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danaescave · 1 year ago
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lucille clifton interview from Mosaic #17 2007
I'm going to start adding thought to my posts as this blog currently has no voice.
Lucille Clifton is my favorite poet. Her voice was so clear and her talents obvious. She earned her accolades and respect. And this insight shared freely through Mosaic magazine is a valuable resource in order to truly understand much of her work. Her biography Lucille Clifton : Her Life And Letters is another great place to get to know her, her gifts, her life.
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noodlesarecheese · 7 months ago
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feralchaton · 2 years ago
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Give More Than You Take | Jim Hodges
Walker Art Center exhibit | mirror mosaic
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bicolor-art · 2 years ago
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a selection of fake ads from Vampire! Magazine
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qupritsuvwix · 3 months ago
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kchampeny · 10 months ago
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https://parade.com/news/artist-creates-perfect-portrait-taylor-swift-cats-video
Wonderful write up, thank you Parade!
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jezebelblues · 12 days ago
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𝐋𝐈𝐌𝐈𝐍𝐀𝐋 | 𝐇.𝐒 ⋆。゚☁︎。⋆
ᝰ.ᐟ 𝐡𝐞 𝐥𝐨𝐨𝐤𝐞𝐝 𝐥𝐢𝐤𝐞 𝐚 𝐩𝐨𝐞𝐦 𝐬𝐡𝐞 𝐡𝐚𝐝𝐧'𝐭 𝐟𝐢𝐧𝐢𝐬𝐡𝐞𝐝 𝐰𝐫𝐢𝐭𝐢𝐧𝐠.
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𝐢𝐧 𝐰𝐡𝐢𝐜𝐡 𝐘𝐍 𝐚𝐧𝐝 𝐡𝐚𝐫𝐫𝐲 𝐫𝐮𝐧 𝐢𝐧𝐭𝐨 𝐞𝐚𝐜𝐡 𝐨𝐭𝐡𝐞𝐫 𝐚𝐭 𝐚𝐧 𝐞𝐯𝐞𝐧𝐭, 𝐚𝐥𝐥𝐨𝐰𝐢𝐧𝐠 𝐭𝐡𝐞𝐦 𝐭𝐨 𝐫𝐞𝐟𝐥𝐞𝐜𝐭.
𝐂𝐖: requested exrry blurb (thank u anon!), slight angst, happy ending, fem!reader, actress!reader, unedited.
𝐖𝐎𝐑𝐃 𝐂𝐎𝐔𝐍𝐓: approx 5k
❏ HI ! it’s been such a long time :( but i’m hoping i’m finally through with writers block. i feel like this doesn’t exactlyyyy fit anon’s request but i hope u liked it even a lil bit! i’m not 100% happy w this but i really wanna get something out so this will just have to suffice. missed yall <3
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there are moments in every love story when the world rearranges itself, tilts just enough to change the course of everything. it's the way a cigarette burns unevenly when the wind interferes, how a misplaced step shifts the dancer's rhythm, or the way a train leaves the station one minute too soon. for harry and YN, their love had been both a symphony and a storm, a masterpiece constructed on fragile scaffolding. in its final act, it had unraveled quietly, with only the sound of two hearts breaking in unison.
they hadn’t spoken in two years. two years of silences punctuated only by the occasional headline, the brush of a photo on a magazine rack, his voice threading through the speakers of a café. the world, it seemed, refused to let her forget him. but there he was now, not a photograph or a memory, but him. real, palpable, standing at the edge of her periphery like a ghost who hadn’t yet decided if it would haunt her or let her go.
YN leaned against the balustrade, clutching a glass of something that tasted more sour than it should have. the event itself was a haze of champagne flutes and low conversations, an industry soirée dripping in muted opulence. her dress was a deep shade of dusk, clinging to her like a second skin, and she felt beautiful in it—had felt beautiful in it—until she saw him.
harry was dressed as he always was: an effortless mosaic of contradictions. the suit was tailored to perfection, but his hair, unruly curls with the hint of rebellion, softened the sharp edges. there was no mistaking the tilt of his head, the way his eyes skimmed the room with an almost reluctant ease. she wondered if he’d seen her yet, if he’d feel that same quiet thrum in his chest when he did.
as if on cue, his eyes met hers.
the evening wasn’t designed for heartache. the sky, opalescent and blushing, rippled with the soft hues of twilight. lights strung through the manicured gardens of the estate flickered like fireflies caught in some eternal dance, glasses catching the shimmer like constellations in orbit. laughter rippled through the space, every corner alive with movement and conversation, yet harry could feel only the staccato of his pulse, sharp and relentless.
he wasn't supposed to see her tonight. it wasn't part of the plan—then again, plans were always shaky things when it came to them, built on the hope that tomorrow wouldn't bring a gust strong enough to dismantle it all.
it wasn’t a moment of cinematic epiphany. there was no gasp, no clinking glass slipping from trembling fingers. it was quieter than that, heavier. their eyes had met, and the weight of two years folded between them like a tide coming in—inevitable, undeniable.
his gaze dropped to her hands, searching for a ring, as though her life might have accelerated in the time since they'd parted. nothing. his chest tightened with something unnamable—relief? regret? both?
the last time they’d been in the same room, the air had been filled with shouting and static. their words had ricocheted off walls that had once heard laughter. they had been too much and not enough, two meteors colliding, destroying everything they touched in their desperate attempt to remain whole.
she loved him. god, how she had loved him. loves.
their love had been big. not in the way people tell stories about epic romances, but in the way it consumed everything around it. they fought like gods waging war. they loved like the first spring after a century of winter. they tore each other apart and put each other back together, over and over, until they couldn't remember what they had looked like before.
they stood like that for what felt like hours but must've been seconds, suspended in a quiet kind of agony. the people around them blurred into shapes, the air alive with the hum of champagne-fueled conversations and the laughter of people who had no concept of loss beyond the polite kind—misplaced keys, a delayed flight, the end of a film they'd rather not have finished. the only thing that seemed real was the chasm between them—filled with every moment they'd ever shared, every word spoken and unspoken, every touch and tear and promise.
he was walking toward her now. she could feel it in her chest before she saw it—the air shifting, the atoms around her realigning themselves to make room for his presence.
YN was radiant, in the way she always had been— light incarnate. her eyes, the same shade of longing he remembered, tried not to meet his own, but of course, they did. she's only human, and humans have always been drawn to the things that ruin them.
“YN.” he breathed when he was close enough, her name falling from his lips like a prayer he wasn’t sure he was allowed to utter.
“harry.” his name tasted unfamiliar on her tongue, like a word spoken in a foreign language after years of disuse.
there were too many things she wanted to say, too many memories fighting to rise to the surface. she remembered the way his hands had once mapped her skin like a cartographer desperate to chart every inch. she remembered mornings spent tangled in sheets, the sunlight spilling over their laughter. she remembered the fights, the nights spent in separate rooms, the echoes of their own voices loud in the spaces between them.
“you look—” he started, then stopped, as though the right words had slipped through his fingers.
