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vigilskeep · 7 months ago

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now that you finished inquisition, what did you think of it? like favorite things, least favorite, etc?

oh man okay

things i love about dragon age inquisition:

capturing the specific feeling of bonding with a group of people you have absolutely nothing in common with because u all had to go through something long and specific together

the maps can be so pretty and in places really calming and lovely to spend time in. it does make me want to explore and i have no explorer’s instinct

i love the war table and judgements i think those are really fun features

i like that approval for many major decisions applies to everyone regardless of who you bring to specific events/quests. it feels a lot less like you have to manage that really hard, as you sometimes do in the other games and also really noticeably to me in something like baldur’s gate 3. it’s irritating when i have to plan ahead and can’t take who i want to hear from

i like how attached you can get to little npcs who wander around

i loveeeee fighting dragons and how beautiful they all are

little puzzles <3

the collectibles are also mostly fine by me i am a magpie by nature. as long as i can find them, obviously, bc if i can’t they suck and this whole game sucks

the templar specialisation is fun and i enjoyed that part of combat a lot. wrath of heaven/spell purge combo is a power trip

i thought my character was pretty :) i defeated u in the end dai character creator. may you be as merciful when we meet in battle once more

i’m not a huge crafter but being able to tint things is rlly nice

blackwall’s romance is good

vivienne is there

they let me briefly tame a dragon at the end there

things i don’t love about dragon age inquisition:

some genuine cruelty in writing the dalish in a way that feels shockingly callous to the real world cultures the writers took inspiration from

never giving the dalish or the rebel mages any kind of voice of their own and making the player do all that work if they care, which i also feel limits my roleplaying creativity

refusing to let you challenge any of the often overwhelmingly conservative views expressed by other characters without receiving only derision and disapproval. inquisition is a game that punishes you at every turn for having your own opinions, in a way that could be interesting if it was willing to truly let you develop complex or antagonistic relationships with those characters, but ends up mostly just feeling mocking when nobody ever even tries to see your side, while simply agreeing with these people always rewards you with content. origins was capable of letting you engage in discussion, and da2 let you form rivalries that mattered; inquisition, despite starring some of the most intentionally controversial characters, does neither

the game engineering conflicts against groups like the freemen of the dales or the avvar that mean nothing to the player and range from vaguely to seriously upsetting in their assumptions about who it’s normal to just start killing en masse. it’s both boring and distressing

odd, for lack of a better word “casting choices”, like having the fantasy impoverished racial minority all be white within the party while the wealthiest and most privileged are characters of colour, or for a more in-world example having the elves express the most distaste towards elves and the mages express the most caution about mages. i don’t know that i quite have the vocabulary to fully discuss why these weird me out, but it all feels... disingenuous? and chosen to forestall criticism based on real world comparisons in a game series that i wish had the nerve to openly confront what it’s talking about if it’s going to try to make any of its conflicts feel relevant

most of the companions, and indeed most of the quests and time spent playing the game, feel disconnected from the main plot. it’s hard to feel any pressure when the game tells you we need to deal with the main plot “right now!” and “get there before corypheus!” when the bulk of the game is doing other things while you’re supposed to be doing that. the majority of companions could be cut without changing anything. and when you finally want to deal with the main plot you just click to start it. it’s not engaging

the game fails to fully expand dialogue for the player character options it provided, particularly notable with its confusing chantry focus when you’ve said for the dozenth time you’re not andrastian

the 2-handed weapon whirlwind ability sound effect is an exercise in creating the worst and most grating sound effect for someone to constantly hear

they didn’t let me romance vivienne

they killed my dragon :(

#sorry the dislikes are bulky it just takes more words to explain when u dislike something #long post #these r messy sorry if the criticisms are not worded well its late :(

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cute-little-fly · 1 month ago

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A Helluva Boss hot take: Millie is a good female character, and an interesting representation about women that will take more relevance in the plot.

I recently watched Georgia Dow’s analysis on Millie and also with the recent events on Sinsmas I was thinking about how much of what the series is trying to say with Millie in the fandom general discourse is kinda ignored.

I won’t talk about how the series could have developed her more at this point (I know Season 2 was very much Stolitz focused, and they have left the female characters for S3, but I will explain why I think it was this way in my final prediction part).

I will talk about how even with this delayed development in relation to the other male main characters, she is currently a lot more than just a support character for the male main characters.

She is written as a powerful female character that has a grounded conflict relatable to women at the same time.

She does have layers; even in this moment where she hasn’t had a major development. I will go later by layer. I believe that all this layers apply to the main challenges we usually have to overcome as woman in society. I know for younger women this has changed a lot, but for me a lot of this things Millie struggles I have lived them or see them in other women.

Millie is an overachiever and she is very self-demanding

This is a very interesting re-do of the girlboss or overpowered female character archetype.

Yes, Millie is very strong and capable, and I believe this is an exc quality she should keep, and makes her super proud, and with a good self-esteem. She is good, prides herself on it and she is happy with what they do, basically. This is all good when Millie is in a good spot in Season 1.

However, if this goes too far it can lead Millie to being over demanding on herself and the people around her. (Yes, I know here she is also having mood swings, but is very telling to see her reaction at them refusing to do a job, because she sees it as failure, something she doesn’t allow herself to do)

This pattern can be traced with how her family sees her. They are proud of her strength, but also, if she fails like how it happened with Striker they are super disappointed and they show this in a way that can be hurtful… Moxxie is also not enough, the husband she chose, her work now that she is “freelance” pays less and is then is not good enough… they are actually pretty demanding on her, and have high expectations.

I think she has internalized this demands on herself too, even if she tries to brush them off, and this will show eventually. This is very relatable to women, because usually we ask ourselves to be perfect and to always do everything right. Self-demand issues and perfectionism are very common in women.

Millie’s protectiveness with Moxxie is not all what her character is, and this protectiveness mirrors Blitzø.

A lot of instances Millie is shown being capable of protect the gang and mostly Moxxie. But, this also puts her in a place of pressure when she is not able to protect him and she may feel guilt if something happens to him.

This is part of the background the series is building for her. This is the same as was revealed in Ghostfuckers for Blitzø.

A lot of people complain about this, but this actually shows she is a natural caretaker and that probably she also had that role in her family. In Helles Belles, Sally May mentions that now she is in charge on everything and that it got worse after she left... Probably Millie had to take care of everything and everyone too at home and she does this to Blitzø and Moxxie without even thinking about it.

This is why she relies too on Blitzø resiliency so much, and she tries to be for both of them when Blitzø feels bad in GF…

This part of her story I feel is very relatable to women, bc women have been the ones that are in charge of organizing a household and other caring roles like cooking or taking care of everyone’s health in most of modern societies. These are roles that are highly invisibilized and diminished, but that everyone needs and allow society to function.

This reminds me that she is soooo similar to Blitzø in her core, but for complete different reasons and I love that.

The show pushing a close friendship between them off screen was actually incredible if you notice this parallels. They are so alike, and this is why they felt so drawn to the other when they met.

Millie is ambitious and has dreams beyond her husband and family

She also felt the need to be more than a farmer and moved out her home. Same as Blitzø that is very ambitious and pushes to the limit to achieve his dreams and objectives. However, she didn’t completely believed in all what she could achieve. Blitzø expanded that vision, but he didn’t built everything about her, she has done it with her work even after she joined IMP.

Millie feels appreciated but for what she does and that’s good, but, the bad part is that not completely for who she is…

This was all the deal of unhappy campers basically.

Millie was appreciated in all her facets here, she barely had to do any effort.

Good at sports and outside activities.

Good at singing.

Just, cool.

Is very interesting that she got to experience this being disguised as a man. Is an interesting reversal from the usual dynamic. In earth and with humans probably she got that recognition in part because she was a “regular dude”. I feel this is also intentionally talking about how women sometimes need to overachieve to be just acceptable or to have a minimal recognition; and if men were as good or put the same effort women put in something they would be immediately praised. (This is probably me reading too much into it, but the choice of making a gender reversal in the episode was interesting because I am also taking into consideration the gender component in this analysis).

Since we know MyM’s usual dynamics, this episode highlighted a conflict that I think they have deep down. Moxxie wants to be praised by being good at work. Millie on the other hand, feels capable and is praised by Blitz for being good in the job, but deep down she wishes she could be praised while she does other kinds of things beyond “muscle”. Or just because she is her and exists. They have what the other want.

