#I think... Netflix actually made a good live action adaptation??

[hellmandraws]

Not gonna lie, I'm super excited about the upcoming One Piece live action series! It's out Aug 31 on Netflix. I actually think it's gonna be good! 🤞🤞🤞

[highfantasy-soul]

Something I think ppl who complain about animated shows getting turned into live action forget is that representation matters.

Specifically talking about Avatar The Last Airbender, the creators of the animated show are white guys. The majority of the voice actors are white. The majority of the writers are white.

Yet the story is about Asian and indigenous people. They DREW Asian and indigenous people, so why are you so upset about Asian and indigenous people being excited to inhabit roles created by and voiced by (mainly) white people when it's THEIR culture actually being represented?

Why are you upset that in this live action, they made a point of uplifting as many Asian and indigenous voices, faces, and artistry as they could?

Making an adaptation of something isn't saying the previous medium isn't 'good enough'. It's not insulting the previous medium, it's just a normal human thing to want to retell stories and add to them/delve into aspects of the story that speaks to the adapter. Modern retellings aren't saying classics are 'less than', swapping the genre of a song isn't saying the original genre is 'less than', and making a stage play from a book isn't saying that books are 'less than'.

This post has nothing to do with what you think the QUALITY of the live action was like - this post is about people who view POC adapting a story about THEM as the POC being bad and insulting your precious show created by white guys.

One glance at the cast and producers of the Netflix Avatar will show you that they have nothing but the upmost reverence and love for the animated show - their intent is clearly to honor it and enhance the story, not to claim 'animation bad'.

[mattelektras]

Jessie since you're the authority on all things Elektra, I wanted to ask what's your opinion on all her live action adaptations?

there's a clear favourite i cant lie

daredevil 2003 / elektra 2005

now people may laugh but please know i am being soooo fucking serious when i say that in terms of characterisation, these movies were dead on

casting is. fine i guess. don't really see it. can't imagine elektra with lighter hair but she does have a great jawline

outfit.... the silk and leather flares. peak early 2000s

from a personal perspective.... solo movie elektra has outright ocd. like it's named and documented. my toxic murderous ocd rep

the story itself in the elektra solo movie was... questionable. BUT it does work for her. protecting a young girl reluctantly because she sees herself in her

VISUALS. the white sheet fight scene

the MYTH of her in it is just so fucking perfect. she's treated as this like... urban legend and people aren't even sure if she's real or if she's still dead or whatever

the opening scene is straight from a comic book

she's sullen, she's weird, she's a bit of a dick to people. she's has her vaguely offputting girl swag

i think what makes both daredevil 2003 and elektra 2005 ultimately good adaptations is that even with changes being made to the lore or whatever, its still the characters you know

i rewatched her solo w some friends recently and i like to think they saw past the weird shit and saw the charm and accuracy that's in there deep down

like is the movie GOOD? god fucking no. is it stupid and charming and is there some actual CORRECT lore there for once? yes!!!!!

also lest we forget, my girl had the FIRST real mainstream comics solo female superhero movie and they will never take that away from me. women say thank you

netflix daredevil

to begin with. elodie yung can do no wrong in my eyes. she loved elektra and being elektra and she did such a good job with the absolute NOTHING she was given to go on

they completely ignored her origin which is what resulted in the further issues with the adaptation. fundamentally, if you don't give her the right beginning, you can't do much else

they just dumbed her down imo. like she enjoys murder which just isn't... how it is. she doesn't feel bad about it, but i dont think the show is intelligent enough to show that

she's too easily used by stick and others. she's an intelligent woman who has been on her own for so long, she should not be forced into the schemes of these freaks

she always has her own motivations and plans, but in the show, it just feels like she's manipulating... for no reason. like. what does she WANT through this whole show. she especially wouldn't manipulate matt for no reason like its just not in her nature to treat him like a dumbasss

on top of that, there's this whole idea that she makes him worse. she brings out his worst qualities, and even aside from that being a point of like... sexism that a man cant be responsible for his own behaviours...... the point of the two of them is that they are fundamentally the SAME. same ideals in childhood, same beliefs and goals. the point of them is that they would be in the same place, probably together, had this one thing not happened to elektra and changed her trajectory. but it's always framed as.... she went off the rails and now she wants to drag him down too

which like i said, is because they didn't get her origin right. all of this show's issues wrt to her characterisation could be solved by giving her the right origin, or it would at least give her an actual reason for being how she is

i've talked a lot about the issues w this show regarding elektra i can't find all my links right now!!!!!

anyway long live daredevil 2003

[whoishotteranimepolls]

Fantasy Anime Recommendations

I love all kinds of fantasy, whether it be high fantasy, low fantasy, dark fantasy, or urban fantasy. So here are my recommendations for that genre.

Disclaimer: More will be added to this list as I slowly work through my to-be-watched list

Black Clover

4 seasons and a Canon movie ongoing

My favorite underrated Battle Shonen series is about an orphan boy who dreams of being the wizard King. However, there is a slight problem since he was born without the ability to use magic. This is for you if you like the classic battle Shonen. It takes that classic formula and executes it to perfection. Plus, the show has some of the best-written supporting cast and female characters in Shonen.

Mashle: Magic and Muscles:

2 seasons ongoing

Satirical parody of Harry Potter. Except it's a kid without magic who has to somehow survive at the universe equivalent of Hogwarts without anyone finding out he can't use magic

Frieren: Beyond Journey's End

1 season ongoing

It's a beautiful story and one of the best shows I've ever watched. However, it is not for everyone. Some people cannot handle the slow pacing because sometimes it is just as much of a slice of Life as it is an action-adventure story.

Wistoria: Wand and Sword

1 season is ongoing

A kid without magic wants to be a great magician, but to gain that title, he picks up a sword to prove you don't need magic to become the greatest. Unfortunately, he still has to go to magic school. Black Clover mixed with Mashle is just as good as both.

Black Butler

4 seasons, a two-part special, and a Canon movie ongoing.

A young boy and his demon butler solve mysteries in Victorian England. I recommend researching what Canon and non-canon or OVA are before you start. Otherwise, you will be confused.

Dungeon Meshi

One season ongoing

There's a reason this took over Tumblr for months and is still trending

The Case Study of Vanitas

A human doctor for vampires and his vampire companion in Paris. This one was an emotional roller coaster. The fate of season 3 is unknown and it is a shame

Trese

It's a supernatural detective show set in the Philippines, and it's a shame it only got one season

Not anime, but still adult animation

Castlevania

Completed, but there is an ongoing spin-off series

Based on the Japanese game, Netflix did a fantastic job adapting it. I never played the games and I loved it. I rewatched it with someone who played the games, and they loved all the Easter eggs

The sequel Castlevania Nocturne is not as good as the original. Hopefully, they fix that with the second season. The trailer did look amazing

The Legend of Vox Machina

3 seasons ongoing

You like classic high fantasy. This is for you. It's based on the D&D live stream show Critical Role. A friend of mine jokingly calls it Middle Earth. If they were allowed to say fuck it's very adult and very gory. However, it is amazing and one of my favorite animated shows.

Blood of Zeus

2 seasons ongoing

If you like Greek mythology, this one's for you. The story of one of Zeus's bastards and the consequences of Hera finding out about them. It's a story that feels like it could be straight out of Greek mythology and they do a fantastic job

Maya and The Three

One season it's a Netflix exclusive

Think of it as a love story of Mesoamerican culture in animated form. It's probably the most out of my recommendations because it is 3D animation. But God I love this show. It's about an Aztec princess who has to fight the gods in order to save her Kingdom along with her companions, who are members of the Inca, the Maya, and the indigenous Caribbean culture. Again, it's a love story of the indigenous cultures of Mesoamerica made by actual Latinos. I love this show so much, and it is underrated.

[cineflections]

You know, if there was one manga that would be adapted to live action and succeed, I never would have guessed it to be this one.

I'm ofc talking about the One Piece Live Action on Netflix

A whole day binge right after release, I was READY, and thankfully, I was not disappointed. There are cuts and streamlining of the story, characters coming in earlier than in the manga/anime, and some of the emotional bits don't hit as hard as in the original. Still, I can feel the love the production team has of One Piece. The characters are goofy and lovable, but they are also serious and straight-faced.

One thing that I noticed throughout was the constant close up to faces and sometimes straight on, as if almost breaking the 4th wall. The very first scene with Luffy is like this, but there he DOES look into the camera directly, but the pov of the camera is revealed to be a newsbird. It's like a statement that they know this is a silly pirate romp, they know that some people will not take this seriously, but they will not do 4th wall breaks silly, but in-universe silly. Does that make sense?

