#most of them are just really bad sketches that i don't show

[mess-of-ut-things]

Summer vibes.

Dream belongs to Jokublog

[maulfucker]

Some sketcheys of this AU because I needed to get some of it out of my system

[ponett]

Any opinion on the Pokemon Gigaleak or nah?

I think seeing some of the WIP assets from when gen 3 was in development is kinda neat, because Game Freak is normally so secretive about that kind of thing. But beyond that I mostly just find this whole situation tiring.

Fans have a tendency to almost treat scrapped material as "more canon" than whatever actually made it into the finished product, in a way. It's treated as this pure, unfiltered insight into the creators' true vision. In reality, most of the time this stuff gets cut for a reason. Sometimes they very quickly realize it was a bad idea that was never gonna work, and they don't go very far with it. Sometimes it's a pitch from just one guy on the team that was never gonna get accepted. Sometimes they're just spitballing. Experimentation and iteration and knowing when to cut things are integral parts of the artistic process.

And hell, a lot of the time creators will just mess around with an idea purely as a creative exercise, or to get an idea out of their system, or to explore a crazy what-if scenario, or even just as a joke, with no intention of ever actually using those ideas. We recently saw this same thing happened with those leaked Rebecca Sugar sketches, where people were like "OMG Rebecca ships this, this is what they REALLY wanted to do with the show, this is canon, this was happening off-screen!!" And it's like, y'all have no idea how much crazy shit your favorite artists draw with their characters just to amuse themselves. The crew on Clarence had a not-so-secret Tumblr where they redrew scenes from Evangelion with Clarence characters. That doesn't mean they wanted to turn Clarence into Eva. They were just screwing around. This happens all the time, and with way more extreme examples than these. Lord knows how many Disney animators have drawn Mickey Mouse with his dick out over the years. That doesn't mean they ever actually wanted to make an official Mickey Mouse porno.

And, of course, there's the response to those myths that were never supposed to see the light of day. Anyone who's even passingly familiar with mythology from just about any part of the world shouldn't be surprised to hear fables about humans and animals having babies or whatever. But now people are responding to those unused stories and going "OMG Game Freak is a bunch of gooners who want humans and Pokemon to have sex!! This is canon!!!" It's so fucking tiring. So much of the modern internet, particularly Twitter, is driven by people who just want an excuse to whip out their favorite shocked/disgusted reaction image and ham up their reaction to something that isn't actually all that shocking. Everyone just wants to get their funny dunks in and feign moral superiority. It's childish. And it's because of reactions like this that this stuff was never supposed to see the light of day in the first place. But fans feel like they're owed every single shred of info from the development of their favorite franchises, so these leaks happen and people run wild with them.

(It also doesn't help that this is all just sourced back to a 4chan thread, so people were posting fake shit between the real leaks and muddying the waters. And also most of it is in Japanese, so people are just sticking documents through Google Translate and going "whooooaaaa this is canon")

[luwha]

LMAO so, recently someone tried to SCAM me, so i'll show you what happened and the telltales of it being a scam.

This one is quite obvious but i know people who are just starting their artist careers and might not have experiece.

Follow the thread:

🚩#1: They pick your most famous/Popular art as reference. They don't know what you actually sell.

🚩#2: They will pick a random popular character. They're not roleplayers or anything. They're not here for the art in any level

You ask me, what are the odds they really like Goku? Oh, well, you'll see. At this point i check their profile for anythign that might indicate it, but as you'll see you won't have to.

🚩#3: They say they saw my ToS. On it i state i only work with paypal and google forms.

🚩#4: Random issue with payment method. They might have a real problem with it, but see; they'll never ever accept any other payment method, such as Zelle, CashApp, Payoneer, Ko-fi, etc.

I already knew this drill so, let's continue.

🚩#5: I love playing dumb lmao. Anyway, this scam revolves on them either sending you "too much money" and asking it back or something like it. I won't be following through because i know it'll be annoying.

BE ADAMANT WITH YOUR METHODS. Do NOT EVER bend them for randos.

🚩#6: They're so ready with the info on how the payment works it's fucking funny.

The reason I PERSONALLY use PayPal INVOICES (no any other payment within paypal) is that they're safe for both me and my client. My rules are stated clearly.

MAKE A ToS I BEG YOU YOUNG ARTIST

🚩#7: They're not even a good scammer lmao they REFUSE to go on my PROFILE to get a link or read anything.

I use Forms because it collects the client requests and it's easier for me to read it all in one place. It ALSO makes scammers bored.

🚩#8: They're so disinterested on the art they don't care for posing, vibes, colors, nothing. Again, they're NOT here for art. That's hilarious.

🚩#8: Same as above. They don't care for posing or anything.

On my art they link me, i have a vampire almost staking himself in a state of euphoria.

IMAGINE VAMPIRE GOKU STAKING HIMSELF THAT'S SO FUCKIGN FUNNY MY BRO, THINK YOUR SCAM THROUGH MAYBE

🚩#9: They will price your own work for you. And they'll overshot what we, smaller artists, charge for it.

They'll overshot by a lot.

They want you to be impressed and showing "generosity" usually gets people who need monay into risky situations. That's just plain cruel.

🚩#9: Same as above. Over generosity and eagerness to pay.

They're not even with the sketch, this haven't been an hour, they don't have any work form me but OH GOD they're SO READY to pay you NEED TO KNOW they WANTS TO PAY YOU SO BAD

Lmao yeah it's working out ❤️

THIS ONE IS JUST HILARIOUS BRO I CAN'T EVEN.