She feels fulfilled here by being loved instead of feared like while she kills. I find this interesting.

Millie is characterized and is not an incomplete female character.

I feel that I talked much about her challenges and virtues, but now, I want to make a small space just to mention things she is shown besides to what she does for others and her struggles.

She is very extroverted, and has clearly shown to love any kind of outside activities. The festival, Loo Loo World etc…

She likes to see action movies.

She doesn’t like the musicals and other things Moxxie watches, but understood the joy to be praised when she sang.

She is funny and has a strong personality.

She is confident and capable.

Overall, Millie is a very good character. Is a woman that is strong and fierce but with a good heart and a very secure personality because of her high capabilities. Who at the same time faces struggles that are relatable to women.

Predictions (this are just me guessing)

I think that in season 3 Millie will be a reversed Blitzø arc. Is interesting how she starts from a good place in the series, opposite to Blitzø that starts in a bad place and goes to a better one. She will go through a tough phase in S3 and the rest of the characters will be better, so they can help her. This is why Millie’s arc is starting until now, when all the other characters have progressed.

Also, now that Stolas is in the office and she is opening more to Loona it will be interesting to see the dynamic they will have going forward. This dynamic can be strengthened because she will be able to be vulnerable with them and connect to a deeper level, and could also tie with Loona and Stolas father daughter relationship forming.

With all what I thought while I wrote this, I think Millie will end up having the baby (I honestly hope they handle the abortion part well, because it is also an option for her and the show needs to portray it not as the “wrong” option).

I believe this, because in case she has the baby she will be forced to confront her deepest issue, that if she is not the capable fighter/assassin person she is not enough, and how this shouldn’t break her confidence and self-esteem. In this scenario, she will have some of those abilities diminished for a while. Also, if she wants to continue a career she will need support from all the family; so she will need to accept that and not feel that she isn’t capable enough.

Stolas here could have a role in the family, because he knows how to take care of a baby. Loona will be of great help on missions, now that Millie will need more backup, Moxxie will have other instances to show his abilities and maybe will feel motivated to train to be stronger and not just use the guns. Is interesting how Millie chooses to shoot in Sinsmas, like foreshadowing she will have a different role. Idk, all of this gives me the sensation that this is the direction the show will go.

#helluva boss #blitzø #helluva boss millie #moxxie x millie #millie knolastname #stolas #stolas goetia #helluva boss analysis #helluva boss women #loona helluva boss #helluva boss fandom

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mci-writing · 1 year ago

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Hi I saw that your requests are open. Can I request a senku x female reader where he has a crush on an older tattooed foreigner who was on vacation in Japan when the world was petrified

I've had this sitting for a minute tbh, but mostly bc I didn't want there to be too many spoilers for anime-onlys 😭😭 mostly for how tattoos work,,, Don’t be surprised if there’s a heavy focus on language plot wise, I’ve been working on a lot of linguistics homework 😞

Anyways, hope you enjoy

Science Makes Age Complicated (Ishigami Senku x Reader):

Warnings: technically an age gap but also not (reader was once 2 years older than Senkuu, but now they're the same age due to time shenanigans), fem!reader, some language use (a few swears here and there), reader is American (RIP but it’s plot relevant), reader is implied to know an insane amount of languages (bc this is Dr Stone and it’s relevant to world-building)

"Think you can scrounge something up for her, Yuzuriha?" Senku parts the lush shrubbery for his friend, unresponsive to her obvious surprise at the sight before her. He figured it would go that way, considering how kept away the whole area is, but he'd rather start the spectacle with her big reactions instead of the loud and boisterous version involving the rest of their crew, "I'm more than sure you'll manage to make her something she's 1 billion percent comfortable in."

He'd considered this statue his secret weapon for the next part of their excursion. Well, that would be his explanation as to why he'd waited so long to unveil her and finally free her from her encasement. Really, he could never find the proper time to finally revive her, especially when every time it would feel right to, something else would arise that would require them to use the revival fluid for someone else.

When talks of traveling to the Americas came up, he knew it'd be the perfect time to properly reveal her and, hopefully, ease her into their current predicament. While Gen is a great diplomat, thew mentalist isn't exactly fluent in as many languages as the girl in the statue before them. Even more, if they are to run into more people (which they very likely are), it's better to have at least two representatives to talk things over. That's going to be his reasoning, anyway.

Deep down, he's a little nervous to finally see her again, especially now that he's technically older than her by a few months at least. The last time they'd seen each other had been the day before the petrification light, the two decided to spend time with each other before he went back to school. She was visiting Japan for a bit, a trip she'd planned to make at least once a year since the two had officially met in person while he had been in America. Back then, she'd been 17 to his 15, owning an American driver's license and a tattoo sleeve that left many of the older members of society scandalized.

"I don't think she's going to take being younger than us well," Yuzuriha mentions as she finishes up sewing the outfit she'd made for (Y/n). She worked fast, wiping the sweat that had accumulated on her forehead once she finished. She takes a step back once she's finished, watching as Senku steps forward, "Especially when she finds out how long it took for you to bring her back."

"She'll be fine. I'm 1 billion percent sure she's going to be grateful for it," He responds, popping the top off the tiny vial between his fingers. He doesn't stop the grin from spreading across his face as he lets the contents of the vial drip from the top of her head. The two watch expectedly as it eases its way down her body, stone cracking and parting in its wake, “She’s going to get to visit home, after all.”

The stone falls from her body, the life slowly coming back into her (e/c) orbs as more of her skin is revealed. Her tattooed sleeve remains, now accompanied by the petrification markings on her face and other parts of her body. A wave of confusion hits her as she takes in the unfamiliar surroundings, but her shoulders relax a little as she takes in the two familiar figures next to her, "Senku...? Yuzuriha...?" "Hey, (Y/n)," He immediately greets in response, an excited light coming to his eyes as ruby meets (e/c), "Looks like we're the same age now."

Yuzuriha flinches at his greeting, sighing with a shake of her head as she takes a small step closer to their friend. A nervous smile forms on her lips as she takes (Y/n) hands into her own, leading her out of the hidden away area into the light of the new world. She feels the grip tighten as (e/c) eyes dart around the surrounding forestry in an attempt to better understand the circumstances and environment, "We have a lot to catch you up on, but I'm sure if we ease you in slowly it won't cause you too much whiplash-"

"We don't have time for that, Yuzuriha. We still have to load the ship back up and travel to America," Senku waves the notion off, walking past the two of them and leading them back into the village. Neither of the girls miss the smirk on his face as he continues, unmoving as they gape at him like fish, "(Y/n) will catch up along the way."

He's bluffing, which they realize a little later when Ryusui recounts the plan to spend the next few days loading the ship and replacing the items they used on their last voyage. (Y/n) is assimilated faster into their new society than she can process, the rest of their group taking the basic information they're fed and working with it. Yuzuriha is eventually forced to leave her to fend for her own after a bit to attend to her own assignments and Taiju only stops to catch up for a bit (which is mostly him speed talking and making assumptions about how much she's been made aware of) before continuing to move along.

Senku doubts he'll ever admit it out loud, but he is grateful that they're the same age, even if he's technically older by a few months now. Standing next to (Y/n), who hadn't aged a day past the last time he'd seen her, was the reassurance he secretly needed about his own development. While his growth spurt, a result of the final pushes of puberty during the Stone Wars and roughing it during the New Stone Age, was the only difference he could notice next to her, (Y/n) had been hit with the whiplash of every other development.

To her, it felt like both a lifetime and a long night since she had seen Senku, yet he looked almost completely different and exactly the same. The remainder of his baby fat had rounded out of his cheeks, his face maturing nicely into that of a young adult, and he'd sprung up quite a bit in height. He was still lithe in comparison to Taiju, till thin and very much not built for too much physical labor, but he'd gotten a bit of meat on his bones to fill his arms out a little more. Despite that, he still looked like him, like the jerky boy she'd met by chance in middle school who would be the first person she'd show her newest tattoos to when she was 16 to get some kind of rise out of him.

Taiju and Yuzuriha were a further reminder of the weird passage of time, the two more developed in their own rights. He was beefier, still ever-muscular in a more defined way. His hands seemed rougher, but she didn't know if that had been due to the rougher circumstances or if they were always meant to get so rough with all the handy work Senku would put him up to. Yuzuriha had filled out a little, a few scars littering her hands from what (Y/n) could only assume was from her thread work she'd seem to consistently be working on since they'd gotten back to their stronghold. Her silky brown hair, which had once reached her waist and made a few of the girls from their school envious of its length, now barely reached past her shoulders in its bobbed shape.

