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a-s-fischer · 2 months ago

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Antisemitism and the Nazi Worldview: a Guide for the Perplexed

While most people know the Nazis hated Jews, few people understand just how integral Jew-hate was to the Nazi philosophy. This leads into many of the misconceptions about Nazis and the holocaust that regularly pop up, so it bears discussing what Nazis believed about racism and the Jews.

The Nazi conception of "race" was much narrower and "scientific" than we think of it today. The Nazi conception of race was that humans were split into subgroups with distinct traits, that set them apart from each other and gave them advantages in a great and bloody contest of the races. These races pattern on better to ethnicities, nationalities, or even language groups, than race as we think of it today, which is why it would make sense in a Nazi framework to talk about an Irish race, or a Polish race, for example. And of course in the Nazi mind, these races were a real biological reality, and not a social and cultural construct, and the strength and purity of a fit race might be lost through race mixing.

And of course races were differently fit or unfit, superior or inferior, and through the races warring against each other in a battle of the fittest, the superior race would rise above the rest, and subjugate the earth. Hitler came of age in a time of scarcity, war, and famine, and he believed there was no way to feed the entirety of the human race, so eliminating the lesser races through this perpetual struggle of races against each other was the only way for humanity to survive. It was all very Darwinian except that it completely misunderstood how the Darwinian model of evolution actually works, since the unit of selection was the nonexistent race, not the individual.

This struggle of the races was in Hitler and the Nazis' conception not only natural and necessary, but good. Conquest and the slaughter of inferior races was good. The state of the world with nation states and silly notions like laws, and morals, this was bad and unnatural. Humanity, or the strongest race, needed to do away with this system, or humans would all perish of starvation in a degenerate race-mixed scrum. The Nazis were heros, looking to save humanity from this foul unnatural state it had been tricked into adopting.

Tricked by the machinations of one race. One race had broken away from the others, and learned how to hack the system, to survive over under the rule of other races, when it should have been destroyed as a weaker lesser race. This race figured out how to lie and cheat, and live off other races as a parasite, while controlling them from within with fake, unnatural, vile concepts of laws, ethics, notions of justice and compassion, human rights, and international cooperation. And also with money. That race was the Jews.

In the Nazi mind, other races might be lesser, weaker, worthy only of a slow starvation under Nazi rule, but Jews, Jews were unique, special. Weak but cunning, only the Jews had figured out how to subvert and pervert the noble struggle of the races. The Jews were not only especially hated in the Nazi mind but they also served an explanatory purpose. The Jews were the reason humans were not in what the Nazis viewed as a state of nature, and the reason that the areas hadn't eliminated all the other races and taken over the world already. And anything that went wrong for the Nazis was of course caused by Jewish manipulation. The Jews had to be stripped of their unnatural power and control, and eliminated quickly, to keep them from continuing to undermine the strongest race, the Aryan Germans.

Early on, there was some discussion about how this was to be done. The mass slaughter of Jews under this philosophy might have been inevitable but it wasn't obviously inevitable to all Nazis. The important thing was to reduce the Jews to a state of nature, to take away their unnatural control, and leave them in the position of any other lesser race. This is where ideas, like sending all the Jews to Madagascar, to "build their own state" but really to inevidably die in the wilderness, came from. If Jews were separated from their stronger hosts, the logic went, they would just be one more weaker race and they would die just the same. This was also why so many Nazis took a special delight in simply denying captive Jews the means of survival, leaving them to starve, freeze, and die of disease in a state of nature, without the resources they had parasitically leached out of their host races.

But that process took too long. There were simply too many Jews, and too many (to the Nazi mind) Jewish controlled enemies. As Germany and the Axis' began to lose the war, and then as that loss became increasingly only a matter of time, the Nazis ramped up their efforts to kill Jews, by bullet and by gas, because if they could kill enough Jews, surely that Jewish control over their enemies would break and the Aryans among those enemies what recognize their racial interest, and join with the Germans, giving them victory. Instead the resources poured into the wholesale murder of Jews were resources stripped from the Nazi war machine, hastening the Allied victory.

Antisemitism wasn't simply one more bigotry for the Nazis to tack onto their general racism. It was foundational to the Nazi conception of how the world functioned. It was the explanitory mechanism in the Nazis' conspiratorial framework. And with this philosophy at the core of Nazism, the Holocaust became not only inevitable, but the highest calling of the Nazis, their sacrifice for humanity, or at least what was left of humanity after the strongest race had triumphed over all the others. Very little about Nazism is unique. Their militarism, their glorification of violence and struggle, their racial pseudo-Darwinianism, certainly their conspiratorial antisemitism, all had plenty of precident long before they came on the scene. It was their particularly potent combination of these existing elements that made them Nazis. And in this combination, it was the Jew-hate which held everything together and which provided the energizing force.

#nazism #antisemitism #nazis cw #holocaust cw #look we don't focus on the nazis' hatred of jews because the jews are super privilaged #or because the jews want us to #we do it because jew hatred was the bedrock of nazism #and claiming its because the jews are so powerful is the same kind of conspiratorial jew hate the nazis went in for #but what do I know I'm a jew #jewish #a s fischer original #The title comes with apologies to Maimonides #I read Mein Kampf in high school #which means I have this shit in my head

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hauntedselves · 11 months ago

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Clinical Formulations of Narcissistic PD

Clinical formulations and case conceptualisations are introduced in this post.

These are all generalisations and theories of how NPD develops, not something that is supposed to be true for everyone with NPD.

Psychodynamic model

Freud suggests parents either overvaluing or neglecting (or both) a child can lead to NPD & especially inability to form healthy, lasting relationships and regulate self-esteem

"In other words, [NPD] is the outcome of insufficient gratification of the normal narcissistic needs of infancy and childhood."

Kohut theorises that narcissists' ability to form a cohesive sense of self and others was developmentally arrested in childhood, resulting in grandiosity & idealising others

"Narcissistic injury" = fragmentation of the self

Kernberg suggests grandiosity & exploitation result from maternal emotional abuse

Grandiosity is an "emotional escape valve"

Grandiosity & entitlement mask the "real self" that is "split off"

The real self unconsciously holds rage, fear, envy, deprivation

Defensive structure is same as BPD but difference is grandiosity

Biosocial model

NPD is primarily the result of environment, especially "parental indulgence and overvaluation, learned exploitive behavior, and only-child status"

Special treatment from caregivers leads children to believe that the "world revolves around them", and therefore they expect the same outside the home

When special treatment outside the home doesn't happen, they "experiment with demanding and exploitive tactics and subsequently develop considerable skill in manipulating others"

"At the same time they come to believe that most others are inferior, weak, and exploitable."

NPD is self-perpetuating through sense of superiority, lack of self control, sense of entitlement, and dismissing of those who reject their world / self-view

Cognitive-Behavioural model

Key feature of NPD is self-aggrandisement

Core beliefs:

> Deserving of special treatment

> Not bound by social norms and rules

Conditional beliefs:

> Others should be punished for not recognising their specialness

> To maintain that special status others should be subservient to them

Instrumental belief:

> Always strive to demonstrate their superiority

> See themselves as special, superior, entitled to special favors and treatment, and vulnerable to loss of status

> View others as inferior but potential admirers

Main pattern of behaviour is "seeking prestige, power, position, and wealth as a way of reinforcing their image of superiority", using "manipulation and guile" if necessary

The primary schema is superior & special (/ entitlement & grandiosity)

> Superior schema "shaped by flattery, indulgence, and favoritism"

> Special schema shaped by "rejection, limitations, exclusion, or deficits"

> Common denominator is the belief that the individual is different in some way

Three subtypes:

> Self-centered impulsive type

> Ruthless impression-management type

> Acceptance-oriented impression-management type

> Each type is centred around an impulse control deficit developed in childhood

> "Specifically, these individuals learned to seek reinforcers without having to work for them. This resulted in their development as self-indulgent, egocentric, and impulsive individuals."