“so do you.”
silence bloomed between them, heavy and awkward, like a third presence neither of them invited. she takes a sip of her drink to fill it, but the taste is sour, bitter. or maybe that's just her.
he couldn’t tell how long they just stood there. time had a way of folding in on itself since her, the days bleeding into nights, the minutes stretching and collapsing all at once. einstein once said time was relative, but harry was sure he hadn't meant this.
his lips parted, “i didn’t think you’d be here.”
“neither did i.”
the truth was, she almost hadn’t come. it was only her publicist’s insistence that had dragged her out of her apartment and into this room filled with people who didn’t really know her. but now, standing here in front of him, she wondered if some part of her had known—had hoped.
there was a question hanging in the air between them, not uttered, but loud enough to fill the silence. had they made a mistake?
he remembers how they agreed it was for the best—right person, wrong time. they'd parted with a kiss that tasted of salt and regret, a mutual agreement born not out of lack of love, but out of too much of it.
but how could it be for the best when the air at home still smelled like her, when her name was stitched into the fabric of every song he wrote? he thought of the way she used to rest her head against his chest at night, the way her fingers traced lazy patterns along his skin, as if she were memorizing him in braille. the intimacy of it—the quiet kind, the kind that felt like forever—had undone him. no one ever teaches you how to live without forever.
the first time they met, they were children pretending to be adults. a festival in the desert, both of them younger and wilder, sweat-soaked and sunburnt and drunk on music. they danced in a crowd of thousands, but it felt like the earth shrank to the size of a postage stamp, and they were the only two people left. he had kissed her that night, tequila and the promise of something infinite lingering on his tongue.
“i’ve missed you,” he admitted, so softly she almost didn’t hear it.
her heart stuttered, the words settling into the cracks she hadn’t known were still there. “me too.”
and just like that, the world rearranged itself again.
it had been three days, but the memory of her face still lingered on the edges of harry’s consciousness like the afterimage of a camera flash. no matter how many times he blinked, it refused to fade. he felt haunted—not in the dramatic sense of ghosts rattling chains, but in the quiet, insidious way grief lingers, reshaping the air around it. she had looked beautiful, devastatingly so. and when their eyes had met, he swore he felt time buckle under the weight of something he couldn’t acknowledge, not yet.
it was morning now, or what passed for it in january—a hesitant kind of light filtering through the clouds, pale and thin like it didn’t quite belong. harry sat at his kitchen table, a cup of tea cooling between his hands. the mug had been a gift from gemma years ago, the words world’s okayest brother faded from too many cycles through the dishwasher. he liked its imperfection, the way it felt worn and familiar. it reminded him of things that didn’t change, which was a comfort on days like these.
the newspapers were spread out in front of him, though he wasn’t reading them. his eyes kept drifting to the same headline over and over: YN stuns at charity gala, sparking reunion rumors. there was a picture, of course. she was outside, her dress a shadow clinging to her frame, her gaze distant and heavy with thoughts he couldn’t begin to guess at.
it was cruel, he thought, how the world always seemed to capture her in a way that felt so achingly intimate. even in the stillness of a photograph, she looked alive, as though she might step off the page and straight into his arms.
but she wouldn’t.
he hadn’t expected to see her, not after all this time. the last two years had been a lesson in avoidance—of places she might be, of mutual friends who still spoke her name with a fondness that made his chest ache. he had buried himself in work, in music, in anything that might fill the spaces she had left behind. and for a while, it had worked. or at least, it had felt like it did.
until three days ago.
“you’re brooding.”
the voice startled him, and he looked up to find jeff standing in the doorway, a coffee cup in one hand and a knowing look in the other.
“morning to you, too,” harry muttered, running a hand through his hair.
he raised an eyebrow. “you’ve been staring at that paper for the better part of an hour. do you want to talk about it, or should i just pretend i don’t notice?”
“not much to talk about, yeah?”
“uh-huh.” he set his coffee down and slid into the chair opposite him. “you saw her.”
“yeah.”
“and?”
harry sighed, “i dunno. s’like… seeing her again made everything i’ve been trying to forget just resurface. two fucking years of nothing and then—” he gestured vaguely, another sigh falling from his lips.
“you still care about her.”
“‘course i do,” harry said, almost sharply. “but that doesn’t mean it changes anything. timing wasn’t right—we missed out.”
jeff studied him for a moment, then leaned back in his chair. “you know, timing’s a funny thing. but things do change, harry. don’t lose something you never needed to lose in the first place.”
the words hit harder than harry wanted to admit. he didn’t respond, instead lifting his mug to his lips and taking a long sip.
the tea had gone cold.
the email arrived in the late afternoon, slipping into her inbox like an intruder she hadn’t invited. YN stared at the screen for a long time, her tea cooling on the windowsill beside her. she didn’t open it right away; instead, she just sat there, the glow of her laptop casting faint shadows on the walls of her living room.
harry’s name stared back at her, bold and impossible to ignore. two years of silence, and now this.
the day had started out quiet. she’d spent the morning working through a script, her highlighter uncapping and capping in time with the low hum of the music she had on in the background. a storm had rolled in sometime around noon, the sky turning the color of damp stone. she liked storms—their chaos, the way they reminded her of things bigger than herself.
she didn’t like this.
her thumb hovered over the trackpad, indecisive. opening the email felt like a betrayal of all the walls she’d built, but leaving it unread felt equally unbearable. the memory of seeing him at the gala, standing there like something carved out of memory and moonlight, tugged at her resolve.
so, she clicked.
subject: reaching out
from: hs@—
to: YN@—
i wasn’t sure if this was still your email. if it’s not, i guess someone else is reading this, which would be… awkward. but if it is you, then: hey.
i know it’s been a while. seeing you the other night caught me off guard. in a good way. you looked beautiful. not that that’s news or anything, but still. it felt worth saying.
i’ve been thinking about you. not in a way that expects anything, just thinking. like in the way you’re in the lyrics i write without thinking. or when i see a blank sheet of paper i think of the origami you’d make on a whim.
this probably sounds ridiculous. i don’t really know what i’m trying to say. maybe just that it was good to see you.
for old times sake: all my stars and moons,
H.
all my stars and moons.
he used to say it with a lopsided smile, his voice soft, reverent, like it was the only way he could capture what she meant to him.
it wasn't just an i love you—it was a promise, a vow that she had been his beginning and his end. her reply had always been equally unorthodox, a kind of shared language only they understood.
she read the email twice, then a third time, the words tumbling through her mind like loose change in a pocket.
it wasn’t much. it wasn’t an apology or an admission or even an invitation. but it was something—a crack in the silence, a thread pulled loose from fabric.
her fingers hovered over the keyboard, her mind a cacophony of what-ifs. she didn’t know what to say—didn’t know if she should say anything.
the cursor blinked at her, patient and unyielding. YN rested her chin in her hand, staring at the blank reply box as if it might conjure the words for her. the storm outside continued its symphony, wind rattling the windowpanes in uneven bursts. it felt fitting—this chaotic, uncertain moment mirrored by the world beyond her walls.
she had typed and deleted half a dozen responses already, each one feeling either too much or not enough.
harry, she’d started, but even his name felt loaded, like a weight she couldn’t quite lift.
it’s good to hear from you. no, too polite, too distant, too not them.
why now? the most honest question, but also the one she didn’t have the courage to ask outright.
