#more writing than anyone cares to read

[diltonsstrangescience]

So there’s this one comic where Dilton is absolutely FLIPPING OUT over how much Jughead annoys him. It’s really crazy. I’ve never seen him that emotional about ANYTHING. He looks like he’s going to murder someone. It’s one of my favorite comics.

I had wondered, before reading this, what a direct interaction between my two favorite characters would be like. This comic reveals the obvious fact that the two are polar opposites. The overachiever and the slacker. Of course they’d be at odds.

I’m going to completely overthink this comic, and write entirely too many paragraphs about my headcanons for it. You have been warned.

The first thing I glean from this comic is that Dilton has a serious control-freak streak. “Some people just aren’t happy unless everyone else is just the way they want ‘em to be.” I will Remember This Detail. I must collect characters’ flaws for future reference. Dilton gets pushy with other people when he thinks they should be different. It’s not enough for him to follow a strict set of rules, everyone else should too, or it irritates him to the point of cartoonish fury. (If anyone thinks they’re above the desire to change others, try being the only person in a group project who does any work, and see if you’re still willing to live and let live. I can definitely relate to Dilt here, to some degree.)

The second takeaway is that I headcanon exactly what led to the ending panel where Dilton’s been converted to Jughead’s way of life, instead of the other way around. I want to make a comic about it. Dilton’s been harassing Jughead for days about how he should change every aspect of his lifestyle. Jug asks why his lifestyle is so bad, and Dilt again lists off the things Jug does that he thinks are wrong. Jug then sort of disproves these claims, not denying them, but denying that they’re problems.

Sure he sleeps in class a lot, but that’s because class can be boring (surely gifted student Dilton understands this?). Jughead still gets mostly good grades, so he must be doing something right. He pays attention when he needs to. And maybe Dilton thinks his clothes are stupid, but who cares what he chooses to wear? How is that Dilton’s problem? And as far as “cluttering the landscape” by sleeping at the park, and eating a ton at the Chocklit Shoppe—seriously? He’s just existing in public places, doing completely legitimate things to do in those places. He’s minding his own business. Gluttony and sloth aren’t crimes unless they actually affect someone else’s life. And these actions shouldn’t be. So why are they affecting Dilton so much?

There are plenty of other reckless teenagers to try to reform, ones with way worse actions and way worse grades. So why Jughead? What makes him specifically the object of Dilton’s fury? Is it because he gets away with it all? Is it because—look, I’m gonna skip to my point. Dilton’s so bothered by Jughead specifically because he’s jealous of him.

He’s jealous that Jughead sleeps through boring classes because he already understands the material—Dilt is also sick of sitting through repetitive or easy lessons, but he wants to keep up appearances as the “responsible smart kid,” so he has to look alert even when he feels his time is being wasted. Dilton is jealous that Jughead finds it so easy to relax, napping in plain view of any passerby—Dilton cares too much about how other people see him, and he’s terribly afraid of appearing lazy or wasting time, and anyway he’s always too anxious to relax properly. Dilton is even sort of jealous of Jughead’s unabashed gluttony, because it displays a lack of shame that Dilton finds unattainable. Jughead doesn’t worry if the things he likes are “good” or “bad”, he just does what he wants. And it almost always works out for him.

To put the situation simply, Jughead is like the kid who speed-writes his essay the class period before it’s due, and still somehow gets an A. To someone who spent a week researching and revising theirs, this is infuriating. It feels so unfair. Sure, Jughead’s metaphorical A doesn’t do anything to remove Dilton’s A. Whether or not Jug succeeds, it doesn’t affect Dilton. Except it does, because it doesn’t feel fair that Dilton spends so much time anxious and planning and monitoring his behavior in an attempt to be perfect, and Jughead can just skate on through life without worry and be doing basically just as well. Because if there aren’t serious consequences for laziness and indulgence and nonchalance, then that means Dilton’s been putting himself through all this stress for nothing. If Dilton’s way of life is equivalent but less efficient, then it’s wrong, and Dilton is not used to being wrong about anything. It’s not something he handles well.

So yes, he’s flipping out. Because he needs Jughead’s actions to be objectively wrong and in need of correction. Or else he’s got to reevaluate pretty much everything about himself.

Probably Dilton’s not even aware that all of this stems from jealousy. He won’t admit it to himself. He feels far too self-righteous to examine his motivations. But at some point while he’s chasing Jughead all over Riverdale, he’s going to slip up and yell something that reveals basically everything I just wrote up there (but more concisely). He’s going to reveal (and realize for the first time) that this whole thing is just a desperate attempt to justify his own anxieties. After two weeks of this “reform Jughead” nonsense, they say something like:

J: [at the end of his rope] “I just don’t get why you hate me so much!”

D: [also at the end of his rope] “Hate you? I WISH I could BE you! It’s not fair!”

