#more to come i actually promise

[kaleiart]

reflection

[meamiki]

imagine if isa's confession kept getting interrupted in increasingly bizarre ways…. ASFASDASF

((this stems from a stream silly!! with my friends!! we are streaming now!! its the finale!! info rbed in a lil bit!! yeah thats it!!))

[lygma-nygma]

Honest to god Titans Tower is probably the funniest thing that's ever happened in comics to me? Like, there's so much to unpack here it's insane?? The tear-away stripper Red Hood costume? The knock-off Robin costume with the stupid ass yellow tights that somehow looks worse than if Jason just rocked the bare thighs? The way Jason is drawn like he is fully 35 with two stepkids and a mortgage? Jason inventing fanfiction about Tim and Bruce's relationship in his head because he refuses to believe Tim actually stalked his way into being Robin?? Trying to mimic his crowbar death by beating Tim with his own staff but I as a reader am entirely unable to take it seriously because of those stupid fucking tights-

And then you get to Tim's side of things and he says like, all of 5 things the entire time and three of them are a coded 'fuck you'. He has absolutely no time or respect for Jason's pity party and it's actually hysterical because Jason cannot stop yapping. Meanwhile, Tim is like, definitely losing the fight which makes it funnier?? Then the ending?? Jason scrawling "Jason Todd was here" on the wall in blood (or red paint meant to look like blood, up in the air) and signing it with a handprint like he's a middle schooler who just discovered Creepypasta???? Ripping the 'R' off Tim's costume when he's literally already unconscious?? Zipping away from the scene thinking "damn I actually like that kid, wish I had friends tbh"??

And then it's literally never brought up again.

[hellmandraws]

Not gonna lie, I'm super excited about the upcoming One Piece live action series! It's out Aug 31 on Netflix. I actually think it's gonna be good! 🤞🤞🤞

[tryagainstarlight]

First Contact, a prologue

[PREV] || [NEXT]

[cecoeur]

it's hell on earth to be heavenly them's the breaks, they don't come gently

[finalgirlsamwinchester]

guy who so desperately tries to find god. who wants to have faith in a higher authority to guide him out of the hole he's in. from the weight of guilt from simply existing, as the person he is. but every time he thinks he's answered his higher calling it turns out he's made the Morally Incorrect choice and his path to goodness and holiness was the road to the devil all along

[mulders-too-large-shirt]

thinking about how mulder loves to get scully a gift, usually terribly heartfelt, even if disguised as something flippant:

the superbowl vhs tape he brings her when she wakes up from her coma in one breath (and her deadpan "i knew there was a reason to live")

tickets for a football game to watch together in irresistible

bringing her flowers to the hospital in memento mori (he lies, saying he stole them from a guy with broken legs to make her laugh)

the birthday keychain in tempus fugit (and when she finds a meaning to it, he claims "i just thought it was a pretty cool keychain")

that is a man who is always thinking about her.

[likesdoodling]

Annatar during chapter 39 of The Harrowing by Chthonion~

And then doodles with some of my favourite bits from the afore mentioned chapter -

I've been meaning to do stuff from this chapter since it came out cause it is amazing- (in a 'wanting to suffocate Annatar with hugs and cups of tea, and the collateral sufferers too- like getting Maedhros back to Fingon for recuperation' kind of a way) - at revealing just how messed up Annatar's mindset is. I definitely recommend the Maedhros pov as well- the amount of '... I don't think I even want to unpack that statement' and 'seriously. We have gone over this. At least three times. In the last twenty minutes. Why do you not get it??' that goes through his head during that conversation is just- Amazin~

:D

This fic is really cool and I highly recommend it to anyone even vaguely into lotr or the Silmarillion.

:D

@chthonion

>:D

[starcurtain]

I love your post so much I love how everything is backed by evidence. I wanted to ask for your opinions on ratio and aventurine's relationship (relationship in general, not necessarily in a romantic sense).

