course I mean with Steve, who the fuck else?”

It’s not lost on Steve how Eddie says his name. Ever. All the name.

But right now, how he’s making a point to say it in that warm, kinda…beloved way, when anyone else uses his last name in a way that’s anything-but.

“You cannot be—” Gareth scoffs, Steve can imagine him throwing up his hands, that sort of deal, but then Eddie comes in, and it’s a tone Steve’s only ever hear when he’s about to run a campaign into the ground where the characters may never recover, and if somehow manage it, they’ll wish they hadn’t:

“Oh, I am deadly serious.”

Because it’s not Steve’s character, but in defense of Steve’s relationship, that tone trickles something molten through his veins and prickles up his spine and…he’s gone have to stick that one in his back pocket to explore at a later date, for sure.

“Six months?”

Jeff—and Steve kinda likes Jeff, and not for the reason his bandmates would like, that he kicks around Hawkins after graduation, too, but more because Steve knows why; that’s to make more money for a college outside Indiana, and Steve thinks that’s fucking cool—but it’s here where Jeff dips fully away from being angry to being stupefied. Steve lets himself smirk at nothing because fuck yes: him and Eddie.

Six whole goddamn months.

“I was actually gonna ask you guys to come over soon, introduce him properly and stuff,” Eddie says, the disappointment in his voice again; Steve’s niggling desire to go and hug him from behind, maybe kiss under his ear a little, back in full force.

“He picks you up from practice, we see him,” Doug pipes back up, likewise confused, but Steve just takes the useful confirmation that no one did catch on that he pulled up ages ago, now.

“We know who Steve Harrington is—” Gareth snaps, protests in the way that betrays his eye-rolling, his thin-wearing patience.

“No!”

And that comes out of Eddie fierce enough to echo down at least half the block they’re on—seems like Eddie’s patience was worn out a while ago.

“You don’t!”

And everyone is silent in that way Steve knows all too well: when shit’a gone down but now you’re waiting in the edge for the worse thing to hit.

Then it does:

“And it’s a good thing I didn’t bring it up because you dipshits aren’t ready,” Eddie snaps, says dipshitso different from how he does with the Party, theirParty, their kids; he says it here with something real fucking close to disgust.

“Asking hostage questions, fuck off,” he huffs, and Steve hears Eddie’s footsteps, can’t tell if he’s gonna leave it at that, come find Steve and know he’s been standing there but that’ll be fine, it’s not like Steve wasn’t going to let him know as soon as they left—but then:

“Look,” and Eddie sounds the way Steve sounds when he’s pinching the bridge of his nose to fight a growing migraine, the sting of tears for all sorts of pain behind his eyes, and that hurts to hear from his boyfriend, like, a lot.

It fucking hurts.

“I am not just fucking him,” Eddie growls through the bridge-pinching pain; “I mean, fuck yes, I am, but,” and Steve hears the way he swallows all the way down the drive:

“I’m in this for the long haul,” Eddie tells his bandmates like throwing down a gauntlet; “and if you can’t respect me enough, and my choices, that stings,” Steve knows Eddie shrugs then: “but I’ll live.”

Steve’s about a millisecond from saying fuck it, opening the door just to slam it to announce his approach, and then going to physically grab his boyfriend, drag him to the car, and park in the abandoned lot down from the Wheelers’ neighborhood to kiss him senseless because that’s the closest place he can think of and he doesn’t think he’ll make it to either of their homes before he can’t fucking handle himself.

“But if you are gonna disrespect the man I love, no. Absolutely not.”

Eddies voice is a deadly sort of whisper. Steve would cower at it, the way it washes through a person, if he hadn’t just…said.

That.

“You love him?”

And for what Steve thinks is the first time since he climbed out of the car and committed to listening where he wasn’t invited, Gareth sounds…muted. Genuinely asking a question.

Steve, for his own part, kinda expected that he’d be more breathless, heart racing and shit, to hear the answer but in reality?

“Of course I love him.”

Steve already knew that in his cells, in his bones.