Jughead is completely shocked by this, and Dilton starts rambling about how hard he tries to be perfect and how he wishes he didn’t care what people thought of him and how Jughead can relax but he just can’t and how Jug has to be doing something wrong because if he’s not than Dilton’s wrong and he’s failed at life and that’s literally the worst thing that can happen and—

And Jughead immediately responds by saying that’s waaaay too much to worry about. (Because it really is. That doesn’t make it easy to get rid of though.) Jughead says okay, if you’re so jealous of me, then let’s flip the script. You stop trying to turn me into a teacher’s pet, and I’ll start teaching you how to enjoy life a little more. How to care less about what people think of you. How to worry less, and know which things are actually worth worrying about. How to be a little lazy and waste a little time without feeling like you’re committing some sort of crime. I am going to teach you to be like me, for the sake of your sanity. Because if that stressed mess you just said is what the inside of your head looks like all the time, there’s no way you can keep going like that for long without imploding. (Boy, he thinks, I always thought the brainiac students had the least worries out of anyone. If being on top makes you this paranoid, then don’t sign me up.)

So that’s how you get from point A to Dilton wearing a matching sweater and whoopee cap and asking for burgers. He’s learning through imitation. (Probably too strictly exact of an imitation, but those instruction-following instincts get drilled in deep.) The original joke is that he just spent too long around Jug and sort of absorbed his vibes, I guess, instead of the other way around. But my explanation makes more sense to me. It’s not like Dilt’s being brainwashed, he’s making the choice to act like this. And why? Because he really needs to be less hard on himself, and he finally understands that. Look at him at the start of the comic: wound up and melting down over this tiny little issue that’s not even his problem. Look at him at the end: relaxed, hanging out with his friend, going to do something purely recreational. Sure it’s funny that he’s dressed like Jughead’s mirror image, but when you think about it, this is clearly a good change for him (in all ways but the twinning outfit).

I really do think Jughead needs to impart his wisdom onto Dilton. Needs to teach him to calm down and do things not for a grade or an award or a reputation, but just for his own well-being. To go out to restaurants. To take naps in the park. To worry less about school. To exist in the world outside of his strict framework of self-imposed rules. He needs to teach Dilton to choose imperfection, and to be proud of it.

Because I need him to teach me that.

As always, this entire thing is 100% completely projecting.

[ganondoodle]

carefully attempted to draw (still sick); wanted to give Shargon another redesign, this is an older version of him but the basics should also go for his younger self (idk yet about his lung replacement design; arms are posed weird to make anatomy clearer)

(wip, oc art, Shargon, he/they)

[necrotic-nephilim]

@sasheneskywalker i love when you enable me to ramble about things because oh my god do i have thoughts.

so recently, i made a post discussing the phenomena of DC x DP and DC x MLB crossovers and why they exist and part of that post was discussing how largely speaking, at least half, if not more of the Batfamily fandom doesn't read the comics. if they interact with canon DC material, it's adaptations that are their own sequestered universes and oftentimes not remotely comic accurate or seeking to be. the most obvious example is the Young Justice cartoon. i'm adding a cut to this post because it just got so long i'm so sorry.

a lot of times, when people are discussing the "why" of this oversaturation of fanon-only fandom, they blame Wayne Family Adventures. and i think, to a point, i agree WFA is responsible for a boom in this fandom. but as someone who's been in the fandom long before we had WFA, to me it's the other way around. WFA was DC's way of meeting the demand for this easy-to-get-into, easy-to-consume content about the Batfamily that predicates itself on the comics just enough to be vaguely the same characters, but has a more sitcom, slice-of-life sort of vibe so DC could profit off of this section of the fanbase that otherwise wasn't consuming its primary material. and well, it's definitely worked. not only that, but i have a weird theory that the decline in the MCU also led to the rise in the Batfamily fandom. when you consider the fan content that made the MCU popular within fandom, it's that 2012 "they all live in Avengers Tower and Thor is eating poptarts and Clint is in the vents and there are movie nights every Friday" sort of vibe. those were the fics that were a hallmark of the fandom. and as the MCU has strayed from well... quality content in general, but specifically well-thought-out crossover content where characters can have their own arcs but also exist in a wider story where they clearly care about each other, that fandom was sort of homeless. so where do you go, if you like a superhero found family where you can have villains for angst but also stick them all in one big family-like home for silly crack and have a plethora of options for gay ships? well. you go to the Batfamily. if you write a crack/fluff Batfamily genfic with silly vibes and low stakes instead of say, a fic about a very specific comic issue even if it's a popular comic, you're *going* to get more traction for the former. because the fanbase largely just isn't reading the comics.

and i feel... complicated about this. because on one hand, Don't Like Don't Read has been a tenet of my fandom experience. i'm very pro-fandom and that includes fandom content i don't like. and to an extent, i do think this sort of should apply to Batfamily fanon. i enjoy having my moments with other comic purists, giggling over exceptionally painful OOC headcanons or even facepalming in pain over some content but it is on me to not interact with that content. you don't make fandom a better place by being hostile to fans who engage with canon in ways you don't approve of. and frankly? we as comic readers are not going to get non-comic fans to read the comics by being asshats to them. no one is going to want to pick up any comic if we get a superiority complex about it. and also, i feel like we're all lying to ourselves a little bit insisting comics are so, so easy to get into. they're not. we can just all agree, they're really not. i've been single-handedly helping my sister get into comics, specifically Wonder Woman and no matter how simple i make it, i watch her get frustrated trying to understand what pre-Crisis and post-Crisis and New-52 and Flashpoint and all these things mean and what a retcon vs a reboot is and what a Crisis Event is and what the hell Diana's current backstory even *is*. sure, you can give someone a beginner list of comics to start with and slowly dip their toes in the water but sooner or later, *something* is going to confuse them. comics as a medium straight up aren't going to be everyone's cup of tea. and if someone *just* wants to read silly fluffy fanfiction about the Batfamily, i can't entirely begrudge them for not wanting to take the hours and hours out of their day to understand this medium. it's not an accessible medium to get into. "read this and this, but this run is out of print and this run wasn't collected in trades at all but also make sure you read that event in order and this is a good comic but the backstory in it is retconned and you *have* to read this it's so important but it's also really bad because the author kind of sucks" sounds. ridiculous for someone who like. just wants to read some stuff about Nightwing. sometimes, we all make reading comics sort of sound like a chore, not a hobby.