ANYWAY let's continue

🚩#10: They don't know me. They don't follow me. They broke every rule on my ToS. They're making me go through a payment method i am unfamiliar and don't use.

They don't care for my process. They're not interested on my sketch.

BE. ADAMANT. ABOUT. YOUR. RULES. AND. PROCESS.

Now, for the beautiful closure of this:

Have a ToS. Don't bend the rules for randos.

Use Invoices. Be sure you're safe.

Use forms if you'd like. Requests through DM and Discord ARE COMMON FOR OTHER ARTISTS. I personally don't like it, i have ADHD.

Being an artist on an online space is dangerous. If you need help, poke an artist you know, see how they operate and if it fits you. Most of them would help you.

🚩#11: goku isn't even on their icon 😭

This is the account that tried to scam me.

#art is life ❤️

[wishfulsketching]

wow your comics are stunning! the vanco especially is so effortlessly beautiful and well structured. Do you have a tutorial on how you make comics? Your panel work and composition is especially great, would love to know more about the process

THANK YOUUU. I am not really good with tutorials, hah. My comic process is also very much "I want to do this NOW!" and then I do it. I don't do any script, I sketch full sized thumbnails and write the "kind like this" versions of the dialogue into the thumbnails (or I won't and after I'll be like hmm I wonder what I wanted to do here).

Here's the steps of my latest little comic:

These are my thumbnails. My main goal when I start a page is to do a simple 1. Establish where we are 2. Establish who are there

I am not good with establishing shots tbh. They kill me every time. With fancomics it's easier because I don't even have to show The Last Drop because of course these idiots would be there :D

After the rough idea I do the actual sketch that I will use to help me do lineart. Just very simple and usually the characters are just their most important features. Sometimes you can barely recognize them.

Here's the final one just for comparison.

With the bigger comic I posted yesterday, I just love making movement that carries through the panels. When I know I have to add lots of dialogue to explain things, I'll make the characters do something at the same time

I just wanted to make this casual/domestic moment of bitching about life while Vander is being caring and Silco accepts it.

With composition and panel work, idk, it usually comes down to what mood I want/what I want to show (expressions usually) OR. What I don't want to show :D When you want to be lazy, you will become creative! And nobody will know!

I am very fond of breaking the panels to kinda showcase change, I guess. I do it a lot. With like the effect of the next panel entering the previous one or with speech bubbles.

With this one I had to come up with ways to transition to all the scenes within the "memory" and it was pretty fun yet also made me anxious because I also had to keep the pace up.

I draw quick and I am pretty confident with my control over my lines, so I don't really have any tips for lineart. One thing I do wanna say is that you have to learn to let go. I want to fix so much from the headcanon comic I did. I won't. It's not bad, it's just not perfect. It wouldn't be perfect even if I would fix it.

[deerspherestudios]

Short Break and To Dos!

Hello all! 🍄🍄👻 I'm glad to see people enjoying Day 3 so far! I was so nervous about showing another side to Mychael in the update I thought people wouldn't like him as much but plenty have reacted positively! ❤️

I'll add a TLDR; above the read more, but if you don't mind my ramblings and want more details about everything, I'll write everything below! Light spoilers ahead!

I'll be taking a short break from MO development until 28th October to work on a short VN for the Monstrous Desires jam!

Most probably missed it, but there's a tiny small patch to Day 3 explained here.

Queue will return soon! I just gotta handle some housekeeping first with my Patreon.

Regarding the feedback on Day 3, I'm glad people aren't as averse to the new side of Mychael, in that he isn't always soft and sweet. I want people to fall in love with a person after all, not a yandere caricature, and that means that person can get upset, angry and sometimes irrational when we don't know what's going on in their head even towards the subject of their affections. While some (understandably!) were shocked about his reaction to the mushrooms, it'll be clear as to why (hopefully!)

Some of you have given incredibly accurate theories, and I'll take that as something I've done well in building up the mystery!!! I'm excited to share more in the next update, but for now!

1. I'll be taking a short break from MO development to work on a short VN for the Monstrous Desires jam!

What I have planned for Day 4 of MO might be the biggest update so far, since one route will lead to a few official BAD ENDINGS as opposed to 'dead ends' like the current demo has. To those who really want to, you finally get to see Mychael at his worst. As usual, writing the script takes a few months with plenty of changes in between, and I don't wanna bulldoze ahead and rush the story when it's getting to the climax!

But before I jump into all of that I just wanna give myself a creative exercise and try exploring a different theme, style and setting with a fresh new character for the jam! Since I'm a sucker for the trope... yes, the new blorbo will also be a yandere, sorry, I'm predictable.💔 The jam ends on October 28th so development on MO will continue then!

The last time I wrote something remotely sci-fi was in high school, so this will be fun to try!

2. Most probably missed it, but there's a tiny small patch to Day 3 explained here.

What it says on the tin! If you've already played Day 3, rest assured there's no significant story changes. Just an updated credits list, three extra sprites for one route and a small fix in the code.

3. Queue will return soon! I just gotta handle some housekeeping first with my Patreon.

Plenty of people have sent such sweet and encouraging messages to my inbox on what they thought of the update and I cannot thank all of you enough for the support!! I can't wait to post them out to archive them on the blog and answer all your interesting theories and queries in my queue!

But for now I'm due for a short break from my socials and to catch up on my Patreon sketch requests haha. I also plan to release cut content from Day 3 for my Yearling and Deer patrons. Plus, I'll be working on some written prompts for extra lore so that's something to look forward to!

