#mrs. nice

[therobotmonster]

The Secret Origin of Mrs. Nautilus / "If The Goo's Alight, It's Not Alright!"

Originally printed in TyrannoMax #25, October 1977.

Updated from this, details under the fold.

I already have mostly-unmodded versions of the images on the first version, but even those involved minor color fixes and cleanup of major flaws.

For a full comic page, though, I wanted passable consistency. The original colors had to be removed and converted into "inks", those inks then modified to keep clothing, hair length, and other features relatively consistent, areas outside the frame have to be drawn in, the image recolored, and then given aging and halftoning.

Each pic used a different prompt around the basic format of:

Secretary with a bob-haircut, redhead, green blouse and pearls,(action),(emotion descriptors), comic panel by Jack Kirby and Alex Toth, 1968, in the style of 60s Marvel

a secretary with lavender skin, tentacles for hair, (action),(emotion descriptors) comic panel by jack kirby and alex toth, 1968, in the style of 60s marvel

[deepdreamnights]

Tribute AMV for Dr. Underfang and Mrs. Natalie Nice/Nautilus.

From TyrannoMax and the Warriors of the Core, everyone's favorite Buzby-Spurlock animated series.

After all, who doesn't love a good bad guy, especially when they come in pairs?

Process/Tutorial Under the Fold.

This is, of course, a part of my TyrannoMax unreality project, with most of these video clips coming from vidu, taking advantage of their multi-entity consistency feature (more on that later). This is going to be part of a larger villain showcase video, but this section is going to be its own youtube short, so its an video on its own.

The animation here is intentionally less smooth than the original, as I'm going for a 1980s animated series look, and even in the well-animated episodes you were typically getting 12 FPS (animating 'on twos'), with 8 (on threes) being way more common. As I get access to better animation software to rework these (currently just fuddling along with PS) I'm going to start using this to my advantage by selectively dropping blurry intermediate frames.

I went with 12 since most of these clips are, in the meta-lore, from the opening couple of episodes and the opening credits, where most of the money for a series went back in the day.

Underfang's transformation sequence was my testing for several of my techniques for making larger TyrannoMax videos. Among those was selectively dropping some of the warped frames as I mentioned above, though for a few shots I had to wind up re-painting sections.

Multi-entity consistency can keep difficult dinosaur characters stable on their own, but it wasn't up to the task of keeping the time-temple accurate enough for my use, as you can see here with the all-t-rex- and-some-moving-statues, verses the multi-species effort I had planned:

The answer was simple, chroma-key.

Most of the Underfang transformation shots were done this way. The foot-stomp was too good to leave just because he sprouted some extra toes, so that was worth repainting a few frames of in post.

Vidu kind of over-did the texturing on a few shots (and magenta was a poor choice of key-color) so I had to go in and manually purple-ize the background frame by frame for the spin-shot.

This is on top of the normal cropping, scaling, color-correcting, etc that goes into any editing job of this type.

It's like I say: nearly all AI you see is edited, most of it curated, even the stuff that's awful and obvious (never forget: enragement is engagement)

Multi-Entity Consistency:

Vidu's big advantage is reference-to-video. For those who have been following the blog for awhile, R2V is sort of like Midjourney's --cref character reference feature. A lot of video AIs have start-end frame functionality, but being able to give the robot a model sheet and effectively have it run with it is a darn nice feature for narrative.

Unlike the current version of Midjourney's --cref feature, however, you can reference multiple concepts with multiple images.

It is super-helpful when you need to get multiple characters to interact, because without it, they tend to blend into each other conceptually.

I also use it to add locations, mainly to keep them looking appropriately background-painting rather than a 3d background or something that looks like a modded photo like a lot of modern animation does.

The potential here for using this tech as a force multiplier for small animation projects really shines through, and I really hope I'm just one of several attempting to use it for that purpose.

Music:

The song is "The Boys Have a Second Lead Pipe", one of my Suno creations. I was thinking of using Dinowave (Let's Dance To) but I'm saving that for a music video of live-action dinosovians.

Prompting:

You can tell by the screenshot above that my prompts have gotten... robust. Vidu's prompting system seems to understand things better when given tighter reigns (some AIs have the opposite effect), and takes information with time-codes semi-regularly, so my prompts are now more like:

low-angle shot, closeup, of a green tyrannosaurus-mad-scientist wearing a blue shirt and purple tie with white lab coat and a lavender octopus-woman with tentacles growing from her head, wearing a teal blouse, purple skirt, purple-gray pantyhose. they stand close to each other, arms crossed, laughing evilly. POV shot of them looming over the viewer menacingly. The background is a city, in the style of animation background images. 1986 vintage cel-shaded cartoon clip, a dinosaur-anthro wearing a lab coat, shirt and tie reaches into his coat with his right hand and pulls out a laser gun, he takes aim, points the laser gun at the camera and fires. The laser effect is short streaks of white energy with a purple glow. The whole clip has the look and feel of vintage 1986 action adventure cel-animated cartoons. The animation quality is high, with flawless motion and anatomy. animated by Tokyo Movie Shinsha, studio Ghibli, don bluth. BluRay remaster.