> Ruthless & Acceptance-oriented types focus on creating favourable impressions with others, but struggle with long-lasting healthy relationships because of their empathy deficits

Interpersonal model

People with NPD were raised in an environment of "selfless not contingent" love, leading to insensitivity to others' needs

The caregiver was over-adoring, but there was also a constant threat of a "fall from grace", with pressure to be the perfect child

The constant overbearing love means that any criticism or disappointment hits very hard

"In short, there is extreme vulnerability to criticism or being ignored, together with a strong wish for love, support, and admiration from others. Noncontingent love and presumptive control of others is expected and even demanded. If support is withdrawn, or lack of perfection is evident, the self-concept degrades into severe self-criticism."

Integrative model

People with NPD are hypersensitive

Seen as exceptional children, leading to pressure to perform

As children likely had highly developed speech and interpersonal skills

Life purpose: "I’m special and unique, and I am entitled to extraordinary rights and privileges whether I have earned them or not."

World-view: "Life is a banquet table to be sampled at will. People owe me admiration and privilege."

Goal: "Therefore, I’ll expect and demand this specialness."

Defense mechanisms: rationalisation and projective identification

Parental injunction: "Grow up and be wonderful—for me."

"The illusion of specialness, disdain for others’ views, and a sense of entitlement lead to an underdeveloped sense of social interest and responsibility. This, in turn, leads to increased self-absorption and confirmation of narcissistic beliefs."

- From Sperry, Handbook of Diagnosis and Treatment of DSM-5 Personality Disorders (2016)

#len sperry #handbook of diagnosis and treatment of dsm 5 personality disorders #personality disorder concepts #case conceptualisations #clinical formulations #pd info #npd #npd info #dogpost

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matamorose · 2 months ago

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The decision in TP to drop any interaction between Audrey and Coop was a bad one. I think that their dynamic is a great way to refract a lot of the themes of the show, and it has a lot to do with TP’s multiple ways of viewing “good people.” (Something I’ve been stewing about for a while— hopefully soon I can articulate some of those thoughts)

Anyway,

Audrey is a great character, and it makes perfect sense for her to be intrigued by/attracted to a kind, handsome older man. She’s also badly neglected, and models the ways of gaining power + autonomy + attention that she sees in front of her, something that puts her in danger and is in no way a good thing. I get that all the characters’ ages/the timelines are fucked so there’s some ambiguous wiggle room, but she’s a kid. A very smart and resourceful one who wants to be the mysterious and competent adult that others see as a person, but still.

She wants Coop something fierce, and gets herself into intense peril pursuing that. She's tenacious and smart and badly damaged, and a teenage girl who's ignored + allowed to do whatever she wants, which is a very potent combination.

And Coop is textually attracted to her: I think that that’s very important to understanding a lot of his character, and ignoring it does a disservice to a lot of what the show is saying. MLMT does a lot of heavy lifting to explain and explore a history of childhood sexual misuse + hypersexuality with him, but even in just the show canon I think it’s very apparent and easy to understand that he’s grappling with his attitudes and attraction towards women, and especially with his own past and traumas.

The scene where Audrey surprises him naked in bed had the potential to be the fulcrum moment in their relationship, imo. Cooper is visibly wrestling with his attraction to her— something he knows and expresses aloud would be very wrong to act on— and Audrey is in an extremely fragile state, for all that she was trying to be assertive and take control in a relationship with an older man (a cop, even).

When Cooper lets her down gently and says that what she needs is a friend, that’s a very powerful moment. This is the “adult men sexually abuse young girls” show, but their relationship in particular has been set up to be interesting and alluring— I don’t think that people are nuts for picking up on the very intentional tension. It’s there, you’re supposed to see it.

So when Cooper says that she needs a friend, he makes the right choice, something that he doesn’t have a great track record of doing.

It’s a really powerful thing, that surrounded by all of these men who choose wrongly, and do wrong intentionally, Cooper is maybe the only adult man in Audrey’s life who makes the choice to respect and protect her, and that’s profoundly compelling. Like, I get it if someone wants to take that in another direction.

(There’s a more specific point to be made about Audrey’s father very nearly sexually assaulting her, and another, older man who is into her consciously deciding not to act on that, but I’ll toss it around and try to express it later)

You can debate it all day— which can be interesting and enriching— but for him to enter into a relationship with her would have been a clear, gross abuse of his power, and followed the pattern set by all of the other monstrous men in the show.

TP makes its stance on adult men sleeping with teenage girls crystal clear, there’s no way that they would have had their main character— morally iffy though he can be sometimes— go to bed with the teenage peer of a murder victim and then be like “awesome!” Cooper would be a very different man if he acted on it.

Which, I think is one of those moments where you as the viewer are supposed to look past the aesthetics and how pretty both adult actors are, the same way we all need to look past the quality of the coffee to understand what happened to Laura: a federal agent in his 30s who picks up a rural, neglected teenage lover in the wake of a grisly sex crime + said teenager’s father is a major player in the crime ring that allowed that to happen, is not a good man. That is a real-life horror that follows the framework of the show, and I think that part of the original intention was to leave that avenue open for later in the series, but more on that later.

All that being said, he absolutely thinks about it. He’s very tempted. That’s something that I feel like a lot of people don’t want to admit, but he’s explicitly attracted to her. It’s a testament to his character, and an interesting mirror to his ultimate failure of courage, that he, mister "Give Yourself a Present," was able to recognize a desire as harmful and squash it.

He’s less interesting if you just wave your hand and say “oh, he never even thought about it!” He did. He totally thought about it, he considered it, and wrestled with it, and ultimately came out on top. That’s infinitely more interesting— and IMO fits in better with the backstory established for him— than the idea that he’s just too morally pure and untouchable.

Even so, he elects not to do something that will harm her, and chooses to be her friend instead, something that she badly needs. That scene easily could have transitioned them from a very unequal “will-she-won’t-he” to a friendship that would benefit both of them, and give the characters some more room to flex + explore the facets of their similarities/their links to Laura and what they share with her.

Cooper sees Audrey, instead of blindly buying into her adolescent facade, or just looking past her. Even many of the angles their scenes are shot with reinforce that. He doesn’t ignore her.

I think that all of that goes into making their relationship extremely compelling, and, in my opinion, totally dropping that relationship after a point was just shitty writing. The whole weight of his choice to be her friend and to do right by her + her choice to accept that disappears when the show just truncates that entire plot line and dynamic. She needed that friend, needed and accepted what he was willing to offer her! Not to get shuffled off to the side and into a somewhat baffling plot line

(And if the show had gone on longer, or gone a different direction, I think that that would have been the avenue they chose to hammer in to viewers that as sexy as it sounded to a teenager, this is a bad thing, and that Coop was letting hangovers from past trauma/abuse get the better of him— something that is also very thematically appropriate. In a S3 that never was, I think it’s likely that possessed Coop/his doppelgänger/whatever direction they would have gone in the 90s would have attacked or initiated a relationship with her. TPTR alludes to this, I think, with Mr. C’s fathering Richard.)

I understand that there were tensions on set, and actors/execs had very strong opinions, but I do think that the “okay ew that’s over now” way that the show chops off a major undercurrent is badly done, and that the show is poorer for it.

Anyway, that relationship is one that really bugs me in how it developed in the show. Let me be clear that this is absolutely not an anti-ship post: do as thou wilt, have fun whatever I’m not here to pick a fight, and I really don’t care what other people ship. What strangers want to do with two fictional characters isn’t really my business.

But I don’t think that people are making something out of nothing, there, even if I have a much different stance on it. I think I’ve made my opinion of that relationship as romantic pretty clear at this point, but I have eyes and understand when you’re supposed to pick up on tension between characters.

I think that many people try far too hard to pretend that something very explicitly onscreen isn’t there, because they don’t want to wrestle with the thornier parts of it. (For a show that centers around a child being raped and murdered by her father, a great many watchers get surprisingly precious about unpleasant or even gray subjects, it seems to me.)