she leaned back in her chair, exhaling sharply. part of her wanted to ignore it. to close her laptop, pour another cup of tea, and pretend she hadn’t read it. but that wasn’t who she was—not with him.
because no matter how much time had passed, no matter how much they had broken each other, there was still that small, stubborn part of her that believed in the rightness of them.
she let her fingers hover over the keyboard, her thoughts coalescing into something that felt almost like clarity.
harry,
it is still my email. though if it weren’t, i’d like to think whoever got this would’ve found it endearing.
i don’t know how to describe how it felt seeing you again. unexpected doesn’t feel like enough. i wasn’t ready for it, i guess. not that anyone’s ever really ready to run into their past like that. believe me when i say that you looked even more beautiful.
your email was nice to read, though i’m not sure how to respond to it. i don’t know if i have the right words anymore, or if i ever did. but i’ve been thinking about you too. i’m not sure that ever really stopped, if i’m honest. it’s strange, isn’t it? how someone can take up so much space in your mind, even after so much time has passed.
it’s hard to know what else to say. part of me wonders if we made a mistake. you’re making me remember paper cranes on your coffee table, of mornings where the sunlight always seemed brighter on your side of the bed. remembering makes it harder to pretend like none of it mattered.
but it did. it still does. in ways i can't always explain, and maybe that's why i don't know how to respond. anyway, i guess i just wanted to say that it was good to see you, too.
forever and a day,
YN.
her finger hovered over the send button, her heart hammering in her chest. there was no taking it back once it was gone, no undoing the vulnerability she had laid bare. but she clicked it anyway, the whoosh of the email sending ringing loud in the quiet of her apartment.
forever and a day.
it had been her answer to him, her way of telling him that love wasn't bound by time or space, that it was infinite. it had been their secret, the thread woven through the chaos of their lives.
she didn’t know what would come next. maybe nothing. maybe everything. so, she waited—which only let things unravel further.
the emails became their lifeline over the past few days, a tenuous thread bridging the gap between the past and whatever they were doing now. it had started cautiously—polite acknowledgments, carefully chosen words that skirted too close to old wounds. but as the hours and days wore on, their messages grew longer, softer, laced with the quiet intimacy of people rediscovering the shape of each other.
harry had spent more time staring at his screen than he cared to admit, his fingers hovering over the keys as he tried to balance honesty with restraint. they wrote about everything and nothing—her latest film, a quiet piece shot in the polish countryside, his afternoons spent in the studio, the strange emptiness of passing the time during a break.
sometimes, they slipped into the past. little anecdotes laced with humor or wistfulness, as though they were tiptoeing around the weight of what they’d once shared. he’d told her about the tulips he passed by in the shop one evening, how it made him think of her, if he’d ever buy such a thing for her again—and she’d replied with a teasing remark about how he’d always overthought these things.
it felt natural in a way neither of them had anticipated, like a rhythm they’d rediscovered without meaning to. but beneath the easy flow of words, there was a tension—an unspoken question threading its way through every sentence: what now?
and then, her last email.
he’d read it three times before he noticed the address tucked neatly at the bottom, like an afterthought.
subject: RE: late night thoughts
from: YN@—
to: hs@—
h,
i don’t know why i’m telling you this, but the tulips? i would’ve liked them :)
anyway, you’re right! it’s easier to write like this, but it also feels a bit ridiculous, doesn’t it? like we’re pen pals in some old novel. maybe we should talk.
here’s my address. i’ve moved since before everything happened between us. if you’re ever around, stop by. no pressure though.
YN
harry had laughed aloud when he saw it, shaking his head in disbelief. she hadn’t given him her number, but her address? it was such a maddeningly her thing to do.
he stared at the screen for a while afterward, debating what it meant, whether he should go, what he’d say if he did. and then, as if fate had decided for him, he found himself standing in another flower shop the next afternoon, staring at a display of tulips.
the shopkeeper had been kind, if a bit amused by his indecision. “you can’t go wrong with red,” she’d said, handing him a bunch wrapped in simple brown paper. “everyone likes red, yeah?”
he’d nodded, though his mind had been elsewhere, spiraling through a thousand scenarios of how this meeting might go.
and now, here he was, standing outside her building with the flowers clutched in one hand, his other hand shoved into the pocket of his coat.
he felt ridiculous. what was he doing here, showing up like this? but the thought of turning back felt worse. he buzzed her apartment, his heart pounding as he waited for her voice to crackle through the intercom.
“hello?”
“oh, YN. hi! it’s harry.”
a pause and the breathiest giggle, so quiet harry wasn’t sure if it was her or the crackle of the intercom. “come up.”
once up, she opened the door before he could knock, her silhouette framed by the soft glow of her apartment. she looked different and yet entirely the same—her hair pulled back, her sweater falling loosely over her frame, the kind of effortless beauty that had always undone him.
“hi.”
“hi,” he echoed, offering her a tentative smile.
she glanced at the tulips in his hand, her lips twitching into a small, knowing grin. “you brought flowers.”
“yeah,” he admitted, running a hand through his hair. “thought about daisies. or lilies. but tulips–”
“you overthought it.”
“probably,” he said, handing them to her. “but you said you would’ve liked them.”
she took the flowers, her fingers brushing his briefly. “i do.”
he hesitated, shifting on his feet. “you didn’t give me your number, but you gave me your address. thought that was funny.”
her laugh was soft, almost shy. “guess i figured if you wanted to talk, you’d show up.”
“and here i am.”
“here you are.”
she stepped aside, letting him in, her apartment warm and inviting in contrast to the chill outside. the space was a bit small but full of character—books stacked haphazardly on shelves, a record player in the corner, the faint scent of tea lingering in the air.
“s’bigger than the last one.”
she hummed, setting the tulips on the counter and reaching for a vase. “it’s cozy.”
he watched her move, his chest tightening at the familiarity of it all—the way she tilted her head when she was concentrating, the slight curve of her mouth as she arranged the flowers.
“i’m surprised you actually came over.”
“‘course i did,” he said, his gaze steady. “you asked.”
“i didn’t think you would.”
he frowned slightly, “oh,” he paused, “why not?”
she shrugged, turning back to the flowers. “it’s been a long time, i guess. people change.”
“how much d’you think changes in two years?”
her hands stilled, her fingers brushing against the edge of a petal. she didn’t look at him, but he could see the way her shoulders tensed, the way her breath caught.
“i don’t know what this is,” she said finally, her voice barely above a whisper.
“s’just us talking. that’s all.”
they settled at the island in her kitchen eventually, stools drawn close but not close enough. it wasn’t purposeful—not exactly—but the gap between them felt intentional in its own way, a hesitation they hadn’t yet learned how to breach.
the space was quiet, save for the soft hum of the rain outside and the faint creak of the wood beneath them. the overhead light pooled in warm, golden tones across the countertop, casting long shadows that blurred the edges of the moment.
YN fit into the space like she always did—carefully, like she was trying to take up less room than she was owed. one knee tucked against her chest, her arms wrapped loosely around it, while her other leg dangled from the stool, her toes brushing just lightly against the floor. she turned slightly, her side leaning against the edge of the island, her eyes steady but unreadable.
his own body had never been built for this kind of furniture—too long limbs, too much of him for the delicate frame of the stool. he had to spread his legs wide, one foot braced against the floor to keep himself steady, his elbows resting on the countertop. his fingers toyed with the lip of a glass left abandoned,something to keep them occupied, something to keep them from reaching for her.
and then she said it.