While others approach the scripted with time-code callouts for individual actions.

[dunmesh]

one of my favorite things about laios is that he does get judgemental and annoyed by his party members but he keeps it to himself to avoid (further) confrontation. it's hilarious

[ditzybat]

just imagining a teeny tiny tim being absolutely devastated about jason’s death, that he manages to get on to dark forums to contact a mercenary for a hit on the joker’s life.

and who happens to be that mercenary? deathstroke.

tim wires money from his (admittedly very high) allowance to slade, who finishes the job within the week — news outlets are going crazy as nobody knows who pulled off such a stunt — bruce is confused, and dick is both grateful, that someone took the bastard who killed his baby brothers life, and angry, because bruce wasn’t the one to do it.

slade however? wants to investigate, someone finally had the gall to order a hit on the joker and he’s a little curious to see who it is.

only come to find a little boy all alone in a big house who spends his nights following around a vigilante in a furry suit.

and, well, slade hasn’t been the best parent, and probably doesn’t know how to deal with an average kid, but who can blame him when he begins to train tim into becoming a mercenary just like him — after all, how else is he gonna defend himself on the streets of gotham when he gallivants around with an expensive camera, a sign basically saying ‘kidnap me!’ strapped to his chest?

so what if the kid becomes robin and uses those skills in the cape? that’s batman’s problem to figure out.

[mcyt-cats]

I can only imagine the sheer chaos in this house right now

[aerequets]

(part 1)

(short comic) (you can otherwise search 'spy x pta' on my profile)

MY GOODNESS. it's been a hot minute since i posted the first part and i guess i just couldn't SHUT UP because this is FOURTEEN PAGES LONG. FOURTEEN. you can even see some pages where the linework is slightly different because i drew it like 6-ish weeks ago, that's how long this has been cooking. drawing in general has been hard lately because of time constraints, BUT i am so happy i finished this. this is like my fav project even tho it isnt as popular, but who cares!!!!! POPULAR IN MY HEART

[somnoir]

The family of rogues

The Fentons/Masters siblings move to Gotham for various reasons. Jazz gets herself an internship in Arkham and spends most of her time trying to finish med school. Danny gets himself a scholarship and attends Gotham U for his aerospace engineering. Elle doesn't want to be away from her siblings and gets herself enrolled into Gotham Academy after pestering Vlad. Dan, who had no trust in the world to keep his siblings safe, follows after them as expected.

None of them realized that they were rogue material. The entirety of Gotham knew to stay the fuck away from the Fentons.

The Bats find out very quickly why these newcomers were considered the future rogues.

Their youngest was in Damian's year, a seemingly normal girl if not for her acrobatics and agility that rivaled a Robins. Danielle Masters—Elle—was also part of the fencing club. But that didn't make her rogue material. No. She had her own penchant for violence and was known for her intelligence, actively threatening anyone who tried to hijak the academy while she was present. The last story Damian told them was filled with his admiration and a hint of swooning when he mentioned that she had taken a rapier and almost cut a man for trying to bomb the school.

Not so bad, right? Just... A really shabby teenage girl. Damian was the same! So...

Next came the second son of the family. Danny Fenton was an obvious genius. He was capable of making the most dangerous things from mere scraps. Tim had been there to witness the boy make a fully functioning flame thrower from a lighter and what seemed to be a toaster. Said flamethrower was then used to melt away Mr. Freeze's ice and the man had been very concerned when a college student with eye bags darker than Barman's was pointing a DIY flamethrower at his head. Ever since then, Tim has been hellbent on figuring out how the fuck Fenton did that. Unfortunately for him, Danny Fenton was prone to vanishing just like the rest of his siblings. In addition to that sort of intelligence and skill, the young man was adept at combat like his sister. The group of 4 were clearly trained. Very well trained if the witnesses were honest.

Okay, very concerning. Clearly someone who knew how to make weapons on the fly and was not scared of barbequing people if he was threatened.

Then we get to Dante Masters, the first son and second oldest of the bunch. He'd arrived a little after his siblings and had started of as a mechanic, tinkering with everything and anything. Jason had been to said shop to have his bike fixed and once Dante Masters got his hands on it, the bike was suddenly better and faster. Apparently there were some slight modifications here and there to upgrade the bike. But then he'd quite—Jason was devastated—and proceeded to become a guard in Arkham. No one managed to escape Arkham when it was Dante's shift. Red Hood had gone to Arkham himself to check what was wrong. All the in mates were scared of the man who'd suddenly appear at the end of the hallway as the lights flickered whenever they tried to escape. The best thing the Scarecrow did when he saw that slenderman bullshit was walk back to his cell and wait for Dante to lock it.

Concerning, horrendously concerning. This was a confirmed future rogue that has the mechanical ability of his brother, a body bigger than Jason's, and Batman's melt into the shadows shit.