In his steady, not all-that-fast but particularly-especially-happily beating heart.

“Have you guys, like, said it and stuff?”

And of course Steve already knows that answer, both the literal one and the one that matters more, but he does perk up a bit, curious to hear what—if anything of note—Eddie chooses to give away here.

“He has,” Eddie says, and now…now maybe Steve should stop listening because this part, the way Eddie says that as flat fact—Steve doesn’t knowthis part beyond speculation. But…

“I wanted to, like,” and eddies voice can’t hide the way he’s gotta have that soft smile, the one he used to hide behind his hair before Steve started pulling it back to see in full, so now he only brings his hair out just to tease, to okay.

“I don’t think I’ve wanted much in my whole life, but he’s,” and Steve thinks he hears how Eddie chews his bottom lip for a second, in the subtlest click of how it slips free before Eddie takes a deep breath and—

“He doesn’t know what he’s worth,” Eddie starts, a little mournful almost, even, and Steve is unexpectedly glued to the spot in his fucking Nikes.

“He doesn’t understand that I’d sell the sun and the moon just to keep him,” Eddie’s saying, and with passion. With whole-ass��honesty. And here, maybe, is where Steve gets to have some of the heart:fluttery feeling after all:

“He comes out the gate with the whole you don’t have to say it back and I just,” Eddie sighs, sniffs a little before heaving another breath deep enough to stretch his shirt, which Steve’s not imagining or anything, at all;

“I couldn’t say it, not right then, and risk him everthinking it was something I’d done to like, match. Like that I didn’t mean it with everything I’ve got, when I mean it with everything I’ve got and then also everything else. Like, anywhere. Ever.”

Steve realized he’d stopped breathing at some point when the little dots start floating in front of his eyes and he sucks in a shaking breath because: he’s known Eddie loves him. Unshakeably.

But, but all this—

“I couldn’t say it and have him ever wondered if I wouldn’t rip my heart out of my chest just to keep his safe.”

And of-fucking-course Steve’s pulse is running fucking riot about how much he’s in love right now, make no goddamn mistake. Jesus, he—

“Fuck.”

And Steve has never heard Gareth Emerson pushed just this side of speechless but: that’s the best way Steve can describe the kind of breathless wonder he says it with, like watching a rare bird take flight.

“You mean it.”

And Steve can pick out Eddie’s huffs and categorize them, on demand at this point: he doesn’t need to see the eye-roll to know Eddie’s deemed the expression of pure shock to be so beneath him in this specific context that he’s deemed it unworthy of any more attention.

His heart’s not jumping that loud to have missed it. So.

Steve just kinda grins toward the blacktop under his shoes.

“Why didn’t you,” Doug starts, still—usually, really, in Steve’s limited experience at least—the peacekeeper, the one who’s most invested at the human level when he’s not getting swept up in whatever the rest of the gang has deemed the cool thing to laugh at or make fun of at any given moment.

The huff Eddie gives this time is his incredulous one, which allows for just the slightest bit more consideration:

“The fuck do you think?”

The slightest bit, being the operative point.

“I’d hoped you’d take it better but,” Eddie adds, and there’s less drama in it than Steve might have expected. He’s being serious with them, and he sounds…disappointed.

Steve kinda want to make some kind of noise, give away his position, and just…hug Eddie tight from behind, if nothing else. Be there. Solid against him, wrapped up around him. Never wavering. Always at his back as much as at his side.

But Eddie’s not done:

“I’m not even asking you to like him, just be decent,” and it sounds like it hurts him to say as much, and Steve knows why; he genuinely despises when anyone thinks Lea with a the very beat thing about Steve. Steve believes this to be n unreasonable standard, and has expressed as much to Eddie who nods and smiles and kisses Steve’s forehead and does absolutely nothing to change his stance, but deep down?

Steve fucking feels so…loved for it.

“And like I said,” Steve can hear the judgement in Eddie’s tone clear as day; “you’re not ready, and I’m not putting him in that kind of situation.”