so my point is, i do extend some grace to Batfamily fanon for existing. i think my biggest gripe is, as i said in my other post, misuse of tags (if you're not creating content about comics, maybe you don't need the comics fandom tag on Ao3, just the all media types umbrella tag) and my far bigger gripe: when panels are taken out of context to support fanon only headcanons. if i could impart *anything* onto the Batfamily fandom as a comic fan it'd be this: if you haven't *read* the comic, don't spread the panel. if you don't even know what comic it's *from*, don't spread the panel. it's fine to use comic panels to discuss your headcanons, but so often i see someone spreading a comic panel from a comic they haven't read, and when asked where it's from, they can't source it. a silly example that comes to mind is a post going around, taking a panel where Dick, in his internal monologue goes "here comes the sun. do do do do." and the post is claiming it's from him getting buried alive. when that panel comes from Nightwing (1996) #140, and he gets buried alive in Nightwing (1996) #127, two completely different moments frankensteined together. if you're going to not read the comics, that's completely fine, but unless you're sure of the source and the context, panels shouldn't be spread around. i'm sick of this specifically happening to Red Robin (2009), with ppl claiming Tim has totally killed people because he blew up some of Ra's' bases, when those panels within context, make it clear he gave everyone time to escape. and in a later arc in that very comic, Tim grapples with the idea of murdering Captain Boomerang, and *specifically chooses not to*, because he doesn't agree with murder, even against the person who has hurt him the most. if you'd like to write fanfiction where Tim is pro-murder and has done some sketch things, i'm totally on board and would probably like to read it. but there's no need to pretend it's canon from a few panels you saw out of context.

beyond that, i think it's not *entirely* correct to say that fanon is harmless. whenever i see very WFA-positive posts, they often default to the argument that WFA is fun and silly, and comic fans are killjoys for not liking it. which. i think is complicated because the issue is, WFA and fanon don't exist in a vacuum. if you like WFA power to you, i don't think it's the worst thing ever, but i do think it's degrading to these characters because honestly? they feel incompetent in the webtoon. it's one thing if WFA was solely a slice-of-life sort of deal, just having silly episodes where Bruce is taking on a PTA mom or they're all fighting for the last cookie. but when WFA attempts to take on more serious plots with these characters, it *fundamentally* falls flat in understanding them. i get it, Bruce comforting Jason having a panic attack because a noise reminded him of the crowbar felt cute in a microcosm, but i'm so serious when i say that storyline destroyed how like. half of this fandom understands Jason Todd's relationship to his trauma. it doesn't understand how he reacts when he's triggered, what coping mechanisms he seeks out, and how he would handle Bruce comforting him. even if i can believe for a brief moment Jason *would* be triggered by something like that, him running and trying to hide and then getting a hug from Bruce to make it okay is just. painful. WFA needs everything to be wrapped up in a nice, neat little bow. so even when it starts to tackle interesting concepts, it makes them fall flat with its need to be soft, low stakes, hurt/comfort. there was a two-parter episode that dealt with the complicated mutual hatred/jealousy between Tim and Damian that *almost* really interested me because for once, it felt like the webtoon wanted to explore canon messy dynamics. but of course, it had to be fixed with one conversation and a hug. you don't mend the *years* of issues these characters have like that. WFA isn't in character because these characters are hyperbole cartoonified versions of themselves to fit within the medium and be a cute happy family.

because that right there, is the crux of it. the Batfamily fanon seeks to simplify the Batfamily and force them into a nuclear family. there are so many fantastic posts on here discussing how the nuclear family-ification of the Batfam is eroding decades worth of complex histories so i won't go too far into that. but what i will say is that there's this need, in the Batfamily fandom, for the Batfamily to exist as a unit. they are a *family*. (honestly i think calling it the Batfamily is a misnomer and has been for years but we're in too deep now.) they exist to each other first, and any teams or friends they have come secondary to this family unit. you can *specifically* see this demonstrated in what headcanons are becoming popular these days. i have an entire lengthy meta in my drafts about how i *loathe* the "the Batfamily meets the Justice League" genre of fanfic because it makes no *sense*. in order to have this genre of fic exist, you must operate under the assumption that no one in the League, or adjacent to the League, knows the Batfamily exists and are thus utterly shocked to discover Batman has kids. and to make *that* work, you have to strip *every single Batfamily member* of such important dynamics and friendships so you can lock them all in Gotham for their whole lives. Dick can't have the Titans, Tim can't have Young Justice, Duke & Cass can't have the Outsiders, Jason can't have the Outlaws, Damian can't have the Supersons, Babs can't have the Birds of Prey, and so on. because if they had these relationships, they would be known to the League. the Batfamily fandom doesn't care about this, it's just "silly fanfiction", it's not trying to be serious. but how can you say you like Dick Grayson as a character if you don't understand the Titans *are* his family? at some points of his life, moreso than the Batfamily even is. it is constantly repeated to us in most comics with Dick how much the Titans mean to him. he *needs* them to be who he is. the same extends to every other Batfamily member, most of which have been full League members at this point. but in fanon, that doesn't matter. the Batfamily are a sequestered unit first, and all of those side relationships are secondary and easy to toss away, if it makes your fanfic work better.

