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"Ram in the Thicket" Statuette from Ur (Iraq), c.2600-2400 BCE: this statuette is made of lapis lazuli, shells, gold, silver, limestone, copper, and wood

This sculpture is about 4,500 years old. It was unearthed back in 1929, during the excavation of the "Great Death Pit" at the Royal Cemetery of Ur, located in what was once the heart of Mesopotamia (and is now part of southern Iraq).

Sir Leonard Woolley, who led the excavations at the site, nicknamed the statuette "ram caught in a thicket" as a reference to the Biblical story in which Abraham sacrifices a ram that he finds caught in a thicket. The statuette is still commonly known by that name, even though it actually depicts a markhor goat feeding on the leaves of a flowering tree/shrub. Some scholars refer to it as a "rampant he-goat" or "rearing goat," instead.

It was carved from a wooden core; gold foil was then carefully hammered onto the surface of the goat's face and legs, and its belly was coated in silver paint. Intricately carved pieces of shell and lapis lazuli were layered onto the goat's body in order to form the fleece. Lapis lazuli was also used to create the goat's eyes, horns, and beard, while its ears were crafted out of copper.
The tree (along with its delicate branches and eight-petaled flowers) was also carved from a wooden base, before being wrapped in gold foil.
The goat and the tree are both attached to a small pedestal, which is decorated with silver paint and tiny mosaic tiles made of shell, lapis lazuli, and red limestone.

This artifact measures 42.5cm (roughly 16 inches) tall.
A second, nearly-identical statuette was also found nearby. That second sculpture (which is also known as the "ram in the thicket") is pictured below:

There are a few minor differences between the two sculptures. The second "ram" is equipped with gold-covered genitals, for example, while the first one has no genitals at all; researchers believe that the other sculpture originally had genitals that were made out of silver, but that they eventually corroded away, just like the rest of the silver on its body.
The second "ram" is also slightly larger than the first, measuring 45.7cm (18 in) tall.
Both statuettes have a cylindrical socket rising from the goats' shoulders, suggesting that these sculptures were originally used as supports for another object (possibly a bowl or tray).

The depiction of a goat rearing up against a tree/shrub is a common motif in ancient Near Eastern art, but few examples are as stunning (or as elaborate) as these two statuettes.
Sources & More Info:
Penn Museum: Collections Highlight
Penn Museum: Ram in the Thicket
Expedition Magazine: Rescue and Restoration: a History of the Philadelphia "Ram Caught in a Thicket" (PDF version)
The British Museum: Ram in the Thicket
A Companion to Ancient Near Eastern Art: Statuary and Reliefs
World Archaeology: Ram in the Thicket
Cambridge Scholars Publishing: Colour in Sculpture: a Survey from Ancient Mesopotamia to the Present (PDF excerpt)
Goats (Capra) from Ancient to Modern: Goats in the Ancient Near East and their Relationship with the Mythology, Fairytale, and Folklore of these Cultures
#archaeology#history#artifact#anthropology#ram in the thicket#sumerian#mesopotamia#ur#goat#ancient art#sculpture#iraq#ancient near east#art#lapis lazuli#gold#statues#mixed media#inanna#dumuzi#mythology#rampant he-goat#has a nice ring to it
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And on Christmas Eve, Icky was visited by 3 spirits…
Icky belongs to @ickyguts
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March 20, 2025 — Altar for Emesh ☀️🌷
Happy Spring Equinox
Gods on altar: Inana, Ĝeštinana, Dumuzid
This is a modern festival celebrating arrival of Spring & Summer. I had to localize the practice/meaning of Emesh and its relationship to Dumuzid link
I was able to write my entire ritual today and create the altar but couldn't preform it. I had planned to do the first two tasks leading up to today but somehow this entire week got filled with appointments so I didn't have energy. Another post will follow with the details once I've actually preformed the ritual.