But I think it’s a shame that one of the most interesting relationships in the show got cut off so severely, and it’s really interesting to think of how they might have followed through on the punch, had there been fewer disasters surrounding the series.

I went on a little longer than I meant to about the idea of the pair of them as a romantic item, and that’s not the major point of this. Really, it’s that I think both characters lost out on that could have developed into something really compelling, because the bones were there. The setup was very strong, and the scene I talked about above absolutely could have transitioned those two into something, anything, more narratively satisfying and interesting than what we got.

I really like both of them, and I think that there’s a tendency to swing wildly one way or the other with Audrey. She’s much more nuanced than I think a lot of people give her credit for (which in fairness is something that afflicts basically all of the teenage characters, not to mention dear Dale), and there’s a place to think about her in-between outright fetishism a la coquette blogs, and pretending like she has no agency or desire/that her neglect has no impact on what she wants and how badly she’s willing to fight to get it.

She’s a major character in the show for a while, and I don’t like it that A) her character gets sidelined so abruptly B) many people in fandom go out of their way to minimize her role in the story. She’s not even one of my big favorites, I just think that she gets a raw deal.

My favorite thing about the show is the deep and knotted relationships, and I think that there was a warm-up swing and a really big miss with this one.

#twin peaks #audrey horne #twin peaks meta #dear god don’t make me regret putting this in the main tags #this isn’t a ship post so I’m not putting it in the tag— is that still the common courtesy?#anyway society if the show ever really explored her and her brother’s childhood/gave her a chance to react and process the horror #that scene with her and ben at 1-eyed J’s is GUT CHURNING and then they never take it to that level again #she’s very literally in an earthly version of the lodge and I for one would have liked to see that explored further #obligatory disclaimer that my takes/interpretations are not sacrosanct #I know we all get very different mileage out of this show

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twstfanblog · 1 year ago

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*~Nasty Neige~*

AN: GOD, I lost control over this fic the second I started it, I didn't mean to make this thing so long. Which is why it took me so long to get everything down and editing. I know I missed something but I can make edits as I put links up on the other entries.

Word Count: 5.3K

Warnings: Neige being a general creepy guy. Obsessive thoughts, stalker vibes. Swears. She/They Yuu OC.

Pairings: Vil/Rook, Vil & Yuu (Siblings), One-sided Vil/Neige, Epel/Deuce?/Jack? (Guess)

Enjoy~!

Starter, Part 1 (Here), Part 2 (Heartslabyul), Part 3 (Diasomnia)

Classes didn’t start for another week and the open house event didn’t start for another day, so Yuu didn’t have any reason to be awake before noon. But she was because her trauma-filled body kept hearing noise downstairs. The first few times she was able to drift back to sleep, not hearing anything after the initial sound and assuming Grim was walking around looking for snacks. But then she realized Grim was still sleeping tucked up against her stomach, more floorboards creaking downstairs with no explanation. She does her best to not jostle Grim, reaching to the nightstand and grabbing her phone, cursing under her breath as she sees it was barely past 8:30 am.

She didn’t change out of her pjs, slipping on her houseshoes while she left the bed. Making sure Grim was tucked into the still-warm covers, Yuu grabbed her golf cub, making her way downstairs and avoiding the loud boards. Even after multiple renovations, there were still floorboards that creaked and on bad storm nights the whole house sounded like it groaned. (A part of her simply made peace with that it wouldn’t be Ramshackle if it wasn’t a little old and creaky). Besides her, Grim was the only one who knew what boards hated being stepped on. Ortho knew them too but he didn’t walk much. Epel seemed to take sick pleasure in stepping on each one whenever he came over, and the rest of her friends were either too naturally loud or heavy to not make noise in the dorm.

She would have felt more at ease if whoever was in her house was being loud. Her friends were loud, even if they knew she was asleep. But whoever was there was trying to be quiet and failing. Once downstairs she tries to hear where the intruder was, poising to swing. The sound of the toaster popping gives her the element of surprise, rushing into the kitchen.

Both she and the blond intruder scream when they see each other, Yuu just barely stopping her swing. Vil braced himself against the counter, breathing in a forced calm pattern before glaring at her. His hair pulled back in a messy ponytail, face bare besides a tinted lipgloss. Dressed in a modified cropped yellow hoodie, high-waisted black leggings and simple sneakers, “I swear you and Epel are determined to give me gray hairs! Why are you just so ready to deal violence!? It’s 8 in the morning!”

Yuu leans against her golf cub, trying to ease her own adrenaline spike, “Yeah! It’s 8 am, why are you in my house!? Also, are you dying? I don’t think I’ve ever seen you without foundation.” Her anger grows seeing the disheveled model look at her with a pinched face, not answering her as he turns back to plate the food he was cooking on her stove. She opens her mouth to yell again, only to look at the kitchen window and realize, “...Did you close the blinds?”

Yuu had an odd relationship with blinds after meeting Rook. Yes, she kept her more personal areas heavily covered and only opened them for her monthly dorm deep clean, but the more communal areas of the dorm were free to be viewed from outside. It was nice sometimes to be relaxing on her lonesome only to hear a tap against a window. A tap could be Jack and Vil on their morning runs asking her to pass them glasses of water or fruit she had on hand. Maybe Lilia coming to scare her or show her a new melody he’d learned. Ace or Deuce coming to beg her for help after they’ve pissed Riddle off. And Vil knew Rook would rather enter through a window than a damn doorway. Either way, open blinds at Ramshackle had come to mean ‘Come in’. Something that Rook delighted in whenever he wasn’t too busy with his ‘errands’.

“...” She looks around, finally taking note how all of her downstairs windows seemed to have not only their binds but the thick curtains closed, “Are you and Rook fighting?”

“Oh, he’s going to wish we were when I get back in the dorm…”

She laughs, watching the model bite into a slice of toast with a runny egg on top of it, “Oh sevens, the year hasn’t even started yet. Why are you fighting?”

Vil huffed, rolling his eyes, trying to avoid her gaze. Talking with one’s mouth full was just rude, plus he knew if he started ranting his food would be cold before he was done. If he had to hide out at Ramshackle for the day he would need the protein. Glancing down at Yuu, he openly takes another big bite of toast, just to show he wasn’t going to answer her anytime soon.

“Ok, fuck you too then, I’ll just open the blinds while you’re being a bitch.”

He chokes on a bite, nearly dropping the plate in his rush to shove it onto the counter. Nails sinking into her shoulder to stop her, not caring at the mush of food falling out of his mouth as he shouts, “NO!”

Yuu hisses, a hand coming up to yank Vil’s hand away from her, “OW!? Ok, what is the issue? Is Rook finally coming to shave an undercut on you or something?”

Vil sighs, giving her a small apologetic look before he swallows, “Neige is in Pomefiore. I…really didn’t want to deal with him today so I managed to make my way here to hide out. I don’t think anyone saw me, but I didn’t want to risk someone seeing me from the windows…” He takes another bite of toast, fingers wiping yolk from his lips, “Sorry about your shoulder…”

“...” Yuu sighs, placing her club against the wall and waves his apology off, “It’s fine. I hate Neige too but like- Wait, why is his ass here?” At Vil’s equally bewildered shrug her brows crease, “The open house doesn’t start until tomorrow? Are you sure he’s like here, here?”

“Seeing how Rook was yelling outside my room about his ‘Roi de Neige’ being in Pomefiore and he had to make himself look presentable, I would think so.” Vil scoffs, rolling his eyes at the very idea of anyone liking Neige.

Good ole Rook, scaring the precious wildlife to get them to escape a foreign danger. Might as well send him a text to ask how long he thinks it’ll be until Vil was safe to enter his dorm again.

“Well, get comfy I guess. Idia made sure I was set with cable and various media players, so there should be something on the TV. I’m going to make breakfast for me and Grim.”

Vil moved out of her way, finishing off his breakfast before grabbing a mixing bowl to hand to her, “Sorry, I should have made you two something as well instead of just myself.”

“Please don’t. Your unseasoned pallet would send Grim over the edge.”