“you’ve written songs about me.”
a statement, not a question. a fact pulled from the quiet places of their past, dusted off and placed between them like an offering.
harry felt the heat climb his neck before he could stop it, the corners of his mouth betraying him with the telltale pull of a smile. a man of twenty-nine reduced to something pink-cheeked and bashful, like a schoolboy caught in the act. his dimples carved deep, his fingers tightening around the glass as if he could pour all of his flustered energy into the curve of it.
“see that head of yours hasn’t gotten any smaller.”
his voice came easy, light with humor, a well-aimed deflection meant to soften the truth. but the truth was written all over him, in the way his gaze lingered, in the way his body angled toward hers as if he couldn’t help but close the distance.
she laughed, and the sound curled into his chest, tucked itself between his ribs like something meant to live there. her cheeks had gone pink too, though whether from the warmth of the room or the warmth of his attention, he wasn’t sure.
she pressed her temple against her knee, a slow, knowing smile stretching across her lips before she murmured—“red wine and ginger ale.”
it was enough to knock the breath from him, to make something stir deep in his gut, something familiar, aching, unshakable.
his grip tightened around the glass, knuckles going white. because of course she remembered. of course she had caught that line, plucked it from the verse and turned it over in her palm like a rare coin.
it had been a memory—hers, theirs, tucked into the lyrics like a secret, hidden in plain sight.
a dinner in chiswick, years ago, where he had ordered exactly that, red wine with ginger ale, because he liked the way the bitterness and sweetness met on his tongue. she had looked at him like he’d just confessed to some great crime, her nose scrunching, her lips parting in that wide-eyed, incredulous way.
“you’re disgusting.”
he had laughed, offered her a sip, only for her to recoil in mock horror. and later, in the taxi home, when he had kissed her, her lips had curled into a smile against his, and she had whispered against his mouth—
“m’never letting you live it down, baby.”
and she hadn’t. for months. for years. because she had hated the drink, but she had loved him, and that was enough.
and now, here she was, saying it back to him, plucking the words from a song meant for millions and holding them up to the light, a knowing glint in her gaze.
“you remember that?” he asked, his voice quieter now, almost disbelieving.
“i remember everything.”
the words settled in his stomach, warm and heavy. he stared at her for a long moment, the air between them stretching thin.
he could still taste the memory of her, even now. and he wonders if she knows she’s still his favorite lyric.
time continued to stretch around them, hesitated words and heavy pauses, stolen glances and knuckles that barely grazed each other in fleeting touches.
they moved after that, standing from the stools as if a forced step back would be enough space to stop what hummed between them.
she turned to face him, her eyes searching his. for a moment, the air felt electric, heavy with everything they weren’t saying.
she lingered there, before her body angled toward the window as though she might drift outside. the soft light overhead caught the lines of her face, the curve of her shoulders.
she was beautiful in the way the stars were—distant but unmistakably present, a quiet inevitability against the darkness.
and just like the stars, she had always been there, even when he couldn't see her.
he crossed the room slowly, as though afraid that the floor might give out beneath him. his hands were empty now, his thoughts stripped bare. she turned slightly as he came closer, her eyes meeting his, and he could feel the pull of her, the way she seemed to realign the very fabric of the air between them.
YN could feel it, the frequency only the two of them could hear, a static that crackles in the air between bodies too familiar to be strangers, too distant to be anything else. the static that translated into pins and needles along their lips. the static, buzzing heat in their chest, not fire, not yet—but the ember that never fully died, flickering in the place where love was buried but never truly laid to rest.
"you came back.” she echoed from before, though it was less saturated in disbelief but rather dripping with solace.
he looked up, his throat tightening—the ache of déjà vu wrapped in silk. his body remembers before his mind does—remembers the press of his palm against the small of her back, the weight of his mouth against hers, the way her breath used to tremble when she whispered his name.
you never left he wanted to say, but the syllables tangled in his throat, thick as honey, heavy as grief. because she hadn’t—not really. she lingered in each pause between heartbeats, in the empty quiet of rooms too big and beds too cold.
so, he keeps his mouth shut. he leans in, nose barely grazing hers. she can feel the flutter of his eyelashes against her cheek as his head tilts, he can feel the tremble of her breath.
he was merely a shipwreck, his body leaning toward the tide even as his mind screamed to stay ashore. but the tide is warm, and the tide is her, and oh—how easy it would be to drown again.
the collapse of distance, the death of restraint.
the air between them is thick with ruin and remembrance, a graveyard of every night they spent apart, every moment they spent pretending this wasn’t inevitable.
but the body is merciless in its remembering.
her breath stutters again as his fingertips ghost over her jaw, tracing the path of old devotion, the map of a love that never truly faded. it’s not a hesitation, not a question—it’s reverence, the final breath before a prayer is spoken. and then—
then he kisses her.
it’s not soft, not gentle. it’s every unsaid word, every agonizing hour, every night spent staring at the ceiling wondering if the she felt it too. it’s the pull of gravity, of fate, of something written into constellations.
his mouth slants over hers like a plea, like an apology, like a man succumbing. and she—she meets him with a hunger that borders on violent, fingers fisting in his collar, dragging him closer, closer, as if she could consume him, as if she could crawl inside his ribs and carve her name there all over again.
it tasted like champagne and ripe fruit, like summer bursting behind teeth and getting stuck there. peaches, maybe, or strawberries picked in the height of july. his tongue slid against hers like silk against satin, heady—red wine drunk too quickly, the dizzied sweetness of berries crushed between thumb and forefinger.
it didn’t seek, did not demand; it reclaimed, a vow remade in flesh.
his tongue curled, coaxed, tangled in the wet heat of her mouth. it was slow, decadent—the first pull of opium in the lungs, the hush of velvet being drawn through greedy fingers.
and when he deepened it—when he pulled her flush, let the kiss bleed into something savored, something syrup-thick, cursive against the roof of her mouth—she tasted it:
forgiveness, the hands of a clock rewinding.
not spoken, not granted, but exchanged in the language of tongue and teeth. of breath shared between gasps, of bodies rediscovering the art of belonging.
when they part, it is not for lack of wanting.
it’s for breath, for sanity, for the simple fear that if they do not stop now, they never will. she licked her lips—not to rid herself of him, but to commit him to memory.
"YN.” he murmured, her name nothing more than a breath, a vow, a benediction.
she swallowed, throat tight, her pulse a bird trapped beneath her skin. she wanted to say something, anything—wanted to capture this moment in words before it slipped through her fingers like sand.
but there was no language for this.
there was no word for what it meant to be kissed like that—like time had never moved forward, like they had never parted, like the years apart were nothing more than a cruel trick of the universe. no word for the way his tongue had found hers, the way he had kissed her not just with his lips, but with the sum of his longing, the marrow-deep ache of missing her. no word for the way she had melted into him, the way her mouth had answered his like it had been waiting all this time.
so she didn’t speak.
instead, she pressed her fingers against his mouth, feeling the shape of his lips beneath them, like trying to hold onto a dream before waking. and maybe he understood, because he only smiled—soft, knowing, his hands still firm against her skin.
all my stars and moons, he had said once.
forever and a day, she had answered.