#polytheism#paganism#landof2rivers#inana#inanna#spring equinox#spring#summer#emesh#sumerian festival#modern festival#sumerian#mesopotamian#dumuzi#dumuzid#izkurereshkigal altars#altar#altars#shrine#sacred space#holiday#Geshtinana#Ĝeštinana
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Inanna's Descent: A Sumerian Tale of Injustice
The Sumerian poem, The Descent of Inanna (c. 1900-1600 BCE) chronicles the journey of Inanna, the great goddess and Queen of Heaven, from her realm in the sky, to earth, and down into the underworld to visit her recently widowed sister Ereshkigal, Queen of the Dead. The poem begins famously with the lines:
From the Great Above she opened her ear to the Great Below From the Great Above the goddess opened her ear to the Great Below From the Great Above Inanna opened her ear to the Great Below. (Wolkstein and Kramer, 52)
The work then goes on to describe Inanna's descent to the underworld accompanied, part of the way, by her faithful servant and advisor Ninshubur.
Summary
Inanna is dressed in her finest clothes and wears the crown of heaven on her head, beads around her neck, her breastplate, golden ring and carries her scepter, the rod of power. Just before she enters the underworld, she gives Ninsubur instructions on how to come to her aid should she fail to return when expected. Upon her arrival at the gates of the underworld Inanna knocks loudly and demands entrance. Neti, the chief gatekeeper, asks who she is and, when Inanna answers, “I am Inanna, Queen of Heaven”, Neti asks why she would wish entrance to the land “from which no traveler returns.” Inanna answers:
Because of my older sister, Ereshkigal Her husband, Gugalanna, the Bull of Heaven, has died I have come to witness the funeral rites. (Wolkstein and Kramer, 55)
Neti then tells her to stay where she is while he goes to speak with Ereshkigal.
When Neti delivers the news to Ereshkigal that Inanna is at the gates, the Queen of the Dead responds in a way which seems strange: “She slapped her thigh and bit her lip. She took the matter into her heart and dwelt on it” (Wolkstein and Kramer, 56). She does not seem pleased to hear the news that her sister is at the gate and her displeasure is further evidenced when she tells Neti to bolt the seven gates of the underworld against Inanna and then let her in, one gate at a time, requiring her to remove one of her royal garments at each gate. Neti does as he is commanded and, gate by gate, Inanna is stripped of her crown, beads, ring, sceptre, even her clothing and, when she asks the meaning of this indignity, is told by Neti:
Quiet, Inanna, the ways of the underworld are perfect They may not be questioned. (Wolkstein and Kramer 58-60)
Inanna enters the throne room of Ereshkigal “naked and bowed low” and begins walking toward the throne when:
The annuna, the judges of the underworld, surrounded her They passed judgment against her. Then Ereshkigal fastened on Inanna the eye of death She spoke against her the word of wrath She uttered against her the cry of guilt She struck her. Inanna was turned into a corpse A piece of rotting meat And was hung from a hook on the wall. (Wolkstein and Kramer, 60)
After three days and three nights waiting for her mistress, Ninshubur follows the commands Inanna gave her, goes to Inanna's father-god Enki for help, and receives two `galla', two transgender beings created "neither male nor female", to aid her in returning Inanna to the earth. The galla enter the underworld “like flies” and, following Enki's specific instructions, attach themselves closely to Ereshkigal. The Queen of the Dead is seen in distress:
No linen was spread over her body Her breasts were uncovered Her hair swirled around her head like leeks. (Wolkstein and Kramer, 63-66)
The poem continues to describe the queen experiencing the pains of labor. The galla sympathize with the queen's pains and she, in gratitude, offers them whatever gift they ask for. As ordered by Enki, the galla respond, “We wish only the corpse that hangs from the hook on the wall” (Wolkstein and Kramer, 67) and Ereshkigal gives it to them. The galla revive Inanna with the food and water of life and she rises from the dead.
As in the Greek myth of Demeter and Persephone, however, one who has sojourned in the underworld cannot just leave it so easily. Someone must be found to take Inanna's place and so the galla demons of the underworld accompany her up to the earth's surface to claim her substitute. The demons try to take Ninshubur first, then Inanna's sons Shara and Lulal and even Inanna's beautician Cara but, in all these instances, Inanna prevents them because Ninshubur, Shara, Lulal and Cara are all dressed in sackcloth and are in mourning for her apparent death.