My mind keeps goes back to Aventurine and "Aventurine"'s conversation about Ratio's fake betrayal part of the plan and Aventurine says "Or maybe he wasn't acting at all?". I just keep thinking about how even though Ratio did exactly what he was supposed to do to help the plan succeed, Aventurine can't help but doubt the motives of the person that he's working with even when he does exactly what will benefit his plan. I've just been thinking that maybe it's another part of Aventurine where he can't completely trust anyone. I've seen a lot of post where people state that they had a great deal of trust in each other and that's why the plan succeeded but ignore what that line means for how Aventurine might've felt about it.

And then on Ratio's side of this, I do think he cares about Aventurine's well being but only does what he can to help him because if he tried to force Aventurine to be better, to treat himself better, it wouldn't really change Aventurine's mind on his self if it's for someone else's sake instead of his own. The little flavor text of Ratio's sticker in 2.3 mentioned how he's "just doing what a supporting character should do." which is, supporting the main character I'd think. Ratio does genuinely care for humanity so I can't think the only reason he sticks around Aventurine is "because he makes an interesting conversation partner than most."

I just can't stop thinking about how they're undoubtedly connected for another reason besides just their work, and I am just so curious about what the writers have in mind for their cooperation in the future. sorry for my trash heap ✌️ if this is too incomprehensible I understand not answering it

Okay, the full answer to this ask is over here in a separate post, since I thought it might stretch people's dashes a bit if I didn't, BUT before we get to that, there is one little thing I wanted to say and don't have room for in the other post:

You mention: Aventurine says "Or maybe he wasn't acting at all?" I just keep thinking about how even though Ratio did exactly what he was supposed to do to help the plan succeed, Aventurine can't help but doubt the motives of the person that he's working with even when he does exactly what will benefit his plan.

And while I agree that Aventurine has TRUST ISSUES stamped on his forehead, I also think that a lot of people kind of gloss over one major aspect of the scenes between Aventure and "Future" Aventurine, which is that:

Aventurine spends most of those scenes convinced he's actually talking to a manifestation of Sunday's power.

Aventurine starts off suggesting the "Future" Aventurine is a dream or psychotic hallucination.

He rejects the idea that "Future" Aventurine is actually himself at all, and asserts that this "Future" figure is a "newborn of the Harmony's power." He even has a throwaway line asking if he's about to become an Emanator of the Harmony himself. (And the Ena-Gaiathra fans rejoiced.)

Normally I would say that's all there is to this, Aventurine just not wanting to accept this ghostly version of himself and the harsh truths it keeps bringing to light.

But, throughout the entire lead up to the end of 2.1, we get weird moments where the "Future" Aventurine asks for information it should already have. A lot of these are passed off as "Well, I just want to hear you say it yourself!" but... if it's truly Aventurine himself and knows all there is to know about him, why does it need to hear the info from the real Aventurine?

Why do we continually get exchanges that strongly call into question what the "Future" Aventurine even knows?

And:

Later:

(Shouldn't it have already known?)

Repeatedly, the "Future" Aventurine says things that imply it is still learning about the real Aventurine:

Even up their very last scene together, the "Future" Aventurine was constantly pressing the real Aventurine to reveal every detail of his plan:

"Future" Aventurine goes through the cornerstone shuffle, guesses at Ratio's involvement, pushes Aventurine to reveal the broken Aventurine cornerstone, asks what tactics Aventurine intends to use to win his gamble, how the IPC fits into all of this, and finally comes to the realization that Aventurine plans to use Acheron to create "death."

We could go very deep with this and suggest all these weird "Did you or did you not know this information? Are you really me or not?" exchanges are just meant to show Aventurine's doubting nature, that his mind is a mess and that he doesn't, even at his deepest, understand himself, but I don't think the devs did this accidentally. We're being given plausible deniability on purpose.

At the very least, we players are supposed to ask ourselves: Could it be that this really is the Harmony and not Aventurine himself?

Until the very last scene, when "Future" Aventurine completely changes his tune to gentle empathy, real Aventurine is definitely convinced that he's still talking to a manifestation of Sunday's power.

Right after the line about Ratio's betrayal supposedly being real or not, Aventurine is still saying:

Or, an even clearer indicator that real Aventurine was convinced he was talking to Sunday's manipulations: The "Future" Aventurine is listed as ??? in the dialogue option all the way to the very end, when Aventurine at last accepts that he may be speaking to himself, and the name card finally changes to "Aventurine."