She feels so out of place...

~~~~

The rush of information coming to people’s senses is always amusing to watch, but (Y/n) is taking a little more time to process than usual. Even now, a few days into her now being free from the stone prison, she still has more questions. They aren’t particularly scientific, more so just random observations that she really wants the answers to. She’s also hyper-analyzed the villagers' speech patterns, having them repeat their newer slang and pronounce random words in Japanese, English, and German (something they did not realize they were fluent in until she came around). In return, they ask her questions about the past (mostly Senku, Yuzuriha, and Taiju), the sleeve on her arm, and why the hell she knows so many languages already.

Senku can’t really be mad about it slowly down progress, he’s sure he’d slack off a little too if they didn’t have so little time to prepare for their trip across the sea. Neither of them miss the way their eyes longingly stare at one another, meeting a few times before either is dragged away by the others they’re surrounded by. It’s even worse that (Y/n) feels she hasn’t been able to get any time alone with him since they made it to the village. She’d been made aware of their plans once her confusion died down a little, even taking the time to freshen up on the main languages she’d be focused on for their trip and doing what she can to pitch in. Unfortunately, their different preparations would barely, if ever, cross over. Lowkey, it had been killing both of them inside, but they kept up appearances for the sake of getting things done.

She’d learned from Gen, who gave her brain a break by speaking in English with her, that Senku had kept her relatively well hidden. He’d visit her often, but no one had put together that’s what he’d been doing until now. Yuzuriha made it clear she’d only learned of (Y/n)’s whereabouts a little before they’d revived her. However, the brown-haired girl did mention that a few passing statements he’d made in the past were starting to make sense.

It took the last night before the Kingdom of Science would set sail again for (Y/n) to find time away from the others. Despite the various discussions scratching her brain in the best way possible in a new world, the dark blue of the night accompanied by the low noises of crickets and crashing waves gives her the solace she needs. While everything has mostly settled, or settled as much as it can, it's still moving so fast. To her, everything was normal yesterday and then dark for longer than she thinks possible to comprehend, "Maybe this is how Sleeping Beauty felt..."

"I doubt that," A familiar voice speaks up from behind her, the heels of his shoes clopping along the ground as he approaches. The gravel scrunches as he shifts to sit next to her, deep zircon-colored eyes staring out towards the ocean's expanse. He scoots a little closer to her, his head tilting as his pinky reflexively reaches to dig out of his ear, "Considering she typically is depicted to have been a young preteen when she first fell asleep and an older teenager when she wakes, I doubt there were many technological changes to throw her for such a loop, especially if the story takes place in a fictional version of the middle ages."

His eyes shift to peak at her instead, his typical grin filing onto his face. Somehow, they're one of his few features to remain the same despite his growing age. He's one of the reasons she's out here tonight, gathering her thoughts privately one last time so she can tuck them away to focus her attention more on to returning civilization.

Of course, she always thought he was good-looking, most people did. However, where they were turned off by his passion for science and technical engineering, she found it to be all the more endearing for his character. He had his pesty moments, but so did everyone else in some way. It added to his charm, "Didn't see you as the fables type, Senku."

"Had a friend who was super into literature. She read it in different languages to challenge herself," He teases in response, his gaze turning back to the sight before them, "Wonder where she is now..."

(Y/n) tugs her knees up to her chest, the irony of the comparison not lost on her, though made completely on accident. She pulls them closer, resting her cheek on them as she takes in the boy next to her, "Maybe she's trapped somewhere in a stone prison back in the woods."

She watches his chest rumble with his chuckle, a soft breeze picking up and spreading the smell of salt water. He's closer now, the smaller changes staring her in the face and taunting her. She'd wanted him this close to her again, just for the reassurance, but now... She kind of regrets it.

"I would've found her by now," He mumbles, the sound just barely reaching her ears. A fond smile slowly eases across his mouth as he returns his gaze to her, "Would've taken me a while to finally see her like this again, but I think it'd finally be worth seeing her again. Even with the circumstances."

"I'm sure she'd be grateful to see you again too, even with the circumstances."

#ishigami senku #ishigami senku x reader #ishigami senkuu #ishigami senkuu x reader #senku ishigami x reader #dr stone x reader #senkuu ishigami x reader #did not think it would get so sentimental in the end I'm so sorry #I tussled with how to write this for a year and still feel there's further ways I could've taken it but it already feels pretty long so #I may revisit this again later but I won't hold my breath either 🤧#also had this idea that reader was Senku's interpreter in America but I didn't want to get into too much spoiler territory with that idea #she totally teaches him some silly phrases in the different languages she speaks and does mix languages up to mess with people #he doesn't realize he's into her until she goes back home one year and they fight on her way out #I imagine her tattoos are different phrases that she really enjoys and maybe a few doodles here and there #also wanted to wait until Matsukaze was introduced so ppl knew how tattoos work post petrification bc I kinda didn't wanna spoil it

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stackslip · 1 month ago

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i would really like to hear more of your thoughts on fma03 rose. i really love her but a lot of discussion i see is very shallow and completely ignores how she relates to the themes of the show. there's probably an essay about people's reaction to the depiction of rape in fma03 but i don't have the words for it right now.

yeah i got thoughts about 03 rose. i got so many thoughts it keeps me up at night quite literally. anyhow.

so in the manga rose is basically an audience stand-in for plot/worldbuilding exposition right? she's basically mostly made to stand there and React To the elrics’ alchemy, their basic backstory (mom died, we tried to bring her back through human transmutation) and the revelation about their bodies. she's resentful of their intervention at first, but iirc only comes up later again even after liore descends into civil war to basically thank the elrics for showing her the true light etc etc right. same as it ever is with the manga—ed is always right and apart from a few truly egregious mistakes that are never really TRULY his fault, what he does ends up being for the best. iirc (and you might correct me if im wrong bc i am not rereading the manga lol) she basically barely comes up again and not really in any plot or thematic relevant bit.

03 rose is very different in her role from the very start. sure, she's still a bit of an audience stand-in for exposition, but—her grief and desperation for her dead fiancee and how she was an orphan, her devotion to the liorite religion, her general desperation to cling onto the hope of resurrection are all strongly expanded upon and make her feel more real. not only that, she is made a direct parallel to the brothers’ own obstinacy and grief in episode 3; al far more directly relates to her, too (which is interesting when you consider his later relationship to scar). she actively is horrified by the elrics, and “betrays” them not once but twice in hope of getting her fiancé back. the chimera bird is SUUUUCH a good addition to the prologue, it's creepy and grotesque and underlines the unsettling nature of alchemy itself in 03, not just human transmutation. and the ending to episode 2 is just—chefs kiss. it's not a triumph for the elrics, or a liberation for rose. she's bitter and sad, ed tells her to move with her own two legs (a phrase that will come back to haunt him!!!!) but it sounds…. kinda hollow and doesnt do much to comfort her then. later she clings to that phrase even as her world disintegrates, and as she is the only liorite who realizes the new priest is clearly a fraud and breaks down about it. the elrics leave rose in liore, their job done—but this is just the beginning of HER story and liore’s altogether. because unlike the manga and bh, 2003 is deeply concerned with consequences, with how careless words and actions that might seem heroic or necessary, or justifications for *juuuust* a little destabilization or transmutation or fight from the people who hold all the power (specifically alchemists; more specifically dante/hohenheim and state alchemists) lead to truly horrific consequences.

and like, one of the best examples of this isnt just ed’s intervention in liore—especially as one could argue that dante’s plans were already in motion there and that war with amestris was always in the plans. but yknow, ed certainly didnt help in playing his role there. no, the best example is ep 5—years before ed and al arrive in liore, they save general hakuro from the train attack. the guy who seems like a Nice Military Man with his family attacked by evil rebels, right? well, that same man is the one who is going to lead the repression of liore and who in all likelihood is responsible for rose’s rape and abuse. ed has saved the man who is going to destroy rose’s life!