The dorm leader, moves the bowl out of her grip, smacking her on the head with it before putting it on the counter, “Fuck you, you don’t need to use salt and garlic salt in the same dish.”

“They are different things, Vil.”

“They’re both salt.”

Neige looked around before fully exiting from the mirror, a hand quickly making sure his wig was in place. It wasn’t hard borrowing a disguise from his friends on his current movie set. Decked out in a mid-length pink wig and pale blue contacts, a simple white shirt, indigo overalls and his dark brown boots he wasn’t the least bit recognizable. Biting into his lower lip softly, he squealed, staring at the castle against the early sky. That’s where Vi slept! The blond had been in this very pocket dimension for years, he walked on these paths, talked in the halls, bathed in the water- He needed to focus. Giving himself one last preening, he calms his breath and walks toward the dorm.

Each step made his heart flutter. Excitement and fear pulsing in his veins the closer he got to the large, pristine castle. He was breaking so many rules; he wasn't supposed to be here for many reasons. The open house wasn't even open for the Seven's sake, he didn't go to this school, and he had no one's permission to be here. But he had to, it was his only chance. The open house would no doubt have people crawling all over the campus. Neige wouldn't be able to walk around as himself, let alone be able to get some alone time to talk with his Vi.

Ah. Just the thought of him alone was enough to make his knees weak.

He closes his eyes, hands gripping onto his shoulders in a self-hug when he finally steps onto the main area of the dorm. He breathes it all in, nearly missing a figure in an old yellow hoodie race past him to exit through the mirror.

He opened his eyes in panic, looking to see if the other figure was suspicious of him. He lets out a breath in relief. Whoever they were, they seemed more interested in running to wherever. Vi had made posts about how proud he was of his dorm members taking morning runs, maybe they were simply late for a run with friends. His palms get sweaty as his thoughts start to race at the thought of Vi running with him.

The image of Vi in his black and light purple designer tracksuit, hair pulled back into a wind-swept ponytail. Lips open in a pant as sweat drips down his jaw- FOCUS. He wasn't here to fantasize! He could do that when he went back to his dorm. Hopefully after gaining something to remember his trip by.

His eyes scan the courtyard. It was beautiful as expected, with elegant pathways of carved stones and a large elaborate water feature giving a calming background noise to the area. Apple trees with bright red fruits scattered amongst the deep green grass. The area was so clean and proper he could almost imagine he was back on Royal Sword grounds.

Pulling out his phone he starts to walk on the grass, whispering a small apology for ignoring the very clear sign saying to ‘Stay Off’. Vi had posted a video in late spring. He and a few other students had replanted a number of trees after a mysterious storm had wrecked multiple dorms in NRC. The blond was shown smeared lightly with dirt, a smile on his face as he gently placed a nursery tree into a hole. The video ending on Vi smiling to the camera, air-kissing the leaves of the tree and a message showing up. 'Grow up lovely, little tree'

(Neige won't comment on how he spent an hour in the bathroom connected to his dorm room, trying to hide his sobs as he promised the paused video to grow up to be a big lovely tree. He doesn't think he was successful if Chenya's side-eye was anything to note.)

He wanted to find that tree, he needed to. The urge to simply touch it, feel the bark and soil that were touched by the hands of perfection. Maybe, if it wasn't too tall yet, he could even kiss those same leaves…

It took him nearly an hour, 9 am rolling around and the sun making its formal appearance in the sky, but he found it. Tucked neatly at a distance from two adult trees, small blooms in the branches but no fruits. This was the tree.

Neige takes a picture, walking closer and snapping more as he posed in front of the tree. He looks the tree over and frowns, in such a short amount of time the tree had matured too tall for him to properly kiss its leaves. He couldn't even take a blossom without struggling to climb the still-thin tree. He was light, but he couldn't risk harming the tree Vi had put such love and dedication to.

Instead, he looks around, making sure there was still no one walking around the courtyard before he gently placed his hands on the trunk of the tree. One last nervous glance around, he licks his lips, leaning forward to lightly air kiss against the bark of the tree. Pulling back he felt his nerves alight, filling him with excitement that pulled him back toward the tree. This time his lips connected against the rough bark, lips stinging from the contact before he pulls away.

An indirect kiss with his Vi. The tree was their shared project now, another creative child they can look back on together. He can barely hold back his squeal, bouncing on his heels before wrapping his arms around the tree in a hug. He even peppers a few more kisses onto the bark.

Rook had only sent a single text to respond to her. Stating he would come for Vil when he was done with his hunt before ignoring her other messages. Even now, as lunch rolled around, there was still no answer from the French man.

"Do you not have anything that's prepacked or frozen to eat, potato?"

Yuu looks up from the kitchen table, glaring at the model searching through her cabinets, "You know, you don't need to be here. You could just go back to Pomefiore and deal with your waking nightmare." She turns back to her phone, ignoring Vil's groan and him slamming the cupboard shut.

"You know I can't. Not until I’m sure Neige is gone anyway…" He sighs, moving to sit beside her at the table, "Well, it's not healthy, but I guess I can afford to skip lunch…"

"..." She huffs, rolling her eyes and standing, "No skipping meals, Regina. How about you let me get you a cheat day snack and we can spend time watching terrible movies?"

Vil raised an eyebrow at her, a single black painted nail tapping at the table as he thought her offer over. Vil didn't take cheat days often, if ever. But…he was probably due for one. While he found her food to be disgustingly overseasoned, Yuu did make efforts to modify her favorites so he'd feel comfortable indulging himself. He clicks his tongue and stands from the table, "I suppose. Nothing too greasy dear, the stress of today is already doing a number on my skin. I'll go pick some movies out."

While Yuu was busy in the kitchen, Vil got to work kicking Grim off of his game system. The cat huffed and yowled, but quickly made his way to the kitchen to beg Yuu for a snack. Once Grim was gone, Vil got to work picking from Yuu's horrid movie choices.

Vil could't blame Yuu for not knowing anything when they first met. As the cover story went, before he spoke to them, Yuu was an extremely sheltered child who hadn't been allowed to interact with society. Their social disconnect and blank references to common knowledge only sold the lie. He remembers talking to Crewel, mildly worried of Yuu's home life and what kind of person would raise such a child.

But now he knew them better and didn't need to hold back his distaste for their movie tastes.

What he wasn't expecting was for them to drag him into these terrible movie-viewing sessions. They were at first just painful, having to sit and watch mid-tier actors do mediocre jobs. Sitting quietly as they flubbed lines or the crew barely performed their duties.

But at their first viewing session, Vil took notice of Yuu's attitude. They were open on their negative opinions of the films, pointing out the same issues Vil found and even some he missed. Before he knew it, it'd become a biweekly event of picking a terrible movie, new or classic, and ripping it apart together. Sure people could call it 'mean', an A-list movie star tearing into indie films. But they were bad films. And he was free to say whatever he wanted in his private time.

He planned on staying the whole day, so he picked more movies than he'd normally allow for a single session. He hummed a song under his breath as he started to set the TV up, a melody he heard Epel mumbling under his breath over and over. The sound of popcorn popping just barely heard from the kitchen. Soon, Grim returned to the couch, making a point to push against him just to be an annoyance, Yuu following behind him with a tray. A bowl of popcorn with a pitcher and two glasses of juice.

They set the tray down on the coffee table, Vil catching a glimpse before they shut the lights off, “Potato! Why would you make this?”

Yuu sits beside him, also shoving their shoulder into his chest in a mock cuddling position, “Shut up, Mexican- I mean- Xochian popcorn is a perfect cheat day snack! Plus I only used like half the mayo and cheese. It’s basically flavorless, just how you like it.”

Vil glares, taking a single kernel before starting the first movie, “How you’ve survived this long on your diet both amazes and infuriates me.”

Neige kept close to the walls of the dorm. There weren’t too many people walking around, almost all of them simply minding their own business. One even waved at him as they passed in the hallway. He had to pat himself on the back, his disguise was working perfectly!