Steve sucks on the inside of his cheek, lest his grin at the way Eddie is not just defending him, but…protecting him, not his honor but his heart…

No ones ever even tried that before. Steve may not need it, or maybe he just learned he couldn’t survive needing it.

Getting it now…now it’s just…

Wow.

“And I’m in this for keeps, like, this is a forever type thing, so long as he wants it,” Eddie saying, explaining the color of a sky to a small child like what these words are that fundamental, that unalterably true. “So—”

“We’ve known each other forever, man,” Gareth eventually mutters, sounds indignant, but mostly gutted.

Steve knows before it happens that it’s not gonna make a difference.

“And we can still know each other. Just not everything, anymore,” and Eddie does sound a little sad but he’s…he’s a monolith, unshakable. “I don’t trust you with the parts that revolve around him, yet,” and Steve feels more than hears the ways his friends deflate, maybe shrink for being deemed so…insufficient. In the eyes of their ostensible leader, no less.

“Eddie, we didn’t,” Jeff starts, slow, and he doesn’t sound remorseful but—Eddie has all those coping mechanisms for a reason, right?

Because he’s quick to feeling, good and bad, and sometimes neither is fit to the moment.

Steve can’t help but be kinda glad Eddie doesn’t bother with those mechanisms just now, though, if it means he gets to hear this part:

“I know you didn’t, that’s the fucking problem,” Eddie groans, Steve can see the way he lens, bends at the knees and throws his body around a little in sheer, undiluted exasperation. “

“Because I could tell you he’s changed since school, and that’d be true, but that’s not even it,” and there’s more of the frustrated stomping round, Steve can hear it, but he’s…he’s ready distracted by that thing in his chest that has to has to be tied up in Eddie’s, too, that thing tugging on him to pay the fuck attention.

And who is he to ignore it?

“he was never who we thought he was in school in the first place. He is,” Eddie licks his lips, just to snack them loud:

“He is kind and funny, and goofy, and such a fuckin’ nerd, and he’s smart in these incredible ways where he’s sees what everyone else misses, and he’s protective as fuck and he’s got a heart of gold,” and Eddie’s voice only gets more heartfelt in its own right that longer he goes and Steve just, he’s, it’s—

“And I would tear my skin off just so it doesn’t get so much as a scuff on it,” Eddie ends with the most scathing delivery imaginable: he fucking meansthis shit. And Steve is going o live and die next to this man, scuffed heart still kept safe to the fucking end, he will swear that shit to anyone who needs to hear it.

He is going to have a whole fucking life with Eddie Munson, and love him for every single breath of it.

“And I don’t trust you guys yet not to tempt me to tear off my skin,” Eddie says finally after enough silence to catch his breath, and temper his tone just enough to sound tired; a little dejected. “I don’t trust you with him, and until that changes, we’re still friends,” Eddie sniffs, breathes out long; “you just won’t get to know about that part of me.”

He says it so simple, like he’s not half-cutting off some of the longest, closest friendships he’s ever had, and for Steve.

Steve doesn’t know if it makes him a person, or a really selfish one or whatever, if he doesn’t feel any urge to talk Eddie down, to make him walk it back just a little.

He doesn’t think he cares, though, either way.

“Seems like a really big part of you,” Doug says, deflated entirely.

“It is,” Eddie answers, unapologetic in a way that swells and sparkles in Steve’s ribs. “He is.”

“You’d walk from the band?” Of course Gareth asks, but it’s the first time he sounds small in his words. Like he maybe knows the answer, and isn’t so okay with how he got around to it even before Eddie wishes all doubt:

“In half a fuckin’ heartbeat.” Boom. Done. No hesitation whatsoever.

Less than half-a-fuckin’-heartbeat.

“That’s not what I’m saying I’m doing right now, but,” Eddie laughs a little, and that probably cuts deeper than anything for the boys, Steve suspects, especially when Eddie makes it unquestionable:

“It’s not even a question.”

And…maybe that drives a knife deeper for the band, but for Steve?