I laughed at several points in the show, big and wide smile on my face and pointing at the screen several times...

But I do wonder how much of my laugh was on the show's on merit or if I was only calling back on the the source material. At times I did feel the straw hat crew not being as iconic as in the manga/anime. The extreme reactions, the over the top noises and actions, at the same time I realize that real people generally don't act like that.

I appreciate the show runners attention to details. Putting stuff in to tease future arcs, adapting some cover stories, some of the complete unhinged behaviors of characters (Garp I'm looking at you!).

This show adapted Romance Dawn, orange town, syrup village, baratie, and arlong park.

There are so many moments that are almost scene by scene taken from the manga. Luffy in the barrel and meeting Koby. Alvida with her giant spike club. We got to see some pre-captured Zoro moments (particularly him killing a baroque works agent!), Nami being a sneak.

Then we meet the one and only clown Buggy! They hammed him up, they made him a showman and a real clown (with a real bulgy nose as well, props!). I loved Buggy. Goddamn what a show stealer. Excellent casting, his devil fruit was show cased so well and it looked good!

Usopp's introduction is the most changed. The kids are gone and the Black Cat pirates never call in the entire crew or Jango. Instead of the fight on the slope by the beach it's instead in Kaya's house from which they cannot escape. The actor for Kuro nailing the mannerism and hand movements, altho his "teleporting" looks a bit wonky.

With Baratie we are finally introduced to Sanji! Who's British now 😆. And Mihawk's introduction tho! Badass and just so over the top and goofy. I love him so much! This is where we got the biggest change where we instead get Arlong and crew coming in smashing the place up (a tiny bit). Arlong may not be as tall as he should be but I love the practical approach instead of CGI, which means he actually feels present! All the fishmen we see are guys in costume and prosthetics!

Arlong Park felt a bit more rushed than the earlier parts, but I do think they nailed *that* scene tho.

If the bar for live action adaptation was below the ground, I would say now there's a new bar, which is on the ground 😅. I think it's a solid show but it might be my bias talking. I do have some gripes tho.

One thing that was constant in East Blue Saga was how much village people hate or are scared of pirates. I think they got the marines right, and the pirates, but they failed to really have the village people be a character in their own right. In the manga and anime the villagers are mostly a monolith who will think and act alike in situations and be part of the happenings either by watching or fighting. We got just about none of it here, except a mention in Arlong Park. They did some really good and cool world building with lots of people populating the sets in the background - but that's it, they're just extras to fill out the screen. There are ofc a few exceptions but I felt it was not enough.

I wish they had Luffy be more agile when using his gum-gum powers. Whenever he springs a pistol or a whip is stands in place, which I found boring (and they did so well with Zoro's fights!). I do think the explanation is that they decided for Luffy to be coming into his powers as we go. That we will learn with him all the things he can do (him not knowing he can blow himself up like a balloon proves this). I hope that in season 2 (please netflix!) they show the growth in his fighting!

But to end this long post. I just wanna say how much I fucking love the dude playing Mihawk. Goddamn he's so fun. MVP.

For the straw hats, I would say that Usopp feels the closest to manga version, and Luffy feels the most distant from it. But I don't dislike this, and I think the actor for Luffy has so much potential to really make the role his own.

It will never be "just like" the manga and anime, but that's ok! It's a new adaptation (in live action) made by people you can tell loves the source material and really really tried to make it work! I respect that, and I respect this show. Please watch it on Netflix! It's a fun and silly time, just like it should be!

[balillee]

had to turn back to tumblr after a year of not using it to hate on the new atla adaptation

a few things

speedrunning through half of the story with the fire nation family is not a good idea, actually. lu ten was introduced far too early, and with it you delve into iroh's backstory, motivations and true character before you've even fully developed the whole 'silly old spiritual man who prefers tea and hanging out with his nephew over hunting down an 11-year old air nomad'. the lu ten funeral scene was fine as an addition, but it's not something for book 1. learning about lu ten is something we do in book 2 as it compliments the developing relationship between iroh and zuko with the fire nation as a whole. also, iroh seems a lot less cool. the show commits the grievous literary sin of always telling rather than showing, and by continuously telling us 'he's the famed general iroh, dragon of the west' you're not actually accomplishing anything. let him redirect some lightning you fucking cowards.

azula also seemed to exist for no reason. any of the correspondences to azula from zhao could have bypassed her entirely and could have gone straight to ozai or even the fire sages. she exists in season 1 purely to rush through explaining zuko and iroh far too early. the show exists as a guideline. FOLLOW THE GUIDELINE. THE GUIDELINE IS GOOD. EVERYONE KNOWS THE GUIDELINE IS GOOD. also make her fire blue. cowards

aang does not waterbend for the entire season, which means the window of opportunity for him to learn to bend the other elements before the arrival of sozin's comet is even shorter than in the original show. even the original aang, who the netflix adaptation changed because he was 'too childish and always goofing off instead of getting to the point' understood his responsibilities to learn the elements better than this new live action version - part of the reason for the gang to get to the northern water tribe was to find aang a teacher (not just katara), master pakku, because katara was not capable of teaching him at her novice waterbending level but even so they were still seen practicing together on multiple occasions.

this brings me to my next point. WHERE THE FUCK IS JEONG JEONG. aang in the original series understood the urgency of defeating the firelord before sozin's comet after speaking to roku very early on, not as late as depicted in the adaptation. currently, the gang don't even know that they're on a time crunch, and yet still the show refuses to let them take their time by going on side adventures. this leads into the episode where aang meets jeong jeong and tries to learn to firebend before he's even started earthbending at all, because he's still scared that he only has a year to master the elements. he burns katara while trying, which is the reason she learned she had the power to heal with her waterbending, we see how fucking sick jeong jeong is at firebending for the first time during the fight with zhao, and aang swears off learning firebending at all, which is one of his main points of conflict leading all the way into book 3. if we skip that whole episode, we have skipped meeting one of the members of the order of the white lotus. the show could think it's slick by omitting him to just have iroh as the white lotus' firebender, but that's possibly one of the worst changes they've made. the deserter was not a filler episode.

i know a lot of people were talking about this before the show even came out, but sokka is not sokka. in book 1, sokka is three things - funny, overconfident and sexist. in the live adaptation, he is kind of one of those three things. part of why sokka's arc is one of my personal favourites from the original show is the stark change you see from the start to the end of his story - he believes himself a leader but has no real tactical or combative experience despite telling all the fighters and warriors he meets about how impressive he is. and then at the end of the show he is a definitively strong leader, shown by leading the assault on the fire nation armada - his team being two of the show's most competent female characters, who he trusts and respects with his life. by omitting these traits from sokka's character, you remove a big part of why he's even there in the first place - his arc's beginning allows him to become the fearless leader that lead his team to defeating the fire nation army.

i also hate that aang meets monk gyatso in the spirit world. a big part of aang's conflict about running away is that there exists nobody in the world who can tell him that what happened to the air nomads was not his fault, and that there was nothing aang could do to stop it if he was there. the new adaptation decides against the inclusion of one of aang's primary internal conflicts by changing the 'running away from his responsibilities as the avatar because he's a terrified child' to 'getting some air', and then throws in meeting the spirit of monk gyatso to tell him all of these things that aang needs to learn on his own. once again, telling rather than showing.

and finally, my least favourite change - the agni kai. part of the reason why i personally think the agni kai is so significant to zuko's story is the fact that zuko intentionally refuses to fight. in the adaptation, zuko fights back against his father, and his father scars him simply because zuko hesitates. in the original series, zuko bows to his father and pleads for mercy, and refuses to fight at all, and that is when it cuts away to iroh and azula's very differing reactions to the altercation, zuko screaming in the background. the setting also irritates me, because in the original, the agni kai was a public spectacle for hundreds to see in an ominous chamber, while in the new show it looked like just a regular old family gathering in the sun. zuko's adaptation scar i also hate because it doesn't even look like a scar. it looks like a birthmark, or at best, a black eye. if you hadn't seen the original, you would only know that it's a scar because the show tells you that it's a scar. zuko's scar in the animated series is a definite physical deformation of his face, his face looks red and raw, and his eye is smaller likely due to how the tissue healed, and as the show goes on you learn that the severity of his physical scars reflect the severity of his emotional ones. the original show does a brilliant job at showing how, just through the scar and the banishment alone, that despite zuko's beliefs, his father has betrayed him time and time again.