When Inanna comes upon her lover Dumuzi, however, and finds him “dressed in his shining…garments…on his magnificent throne” she becomes enraged that he, unlike the others, is not mourning her and orders the demons to seize him. Dumuzi appeals to the sun god Utu for help and is transformed into a snake in order to escape but, eventually, is caught and carried away to the underworld. Dumuzi's sister, Geshtinanna, volunteers herself to go in his place and so it is decreed that Dumuzi will spend half the year in the underworld and Geshtinanna the other half. In this way, as, again with the myth of Demeter and Persephone, the seasons were explained. Yet why so elaborate a myth simply to explain the seasons? The Greek tale of Persephone (though, also, about much more than seasonal change) accomplishes the same end more succinctly.
Continue reading...
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Crazy guys i posted on Bluesky and im posting here too
They all belong to @herebecritters 🤓
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El ele uyumak iyidir.
Kalp kalbe uyumak daha tatlıdır.
(Muazzez İlmiye Çığ-İnanna'nın Aşkı)
#my post#postlarım#quotes#alıntı#alıntılar#spilled ink#tumblr türkiye#spilled thoughts#edebiyat#muazzez ilmiye çığ#inanna#dumuzi#inanna'nın aşkı#kitap kurdu#kitap kesitleri#kitap alıntısı#kitaplar#kitap#kitaplık#kitaplığımdan#kitap alintilari#kitap alıntıları
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Dumuzi: *on the phone* Hi, I'd like to order flowers for my wife. I want it to say- *Inanna walks in behind him* Dumuzi: "Baby, I love you! You're the only one for me!" Inanna: 😡 *cut to Dumuzi lying in an open casket*
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Sacrifice. Art by Rubi Do Trinh, from the Star of Inanna Tarot.
𒀬 We decided to change the name of this card to Sacrifice in order to highlight a core aspect of this archetype, which is that there will always come a time where we are called to sacrifice what is familiar in order to become enlightened or achieve a goal. The willingness to surrender to the flow of life, sacrificing comfort to pause and reevaluate, is what really allows for that shift in perspective. For this card we based it off of the final part of “The Descent of Inanna” myth. After Inanna is resurrected, she must find a replacement for her in the underworld. There are a few people who the underworld demons try to take back, but Inanna would not let them because they were mourning her death. Her consort Dumuzi, however, was seen in his finest garments, on his magnificent throne, not demonstrating any grief for her passing. Because of this, Inanna chooses Dumuzi to replace her. Dumuzi tries to escape, but eventually is found and is killed. After this his sister, Geshtinanna, is beside herself with grief and offers to make the ultimate sacrifice: to share his fate In the underworld. Inanna is also shown to lament his absence. Geshtinanna’s compassion and love shift something within Inanna, and with her new-found powers connected to the Underworld, she grants her wish. This is the scene we see in the card. The Cuneiform is: 𒄉 “AMAR x še” - prayer; blessing; offering, sacrifice, rites; to pour (a libation); to intercede.
#Rubi Do Trinh#Star of Inanna Tarot#The Hanged Man#Major Arcana#Tarot#Folklore#Sumeria#Inanna#Dumuzi#Geshtinanna#Racial Diversity
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THE VERY FIRST GODDESS
INANNA QUEEN OF HEAVEN & EARTH THE HULUPPU TREE In the first days, in the very first days,In the first nights, in the very first nights,In the first years, in the very first years,In the first days when everything needed was brought into being,In the first days when everything…
#dumuzi#ereshkigal#feminism#goddess#history#huluppu tree#Inanna#ishtar#lion#lions#love#love and war#MET#metropolitan#mythology#ninshubur#ram#religion#underworld#wisdom
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Inanna, Mesopotamian goddess of love and war.
