#mother yoshi

[doweesig]

A little Mama Yoshi doodle for Mother’s Day!💛

[pk-ghost]

Shy guys <3

[cyancees]

you merely adopted the mario. i was born in it, molded by it

jokes aside i did grow up playing all sorts of mario games since i could hold a controller so this universe and its characters have always brought me so much joy! i drew mario and yoshi a lot as a kid so its about time i gave it another go!

[arsonisticduck]

*throws meme*

[glux2]

Musing: Emotional connection

Recently a very close person to me suggested i binge watch "Angel Hare", before that day my only exposure to that project was a fan game that had a very funny punchline in lampooning the "cursed videogame" genre.

So i watched the whole thing and it was great.

This scene right here made me feel more feelings than most of the media i have watched/played/read in like the last 5 years or so.

So it made my mind wonder, like, "hold on, when was the last time i felt this strongly about a piece of entertainment?"

Sure, if you know me, i felt strongly about the ongoing plotline for Noelle on Deltarune, so one would think "2021 when chapter two came out", right? but no, i got very invested but it wasn't it.

The last time i felt so strongly about a piece of media was actually Deltarune's predecesor, Undertale in 2015.

I finished Undertale in tears, i got in a very bad funk when i found out about the genocide ending, it truly made me feel emotions.

So i began to ponder, just what really moves me?

Full disclosure: I don't cry at movies. This is not a "look at me i am a badass who is not beheld by feelings" statement, no, i kinda just dont connect emotionally with movies as easily as other people.

I have talked about this, many times actually, Toy Story 3 did not make me cry, it always bothers me how people at the time were like "if TS3 didn't make you cry, you have no soul" and shit like that, so let me repeat something i have said many times before:

Toy Story 3 was a movie i went to see the day doctors had informed me my mother had entered terminal phase of cancer.

My friends took me to see TS3 when i felt the greatest sadness i have ever felt in my entire life. And im glad TS3 was a pretty funny movie that managed to distract me from what i was going through. TS3 uplifted me when i had a very real reason to cry.

So what im getting at is, i rarely connect emotionally with what conventionally makes people emotionally connected, not that i havent felt strong emotions from movies, but as we'll get to later, it's just not the stuff you would expect, when we get back to movies you'll be thinking, "what the fuck, Toy story 3 did not make you emotional but THIS THING DID?!"

So, if traditional "emotional things" rarely have moved me i began to think to myself, "what are things that have made me feel this strongly?"

I realized it's the damn weirdest things.

I'll try to list things that i can remember making me feel this emotional.

Now i'll be upfront, im not a very cultured person, so you'll notice most of this is...not very high brow.

Also, obviously spoilers for all this stuff im about to talk about.

Before we begin: Honorable mention goes to me finding out i had repressed memories of being traumatized as a kid by being show an animated adaptation of "Pilgrim's progress" by an aunt, which disturbed me greatly towards the end as the main character dies and before it the souls of two people he met are condemned to eternal damnation from making MISTAKES, not sins, not evil, but THE FUCKING MISTAKE of exploring alternate routes before them.

-Yoshi's Island, 1994 When i was a wee one Yoshi was one of my fave videogame characters, so of course i was beyond hype when a game where you play as yoshi came out, the ending is one of the greatest moments in videogame history, the beautiful music, the journey of the stork, and finally the classic Mario fan fare playing as baby mario and baby luigi being held by their parents with the words "Heroes are born", it's such a powerful moment. To this day i still cannot listen to that credits music without tearing up.

Sequel? Retcon?! I DON'T KNOW WHAT YOU ARE TALKING ABOUT, SHUT UP, THIS IS THE PERFECT ENDING AND NOTHING ELSE HAPPENED AFTER IT!

-The bicentennial man, 1999 The bicentennial man is one of the biggest examples of a movie being fucking mischaracterized in the marketing, this movie is based on Isaac Asimov's short story and later novel, it stars Robin Williams, so all marketing was presenting the movie as Robin Williams comedy movie, IT. IS. NOT. The bicentennial man is a scifi drama about the existential search for meaning and the nature of what truly is to be alive. You get invested on the quest of this robot trying to find humanity for 200 years, and the punchline to this movie is, in his quest for humanity he forgoes the immortality being a machine provides him as he had developed the way to turn himself biological, still artificial but biological, and he dies peacefully on his sleep before he can be told that humanity had declared him, legally, a human being. To me it was such a powerful moment, he found true meaning to his life, became human, yet died before knowing so.