I'll be back soon! Take care, fireflies!! ❤️

[ellierenae]

SUPER UNIQUE writing ideas for hobbyists and professionals looking for fun, personal projects to get their inspo back

get a fictional pen pal (ask your other writer friends!) and spend time decorating envelopes, picking out a handwriting style, maybe buying a cheap perfume/cologne that smells like your character to really get to know them and feel their presence. if you have hand tremors or bad handwriting like me, you can choose a handwriting font for them and print their letters out!! more examples: save the dates, wedding invitations, birthday cards, party invites, etc.

use old calendars in character (there are many "expired" planners on sale around the end of the year, usually August) personally, i use them to record major life events like first band tours, trips abroad, holidays, birthdays... even trash pickup days and when they forget to roll out the bins!

sketch floor plans this can be on graph paper if you have the know-how when it comes to scaling down, but there are also tons of simple apps that allow you to both create the floor plan a builder would use and add furniture like an interior decorator. some even let you rotate them afterwards and see the furniture and walls burst to life in 3D! you can think of them as the sims but where everything is actually to scale

make an architectural model if you have some scrap cardboard, paper, and glue, you can easily bring the floor plan you just made to life (you'll need practice if you want to get really fancy with it of course! window panes and railings are the gnarliest part for me, haha)

make a playlist as your character maybe the most accessible one on this list, you can make the playlist your character listens to. sometimes this can be fun and surprising, like when my little guy Possum from Violence Without Plot is covered in tattoos and plays punk music on stage but listens to nothing but spa music to wind down between shows

write something your character can see this one is so weird to summarize but what i mean is like... a school essay for your teacher character to grade. cryptic street signs warning about danger by the lake. a memorial plaque beneath a statue. a character's online blog. a few of the cards in a grandmother's recipe box. a business card for a smooth-talking lawyer. things you can write that make everything feel so textured and real

these are all things i do on the daily, and it makes my life as a writer a thousand times more joyful and fulfilling. so have fun, be safe, and don't forget to unplug the hot glue when you're done <3

[reds-skull]

CW FLASHING IN THE VIDEO (3rd from the bottom)

This is it. 3 months in the works, the comic (and video) are finally done.

A little over a year ago, I uploaded the first work in Revenant AU, Ghost's origin comic. I never thought I'd write a whole series for this, but I'm so glad I did. I got a whole new hobby out of it, haha.

I already began working on part 2, but this for me marks the start of it. I'm really excited to get back into this world!

Under the cut there are some comments on the comic I thought some people might be interested in (don't wanna make this post longer than it already is lol). I will upload the frames from the video separately, with comments on it there.

Bottom line is, thank you for letting me just go wild with this :)

Okay, I'm mostly gonna talk about the part where Fate shows Makarov the 141+Farah. Makarov doesn't see the Fate of people as literal images, he often has to interpret odd symbolism in the flashes he gets from the Weave of Fate.

I decided to go for a style I saw in a collection of calling cards in MW3, mainly from this one:

You can really see it in the faces and pitch-black cel shading.

I'll be going in order of appearance, starting with Farah.

Obviously, each of the "flashes" shows the Reaping of each person, Farah being crushed under rubble. Behind her is a helo of green gas, which symbolizes the Russian experimental gas. The motifs around her are more interesting imo - they're taken from the Urzik flag (and yeah apparently it's "Urzik" and not "Urzikstani"... according to the wiki at least). Wings, plants (feels to me like a pomegranate and some sort of crop, but I couldn't find what it is specifically), and a moon, upside down.

I'm skipping ahead a bit, but I've had the idea to make a drawing of Gaz in the Hanged Man pose since I started the AU basically. I tried sketching it once, and it went bad so I gave up lol. But I decided to come back to that here, and add some sort of tarot connection to all of them. I know practically nothing about tarot, googled the meanings of each, they fit well enough, I called it a day lol.

So Farah is the Moon, upside down.

Price is next, showing him taking control of the brain of someone. I didn't use the flag of the UK for the 141 (it'd be kinda boring...), instead I took the Taskforce 141 logo, and broke it down to different elements.

I took the laurels for Price, both framing his illustration and sitting above his head like a crown. I decided he will be the Emperor.

Next up is Gaz, the Hanged Man of course. Gaz gets both the wings and the stars (I changed mine to 4-pointed because... I like them better). Pretty clear why, both symbols relate to the sky. The illustrations kinda follow a rough day cycle, if that makes sense. Farah being night, with the moon. Price with his golden and purple color palette, twilight. Gaz being sunrise, and Ghost and Soap, day. This is why Gaz has a sun behind him.

Ghost was fun because he's the only inhuman one out of the group. I'll let you think what that implies, that even in Fate's Weave, Ghost is an outlier... Ghost gets the skull, and the card "Death". That one was easy, but what I did add is blood flowing down the skulls, like tear tracks...

Soap, the problem child, gave me the most issues as always. For once, it wasn't his fucking face, it was the flames behind him, and overall contrast and readability issues. Soap's illustration is probably packed with the most "hidden" details, though they're obvious if you've read the fic and Konchar's side story. The headless man behind Soap is Konchar himself, holding 4 chains with dog tags on them. The 4 soldiers from Soap's squad, who he killed before Soap was Reaped. Soap's pose is from the moment he came to his senses, after getting shot in the head and destroying a large part of Verdansk. He has 4 swords, pointing at him and downwards, so his card is 4 of Swords, upside down.

Between Soap and Ghost is a circle and a triangle. I'll explain that in the post concerning the video, since that's where I got that from.

