#morey edit

[moths-in-hats]

moodboard: morey (mason x corey)

[loumandivorce]

hum tumhare hain sanam is a horror movie

[outcastpack]

[imaginationismykingdom]

ᴅᴀʏ 5: ᴄᴏᴏᴋɪᴇ-ᴍᴀꜱ - ᴛʜᴇᴏ ᴅᴏᴇꜱɴ'ᴛ ᴅᴏ ᴡᴇʟʟ ᴡɪᴛʜ ᴅᴏᴍᴇꜱᴛɪᴄɪᴛʏ ʙᴜᴛ ᴡʜᴇɴ ʜᴇ ɢᴏᴛ ᴀꜱᴋᴇᴅ ᴛᴏ ʙᴀᴋᴇ ᴄᴏᴏᴋɪᴇꜱ ʜᴇ ʙᴇɢʀᴜᴅɢɪɴɢʟʏ ᴀɢʀᴇᴇᴅ. ʜᴏᴡᴇᴠᴇʀ ᴛʜᴇ ᴇɴᴅ ʀᴇꜱᴜʟᴛ ᴍᴀᴅᴇ ɪᴛ ᴠᴇʀʏ ᴄʟᴇᴀʀ ʜᴇ ᴍɪꜱᴜɴᴅᴇʀꜱᴛᴏᴏᴅ ᴛʜᴇ ᴀꜱꜱɪɢɴᴍᴇɴᴛ. ʀᴇᴄᴇɪᴠᴇᴅ ᴀ+ ꜰᴏʀ ᴇꜰꜰᴏʀᴛ ᴛʜᴏᴜɢʜ.

@theoraekenapperciation

[the-fandom-queen]

Teen Wolf edit requested by @rose-sunlight

[metagalacticx]

—Eurydice, sarah ruhl

@masonhewittappreciation week: day one - relationships

[chasing-chimeras]

“I'm full of humor that's tongue in cheek / you take it seriously / I trailed behind now I'm so ready / hand on my chest my heartbeat steady / بتحشر نفسك ده مش عادي (you always involve yourself, it’s not normal) / شكلك غريب (it makes you look weird)” - ouch! by nxdia

Mason Hewitt in Red Flags

“What are you doing?”

“Sleeping.”

“Right…why are you sleeping here?”

“Liam asked me to keep an eye on the fish.”

“And that requires you to sleep here…in his bed?”

[rosalinesurvived]

It can't be unlearned

I've known the warmth of your doorways

Through the cold, I'll find my way back to you

Oh please, give me mercy no more!

It's a kindness you can't afford!

I want you baby tonight, as sure as you're born

[paceypeternathanslawyer]

The Dick Van Dyke Show

1x01: The Sick Boy And The Sitter

[chutiyaaa]

Listen i want to bend him over too but you cannot call him "fine" especially not with that thumbnail

[kilowogcore]

Jonathan and Lizzie can understan' Damian cuz they drank from the same magic pool as Detective Chimp an' Rex the Wonder Dog. I've declared it, so it is canon!

(Art sampled from "Wonder Woman" Vol. 1 #800 by Tom King, Daniel Sampere, Tomeu Morey, Clayton Cowles, Brittany Holzherr, Paul Kaminski, and Chris Rosa. Edits: Dialogue, Balloons.)

[justshahrukhkhan]

Rewatching Devdas

I feel like I can never say enough about this movie. Every time I watch it I find something new to admire. I am always stunned by the aesthetic of it. Every choice feels deliberate, the sets, the costumes, the use of color - every frame like a painting. The editing is tight. I love Bollywood movies, but you could cut 40 minutes out of most of them without impacting the story, and that's not true of Devdas. The choreography is insanely good. It's quite simply a cinematic masterpiece.

Shah Rukh Khan's performance as the tragically doomed Devdas is worth the price of admission alone, but the rest of the cast are also at the top of their game. Aishwarya Rai is so ethereal it makes each emotional blow she suffers hit even harder. Madhuri Dixit, Kirron Kher & Jackie Shroff all give standout performances; I appreciate them more with every watch.

This movie is like a college course in visual storytelling. The images linger in the mind - Paro's futile dash for the gate at the end, the wedding procession and, my particular favorite...

Morey Piya

Ah, this scene! In my opinion, one of the hottest ever put on film. And shot in a way that leaves you wondering if it's all a dream. While it leaves the viewer with no doubt about what's going on, it does it all through suggestion. I love the way Bollywood elevated this into almost an art form. I far prefer it to the Hollywood version, which always shows rather than tells. Letting the audience use their imagination is practically unheard of in movies today.

This scene also showcases the qualities that make Shah Rukh a star. HIs magnetism, the gentle playfulness, and also his strength and that danger that lurks just under the surface. You see it all here. I don't know if I've ever wanted to be a character in a movie as much as I want to be Aishwarya Rai in this scene.

My personal Top 5 Shah Rukh Khan movies is always evolving, but every time I watch this one it moves up a notch. Even the tragic ending is gradually growing on me. The way Paro reacts, after having apparently moved on and accepted her fate, completely going to pieces when she learns the love of her life is breathing his last at her door.

If you haven't seen this movie, stop what you are doing and go watch it now. And if you've seen it, watch it again. I promise you won't be disappointed.

[fauxfickle]

Haven't seen this posted anywhere, but while browsing IG I came across someone who posted exclusive CEI footage of the Fatz and Mama Grandbags animatronics stationed outside of the BCJ at Morey's Piers! This is the only known footage of these guys there so it's really cool to see them in action! Credit goes to conceptcheeseent on IG. Remember! Don't tell Aaron!

Edit: Here's some more I dug up while looking around. It only shows him deactivated and the outside of the weirdly empty boardwalk but still interesting none the less!

Edit 2: Here's another small clip I found that has a bit of his song he singing. Squashed that sucker flat! Unfortunately the link in the description to the full video doesn't work anymore and wasn't archived. Seems Aaron took it down :(. Hopefully someone has the full thing saved out there. Didn't have any footage of the actual BCJ from what I can tell

[azraphels]

I will update you! I've been missing for a while because I've been writing a THIAM/MOREY + NOLAN; this Thiam is a bit complicated: it's an On The Road; the chapters only average 20k long and the total number of chapters will be a good 20 with a total of 400k words. The bad thing as I write this is that in writing the summary and the structure of the story at the end, I also thought about its ending. The problem itself lies in the ending! I have already thought about it and it does not fit into the writing of the story structure at all! I feel like crying, but it's too good to pass up! Any advice? I will keep writing this story and hope that I can get it to Ao3 in 2025 (My writing style is to write all the chapters first and then publish so that I don't have to revise previous published chapters due to possible post edits)

[bookmaven]

THE CRYSTAL HORDE by John Taine [aka Eric Temple Bell] (Reading, PA: Fantasy Press, 1952) Cover by Hannes Bok.

Published in an edition of 2,328 copies, the novel is a science horror story that involves silicon crystalline lifeforms threatening to overwhelm carbon life on Earth. It was substantially rewritten from a version that originally appeared in the magazine Amazing Stories Quarterly in 1930 under the title White Lily.

Amazing Stories Quarterly, Winter 1930. Cover by H. Wesso.

WHITE LILY by John Taine. Illustrated by H. Wesso

“The Astounding Enemy” by Louise Rice & Tonjoroff-Roberts. Illustrated by Leo Morey

“Tani of Ekkis” by Aladra Septama. Illustrated by H. Wesso [Severus Masonby]

“Dirigibles of Death” by A. Hyatt Verrill. Illustrated by Leo Morey