His nervous walk had slowly turned into his normal skip, eyes roaming along the walls at the ornate architecture and glamorous frames of art. In his bliss, he nearly skips past what could only be the dorm’s lounge. A large seating room with multiple couches and duos of armchairs scattered on polished marble floors. Off in the corner sat an ebony grand piano overlooking the orchard of apple trees. He inhales deeply, the scent of apples and vanilla filling his lungs, with another deep breath, he can pick hints of other notes. Pinches of a flower he couldn’t name and some type of earthly produce. Neige wondered if the smell was something Vi had created or if the dorms naturally smelled this refined.

The lounge was empty, giving him the pleasure to walk and explore the place as he pleased. He took his time to inspect the couches, taking a photo now and again and wondering if he could purchase a matching loveseat for his side of his dorm room. Throw pillow in hand, he walks over to a pair of curtains, lifting them just to peek behind them. The silk pillow slips from his hands, stunned as he looks at a peacock-themed throne. Vi’s throne, the one he sat on. Neige bites his lip so hard he feared he would draw blood. Looking behind him and seeing no one, he stepped into the hidden cove where the throne sat, closing the curtains behind him and hiding from stray eyes.

He drops to his knees instantly, folding his arms under his cheek as he rests his head on the seat of the throne. It was so cozy…Smelling of fresh linens and a dash of lilacs. Nuzzling into the fabric, Neige lets his mind wander. The idea of being in the same school, the same dorm as his Vi, getting to kneel at his feet and rest his head on his lap. His nails dug into the cushion, breathing picking up as he imagined Vi petting his hair while he hummed to him.

After getting his fill, he stood up, phone raised to take a picture of the throne. A dozen photos later he was back in the dorm hallway, smiling at the growing album of photos he’d have for his digital dream board. He pauses in front of a series of photos lining the wall. He then realized it was the portraits of past house wardens, each of them hand-painted with a neutral, regal expression. Neige smiles, looking over each beautiful face. This dorm was made for Vi, a place where only the beautiful and talented could be allowed. Not only had his fellow actor been accepted but he had conquered. His steps picked up speed wanting to see if Vi had a portrait at the end of the hall.

No museum could compare to the masterpiece before him. The portrait of a younger Vi stared back at him, sitting at a 3/4th view sitting on a chair with his hands placed on his lap. His hair was pulled back, a simple updo with the ombre ends curled on top of his head. The crown Vil normally wore tastefully askew was placed on him properly, it looked so odd but still so perfectly Vi.

He looks down the hall, making sure a group of students had gone around the corner before he looks to the other side. Seeing the coast was clear, he quickly stepped closer to the portrait, leaning down and pressing his lips to the painting's hands, kissing at the smooth ivory fingers. Before he could stop himself his mouth opened, tongue peaking out to lick a quick strip against the surface. It didn’t have a taste past the hint of bitter, he wondered if Vi’s fingers tasted bitter. It would make sense, Vi worked a lot with potions and natural cosmetics, Neige would deal with the bitter taste if he could kiss Vi’s fingers for real…

"Why are we doing this to ourselves?"

"How does he just forget the name of his sister?"

"Do you hate me? Is that why you've made me a part of this cursed ritual?"

" They haven't spoken for like only a year! How do you just completely forget your sibling like this!? Did they both sustain heavy brain damage!?"

"This is the industry I've dedicated my life to…"

They were only on their second movie, but both Vil and Yuu were ready to bash the TV as a form of self-defense. That or simply weep at how nonsensical the plot was. Vil couldn’t really believe half the movies he had been forced to watch were from the same studios he had worked with. It felt surreal for him to see ex-costars acting in what were possibly the worst films ever conceived. It scared him at times- was that his possible future? Going from box office hits to acting in direct-to-disk spoof movies?

Though they joked about him being at least better than direct-to-disk, Yuu was firm on stating Vil wouldn’t ever star in a flop. His fanbase was too devout to him not to buy tickets, even if the movie looked bad. With his acting skills alone, he could at least make a flop into a cult classic.

(“I mean look at me. I love watching shitty movies. It’s even better when an A-List celebrity shows up in one. Like, it’s half the fun to figure out why they’re there than following what the plot is.”)

Vil groans at another scene, lying against the couch with his arm resting over his eyes, “By the sevens, they’re related!”

Yuu groans, snatching the bowl of popcorn from Grim, grabbing a handful before offering it to Vil, “This is genuinely annoying. Do you remember what the plot is?”

Sighing, Vil reaches for the pile of Disk boxes, grabbing their current movie before reading the summary. Mid-read he pauses, staring at the back of the box with a blank expression before he tosses it away, grabbing the remote from Yuu’s hands, “We’re starting over.”

Grim groans, having climbed over their laps to place his head firmly back into the popcorn bowl, “Why!? You guys don’t even like these movies!”

“Never thought I’d agree with Grim, but Vil this is painful I want this to end.”

Vil shushes her as he restarts the movie, “No, they’re not siblings; they’re childhood friends.”

“Wait, what?” Yuu looks between Vil and the screen in confusion, “No…We would have caught that! We would have caught that much of a scenario prompt!”

“Well clearly we didn’t, so now we’re restarting the movie with the proper context. Maybe it will actually save the film…”

Yuu groans, sinking into the couch, “This is somehow a new form of torture, I know it is…”

He was going to be arrested one day, he knew it.

Neige rested his back against the closed door, eyes looking around the room with wide excited eyes. Vi’s room. He was inside Vi’s room. He could die right now and do so with bliss.

He couldn’t tell if he was sad by seeing the room was empty, or relieved he wouldn’t be questioned by his idol and holder of affection. He’s not sure what he would do or say in his disguise under Vi’s critical gaze. Neige feared he’d either crumble and spill the truth the second the blond lifted a perfectly shaped brow, or he’d keep his identity hidden and simply tell Vil everything.

That would absolutely get him arrested though.

But Vi wasn’t in his room, no one but Neige was there to stand and exist in the space. Arms moving to hug his body, trying to hold in the happy bubbles of laughter as his eyes roam around the room. Soon he gathers the courage and pushes off the door to explore. Everything was meticulous, a place for everything and everything in its place. The only oddity was the haphazard way the bed was made. His fingers twitched, wanting to properly make and tuck the covers, he could even fluff Vi’s pillows!

Sighing sadly, he decides against it. No need to make Vi worried about someone weird being in his room without his knowledge…

Instead, he walks around, stopping at the vanity, and allowing himself a single spray of a perfume bottle’s bulb. Fingers ghosting over the color-coded lipsticks in their custom-made container, fighting the urge to use one…Vi wouldn’t notice, right? No…No, he couldn’t. Vi cared so much about his makeup, Neige couldn’t mess with something so precious to his idol.

He walks over to the bright red exercise ball, a smile on his face as he entertains the idea of bouncing on it for a few minutes. Instead, his eyes catch a semi-hidden hamper tucked into the corner. Was…oh by the seven. Was that Vi’s dirty clothes hamper?

Neige stood frozen, nails picking at his cuticles and threatening to break the skin (Don’t bleed here, do NOT bleed here). He looks from the corner of his eye, a bead of sweat threatening to slide down his face. The door was closed, he was all alone in the room with no way of telling when Vi would come back. He bites his lip, stepping closer to the basket as a smile breaks across his reddening face. He could…just for a little while…

Before he knew what came over himself, Neige had his head buried in the hamper, inhaling deep with gasping breaths. Hands braced so tightly on the edges he feared he’d actually break the material under his grip. He pulls his head out, tilting it back with a wide smile on his face as he pants, a manic laugh bubbles out of his lips.

Crunch

Neige freezes, eyes dropping back to the hamper in fear he actually snapped something. The sound happens again, from the door-

He nearly falls from how fast he turned, looking to the open door to see a boy with soft purple hair standing there. He had a nonchalant look on his face, one hand inside an oversized black hoodie with the words ‘TRACK’ printed across the front and the other holding a bright red apple with a few bites taken out of it. Blue eyes met blue and Neige had the brains to try to start an apology. Something to gain enough goodwill to explain…what he was doing, “U-um-” Oh sevens, Neige knew this boy. This was one of Vi’s friends from the VDC! He’d tell!