If you read all of this, thank you so much! There will be another post for you to read in a moment lol

[ssavaart]

Sometimes You Have to Make 100 BAD Drawings To Get 1 GOOD One

(Earlier this year, a publisher asked me if I'd be interested in writing a book on art. As we discussed it... they asked me to "give it a try" and this is one of two tests I did. I don't consider myself a writer, really, so this is just "in my own voice". I wound up turning down the offer... but would love to know your thoughts on this. Thanks)

Drawing something good. Something you like. It’s… elusive. Especially when you’re just starting out.

But, here’s the thing. You have good art in you. I promise. You just have to get to it and it’s stuck under a bunch of bad art. Really bad art.

When I was younger, I would draw every day. Filling up sketchbooks with doodles and sketches and I hated ALL of them.

Page 01: Crap

Page 02: Crap

Page 03: Crap

Page 04: Worse than Crap

Page 05: What even is that?

Page 06: Ugh

And it was just downhill from there…

But… somewhere around like page 100… I made something that… “wasn’t crap”. I actually didn’t hate it.

And that gave me courage to keep going. That one drawing made it all worth it. I was cured. I was now an expert. All of my art would be great from now on.

Oh… if only.

The next drawing was worse than any other drawing before it.

How??? I just made ART! like 5 minutes before that. I got all the bad drawings out! How did my art just go from Van Gogh to Van NO???

Honestly? I… got lucky. That one good drawing? Total fluke. Dumb luck. Sheer Happenstance.

Doing 100 drawings didn’t suddenly make me an expert. It couldn’t.

Have you ever heard of the saying “If a million monkeys type on a million typewriters for a million years, they’ll eventually write Shakespeare”?

I was those monkeys and that drawing was my Shakespeare.

I just pooped out enough bad art that eventually sheer luck was going to mean I may make something really good.

And I’m TOTALLY okay with that. I was 11. I’m not a prodigy. I don’t have any special gifts. But what I did have was… a taste for how making good art felt.

Seeing that one good drawing made me want more. Like my first time tasting chocolate ice cream. I was hooked.

So, I made 100 more bad drawings. Maybe more. And, guess what? ANOTHER great drawing emerged!

Another Shakespeare from this 11 year old monkey!!!! Huzzah!

From then on… I knew that all I had to do was keep banging away at that typewriter (I’m still on the million monkey thing… bear with me) and I would get rewarded with another masterpiece.

Week after week. Month after month. I would fill up my sketchbooks with the most horrific, amateurish, incomprehensible art… and, sure enough, 1 of every 100 drawings would not suck.

I would show it to my mom and she would say “Oh! That’s wonderful!” and when she tried to turn the pages to see more, I would quickly SNATCH it out of her hands and run back into the shadows like Gollum hiding his “Precious” from prying eyes.

I dare not let her see the monstrosities that came before the work of genius.

And… this went on. For years. Predictably. Rhythmically.

Until, one day… my 75th drawing was really good.

How? It was 25 drawings early! That’s not how it was supposed to work. That wasn’t the plan.

But there it was. A really amazing drawing of a spaceship I came up with out of my head. It had lasers and a cockpit and wings and…It was glorious. And it was totally unexpected.

Maybe NOW I was an expert and I no longer needed to make bad art? Would today be the day I would only make masterpieces?

I quickly turned the page and began to draw what would soon be my second greatest work of art and… NOPE.

Still crap.

Hm. But… something was different. It was still crap. But… it wasn’t as “crappy” as the other crap.

I grabbed my previous sketchbooks and looked at the bad drawings from previous years and… guess what? My older bad drawings were WORSE than my newer bad drawings!

Apparently, the more I drew… the better my BAD drawings got too.   

Okay. So. I drew 75 more “not as crappy” bad drawings and… predictably… I made another great drawing!

I was… IMPROVING.

This went on for years. I went to high school. Then art school. I hated MOST of my art… but as I practiced… the number of BAD art I had to make to get to the GOOD art got lower and lower. Soon it was 50 bad pieces for 1 good one. Then 25. Then 10.

It took decades when I noticed… I liked my art more often than not.

It was a complete surprise. I was in my 40’s when this happened. I was SO conditioned to just accept I was going to hate my art that I hadn’t noticed that I had made 5 paintings that didn’t suck. IN A ROW!!!

Unheard of!

But, there it was. 5 good paintings. One right after the other.

The 6th one was complete trash. Tossed it in the garbage.

But, the 7th one? I liked. And the 8th. And the 9th.

I’m now 54 and I know I still have SO much bad art in me. I can feel it. Always ready to pop up and ruin my day.

But, I “pooped out” so much bad art over the years that I’m not really worried about those pop up bad art surprises. I know it’s just temporary.

I like my art now. And that’s because I got MOST of the bad art out of me and into those old sketchbooks.

I know it may seem daunting doing 100 bad drawings just to get to 1 good one. But… if you love that feeling of making that one GOOD piece of art… you need to be patient and get the bad ones out. They’re blocking the good ones. Keeping them deep inside you.

So, crack open that sketchbook. Poop out those bad pieces of art and never look back.

You’ll thank me in like 40 years or so. I promise.

(Oh. And sorry for all the poop references. I’m still that 11 year old when it comes to humor)

Poop.

[mysticarts]

silly little Gunntech Au oc

(ft me about to ramble, be ready yall-)

Soo, I've become obsessed with @elmushterri Gunntech Au (context: Gunntech AU is a AU where the show PJ masks is a show for more mature audiences for teens, think owl house!) They also made a video about this, just look up 'What if PJ Masks' and most likely they're video will pop up first!

(Note I'm using they them pronouns for Elmuehterri cause idk their pronouns and I wanna be respectful-)

And I remember from Elmushterri's video, they mentioned Octobella, and how she could be a failed experiment. Now, I belive Gunntech aren't quitters, so I think they'd try again to recreate what Octobella was supposed to be, and actually succeeded. Thus, introducing my oc....