and because they have to be a unit first, you have these forced relationships that dump years of actual canon material for the sake of making them get along. the Batfamily fandom has its favorites and well. it's no secret it's usually the boys. Jason and Tim by *far* stand out as fandom faves so, their dynamic is a heavily explored one. it does matter that in canon they don't tend to get along and especially don't see each other as family. what matters is that you can push dynamics onto them. and so fanon gets all twisted up about which Robin Tim actually idolized as a kid (Dick) and what member of the Batfamily is pro-murder but still an older sibling figure to him and looks out for him (Helena, or if you want the dynamic of once tried to harm Tim but they've reconciled, Jean-Paul) in favor of who's the most popular. Dick, Jason, Tim, and Damian are always going to be the standouts for popularity, but it's specifically Jason and Tim who are getting fanonized the most. and that's because really, we don't have much canon content of Tim that *isn't* the comics. for Dick you've got Young Justice (tv), for Damian you've got the DCAMU, for Jason you've sort of got the Under The Red Hood movie, but Tim sort of lingers in this limbo. (yes, he's in Young Justce (tv) and Titans (live action) but in neither is he the main character nor given much depth) so, he gets a *lot* projected onto him and has become fanonized. and even with Jason's animated movies, you don't see him interact with Tim, so people build it from the ground up how they want to see it, disregarding of canon comics. i think it's what makes him so popular in the first place- he's malleable into whatever you want or need him to be.

and of course, the fanon ignores other characters in the Batfamily it doesn't know about. i feel like you could create a tier list of Batfamily characters by their popularity, going from the fandom main characters: Tim, Jason, Bruce, Alfred, Dick, Damian. to the underrated: Steph, Duke, Babs, Cass. to the forgotten about unless they're convenient for a story: Kate, the Foxes, Helena Wayne, Carrie, Selina, Harper Row, Maps, Minhkhoa Khan. to the absolutely unknown: Helena Bertinelli, Jean-Paul Valley, Onyx Adams, the Clovers, Julia Pennyworth. it's not lost on me that the ignored characters tend to be women and people of color. which is both a canon and fanon problem, DC will continue adding interesting characters to the Batfamily, play with them for a few years, then drop them to default to the "Batboys" again. and it's a vicious cycle of the fandom only caring about the "Batboys", and thus people entering the fandom via fanon osmosis won't have content about the other characters, therefore, they won't be interested in those characters enough to create it, and it's just this ouroboros consuming itself, no matter how much canon content we have of these other characters. and it's ridiculous just how large the Batfamily is becoming because of this, which is why i'm a pre-Flashpoint fan, because then the Batfamily was contained enough to actually feel like a family with every character having nuances relationships with each other, but i digress because those thoughts could be their own post.

and the thing about fanon is it doesn't exist in a vacuum. DC has started turning the comics to accommodate for what fans are asking for, because fans will beg and beg for content they're not going to consume. Tim Drake: Robin had Tim as a coffee drinker because that's the fanon accepted headcanon. and the resolution of the recent Gotham War arc was for Bruce to buy this new manor for everyone to move in and call him. nevermind that most of these characters have their own homes and have zero reason to be moving in with Bruce. Tim had his marina in Tim Drake: Robin, Dick has Bludhaven, Cass and Steph have their little side of town in Batgirls (2022), and so on. these characters are being forced together as a unit, as one big happy family living together, to appease what non-comic fans want and it's damaging comic relationships. Robin: Knight Terrors saw Jason and Tim team up and working together, which i've seen varying opinions on but i personally despised. their interactions made zero sense for any of their canon history, but it appeases them being this close sibling relationship that fanon acts like they are. also the fears they faced in their respective knight terrors didn't make sense for either character and *only* worked as a moment of bringing them together so they could reassure each other and have this weird dreamscape bonding moment. the canon is bending itself to the will of fanon rather than building on the pre-existing complex relationships. Tim barely even gets along with his most important team in Dark Crisis: Young Justice because it seems the only important relationships the Batfamily can have is with each other. and when we do see them outside of the Batfamily, it only seems to be to relive the glory days like with World's Finest: Teen Titans, instead of developing them as they currently exist. this isn't recent in the comics, it feels like you can trace it back to the New-52, but it does feel a *lot* worse over the recent years. WFA is fine when it exists in its own bubble, but the simple truth is, DC content never exists on its own. the adaptations will reflect back onto the comics. (the damage the Young Justice cartoon has done to some characters should honestly be studied) and so it does frustrate me a bit when fanon-only or adaptation-only fans act like we're being nothing but killjoys for being frustrated with this. since they don't read the comics, they don't see how the comics are suffering as a result of this.