Ninshubur, Inanna's divine attendant.
Dumuzi, god of shepherds, and Inanna's husband.
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Tammuz - Artpril 16

Artpril Motividee 16: Make Up. Ich hatte so 'ne Idee, die sieben Unterweltsgötter der Mesopotamischen Mythologie so wie Videospielbosse zu zeichnen. Und Tammuz wäre dann so eine Art Totenbeschwörer gewesen, der Leichen gegen den Spieler schickte. Und ich dachte mir "würde er dann halb tot aussehen, weil er in der Unterwelt gefangen ist?" und ich sag mir "Nein. Er würde sich nur so schminken, um zu den anderen chthonischen Gottheiten mitzugehören.
Artpril prompt 16: make up. I had an idea, to draw the seven gods of the mesopotamian Underworld as videogame bosses. And Tammuz would have been some sort of summoner, who would conjure up corpses to fight the player. And I thought "would look withered, because he was trapped in the Underworld?" And I said to myself "no, he would totally put make up on to fit in with the other chthonic gods!"
Spunto d'Artprile 16: trucco. Di recente ho avuto un'idea di disegnare i sette dei dell'Oltretomba mesopotamico come boss dei videogiochi. E Tauz sarebbe stato una specie di evocatore che mandava cadaveri a combattere il giocatore. E mi son chiesto "ma avrebbe un aspetto cadaverico, perché intrappolato negli Inferi?" E mi son detto "no, di sicuro si è truccato così per trovarsi meglio con gli altri dei ctoni!
#art#my art#Maimon draws#Artpril#Artpril 2022#old art#Tammuz#Adonis#dumuzi#mythology#mesopotamian mythology#sketch#doodle#Hot boy Frühling#trucco#makeup
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Dumuzid, beloved of Inanna. Born as the god of Shepherds, Dumuzid was the son of the water god Enki and the goddess Duttur. Dumuzid‘s fertility brought about abundance in livestock and flora, allowing the mortals of the earth to be healthy and well fed. One day however, Dumuzid was brought to the throne of the war goddess Inanna. Just like Dumuzid, Inanna had been pressured by others to look into her suitors for marriage. With his fellow suitor Enkimdu the farmer, the two would have to argue for the goddess’s hand. Despite both Dumuzid and Inanna having no intention to follow through with whatever bureaucratic marriage that would come out of this, when the two conversed they seemed to gravitate to one another. Inanna’s brother, the sun god Utu, noticed this and began to pester his sister to marry Dumuzid. Putting up her emotional walls, Inanna vehemently refused, saying that if anything Enkimdu would be the logical choice, saying that a lowly shepherd could not be prosperous. Dumuzid defended his lifestyle and told inanna that anything a farmer could bring to her a shepherd could bring something even better. Inanna found Dumuzid’s passion beautiful, and with Utu and even Enkimdu encouraging her she offered her hand to Dumuzid. Inanna hurried to her mother Ningal and asked her for advice on how to woo Dumuzid. Doing as her mother instructed, Inanna bathed, lathered herself in scented oil, donned her brilliant white robes and hung a lapis necklace around her neck. Together with her sukkal Ninshubur, Inanna held a passionate night with Dumuzid, all the while exclaiming her love for him and promising her undying protection over him. The two’s marriage was incredibly fruitful, their love bore an abundance of crops and proliferated livestock. One day Inanna desired her husband, but as he was tending to his flock she could only languish in his absence. At first she was able to hold herself back, but eventually she broke, and flew away to the steppes to reunite with her husband. But when she arrives she’s alerted by the locals the Dumuzid had been murdered by the bandit goddess Bilulu and her son Girgire. In a wrathful fury, Inanna chased down Bilulu, slaughtering her son in front of her eyes, and in an act of retribution, transformed the goddess into a water skin. Still conscious, Inanna used the transformed Bilulu to pour out the funeral offerings for Dumuzid. Inanna wallowed in her grief with Dumuzid’s family, Inanna crys for days on end not once leaving Dumuzid’s side. A fly greatly pitied Inanna, so the fly informed Inanna where Dumuzid could be found in the underworld. Determined, Inanna raids Kur, locating Dumuzid and fleeing with him. However the Galla demons of Kur chase her down, clawing at Dumuzid. Cornering Inanna, Dumuzid’s sister, Geshtinanna, comes forward, offering to replace Dumuzid in Kur, with it being decreed that Dumuzid would spend half the year in the underworld with Inanna’s sister Ereshkigal, and the other half with Inanna, reuniting the two lovers.