because rose really is key to the themes of 03. but not just of consequence, but of *resistance* to imperialist warmongers. when the conflict in liore breaks out, rose is shown to be protecting children—she refuses to sell out her people, she actively resists the amestrian military. when they claim they are Just Here To Help the civilian conflict it is directly juxtaposed with the army literally shooting down civilians; AND in the same episode with scar hunting and killing state alchemists as we get flashbacks of ishbal. because yes, rose and the liorites being brown is relevant to the story being told here—and it's also impossible to ignore the direct parallels to american justifications of intervention in the war in iraq. this took place the same year, for fuck’s sake! so rose’s call of this is our home, we are the ones who get to deal with this mess—feels deeply relevant. and the tragedy here to me, rose’s greatest tragedy—is that she cites edward here, talking about using her own legs!!! because she did end up connecting to the brothers on a deeply personal level, while being unaware of ed’s role in the horrors happening to her, that are about to happen to her. like. my gd, the sheer ache of it.

so much has been said by 03 detractors about what happens to rose. for years i remember being calling 2003 evil and antifeminist and gross because it features the gang rape of a female character. and i have no idea how much of it is word of mouth about what actually happens in 03—lots of people seemed convinced that there was a graphic gang rape scene that was male gazey etc—but even those who know the reality that all of this is alluded to discreetly (we never see or hear her being assaulted, there isnt even a fade to black or direct aftermath!!!) have claimed that it's inherently bad for fma 03 to have a character who is explicitly a sexual violence survivor.

and like. that's flat out reactionary. i have no other words for it. this is just reactionary shit. acting like a female character being raped in the context of a war crime, in a story that explicitly about impeialist violence, is in itself evil and bad is just… saying that you think that even implicit depiction of sexual violence is bad and antifeminist (which says a lot about how you view victims lmao); but particularly ignoring the context of it and how subtly and sympathetically it's framed?? we never get a direct vision of rose being raped; we see the aftermath. she is traumatized and her voice has literally been silenced. she got pregnant and carried a baby from this assault, who is a walking reminder of what was done to her and by extension, liore. essentially 03 is saying that amestrian imperialist and racist violence includes all forms of violence, and people throw a fit over it just like they moan that the changes to scar in 03 are supposedly bad bc bla bla his whole point is that revenge is bad. meanwhile 03 again and again says: victims of imperialist violence and genocide are the ones who understand this violence best and they have every right to resist violently, no matter the excuses from the imperialist armies or how sympathetic/funny you find their soldiers to be.

so anyhow: there's definitely a horrific tragedy to rose in the last third of 03, and her ongoing victimisation and abuse. but it's also interesting to me because it parallels how ed is being manipulated/groomed by dante in entirely different ways. rose’s gang rape, the violence against her—essentially and tragically becomes a symbol of resistance there too. the forced pregnancy and the violence against her becomes a source of reverence from liorites who see her as their leader and guide, even as she was literally silenced. but despite what ed claims, and despite dante’s intervention, it's pretty clear in the show that rose has a degree of agency. she isnt being used by scar, though they're all being manipulated by dante to some degree—she is actively helping scar in his rallying the liorites and seeing a parallel between what was done to ishbalans and what was done to liorites. she is endorsing him knowingly when he makes his plan to murder amestrian soldiers for the stone. 03 treads this delicate balance of how yes, dante is controlling everyone—but what scar is doing *is* right and is presented as such narratively. i was told recently that in an interview the creators said they'd originally planned on ending the show in liore as full circle, but then they had all this other stuff to wrap up and didnt get their extra season/mini series to expand on munich and what eventually became cos. but it's fascinating ti me anyhow.

so, rose’s connection to ed—it feels less like deliberate romance, though yeah i do think that the romantic undernotes are deliberate—there’s definitely a tragedy to it. rose’s baby’s cries remind ed throughout his entire stay in liore that he is responsible for all this. but rose doesnt hate him for it, i think she recognizes that he was manipulated—the same way she had been in ep 1 and 2. she sees her own grief reflected in him. she stands up to wrath and reclaims her voice in a moment that's kinda corny but effective. i always get emo when dante is trying to scold ed and he ignores her to thank rose for saving him and being happy she got her voice back.

and then the last season—rose’s abuse is continued until the end. dante, in many ways, is the very incarnation of alchemy at its worse: seeing people as material, state alchemy as inherently dehumanizing people and things and classifying them in various degrees of inhumanity who can be safely Unpersoned and used. liorites and ishbalans among them. dante is partially responsible for amestris’s policies, and she sees rose, a girl victim of gang rape, and decides to groom her for her own purposes and to use her body as her own. and it's very much sexual in nature, a continual sexual use and abuse of Othered bodies (including rose's baby, used in her experimentations). and unlike in liore, where rose has a degree of agency, she is completely stripped from it by dante: presumably drugged.

it's not a coincidence if dante was putting rose and ed together in that ballroom. it's not just a callback to the two first eps and how far ed and rose have come of characters, what has been done to them; their paths as he, the white amestrian state alchemist that dante plans to groom as her romantic/sexual partner and student in alchemy, and she, the brown liorite girl who fought back every step and was brutalized and dehumanized to the extreme and to dante, is just another body to use and discard and rape—theyve always been intertwined. what ed did directly affected rose's life. now rose is offered as a “reward” to ed, if he chooses to continue as an alchemist in the way he's supposed to. it feels very….. anthy as the witch, while utena is given a princess’s dress and told she will be happily ever after with akio

but anyhow ed refuses. so dante gets rid of him. she lobotomizes gluttony. she punishes wrath and takes his limbs. she is literally having al consumed alive. rose is there, in shock at the events—theres an argument to be made that she could have been more active here tbh, but the last two eps are so cram full of stuff i guess they didnt have time. but anyhow… as soon as al sacrificed himself, dantes plans were moot, bc she really is that certain of other characters’ complete lack of agency and humanity! she just gawks stupidly. it's great. and then she leaves and just…. abandons rose.

so it's full circle again. ed al and rose and her baby. al is gone. ed is shattered. the baby cries, a reminder to ed that his actions have consequences. he asks rose one last thing: to go to resenbool—a place she'll be safe—and take wrath. likely she later changed her mind and returned and realized he lied to find al where he was. ed’s last words he hears from another person in amestris are the same words he told rose in episode 2. you've got two strong legs—you can survive, and go on. rose will survive. she will live, rebuild. she will find happiness after this horror, if she looks ahead. ed does not answer. he doesnt believe he can live without al, and chooses not to. he does the exact same thing rose did all these years ago: he chooses to believe, even if there's absolutely no reason he'll get what he want and even if it's more likely to end badly. and…. he's not rewarded for it. his brother is back, but without memories. ed loses his home forever. but it's significant that he eventually meets noah—she is not rose, but she looks like rose and is also from a marginalized group, and it would be silly to suggest that ed doesn't see rose in her. i find the liore section in cos deeply silly (why is the army there!!!) but it's significant to see rose play an active role in rebuilding her town, in building a new life after the horrors. the whole show, she's been a parallel to ed, an active resistant agent to amestrian violence, and the most significant victim of that violence to the point of bearing its physical traces.

do i wish we'd gotten more of her as an active agent afterwars? yes. do i wish to have seen the version where the show was supposed to culminate in liore? also yes. do i wish id seen her own feelings on what it was like to bear a child of rape and then being praised for it? a hundred percent. but again i wish for many things in 03. in part bc it was committing to giving me what bh wouldnt even dare to throw a bone about! but anyhow. i love rose

#eli talks #fma 2003 #fma 03 #rape tw

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gold-rhine · 2 years ago

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Inazuma Rewrite part one

This is bullet points rewrite for Inazuma general plot structure, bc I think it had so much potential, but was horrifically scuffed in game. If I keep something from canon unchanged, I’ll just say so without retelling the entire thing to keep the length down, bc it’s gonna be A LOT already.