people argue about what's out of character for the comics they don't even read. i'm sorry, but "bad dad Bruce" is consistently canon. that man is just kind of shitty. when you take someone who has the drive he has, who has this need for the Mission first, who needs a teenager in spandex next to him to keep him off the ledge, that guy is sort of going to be a shitty father figure. he just is. not on purpose or with malice, but when you compare him to any other dad in a big DC family, he sure takes the cake. it's why characters like Oliver Queen tend to *really* fucking hate Bruce for how he treats his kids. Bruce loves fiercely, but he doesn't do well with putting that love first. and his love is a controlling one, he is very particular about controlling how others in the Batfamily are "allowed" to operate. it's what drives the wedge between him and Dick, it's why Steph is never a true daughter to him. (besides the reason of her needing to be a love interest to Tim first, anyway-) i've never understood the massive outcry of people reacting to Bruce kinda being shitty in comics they're not reading. there are some moments that get ridiculously OOC with how cartoonishly evil he is (the whole Gotham War arc and that... complicated mess with Jason) but largely if you want sitcom loving nuclear father Bruce, you have to accept that is a fanon thing, not a canon one. the Batfamily being a nuclear family in *general* is fanon. most of the "Batkids" don't actually see Bruce in a particularly fatherly light and begging for moments where he calls them his kids or they call him dad outside of incredibly specific circumstances is just OOC.

it's getting harder and harder to exist peacefully in this fandom it feels like, if you don't comply to the standard fanon has set. i'm happy people are having fun with their blorbos, even if in ways i dislike, but that "harmless fandom fun" does ripple it's way back to canon, eventually. so i end up pretty tangled with my feelings because are fans at fault for DC making these poor decisions? probably not, but it certainly feels like an unfortunate cause-and-effect situation whether at the end of the day, nobody is happy. and of course, i know some fanon-only fans are striving to be more canon accurate and care about canon dynamics more than others, but for them it's always going to be an uphill battle with the above-mentioned out-of-context panels thrown around and ever-pervasive fanon overtaking anything that's truly seeking to be canon compliant. so really, it sometimes feels like we're all losing.

[fiapple]

i'm getting towards the end of the skypeia arc, & i'd like to say just how much i adore the way the female strawhats have been treated.

just... every aspect of how the way their characters have been previously contextualized influences the story-line is treated with a masterful amount of consideration. we're given so many layers to both of them that enrich not only their characters specifically, but the arc, and the one piece world as a whole. without nami & robin having their specific skills, and their specific values, without those being built upon, the story would have come to a halt.

you could not have skypeia without nami & robin being who they are as individuals. not just because they never would've gotten there without nami, but also because the way these women think is itself foundational to the machinations of the arc as a whole.

to be totally upfront, if you think any other strawhats were more central to the skypeia arc than nami & robin were you are full-on fucking lying to yourself.

[greenerteacups]

Hello GT, I absolutely love Lionheart!

I published my first fic and have been dealing with some criticism; it’s not anythjng super hateful, but it’s not anything meant to make me improve either. I’ve been feeling sort of down because of it. My question is: have you ever dealt with hate or criticism before? What is your attitude towards it?

I find your work and answers on here super insightful and inspiring! I hope you have a nice day ❤️

Fuck em. Like, seriously, just fuck em. There's a time and place for writers to take critique and be strict with themselves; it's necessary for any artist to grow. That place is with a chosen group of creatives whose work you admire and whose judgment you trust. A rando on the Internet, while they may in fact be the next Marcel Proust, probably isn't. And I was raised to believe that while it's appropriate and kind to pay compliments to strangers when they're performing — just as you'd smile at a busker on the sidewalk, and or compliment a chalk artist — it's not appropriate to criticize them when what they do isn't to your tastes. They're providing you with their art for free. No one forced you to read it; no one forced you to listen. If you don't like it, it costs $0 to shut the fuck up.

Also — that thing I said about artists taking critique? That assumes that you're doing this out of a desire to improve your writing, which, while noble, is not actually a thing you need to do if you're a hobby writer. I like trying to improve; it makes me feel good. But at the end of the day, I do this for fun. I do this because in my real job, I am ruthless and self-critical and try really fucking hard to do well, and you need parts of your life that Aren't Like that. You need parts of your life where you're not worrying about whether you're Doing It Right. And living without that anxiety of critique is, paradoxically, the only way you'll find the artistic courage to take risks and develop new skills. Everyone is a little bit rough around the edges to begin with. (Not saying you're a beginner — you merely said "publish," and I certainly wrote a lot of things before I started publishing! But every artist is always trying to develop new skills and techniques; in the grand scope of things, we're all beginners.) Giving someone blunt critique when they're in the beginning phases of their journey as an artist is about as helpful as screaming at your six-year-old kid because he can't swim the butterfly.