So, what to make of this line then:

Personally, I think there's enough dubiousness to the whole situation to suggest that we can't really take this line at face value.

Is Aventurine genuinely doubting Ratio here... or, convinced that he's still talking to the Harmony, is Aventurine scrambling to try to keep the last details of their plan out of Sunday's reach?

If after this line he's still telling "Future" Aventurine to stop stealing information from his mind, can we really expect him to be speaking truth here?

Throughout all of these scenes with "Future" Aventurine, real Aventurine continually refuses to reveal new details about his plot, forcing "Future" Aventurine to fill in the gaps. It's clear from other lines throughout the theme park scenes that Aventurine is intentionally avoiding giving away any specifics that the "Future" doesn't already know:

So to me, even though I agree that Aventurine has been made into a distrustful person by his traumatic experiences and I think he does doubt the sincerity of everyone around him...

I don't necessarily think this one line about Ratio should be held up as an example of that deep doubt.

I think there's enough suspicion cast on the "Future" Aventurine and its possible connections to the power of the Harmony that many of the things Aventurine says to it might actually be attempts to mislead and distract, so that he can carry his final gamble through without Family intervention.

And I think looking at this line about Ratio from that mindset also introduces an entirely different possibility many people seem to overlook:

Is it out of character for Aventurine to make sure the only person sacrificed in his gambles is himself?

If Aventurine really thought he was talking to a manifestation of Sunday's power, could it be that saying "Maybe Ratio wasn't acting! Maybe he really did betray me!"... wasn't doubt, but an attempt to protect his co-conspirator? To shift the blame away from Ratio and spare him from the fallout if their plan ultimately went awry? To make himself the Family's only target?

I'M JUST SAYIN'!!

Anyway, totally go read the rest of the actual answer about Aventurine and Ratio's relationship now~! It's all posted!

[romatito]

mmmm the pirate au is slowly turning into a multi-chaptered plotbunny that wont leave my head. so in the meantime pls take these designs while i work out whether im capable of focusing long enough to actually write it or not 🫡

[loosethreadsofyoursoul]

ok this is a controversial opinion but like….. to me, henry spencer was actually not a shit father….. hear me out.

i understand that there’s a lot of subtleties that go into emotionally abusive parents, and i’m not trying to dismiss that, but honestly i just don’t see all the negativity that gets associated with him so often. also, between henry and madeleine, one parent actually seemed to be there when shawn was growing up, and it wasn’t his mother.

let’s look at shawn’s childhood. in all the flashbacks, henry was the one who volunteered at shawn’s school, who took him to movies and was around for all of his new hobbies and interests. he was the one making sure shawn did his homework and hung out with his friends and learned life lessons. granted, some of his teaching methods were not appropriate for a kid shawn’s age, so yes i can see where the criticisms come in and i agree with them. but he was so much more than his mistakes, he was the parent who cared.

when shawn grows up, yes there’s animosity between him and his father but to be quite honest, i’ve never met one person who doesn’t have unresolved daddy issues so that in itself doesn’t condemn henry in my mind. we see how much henry saved from shawn’s childhood and how much he remembers, and to me he actually does quite a bit to help shawn when he needs it. this is particularly telling in comparison to madeleine, who isn’t there to begin with and eventually we find out she really did leave her kid behind, and to me that does a lot more damage than any one thing henry did.

shawn and henry have issues, i won’t argue with that. but i really don’t think henry gets enough credit for the good he did and the way he tried when shawn got older. above all else, he was there and he was there for shawn, and that’s important. god knows it’s not everything, but it’s something.

[hamofjustice]

nemona feels like an obscure blorbo instead of the main rival character from the latest pokemon game because to get to her really good content from people who really get it, you first have to wade through the ocean of yandere pervert obsessive stalker annoying punchable bimbo amazon goddess interpretations of...

... a neurodivergent and possibly disabled high schooler who's desperately trying to make any friends or get any support from her rich neglectful family - while everyone in her school is jealous of their own imagined version of a privileged asshole version of her they made up - who deeply and platonically loves and supports the one new kid who agreed to take the time to get to know and respect her and her special interest without having to hold back her true self

unlike her, it's not great!

kinda feels like she has the same problem in our world that she does in hers.