Some disclaimers: I’m not trying to fix every single problem, just what I see as major structural failures. I will reference my problems, but you can read my explanations on them more in depth in my “inazuma ranting” tag.

This is also not envisioned as free for all fanfic where I can write whatever I want, but aimed to be actually feasible to see in game, bc it’d be unfair and I want to show that Inazuma could be improved in the same constraints that hoyo writers had. So please don’t ask why I didn’t do wildly inconsistent thing that would be cool, but genshin would never actually do.

I’m aiming to retain all relevant lore and achieve basically same worldstate in the end, including character arcs, for the most part, because I presume them to be integral to the larger strategic plotline of the game. Which means I can’t drastically change characterization and major plot beats like the decrees, rebellion, Raiden has to be a sympathetic ally in the end, etc. I’m also trying to keep genshin’s general tone and modus operandi, bc like, target audience includes 13 yolds and I can’t just “make Inazuma good” by turning it into like, a gruesome and complex power struggle of political factions like Fallout New Vegas.

List of main issues I want to address: pacing in general, rebellion pacing especially, lack of impact and continuity of effects of vision loss on people, lack of setup for the stasis vs transience aka ei vs makoto conflict, character arcs: raiden, ayaka, kazuha, kokomi, yoimiya, kujou sara. And more!

Initially I wanted to make a single post, but it’s already 3k and I’m only up to Raiden’s first duel and I plan to cover post-archon quest content too, like Raiden and Yoi story quests, so I decided to split it up instead of posting like 20k monstrosity. So remember, this is for now mostly a setup.

EDIT: Part 2

Raiden’s motivations\Reasons for vision hunt

Ok, so one of the biggest principal changes is that vision hunt and sakoku decree are active Raiden’s decisions, instead of Fatui’s plot that she’s just passively allowing to happen. Raiden closed the country, but she’s ok with Fatui starting a civil war and selling delusions, bc it doesn’t “affect eternity”, like??? I honestly think that the current plot of her people dying in a civil war meant nothing to her is much worse than her starting vision hunt decree out of misguided plan to ultimately do better for people.

I mean ok, we have to have closed borders to reference Japan’s history, sure, but like, the whole point of isolationist policies like this is to prevent the outsiders’ influence on the country. So she should not be ok with Fatui schemes at any point.

I mean, if it was fallout new vegas AU, I’d keep it to show that dictator doesn’t not care about foreign powers exploiting it’s people as long as it profits the empire and helps to keep people subjugated, but like. Then raiden can’t be uwu waifu. So we gonna give her good intentions and integrity, but misunderstanding of humanity due to closing herself off instead.

Now to why would she close the country and institute sakoku decree. I want to tie this in with another plotline that is just. Kinda floating at sidelines at the moment, but I think could work nicely in tandem. The Scaramouche destroying Raiden Gokaden, the five schools of weapon smithing, which were canonically highly valued by Raiden.

I’m not gonna recount Scara’s entire plotline, but basically he went on a misguided crusade against Raiden Gokaden and managed to cause fall of 4 out of 5 weapon-smith schools.

Game says that he like, tampered with the schools and covertly led to their ruin, which like?? They never found anyone guilty, like the most prized weapon art smiths of your country fall apart and you’re like oh well, I guess Yashiro commission is just bad at it’s job?

There is a plot point in this story where Isshin weapon smiths, unable to replicate a faulty design that was Raiden’s commission tampered by Scara, were scared of Raiden’s wrath and decided to flee to Snezhnaya. I want to change it to be that there is an event, where ALL weapon schools receive same commission at the same time, and Scara tampers with it.

Just as in canon, scared smiths, but now from 4 schools, not one, are manipulated by Fatui to flee to Snezhnaya, But we add a new NPC, the most talented blade smith who had a vision. Fatui frame him as the ring leader, as if they were running not to save their lives because of the tampered design, impossible to fulfil, but that this was a betrayal because of his ambitions.

After this, Raiden has legitimate cause to feel like her eternity is threatened. She sees weapon art schools, one of the most prized country’s traditions being ruined in a moment because of what she thinks is ambitious hubris of one vision holder, who colluded with outsiders. So she closes Inazuma and declares a vision hunt, to prevent this from ever happening again.

But ironically, in truth it was the fault of not just Fatui, but specifically a puppet without a vision that she herself created and failed to supervise. This brings the main idea of the plotline from “Fatui evil, Raiden passive” to “Solipsist goddess who doesn’t understand humanity tries to protect her people by locking them in stasis and taking their ambitions, but the real case of tragedy was her negligence and lack of empathy all along, and this is what needs to be changed.”

Interlude and plot setup

We start with similar plotline. Traveler tries to go to Inazuma, learns that it’s closed, talks to Inazuman NPC to learn more. Here we’re introduced to the general idea that Inazuma was closed off due to one traitor blade smith with a vision who sold off Raiden Gokaden to Fatui.

We go to Beidou’s tournament, which goes basically the same, we meet Kazuha and watch a beautiful cutscene about his dead friend who challenged Raiden to a duel, and now Kazuha tries to find someone who can reignite his vision. I will actually add changes to Kazuha’s storyline, but it be will later.

then we arrive to Inazuma, go through the same bureaucracy loops with Thoma on Ritou, to show the barriers to outsiders and also to illustrate how Thoma is the best fixer when he manages to drop a fee from 1 mil to like 10 gold by promising to have a dinner with government official.

But we’re cutting the second part of Ritou, with the boring plot about like merchant from Mond scamming people with the local police and then Traveler delivering love letter or whatever. I mean, we can keep this as an optional side quest, if like hoyo thinks the lore about love letter is essential for the Ayato’s quest or smth, but not as an Archon quest.

Instead, we put a part of Yoimiya’s quest there. I think Yoi’s quest is relevant enough to stay in the Archon quest, unlike Ayaka’s, but it’s slapped into a place where it ruins pacing. So instead, we’re cutting it up in parts and inserting it into main storyline.

On Ritou, while doing bureaucracy bullshit, we meet Yoimiya, and play the part of her quest about her helping a guy with a vision to escape from his former best friend, who is now a guard hunting him. It helps to show the rift that vision hunt brings not only with the outsiders, but with inside of the country as well.

Ghost of Makoto\Transience setup

another key point that I think is integral to fixing Inazuma is planting seeds for Makoto’s reveal from the start. I really like the Stasis vs Transience conflict from raiden’s second story quest, where raiden believed in eternity as lack of change, a perfect state maintained until the rest of time, while her twin Makoto believed in eternity as never-ending change, where people’s dreams constantly evolve, nature of them chasing these dreams never changes.

but it feels like it came out of nowhere and raiden just speedruns character development in like an hour, so a lot of people ended up feeling like it was just about Raiden mourning her sister, instead of raiden coming to understand makoto’s belief system and through that unlocking makoto’s final connection and then being able to let go.

so we need to first of all, introduce makoto’s ideas of transience from the start, and also empathize the conflict of them with raiden’s stasis.

and it doesn’t mean we’ll spoil the reveal about the second raiden shogun! we don’t have to ever use makoto’s name, just her title as a raiden and sprinkle her ideas throughout the land. We know hoyo area designers can do that stuff really well (guizhong’s relics being scattered all over liyue, rukkhadevata’s shadow in the aranara quest).

like, it’s strange that Makoto primarily ruled and shaped country by herself while Ei was just a warrior, yet we do not have Makoto’s influence visible. We need to add ideas of transience into fundamentals of Inazuma,

“Transience is the dream of the nation of thunder. We find the greatest joys in mortal life in fleeting dreams, for is life itself not like the shadow of the thunder? Pursue your dreams into the clouds if you wish, and enjoy the unexpected silence of the dim lamp-lit nights.” - Guide to Transience talent book.

add these ideas all over the place, esp near sakura. And let’s draw player’s attention a couple of times specifically to the internal contradiction of these ideas of transience being integral to inazuma and raiden’s current hatred of change.

like, we need even 13 yolds and twitch streamers to remember this, so lets make paimon say like

“Huh, this shrine to raiden shogun says that eternity is the pursuit of fleeting dreams, but doesn’t raiden shogun fucking hates dreams?? I wonder, what made her change her mind about them to the total opposite!“

this and more subtle puzzles\locations with focus on transience for people who pay more attention will add the much needed setup for makoto’s reveal

Kamisato siblings

ok, first things first, Ayato being absent without any explanation while his little sister is plotting treason and his malewife Thoma is about to be executed on the streets is unacceptable.

like I know it’s marketing or whatever and he’s not being released but we need his model, hoyo. If we 200% CAN’T have his model, we need to come up with solid excuse why he’s not here. Like idk, he’s helping the war refugees or smth