[burst-of-iridescent]

atla live action thoughts: season one review

first things first: anyone who says the Movie That Does Not Exist is better than the live action is straight-up lying. the shymalan film fails on the criteria of even being a decent movie, let alone an adaptation. the netflix series, for all its problems, is at least an enjoyable watch with great effects, music and (mostly) appropriate casting. there's absolutely nothing to compare here - the netflix version clears easily.

now that we've gotten that out of the way, let's delve into the series, starting with the positives.

the good:

visuals and cinematography. they really did a great job of making it feel like a fantasy universe you wanted to be in & i love how vibrant the saturation and colour grading was. it made the world feel so much more dynamic and alive instead of the same flat, boring dullness that so many movies and shows have these days. sometimes i didn't even mind that i was being fed obvious exposition because at least they were giving me something pretty to look at lmao

effects and action. the bending was surprisingly good for the most part, and they did a good job of making the elements feel unique through the stunt choreography and the actors' movements. i'm immensely thankful they didn't try to skimp on budget by merely cutting away from fight scenes or showing us as little as possible. almost all the action sequences were fast-paced and engaging, and i was never bored watching them

acting. the main four were all great, but gordon cormier and dallas liu have to be the standouts for me. gordon brings such an earnest, innocent sweetness to aang that you can't help but like him, and dallas plays all of zuko's facets perfectly: the angst, the explosive anger, the bratty snark, and especially the deep-rooted pain that characterizes so many of zuko's actions in book 1. the range he has, especially when flashing from younger to older zuko, was insane. special shoutout to maria zhang and sebastian amoruso as suki and jet respectively, because they killed it

music. leaves from the vine instrumental had me tearbending and i love how they kept the iconic avatar theme while making it a little darker for this iteration of the story. in general, the soundtrack felt very true to the animation while still being a fresh spin on it

zuko and iroh's relationship and expanding on zuko's crew. i think the fandom universally agrees that lu ten's funeral and zuko's crew being the 41st division were the best changes in the series, so i'm not going to talk about it further other than to say that these scenes show me what the show can be, and that's why i'm not giving up on it

the bad:

characterization. almost all the main characters are missing the little nuances that made them so great in the original, but the greatest casualty is katara. i hate that they took away so much of her rage, and gave many of her traits and struggles to sokka. i don't think this is a problem solely with the writing though, because certain lines do feel like things animated katara would say, but the directing and line delivery don't have the same punch that made her so fierce in the original. this is an easily fixed issue though, so i hope they take the criticism and let my girl be angry and fuck shit up next season

exposition. this was primarily a problem in depicting aang's personality and the relationship between the gaang, because a) why are you TELLING me that aang is mischievous and fun-loving instead of just showing me and b) the gaang do NOT feel like close friends, mostly because they spend so much time apart in every episode that they have little screentime to actually bond and develop intimacy.

lack of focus on the intricacies of bending. for a show whose tagline is "master your element" the characters spend very little time actually... mastering their element. zuko is never shown to struggle with firebending (which is going to have ramifications when it comes to developing his relationship with azula), and neither aang nor katara ever learn waterbending from a master throughout the the entire show. i'm pretty sure aang never willingly waterbends ONCE in the entire eight episodes, discounting the avatar state and koizilla. bending isn't just cool martial arts, it's closely linked to the philosophies and spirituality of each nation, and i wish that had been explored more.

pacing. they really needed to do a better job of conveying that time passed between episodes because an 8-episode season is just going to FEEL shorter than a 20-episode one. the original animation felt as though they'd truly been on a long journey before arriving at the north, but here it feels like the entire show happened in the span of a fortnight or so because each episode seemed to pick up right after the previous. they needed to have more downtime within episodes instead of just rushing from plot beat to plot beat because it made everything feel a lot more rushed. give the characters and story time to breathe.

final rating: 7/10.

overall, i would describe the live action as a better version of the percy jackson movies - not an accurate or perfect adaptation, but a decent story that's very fun to watch. but what really makes me root for this show to get a season 2 is that it has a lot of potential and more importantly, a lot of heart. it's evident that the people who worked on it do genuinely love and respect the original series, and it shows onscreen.

regardless of anything else, this show created opportunities for so many asian and indigenous actors, writers and creators to tell the kinds of stories and play the kinds of roles they don't usually get, and that's something worth supporting. if they take the criticism from this season and improve, i believe they really do have something special on their hands which - although it might not be the original we all know and love - could still be a story to be proud of.

[knighthans]

Hi :) Do you have any French movie recommendations that I can find on Netflix? (or pirate)

Heyy!

I don’t watch that much french films so almost all of them are very famous ones (but I think they’re absolutely not known for the rest of the world)

I’m gonna do name in french (name in english + link for the plot): my thoughts (probably gonna sound not serious at all)

-La venue de l’avenir (Colours of time): it’s a coming of age film that happens both in 1895 and 2024 and it was so sweet

-Le comte de Monte-Cristo 2024 (The count of Monte-Cristo): Revenge story in the 19th century, the main character is so smart, it’s thrilling. Not the only adaptation of the book, but definitely the best (costumes, lights, rhythm, acting, make up, set it has everything) It was a huge success in France

-L’amour ouf (Beating hearts): Another love story, a second chance romance (i love these) but with action and drama and hopeless fate such good actors

-La Cité de la Peur (Fear City: A family-style comedy): my second favourite film in the whole world, it’s a reference in my family, we all know a most lines and use them way too often. It’s a parody of big budget Hollywood horror/thriller films. We find it extremely funny but it’s a special type of humour: it’s bad, so bad that it’s actually funny.

-La Haine (La Haine): 1995 but never gets old, just so good. Shows the other side of the perfect romantic France/Paris the world knows. Treat police violences and the reaction of hopeless people. Political as we like it (I feel like I’m describing it so badly but its just so good)

-Asterix & Obelix: Mission Cléopâtre (Asterix & Obelix: Mission Cleopatra): Adaptation of a french comic book about a gallic village during the roman empire. There are many comic books and many adaptations but this one is the funniest imo (there’s a new animated series on netflix btw which is also cool (but dont watch the film on netflix because boycott the main actor))

-Demain tout commence (Two is a family): sweet film about a dad and his daughter building their relationship, nice when you just want a break from bad things

-L’inconnu du lac (Stranger by the lake): he’s gay, he’s in love, he’s doomed and I LOVE IT (NOT sweet gays)

-Réparer les vivants (Heal the living): I had to read the book for school and disliked it but I loved film! A teenager die and we follow both his family and the family of the woman who gets his heart transplanted. It really made me think about life and death

-Anatomie d’une chute (Anatomy of a fall): shows the trial of a woman accused to have murdered her husband with their son (who has vision problem) as the only witness. Sounds good? It’s better. It goes deep into the relationship between the parents and somehow makes you doubt everything you know

Also I checked and none of them are on Netflix USA but I know websites if you need

If others have other recommandations please gimme!

[shadowed-dancer]

I watched the Netflix atla and I have thoughts

I will break them down into positives, negatives, and assorted, but if you want the short version: it's better than the M Night Shyamalan film.

Positives

I like that Zuko's crew is the 41st division. It's a cute detail, and honestly I had always wondered how they chose soldiers to accompany an exiled prince

I actually liked Suki's characterization. Like yeah, I believe that girl has never had contact with outsiders. And I think her chemistry with Sokka is great! I can't wait for her to come back and see more of the world (her "thank you for bringing the world to me" line is cute when you consider he brought her an air, water, and fire bender... less cute that her village almost got destroyed but still)

Hot take: I don’t mind that they cut Sokka’s sexism arc. It was minimal in the original series to begin with, and with the pacing of the Netflix series it would have been pointless and rushed. I truthfully believe that if they hadn't mentioned the cut beforehand, 5 people at most would have noticed it was gone

Wow Koh the Face Stealer is SO MUCH WORSE in live action. So gross. His face BLINKS. 10/10 to whoever designed that, I hated it and recognize that it was perfect. I look forward to seeing it in my nightmares (also I don't mind the change of "don't show any expression". It still works)

Gyatso telling Aang that it wasn't his fault and that he wouldn't have been able to do anything was so sweet and important to me, especially with all the other adults in this series being turned into Grade-A assholes. It’s been a while since I watched the entire original series but were the adults THIS mean about it in the original? I know the occasional random townsperson would say "you abandoned us" but I don’t remember people like Bumi or THE OTHER AVATARS blaming him like that (I know this is the positive section but just to be clear, the positive is the Gyatso scene. Turning everyone else so mean will be touched upon in the negatives)

All of Gyatso's scenes were actually amazing. I cried. Also finding his body hit so much harder in live action.