Epel just shakes his head slowly, his hand reaching out of his hoodie to grab the door handle, “Don’t even wanna know... Whatever the two of y’all are doing, just keep the damn door closed.”

And like that, he was gone. The door closed behind him and it was almost possible to imagine he was never even there. Neige let out a heavy sigh and felt his entire body relax, Epel didn’t seem to recognize him. He was also painfully uncaring of seeing who could only be a stranger in his dorm leader’s room huffing his dirty laundry. Well at least he left…the two…

His heart rate picks up again once he realized what Epel had said. He only needed to turn his head in a quarter turn before he saw who else Epel was talking about. There on the bed, like he was always meant to be there, was Rook Hunt. He sat on the messily made bed in a dull purple and grey plaid flannel, dark grey pants with a strap around one thigh, and mud-stained boots. Short locks managed to be pulled into a small, tight ponytail. One hand resting against his propped-up arm and the other holding an arrow delicately, a bow slung over his shoulder. Neige couldn’t even shake, he felt his blood freeze as he looked in bright green eyes.

Rook tilts his head as he taps the arrow against his crossed leg, “Don’t mind me Roi de Neige. You’ve truly been a lovely hunt for me all day~.”

For a split second, Neige let his eyes dart to the closed door then to the window before snapping back to Rook, “I-I was just-!”

“Shhhh.” Rook stands from the bed, walking closer and Neige realizes with terror the strap around his thigh was holding a knife. The blonde leans down to softly tap the tip of the arrow to Neige’s nose, “Run.”

“W-wha-?”

“Run.”

It was dark when Vil woke up, humming at feeling a heavy hand shaking his shoulder lightly. Blinking awake he sees Rook standing over him with a calm smile, his ponytail just barely contained by an elastic band, “Mon roi, It’s getting late. We should get you some dinner and then a proper bed.”

Vil sits up, stretching his arms and looking around the room. Next to him was Yuu, slumped against his side and sleeping peacefully, the bowl of popcorn knocked to the ground with a few kernels on the carpet. He clicked his tongue softly, did he have time to clean that up?

Rook didn’t give him the chance to choose, pulling him from the couch and steadying his still sleepy body easily. Once Vil was stable, Rook moved to place Yuu into a more comfortable position. Vil stifles a yawn, grabbing the blanket from the back of the couch and resting it over them. He smoothes down their hair, smiling when Rook puts an also sleeping Grim closer to the prefect, both softly cooing seeing the first year instantly grip the cat monster closer.

“Alright, back to the dorm, Rook.”

“Oui!”

Vil barely hisses a ‘shh’ before shoving Rook into the hallway, slipping out after locking the front door behind them. Walking back, Vil huffs and runs his hands through his hair, pulling it free from his ponytail, “So…Did you have a nice day?” He really hoped he didn’t.

“Oui! It was so wonderful. I got to shadow mon Roi de Neige all day! Such a thrilling hunt to remain outside of his eyes until I chose to pounce. It’s why I was so late retrieving you mon Roi”

Son of a- “Great, so happy your day was so fun Rook-”

Vil stumbles, feeling Rook suddenly pressed right against him with an arm wrapping around his waist. A teasing smile on his lips as a hand reaches up to tug at an edge of the yellow hoodie he was wearing.

“It has only become more magnifique seeing you’re fond of my old Savanaclaw hoodie mon chou~. I had always feared you simply threw it out! But to know you kept and made it your own has filled me with such joy!”

“...” Vil sighs, looking away from Rook, ignoring the laugh he lets out, no doubt seeing the soft blush on his cheeks, “It was all I had on short notice…”

#twst #disney twst #twisted wonderland #vil schoenheit #yuu oc #rook hunt #vilrook #neige leblanche #nasty neige #yandere neige #soft yandere #pomfiore

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pearlprincess02 · 8 months ago

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olivia rodrigo and joshua bassett composite houses

1st house: the composite 1st house rules the relationship itself and your outward identity together. It shows how people view your relationship, and how you come across together.

sagittarius 1st house: sagittarius is a fun-loving sign in search of adventure, so having the composite 1st house in sagittarius can make you come across as an adventurous pairing. you may travel a lot together, and can be more open to new experiences together. the downside to sagittarius with relationships is this is the commitment-phobic sign, so commitment may be more difficult to find with this placement, whether personal or professional. if you can give each other a lot of space, that can be a good thing, and you may prefer to not make anything official.

1st house ruler in 7th house: the 7th house is the house of relationships, so people with this placement have a strong desire towards the opposite sex. and these ‘desires’ might lead them to stray from their morals if they become too obsessive with concepts like love, s*x, relationships, etc. this can also indicate a person who will have many lovers throughout their lifetime or even at once. but of course, this doesn’t apply to everyone because other aspects in the chart also influence this.

pluto in 1st house: with composite pluto in the 1st house, this may be a relationship where you’re constantly struggling over power and control. you have to show one another the respect to not try to dominate one another, but this can be difficult. this relationship can also serve to deeply transform you, and you can touch on issues that are deep inside of you and you'd normally avoid. the darker sides to each of you may come out together.

vesta in 1st house: you are both devoted to a sacred mission that is an outward and open part of your relationship. you may also put your shared sense of mission first and foremost, sacrificing what you both would want for yourselves and devoting yourselves to a cause of service. healing and sacrifice are important aspects of this relationship. others may see you both as self-effacing, committed instead to creating routines and rituals that help others connect with their higher vision and spiritual purpose. you may both feel inspired by some idea of purity or cleansing that is part of your regular rituals and practices. this can also show in your appearance or habits together as you may share an intense interest in following practices that relate to spiritual healing.

chiron in 1st house: this relationship compels you both to face your past wounds and deal with past traumas. you are both overtly compelled to help each other face your past wounds. you can help each other overcome your past wounds as you may both embody the past dynamics in a way that allows you both to heal and grow. this relationship can help you both face your past wounds and come to understand past traumas in new ways. you can help each other recognize and channel your unique wisdom and intuition gained from having overcome past tribulations as well. through this connection you can help each other become role models for recovery, change and growth. you can help to spread an important message that empowers others based on your own unique experiences with healing.

pallas in 1st house: you help each other find successful strategies and can stand out as leaders who inspire others. you both embody your ideals, and your outward actions convey the mission you’re on together. other people can recognize your shares gifts for using your intellect and intuition to help others find a path to success. through this relationship you can help each other find connections between your shared mission and your unique personal talents. you have a gift for openly conveying your intuition and helping others to see the bigger picture. you can both easily find patterns and opportunities that others miss. you’re also likely to both have a personal connection to a cause about which you are highly passionate.

juno in 1st house: your loyalty and devotion as a couple is evident from the minute others see you as a pair. as a couple you openly embody your faithfulness and commitment. you make it clear that you are aligned with each other’s ambitions and dreams. this relationship can involve an instant connection and commitment to helping each other succeed. through your connection to each other you both create a foundation for showing your compassion and emotional support. this is an ideal placement for marriage. a commitment to each other’s personal needs is central to this relationship.

2nd house: the composite 2nd house can show what you value in the relationship, how you approach money together, and how secure you are in the relationship together.

capricorn 2nd house : with the composite 2nd house in capricorn, you may be more cautious financially and with acquiring things of value together. this can help you to build more together than apart (depending on natal placements). you can make plans together for the long-term, and can stick with them and act responsibly. you may be more traditional with your values together. the more you accomplish together, the more secure you may feel in the relationship.