And the thing is, these people will bluster and say "well, I'm just being honest, I'm just trying to be helpful," but like: mmmmmmno, you're not! You're not. And it's disingenuous to say so. Because if you were actually trying to be helpful, you would introduce yourself, offer your skills as an editor/beta reader, and start building the relationship of trust that grounds any meaningful co-creative partnership. People do not just accept random critique that comes flying at them from the blue nowhere. And issuing it in that form is the best way to make them hostile, defensive, and unreceptive to it. Delivering harsh feedback without a context of care and support is almost sure to fail as a method of actually changing behavior, and either (1) you know that, and are doing it anyway — presumably because you want people to know how Terribly Clever and Better At Writing you are, or (2) you sincerely have never thought about the effect that context and word choice have on how other people receive your meaning.

Which tells me you are the last fucking person on the planet I want writing advice from.

[sysig]

Delusions (Patreon)

"Could I have your hand, sir?" Max didn't move, which Dexter was, sadly, getting used to.

"Sir?" Max jerked, then turned and stared at him, lost and blank. "Your hand, please."

Max's hand lifted shakily, and he laid it gently in Dexter's upturned palm. Dexter gave a quick and quiet "thank you," then turned it over in his own hand, observing him closely.

Too closely - his knuckles were rough and his fingernails were dull and cracked in places. His once-soft, not-a-day-in-his-life-subjected-to-hard-labour hands were now, already, toughened and split and scarred in places, especially the heel of his palm. He turned it over again, this time to stop looking so intensely. He had only wanted to give it a cursory glance to begin with.

"Do you know what I see, sir?" he asked as conversationally as he could manage, running his fingers along Max's abused flesh. He seemed to be at least half paying attention, his eye gazing down between them, and he'd occasionally twitch, encouragingly Dexter thought. He seemed to want to curl around him, then stopped and shook, his hand squeezing into a fist. Dexter coaxed him back out, encouraged him to hold himself lightly.

"What do you see?" He was almost startled by Max actually continuing their conversation, that happened so rarely now, shaking and quiet as it was. He took a deep breath, was he really going to do this?

"I see a hand, with five fingers." Max remained quiet, though his brow curled, and a guarded look came into his eye, though he still wasn't looking at Dexter. He felt a pang of guilt, but he had to try. "What do you see?"

Max's eye unfocused and began to water. He looked up, but not enough to reach Dexter's gaze in return, instead staring through his chest, and he felt just as hollow and empty as he must look to him.

"Do you take me for a fool, DAX?" Quiet and as close to angry as he'd heard since they'd been here.

No, not angry.

Betrayed.

He swallowed down the stinging lump at the back of his throat. He had to put on a brave face, had to keep his composure if he wanted Max to get better. That was the only thing he wanted, more than anything.

"Of course not, sir. Genuinely, what do you see?"

Max pulled his hand away and turned his body, his bandaged side facing Dexter. Shutting him out, pointedly. Dexter's empty hand curled into a fist, he was no better.

"Please, don't..." Max took a shallow, shuddering breath, and several beats before he spoke again, even quieter. "Don't ridicule me." Dexter could hear his breath catch, and he wanted nothing more than for this all to just stop.

"Sir, I didn't-"

"I've had enough of that." He shook his head stiffly, the action strange and wrong, like he had forgotten how. He stilled, his head turned even further away. "More than enough."

[dsntwrk]

help me i've gotten so deep into the steddie rabbit hole i haven't gotten this stuck on something since destiel

this really isn't good for my health

THESE ARE THE FICS THAT I SUBSCRIBED TO / LIKED READING (I'VE BASICALLY READ 1/5 WORTH OF STEDDIE FICS COMPARED TO DESTIEL FICS - I GOT INTO DESTIEL 4 YRS AGO, I ONLY STARTED READING STEDDIE FICS SOME TIME LAST MONTH WTF)

tbf, i have taken breaks from destiel to read other fandoms/fics so, ig the timing works out? if you think about it?

[omgserafinablog]

Goodbye forever, my friend.

Lucian & Valentine

When he stands over his former dead friend, once a former brother-in-arms, he thinks he should be happy. Only sadness pierced his heart. He knew, he had long since come to terms with the fact that his friend had died a long time ago, and now there was a monster lying in front of him that was supposed to die. That monster would have killed him and certainly wouldn't have mourned him. But looking at Valentine now, he hardly hates him or rejoices at his death.

Luke kneels down next to Valentin and cannot take his eyes off his pale face, which has lost its rigidity, eternal tension. Now he sees before him again the boy he fell in love with at school and whom he kept in his heart. Even before the creation of the Circle, before the deaths of Oscar Morgenstern and Seraphina. Valentin was the best in the academy, a popular boy from a wealthy family, but he never bragged about it and was not arrogant, which set him apart from other elite students who joked and offended losers like Lucian. Valentin became friends with him. He helped him with his studies. If it wasn't for Valentine…

Lucian hated to remember the times of the Circle, tried to forget about it, but never forgot about the time spent with his friend. Their joint training, numerous adventures, gatherings around the campfire, their jokes and dreams. He remembered their ceremony and how their bond warmed him when he was sick; he remembered how they hunted together as if they were a single organism, and how the parabatai rune burned. Sometimes he missed those feelings, that power, that sacred connection. Lucian remembered how comfortable and peaceful he felt next to Valentine, whom he loved.