Steve kinda wants to…giggle, or some shit. He hadn’t realized just how much he wanted someone who answered a question like that, exactly like that, who talked about Steve exactly like that, without anything to gain, just because they…believed it.

“Jesus,” Gareth mutters, sounds kinda blindsided, kinda thrown and then some.

“If we,” Jeff clears his throat after a long period of quiet; “if we do better, could we meet him someday?” And the way he says it, earnest and shit:, like he wants to at least think about, at least maybe try:

“Like, really meet him?”

Like Eddie means enough that he’ll try, and that sings sweet in Steve’s veins because goddamn straight, his Eddie deserves that from the people hecares about. No matter who or what Steve is, Eddiedeserves that much, and so much more.

But he sounds like even just this is something amazing, Steve can hear the smile in his voice:

“Yeah, man,” he answers Jeff, claps him audibly on the shoulder; “I look forward to it.”

And shit, y’know what?

So does Steve.

“See you in two weeks,” and Eddies footsteps follow, guitar slung over his back for the way his weight falls with each one, but then:

“Eddie!”

That’s Doug; the footsteps stop close to the edge of the garage door as another set rushes to catch up, where he’ll see Steve if he walks much farther, where Steve’s got his hand on the door handle of the car, slowly inching it open to push shut and look wholly-unsuspicious now that Eddie might be followed out to his ride:

“Get him flowers. For your anniversary,” Doug says, tone low like a secret; “I know, like, it might seem like guys wouldn’t want flowers, but,” and Steve actually has to strain to hear the next part:

“My mom gets my dad flowers on his birthday every year, and he lights up like the Fourth of July.”

Steve remembers the first time he ever got flowers. His favorites, even if he thinks he only knew it subconsciously because they were handed to him with the stammering explanation of I don’t even know if you like flowers, or like these ones, but you look at them when we’re out, like, just walking or something and your eyes linger, and these ones just remind me of you and—

Apparently, Steve loves hyacinths. And sunflowers make Eddie think of him.

Because of course Steve’s first gift of flowers came from Eddie.

“Thanks man,” Eddie sounds the lightest, most genuine Steve’s heard him since he pulled up and got out of the car; “they’re already ordered.”

And Doug chuckles, and Steve?

Steve bites down his smile to less exploding-star levels—if he’d just pulled up he doesn’t have a reason, save that Eddie is enough of a reason in Steve’s eyes, his mind, the way his chest expands just thinking on him—as he pulls the car door closed again, loud enough to be noticed.

For Eddie to walk out of the garage fast as anything and meet Steve with a smile of his own that justifies the fuck out of where Steve’s had started, anyway.

All star-bright and everything.

♥️🎸♥️

✨also on ao3✨

btw this is either titled ‘halcyon shoegazing’ or ‘heart in your shoes’ so if you have an opinion you should maybe tell me or something, my brain’s tired and is resisting decisions rn

✨permanent tag list: OPEN (lmk if you want to be added/removed): @ajeff855 @askitwithflours @awkwardgravity1 @bookworm0690 @bumblebeecuttlefishes @captain--low @depressed-freak13 @dragoon-ze-great @dreamercec @dreamwatch @dreamy-jeans137 @estrellami-1 @goodolefashionedloverboi @grtwdsmwhr @gunsknivesandplaid @hiei-harringtonmunson @hbyrde36 @imhereforthelolzdontyellatme @kimsnooks @live-laugh-love-dietrich @mensch-anthropos-human @nerdyglassescheeseychick @notaqueenakhaleesi @ollyxar @pearynice @perseus-notjackson @pretend-theres-a-name-here

divider credit here and here and here

[kroas-adtam]

Kinktober 2024

Here it is my ghoulfriends! Now remember, you can chose one, both or none! Do one every day, one a week or just one! They’re great writing warmups in my experience, and don’t stress yourself out too much with them. Kinktober is supposed to be fun, so have the wildest, wettest fun this month, and tag me in it all!

if you have any questions, dont hesitate to ask!