Leaves from the Vine playing during Lu Ten's funeral and then again when Iroh chose to go with Zuko... I tearbended HARD at that one

I think they did a good job merging three story lines into Omashu. I know it may bother some fans, but for the time they had I thought combining all of those together within the city was clever. Plus, since we see the city get taken at the end of the season, we feel more invested since we spent more time there! (I'm also glad they didn't destroy the Northern Air Temple... that always bothered me)

The sets are lovely. They look so similar to the original show and it makes me happy to simply see these places come to life. I got so giddy seeing Omashu you don't even understand

I like the interpretation of Aang’s tattoo. That was actually the one thing I liked from the M Night Shyamalan film (intricate designs rather than a straight blue block) and I feel this is an even better interpretation (the designs are more subtle until he lights up)

The wink and nod to the great divide (and other episodes like the pirates) was cute. I do wish we got to see some adventures of the kids bonding, but boy am I glad they didn't feel the need to adapt the great divide

I liked that they sang secret tunnel a little early. The second the mechanist brought up the secret tunnels I burst into song on instinct, so it's only fair the characters do the same

I liked Zuko having a notebook on the avatars. Of course he would have made that. And I liked that Aang used it as a reference

I liked how they teased the "my cabbages!" line before giving us the real thing. Just a fun thing for fans of the original

Negatives

The first episode had so much exposition it actually felt exhausting. Also Zuko really came out of the gate swinging with his motivation, eh? No nuance or slowly unveiling why he wants to capture Aang? Ok...

Ozai confused me. After finishing the season I believe Ozai's motivation was "sacrifice the weak to become strong, use Zuko to fuel Azula to be better" but it felt so confusing to get there. There was a point where I thought he genuinely wanted to see Zuko grow and find the avatar, and while it's fine for Zuko to think that, it felt weird for us to be jerked around like that (especially the in-between point where it feels like he prefers his banished son to his spy-catching daughter).

I also don’t like the way he acts with Azula (again, I know it's an act, but it's a bothersome change). He calls her performance below average. What happened to "she’s a true prodigy, just like her grandfather for whom she was named"? When characters like Mai and Zhao have to tell us "he's just playing games" it feels like they are telling rather than showing. "She's a true prodigy" SHOWS US he has a very obvious favourite. "He's playing with you" TELLS US that he's lying, and we therefore need to just accept that Azula is actually his favourite even though nothing he has done supports that

I don’t like that Aang was heading North due to a premonition from Kyoshi. I always liked how "the avatar must travel the world and find their own teachers in order to care for the world". Why not let him look for teachers? It enforces the idea of the avatar needing to care for all nations in order to protect all nations. I feel like it was supposed to go for this new direction of “the avatar must do it alone” but unfortunately I don't like that message as much

I mentioned in the positive section, but so many of the characters are weirdly mean (specifically the adult characters). I feel like they are trying to go for a message like "childlike mentality isn’t bad and it’s this innocence that will succeed where adults failed" but it just comes across as every grownup but Gyatso being the worst. Why are Kyoshi and Kuruk yelling so much and blaming Aang for everything? I feel like the goal will ultimately be to prove them wrong, but I do not like this characterization

Zuko’s scar needed to be SO MUCH WORSE. Something I love about the original is that every time we look at Zuko, we get a horrific reminder of what kind of person the Fire Lord is. It didn't just make his skin a little red, his eye is stuck in a permanent squint. His ear is shrivelled. You can tell that it was BAD. Here? He could cover it with makeup if it bothers him that much. Where's the texture? Where's the ear and eye damage? Sometimes it looks more like a birthmark than a serious injury. At the very least, take away his eyebrow!

Sokka and Katara’s being trapped in the spirit world was lowkey a little dumb but I get what they were going for (it's more urgent than them needing to suck on frogs). It just makes it seem worse when Aang is sitting there chatting with Zuko about his brushes. Like I loved the conversation but the fact that Sokka and Katara's lives were in danger (along with the villagers) makes Aang seem weirdly dismissive in that moment

Also... I just realized while typing this, but did they give us an ending to Hei Bai being in pain? Did I completely forget the resolution to that or was it not shown?

I don't like that Zuko chose to fight in the Agni Kai. Seeing him on the ground begging forgiveness and THAT'S the kid Ozai scars and banishes is way more impactful than "he fought but didn't go all out"

This shit went off the rails in episode 7. Why is Yue a fox who just chills in the spirit world? What happened to Tui and La? Push and pull? Yin and Yang? I got confused somewhere along the way

Am I the only one who felt the Yue and Sokka kiss came out of nowhere? She literally said she called off her betrothal when she was 16 (before meeting Sokka) because that dude wasn't the right guy. But then the kiss immediately after implies Sokka is the right guy??? The guy you didn't know existed??? Or are we supposed to infer that she fell in love with him in the spirit world? Either one is so bad pleasssseee

I infinitely prefer Zuko trying to save Zhao and Zhao choosing to die out of sheer stubbornness, compared to Iroh killing Zhao to save Zuko. Like yeah, he'd do anything for Zuko, but I felt that crossed a line (and was less impactful)

Assorted Thoughts

They mentioned the mother of faces, are we gonna see Zuko’s mom get addressed at some point? Or was that just a wink and a nod for fans who know?

The kids are pretty good actors but Katara’s sometimes feels like she's… in a school play. For lack of a better description. She's not bad, it just doesn't always feel natural or as expressive as she could be

Yue's actress on the other hand... look I don't like insulting child actors but her performance was not my favourite

Meanwhile, I loved the casting for Zuko and Aang. I like this slightly-less-angry Zuko, and Aang's actor has such a sweet face that it hurt me to see him sad

I wish we got to see an Agni Kai between Zuko and Zhao. Simply because establishing it early helps introduce us to this idea. It makes it more impactful when Ozai declares Zuko must fight, since we now know what that entails

I feel like the series is at its best when it's doing it’s own thing (the Gyatso scenes, Suki's new characterization, Lu Ten's funeral) and is at its weakest when it's trying to copy the original

[goldensmilingbird]

🌻

Alright, I'm gonna tell you about a random fixation I had.

So there are these movies, White Snake and Green Snake (or White Snake 2: The Tribulation of the Green Snake in Chinese), made by Light Chaser Animation studio that wants to create their own Chinese mythology animated universe (I haven't watched their other movies but they're not relevant here).

So the first movie is an adaptation of White Snake legend, a love story between a human named Xu Xian and a white snake spirit named Bai Suzhen. From what I read, it's one of the most widely adapted chinese legends and is considered one of China's Great Four Folktales. And that movie did well. I stumbled onto it by chance and I enjoyed it but didn't think much of it.

But the second movie... It just goes into completely different direction. Love story in ancient China? Nope, now it's about White Snake's sworn sister Green Snake trying to get back to her and get out of post-apocalyptic, Mad Max-like city that's ruled by gangs and constantly getting destroyed and where people get sent because they can't let go of their obsessions and reincarnate (and White Snake is her obsession). Green Snake doesn't want to let go of it, so she tries to find another way. I loved this movie (though I had to watch it in two sittings because it's over two hours long).

What's confusing is that in Netflix translation the snakes are just called sisters (leading to me and other people thinking they're blood-related), so when I finished watching the second movie I was like "this is one of the gayest things I've ever seen, how is it between two sisters". I looked it up and found out they're not actually related and that there's a whole history of people taking this story and making it sapphic in some way. Like one of the tv show adaptations having a woman play the male love interest, or the live action Green Snake movie based on a novel getting kinda homoerotic with it, or people just making cosplays and art and stuff shipping the two snakes. Here is an interesting paper I found about it.

And here is an example of the stuff people make (I would definitely watch it if it was turned into a short series or smth like that).

Anyway, one day in February I just randomly remembered this movie and got a bit obsessed with finding out more about Green Snake. I read the plot of the original legend which explained some stuff like the monk trapping White Snake under the pagoda. I watched the live action movie, and it was beautiful and interesting and strange. Green Snake is pretty different in every adaptation I've seen but I love her anyway. Here, she is curious about what love is and whether she can feel it, and she even tries to seduce the monk who sworn off these kind of feelings and says to him "it's pity that you and I don't have human emotions". I can see this version of her through aromantic lens as well. I tried to find the novel but sadly, I don't think it was translated. I only found an app that allows me to read it in chinese.