Luke sighed, extending his hand to Valentine.

«Is it my fault?» - He whispered.

His friend, whom he fell in love with, was always so cheerful, good-natured, ready to lend a helping hand to anyone who needed it. He was always so confident and strong. He took special care of those he loved. And most of all, he was afraid of losing those he loved.

When his parents died, Lucian had no idea that this loss would break Valentine so much. He was sure that his friend would cope, withstand this blow. In fact, he had no idea that Valentine was so dependent on his father. Valentin himself did not say a word against Oscar. But there were various rumors about his father's cruelty, how harshly he treated him and controlled him. Sometimes Lucian noticed uneven scars on his friend's back, strange wounds and bruises, but Valentine only waved away all questions. Valentin rarely talked about his family at all. Only once, at Oscar's grave, did he mention that he dreamed of becoming the perfect soldier-the way Oscar Morgenstern wanted him to be. How much he wanted his father to be proud of him. He longed for that praise, for his father's pride, but he never got it. His father had turned to dust. And Valentine-his Valentine, a kind and bright boy, died with Oscar. Instead, something hateful and evil appeared, something alien.

Lucian was his parabatai, he was closest to Valentine, but what did he do to help him cope with this change, with this pain? He did not try to lead him away from the edge of the abyss. It took Lucian a moment to realize that he had lost him forever, and when he did, it was too late. Valentine is gone forever. And he hated him for it. He hated him for becoming the one he wanted to rid the world of. A monstrous monster. Completely different. Unrecognizable.

«Yes, my friend, it's my fault. I had too much faith in your powers. I thought people like you didn't break down. I was sure you could handle it. But I was wrong and didn't help.»

Lucian looks into the frozen black eyes, in which there has been no life for a long time, but it seems to him that they are glowing now. He sees his reflection in those eyes.

«I couldn't save you. Did you know that Jocelyn asked me to do this? To protect you from hate. I didn't understand her right away. I thought your hatred was just, and I didn't understand when you overstepped all bounds in your retaliation. I was your parabatai, and I failed. Forgive me and goodbye».

He put a warm palm on the cold, frozen face, which, with its extraordinary softness, reminded him so much of the kind boy from his distant past, and closed his dead eyes.

«Ave atque vale, Shadowhunter»

[bloodydeanwinchester]

i've noticed that in the last year since i've been writing spn fic a lot more regularly my ability to make thoughtful spn posts has completely plummeted. it's like...my mind can take working full time and EITHER writing fic or writing spn posts but not both. takes too much brain power i guess. makes me sad 😔 but of course im gonna choose fic

[swinging-stars-from-satellites]

I don't know how to write this without it being horribly obvious who I'm writing about

[dreamsy990]

my laptops like super fucking dead and its gonna be a couple days before i can get a new one so uh. have a ghost roxas au doodle from procreate instead. returning to my roots i suppose. do not ask me to explain the story context for this or whats going on because i will not explain ok. you can figure it out yourself <-( theres absolutely not enough information for you to figure it out for yourself )

[zukkaoru]

i think. everyone should stop reading my most popular fics that aren't really that good and start reading the ones with 18 kudos that are significantly better

[bagel-boy-sama]

Astarion Baldurs Gate 3 Isn't A TumblrSexyMan™, He's Just A SexyMan™

I've seen a large number of people, most of whom are in the Astarion Disliker/"I don't get it" camp most who are not on this particular hell site, cite Astarion as Tumblr's latest sexyman. Today, I will be explaining why I do not believe that to be the case. That instead, as the title states, he's just a sexyman.

No real knowledge of the hell site is required, I'll explain things for the new people.

Setting The Definitions

First, definitions because this is now Intro to Writing and Rhetoric. A sexyman would be anyone, usually masc or a man, who is concidered sexy by a wide range of people. Fascinating.

A Tumblr Sexyman, on the other hand, is a thing - usually fictional entity - that is incredibly popular on Tumblr.com to the degree it escapes it's fandom sometimes, in the most extreme of cases, becoming far more popular than it's original fandom. It is characterized by a few major characteristics. Ranging from Twinkism* (be it the character or fan interpretation), generally unconventionally/perceived to be unconventionally attractive in a non physical sense (character traits that wouldn't otherwise be desirable, like absurd behavior or generally evilness), to impeccable drip (either in the original media/design, or done by fans in fanart).

*note: Twinkism (which I did just throw in on the spot this is entirely bullshit for my own amusement) is the phenomenon of skinny, young looking, pretty/feminine white boys who are within media. This is different from twinks, who are understood to be young and skinny - being pretty, popular, or white is not connected. All those who participate in Twinkism are Twinks, but not all Twinks participate in Twinkism.

Does Astarion Baldurs Gate 3 Fit The Definition?

First rule: must be at least a twink. Is he?

No. Yes. Kinda. In a way. Many people would describe Astarion as someone who's gone through "Twink Death". No this is not because he's literally undead. Twink Death, in it's simplest form, is when a twink no longer looks young and/or feminine. Astarion has aged. His crows feet and laugh lines, while beautiful, do not make him look 18. For some this would disqualify him from being a Twink. So perhaps he has failed at the first step.