But the eldest? Jasmine Fenton looked utterly harmless, positive and sweet compared to the menaces that were her younger siblings. She sought to change Arkham from the inside and even the inmates were fond of this mothering redhead. Dick had come to visit Harley once when she was caught doing crime and he'd seen her get assigned to the Joker. Everyone was scared shitless that he'd make another Harley, another good woman turned rogue by a madman. But what came out of that session was the Joker, suddenly all quiet and a face stuck in a quiet smile. It was like Jasmine had given him a lobotomy. He'd go manic and laugh all day, everyday, but once Jazz entered his cell with her clipboard and pen, the laughing immediately died and Joker was left looking utterly haunted after every session.

Not a rogue made by the Joker but a future rogue that seemed to have tamed? Traumatized? They weren't sure but something happened and the Joker was both scared and respectful when it came to Jazz Fenton.

Everyone in Gotham knew to not fuck with the nice ones.

Everyone in Gotham knew to stay the fuck away from the Fentons.

(At the end of every week, Jazz continues to respect confidentiality clauses and doesn't tell her siblings a thing. The truth of the matter? Jazz was as liminal as she was and on the verge of becoming a halfa. Her younger siblings may consist of the ghost king and halfas about to become ancients, but the ghosts listened to her words.

For every session that she has with the Joker, she invites as many ghosts as she can to join in on the session. When the Joker grows mad, she interrupts with information on his past that no one should know.

The Joker's laughter went quiet the moment his new psychologist closed the door behind her and smiled, "Good afternoon, Jack. My name is Jasmine."

No one knew the Joker's real name, not even Batman.

No one alive knew his real name. He'd killed all of them.

Good thing for Jazz that she had so many ghosts floating behind her, whispering his name and secrets into her ear.)

Masterpost

[thankstothe]

polycule politics and management in my hatecrimes

[egophiliac]

I have SO many thoughts about everything and they are in no kind of order yet, so here's just some quick little bits in the meantime!

I am not normal about any of these characters!

[fishymom-art]

Putting my Bill in horrible situations

Lost on Earth by @mutatedleemon

Handyman Bill by @handymanbill (@/waty_mot and @/Losan-Postle)

Mr. Bill Pines AU by @honeqq

Copium AU by me and Leemon, Now What AU by me

[naughty-salsa]

[kagilasgilas]

Little 221B Baker Street character line-up but it's slightly different every time I cross-post.

Quite satisfying to see them side-by-side like this 🙂‍↕️

[deepdreamnights]

From this post, a conversation between Mrs. Nice and Dr. Underfang, about how there's more than one way to make a comic.

While the linked post goes into the process in much more detail, the short version is that making a comic with AI involves all the steps of making a photocomic or a Wondermark-esq collage comic.

Here, each panel is a combination of one or more gens through direct compositing and inpainting ('gumby Underfang' is a basic crop-job but the others are multi-image composites, inpainted edits, or both), with graphic design and non-AI composited elements. `

I like to use AI art to achieve forms of 'fauxstalgia', weaving concepts into the aesthetics of artifacts of the past. I consider myself a nostalgia artist (not a nostalgic artist, tho I can sometimes be that), but you can get as experimental with it as you want.

And people are already doing it, they just don't call them comics.

Those sequences of AI-generated photos that tell a horror story that pop up on Tumblr? Those are comics.

We are very much in the "plastic wrap and lens flare" phase of AI art, where the newest and (often literally) shiniest effects take center stage because like an early 2000s kid with a cracked copy of photoshop, it's the new toy.

(I have a feeling Colin Kaepernick is going to give us, at most, a few adventures of a D-rate Borgorroth of Coolswordoorroth before absconding with the bag.)

Feel free to reblog with folks that are doing innovative stuff.

I will start by recommending @reachartwork, where you're going to find all kinds of interesting new stuff, and a fun illustrated prose super-verse under the CHUM title.

[cyberpchela]

Fun! Fun! Fun!

Update; also uploaded on YT shorts, you can check it out!

[kagoutiss]

pelican town, ‘72

[swiggity-swexual-i-am-asexual]

Danny Fenton, aka Phantom, has been given a new task!

In short, literally no one in the Ghost Zone/Infinite Realms wants their mostly peaceful afterlife to be rocked by a certain Gotham rogue named Joker. Which, when he dies, is almost sure to happen because of whatever the hell was in that vat he dropped in included ectoplasm. So, yay, he’s also a little ghostly too, meaning he *is* pretty hard to kill. Unfortunately, there’s also a certain vigilante that is quite keen to murder him in recent years.

So now Danny has to keep the mass murderer trauma clown alive for as long as he possibly can while attempting to keep the Joker from. Well. Being the Joker.

Oh, and naturally, Danny got this assignment AFTER Joker got out of Arkham. Again. And entirely blew up the asylum. Time to join the Goonion, he is NOT doing this without getting PAID, thank you.