Kailani 'Kai' Whitlock

Now, I made Kailani here like any other of the PJ masks charater's.

Kailani's dad (who I have not named yet) worked for Gunntech. so when Octobella failed, Kailani's dad offered her as a test subject. And since Kailani wanted to get proper attention from her father she didn't mind. Hence the truama that impacted her

Considering Kailani is a octopus, I had to do a lot of studying. I mean, she has to have some Octopus traits. So I do have some, I shall state it in a list

The first thing I did was give Kailani some height, I tried to atleast. Considering how long octopus's tentacles are, I imagine in replacement, it really long arms and legs, hence her height

2. I Made Kailani colorblind! Octopuses are color blind to, but make up for it with their color changing bodies, odd pupils, color sensing arms, so I'm Applying that to Kailani. Kailani did see color before she was taken in as a test subject, then she became colorblind

3. Google states that Octopuses usually live in tropical areas so I made Kailani born in Hawaii! (She moved though when she was born)

4. From studying, I have found out that Octopuses have three hearts. I don't know if that should be applied to Kailani or not. I'm just going with that her heart is just bigger than most others, so Kailani can be a little more athletic than her peers.

5. Due to the experiments, Kailani's blood is blue (yes, Octopuses actually have blue blood) because of this, Kailani never tries to get hurt. She dosent want to make her dad angry

(Here's a concept sketch of younger Kailani during her test subject days)

as for Personality, I made Kailani very shy. Sure, she's extremely smart for her age, not to mention very creative. Mention something Kailani likes and she'll be willing to yap about it hours on end. However, she has extremely strong loyalty, all she wants is to be accepted and actually loved, so if helping Gunntech means she can earn her father's love, she'll put all of her energy for Gunntech

As how she works for Gunntech, I imagine they call on Kailani if they need someone to be held down or need help moving things (considering with Octopuses strength they can lift more than 700 pounds)

but, when not being a person who could fight someone off, I imagine they'd use Kailani as a strategist. Octopuses are actually very smart, and considering the human mind plus Octopus traits, Kailani would be making or hashing out ideas or theories to take down the 'villans' not realizing she's working for the bad guy.

Anyway, here's her concept suit design

Now I shall relax before I have to suffer at school tomorrow

Edit: I forgot to mention this, but I made Kailani have the hugest crush on Greg (she hasn't made a move cause she's too shy)

Now, if you guys have questions or want to know more about Kailani, I'm glad to give you answers!

[deqdlyowl]

I actually have some old doodles TPtR au related... This one portrays an event from the second chapter.

I have a few more things, but they're kinda spoilers and I'm not really into spoiling... Though one of them is just a spoiler of one interesting detail I want to add (the event my sketch shows most likely won't appear in the fic), while the other one is a WHOLE AHH SPOILER of the shit happening in, maybe like 10+ chapter, I'm still not sure how big I want to make the fic, ahaha.

Also rambling and venting out my feelings under the cut because I forgot to take my meds yesterday. You don't have to read but I would be happy if you do.

.

Every time I start something I like, it begins to feel like a small obligation after some time, no matter how I feel about the thing I create. I love my fic and I really want to finish it, because it's also a huge emotional boost for me when I understand that I passed my word count goal in the chapter and I finally can write down my 24/7 daydreaming about CotL (even if not all of them, I often think about selfship, sorry, ahaha),AND I have a nice feedback. BUT. My ability is to abandon things. I have many unfinished drawings, unfinished crafts, like, a crocheted Spycrab or a full-sized HHH tf2 weapon, even though I really want to finish it all, but since I took a really long break, I just abandoned it all. That's usually the reason why I don't make comics. (The only comic I've ever made is that one silly meme about bees). And a month ago I started writing TPtR.

I'm scared of this happening to my fic, that's why I force myself to write if I'm not doing so for more than two days. Somehow it boosts my motivation, but at the same time, the thought of having to force myself to do something, even if I love it, makes me anxious. Why am I not doing anything if I love it? Perhaps it's just my depression with AuDHD kicking in, and sometimes I forget to take my ADs (I don't have ADHD meds yet) that makes me suddenly apathetic about everything. And then anxiety. And then I get sad when I can't come up with words.

Today I was describing the thing I have no experience in. I made tonnes of research, watched many videos of how people do it, tried to find words, but it looks... Meh. And I'm sad. And when I'm sad about something I do, I abandon it. BUT I WON'T. I will force myself to not, because I still want to write! I try to reassure myself that it looks shitty because it's still a draft and written in my native language. However, if looking at my current word count, the chapter won't be short, and it makes me happy. I'm sad and happy. I'm confused about my feelings about what I do!! I can just abandon doing ANYTHING and be lazy for years as it happened in middle school! But I have to force myself. To do anything at all. I already bed rot when I'm not studying, and if I'm studying at home, I still do it in bed. I'm losing weight (I'm severely underweight), my dogs feel bad (they're almost 12), it's my final year in school so I also study hard for my finals, my dreams say weird things (I believe in dream-telling or whatever, and I kinda can decipher them) and it all devours me from inside. But I can't give myself a rest. Or. I'll. Abandon. The thing. I love!

I'm repeating, but my head repeats everything most of the time as well, it's either loud and messy (adhd) or quiet and agonizing (autism), my ADs make my body parts twitch, I don't think that I need my therapist anymore, because it feels like there's no different between me before and me after talking to her.

I love my friends though. Their cheerful reaction to my fic or sketch updates is something that also boosts my motivation of doing something. I love art because of the feeling of creating something, but after finishing, I get the desire to see someone's reaction to what I did.