Inanna’s worship was heavily tied with Dumuzid, with worshippers offering prayer to Dumuzid for good harvests and fertility. During the harsh dry seasons in Sumer, worshippers would hold public grieving ceremonies for Dumuzid, his death and subsequent resurrection was believed to bring about the dry and wet seasons. Dumuzid was also seen as the god of milk, a drink that was seen as a rare commodity in ancient Sumer, in myths it’s noted that Dumuzid regularly gifts inanna milk, a culturally significant gesture. Inanna’s relationship with Dumuzid was an incredibly popular focus in Sumer, with many scholars noting their close romantic relationship. This is compounded by the multitude of romantic poetry tablets, these tablets describe the two god’s many erotic encounters in great detail, in which their love and praise for one another is highlighted. However in some myths this is contradicted, as Inanna is sometimes recorded as handing Dumuzid over to the Galla demons of Kur for not mourning her after she journeyed to the underworld. Scholars have noted that this rendition seems to be contradictory of the cultural consensus of Dumuzid and Inanna’s relationship. Nonetheless this version of Inanna was the one that the later Akkadians drew upon in their depiction of Inanna, now known as Ishtar. In their rendition of the Epic of Gilgamesh, Ishtar is noted as an abusive lover who turned Dumuzid into an allalu bird. Dumuzid was referred to under the name Tammuz by the Akkadians. Both Dumuzid and Tammuz were associated with the Canaanite word Adon, meaning “Lord”. It was under the name Adonis, descended from Adon, where Dumuzid and Inanna’s worship descended into the Greek Aphrodite and Adonis. Dumuzid himself likely descended from the proto-Semitic traditions of Baal, Astarte and Anat, stemming from the myth of Baal’s death and return by the hands of Mot. In the Bible Tammuz is denounced as a false idol, with emphasis placed on the practices of his worship. Later Tammuz was rendered as a demon in John Milton’s paradise lost, though this view of Tammuz didn’t gain as much traction as Dagon.
#art#character design#mythology#deity#creature design#dumuzi#dumuzid#tammuz#dumu#mesopotamian mythology#akkadian mythology#babylonian mythology#sumerian mythology#fertility god#love god#plant god#shepherd god#underworld god#harvest god#season god
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Some more doodles in the meantime…
#keep your eyes peeled on April 1st!#fossilized#fossilizedtales#webcomic#comic#nergal#dumuzi#geshtu#Mushhush#fossilized tales
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Altar for Emesh the Spring Equinox ☀️🌷 Celebrated March 28, 2025
Gods on Altar: Inana, Dumuzid (black beads), Ĝeštinana (white beads)
Here is the full altar set up pre-ritual on the actual Spring Equinox — Link
I gave praise prayer to Inana, a prayer of joy for Dumuzid, and a lament for Ĝeštinana. I supplicated for global food security. Did readings for foundation of Emesh, one for Inana & Dumuzid's initial marriage, and one for their reunion. I played a recording of historical-informed Spring & Summer by Vivaldi. A libation was poured out for Dumuzid & Ĝeštinana separately as one is ascending and one is descending. The food offering was cut peaches. Dumuzid's black beads were placed on Inana his wife and will stay for the duration of Spring/Summer. Ĝeštinana's white beads are on Gugal-ana, My Queen Ereškigal's husband for now. It seemed the most appropriate place. The beads will switch at the Fall Equinox— Enten (Winter).