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rougejaunebleu · 5 months ago
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Frank Lloyd Wright, Charles Morgan Triangles in Color / September (Mosaic based on a c. 1926 design for Liberty magazine) c. 1929 Painted ceramic tiles 67.9 x 63.5 cm
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artifacts-and-arthropods · 4 months ago
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"Ram in the Thicket" Statuette from Ur (Iraq), c.2600-2400 BCE: this statuette is made of lapis lazuli, shells, gold, silver, limestone, copper, and wood
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This sculpture is about 4,500 years old. It was unearthed back in 1929, during the excavation of the "Great Death Pit" at the Royal Cemetery of Ur, located in what was once the heart of Mesopotamia (and is now part of southern Iraq).
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Sir Leonard Woolley, who led the excavations at the site, nicknamed the statuette "ram caught in a thicket" as a reference to the Biblical story in which Abraham sacrifices a ram that he finds caught in a thicket. The statuette is still commonly known by that name, even though it actually depicts a markhor goat feeding on the leaves of a flowering tree/shrub. Some scholars refer to it as a "rampant he-goat" or "rearing goat," instead.
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It was carved from a wooden core; gold foil was then carefully hammered onto the surface of the goat's face and legs, and its belly was coated in silver paint. Intricately carved pieces of shell and lapis lazuli were layered onto the goat's body in order to form the fleece. Lapis lazuli was also used to create the goat's eyes, horns, and beard, while its ears were crafted out of copper.
The tree (along with its delicate branches and eight-petaled flowers) was also carved from a wooden base, before being wrapped in gold foil.
The goat and the tree are both attached to a small pedestal, which is decorated with silver paint and tiny mosaic tiles made of shell, lapis lazuli, and red limestone.
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This artifact measures 42.5cm (roughly 16 inches) tall.
A second, nearly-identical statuette was also found nearby. That second sculpture (which is also known as the "ram in the thicket") is pictured below:
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There are a few minor differences between the two sculptures. The second "ram" is equipped with gold-covered genitals, for example, while the first one has no genitals at all; researchers believe that the other sculpture originally had genitals that were made out of silver, but that they eventually corroded away, just like the rest of the silver on its body.
The second "ram" is also slightly larger than the first, measuring 45.7cm (18 in) tall.
Both statuettes have a cylindrical socket rising from the goats' shoulders, suggesting that these sculptures were originally used as supports for another object (possibly a bowl or tray).
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The depiction of a goat rearing up against a tree/shrub is a common motif in ancient Near Eastern art, but few examples are as stunning (or as elaborate) as these two statuettes.
Sources & More Info:
Penn Museum: Collections Highlight
Penn Museum: Ram in the Thicket
Expedition Magazine: Rescue and Restoration: a History of the Philadelphia "Ram Caught in a Thicket" (PDF version)
The British Museum: Ram in the Thicket
A Companion to Ancient Near Eastern Art: Statuary and Reliefs
World Archaeology: Ram in the Thicket
Cambridge Scholars Publishing: Colour in Sculpture: a Survey from Ancient Mesopotamia to the Present (PDF excerpt)
Goats (Capra) from Ancient to Modern: Goats in the Ancient Near East and their Relationship with the Mythology, Fairytale, and Folklore of these Cultures
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danaescave · 1 year ago
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Mosaic is a literary print and virtual magazine that showcases the work of writers of African and Latinx descent. Each issue is curated by a respected guest editor, who selects a variety of works that represent the diversity of the African diaspora and themes featured during the Mosaic Literary Conference. The result is a collection of literature that is both captivating and thought-provoking.
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colasarchive · 27 days ago
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Saya no Uta: The coming-of-age drama depicting the lives of ordinary college students
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A look at Saya no Uta prerelease, going over early assets and its initially deceptive marketing.
If you can't read the post on tumblr, it's available here https://sayademo.carrd.co/
Madoka Magica’s famous episode 3 twist was not the only time Gen Urobuchi attempted to mess with audience expectations, as Saya no Uta actually had something quite similar. During its initial announcement and magazine appearances the game was advertised completely differently.
Saya's Debut
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Dengeki Hime December 2003
Saya would have several announcement articles in the biggest bishoujo game magazines of the time all saying the same thing. This work would be something entirely different from anything the creators had made previous.
After Gen Urobuchi and Chuuou Higashiguchi’s worked together on Vampirdzhija Vjedogonia and Kikokugai - The Cyber Slayer, their next title would be going in a totally different direction. This time, it would be a love story of four people set in medical college. The duo state they wanted to make something more in the vein of bishoujo games, focusing on the feelings and relationships between characters instead of their usual action focus. The work would be much more experimental and tackle the issues of young adults.
The protagonist is a young man with troubles no one else knows about. Through encounters and partings with various people he’ll begin to create a life of his own.
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Tech Gian December 2003
 Our protagonist Fuminori has recently lost his parents in an accident and is struggling with the relationships he has with the people around him. Suddenly one day the mysterious girl Saya appears in his house and stirs up trouble. Apparently the reason she came to this town is to look for her father, but right now she’s much more focused on Fuminori. The longer Fuminori stays with Saya, the more his state of mind begins to change.
-In it’s initial reporting, its never stated that Fuminori was also involved in the accident.
-The “love story of four people” is emphasized on, and it’s said other love stories asides from the protagonist will be focused on (this being Oumi and Koji)
This deceptive marketing didn’t last long and wasn’t really planned to be. All the magazines reporting the game like this were in December 2003, and Saya would release near the end of that very month on the 26th. But the reveal would actually come much sooner on the website.
Saya's Website
youtube
footage provided by niconico user ぶーにん
The website, initially presents itself as normal as Saya welcomes you to the page. You can look through character bios, download wallpapers, etc. You can totally view the page normally like this and not realize anything. But as you browse, tiny Saya’s will pop up on your screen. As you click the Saya’s an icon on the bottom of the page will appear. Once you click the final one it turns completely red.
youtube
Once it reaches this point the front page will violently shake and the music changes. All pages are now changed to the “real” Saya no uta. 
-The story synopsis’ text has been mosaic blurred and unreadable.
-In the character gallery, Fuminori and Saya are totally normal, but every other character has a mosaic blur over them as well as a red tint
CGs in the gallery have changed to what appears in the final game
-Fuminori’s bed cg
-Saya sitting cg
-Saya standing cg
Now that we’ve gone over it’s marketing, it’s time to go over early assets that differ from the final game, these assets come from the website, magazine appearances, and the trailer
Website Cg
PRERELEASE - FINAL
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These cg were exclusively shown on the website.
It's not known if cgs like Fuminori's were made for the site or were in an earlier version of the game, but judging by later prerelease cgs I'll go over you can tell the red textured effect present in the final is missing from many other prerelease cg and was likely added later in development.