That's all, I think. I mean, not all, but I don't want to repeat again and again, my memory is getting worse as well, I feel like I kin Shamura ahahahha. I want to take an MRI. What if I have a tumor.

[ro-bee]

Hi!

Could maybe say something more about your Goat Realm?

What is story of Puppy narinder here?

What heretics look like here and how are they behaviour? (I'm curious about it because I love these beans. I'm all ears to any littlest detail)

How other bishops look like?

And anyway anything. I'm all ears to all ramble!

Drink your water!

HELLOOO

It is time for the goatverse yap section ! Everybody cheers!!

Anyway little disclaimers :

1_ is very work in progress... Unfortunately all my focus is on those two gay furries and not much on the world so I don't have many drawings to show :(

2_ it's heavy... And I mean there are strong themes and stuff (I'm not gonna go in details here) ... You'll see it better when I finish one of my many projects but it will require a lot of time... Like a lot, sorry... Anyway :)

Goat's world is very harsh. Here we live by the philosophy of kill or be killed very often, despite that there are some people that manage to live in piece and tranquility (example: goat's family and people that don't venerate any specific bishops or that venerate Kiran)

The world is ruled by the 5 bishops (these design are still concepts expect our beloved wolf lol)

Four of them command on different regions, Kiran being the god of death rules the purgatory

He doesn't have many followers like his siblings but he prefers it like that, it doesn't really matter to him because people souls would end up to him anyway.

His siblings have more of an evil alineament, they use their godhood for bad often, taking entertainment on their followers pain. Kiran is the opposite and witnessing his followers suffering fills him with sorrow, that's why he always gives his followers a painless death, is the last he can do for them... After all their souls gives him power :)

Anyway I think I already explained kiran's plan here , tldr bro is sad people suffer so he thinks that killing everything is a good solution

A little thing I want to add to kiran's backstory thing (idk):

I think that unfortunately we're not gonna have a ratau in this world, since Kiran's objective is to get rid of pain with putting everyone's soul to rest I think he won't let any previous vessel go away after failing (I'm not doing this because I hate ratau, he's my dad I love him so much)

So goat had no guide in what they were doing

Heretics here are just like regular heretics(?), if you wanted to know more about their design unfortunately I don't have anything with them :( I have some sketches in the comic I'm working on but I need to keep it as a surprise

Most of them are just regular people that want to survive...

Talking about people who want to survive:

Goat wasn't always this fucked up in the head, this whole deal changed them for the worst. Before the crown they lived a normal peaceful life with their family, when they lost everything they were forced to learn how to fight back to survive. So they spent many years running away and fighting back, they felt terrible at first but then it started to feel normal, almost enjoyable. Getting the crowns powers made killing people fun for them so yeah lol this is the evolution of goat going from calm Lyra player to killer machine, they have a loooooot of anger issues lol.

About the bishops... I'm currently drawing them better and they still have no name right now...

Their personality is the opposite of the canon one basically

The leshy is calm less impulsive

The geko is a prudent and a bit coward

The kraken is fearless and violent

The scorpion is ruthless and impulsive

Kiran is their older brother and loves them very much!! the feeling is not very mutual but anyway :)

I need to work a little bit more on them ngl

Aaaand I think this is all? Hmm idk feel free to ask more :)

[narfin-frood]

Silly question but how do you art?

Or more like, how is your process to draw? Your lines and posing are so loose and show the feeling of a character so well, like, how do you make your art so real with only a few lines is what most amaze me. Anyway I hope I'm not bothering you and that makes sense, thanks for reading!<3

you're not a bother, don't worry! i'm not sure if there's an appropriately concise answer to a question like this, but i'll try to explain my process for poses a bit, and if there's anything else specific you'd like to know about my process, feel free to ask, and i'll try to answer!

for posing, i find it's very helpful to start by thinking about what situation the character is in. you don't need a location or a background or anything (unless you're being #serious about it). for this, i chose "picking up something way too heavy" (cont. under cut, wall of text ahead)

keeping it very simple is key!!! do not worry about details!!! i am very bad at this. i love to add a little detail or two, like his eyes or his little expression, but i have to catch myself before i get too into it, otherwise i'll forget the point of what i was doing and/or get bored. use just enough strokes to get the point across, and stop there (for now).

i draw fast and loose, with long strokes, which also happens to help with the problem that happens if you start with any specific part of the body. it's important to start with... everything at once, or else you won't be able to see what needs to be changed or fixed until it's too late and you've already decided on where you want the head and the left arm to be!

to display effort & strain without just contorting the character's face, you gotta think about just how heavy the object is, how one would go about grabbing it comfortably, and whether your character is smart enough to lift with their legs.

wander is great (read: BEST CHARACTER DESIGN EVAR. i love him kisskisskiss) because he's not grounded in any sort of reality until necessary, and his limbs have no bones, but he still has specific proportions and volumes to refer back to if you get carried away with the wackiness. posing a character made up of several noodles of varying widths is very simple, because you can do basically whatever you want to push and pull and make it as clear (and/or as funny) as possible.

start with your line of action, in this case the long line connecting his neck and his left foot. think about where the floor is, so you can make the feet of your character and whatever else is touching it coexist in the same reality. think about clarity: big, simple shapes are your friends, and if you're not getting the gist of the pose through the silhouette alone, try again! there's NO shame in hiding the first layer and doing a couple more sketches until you land on something you really like. Don't polish a turd, especially if you yourself think it's a turd. it'll make you feel like you're wasting time, and drawing is about having fun and experimenting, so if it's getting boring or frustrating, it's time to try something else.