This is a modern ritual celebrating the arrival of Emesh (Sumerian Summer). There were historical festivals of Dumuzid's dying cult but I have found nothing I could use as a basis. [Edit: within Mesopotamian proper there seems to be no evidence of any "rising" cult based on Ayali-Darshan Noga, so this is fully based on Inana's descent]
I localized this practice to celebrate my Spring/Summer and the arrival of Dumuzid because Spring/Summer is the planting and growing season in my region. Unlike Sumer which was the exact opposite; Dumuzid would die at this time in their climate and agriculture cycle. I did ask the Diĝirene in ritual to allow me to swap them.
Localizing Practice — Link.
Praise for the Return of Dumuzid — Link
Lamentation for Ĝeštinana — Link
Emesh Prayer for Global Food Security — Link
The Spring & Summer historical informed performance of Vivaldi that I used — Link
#polytheism#paganism#landof2rivers#sumerian deity#sumerian polytheism#mesopotamian polytheism#levpag#inanna#inana#dumuzi#dumuzid#Ĝeštinana#geshtinanna#spring#spring equinox#shrine#altar#ritual#emesh#holiday#celebration day#izkurereshkigal altars
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The Japanese Royal Family lied about their relationship with her + truth
They have no relation to Ammyterys aka Amaterasu as they call her!
She’s actually my cousin! And she wears her mane in a gender neutral style while remaining tough and macho as female deities are!
She is Enlil and Ninlil[[both males]] daughter!
And she isn’t this delicate black haired woman at all like Japanese falsely state she is!
Her main colours are yellow/white/gold!
She is a Light/Electric/Fighting type as her main three types!
Her thick sleeves hide her thick arms! Female deities have thicker arms than males!
Females are burly, macho, strong, and tough!
Males are pretty, cute, magical, and elegant/beautiful!
Basically females are more focused on physical attacks while males are special/magical attackers as they are more skilled with magic!
Yazata are magical beings that are made of magic, aether, spiritual energy, magical ink, magical paint, magical thinner, two crystal hearts, etc, and literally look like a void on the inside! Something that is impossible to breed with a human!
We yazata can only breed with our own species! We’re all related so incest is unavoidable! Plus a species that is divine felines but also has the adult height range of 2’0”-2’7” and adult weight of 2.5-4.5 pounds as magical beings weight very little could not breed with humans as we cannot even breed with tenshi and demons which are native species to our homeplanet!
Tenshi are common angels while yazata aka deities aka gods/goddesses are also called royal angels!
If we can’t breed with tenshi what makes you humans even think it was physically possible to breed with humans which are massively different from Nibirians in general both insides wise and height/weight wise?!
Though we only breed with current gens usually with Marduk and I’s relationship being the exception to that rule as I was reborn into that Gen but I am also a Gen 1 deity so yeah..
Based on that I wouldn’t be able to find a mate as only three other Gen 1 deities exist and those are Kosmin, Lumuzi, and Geshtinonna!
Which together we are The Holy Four Kosmos Deities and also called The Four Seasons Deities which are considered and treated as quadruplets!
And Kosmin, Lumuzi, and Geshtinonna all consider ourselves to be quadruplets despite me splitting my soul three timed to created the other three members!
I did breed with Kosmin to create the other generations of deities! But we had no romantic feelings for each other!
But you humans should be glad we did that as nothing in the Universe or Multiverse would function without deities!
Nibirians can only be gay or rarely bi!
Our souls form around our bodies when born so it’s impossible for trans Nibirians to exist but Nibirians do not want trans people to suffer and would rather see them get help!
No one is non binary on Nibiru either but we honestly just don’t understand Non Binary humans but aren’t necessarily against them…
The Nibirian Prophets predicted that my true husband would not fear my Nightmare Aura power!
So when Marduk didn’t fear it when I unleashed it out to protect him when on Earth, I was shocked, but at the time he was little like a child so I had to wait but felt a connection right then at that moment so sense then I protected him and when he came of age we went out together!
Mass age gaps don’t much for species with immortality if you couldn’t have guessed..
But obviously we wait till their adults to date and mate and such!