-Courage the cowardly dog, "The Mask", 2002 This is a legendary episode of an already great show that has a lot of very good emotional moments, some may cite episodes like "the giving tree" or "the last star maker", but for me it's this one. For those who have never experienced this episode, it revolves around a cat girl named Kitty who one day shows up at Courage's farm and she's wearing an upsetting mask, she abuses courage because she believes all dogs are bad. The mask serves 2 purposes, one is metaphorical, "her inability to face reality", the second is to hide her identity as she believes she is in danger. The thing is, she is on the run because her lover best friend Bunny is trapped in an abusive relationship with a gangster dog who threatened to kill her if she was seen near Bunny ever again, the episode coats the whole situation with a ton of goofiness, but it's actually very fucking dark: A young lesbian is trapped against her will on an abusive relationship with a toxic, violent man who threatened to kill her girlfriend if she refused to date him. Courage, being a good little dog ventures to save Bunny and have her reunite with Kitty because, despite how bad Kitty was to him, he recognizes that Kitty is a victim and she and Bunny deserve better, leading to Courage letting them escape away together, to live happy and free. I don't think it's just me, but the final image of Kitty and Bunny hugging as the train takes them to freedom felt so powerful to me.

-Twisted Metal Head-on, 2002 This is one of the weirdest things i have ever gotten emotionally invested, but honestly? i love when some shitposting franchise suddenly manages to pull this off, specially given the set up for this whole thing im going to describe starts in an early game as a fucking joke. So to contextualize this, the first two Twisted metal games were helmed by the og creators of the franchise, TM 3, 4 and small brawl were made by different developers when the creators lost the rights, but during the PS2 era when the og developers came back and created TM: Black, and TM: Head-on, Black was a reboot, Head-on was a retcon sequel to TM 2 that eliminated TM3 from the timeline, but not TM 4. Still with me? Okay so TM2 had this character, Krista Sparks, who was the revealed to be the daughter of the main antagonist of the game, Calypso, but hold on? wasn't Calypso's backstory that his family died in a tragic accident which lead him to become evil? So turns out, the FBI retrieved his daughter's corpse, turned it into a robot with a bomb with the intend to make her get close to Calypso and blow him up. The ending ends comically with a message reading "The FBI wishes to thank you for putting an end to Twisted metal". Stil Still with me?!?!?! ok! so Head on! In this game Krista is back, as a ghost, her ending consists on her confronting her dad, who has now brought up so much pain, misery and death to the world, Calypso tries to explain that the nature of his powers mean he has to do this otherwise he cannot use his powers, and his plan was for Krista to win so he could bring her back and her mom to life, but Krista is so horrified with what has happened that she refuses and blurts "I wish the accident that killed me and mom never happened" the intention being impeding Calypso from becoming this evil super natural villian, but as per all endings, it's always a monkey paw affair and Calypso knows it, looking saddened he grants the wish because he has no option, his powers force him to. Briefly Krista has a vision of her childhood with her dad before he became evil as they share a sweet moment playing on a swing set. HARD CUT TO A HOSPITAL, Krista is on a bed in coma, Calypso is there and whispers to her something along the lines of "Sleep tight my dear, may you finally find peace", as Calypso is leaving the hospital you can hear 2 doctors talking, mentioning that Krista had been in coma for more than a decade and apparently Calypso just had found out. Excuse me Twisted Metal, but WHAT THE FUCK? You are a dumb fucking edgy car combat game, how dare you make me feel these things?