2nd house ruler in 6th house: this means a person will earn money through service since 6th house rules over service to others. income and wealth could come from service occupations such as healing, protection, public service, law, armed forces, martial arts, fighting, boxing, legal trade, animal service. a person must work hard and have perseverance to earn money and weirdly enough, sometimes people with this placement earn money through their enemies. however, if ill-placed, this could mean that the person will struggle in saving money, get in disputes easily (make lots of enemies), lose money through accidents and health problems (even addictions), get into high debts, have speech articulatory issues or harsh speech, have eating disorders or dental issues, and spend unnecessary amounts of money on pets.

sun in 2nd: with the composite sun in the 2nd house, a common value system is important to keep the relationship going, if it’s a personal or romantic relationship. if you don’t see eye-to-eye on your values, this can be a point of contention between you and you can try to convince one another of your views in a stubborn way. this can be an excellent position for a business relationship because this house rules money and assets, and you can benefit one another financially and make more money together.

mercury in 2nd: with composite mercury in the 2nd house, this can be a good placement for a business relationship, and you can focus on the plans and ways you can create wealth and accumulate values together. in a personal relationship, you can take your time getting your points across, and you may be more stubborn about your viewpoints with one another, so you need to make sure you’re being open about your differences with your beliefs and opinions. you may not be quick to get into fights, but can get stuck on them when you do, so try not to hold on to grudges with one another.

venus in 2nd: with composite venus in the 2nd house, you can feel this relationship is more stable than others you’ve had or have in your life. neither of you can feel the need to rock the boat, and you can feel more confident and secure with one another. if in a romantic relationship, you can put more emphasis on passion and a physical connection, as well as loyalty. this can be a good position for a business relationship focused on making money, and you can find it easy to accumulate wealth together.

uranus in 2nd: with composite uranus in the 2nd house, there can be some instability when it comes to your finances and resources together. in a personal relationship, you need to make sure you’re saving and being responsible, otherwise you may find you’re not in a good position all of the time. in a business relationship, this can be an excellent position for a business partnership that makes money in bursts, by commission, or in a sporadic way, as well as one focused on technology or the internet.

neptune in 2nd: with composite neptune in the 2nd house, you can have difficulties dealing with finances and your resources together. in a personal relationship, you may find you have trouble holding on to your resources while together. in a business relationship, neither of you may be very good with money, which can tempt you to get outside help, but you have to be careful you aren’t deceived. it can be good if you work together in a spiritual or artistic business.

ceres in 2nd: you bring comfort and nurturing to each other’s lives. you’re attentive to each other’s material and physical needs and may try to help each other by providing favorite foods and other physical pleasures. you intuitively understand how to help each other feel pampered. this relationship can help you both create a comfortable financial foundation. you may cater to each other’s needs and have the resources to help each other feel secure and cared for. you may also both look to treating each other to favorite gifts and luxuries as a practical way to show each other you care.

3rd house: the composite 3rd house can show how you are together in your immediate environment and what you focus on together day-to-day. this is a house of communication, so it can also reflect how you communicate in the relationship, and what you can think about together.

aquarius 3rd house: with the composite 3rd house in aquarius, the two of you can be much more open to new and different ways of thinking and viewing situations and the world together than you are apart (depending on natal placements). you can take unconventional approaches to daily life, perhaps avoiding routines and standard structure, and may prefer unusual immediate environments. you may focus together on pushing boundaries.

3rd house ruler in the 2nd house: since the 2nd house rules over wealth and riches, this indicates a person who may earn a lot of wealth and money. but, since this means the 2nd and 12th house have a connection, the person also has a lot of expenses. but due to connection of 2nd house of artistic ability and 3rd house of communication, this indicates a person who has artistic ability in communication and could succeed in careers such as singers, writers, musicians, dancers, etc. but this placement could cause unhappiness in family life if the individual is too lost in the realm of making more money. if ill-placed, could indicate a person who spends money on women and immortal activities. also, could indicate death of younger siblings.

lilith in 3rd: you are both likely to express your rebellious and unconventional nature when it comes to the ideas you share. you can easily stimulate each other’s minds and encourage each other to break with tradition. you can support each other’s creativity and encourage each other to write or express yourselves in some unique way. your communication style also reflects your deep desires and subconscious power, and you don’t try to limit or confine each other’s messages. you can help each other find the power of your voice. you encourage each other to speak your mind and be true to your inner vision.

4th house: the composite 4th house can show how we connect emotionally, what we build together from the ground up, and what the base of our connection is (since this is the bottom of the chart).

aries 4th house: with the composite 4th house in aries, you may be a pair that is particularly active in your families (or your own family if you are related or have children). the two of you can dive in and try to take things over, and family can be very important to you, but you may overdo it sometimes. emotional connection can also be something you feel is important and work on. the base of your connection may be to take action.

4th house ruler in 12th house: the native may have grown up in a family where spirituality was encouraged and practiced - however, the home may have also acted as a form of restriction. the native may find emotional security in their ability to be on their own, away from others. when it comes to the mother, she may have been someone with a deeper understanding of the world - but she may have also been unavailable or hard to reach. the native may have found a lot of paranormal or spiritual activities in their youth, shape the way that they grew up.

eros in 4th house: you both have sexual desires to each other based on your ability to make each other feel at home. you can easily nurture each other, and this helps you both let down your guard and explore your deeper fantasies. you may reserve your sexual arousal and interests and only reveal your shared desires and fantasies when you feel secure with each other. privacy is a big part of the allure in this relationship, and you may both have a discreet attraction to each other, reserving your sexual desires for when you are both in the comfort and privacy of your own home. setting and environment play a role in your arousal and attraction to each other. you may have fantasies related to domestic roles or places you both associate with home and comfort.

5th house: the composite 5th house can show how we express affection, what we love and take pleasure in together. this house can bring creative energy into our relationships and allow us to express creatively together. the 5th house also rules children, so they can be impacted by the composite 5th house with someone you have children with.

aries 5th house: with the composite 5th house in aries, you may have a great deal of energy and drive to focus on the things that you love together. if you have children, you can give lots of attention to them. you may want to make as much time as you can for enjoyment and play, but you may find that you want to go play on your own sometimes, and not always together. the two of you may enjoy being physically active together.

5th house ruler in 12th house: this overlay may suggest that the native tends to keep their hobbies and self-expression secret or as a means to escape their reality. they may be interested in spirituality and the paranormal. when it comes to children they may find themselves trying to protect the children around them from reality. they might keep their romantic partners secret or use romance as a way to escape their sadness or their reality. gambling may be done in secret or can often lead to huge losses.

6th house: in the composite chart, the 6th house can show how you approach daily life and the mundane together, how you work together (whether professionally or personally), and the general health of the relationship

taurus 6th house: with the composite 6th house in taurus, you can take your time together with tending to the little things and the day-to-day tasks and chores or work projects. you may move slowly together, and it can be difficult for you both to move together, but once you get going together, you can keep at it to the end with whatever you’re doing. this can be the same approach with issues that arise in the relationship.

6th house ruler in 2nd house: the native’s sense of security and self-worth is often benefited by the native having a consistent daily routine in place. if the native’s routine is for some reason disrupted the native may not feel secure or comfortable in themselves. the main purpose of their everyday job or menial work is to make income but will also serve the native’s sense of self-worth - the native is often very hard working and the job they do may even be related to finances. their co-workers may influence their self-worth quite a lot and will impact how well they generate income. when it comes to pets the native may spend quite a lot of money on them but may also be able to use their pets as a means to bring money in - above all the native’s sense of self-worth is likely to benefit from having pets. the native may spend a lot of money on their health and fitness as well as possibly preventing or curing illness. the native’s values may be shaped by their experience with illness.

saturn in 6th house: with composite saturn in the 6th house, you each may feel that there is a tremendous amount of work that has to be done on a daily basis for the relationship. you may nitpick the partnership to death, making it difficult to survive, so you have to avoid that. in a professional relationship, this house does rule work, so you can find it more difficult to work together or find that you have greater focus and discipline together.

celeb's masterlist / moodboard / 7H - 12H

crd:

1h + 1h ruler + composite vesta in house + composite chiron in house + composite pallas in house + composite juno in houses

2h + 2h ruler + composite ceres

3h + 3h ruler + composite lilith in houses

4h + 4h ruler + composite eros

5h + 5h ruler

6h + 6h ruler

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saintsenara · 1 year ago

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Hi! for the Snape asks game I propose you 1, 4, 45, 46, 48 and 49 . If that's too much you can cut it and keep only the ones you find interesting :))

thank you very much for the ask, @big-scary-bird! all of these were interesting :)

also tagging @bronzeagepizzeria here, since you asked the exact same sequence of questions.