I have a whole folder with screenshots. Look at her, she's beautiful 💖

I also found there was a White Snake story in a dress up game called Time Princess where you visit different stories and unlock outfits, and I started watching a gameplay of it on Youtube but haven't finished because my fixation ended as randomly as it started. But the story is about the snakes running an apothecary in order to earn enough good deeds to become immortal while Xu Xian is running a rival apothecary and people are starting to suspect the girls aren't human. And the art for this game is really pretty.

Also I forgot to mention that at least in one of the versions of the legend I've seen Green Snake was originally male and decided to become a woman to stay by White's side after being saved by her, and some people interpret her as trans because of that.

Anyway, I love how entertwined they are, but I'm also sad because the legend is about White Snake falling in love with a human, and because of that they can't be together 😔The third and final movie will come out this August and looks like it will focus more on the original myth again and probably won't have much of my girl Green Snake. Still, I might watch it.

I don't know how to finish this post so here are some beautiful figures and dolls of them I found (which I'd be tempted to buy if they weren't so expensive)

(Chinese mutuals, please, feel free to correct me if I got things wrong or misremembered something)

[melonteee]

I'm really enjoying the live-action show. It's different, but I think some changes are improvements, some changes are neutral, and some changes are for the worse. Overall, I'd say it's about as good of an adaptation as the East Blue anime is (factoring in the changes the anime made).

Syrup Village is a great example, they cut Jango (though you do see his Bounty poster, so he still exists in canon), but they also made Kaya's illness be the result of Butchie poisoning her and part of Kuro's plan. Luffy drinks the poison soup and that replaces the scene of him unconscious from hypnosis. Zoro has to climb out of a well, and that replaces him climbing up an oil-covered hill and also sets up for Mihawk saying he's a frog in a well. They also change the setting for the battle from a beach to inside the mansion, introducing a horror theme to the story which rachets up the tension a lot more. Sham is also gender-bent and super cute.

And it's not wrong to say the showrunners understand and love the characters and the world. All of the bottles of alcohol are brands in One Piece, the barrel Luffy gets into has the name of the fishmonger from his village, Garp mentions that he's turned down multiple promotions, Nami reads Noland the Liar to Zoro while he's unconscious after his fight with Mihawk, Arlong introduces Fishman discrimination.

I think it's best experienced from the perspective of "it's going to be different, and that's okay". The characters are written a little differently, but not in a bad way. They still feel like the characters at their core, Inaki's Luffy and Taz's Sanji are two stand-outs, they're fantastic.

I understand if it's just not for you, and you did watch one episode, so I can't say you didn't give it a chance at all. I just feel like you and the others are being too harsh on it. It's way better than any other live-action anime adaptation I've ever seen.

I appreciate this anon and I do think the poison change works, but there's certainly a 1 good thing for 9 bad things ratio going on. Because in all fairness, I am going to be extremely critical of a 20 year old series that's making an adaptation with a 17 million dollar budget per episode - especially from Netflix. If I'm being approached by friends who were actually excited for this series and they came out of it disappointed, somehow I don't think I'm gonna have a good time myself. I'm watching One Piece for One Piece, I don't think I should go into an adaptation thinking this is gonna be different in STORY and CHARACTER. I can accept changes for medium, of course, but there are so many absolutely bizarre changes that literally do nothing. You don't go from the manga to the anime and think "Well if I just disconnect these characters from their original selves, I can soak this in fine" because in all honesty, that probably means it's a bad adaptation if you need to work to see what you want to see.

Also the 'frog in the well' thing is exactly my point of this script just slamming you in the face with what it's trying to do, we are not meant to take that literally. The well is the east blue that Zoro lives in, not a literal well lmao. It's a nice cheeky idea to have, but the goofiness of Zoro's character is removed from the scene where he's trying to run up a greased hill like an idiot. Because yes, even THAT scene served a purpose for Zoro's character and how we view him. It's definitely subjective to say the characters are written differently but not in a bad way, because ripping away parts of a character to leave them as this Frankenstein version of themselves is personally not something I want? Why would I WANT all the goofiness and stupidness taken out of Zoro? It might be good for some, but it just feels like a total downgrade and misunderstanding of his character to me. Same goes for Sanji just being this artsy guy who's complaining cause he can't make the dishes he wants, with his over dramatic, angry, violent flare completely gone. Those changes being good or bad are completely up to you, but I am personally just made to see a hollowed out, dumbed down version of them because I liked these characters as I originally met them and that's what made them stand out.

I appreciate the time they put into the sets, I do think the visual world was made well (although it could've used a bit more style), but the little physical details mean absolutely nothing if I can't even FEEL the magic the original gave me. A set does not make a series, 1000 strawhats will not make me see Luffy unless he is written to be Luffy, and that's the problem. I don't want to watch an adaptation that removes the most emotional and impactful moments of my favourite character just to replace it with a fight or to focus on ANOTHER character they've deemed more important. I am going to be critical because these characters mean a lot to me, and I am expecting to feel from an adaptation what I felt from the original with such characters. An adaptation does not mean making things different just for differences sake. I am glad you enjoyed it anon, as many people have, but if I'm watching something that's literally called One Piece and have been told this is an adaptation of One Piece - with the producers even saying they want to put the manga on the screen, mind you - I am going to go in there expecting One Piece, from the characters to the story. I shouldn't have to do the work in my own head and go "Well, they did their best!", especially at a million dollar Netflix production...sigh

[talkingperfectly-loud]

Okay! So, I’ve finally watched the Netflix Live Action ATLA and gathered my thoughts! Spoilers under the cut…

Overall score: 7/10

Overall thoughts: I was actually pleased! I wasn’t going in expecting it to be like the original series, and I was really excited to see how they would tell the story, what they would keep, and what they would change. I think that they did a great creative job melding a bunch of story lines together in a way that made sense, but, on a negative note, they did miss some key character beats that ranged from baffling to unforgivable. I loved this cast, and I think they all embodied their characters so well (Dallas Lui as Zuko?!? Hello?! *Chef’s kiss*). Deliveries were a bit stilted (to be expected with young actors just starting out), but I actually found it endearing, and they’ll only get better with practice. The bending wasn’t nearly as punchy or fun to watch in live action (especially the water bending. Oof), but it was leaps and bounds better than the Movie That Must Not Be Named. Below are the major takeaways:

Things I disliked

- Making the discovery and freeing of Aang completely passive. In the animated show, this was brought about BY Katara and Sokka. Their characters and their bickering, which caused Kataras rage, which caused her to waterbend, which caused her to free Aang. In the live action, it just… happens? Randomly? Nothing caused it, and it was a much weaker moment because of it.

- They took away Zuko’s crucial moments of mercy. Yes, they have him save the 41st, and yes, they have him hesitate during his Agni Kai with Ozai… BUT he was about to burn Katara on Kyoshi island? When she was down and unarmed?? At the North Pole, he was about to burn Zhao, who was also down and unarmed?? Absolutely not. No. No way. He wouldn’t even burn Zhao in the original show, because he knows what it’s like to be burned and despite his rage, he is a good person. There is absolutely no way he would be willing to harm someone who is unarmed.

- Sokka not explicitly asking Suki to train him. We NEEDED to see that humility where he asks for their help, not just him staring wistfully through the door and her taking pity. Humble him!!!!

- Sokka not being involved in the Jet storyline. I know that Katara is more obviously the choice to get involved here (love interest, etc), but Sokka and Jet are foils! They are both young men tasked with protecting people they love. Not having Sokka’s moment where his skepticism and independence saves the day is such a loss for his character. This could have even been kept in the Omashu storyline, with Sokka evacuating a building before a bomb goes off, etc.

- Why the literal heck did Bumi himself come to the front of the palace to receive the inventions from Sai?? What the hell even was that scene??

- Cutting the Haru storyline. This episode is crucial for Katara, who has WAY too little to do in this show, tbh. Her rallying the earth kingdom prisoners, and encouraging them to fight back is so so so important. I think they tried to move this to the Northern Water tribe storyline (when she rallies the women) but we don’t SEE it!! It happens offscreen!!!!

- Minor, but the blue spirit mask looked kinda dumb. I wish they had taken inspiration from real kabuki masks and made it more scary.