[seagreenstardust]

One of my favorite things about bkdk is how easily they fall into just about any AU

And Hori gave us so many to work with, winter and fantasy and pirates and steampunk and dragon riders and even band AU’s, and more and I just realized

It doesn’t matter what world you put bkdk in, it works because the chemistry is there in canon

[iridescentmirrorsgenshin]

An analysis of Alhaitham's egoism in relation to Kaveh

(Update: The essay this is taken from is now uploaded! It can be accessed here and here as as a pdf <3)

Max Stirner's anarchist egoism is speculated to be the basis of Alhaitham's personal egoism, therefore I will be drawing upon Stirner's 'The Unique and Its Property' for this analysis.

Property and power are key principles within this philosophy. The egoist recognises himself as an individual, separate from the general collective of “humanity”, in which concepts such as freedom and property are governed to and over the people, for then the individual is not considered as such, rather they are a part of “humanity”, rather than a whole individual (Stirner, 170). This thinking is demonstrated within Alhaitham’s Story Quest, where he dismantles Siraj’s Hivemind by targeting individuals that compromised the Hive and reminding them of their own beliefs and preferences – the individual in themselves is a whole, and is not a “part” of a system (Stirner, 170).

In this, the egoist governs himself by what he owns and what he wants to own: “ownness is my whole essence and existence, it is myself. I am free from what I am rid of, owner of what I have in my power, what I control. I am at all times and under every circumstance my own”(Stirner, 106). This relates to the concept of freedom, which, for an egoist exists according to having the power to be free of something, for example, being freed of hunger, thirst, or societal expectations (Stirner, 105). This is reflected within Alhaitham’s description: “He lives free – free from the searching eyes of ordinary people,” but also extends to the power to own.

As power is considered something which the egoist owns, property then becomes something which the egoist exerts power over, and in this, can property be made use of by the egoist – all the while, the property remains an independent vessel (Stirner, 162). This is seen within Alhaitham’s view on his vision, in that it is “no more than a useful tool”, as it can be used to serve his own needs, and that since it in his possession, he has obtained it with his own power, it makes no difference to check on it as he continues to retain that power.

In this sense then, Alhaitham has constructed his life around this form of egoism, in that anything he wants, he has, such as his job as the Scribe, his house, the interests he pursues, the people he enjoys. In order to maintain this way of life, he will deal with, or be rid of, anything he deems as "harmful".

With this, the egoist seeks satisfaction in themselves through the satisfaction of another. Ownership, in relation to another person, can become love, which like all things the egoist has power over, is ultimately theirs – as in their love for a person (Stirner, 187), which is given willingly by the egoist, for loving a person is done for the satisfaction that love brings: “But I love them with the awareness of egoism; I love them because love makes me happy, I love because love is natural to me, it pleases me,” (186).

In loving another comes sacrifice, which the egoist can give into without compromising himself, as he himself sets the “purchase price of [his love]” (187) according to the happiness attributed to the loved one, as in return, the egoist shall also receive happiness (186). To enjoy someone, in an egoist fashion, is to be able to sacrifice all possessions and ownerships without foregoing the sense of an individual, of “ownness”, as the egoist would then lose his objectivity:

“I can deny myself countless things to heighten his pleasure, and I can risk for him what would be dearest to me without him, my life, my welfare, my freedom. Indeed, it forms my pleasure and happiness to feast on his pleasure and happiness. But me, myself I do not sacrifice to him, but rather remain an egoist and—enjoy him. If I sacrifice to him everything I would keep without my love for him, that is very easy… But if I sacrifice others to one passion, I still do not…  sacrifice my particular worth, my ownness. Where this nasty incident occurs, love looks no better than any other passion that I blindly obey.” – The Unique and Its Property, 185

It is relevant to note that just as the egoist receives happiness from a loved one’s pleasure, so does an egoist suffer from a loved one’s despair. Just as the egoist would sacrifice something of their own to provide happiness for a loved one in order to exact their own happiness, so too would an egoist sacrifice something, or act, to eradicate the root problem of a loved one’s misery, as this, in turn, would then resolve their own misery:

“If I see the beloved suffering, I suffer with him, and I find no rest until I’ve tried everything to comfort and cheer him…. It doesn’t follow from this that the same thing causes suffering… his tooth gives him pain, but his pain gives me pain. But because I cannot bear the sorrowful crease on the beloved forehead, therefore, then for my sake, I kiss it away. If I didn’t love this person, he could go right on creasing his forehead, that wouldn’t trouble me; I’m only driving away my troubles. – The Unique and Its Property, 186

The phrasing of “driving away… troubles” is particular to note here, due to similar usages of language used within Alhaitham’s Character Stories, in relation to him acting in accordance with his self-governed rules and serving his own self-interest by: “[acting] on his own will and deals with anything that appears harmful in his eyes”.

Kaveh, however, interprets Alhaitham’s egoism as a detached, pragmatic view of humanity, in which the individual isolates themselves not only as a means of prioritisation, but by elevating oneself over others by refusal to intermingle and to cooperate for the benefit of others. Not only is this a harmful opposition to Kaveh’s view of individuals sharing their knowledge and talent in order to pursue a better society, but due to Kaveh’s experience of Alhaitham’s personal egoism, it is harmful to Kaveh personally. Kaveh refuses to prioritise himself over others because he has seen a negative consequence of egoism, in which he has been “cut to the quick” and it has ended one of the few stable relationships in his life.

By Kaveh seeing Alhaitham’s comment about his altruism as malicious, Alhaitham has elevated himself over Kaveh, since Alhaitham does not have the same struggles as him, and has trivialised Kaveh’s trauma. To Kaveh, Alhaitham’s prioritisation of the self actively harms others as it desensitises the self to the emotions of others. Therefore, Kaveh opposes the egoism which Alhaitham advocates for, since he interprets it through his own lived experience. Hence, by Alhaitham asserting egoism over Kaveh as a means of Kaveh prioritising himself, it only reinforces Kaveh to strive to consider the feelings of others, as well as to not prioritise his own way of thinking if it undermines someone else’s.

In actuality, Alhaitham’s frustrations with Kaveh lie in his belief that Kaveh’s talents are incongruous with his values, and that if Kaveh were to prioritise himself, he would save himself suffering and enable himself to discover his “true self”, unrestricted by others placing labels onto him.

This is a personal frustration which Alhaitham would not compromise himself to assert onto a person he was indifferent to, due to his belief of not getting involved with other’s fates. However, he has been observed to ‘subvert’ his own rules to accommodate Kaveh. Through egoism, it can be seen that rather than ‘subverting’ these rules, Alhaitham adheres to them as an egoist, since he sees Kaveh as his mirror, they offer each other a contrasting perspective he believes they need to have a complete, objective vision of the world.

This is necessary for Alhaitham to consider within his own life, and therefore has extended his house to Kaveh, in order to expand his scope of thinking, and to consider perspectives he otherwise would not entertain. Kaveh’s ideals, his beliefs, and his philosophies explicitly interest Alhaitham, in contradiction with Kaveh believing that Alhaitham is disdainful of his perspectives.

In this way, Alhaitham enjoys Kaveh. He willingly pays for some of Kaveh’s tabs; pays for crates of wine for the two of them; and goes out of his way to pursue interactions with Kaveh. Just as Alhaitham is to Kaveh, Kaveh is an old friend, as unchanged in his beliefs as he was in the past and thus is a constant: “the most unshakable part of one's past is a friend that will never change”’.

Alhaitham strives to act in accordance to his own egoism and therefore assesses what “appears harmful” to him, in relation to these rules, so as to be rid of them. This can be extended to Kaveh, as Kaveh falls under what ‘belongs’ to Alhaitham, in the sense that ownership equates to Alhaitham’s enjoyment.

Alhaitham wants to have Kaveh in his life due to the alternate perspective which Kaveh offers him, thus expanding his horizons and granting him knowledge he otherwise would not obtain. As well as this, Kaveh is seen to be considered part of Alhaitham’s way of life that he wants to protect. In line with Stirner’s egoism, it follows that as Alhaitham enjoys Kaveh, as in, ‘owns’ the contentment Kaveh elicits, he therefore is affected by Kaveh’s self-inflicted grievances. Therefore, Alhaitham sees Kaveh’s altruism at the expense of his own wellbeing as something “harmful” to be dealt with, as this not only causes Kaveh inward misery, but also detriments Kaveh finding his “true self” (Alhaitham Character Story 3), which the egoist pursues above all else.