List compiled with help by @forlorn-crows, @coffeeghoulie, @jimothybarnes, and others whom I can’t find buried in my inboxes!

Be sure to share over and over again so we can get all our depraved ghoulfriends to see this!

[turtledotjpeg]

bloody requiem x hopeful requiem

[kbsd]

the legend of ron speirs

roland aimed his thompson gun he didn't say a word...

[hey-hey-j]

twitter requests! Woke up with the urge to draw Bruce and Floyd hanging out

(★ my Kofi)

[the-witchhunter]

DP x DC Phantom Punk: We are the Outlaws

Back on my punk Danny AU

So punk is pretty anti-authoritarian, loud, fast, and contains a lot of anger, anger at how the world is. It can also be very compassionate to the downtrodden an those the system fails

You know who else has a lot of anger and compassion?

Jason Todd

Jason Todd, the second Robin, the Red Hood. The man was born to be punk.

Danny just works as a punk. His villains range from the government to a Billionaire to a ghost cop. It makes more sense than not for his experiences to have turned him in that direction, and let's face it one Sam Mason would have helped, even if punk and goth are different

So we have one dead punk boy living in a shitty apartment in Gotham, and we have another dead punk boy moving into a shitty apartment in Gotham

They're neighbors(I'd say roommates for the meme but Jay needs the added privacy)

So now we have two punks with messed up sleep schedules living next door to each other. They clearly vibe, they hang out, go to each other's apartments and Jason practically force feeds Danny a healthy meal that has enough preservatives in it to give Ra's a run for his money

Then Jason got careless

Jason, after accidentally mentioning the outlaws multiple times during a phone call, now has to deal with the fact that Danny thinks it's the band he's in. It's fine, all he has to do is play it cool, roll with it and it'll be no big deal

being unable to shut his mouth, he actually digs himself deeper. Now, Danny doesn't just want to see them play, he wants to join, and Jason has made the mistake of saying he needs to ask the band first, only to call Roy who is a little shit and goes "Yeah he can join our band."

Cut to Jason, Starfire, and a sheepish Roy scrambling to actually be a punk band as they get sucked further and further into committing to the bit

or

Fake Band au, like a fake dating au but with more people and instruments and probably ends in polyamory

[haguenauisforlovers]

he's just keeping it warm for ya

♡ we share beds in haguenau ♡

[justaz]

when merlin asks arthur for things, the king is usually inclined to give him what he wants but it is not always guaranteed such as when his emotions cloud his judgement. but merlin’s surefire way of getting arthur to give in? he steps into his space, lays a gentle hand on his arm, and says “arthur, please” and he folds like a house of cards.

[krscblw]

Hi Echo! For the simple sketch ideas - may I suggest Cumulus with morning bedhead? Or perhaps Aether reading a book? Your designs for them are always so lovely ♡

hi miasma!! thank you! and i LOVE drawing sleepy cumulus so i HAD to pick that one lmao

presenting: the cutest girl ever w the worst bedhead the world has possibly ever seen

[evidenceof]

@haguenauisforlovers: Day 1 -> Prompt: Unspoken

JOE LIEBGOTT and DAVID WEBSTER EP 9 The Last Patrol | Band of Brothers

[sanctum-vii]

flustered

A (little bit late) Mushy May Day 20: Gardening doodle.

Thanks to @forlorn-crows for setting up the prompts!!

[ww2yaoi]

WEBGOTT: get him back!

for the @haguenauisforlovers day 3 prompt -> apologies

[the-fyre-flie]

I feel like people don't consider where the batkids sleep in the manor enough. Like in WFA, it's clear that Duke has his own room, which implies the other full-time Wayne kids do too, but I wanna like... see them more often. I wanna know what kinda of posters and decorations Jason had before he died. I wanna see if Damian ever actually settled into his room. I wanna see evidence on if Dick used to sleep with stuffed animals or not. I wanna know if Tim has a Conspiracy Theory Board on the wall of his room. I want to know more about these characters, including their sleeping habits and decoration preferences.