-Mother 3, 2006 (translation on 2008) Mother 3 hopefully needs no introduction, or maybe it does, because many people have reduced it to a joke due to how nintendo stubbornly refuses to give us an official release, but also many of you must know this franchise is the spark that ignited the flame of the absolute Juggernaut Undertale would become, as well as many other games influenced by it. The Mother/Earthbound games were known for being quirky and deviating from the standard conventions of the game, notably for the modern day setting and unorthodox choices of how you deal with the villians, they were always billed as emotional, but i feel they did not live up to that...until 3. The general narrative to Mother 3 is about how greed is destroying the world, the main villian corrupting what we see of the world (a paradise little town where everybody is nice) by introducing luxury, money and status....and also stomping everything with his fascist army and cyborg mutants. Mother 3 is a game about how the worst traits of humanity are destroying the world and upsetting nature. Mother 3 is also the story of 2 twin brothers who suffer tragedy after tragedy after tragedy that ultimately pits them one against the other with the fate of the world at stake. Mother 3 punches you almost immediately by killing the mother character (which i might mention you're encouraged to name after your own mother) at the end of the first chapter and how this affects her surviving family. one of the Twins, Claus, is so disturbed that he decides to on on his own to try to kill the monster that took his mom, while the other, Lucas, was too afraid and weak to stop his brother, resulting on Claus dying as well...but the badguys take his corpse and reanimate it into a cold, emotionless cyborg who follow's the big bad's order and is using him to try to cause the end of the world. In the climax of the story Lucas is force to confront Claus, clause is a brain washed cyborg, his master is out of the picture and all he can do is fight, you can't reason with him...and then.... Lucas and Claus begin to hear a voice, a familiar voice, it's their mother, reaching for them from beyond the grave, pleading for them to stop fighting, suddenly Lucas and Claus both have a flash back to when they were babies, overhearing their parents talk about the hopes they have for them, the many things they will be able to achieve together, this makes Clause snap out of his brain washing, removing the helmet that had been hiding his face since he was resurrected, Lucas and him have a moment as they are finally reunited, Claus realizes all the bad things he has done while under control of the bad guy and realizes he must atone for his crimes, he prepares a lightning attack he knows cannot hurt Lucas and cause HIM to die. "Im sorry for all the problems i caused" he says as he is dying on his dad's arm, "I must go to where mom is now", as he passes away he can hear his mother calling for him, "You just be so tired" she says. Now i know it will sound insane for people to hear a videogame of all things can make one so emotional, but damn, just recollecting these scenes for this dumb post has made me start to cry, the emotional punch of this scene is very strong, it demolished me when i played the game back in the day, but now? After my own mother passed away? I have been scared of playing this game again. I mot sure if im emotionally prepare to go though that again, even 10+ years later. That's how powerful this scene was to me.

-Elite Beat Agents, 2007 If you have played this game, you know were im going, for those who dont, EBA is a silly rhythm game about secret agent cheer leaders that are dispatched around the world to help people in need by raising their spirit and allow them to overcome adversity, the game is insanely wacky and have scenarios like helping a ninja car salesman prevent a company from stealing his company's secrets, helping a washed up baseball star fight a lava spitting golem rampaging on an amusement park and traveling back in time to help davinci paint the mona lisa. EBA is also the second game in the Ouendan series, and there is something you need to know about this series: They all include tearjerker levels to contrast with all the goofiness. "A christmas Wish" is a christmas themed level set to Chicago's "You are the inspiration" and the story to this level is positively DEVASTATING: A few months before christmas a business man tells his daughter and wife he has to go on a business trip but he promises he'll be back just in time for christmas, the girl asks him to bring back a "girlfriend" for her teddy bear. The father dies on a plane crash. When the mother breaks the news to the little girl she gets angry, crying to the skies that her dad promised he would be back for christmas. The backdrop of the stage is set the girl and the mom doing things to remember the dad, like looking through a photo album and baking a cake for his birthday, it's very sweet, but...this is EBA, if you're doing poorly you see the "bad" versions of these scenes, and in this one, one is very devastating, the little girl is having a dream where she's chasing the spirit of her dad, if you're doing well she calls for him and for a brief moment the dad stops and starts turning towards her, if you're doing bad the spirit fades away and the girl wakes up in tears. Dear goodness. But of course, if you beat the level you get this sequence of the ghost of the dad showing up on chrismas morning to fullfil his promise, giving the little girl the teddy bear he promised and having the chance to say good bye to his family.

This punches you really fucking hard in the gut. I am incapable of doing this level without ending in tears. For a time i could not even listen to this song without tearing up until, i shit you now, the deadpool movie used it on a comedy scene.