The difference with Ryouko's cg is so slight I nearly missed it, very simple change in coloring (most present in the skin shading)
Magazine and website Cgs
PRERELEASE - FINAL
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-You's choker is missing in the first cg, along with it being added the color of her shirt was altered
-The middle Saya cg was used most in magazine promotions as well as being prominent on the website, the red texture overlay was added in final
-Interestingly, the more ominously lit You cg was used prerelease quite prominently as well. But it's clear that the time of day where the scene happens changed
Demo Movie CG
PRERELEASE - FINAL
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-Totally different colors as well as missing red texture, Saya's ribbon is also missing
-Missing red texture
That just about covers it, since you actually clicked and read through everything I'll leave you with a fun fact
Saya briefly cameos in the 2005 Densha Otoko Drama as a poster in the arcade
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She also appears in the background of the anime Doujin Work (Episode 2)
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Sources
Tech Gian 2003 December 
Dengeki Hime 2003 December issue
Pasocom Paradise December 2003
Saya no Uta website footage
Saya no Uta demo video
Original getchu page sc
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noodlesarecheese · 9 months ago
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evan-collins90 · 1 year ago
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Farallon restaurant - 450 Post Street, San Francisco, CA (opened June 1997 - closed 2020)
"Farallon is named after a fishing island off the Pacific coast.
The underwater fantasy theme drives the $4 million restaurant. The electric atmosphere grabs customers the minute they walk through the glass doors framed by a brushed steel and Lucite canopy, which vaguely looks like a scallop shell. Giant jellyfish chandeliers hang from the high ceiling. The walls are textured with shellfish impressions, and lighted yellow pillars that climb the walls are imprinted with seaweed. And that's just the bar.
The big main dining room is more elegant, but maintains the marine motif. Tiny tiles form mosaics on the ceiling, where two huge light fixtures are formed into seashells. Even the hood over the kitchen carries out the theme: It's covered in copper scales. And suspended over the counter are beautiful blown-glass lights shaped like fish.
A gracefully curving staircase leading to the mezzanine is covered in 50,000 blue-black glass beads that resemble magnified caviar, while the wall sconces replicate stands of coral and barnacles."
Excellent examples of the 'Org-Nouveau' style popular in the 1990's
Designed by Pat Kuleto
Scanned from American Theme Restaurants by I.M. Tao (1999) and the February 1998 issue of Interiors Magazine
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steviewashere · 3 months ago
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I Don't Wanna Leave Him Now
Rating: General CW: None Tags: Post-Canon, Future Fic, Set in the '90s, Fluff, Tooth Rotting Fluff, Everything is Beautiful and Nothing Hurts, Marriage Proposal, Established Steve Harrington/Eddie Munson, Eddie Munson Loves Steve Harrington, Steve Harrington Loves Eddie Munson, Eddie Munson is a Sap, This is Really Sweet, Romantic Eddie Munson, Engagement, Nervous Eddie Munson, Happy Ending Guaranteed, Listened to The Beatles While Writing This Title from "Something" by The Beatles, but make it gay.
💍—————💍 Eddie's nervous. The most nervous he believes he's ever been in his entire life—which is saying something, a lot of somethings. He's put himself in front of crowds, of classmates who have never wanted to hear a single vocal from his lips, walked on tables and shouted profanities, placed himself in the dungeon master chair, and screeched with laughter as he deemed fit. But here, in an apartment he's made with love—with Steve by his side, unexpected and bright like sun on a gloomy, fall day—he's the most nervous he's ever felt.
When he first realized he liked men, could even view men as a possibility, he never thought of a future in it all. Never thought much of what comes after the dating phase. Of sharing a bed with a man, let alone a life. He didn't put himself in the shoes of somebody a partner is excited to come home to. A life of warm stew in the kitchen and low lights and mosaics of lives coming together like stained glass in the Catholic church he and Wayne used to frequent. Of a whole within a heart so beaten and battered, he never thought to consider it beating alongside another's.
Steve started his heart with the tenacity and urgency crackling in his palms. With parted lips and swimmer's lungs. Pleads and cries under a desolate sky, in a darkness burdened upon their shoulders, blood soaked fingers skittering over his pale cheeks. Tears that he could never piece being poured for him like the tap leaking from a broken pipe—one more incident and it may just burst, explode and flood and damage. And yet he lived, woke up in a hospital bruised and stitched to all hell, fluorescents beating down on him in nauseous buzzes, sweaty hands still crackling around one of his own. "Steve?" he had croaked and those tears arose once more, this time coming down like God's flood.
And now he paces the carpet of their apartment's living room. Up and down as if marching through pews, brightened by the mosaic that is their lives—crisp magazines and peeling books and a couch ready to collapse from how worn it's become through their midday cuddles. There's a candle dancing and flickering before him on the coffee table, some linen scent that Steve has sworn by his entire growing up. Its off-white wax and orange on the wick, ablaze and coating the room. He inhales and places Steve ahead of him in his brain, smiling gooey before he left for the day, hair swooped away from his forehead still eternally seventeen, and an ochre polo ironed over his shoulders because it's his favorite color—so, of course, it's Eddie's favorite, too.
He's warm under his layers. A sweater Steve knitted him, this deep pink thing that scrunches at his hips and gently lays over the base of his neck—because screw the sweater curse, he'll cherish this falling apart masterpiece until it's nothing but spooled yarn once more. And a t-shirt to prevent the sweater from rubbing his healed scars raw, it's a plan shirt, black and fitting. Grey sweatpants because he wasn't sure what kind of pants to wear for what he's going to do. At least his hair is tied back with a tired elastic band, he isn't sweating there.
But he holds his breath and waits. Waits for Steve to come through their front door. With his overflowing college bag because he's a determined college boy now. For his shoes to be set aligned with the other sneakers they bunny ear tie for one another. Keys to be hung up with a soft click. His drooping dog eyes, heavy with the day, but alight with love anyway.
There'll be snow on Steve's shoulders. White and melting and sticky for a few seconds before the radiator catches up. He'll smile with all his teeth in that gentle, kind way he does. Where his whole face radiates and his eyebrows shoot up in excitement and his eyes pool with reverence. Eddie will kiss him, despite his nerves. Trembling and soft, almost as if they were new, but he'll kiss him.
Kiss him and kiss him and kiss him.
There are tires against pavement and he shakes his already shaking hands out at his sides. Jumps up and down like he's seen Steve do a million times before, right before the big playoffs, right before the World Series airs, before he's determined to win. He leaves the living room and stands in the entryway, merely two feet from the door, and waits. Patiently impatient, he waits.
Steve bounds in after his key clicks the lock loose. Tosses his book-bag to the ground with little care, arms stretched and plucked from the snowed-on jacket sleeves, shoes stepped out of after the laces are undone, and the key goes on the hook. He turns and finds Eddie with those puppy back soft eyes of his, hazel and bright and fresh even after all this time, and he smiles. God he smiles.
It's a gentle peck. A reminder of lips against lips.
"Hey, baby," Eddie purrs.
Crinkling eyes. Mm. "Hey, Eds." And the way he says those words, all sweet and dripping, affected by the push of his smile, of his lips pulled wide and pink and just crackling from the cold air, cheeks flushed and bulbous. He sways further into Eddie's space, love colored across him in pinks and reds and gentle peaches. His hands are cold in Eddie's palms, warming slowly from the radiator, from the body heat they exchange, from words and gooeyness and stew in the kitchen and linen candles and mosaics. "You look comfy," Steve says, murmured hot and cold over Eddie's own grinning mouth.