And we need hints at his presence\influence throughout the story. Like oh, here’s group of refugees who were helped by Yashiro commissioner, they are relocating to new homes, I guess Ayato is really busy. Oh, here is Fatui’s camp where everyone is slaughtered and boba tea cups are littered around, I wonder what is up with that.

and also, Ayaka is organizing resistance behind his back, and we never meet him bc Ayaka actively tries to hide traveler from him.

bc like, Ayaka doesn’t have a development arc in archon quest. She’s just kind of there, being perfect. Like in her story quest that hoyo makes you do at gun point, you like, go on a date, learn that she’s lonely and has trouble connecting with people due to the pressure of having to project an image of perfection and societal distance, do an investigation to uncover her late mother’s fox fursona roleplay diary which she used to cope her with own societal pressure. Which like. Ok, sure, but but this wet socks quest is not an archon quest material. It should be just a normal story quest.

no, Ayaka’s real conflict is wanting to prove herself to her brother, bring real difference to the world. This is her ambition, she literally gained her vision while fighting Ayato in a training, she wanted to show him that she’s strong enough to handle responsibility, he named her Shirasagi Himegimi after she won that fight

but during a civil war, watching people suffer, her role as a cultural figurehead is not enough. She wants to help, but she’s afraid to act, because this will undermine Yashiro Commission and her brother worked so hard to build it back up after Raiden Gokaden fall. so she organizes resistance behind her brother’s back in secret, to help, but without compromising Kamisato name

this basically tracks with what happens in game, but we spell it out and expand on this later.

Getting Traveler to help

next, let’s throw out the weird edging introduction where traveler is not allowed to see Ayaka the first time. like??? bro, we’re friends with 2 archons and heads of their governments, you’re not that important. and it can’t be to protect her identity, bc like. You go to Kamisato estate! You’re told who she is! If you wanted to betray her, that would be enough already.

another awkward thing is that Traveler, who agrees to do every stupid quest they meet, suddenly refuses to help the resistance.

I think we should reframe their convo a little, like Traveler says hey I’d love to help, but my primary goal is to get info about my sibling from an Archon, so I don’t want to go against her.

To which Ayaka says oh, I totally get you, you see, I am myself a culture figurehead and a nominal princess and I can’t speak up against the decree, bc that will hurt Yashiro Commission. But I’m not asking you to fight Raiden Shogun in a duel or smth, I’m just asking you to help people with the resistance, which we do totally in secret. No one will know! Also, how are you going to see Raiden? She’s locked up and doesn’t appear in public. But my big brother is a head of the Commission, if anyone can get you an audience, it’s him. So help me help people and I will ask him to help you see Shogun!

she secretly believes that after traveler sees ppl suffering, they will change their mind and help willingly, same as in canon, but she’s more subtle about it

Rebellion connection

my other problem with vision hunt is that the 3 quests they force you to do about meeting people who lost their visions are like. not good. The concept is interesting, but they are just kinda boring and meandering. They lack dramatic impact. They could do better. So we’re not doing these 3 quests rn, but don’t worry about it, we will get to the effects of vision loss

Instead, ayaka sends us to help Yoimiya and we do the same quest we do in archon quest - help her to free someone from prison dungeon. It goes the same, we get to the dude being mistreated by cops, Kujou Sara steps up and lets us go

But then it’s like, we need to get this dude out of Inazuma city. Cops know he escaped! They will just come for him again! There is only one place that will take him and it’s the watatsumi rebels.

Common complaint about Inazuma is that other countries feel like found families and Inazuma doesn’t, bc characters from resistance and rebellion basically don’t interact, and it’s true. And like, we can get them together! Thoma knows Kazuha, Kazuha knows Gorou, Gorou in canon went to recoinsanse missions to Narukami island.

So, Gorou visits the tea house to pick up the Vision Dude, and the gang has the hotpot meet up. Everyone is there (except Kokomi bc ok hoyo, we’re saving up for dramatic battle reveal, and i think her reveal would fuck up banner schedule). Ayaka, Thoma, Yoimiya, Kazuha, Gorou. and Teppei! Who is here bc he was recruited by Gorou. He’s actually from Narukami island, not Watatsumi, and he had nothing to do with visions, but he’s an idealist, he believes in freedom, so he joined rebellion. fun times are had, Ayaka tries to play srs bsns lady host, but breaks into giggling at The Shenanigans, Gorou is overly polite but adorable and apologizes to Ayaka about The Shenanigans in which everyone but him participates, Yoi is a life of party and the Shenanigans and later has to be bodily stopped by Kazuha from organizing fireworks right here, right now, Thoma and Teppei both get sick from eating Ayaka’s nasty cakes that she threw into soup, bc Thoma is just into oral stuff and Teppei is so earnest and eager to prove himself and impress ppl, haha comic relief, look how sweet and funny this guy is and all characters get along so great with him

bc like, I think Teppei has a problem of a) not having enough screen time b)not having any interesting characterization moments to make him stand out 3)not having other playable and already likeable characters interact with him

so this scene can serve not only to bring that “unlikely bunch of people becoming friends and working together” connection to life, but also to endear Teppei to the players

Vision Loss Effects\ Yoimiya and Thoma

ok, next Ayaka asks Traveler to do that one quest about martial arts master losing their vision. I think it’s the one quest from 3 about vision loss with most drama, but the real reason is that it introduces Yae Miko and we need to do this before leaving for the rebellion. Like, in theory, it could be switched to another, better quest that lets us meet Yae Miko, but honestly, this is not one of Inazuma archon quest problems so I can’t be arsed. Feel free to imagine a cooler intro instead.

when we go back to tea house, we learn that Yoimya’s vision has been taken away. She has been recognized in that last prison raid and the guards came for her later, and she didn’t fight bc there were kids and her old father around.

She’s completely changed. Her innate optimism, her belief in people and their dreams has been drained from her like a sunshine from a dark cellar. But she’s still Yoimiya!! She came here to warn you bc she still cares even if she had her own joy taken from her. She tries to smile and reassure you that it’s ok, she’s fine, but her smile is visibly strained, she’s never had to fake it before so she doesn’t know how. She wears a vision, but it’s a fake one, because her pops said that maybe having it here would help and she agreed, tried to pretend for him that it does help, bu. It very obviously doesn’t.

Ayaka is horrified. She apologizes to Yoimiya, tries to think of ways to help her, but Yoi just laughs humorlessly. “It won’t ever touch you, princess.”

She’s immediately disgusted at herself and apologizes, tries to take it back, this isn’t her, she would never say this, and not to her friend! But also, it’s so hard to care now and she can’t remember why it’s so important to care at all.

Ayaka is shaken. Bc it’s true! She is a privileged noble, vision hunt will not come for her! She is playing at the resistance from the safety of anonymity, while people like Yoimiya actually risk themselves and pay the price!

And this is when the news that Thoma was arrested and about to be 100th vision taken at the feet of the statue comes. Tenryou commission truly strikes back.

Ayaka is in uproar. She’s ready to go herself and fight for Thoma, especially after Yoi’s words. She’s sick and tired of being a perfect princess, she can’t allow any more of her friends, her family come to harm because they don’t have her protection. Clearly Thoma being a theatrical execution is a blow specifically against Yashiro commission and Kamisato family in particular, and if Shogun has beef with her, well, she can settle it with HER instead of going after her friends!

Traveler stops her. This is what they want. If Ayaka openly moves against the Shogun, the entire Yashiro commission falls. Even if Ayaka is in the right! No, it’s the Traveler who will go to save Thoma

But traveler needs raiden’s good will for the info, they can’t confront raiden openly, it was the deal from the start!

But at this point traveler has seen too much, the divide in the country, the change and suffering of their own friends, and they can’t allow all of Yashiro commission take the fall.

This is when the Traveler decides to take a stand.

ACT 2

#rhine talks #inazuma ranting #genshin impact #rhine lore study #rhine writes

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ashenquill · 5 months ago

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It's time to info dump about my character headcanons some moreeeee I love spreading my agenda on the internet hehe

Mumbo Killsalot Jumbo is one of those ambiguous types where you can't tell if he's actually a hybrid or not? Like, there's something a little bit... off about him. Something distinctly non-human. Also he's a really weird guy, which makes even less sense, because at this point hybrids are like 60% of the population, and nobody bats(ha) an eye at them anymore, so it's not like he needs to hide it. But he is, in fact, secretly a vampire. Or at least, he's 1/16th vampire or something like that. He just remembers this one guy named Vlad who he refused to believe was actually his great-grandpa because he's literally, like thirty? How on Earth would he have been old enough to father children with children with children? Mumbo started believing it when he saw him again ten years later and he hadn't changed in the slightest. Suddenly, the strict nobody open the curtains rule made a lot more sense.