-Punch out!!, 2009 This one is one i know got me because of personal nostalgia, when i was a wee one the og NES punch out was a big part of my childhood, Punch Out!! on the wii was a masterfully crafted tribute to the franchise. To not dwell too much time on this, this game has an interesting quirk, the ending is a downer ending and it's the only ending you can get. After you beat the last opponent there is a sequence where Mac and Doc seemingly are having a disagreement, where Mac seemingly has decided that if he loses 3 times, he'll retire from boxing completely. After this you face randomly opponents from the game, the first time you lose in this mode you lose your champion title, after three loses, it's game over and the story mode becomes locked for that save file. The final cutscene is Doc walking through what seems to be a gallery with boxing memorabilia, and untold number of years later, he is alone, he spots his old bike on this gallery and rings the bell, he looks up and speak to an absent Mac, "Good job son, good job", as he leaves the camera pans to reveal he was looking at a framed photo of him and Mac on one of their training sessions. The music on this sequence is so perfect, and it was aimed at people like me, people who grew up with the franchise, the idea was making it feel like Doc was reminiscing of YOUR time with punch out when you were a kid, and to make you think about how far YOU have come since the first time you played the games in an arcade, or your nes, or snes. It's actually pretty effective and it got me.

-Regular Show, "Trucker Hall of Fame", 2012 What makes this one different from others instances of me making me emotional, it's, much like the "Angel Hare" example at the top, this one is all about WARM HAPPY FEELINGS, so for those who did not watch this episode, let me summarize it for you: One day Muscleman gets word that his dad, who was his personal hero, has passed away, and he's tasked with carrying his final wish, spread his [hat's] ashes in a place called "Trucker hall of fame", you see, Muscleman was lead to believe his dad was a legendary trucker and that earned him his admiration, but during the episode Muscleman finds out he was lied to, his dad was a forklift driver that the truckers belittled, altho feeling cheated for having been lied to he carries on with his father's wishes. Now because this is regular show, when they arrive at the trucker's hall of fame they are immediately attacked by ghost trucker for "desecrating the hall of fame" as they spread the ashes something happens: The ghost of Muscleman's dad manifests himself and saves his son, taking the chance to apologize to his son and having the chance to say his final good bye personally. Despite the inherent silliness of the show's premise, i think this episode really did a good job on expressing that sense of catharsis of making peace with the passing of a love one.

-The Final Girls, 2015 A friend suggested we watched this movie, and much like Twisted metal up there, i absolutely did not expect for this incredibly stupid comedy horror movie to hit me with any sort of emotional connection, and yet... The Final Girls opens with the main character in a car with her mom, who is an struggling C-tier actress whose biggest achievement ever was appearing on a Friday the 13th knock off movie, during this sequence they get in an accident where the mom dies and even after it's been some time since the accident the main character has not properly moved on from the passing of her mom. Her friends and some people at the college she attends are preparing this horror movie festival where the main event is they are going to play the movies from the franchise her mom was on, and they suggest she should come. Then some bullshit happens and they all end up somehow trapped in the world of the movie. A quick rundown of the rules of horror movies is explained to them, the monster cannot be defeated by fighting it, it's only the final girl who can defeat the killer, and unfortunately for them they accidentally killed the character that, in the canon of the movie, is the final girl, so they believe one of them has to become the final girl and end the movie to hopefully get out of it. The problem is, the main character is experimenting shock from interacting with her mom's character, she is not taking well to seeing her mom on the flesh and she dedicates the entire movie to "save her mom", in the climax of the movie the mom character begins to understand that she is a fictional character and the nature of her attachment to the main character, understanding that they cannot be both the final girl and if then main character wants to make it back to the real world she has to learn "To let go", choosing to sacrifice herself so there is only one final girl. It's kinda weird, that of all possible premises, this managed to make a "You need to move on" message that somehow managed to resonate with me, you might have figured out by now a running theme here, but, i was really hard for me to deal with my mother's passing even if it's been years since it happened, so it's kinda funny for me to think these are the places i have found comfort from.

-Undertale, 2015 Okay this is tumblr, i already talked about Undertale on the prologue to, whatever the fuck im doing here, you know what undertale is, you know how effective it is, Undertale is really well designed for you to grow emotionally attached to these characters, so being able to see all these characters you know have grown attached to have their happy ending on the pacifist ending does fill one with a very satisfactory warm happy feeling that can move you to tears. ...Or you can be bummed out by being a little greedy gaming bitch and taking a look at the bad ending. Because you just couldn't help yourself, could you?