wander and other characters with no bones and no rules are great for posing because you can do things like make their arms bend the wrong way just to play with the clarity of the pose. this:

un-breaks the arms and makes a little more sense for somebody with elbows, but some clarity in the action is lost when the arms don't curve upward and away from the very heavy object he's straining to pick up.

grounding your characters is both more complex and easier than it sounds, and it unfortunately requires you to think about perspective (i know. i know. i know it sucks and it's confusing. i hated it for a very long time but once it clicks, you'll have it in your brain forever)

fudging a perspective grid is fairly easy, just draw several parallel lines and have them get closer to each other as they recede into the distance, and then do it again in the opposite direction. you can use the transform tool in whatever program you use most to fudge this for even less effort, by just getting a png of a grid and fucking with it

now that you've got your floor, think about those feet. the grid makes it fairly easy to envision how a shoe would look sitting on that floor:

this is also where having an understanding of volumes comes in handy, because things farther in the distance will in fact look smaller, but it's up to you to figure out just how much smaller it would be in comparison to the other identical thing with the same volume that's closer to the camera. usually it's almost negligible, but it becomes easy to spot if it's a little off.

and here's the pose i settled on! i made his noodle arms more extreme for extra XD factor and i put him on his tippy toes for that extra bit of height!

a lot of the principles i'm talking about in this post i mainly pick up from consciously watching my favorite cartoons (and live action shows) and if i really, really like the way something is done, or if i see something that i've never really registered before, i'll screencap it or i'll pause or i'll just keep thinking about it until i draw again.

this is called "building a visual library" and it's the #1 easiest and most important way to practice. it requires no drawing, unless you want it to. look at lots of art by artists you love, and if you see something and you think to yourself, hey, this looks really good, by all means, absorb it.

art is great and it's really fun and there's literally nothing wrong with taking inspiration where you can find it!! seriously!!! absorb your favorite parts of every art style you find cool and fun and put it into your own! you're the only person who can draw the way you draw, and while replicating an art style is fairly easy (or it can be, depending), matching it perfectly is Literally impossible, so don't worry about being derivative. Nobody will notice, and if they do, it's okay to say you're inspired by them! encouraged, even!

my own art style, like everybody else's, is a frankenstein's monster containing all of the things i've loved before!!! and i think thats beautiful and if anybody tries to tell you you've gotta be 100% original and have "your very own style", they're a filthy liar and they're definitely (consciously or not) already taking inspiration and reference from the things they themselves find cool and awesome.

ANYWAY. wall of text over.

TLDR: draw quickly, use long strokes (try not to pet your lines), have a specific situation to put your character in, get familiar with volumes and proportions, and have fun!!!

[derangedanomaly]

Hi!!!

Can I please request headcanons for the bad sanses with an s/o that has wings?

Thank you, and have a nice day!

MASTERLIST

BAD SANSES X READER THAT HAS WINGS

NIGHTMARE:

Nightmare finds your wings annoying, or fascinating. (Depending on what your wings look like)

If your wings are big, then they probably often get in the way of things, and Nightmare more than likely gets accidentally smacked with them...

But if your wings are small, Nightmare won't mind them at all. They're just...there. No complaints here.

Your wings sometimes have to stretch... Because they get too stiff if you won't move them much. Don't expect much help from Nightmare though. He has "other business to attend to" and he's "busy".

Though there are times where he'll give in to your pleads, And just- wrap your wings in his tentacles. It's actually kinda comfortable, since it feels like you don't have any weight on you.

He'd sometimes gaze at your wings, with no thoughts whatsoever. He's just observing them, in complete calmness...

If you show him some new tricks you learned, all happy and everything, Nightmare would listen to you. (Shockingly) but he'd act like he doesn't want to hear about your accomplishments.

KILLER:

Killer would gasp when he sees your wings. He immediately touches them (with your consent of course. Consent is hot)

He'd immediately work on some puns involving birds or wings. He's a silly dude lmao.

PLEASE let him brush your wings. He'd get so into it. Gently brushing your wings.

He'd probably ask you if you'll lift him up and fly with him around the castle. He's actually light as a feather, so it's not a hard task.

Imagine being Nightmare, just seeing Killer and you flying around, oh he'd so scold you.

No flying in the castle!! (Says the new rule.)

He'd brag to Dust and Horror that he has a personal traveller. (You)

He'd watch with awe when you happily show him some new tricks, he'd so request another ride.

Winces when he sees you stretch your wings, hearing a silent "pop".

Flirts with you that you look like an angel. (It works though, lmao)

DUST:

DUST WOULD OBSERVE THE FRICK OUT OF YOU!!!

He's so mesmerized and interested. He'd ask MILLIONS of questions. And you better answer all of them.

Let him touch your wings, a literal stars will appear in his eyes.

He'll probably ask you to stretch your wings so he can sketch them in his book. (He has a whole book dedicated to you)

He's a literal pro at brushing your wings. Will not make a mistake. Not even once.

If you truly want some help, or just need an advice, go to Dust. He's the most reliable. (A/N: how come Dust's always the one that's the most reliable 💀)

He's the type of person to make comments of his own, whenever you show him new tricks.

He's all like; "I think you'd be able to do it better, if you-" they might get a little annoying- but hey, they're helpful somehow 🤷‍♀️

He even bought a book about wings, just so he can know more about it.

He's just a nerd tbh.

HORROR:

Horror will gawk at your wings with sparkles in his eye. He's mesmerized, and thinks they're pretty..

He gives you a smile when you stretch your wings, or cover your wings around him.

He likes how fluffy they are.