Now, even though Mumbo is technically a vampire, his family is primarily human. The only reason they even have vampiric origins is because Great-grandpa Vlad got turned at the ripe age of 27, and wasn't about to abandon his wife over his new and very serious garlic allergy. She thought it was all one big prank he was pulling to get out of working on the farm, but after twenty years and seven kids, she realized that being a stay-at-home dad was definitely not taking the toll it should.

Mumbo and his immediate family have retained a few of the traits they inherited from Vlad, but it manifests in very mild coincidences. His mom is allergic to garlic and his dad has a strange Scarland-Princess-like affiliation with bats. Mumbo, meanwhile, really got the short end of the stick, as he can't expose his shoulders to sunlight without them miraculously burning (he's gone through more bottles of M-77 brand sunscreen than he'd care to quantify). Not to mention the insomnia! He'd be lucky to get two hours of sleep on an average night, and the fact that the only affect it really has on him is making his eyes look baggy is truly an injustice. Wasn't insomnia supposed to cause other serious health problems? How could he even complain about it if he wasn't constantly overtired? Rather inconvenient, that.

Don't ask my why I have so much lore for this guy when I don't even write him that often. It's just the Mumbo Jumbo allure, I guess

Here's some other fun facts:

Smells like iron/copper (metallic)

Book smart - special knowledge of redstone

Likes: cloud gazing, embroidery, old westerns/duels/guns, rubix cubes (only to look at though, bro can’t solve them for shit)

Dislikes: designing floor plans, social interaction, eye contact

Passions: philanthropy, travel

Habits/other details: Super fidgety like holy shit he never stops moving, picks at his nails and has lots of scabs & hangnails bc of it, he is littered with cuts and bruises of unknown origin, also usually covered in redstone & he mistakes his blood for it half the time, can’t tell if he’s ADHD, ASD, or both (deffo both)

Reactive to their environment - does not like to be around danger most of the time, would rather watch from afar, would rather not even watch tyvm, too bad he’s always a victim, #easytarget, your honor he’s just a wet cat

Special, plot-relevant skills: good w/ redstone, rich asf

Insomniac, also has RLS, always tired but it’s not very obvious, mostly just has dumb blonde moments, his intelligence would be 10% more if he actually slept, what the heck Vlad why'd you have to get bit by a vampire

#he's a vampire now #you're welcome #great-grandpa Vlad was probably a huge loser lets be fr #Mumbo inherited more of his personality than anything else #character headcanons #mumbo jumbo #hermitcraft #hermitblr

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maxilsmaster · 2 months ago

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au where eggman adopts sonic

now i know what you’re thinking, “there are already sonic villain aus out there”, but i’m here to tell you, this ain’t no sonic villain au! sonic is still a hero here! the difference is backstory.

the tl;dr is that eggman adopts sonic and tails but they’re not evil and he is, but he’s a good dad anyway

eggman finds little baby sonic (by baby, i mean somewhere in the 4-7 range) all alone on christmas island. the hedgehog doesn’t speak, when asked if he has a family all he does is shake is head, he’s quite obviously abandoned. so eggman adopts this little blue hedgehog! he learns sign language, teaches it to sonic, puts his kid in school, and overall is actually a really good parent. but there is one problem: he’s still evil. he still wants to conquer the planet. sonic disagrees with this. when he fails to convince his dad through words, he ends up taking action and destroying robots. eggdad is not pleased by this, but he supposes that it was inevitable that his kid might not turn out to be evil like him. he still continues his schemes of course, but sonic also continues to stop him. eggman does make sure to program his robots to not target sonic, too.

at some point, eggy creates metal to be an artificial brother for sonic. metal matches sonic’s speed, and is also mute. sonic is overjoyed at his new brother :)

and then he meets tails. the two immediately take a liking to each other, and sonic learns that tails’ situation is similar to how his own used to be. immediately sonic takes tails to eggy and demands he adopt the fox. eggdad accepts and now there are three brothers :)

at some point, sonic and tails arrive on angel island. sonic gets the emeralds punched out of him by knuckles, who has NOT met eggman and just doesn’t like intruders. when eggman learns about this, he’s pissed and steals the master emerald. after this whole situation is resolved, sonic tries to get eggman to adopt knuckles, but knux won’t allow it, so he’s an unofficial brother

at around 12 years old, sonic starts speaking verbally (though in periods of excitement or stress he’ll still go back to sign) (this is just how i headcanon sonic normally but it’s still relevant)

i have the plots written down for a lot of the games, so i’m gonna go through the mainline modern ones briefly

sonic adventure: eggman tries to keep chaos out of sonic’s way, fails miserably

sonic adventure 2 is a fun one! the beginning is mostly the same, eggman finds shadow, sonic gets arrested, etc, but then eggman finds out sonic got arrested and is PISSED, so he has shadow rescue sonic. sonic is pissed about the false arrest and fights shadow, shadow is forced to use chaos control to bring sonic to eggdad before the island explodes, and now sonic is with the dark story for the rest of the plot. eggdad brings sonic to space, tails, knux and amy follow, sonic learns shadow is technically his (uncle? second cousin once removed? it’s one of them, idk which), sonic is NOT launched off the ark bc eggy wouldn’t do that to his son. plot happens, shadow “dies”, and adventure 2 is done!

at some point, eggy finds shadow, and sonic and tails are aware of this. they don’t tell anyone shadow is alive though (and eggman doesn’t tell them about the androids)

sonic heroes happens bc metal thinks he’s better at being evil than eggman, now everyone knows shadow is alive yay, and also sonic and tails are immediately sus of this plan

rush happens too but i don’t know enough about rush to accurately change the plot, but i’m sure the plot changes at least a bit

we’re not gonna talk about 06 bc it gets retconned by itself

unleashed has shadow as the protag instead of sonic

colors is almost entirely unchanged except 1, yacker gets hypnotized in the one cutscene instead of tails, and 2, eggdad did his best to make the amusement park enjoyable for his kids :)

generations! hoo boy! eggman doesn’t get invited to the birthday party (it’s his birthday too) so he causes Issues! oh and shadow gens happens lol

lost world… oh boy. this one is traumatic for everyone involved. there’s less arguing involved, but sonic is still an impulsive dumbass (leading to tails getting kidnapped, which traumatizes sonic and eggdad) and eggy presumably falling to a fiery death (only sonic is around to see this). so sonic is having a Terrible Horrible No Good Very Bad Day all around, and the zeti are also trying extra hard to kill him to spite eggface. luckily it all works out, except that therapy Will Be Required

forces is another fun one! for me ofc, not the characters. infinite betrays eggman early on, locking him up, then also defeats sonic, locking him up too. bc i am merciful, i am reducing the time the war takes down to one month (mainly bc really, that’s more than enough time for everything to go to shit). sonic and eggman are NOT tortured (bc that was just a weird translation thing), but more therapy will def be required. also rookie/gadget saves both sonic and eggman

at some point, eggdad creates sage. he does not intend for sage to become his daughter. but also sonic and tails both know sage from the start, which is relevant for this next bit

frontiers happens next, and really, the main issue is that sage Refuses To Properly Communicate With Sonic. eggy doesn’t want to put his kids in danger so he tells sage not to run any simulations where that happens. in the end though, sonic still has to get involved. and also now there is a Sister :)

tmosth also happens because i fucking love tmosth. the train is sentient which is why sonic gets knocked out

will add some links to character descs and stuff when i post more about this au (and i’ll also try to come up with a name while i do that)

#sonic au #sonic the hedgehog #sonic the hedgehog au #sth #eggdad #eggdad au #sonic robotnik au

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hexhomos · 1 year ago

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HI! hope your day is treating you well, i’ve been interested in doomreed for some time but cape comics are sort of daunting to me just because there’s so much content and i really don’t know where to begin. what do you suggest? thank you!

STRAIGHT OUT THE GATE ill say, read [ "My Dinner With Doom" ] (this is a rly high-qual upload, open it up on desktop!)

It's a key issue oneshot with a lil bit of backstory retelling, featuring a private dinner that happens in the 00's - a good entrance point if you're curious about doomreed in summarization + generally speaking a Real Good Comic overall.

LONG POST INCOMING THIS IS A LONG POST / click readmore

the fantastic four are one of marvel's darling old founding teams so there is pretty much... endless archival, ongoing, multimedia and games content popping up all the time.