- I personally feel that Ozai is TOO personable in this adaptation. I’m guessing Daniel Dae Kim probably had a lot of say over the portrayal of this character, but I don’t think they made him dark enough. Ozai is cruel and that is CRUCIAL. He is abusive and manipulative, and hateful. Framing Zuko’s banishment and mutilation as if these were deliberate “learning moments,” rather than cruel, unjustifiable abuse is character assassination.

- Azula isn’t Azula. No shade to the actress, but the script has her written as a hot-headed, temperamental teenager desperate to prove herself. That’s ZUKO! Azula should be able to make grown men per their pants. Do her bidding. She can command armies. She never lets you see her weaknesses or her walls. She is cold, calculating, and terrifying. She is 13 steps ahead of you. Live action Azula loses her temper during a fight, talks back to Ozai (?!?!), and whines to Mai and Ty Lee about her frustrations. That’s not Azula.

- The “ice moon” thing at the North Pole? Why? Why aren’t there any spirits in this world? There’s no need to change that.

- Zhao’s death!?! What the hell was that!?!? No no no no no. Absolutely awful in every possible way. Where was his karmic justice?!? Why introduce the Fog of Lost Souls if you weren’t going to show Zhao getting pulled down into it?!? Where was Zuko, offering him mercy, despite everything? Where was Zhao’s pride, refusing his hand?? Furthermore, you make Iroh of all people a murderer?!? Fine, you could have him intervene and push Zhao into the water like he pushed him down after the Agni Kai in the original series. But to kill him?? Unprompted?! In cold blood?! Zhao wasn’t even his opponent!! Horrifying and disturbing. Unforgivable.

Things I loved

- The order of events. I actually love starting 100 years in the past and not making it clear what is about to happen. I also love that it isn’t clear just how long Aang has been asleep for! I love love love that dramatic irony if you know, and the reveal if you don’t.

- Aang stealing Zuko’s notebook. Finally, it’s explained how the gaang knew Zuko’s name lol

- Aang & Iroh meeting and chatting on the ship when he’s captured! It’s such a small scene, but felt so reminiscent of their conversation from Book 2 that it made me happy.

- Suki being so awkward!! Yes girl!! You have clearly never flirted before and it is obvious! I also loved having her mother be the matriarch of the village. Makes total sense tbh.

- Fleshing out Omashu! I love that they combined Jet & the Mechanist here. It makes Omashu feel more real, and it’s a natural place to put these storylines. I think this was really well done. Also bringing Iroh & Zuko into the story here was seamless, and worked to further both their characters (Zuko choosing Iroh over Aang, Iroh sacrificing himself to save Zuko)

- Having Bumi be an angry old man. This is controversial, but if we put aside Legend of Korra for a second where canon says Aang and him stay bffs, this actually makes a lot of sense. It’s not fair that Aang got to be asleep for 100 years. Bumi, as he said, had to struggle and suffer during that entire time. I’m glad that not everyone is like “it’s okay, it’s not your fault” because it kind of is!! I’m glad they had someone to actually hold him accountable a bit!

- Aang and Zuko connecting during the Blue Spirit episode. Aang making Zuko smile! Them joking! Them feeling pity for each other! The star-crossed friendship of it all! Gorgeous, gorgeous scene.

- Expanding on the theme of friendship vs. isolation. It’s such a key theme in the animated series that flies under the radar, and I really like how they took it and seemed to run with it.

- Azula collaborating with Zhao. It makes so much sense, since Zhao is just some rando tbh?It sets up both the Dai Li storyline and sibling rivalry nicely in season 2.

- Having Zuko’s crew be the division he saved?!?! A stroke of absolute genius.

- No Kataang!! I’m so sorry, but I honestly always felt that any romance in the original series was gratuitous, odd, and oh so Western. This is a story about children at war. I’m glad the romance is taking a back seat.

- Having Pakku see Katara for HER, rather than for her grandmother!! I always hated that in the original show! She fights her damn heart out and he still won’t train her UNTIL he sees her grandmother’s necklace. It always felt like the age-old blight of men not being able to care about a woman unless they have, or can image having, a personal connection to them (What if that was your mother, daughter, etc). I LOVE this change.

- Katara rallying the other women!! Pulling up everyone!! This is such an obvious change I can’t believe they didn’t have this in the original show. As I said, though, I do wish we saw her speech to them. That’s such an important character moment.

[televisionenjoyer]

why did you discontinue the turkish house project :(

that's actually a great questionnn because I loved the turkish house MD adaptation translation project and I think about it every other day

It wasn't one thing or the other but rather a combination of things, mainly:

Getting the episodes was a huge hustle: I had to pay for the Kanal D app subscription that would ONLY work on mobile, then screenrecord the episodes, making SURE that my notifications were completely off and that no pop ups would interrupt the 45 minute run of the episode. Goes without saying that I couldn't use my phone for anything during that period

Subbing takes sooo much time. It wasn't the first time I ever subbed but all my previous experience at work and independently was of videos no longer than 10 minutes. A 45 minute episode was huge, and they would take me several hours. Hours I didn't have because of my job (fortunately I got more home office days so I could potentially solve that issue)

Not only is subbing hard, but I DON'T SPEAK TURKISH. to translate the show I was relying on two things: the spanish dub that I got from my Kanal D subscription, and an english subtitled source that was not only of a bad quality but also clearly translated into english by someone who wasn't 100% fluent in English. Now, English is not my primary language either, but I tried to make things at least a bit more cohesive (in hindsight I realize now it was worth trying to run the turkish version through premiere's voice recognition and a reputable translator to cross reference with both the spanish dub and the dubiously subbed version, but it did not occur to me at the time)

The audio situation was HELL. I went above and beyond to try to offer you guys the SOURCE material in the best quality I could achieve. With this I mean, I didn't see any point in offering these episodes with the spanish dubbed audio, personally, as someone who enjoys watching live action in its original language. I made it my mission to switch the audio of my source to the turkish audio from the dubiously subbed version. Here's an issue: not only were there minor synchronization hiccups that I had to localize and fix, but also the turkish run was the two hour long run in opposition to my 45 minute run version so I had to kind of find my starting spot. Not as easy as it sounds when the videos are TWO HOURS LONG and you're working with two different episode numbering systems 😵‍💫

The storage situation was unmanageable since I was using Google Drive at the moment. In hindsight I should have invested my time on further research on other sharing options like uploading it to archive.org or even making my own torrents

But honestly, mainly? There just wasn't as much engagement as I was expecting. That was maybe the biggest thing. Knowing myself I would have kept pushing through for at least two or three more episodes if I knew enough people were interested. I felt like I was going above and beyond for this, working a lot of hours for free on something I was quickly losing passion on and I was doing it all for myself. So I just stopped.

I still have a special place for hekimoglu though, and a passion for rescuing lost media/abandonware that makes me want to give this another try, somewhere in the future. Also I was kinda hooked on the show and wanted y'all to get to the good bits so bad (I did way too much watching ahead). But who knows. At the moment I'm kinda disconnected from house md as a whole and also the fandom so it is possible that someone has found an easier way to access these episodes in good quality and I can just rest in peace. Maybe with house being on Netflix there's more interest from people that have a clue as to how to make the process less tedious. Maybe I could eventually figure out a way to make it work and bring it back. Maybe we could circulate a petition for Kanal D to offer these episodes with english subtitles once again.