He'll want to touch them, but won't do it, because he's afraid of accidentally hurting you. :(

He thinks they're probably fragile, and he won't want to be the reason you'd be wingless.

Will need a lot of reassurance that it really is ok to touch your wings. And that they're not really fragile at all.

Overall a total sweetheart, he will be really gentle when it comes to touching your wings. He doesn't want to accidentally yoink them.

The others would probably tease him a little that he's much more gentle than he normally is.

Only you get this special treatment from him by the way ^^

[uva124]

INTRODUCING THE MOST MANIPULATIVE KING IN HISTORY , MAGNIFICO!!! 🎇🎇🎇🎇(I hate him but he deserves a redesign lol).

For those who see this post for the first time, I introduce myself, Hi :D! I'm Aled and this is a collaboration with @ animación , author of the rewrite of Wish that is on her profile (read it, the story it's soooo good) and I am in charge of drawing the redesigns of her story.

Now, coming back to the main thing, I will show how we got to this result :)

FACIAL FEATURES AND HAIR:

-Honestly, I never thought that getting used to drawing Magnifico would be so difficult lmao, how in most of my procedures to make the designs, I start with sketches and studying the structure of the character's face, this was a little difficult because I'm not that I'm used to drawing people over 20, but with a few practices I was able to figure out how to draw him :D

(I also did digital internships, but I didn't save most of them because I forgot lmao)

COLOR PALETTE:

-Don't think that I chose a palette of yellow and gold colors just because I thought it was pretty (well, that's also another reason), what happened is that when I was searching through conceptual arts, I found some designs by Magnifico where They used a blue and yellow color palette

I did a quick search and found this:

-Tell me this doesn't remind you of Magnifico, then yes, that's why I chose a yellow color palette, also adding a golden tone to give it a royal vibe.

-I also applied this in the design of Queen Amaya, in the publication of her design I explained why I added details of a dark blue color in her costume and Magnifico's costumes

ATTIRE:

-From the beginning I always wanted to modify Magnifico's cape by adding a rose as a brooch, and searching through the conceptual arts I found quite a few interesting models, so it can be said that I combined everything I liked and that's how I got the cape for Magnifico, Also adding other details that occurred to me.

-The author sent me several ideas for Magnifico (thank you by the way :D), one of them was associating Magnifico with the sun, I really liked the idea and that is why there are so many symbols of the sun in his suit, plus these It reminded me how in so many cultures the Sun is worshiped, just as the kingdom of roses worships Magnifico, there are also other reasons why the sun fits with Magnifico but I already mentioned that in the publication of Amaya's redesign.

-The truth is, I only drew the other details improvised, this time I just got carried away, but hey! The outfit didn't look bad at all :)

-Another important part of Magnifico's costume is the "M" on his badge, but in fact it is not an M 😅, it is the sign of Scorpio ♏, this idea was from Anny Mation

-So yeah, I had to add the Scorpio symbol yes or yes, at first I thought about adding it to the back of the cape but I wasn't convinced by the idea, but then I thought: "Wait, why don't I add the sign on the gold plate ? that would look elegant."

FINAL COMMENTS:

-I'm proud of how this turned out, I feel like it does justice to a villain that commemorates 100 years of Disney :)

-Also, I think that those who have already seen the other redesigns know which character is next, right 👀✨? For Aster, I don't know how long it will take me to draw him, since the boy is literally a walking animation studio lmao.

That would be all for now, until next time :D!

[junorsky]

You use procreate right? I'm a beginner in coloring. And your lighting and color is always so good. If you had like steps/tutorial/tips on coloring/lighting in procreate. I would pay for it even. It's hard to find a good tutorial on YouTube for procreate users, and the style that you do which is similar to the coloring style I've been trying to self teach myself for a while and failing. Anyways sorry if this is a weird ask, but I would honestly really appreciate it

One speedpaint coming right up!

Nothing weird about this question. Honestly, I struggle a lot as well, but my problem is the shape, not the colors. I suppose I can "feel" colors, that's why impressionists are my favourite (classics always help!)

I don't know if I can help with using procreate, because I'm not really savvy with it, I always use photoshop for more complex work as it is perfect for twicking lighting, changing tint etc. I prefer to sketch in procreate, because, a) it has many great default brushes, b) my back hurts from sitting on my pc, c) I can go anywhere, draw and immediately post it.

I’ll try to summarise what I figured out with procreate, and maybe give a few tips. But I don’t know if that’s the best way to use this tool. I’m just… winging it, haha

First, if you struggle with colors, look up the color circle

It shows exactly which color goes best with which. For example, if you use Orange for your lighting, and Blue for your shadows, it’ll look nice. Perfect, even. I love that one. Avoid using pure black for shadows, otherwise you risk to make it too… burned? Like, dirty. Be careful with Black magic.

I’ll use Zevlor here to show how it works.

In addition, you can use the opposite color to make the character stand out. It’s really important. What’s more noticeable, red on brown or blue on brown?

Also, learn to use masks. Really, they may be scary, but it saves SO MUCH time. Specifically with procreate, I always use them now for everything because I haven’t found the better way to avoid fixing the stray lines. With that solution, you'll need to correct only one layer at the start, the main one. Clipping masks are great to help with that, but procreate is a little uncomfortable in that regard. I’ll show what I do, perhaps it’ll make things clearer

Those are the most useful things to know, I think. Masks can be used in photoshop in the same way, I have a bad habit of creating too many of them so it's crouded. And they rarely have a name. I'm too lazy to name them all

Anyway, I hope I managed to answer at least one of your questions... or not X) I tried. Good luck with exploring Procreate!