I, however, am not satisfied with that. Moving on, is Astarion - or would Astarion - actually be considered conventionally unattractive in any way that is disconnected from his appearance? I argue no. Vampires are considered very well, normal to lust after. They're right below succubus on the "This isn't considered weird to find attractive" scale. You aren't romancing The Emperor here. Outside of that he's well groomed, shown to be muscular in game (headcanon does often disagree and while I wish it was true we are working with facts for this specific discussion), and an elf. In personality, while not for everyone, he's the pretty standard fruity sarcastic gay who's a bit selfish. We all know a fruity sarcastic gay who's a bit selfish, and they get laid. So it can't be considered that bad. Probably.

I feel important to note here that I am aroace and have no idea what I'm talking about right now. This is an educated guess.

Astarion has lost now, two for two. He's barely a twink, even going off of his model he's more a twunk. He definitely doesn't fit the Twinkism phenomenon. He's not weird to find attractive, I assume, so what else is there? His drip? I'm sorry, but his base outfit is a bit well Goofy to say the least. Much fanart leaves him in this outfit or a simpler version because drawing ruffles is enough to make anyone want to willingly jump headfirst into the underdark, so he fails the drip test as well.

His final hurtle: is his popularity Tumblr™. In this context Tumblr™ is different from Tumblr. Tumblr™ is the fandom side, where a sexyman would flourish and find their own fandom. Importantly, this fandom needs to be very insular to the site. It's a *Tumblr* sexyman after all. So that begs the question, is Astarion highly liked by mostly or purely Tumblr people/those who have the vibes of a Tumblr user? No.

Astarion is well loved by many people of various vibes. He has affected (previously) straight men on Reddit. Few can escape him and his 10 charisma.

Conclusion

Astarion is just a sexyman. He's just a fictional character that many think is neat and attractive for a variety of reasons. He's the Ryan Reynolds of crpgs. He's some dude, who's generally considered attractive by a lot of people who you both would and wouldn't expect to find him attractive.

[bitegore]

no one on here would be particularly interested in reading poetry i've written, right?

[punch-love]

hello !! i hope you are well !! ive been curious about something for a tiny bit now, with works like Love Punch that you don’t have quite the same spark for, how does it feel immediately after uploading a chapter? is it like submitting homework? do you feel more energized or tired? do you wait for comments or just put everything down and go do something else?

I was just talking about this with a friend. I don't think uploading any piece of work feels like submitting homework. It's always exhilarating to put something out there that you've worked hard on. I think....it's not as fun to work on something that you don't have quite the same spark for, but the act of sharing it always going to be really fun for me. I know that my readers have to wait months between updates so the first flood of "I was so excited to read this after work!" or "I can't believe this updated!" comments is always so heartwarming. Just because I don't enjoy writing it as much as I used to, my initial feelings toward the reception of it is always going to be very positive.

You'd be hard-pressed to find a writer who isn't anxiously checking their in-box for new comments to see how someone receives something they've worked so hard on. That being said, I absolutely dread getting new comments on OLD chapters. I feel like the patience I had with bad takes or "update when?" (which was nearly non-existence already lol) now makes me occasionally considering comment locking it until it updates. I don't care what people have to say on them anymore unless what they have to say is interesting or thoughtful. I also mostly get the same "this was so good. update this immediately." and it drives me up the wall + makes me want to work on it less. Seriously. If you want someone to do the opposite of what you want, comment ‘update when’ and see what happens.

Here's the thing though - positive attention is a drug like nothing else. It doesn't matter where it comes from or how you get it, if I worked hard on something that I think is good and people are engaging with it I'm pretty happy no matter how much of a spark I have. The actual process of writing is significantly more difficult now that I have less interest (it is very hard to write a romance when you're like I don't know if these people should be together. actually - uh - ) and it does feel like the boulder I have chained myself to until I roll it up fourteen more hills but -

The day I upload is always going to be serotonin city. I prepared this stupidly difficult and purposefully delicious meal for you I am so excited to hear how much you enjoyed it.

[mangled-by-disuse]

so one of the things that annoys me endlessly is this phenomenon where, when I say I like something, people assume that means I want more of it, a different version of it, add-ons and bells and whistles, and i'm just like

no.

no, when I say I like tea, I mean I like tea. Not herbal tisanes, not "tea with--", no milk, no sugar, no fruit, no frills, just good-quality tea in a range of fermentations and colours.

when I say I like a hot bath, I mean the bath. Not bubble-bath, not bath oils and foams and salves and unguents, not candlelight and music and a zen space to sensually relax with a book and a glass of wine, just a hot bath in a normally-lit bathroom where I can unwind and get clean.

when I say I like beer, I mean I like beer. Not fruit-flavoured, not with a special something-something added, for the love of GOD not sweetie-flavoured, just a well-brewed ale or stout in a simple pint glass, in good company.

and that isn't because there's anything WRONG with the add-ons! these are not bad things! I know that for some people, a tea advent calendar with different herbal blends, or a luxurious foamy scented bath with candles and music, is what they mean by "I like tea" and "I like baths". but it would just be nice if when I asked for a green tea, people didn't assume I mean "with..."

anyway this post is about lord of the rings: war of the rohirrim