[snorlaxlovesme]

this is called giving Live Action Avatar a fair chance

the Netflix live action Avatar has always been a strange beast. it's a thing no one wanted after the disastrous 2010 movie. public perception of it was extremely low after Bryke walked out on it because of creative differences (disheartening as well as concerning). people tore apart the teaser stills and completely thrashed the early trailers. the news that Sokka's sexism plot was being altered had fans frothing at the mouth. the show seemed to be caught in this limbo where it had an incredibly low bar to rise above, in terms of trouncing The Last Airbender Movie, and infinitely high bar it would be impossible to reach, in terms of the original A:TLA.

now. if i can't go into a live action adaptation with an open mind, i will not watch it. live action Yu Yu Hakusho came out several months ago, and the vibes I got from trailer were not what I wanted, so I shelved it. if I'm going to sit down and watch a re-telling of one of my favorite pieces of media, I'm going to do my damnedest to go in with as open of a mind as a I can bear, because I like to have a good time and I can't do that constantly dogging on something.

so. my rule of thumb is generally this: treat any live action adaptation as fanfiction. if i can recognize the characters and recognize the plot, that's fine. i'm not looking for anything crazy, just interesting fanfiction. that's the level of closeness to canon i'm expecting. bar is on the floor.

and in terms of Good Television, my expectations are also incredibly low. good TV has 1. good writing 2. good acting 3. good action/SFX. for adaptations the best i'm looking for is ONE out of three. the lower my expectations, the more fun i get to have.

i'm explaining all of this because, while I have not seen reviews of Netlix Avatar yet, I know just how brainless the masses can be and i need you to know that THESEEE are the expectations you should be having when going into these things. Avatar: The Last Airbender is hailed as an example of a nearly PERFECT show. if you are expecting that kind of excellence from an adaptation you are simply deranged and I will not be reading your bad faith interpretations of the show.

with these expectations in mind, it's easy to see why i'm loving Netflix Avatar so much. why? because it cleared one of my very low expectations. the bending in the show looks pretty good! the writing of the show is average! some of the actors are quite charming! i am pleased!

i have seen 3 episodes so far ("Aang" through "Omashu", and yes these episode titles DO suck, I'll concede to that)

so, now that i've gotten that little manifesto out of the way, let's get into some actual Thoughts So Far:

-the way the first episode was structured was very cool. i like that they didn't throw us in at the same spot we started in A:TLA. and to avoid the horrible exposition dump the movie gave us, instead they just showed us the start of the war. i like the tactical inclusion that Sozin let word get out that the Fire Nation would attack the Earth Kingdom first to throw the Air Nomads off his scent. i also thought it was cool so show us a day in the life at the Easter Air Temple. the setting was gorgeous and I loved seeing all the monks doing their own thing. it made you feel so attached to the Air Nomads and their kindness and gentleness, so when they were attacked you truly felt for them.

-Monk Giatso's actor was fantastic. i was gagged that they had my crying less than 20 min into the first episode, what the fuck

-Gran Gran reciting Katara's opening speech line by line was funny, hokey, and exactly what I wanted. loved that for her and loved that for ME

-i like the change that Katara has to waterbend in secret for her own safety, not simply because she doesn't have a master

-it felt appropriate that they made Sokka take his warrior/protector role more seriously. the "i gotta go potty" bit from that like 6 year old in the original is hilarious but I don't think that sort of humor would have translated well to live action. i like that Sokka really was a leader to the ragtag group of kiddos and like one teenage boy. and him asking Zuko to duel with him one and one!! a very sweet early act of bravery

-in general i'm just really liking how they're approaching Sokka's character. all the fuss over "they're taking out Sokka's sexism" arc felt idiotic to me for weeks because like of course they did?? let's be SO real here, if you have never seen the original and are watching Netflix Avatar blind for the first time, are you going to rock with the protagonist who makes "girls' only jobs are cooking and sewing" jokes? in 2024? in this sociopolitical climate that shit would NOT fly and people would drop the show for stuff like that. no one would wait to see his character growth, people's attention spans aren't long enough for that these days. plus, for all the naysayers boohooing because that's Sokka's whole character arc, it's literally not! that nasty personality trait sticks with Sokka for FOUR episodes. having his character arc revolve around his identity as a warrior is much more in-line with Sokka's ACTUAL arc. he can skip the "sew my pants" jokes so we can get to his real root of his conflict, being a non-bender and a novice warrior in a world of extreme violence and feeling inferior because of it

-i don't mind that they made Zuko less aggressive. again, with the bar of the original A:TLA being SO fucking high, ESPECIALLY because of Zuko, Netflix was never going to reach that level of excellence. so I'm okay with this Zuko being a little more level-headed and more of a mindless Fire Nation Greatness truther because it's a decent interpretation of his character, for fanfiction. consider everybody on planet earth know that Zuko will eventually be a Good Guy, we don't have to go out of our way to show that he's a giant asshole. we already know he's a good boy.

-on that note I love the bait and switch with the Jet introduction. seeing a cute boy flirting with Katara, I couldn't immediately tell if that merchant boy was just a one-off kind character, or maybe Haru because of his clothing and the way his hair was styled. to have him turn out to be Jet was FUN because it showed me that despite knowing the original canon forwards and backwards, this show can still find ways to surprise me. i had been talking with my sister about whether or not they were going to include Bumi (and his shenanigans) because that's a plot twist that worked when the show originally aired, but wouldn't hit at all in an adaptation where we all know who Bumi is already. where I'm currently at in the show I'm still not sure if we'll see his inclusion or not, but i still appreciated that new bait and switches are possible.

-this meant basically all the Omashu episode was very fun. they way they wove the Freedom Fighters and Mechanist's stories together was very interesting and i liked how fresh it felt

-Suki's actor is incredibly gorgeous. with and without the make-up. that needed to be it's own point because oh my god

-i love that she gave Sokka and fan and i'm DYINGGG to see him use it in a battle

-THEY INCLUDED KYOSHI NOVEL LORE AND I SCREAMED

-they included AVATAR KYOSHI FIGHT SEQUENCES AND I SCREAMED

-i probably should have mentioned this way sooner but Aang's actor is such a little cutie. he's doing such a great job capturing Aang's energy. both wise and playful and so so sweet. i love him

-i found it hilarious that they waited three episodes for Katara to bring up her dead mom. we all know that the super generic and boring critiques of Katara are 1. too much dead mom talk 2. too much hope talk 3. too motherly. i feel like the show intentionally waited two and a half episodes for Katara to bring up Kya and that's so funny to me. they also have only let her mention hope like twice lol. my girl is being STIFLED

-special effects are honestly really good? some of aang's flying is a little wonky but the firebending and waterbending so far as looked fantastic. i haven't seen much earthbending so far besides that opening sequence but i was impressed by that too. and Aang and Zuko fighting in Omashu with Zuko not using his bending? SO much fun. the choreo was awesome, i loved the set piece of fighting amongst all those scarves.

-building off that, Appa and Momo are very cute. the creatures al look pretty good too. ostrich horses look great

all in all, lots of really good stuff so far. i only have minor criticisms, and they're mostly things I can deal with. Iroh's acting is weird to me. it sounds like it's putting on a silly voice instead of speaking how he normally would, so it scans as off-putting. also in terms of costuming, Iroh's wig is WIGGING so much more than other cast members. it looks so glued on and shaped with hairspray. Mai and Ty Lee (one seen them for a moment so far) also just look like random cosplayers who wandered on set. and i guess both Monk Giatso's reveal of Aang being the avatar, as well as Gran-Gran's immediate understanding that Aang is the avatar, both happened extremely fast.

but yeah! those are my thoughts so far. again, I have no idea what public perception of this show is. i'm trying to avoid reviews and probably won't be back on tumblr until i've at least made it to episode 6. then maybe i'll come back and write more if my opinion drastically changes or I think the world will need another stern talking to about what to expect from an adaptation

[saba-ody]

i watched the first episode of OPLA! and i really enjoyed it!! this is gonna be a long post and there will be SPOILERS for just the first episode of netflix's one piece.

here's what i thought:

-really love the core cast. inaki is a GREAT luffy. he really captures how luffy is both childish and rude and he SELLS it.

-mackenyu is fantastic as Zoro. he has some of the best fight choreography from what ive seen so far.

-i am in love with emily rudd as nami. she is fucjing perfect and i love that they gave her some badass shit to do in the first episode

-koby was great!! i thought he was fun and likable and i sure as fuck hope this show goes on long enough for his return in post-enias lobby.

-fucking HELMEPPO stole the show. he was funny and entertaining to watch and he had some of the sillier bits of the episode. i like that they chose to make him have long hair that gets cut by zoro. also his whole booty cheeks were out while flexing in the mirror with zoro's swords and i thought that was funny.

-they managed to make axe-hand morgan fun! i think he's one of the less entertaining early OP villains but I thought they did a good job with him!!

-i really liked shanks' appearance in this episode. the scenes with him and young luffy hit exactly like they were supposed to!!

-alvida was really fun to watch too!! i'm excited to see how they adapt her later appearances.

-okok i gotta talk about the fight choreography again. this shit was GOOD. i mean actually good. i feel like in a lot of shows in the recent past, fight choreo has gotten.. lazy? what i mean is that in this show the hits FEEL like they're hitting. and that is a compliment of the highest regard. luffy's fighting style is well adapted (and i will GET to his devil fruit in a moment) zoro's 3 sword style was both well choreographed and utilized within the scenes it was needed. i love how they play with it a little bit, not having him use all three until the climax of the episode. NAMI has some fantastic shit with her staff and i'm genuinely so glad they dont have her basically sidelined until alabasta like they do in the manga. alvida and morgan both have their weapons have true weight that you can feel to them and i'm so glad. this was the thing i was the most concerned for and its safe to say i'm happy with it.