"I look like a million bucks, thanks to you," he whispers.
"Mm. Mhm. You look so good in pink."
He smiles bigger, his own teeth showing, Steve's eyes dropping down to where he's missing one on the left side—still droopy and in love, caught up. "Why don't you go in and get comfy? I made us some dinner, I'll dish you up."
"Yeah?" Steve's eyes are still on his mouth. Voice still low and stirring. "It smells good."
"It'll be even better on your tongue, sweetheart. Go get changed, m'kay?"
Another peck. And then Steve disappears into their bedroom with a gentle click behind him.
Eddie's hands shake, but he jumps further into action. Diving behind their sofa for a bouquet of roses he hopes he hid well enough. Places them on the coffee table so that they're right in the open. He does as he intended, pours them two bowls of steaming stew—turkey stew he made with leftovers at Thanksgiving, using the scraps just as he's been taught by Wayne's guiding hands. Puts those on the coffee table, too, the candlelight dancing off the porcelain bowl edges. The last piece of his not-so-over-the-top puzzle is his acoustic, banged up and still shiny, resting in his lap.
His breath comes fuzzy and his heart jumps and spins behind his ribcage like ribbon dancing in the wind. Sanity spilling out his ears, but he holds on. Listening in as Steve shuffles back down their hallway, poising himself at the ready with his fingers angled on the gently taut strings, watching Steve come around the corner in his own sweatpants and another sweater he made—this one a light cherry red, slightly messier with its strings, but put together and comfy.
The surprise on Steve's face makes Eddie giddy.
Eyes wide and eyebrows scrunching, mouth gaping, but still at ease and pleasant. He breathes out some half-humorous, half-shocked sound—a chuckle or something like. But he sits down next to Eddie on the sofa, sinking into the middle cushion with practiced ease, right where he usually leans himself into Eddie's side to watch reruns and talk gossip.
Tonight, Steve smiles at him all the same, but scrunches his fingers into his own knees. Just as a kid does when they're getting the thing they wanted the most for Christmas, trying not to wiggle too much out of their seat.
He strums down with his thumb, plucking out the notes as he places the tips of his fingers over the frets. Sings, in his husky rasp:
"Something in the way he moves, Attracts me like no other lover"—
The shock doesn't really leave Steve's face, but there's this calm that settles over his features. Leaves his eyes shiny and curious and warm. His mouth settled in this soft, all lips, shy smile. And a light pink flush to his wonderful, full, mole-dotted cheeks.
—"Something in the way he woos me I don't wanna leave him now You know I believe and how"—
Steve begins to wriggle more in his seat, swaying gently back and forth to the music. Just as he does when he's standing in the kitchen, focused on the dinner he makes or the dishes he may do. The way he does when he's nose deep in his homework and Eddie comes up behind him to soothe his tense shoulders. And just as he does with ear protection deep in his ears, at the front of their local bar, weeping beer in his hand, watching on as Eddie performs for him and only him—despite the crowd, despite the nerves set deep in his bones.
—"Somewhere in his smile, he knows That I don't need no other lover Something in his style that shows me I don't wanna leave him now You know I believe and how"—
He finishes out the song, his eyes down at his own fingers, but he knows Steve is still looking on directly at him. At his thumb plucking dutifully over the strings, the scrunch he slowly produces between his eyebrows as he focuses more and more, and every single time he licks his lips before singing the next line. But his gaze remains the same, gooey as the brownies he bakes around Christmas, as passionate as he ever is.
And by the end, Eddie is no longer trembling, putting aside the guitar. Steve gives him easy, soft applause. "That was so beautiful, Eds," he compliments.
Eddie, no longer nervous, but still shy, rubs the back of his neck bashfully. "Thanks," he says quietly, "I learned it just for you, sweetheart." He takes a deep breath, and before he lets Steve respond, he's digging deep into the left pocket of his sweatpants. "I have...I have a question to ask you, though."
"Sounds serious," Steve comments. "Whatcha need to know, babe?"
Of course he's nonchalant after something like that. It makes some of the nerves come back, timid and tepid. Eddie's way of wooing probably isn't all that original, he's aware of that at least, but Steve doesn't seem bothered by it. If anything, his face is open and expectant, soft and still curious.
He takes a deep breath, lunges his shaking hands forward, and props the lid of the little box he's holding.
Inside is a shiny gold band. It's not the best of the best, that's for another time. But it's a hefty ring, fit for Steve's left ring finger, and engraved with their initials on the inside of the band. When he received the finished ring to place inside the yellow velvet box he found, a part of him flourished and bloomed like newborn roses. He wept that night, staring down at it. Something was finally settling into place.
He was one step closer to getting a future he never expected.
One step closer to a happy ending he never thought he'd get.
Steve gasps quietly between his parted lips, eyes darting down to the ring, up to Eddie's, and back down. He's still gently swaying in his seat, happy and vibrant and beautiful. Absolutely gorgeous, it makes Eddie blaze like the candle, warm and dancing.
"Eds..." Steve breathes. "Oh my gosh, Eds."
"Steve," he speaks softly, "I know we can't do anything legal about this yet, but I guess my heart's too eager for a lifetime with you. You started that heart, kept it cherished and going, wrapped up and safe in your hands, and now I'm here, offering it to you all over again. Offering to you a life we already share, with your excitement over sports games that I may never understand, our music tastes both daunting and similar, and all these soft moments we have.
"I know that how we started isn't the most wonderful of stories, but I wake up everyday to make it better and better—you somehow outdo yourself day in and day out. And I'm ready, if you are, to take the next step. No matter how long it takes until we can get the gaudy, giant wedding of our dreams. I still want this with you, all of you—as you are, as you will be.
"So...
"Steve Harrington, the love of my life I never expected, but cherish anyway, will you marry me?"
"Eds," Steve breathes again.
Instead of saying anything more, Eddie swallows down his words with a gentle gulp. Grips the box tighter, trying to keep his shaking at bay. The bundle, of every emotion he's ever felt, pulsing and tight deep in his stomach. But he's patient. And he's sure.
"Of course, oh my god," Steve answers, "of course I'll marry you. This is...this is...wow."
Eddie pries the ring free of its little white cushion. He takes Steve's left hand in his own, fingers gripping to soft skin. And he smooths the ring down Steve's ring finger. It sits bright and pretty on him. Just as Eddie imagined it to be. He tightens his hold on Steve's hand, wrangling them so they're fully holding onto each other.
When he looks back up from their tangled fingers, Steve kisses him. All encompassing, devouring, with fervor. He kisses with words, all the words Eddie's read, with every what-if and eventually, and every soft memory they'll make in the near future. A love that coats and soothes and flames; a love that's kept Eddie's heart beating after all these years.
He gasps for breath when they pull apart. And is reminded, endearingly, of all their breathless make-out sessions years ago—when they were in their early twenties, tentative, and nervous.
When Eddie asked Robin for permission to date Steve.
And now, in their early thirties, the permission to marry Steve sitting heavy in him—welcomed fully and tight by Robin's squeezing arms. That's a story for another time, though.
"I love you, Eddie. I love you so much," Steve whispers, "you beat me to it."