[scorpiusmalfoylovesoscarwilde]

I've said it before, I'll say it again, and I'm sure it won't be the last time. I AM SICK AND BLOODY TIRED OF THESE MFS, HALF OF WHO DONT EVEN CARE ABOUT CURSED CHILD, BITCHING AND MOANING ABOUT AN ANGSTY TEEN DARING TO BE AN ANGSTY TEEN, I WILL FIGHT THE LOT OF YOU

(this is gonna be a bit long and probably incoherent so sit down and fucking listen to me 🔫 stick with me because I'm not just complaining about albus haters)

eVERYBODY wants cOoMmpllEeXx relatable HUMAN characters - and then SHIT themselves when the flaws a CHILD has isn't just 🥺 uwu im socially awkward and traumatised 🥺. that's why scorpius doesn't get this fuckass treatment, because his terrible human flaw is that he's a bit shit at conversation and gets sad about his dead mum (generalised understatement, but this post isnt about him. dont come for me i love him 🫶🏻)

god forbid albus, who feels unloved and unwanted (with valid evidence for a teenager), albus who feels completely out of place and outcast from his entire famously-close-knit family, ablus who is well known by the world by default via Harry and hates the attention and high expectations, albus who then gets targeted and bullied by his peers because he's not as perfect and brilliant as his father, albus who is then isolated from his one friend because Harry is making irrational ptsd fueled decisions, albus who tells Harry completely sincerely that he knows he's unlikeable but he'll try and change himself and be more like his siblings because he genuinely believes that's what Harry and everyone else whos had the misfortune of meeting him wants, albus who spends the entire play trying to prove himself and fix things via idiotic childish decisions BECAUSE HES A WHOLE UNSTABLE CHILD

god forbid that CHILD doesn't react like a patient, supported, well adjusted, level headed adult. god forbid he reacts outwardly. god forbid he reacts at all, my bad. clearly he should just sniffle a bit as if he doesn't feel suffocated and helpless by everything in his life, because obviously hes just a spoiled brat who doesn't know what real suffering is. god forbid he complains or feels anything negatively, or doesn't quite grasp that other people are struggling too because he is too busy trying so hard to deal with himself and his declining mental health the best he can with basically no support or understanding. god forbid he isn't completely perfect.

you all sound like some fucking boomer telling teenagers they don't know what real struggling is, they aren't mentally ill, they dont have any problems because they have a roof over their head, they should all go to war kids are too soft these days 😫😖😱 fUCKING‼️SHUT UP‼️

he does things wrong but he knows he does and he does everything he can to fix it! and he is fourteen!!! do none of you remember what being fourteen is like 😭😭 I swear half of you have got to be basically fourteen yourselves cmon man

cause I'm seeing this fucking pattern a lot recently. not just for albus, not just in this fandom, everywhere. ‼️ no one can fucking handle flawed characters anymore ‼️ the only thing any character is allowed to have wrong with them is trauma apparently, otherwise they have to be perfect, and I'm getting sick of it. characters and stories are meant to reflect real life, they're meant to help shape our world view, why are you expecting everyone to be fucking perfect??? what happened to nuance? what happened to understanding character development? you are all acting like characters and people are so black and white. either they're perfect or they're insufferable and evil. I won't lie, the most common victims i've noticed of this are women. but the flawed women are typically demonised, whereas the men are typically turned into uwu baby boys who actually aren't capable of doing anything wrong and then fanon goes nuts making them into ittle wittle victims. and I'm so fucking sick of all of it, I hate this. (obviously this is not a strict rule. Albus Potter, and also Albus Dumbledore now I mention it, are demonised beyond belief)

BRING BACK FLAWS AND BRING BACK NOT COMPLETELY WRITING OFF A CHARACTER BECAUSE THEY DARE TO BE HUMAN

I AM FED UP, ALBUS POTTER GET BEHIND ME