-Onward, 2020 This movie did not hit me as hard as the most emotional entries on this, but it still got me, because in the end of the day the main motivation of the characters on this movie is experiencing closure, catharsis over the death of their father, for Ian it's the fact that he died before he was born so he never met him and is driven by this desire to finally see the father who he shares such a connection with on the stories everybody who knew him in life have told him, and then there is Barley, the elder brother, who did know his dad in life, but is tortured by how, as a kid, he did not properly say good bye to him because he was terrified of death and avoided being there for him in his final days. The ending for this movie is very powerful, Ian choosing to sacrifice being able to meet his dad in the flesh, even for a few minutes, in order to give Barley the chance to being able to properly make peace with his dad and properly say good bye to him. Ian doesn't even get to SEE this, he does not get to see his dad even tho it was what he wanted most of all, but he understood bringing closure to Barley was more important than his selfish desire to see his dad, someone he never knew in life.

So what have i learned from whatever the hell this trainwreck of a post is...i guess that what really gets to me, what really moves me, is when a character, maybe not even someone i can realistically relate to, gets to experience closure, catharsis and be in peace with the people who are missing on their life. The majority of these things in here, even the Angel Hare example, relate to a character being able to experience catharsis by being able to properly make pace or otherwise contact someone they lost, or their ability to move on from this world, so to speak, knowing that their affairs and in order and that their loved ones will be okay.

Things can always look dark, the world may be trying to keep you down, maybe losing someone has been specially hard for you, but it's not the end of the world, you are loved and things can get better, it always hurts and we'll never stop missing what we have lost, but the memories of happier times are there to remind us, we can be happy again, and we can move on, use those memories as your motivation, you can lead yourself to a future filled with light.

[raphmybeloved]

Thinking about raph and splinter and going insane a little. Raph trusts and leans on splinter more than his brothers do. Raph has seen his father cry and comforted him reliving the worst day of his life. Raph is the only of the kids to not get a splinter bonding episode. Raph has old school hamato martyr vibes. There’s just so much there and so much potential

[obscure-earthbound-facts-media]

Yoshi

Using the Ness Amiibo in Yoshi's Woolly World for Wii U and 3DS unlocks a Ness pattern for Yoshi. A Lucas pattern can also be unlocked using the Lucas Amiibo but only in the 3DS version.

[tangledinink]

Today I was gifted with a series of gems from my therapist, including but not limited to "the thoughts are thotting," "chase your inner Raphael," and "when you were a kid, things were hard, so you built a shell to protect yourself............. like.... teenage mutant ninja turtle."

[askswordfrisk]

Happy Mother’s Day to to true multiverse mama to these multiverse orphans!!

[doweesig]

So I’ve seen a few Mario media that have their own interpretations of Yoshi’s mother and I wanted to draw them lol

Happy Mother's Day!<3

[pk-ghost]

to ness and lucas, hey! your on break from smash right? how does those work... and which world in the smashverse are your favorite?

“We don’t have official matches all year round, and tournaments are done in seasons!”

“We get breaks in between seasons and most of us return home to rest. For some… it seems like the tournaments are their breaks, though, because they go back home to work.”

“Quick Lucas, from all the fighters who do you think is the biggest workaholic?” “What?” “Come on, just answer!” “That’s not the question at hand, you know?” “Luuuuuuucas”

“All right, uh…Samus, maybe? I’d say Marth or Peach too but they at least have people who help them. Samus is always by herself”.

“Huh, yeah I guess. She’s a lone wolf… unlike Wolf, heh.”

“Well, that’s because actual wolves prefer to--- Ness, please let’s get back to the question.”

“Aw shoot, yeah ok! I’ll focus now. Anyway, we take breaks in between seasons. There’s no rule that says that you have to go back to your home dimension during these and I’ve always wanted to visit our friends’ worlds because, honestly, they always sound sooo cool when they tell us about them. I’ve been to the Mushroom kingdom before! Mario, Peach and the others are the bomb and have shown me around a couple of places. But I never spend too long there.”

“A couple of weeks before the last season ended Red was telling both of us about the new Pokémon and Ness and I had this thought all of a sudden.”

“We both saw this tiny wooloo in Red’s pokedex and thought ‘I wanna see that’ at the same time. That happens very often by the way. Some would say it’s our psychic powers at work, but I say it’s us being best bros.”

“Dork.”

“We’re BFFS, besties even... Anyway, we shared a brain cell for a moment there and it made me think we could visit the place together, so I asked Lucas if he wanted to this break.”

“And I asked if he wanted to visit other places too. I like going back home, my world is really peaceful right now so I get to sleep as much as I like and help Dad with the sheep, but I figured traveling other places wouldn’t hurt.”

“I’m taking him at his word so now we’re going to travel until he gets tired of it!.Or until we ran out of vacation days.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

“Favorite worlds? We haven’t been to many so far but I think Mario’s world will always be special to me. I’m a big fan boy of him after all.”