"You might'a been the jock, but I had to make sure I was faster than you on this. I like to jump the gun when I know what I want."
"And you want me forever," he says in awe.
Eddie nods once, a sure thing. "I want you forever, Steve Harrington. Just as I promised in the beginning, sweetheart."
"You're such a sap, Eds."
"For you, sweetheart. Just for you."
Their stew needs to be reheated. And they'll cuddle into each other to watch their reruns. Maybe do some other exciting things tonight.
For now, though, Eddie holds onto Steve's engaged hand. Gazes at him. And continues to promise forever.
A forever after that he's always dreamed about—made real in those honey drenched eyes.
💍—————💍
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obsessiveagony2point0 · 9 months ago
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Home
Hob gives the boys a living space. Edwin isn’t sure how to feel about this.
—-•—-•—-•—-•—-
Ghost didn’t have homes.
At least, according to Edwin’s understanding they didn’t.
They had haunts, of course, and places their unsettled souls would return to, but they didn’t have homes.
Edwin wasn’t even entirely sure he remembered what a home truly was. He’d spent so long in hell in the same place over and over again, that when he left…he didn’t want to be stuck in the same place. Luckily for him, Charles was willing and enthusiastic to travel and explore.
It wasn’t until the ghostly duo met Hob Gadling that things slowly began to change.
It started with a small, friendly conversation, which grew into the boys coming around to the pub every night to talk and…well, relax. Which was something Edwin definitely wasn’t used to.
One day, Hob ushered them to the basement. He flicked on a light, and Edwin and Charles stared in shock.
It was a whole living space. There were tables and chairs and bookshelves, a couch and plush arm chairs on top of a large, ornate rug.
“It’s not much,” Hob said as he ran a hand through his hair, nervously. “But I didn’t like the idea of you boys not having a place of your own to be able to come back to.” He gave them a small smile. “Ghost or not, everyone needs a space of their own.”
Charles immediately took to their new surroundings, cheering as he claimed the worn couch that had been provided as his very own spot.
Edwin was more hesitant, his mind spiraling. He didn’t want to be locked and trapped to one place. Not again.
A heavy, yet gentle hand on his shoulder pulled him from his mind, and he turned to look at Hob, who was smiling softly at him. “I’m not trying to keep you here, Edwin. You’re free to come and go as you please. I just wanted you to have somewhere you could always come back to.”
Edwin stared a moment, then nodded. “Thank you, Hob.”
Hob grinned, and gave his shoulder a small squeeze before he launched himself onto Charles, who screamed and laughed.
Edwin tried not to latch onto this place. He liked Hob, a lot, and Dream, but he was still wary.
He hadn’t really realized how much he’d become accustomed to their new place until a particular case kept them away for a week.
When they had finally returned, it was the dead of night. They slipped in through the walls and floorboards to their living space, in case Hob was asleep. It was hard to tell when Hob was awake or not. He always kept a lamp on in his flat regardless of the time of day and his sleeping patterns were…strange. Sometimes he was up all hours of the night, and sometimes he wouldn’t sleep for days until Dream came to scold him and make him sleep.
As they entered into the basement Charles let out a happy sigh and slumped onto the worn couch, stretching as he said, “God, it’s great to be home.”
Home.
Edwin paused and looked around the space.
The walls that had been once bare held a mosaic of art Edwin enjoyed as well as odd little knickknacks from Crystal and pictures torn out of magazines that Charles liked. There were plants that Crystal had been growing on the table along with random things Charles had picked up during their adventures. The bookshelves held a strange collection of books that ranged from poetry to history to occult tombs to manga Niko brought in case Edwin wanted to read them. By the door, leaning against the wall, rested Charles cricket bat as well as a coat rack that held ridiculous disguises Charles and Crystal would wear, swearing that they worked.
“Edwin? You ok?”
Edwin blinked, not realizing he was crying until warm tears ran down his face.
Home.
They had a home.
This wasn’t a prison, this wasn’t hell, this wasn’t the attic or the chest.
This was home. His home. His home with Charles and Hob and Dream.
He turned around immediately and went through the wall and up to Hob’s flat. He raised a fist to knock, then hesitated. If Hob was asleep, he certainly didn’t want to wake him, especially since Dream was so insistent that Hob actually sleep…but then again Hob always told them if they needed him, to please get him.
He took a deep breath and knocked. He was surprised to hear Hob say, muffled, “Come in, Edwin.”
Edwin passed through the door and saw Hob leaning over kitchen counter, with a mug in his hands, smiling.
“How…”
“You’d be surprised how the building sounds when you both pass through walls and doors. It’s like an exhale, as if the old place is at ease. Plus…” He grinned. “Dream and Charles don’t knock.” He waved at one of the stools at the counter. “Come, sit. Tell me where you two trouble-makers have been for the last week.”
Edwin smiled a little, settled on the stool, and began regaling to Hob their latest case.
As Edwin finished and Hob turned to fill his coffee again, the ghost boys said, softly, “Thank you, Hob.”
Hob stopped and turned back, tilting his head to one side in confusion. “For what?”
“For…for giving Charles and I place. A…a home.”
The immortal smiled wide and warm. “You don’t need to thank me. I was hoping it would eventually feel like a home to you boys.”
Edwin dropped his gaze to his entwined hands. “It’s been a long time…since a place felt like that. I…honestly thought I had forgotten what a home felt like entirely.”
That same heavy yet gentle hand that had been on his shoulder as reassurance weeks ago now placed itself over Edwin’s hands. He looked up into Hob’s gentle, unchanging face. “No matter how far you travel or how long you’re gone for…you will always have a home here, Edwin. I promise you that.”
Edwin’s smile trembled as his eyes filled with tears, but if Hob noticed he didn’t say. Instead, he gave the young ghost’s hands a small pat. “I’m sure Charles is feeling lonely. Should we continue this downstairs?”
Edwin blinked, slightly confused. “But…I have already told you about the case.”
“Yes, you did, but…” He winked at Edwin. “I always enjoy listening to Charles stretch the truth a little. Weave his tales.”
Edwin chuckled and stood up from where he was seated. As they moved towards Hob’s door, the immortal placed a hand on Edwin’s back.
“By the way, welcome back home, Edwin.”
Edwin smiled.
Yes.
Home.
—-•—-•—-•—-•—-
Im probably gonna post a few of these warm, sweet little headcanon ficlets.
Because I like them and they make me feel good.
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aardvaark · 11 months ago
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one thing i wish the sharp objects miniseries had kept from the book is how the teeth looked in amma's dollhouse. in the show, we only see adora's room with its tooth floor for a second, but the teeth are quite even and they're all whole, not broken. in the book, every other room in the dollhouse is absolutely perfectly like the real house, except adora's room. its famous ivory floor is, according to camille, a "mosaic of jagged, broken teeth, some mere splinters". i think that detail is important, because of that setting's importance... the perfect room, the room that is in magazines because of how beautiful it looks, the room made of a material that is too unethical to ever legally source again, the room that belongs to adora, the room where everything wrong and ugly in that house radiates from, even if under a facade of politeness and elegance and perfection. and amma makes it look mostly accurate and clean, yes, but still full of ugly, broken, sharp things.
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