If you’re wondering I had to scare off a carnivorous wild animal off when I was protecting Marduk!
Sumerians got his name wrong as it’s pronounced Mar-duke!
Things were going well until Ishtayr did what she did to us out of envy, hate, and out of revenge as Ishtayr is the Reincarnation of The Great Evil Herself the only being who cased war on Nibiru’s surface!
When I destroyed The Great Evil Herself with the help of the rest of The Four Kosmos Deities we shattered as did she but my power was stronger thus caused the Multiverse to exist as well as created copied of other deities including other mes, other Kosmins, other Lumuzis, and other Geshtinonnas!
It took a long time for use to be put back together….
Considering it was finally done in current Universe aka Universe 8 and was done over half a million years ago aka an eon in Nibirian terms that shows how badly we shattered!
Being shattered is like being dead but all over the place but still able to help others a tiny bit with the energy I have each individually part of me in question helping other being in the multiverse out!
I remember hearing a part of me was being used by another advanced species though they were tribal as a holy object but my kind had to take it from them by force a because the other species didn’t understand how important that part of me was and they claimed ownership of that part of me!
My family had to basically had to knock the guard out and run off with the piece of me and take off in their spaceship pretty much!
But yeah it took a long time because it was four deities that got separated so that’s why it took so long plus they didn’t spend from Universe 1 to Universe 8 looking for us as they only started when the prophets predicted the Reincarnation of The Great Evil Herself would return!
So idk when they started to look but it didn’t actually take as long as it might’ve thought as Universe 8 tech is the highest in advanced technology in the Universe and Multiverse!
How they didn’t realise Ishtayr was The Reincarnation of The Great Evil Herself, well, I don’t know? Her being good at magic should’ve been a sign as females aren’t magical attackers but physical attackers! But they realised after what happened and I was made into a Kohora deity aka Underworld deity!
So when I became a Kohora deity aka Underworld deity I gained domains such as resurrection, death, Kohora, etc, but Kohora isn’t gloomy at all!
Both Kohora and Yumera are fantasy like surreal and magical environments! So nothing like any stereotypical image of the Underworld!
Koho means below in Nibirian while ra means world!
Yume means dream!
So Underworld and Dreamworld!
Kohora is below the Universe and each universe has a Kohora below it while Yumera is above the Universe!
Meaning “heaven” doesn’t exist and all souls depart to Kohora eventually but Kohora is a paradise so it’s not a bad place!
But because humanity messed up the balance of life and death things haven’t been right…
Blame humanity worshipping false deities and spreading hate, terrorism, war, intolerance to those different like being against the LGBT for example, or racism, enbyphobia[[Nibirians don’t understand Non Bineries but we’re just confused by them not against them..]], killing for said man made religions, etc, narcissistic lies made up by humans claiming falsely that deities looked like humans which we do not, etc, which has spread so much evil energy damaging the Kosmos to the point on Judgement Day humanity’s gonna get “The Big E” as humanity refuses to let go of their man made lies and refuse to realise they didn’t have the right to believe in those kinds of things, as Universal Council and Multiversal Council makes such things illegal for a reason as they damage the Kosmos!
The Kosmos is a living being, though massive, and shaped like a pale aqua heart with a turquoise mono ring around it with two alpine green bows on the rings! He also has a face but is important to the Universe as he is the heart and soul of the Universe!
If the Kosmos exploded from all the evil energy it will take out the entire Universe! The Kosmos helps create aether, spiritual energy, magic, and souls and maintains balance in the Universe! That’s why the Universal Council and Multiversal Council makes laws to protect the Kosmos! Because if it is destroyed that will happen! And other universes would be damaged as well!
Only magical beings could survive such destruction!
Got a little into speaking the truth in this post but now you know why deities are angry and upset as humanity has fucked everything up!
Humanity is foolish and delusional to think they could spread so much evil energy and damage the Kosmos that much!
Zillions including advanced species and still counting have died because of humans and their evil ways and lies!