-luffy's gum gum fruit and the cgi used for it was surprisingly good!! going into live action with a main character made of rubber is one of the most difficult things CG artists have to deal with and i hope they know how fucking good rhey did. body stretching hasn't ever looked this good.

-i liked garps inclusion and i really hope they don't reveal that he's related to luffy until way later. i get the feeling they might since he's there and i think he's going to still be important throughout the season.

-i LOVE. and i mean LOVEEEEEEEEEE that they are already setting up for season 2 mentioning baroque works so much. that shit is fucking AWESOME and i couldn't be happier that they're going ahead and foreshadowing shit for later that is amazing and i'm so damn happy.

-the setwork and costume design are FANTASTIC. the atmosphere becomes amazing because of these two things in conjunction and its fucking great. you absolutely are pulled into the world and its amazingly believeable. everything feels real. the locals, the outfits, really theres some great shit in here so far and i am DAMN excited to see more. they truly went all out and it feels fantastic.

-this show is really funny. not exactly in the way that the anime is, but in a way that works a lot better for this medium. zoro, especially, i thought they really nailed on the head. he's funny!! and luffy is too!! so is nami!! they're all really funny and entertaining to watch and i just cant believe this show exists at all.

-buggy showed up and i'm so excited to see more of him. what a god of a man. he is. kinda bad asf too.

i have one or two critiques too!!

-i liked the original way of making it known that koby wasnt working with luffy and i think its a bit lame the rest of the marines aren't shown to be glad that morgan's gone.

-theres some camera work in this show that just seems,... off? theres these closeups with a shitton of gaussian blur and it just looks. unprofessional to say the least. luckily, its not completely like this (which is kinda what i thought the show would look like at first, which had a bit of apprehension in me.)

-i just realized they didnt show shanks' arm being cut off by the sea monster. i'm sure they will but they didnt here. i sure hope they do that shits an iconic scene.

-uh. that was pretty much it. netflix was being stupid as shit for me so i didnt really get hd quality but i was watching it on netflix party w my girlfriend and it was just so exciting that i didnt really care. but fuck netflix btw.

so, pretty much, you might get the jist that i'm enjoying this show, and i am!! its honestly hitting all the marks i was hoping it would and a lot more. i love that its a show that knows what its doing. it doesnt feel lost. it feels like its confident in itself and its production. i really hope its a hit, and i sure as fuck HOPE netflix doesnt drop it if it doesnf make a gazillion dollars. i'm not religious but i'll pray for that.

[highfantasy-soul]

Re: Netflix's live-action Avatar the Last Airbender

I was 12 when the animated series started airing.

I caught episodes as they came on Nickelodeon, but I didn’t watch it religiously start-to-finish. I caught episodes when they happened to be on and I happened to be watching TV (I was NOT part of the generation that had unlimited access to shows - tv/computer/video game time was strictly monitored in my household) so there were some episodes I saw over and over again, and others I never did see.

I think it was around middle/high school (honestly can't remember - it was one of the two) that the show got put on Netflix and I started watching it from the beginning with my brother and some friends. Needless to say, I've been a die-hard fan ever since.

I think the animated show is incredibly well done and the storytelling is super on-point for what I love in media. Zuko's redemption arc is still the best arc I've ever seen, and the character growth is amazing.

I had never really fallen into the 'it's not perfect, but…' way of analyzing media, so I never dwelt too much on its flaws - I'd much rather focus on the things it got right as literally every piece of media has flaws and things that could be changed to make it better.

So yeah, hyperbolically, the animated version of ATLA is 'perfect' - but since people insist on anything that's not perfect being drug through the mud and hyperbolically being called 'garbage', I guess I have to dredge up the things I didn't care so much for in the animated version while analyzing how the live-action handled it (or avoided handling it).

I was super excited for the film adaptation - again, announced while I was in high school. I was looking forward to it so much - then, well, we know what happened there.

Things were changed that didn't make sense to change (the pronunciation of character names, the 'test' for figuring out who the Avatar is, the poor bending where movements didn't align to what was happening with the CGI, casting of white people when the characters were always meant to be indigenous and all asian ethnicities, among other issues people have made many essays about)

So, when this was first announced, I was SKEPTICAL.

While the trailer looked good, it seemed very safe - I recognized everything in it and it looked well made, but like, that doesn't mean the whole thing will be good - or justify its existence.

I tried to ignore any 'leaks' or interview quotes because those are always misconstrued so much and people hear one sentence and create a massive narrative in their head about what that sentence means and usually, all their bellyaching assumptions they made from that piece of info is just a non-issue once the show actually comes out.

I didn't give any credence to people screaming about "Sokka isn't going to be sexist anymore?? It's ruined!!" or "They're going for a Game of Thrones tone?? They don't understand Avatar at all!!" or "No side-quests?? They don't understand the point of the show!!"

First off, invoking the demon that is Game of Thrones is just a marketing tactic - that's all it is: MARKETING!! Just like EVERY YA book for years was 'The new Hunger Games' now it's 'The new Game of Thrones' even when the story at hand is NOTHING AT ALL LIKE THOSE THINGS!! It's literally, let me cradle your face gently in my hands, JUST a marketing ploy to get you to see a recent title you DO recognize and have (assumedly) heard good things about (ie popular) so that you then pick up the thing that they slapped that name onto.

Creators rarely have say in what their creation is likened to, they're told by marketing companies to go with it (if they're told anything at all) and they just say "yes, marketing team I have no control over, whatever you say".

Also, a passing comment in an interview is off-the cuff and when someone makes a comment like that, people read WAY too far into it and it's usually not nearly as deep as people make it out to be. That's why I just wait for the actual thing to come out and just watch it and judge it based on what it is, not some narrative someone else has created for it based on half a quote from some random interview.

So going into this: why the live-action adaptation? Why was it necessary?

In my opinion, the answer to this question is the thing many fans hate the most: altering the original story.

A beat-for-beat remake isn't necessary - the original is right there, so in order to 'earn' the right for this adaptation to exist, that necessitates changes to be made that add to the themes, deepen the lore, and delve into different aspects of the world in ways a child's cartoon can't.

So, I'm looking for not a 1-1 remake, but rather an adaptation that enhances the themes, irons out some uneven characterization/pacing, updates the story just enough to really get what they want to across, and delve more directly into some of the harsher aspects of the war.

I have always felt that Iroh's involvement in the Fire Nation military was glossed over a lot in the cartoon - I suspect because he's supposed to be a good guy and we can't have our good guys be overtly war criminals responsible for the deaths of thousands of people.

The effects of hard decisions made during war are shown in the animation, but the decision making process itself is rarely talked about until the very end with the gaang's struggle to keep helping people while also knowing where to focus their energy and Aang's struggle finding a way to stop the firelord without killing him.

something this adaptation can do is actually show the people making the decisions - and directly talking about the horrible effects of it. I'll get to it later, but that's one of the major themes in Episode 4 that I'll talk more on then.

Especially in Book 1, like many first books/seasons, the worldbuilding isn't fully fleshed out and the themes that really come to fruition later aren't as tight as they could be at the beginning. If the adaptation can go ahead and seed/tighten the themes that become big deals later on here at the beginning, it will 'justify' it's existence as the story retold after the whole story has already been plotted out.

Just like with the Percy Jackson and Wheel of Time adaptation, those writing for the show have the benefit of knowing how the story ends and all the stuff that's added to the world building as time goes on that wasn't necessarily known by the authors when they wrote and published the first books - the benefit of hindsight allows the show's script to take into consideration these additions and seed them early on to make the story more cohesive and reinforce themes.

So, this analysis is going to be long and filled with minute details, beat by beat for the episodes.

I have seen so many takes that I just sit and scratch my head at and think 'that was so obvious in the show - how did you miss/misinterpret that thing so wildly?' that I guess what I took for granted as obvious in the show, others didn't, so here's me being pedantic and over-explaining everything so maybe others can see that 1) they aren't the only ones who saw this interpretation and 2) maybe others will see the scenes a different way

Still trying to decide how to break up the analysis as the episode recaps are going to be LONG and since people now demand to see all the citations for stuff, the character analysis posts will be long too as I pull direct scenes to show why I feel the way I do.

I don't want to overload the posts and make it so they're just annoying to read, so I'll probably break them up into the sections of the episodes and maybe break up the character posts.

[Masterlist of my NATLA thoughts]