“Just him?”

“Agh, okay, I’m a big fanboy of a lot of other fighters, I can’t help that. You know they’re all awesome, but Mario is just special to me. Don’t make fun of me for it, isn’t love your favorite thing? Appreciate me loving the other fighters.”

“I do! It’s sweet. You have no trouble showing it, it’s actually quite nice.”

“Okay, okay, you better not be teasing me!” “Promise I’m not. I really do appreciate it. Going back to the question. I think my favorite worlds are going to be the Pokémon world and the Animal Crossing world. Oh! And of course Yoshi’s Island in Mario’s World. It’s been good here. The place is nice and the yoshis are so friendly. They remind me of friends back home”.

[pianokantzart]

I know a lot of us are thinking about how in the Mario Movie, Luigi’s aversion to pets may be leading up to Polterpup (who I definitely hope appears some time in the future.) 

But consider this: Luigi is the first one to stumble upon the newly-hatched Yoshi in the sewers of Brooklyn. The baby apex predator immediately imprints on him as his mother, and... well... it’s a baby. Luigi can’t just leave him there! Shenanigans ensue.

[lore-of-the-mushroom-kingdom]

Developer Interviews And Miyamoto Quotes Are Not The End All Be All Of Mario Lore

So something that I come across way to often is people taking developer interviewers or Miyamoto quotes as gospel, and that anything that contradictions them including the games themself is just wrong. This also something I only see happen with Mario lore, because as soon Miyamoto says something wrong about the Zelda Lore, people get on him for it. Now I am not saying Miyamoto and Developer interviews can't be used for gaining lore about the games. I have done so myself with Waluigi, Captain Toad, and Donkey Kong to name a few. What I am saying it's not always reliable, could have been retconned like with the Star Child Yoshi (I'll explain in a future post), or just straight up wrong.

So for Miyamoto, Miyamoto has had a history people have noticed where often times whenever he's asked questions about lore he either changes the subject, says something blatantly false, or turns it into a Scott Cawthon level joke. So I'll give a few examples here alongside, and I hope to add more to this list in the future, and I'll eventually make a link to my Zelda Lore Blog when I create that list.

The first thing is Bowser's Junior's mother which is in the joke camp, which originates from the video Miyamoto Answers Popular Fan Questions. You have one that is a mix of both humorous and serious in the suggestion Dr. Mario is not a legitimate Doctor. This can be seen in Mario's Creators Answer Burning Questions About The Series, Don't Compare Him To Disney: Nintendo's Shigeru Miyamoto on The Super Mario Bros. Movie, and Miyamoto Answers Popular Fan Questions. A suggestion that in universe is incorrect, I expand upon this in a future post which I will link. When it came to Miyamoto saying Mario's last name is Mario, he also claimed Link's last name was Link clearly making a joke out of it. This can be seen in the video 51 Rapid-Fire Questions About The Legend Of Zelda: Breath Of The Wild. More pending. Meanwhile when it comes to other examples we have. Takashi Tezuka claiming Yoshi is a Koopa/Turtle. But in the manuals, descriptions, and in game dialogue Yoshi are only ever established to be Dinosaurs/Dragons. Never once are they implied to be Koopas/ Turtles. Koichi Hayashida once claimed Toads weren't Mushrooms. Another claim that contradicts the manuals, descriptions, and in universe dialogue alongside other details. Something I plan to make a future post about. So you might be wondering, how should can we discern what is useful or not useful at all. Well...

If it's not done in the form of a joke, given that's one of the most obvious.

If there was nothing in game to go off of, and in addition to being repeated elsewhere that further cements it's validity. Like with Donkey Kong for example.

If it is meant to clarify something like with Captain Toad.

If it's something that would have obviously been retconned.

If it is backed up by the games and manuals like with Waluigi or the Bowser Kingdom.

If it doesn't contradict the games and manuals like with Yoshi.

If it's not a quote mine.(This happens a lot)

Priority for lore should be in-game dialogue and descriptions, then the Japanese manuals, then the manuals, then website information, then developer interviews, and then stuff Miyamoto says.

In addition to that last one, if only one source claims it and everything else contradicts that one source then the single source is wrong. Case in point, DK64's line.

[bloggingthefamily]

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[subspacetrioappreciationcorner]

The Trio is still Yoshing