Advanced species are species like humans have civilisations, languages, are bipedal, have jobs, technology, etc,!
Advanced animal species and advanced plant species and advanced fungi species exist!
Robots and cyber species with souls exist too!
You humans are hurting countless lives all because you can’t get over your own hateful evil lies of all those ugly man made religions like Christianity and Islamism and other religions!
Humanity was never alone and all you have done legacy wise is hurt others with your evil hateful narcissistic lies!
So don’t act like you’re entitled to fight back when other aliens including my kind when we come to take your hateful horrible delusional narcissistic asses down!
Because it is the other aliens out there coming including my kind that is fighting back in self defence against your abusive delusional evil energy spreading lying asshole species!
Only thing you can do is try to make up for what your kind has done and do good until then and maybe we’ll allow you to reincarnate as reincarnation into other species is better than dying off completely!
Zillions and counting isn’t a small number… my kind’s anger is justified…
So many advanced species suffered and died… advanced species that had families…jobs.. lives of their own…. and you humans took that away from them…
The Japanese Royal Family needs to STFU as they aren’t even related to Ammyterys let alone any other member of my kind! Which I can leg the mispronunciation of my cousin’s name slide as language barriers and all but claiming you’re related to her? That’s just lying and claiming the impossible dude!
Like I said on the pic’s description my species and you humans would be 100% incapable when it comes to breeding!
Not only are all Nibirian advanced species like short but we’re magical advanced species which means we aren’t even organic like humans!
And regular elves which evolved into a much more magical species can’t breed with humans and they’re magical hominins!
So if magical hominins can’t breed with an organic hominins like you humans are then a freaking magical bipedal advanced animal species that isn’t organic but made of magical stuff obviously can’t breed with humans either!
My kind are divine felines that can turn into a long bodied dragon form I would seriously think you humans should’ve been smart enough to realise that breeding between two species when yazata[[Which can only breed with other yazata and all yazata are related! So avoiding incest is 100% impossible! So don’t hate us for being able to breed with our own kind! At least we have natural birth control!]] and humans would be obviously 100% impossible and no Nibirian wants to be in a Roger Rabbit situation!
So yeah just a wake up and smell the roses comment but humanity has throughout history claimed deities mated with humans in their mythology which is obviously false as Nibirians don’t find humans attractive!
Which means no succubi regardless of gender which both genders use the term succubi for their species as incubus is sexist a man made term made up by humans! No succubi has invaded anyones dreams either! They’re just a species of demon with bat parts to their species and aren’t as whorey as you think they are! Lilith is a male succubi by the way!
Fairies and nymphs are demons too!
Succubi, nymph, harpies, fairies, and banshee are all demons but aren’t gender locked and like all demons are good hearted beings!
You humans have done nothing but discriminate other advanced species so don’t act surprised and butthurt when other advanced species attack humanity back in self defence as all humanity has done is villainise every advanced species while making humans look like the victim! Well guess what?
You humans are not the victim, but you’re real bad guys! So you brought all of this by yourselves by acting evil, narcissistic, delusional, deceitful, warlike, spreading dictatorship, acting like a bunch of control freaks, and acting like a bunch of human supremacists!
Don’t be made at the one giving you the warning… instead realise your kind has done everything wrong throughout history… and has hurt countless species out there……you are the ones who have committed such amounts of great evil…
Be mad at yourselves….your own kind… you doomed yourselves by spreading such great amounts of evil throughout history and present day….
Don’t be angry at other advanced species for coming on Judgement Day to take out humanity as it’s either that or the Kosmos blows up and only magical beings can escape such destruction….
Meaning all mortal lives would die off if the Kosmos were to explode so humanity is going extinct either way….
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It is a crime that the story of Inanna and Dumuzi is not more main stream. She sent her husband to hell because he wouldn’t bow to her. The main argument for the theory that early human societies were matriarchal.
#depends on the translation#but this is pretty much it#sumerian#Babylonian#mythology#classics#gilgamesh#the courtship of inanna and dumuzi#inanna#dumuzi#feminism#historical feminism
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