They are also kinda one of the rare teams where the growth of the characters is consistent? The kids are allowed to grow older and events from every major run are carried/referenced by the next author so if you want to do chronological there's a lot of incentive and fun stuff.

If you wanna dip your toes into the F4 as a concept, check out:

*the #1 issue of Fantastic Four By Waid & Wieringo (1997) *Mythos: Fantastic Four (2007) [ *The FF (1994) movie that is up for free on youtube!! ] *Fantastic Four (2022) by Ryan North as the current ongoing!

(Some) Singles centered on Doom/Doomreed:

*Fantastic Four (1961) Annual 2 is Doom's original backstory issue *Marvel Two-in-One (2017) by Zdarsky issue #11 & Annual #1 are both crazy good but they spoil big events/conclusions from previous runs if u care abt that!!! (My current fav fic came from these issues.) *Doomgate (novel) by Jeffrey Lang is a good option if you want something that is mostly prose, instead of a comic or movie

NOW BEFORE YOU JUMP AHEAD WITH ANYTHING I *am* following [ this reading guide ] which breaks down specific issues relevant to their relationship as a line through all the different authors over the years.

[ There's also this 2021 guide w/ a few other story/AU highlights! The author said u can send the blog questions and theyll answer too ]

The 'Modern era' (late 90s/00s/10s/Now) Starts with Waid and McDuffie's stuff. The latter wrote My Dinner with Doom!

If you're scared by all the names, don't be - when searching for the issues, just pay attention to the year, # number & author/artist creds.

What I'm reading/liveblogging rn is Hickman's Secret wars era, generally regarded as yaoi ketamine; It's a good epic narrative entrance point if you want to jump into it, and it eventually led into this huge marvel event that changed the multiverse and even brought miles morales into the main timeline, so its BIG and it happened in multiple books - the best way to go about it is;

Pre-hickman:

Fantastic Four (1961) #551 #552 #553 ➡️ (these introduce main ideas we will touch again in secret wars)

Fantastic Four (1961) #558 to #562 ➡️

Doom appears in these too, first/last issues more heavily. Stuff here will be ref'd during the next era.

If you're having fun and want to keep reading you can! Just know that the next storyarc has gathered a largely mixed response bc..... its Millar going hammywammy....... not that necessary.......

anyway when you see hickmans name in the cover STOP and

Jump to actual Hickman secret wars era:

Fantastic Four by Jonathan Hickman: The complete collection➡️

(optional, side plot) If you like Val + Doom, read specifically; *Fantastic Four (2014) #3 & #5 + Fantastic Four Annual (2014) #1 *Agent of Asgard #6 & #7 *Avengers World (2014) #15 & #16

New Avengers (2013) ➡️ check issues on picture, or, if you're a completionist, look for 'Avengers by Jonathan Hickman; complete collection' and skim for the doom/reed relevant bits. There's a lot of characters here but this is a buildup to the big secret wars. Secret Wars (2015) ➡️ (All issues!) Infamous Iron Man (2016) ➡️bendis' doom writing is not very good but hang in there because right after him: Marvel 2-In-One (2017) ➡️ (All issues!) is a banger. Yaoi btw.

You can basically read all the future/past ones as listed, or starting from the beginning of that author's period without worrying, bc they aren't as indebted to each other storywise.

You can also start somewhere else if you want or check out other single issues on the reading guides; It's not a crime! There's a lot of stuff with different takes and genres, I'm slowly chipping away at the secret wars era bc its just very thick and like a serious television drama attempt, except its also insanely funny sometimes.

(I'm still making my way through it so that's what I have at the moment!)

#doomreed #doctor doom #reed richards #victor von doom #marvel comics #reading guide #hexposts #fantastic four #dr doom #mr fantastic #mister fantastic #marvel #meta tag #fic rec

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utilitycaster · 6 months ago

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As a Mighty Nein lover, is there anything you want out of the animated series in particular that perhaps wasn't seen or was unemphasized in the improv of the game when obviously no one was aware what paths we'd go down/what would become important later? Any moments you wonder how they'll portray *without* the framework of the dnd game?

I also generally wonder if m9 shipass discourse/whatever weird entitlement ppl had to the official character designs not fitting their headcanons will end up reviving, but largely i feel like the ppl who were stupid about that kind of thing hated the backhalf of c2 so soundly that it would take a deep delusion that "no for sure they'll change the plot" or a true self hatred for them to watch the animation, and ppl coming in WITH the animation likely are going to grab the telegraphed relationships much more soundly since they understand it as Written. (Please tell me if I'm wrong bc I only picked up m9 maybe in the ep50 mark and got involved in fandom spaces much later, but I feel like the weird piss of the fandom got intolerably bad mostly after the covid hiatus? Where ppl had no content for months and created an echo chamber of headcanon while forgetting that the campaign was about anything. This might still happen between animated series seasons but I think people cannot complain anymore that the source material is source material-ing.)

Hi anon,

I don't have any specific wishes. I'm excited that we'll see a little bit from before the campaign, as the Fjord and Jester animatic indicates; would love to see that for Veth and Caleb, and Molly and Yasha as well. Otherwise off the top of my head there isn't really much that we didn't see I really feel the need to see? I like the Briarwoods flashback in TLOVM but there's not a ton in C2 that benefits from turning the camera onto NPCs like that, for example. Maybe a brief Avantika and Vandran moment? Perhaps Essek stealing the beacon? But honestly one of the remarkable things about C2 was that there were so many weird happy coincidences that it accidentally had a lot of foreshadowing you could not have planned.

I've said this a bunch about C3 and some of the ongoing conversations about the gods before but it's relevant here as well: I generally assume that in a fandom space, there will be discourse. There is nothing so clear and obviously telegraphed that someone who's decided to stick their fingers in their ears and harden their heart and turn off their brain cannot ignore or disregard. There are still, to this day, after Fjord and Jester failed to break up in episode 141, the Mighty Nein Reunited, or Echoes of the Solstice and in fact got engaged, and Beau and Yasha are married and Caleb and Essek refer to each other as partners, people who insist that Caleb or Beau and Jester were "supposed" to be endgame but for (unstated nebulous cause that they will not deign to describe because if they do so, there are pretty obvious holes one could poke in it) and I think it's been pretty clearly signaled. People thought that TLOVM would have a Vex and Keyleth romance because of a single frame when they were next to each other. You could have the entire Critical Role cast on camera go "here are the endgame relationships" and someone would be like "well, but what if that was a bluff." I think there might be less discourse among new fans but I do not think there will be none.

For what it's worth, while I do think C2 ship discourse was pretty awful and was exacerbated by a combination echo chamber and the general mood of 2020 and early 2021, I think C3 discourse is, while perhaps less harassment-focused, in much more bad faith. Like, ship discourse can get nasty and awful, don't get me wrong, but I feel like most people involved were either reading things that weren't there specifically about ships but were pretty reasonable about the plot (at least not until very, very late in the game) and I feel like they were genuine fans of Critical Role and had a decent sense of the world and the lore and just. went absolutely nuts and started sending harassment because their blorbos did not kiss and/or get resurrected. Whereas I feel like the worst of C3 discourse involves people who came in with little understanding of D&D nor the world and frankly a decent amount of derision towards everything that came before, proceeded to show up in a clown wig screaming "LISTEN UP FIVES, A TEN IS SPEAKING", promptly shit themselves and started crying, and now are not just wondering why few people like them or taking them seriously but are also throwing out whatever random-ass accusations they think will stick as they sit in the detritus of their increasingly incorrect predictions.

Anyway this is all to say whenever someone is like "surely this revision will prevent fans from interpreting art in a stupid way" my response is "I believe that some people are innovating in the field of stupid interpretations; do what makes you happy and acknowledge that they will always exist."

also, while i'm running my mouth before i go run errands, this is just a blanket statement re character designs and headcanons. (the "you" here is obviously not at anon, but rather the people they described). If you wish a character looked different than their canonical depiction, great. No one is stopping you. If you think canon exists to validate your headcanons, it doesn't. If you think people online saying "I don't like a headcanon" is stopping you from doing anything, it isn't. If you pitch fits about either of those things, you are a self-absorbed child. And if you are really attached to all of your diverse headcanons and yet never seem to gravitate towards characters who are canonically portrayed with those same identities, a whole lot of people are side-eyeing you.

#answered #Anonymous #cr tag

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