[snape ask game here]

1. do you have a snOTP? what is it?

in an extremely cultured move… it’s severus snape/lord voldemort. i just think they belong together! once they move past the whole ‘using nagini to rip your throat out’ thing…

voldemort is obviously incredibly fond of snape - not only because he must recognise so much of himself in him (feral working-class children with muggle names and disappointing dads need to stick together, after all), but because they have a shared attitude towards magic, the defining force in both of their lives.

voldemort describes himself in goblet of fire as someone who dabbles in creating potions, we know he’s a great inventor of spells, and we - of course - know that he’s someone who’s experimented deeply with all sorts of magic, macabre or otherwise. in this, he understands snape’s attitude towards magic exactly - it’s clear in canon that one of the tensions between snape and dumbledore prior to half-blood prince is that dumbledore cannot countenance someone having even a theoretical interest in dark magic. but snape clearly does, even as his willingness to use that magic to harm and control disappears.

voldemort can appreciate that - it’s what he’s talking about when he tells harry that there is no good and evil, only power - and i can very easily picture the two of them ending up in bed together the first time when a discussion about potions theory got out of hand. you can decide for yourself if voldemort is still hot at this scenario…

it’s also clear from canon that voldemort is one of the few people in snape’s life who takes an active interest in improving it - snape must become a death eater because voldemort offers him a chance to transcend the restrictive class structure which rips opportunities away from poor half-bloods unless they have a slughorn-esque patron - which i think is an aspect of his personality which is too often overlooked.

plus - the adult snape clearly models how he speaks and comports himself on voldemort (seriously, they have near-identical speech patterns, they get a lot of the same movement and dialogue descriptors), which is cute. maybe the dark lord took him shopping for his first set of bat-like robes. (he did - he was getting sick of the brown corduroy bell-bottoms which snape was obsessed with in the seventies.)

and - of course - the reason that snape is the only death eater to whom voldemort teaches the principle of unaided flight is because they were going on lots of romantic midnight swoopings over the countryside. i love that for them.

4. do you think snape remained a virgin?

i don’t think it matters either way, but i think it is worth interrogating why saying no to this question often provokes the response that, if snape had slept around, then his love for lily would no longer be as profound or legitimate as it would have if he’d never had anyone else since he couldn’t have her.

the harry potter fandom has a real issue with conflating sex and love [just see any discussion of whether voldemort actually slept with bellatrix, even though it’s canon that he did] and with having slightly puritanical views on people having meaningless sex for no reason other than the fact that they enjoy it [it feels like every time i see a character written as promiscuous in something, it’s always because they have a reason™, usually a traumatic one, rather than because fucking is fun]. but indulging in sex for physical pleasure and pleasure alone does not make you any less capable of being stalwartly committed to the mission you took for yourself in honour of the dead love of your life. it’s just sex.

so no, i don’t think snape remained a virgin. all teachers need to blow off steam every once in a while, and i think he probably had a sequence of one night stands while on the piss in knockturn alley which meant nothing to him. i’m sure his capacity for self-loathing meant that he felt very bad for doing so, but that sounds like a him problem.

[as an aside, it also seems to me that the scepticism about whether snape had a casual sex life is also rooted in the fact that he’s canonically unattractive - whereas the fact that many people headcanon sirius, who i think was actually infinitely more likely not to have slept with anyone, since he spent his teen years pining for james and his sowing-wild-oats years in azkaban, as a womaniser is entirely because he’s described as hot - but ugly people get to bone too.]

45. what is your opinion on snape's sexuality?

snape’s a bi disaster.

i am convinced, for example, that his canonical vibe with sirius is caused by the fact that he fancies him - he loves acting up in an attempt to get sirius’ attention (him making excuses to pop into grimmauld place to neg sirius about how he’s spending all his time cleaning… immaculate), despite the fact that the way he behaves around lupin suggests that he ought to be avoidant of him, given their history.

plus, his obvious thing for powerful men is what gets him into trouble in the first place. lord voldemort only had to flutter his eyelashes a couple of times and snape was done for… and when it comes to dumbledore, well you know what they say about men with supremely powerful wands…

46. which of the marauders do you think snape could have gotten along with?

sirius, for the reason outlined above.

48. did you feel that snape was the "good guy" even before the reveal?

answered here - the tl;dr is that i did because i'm built different.

49. do you prefer tall!snape or short!snape?

snape is, canonically, a short king. he’s five-eight and feral and i love that for him.

#snape ask game #severus snape #asks answered

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haggishlyhagging · 1 year ago

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By the end of the second millennium, the religious thinkers of Mesopotamia saw the cosmos as controlled and regulated by male gods, with only Ishtar maintaining a position of power. When we see such a pattern of theological change, we must ask whether the religious imagery is leading society, or whether it is following socioeconomic development? Was the supplanting of goddesses in Sumerian religious texts an inner theological development that resulted purely from the tendency to view the world of the gods on the model of an imperial state in which women paid no real political role? Or does it follow in the wake of sociological change, of the development of what might be called "patriarchy"? And if the latter is true, is the change in the world of the gods contemporary to the changes in human society, or does it lag behind it by hundreds of years? To these questions we really have no answer. The general impression that we get from Sumerian texts is that at least some women had a more prominent role than was possible in the succeeding Babylonian and Assyrian periods of Mesopotamian history. But developments within the 600-year period covered by Sumerian literature are more difficult to detect. One slight clue might (very hesitantly) be furnished by a royal document called the Reforms of Uruinimgina." Uruinimgina (whose name is read Urukagina in earlier scholarly literature) was a king of Lagash around 2350 B.C.E. As a nondynastic successor to the throne, he had to justify his power, and wrote a "reform" text in which he related how bad matters were before he became king and described the new reforms that he instituted in order to pursue social justice. Among them we read, "the women of the former days used to take two husbands, but the women of today (if they attempt to do this) are stoned with the stones inscribed with their evil intent." Polyandry (if it ever really existed) has been supplanted by monogamy and occasional polygyny.

In early Sumer, royal women had considerable power. In early Lagash, the wives of the governors managed the large temple estates. The dynasty of Kish was founded by Enmebaragesi, a contemporary of Gilgamesh, who it now appears may have been a woman; later, another woman, Kubaba the tavern lady, became ruler of Kish and founded a dynasty that lasted a hundred years. We do not know how important politically the position of En priestess of Ur was, but it was a high position, occupied by royal women at least from the time of Enheduanna, daughter of Sargon (circa 2300 B.C.E.), and through the time of the sister of Warad-Sin and Rim-Sin of Larsa in the second millennium. The prominence of individual royal women continued throughout the third dynasty of Ur. By contrast, women have very little role to play in the latter half of the second millennium; and in first millennium texts, as in those of the Assyrian period, they are practically invisible.

We do not know all the reasons for this decline. It would be tempting to attribute it to the new ideas brought in by new people with the mass immigration of the West Semites into Mesopotamia at the start of the second millennium. However, this cannot be the true origin. The city of Mari on the Euphrates in Syria around 1800 B.C.E. was a site inhabited to a great extent by West Semites. In the documents from this site, women (again, royal women) played a role in religion and politics that was not less than that played by Sumerian women of the Ur IlI period (2111-1950 B.C.E.). The causes for the change in women's position is not ethnically based. The dramatic decline of women's visibility does not take place until well into the Old Babylonian period (circa 1600 B.C.E.), and may be function of the change from city-states to larger nation-states and the changes in the social and economic systems that this entailed.

The eclipse of the goddesses was undoubtedly part of the same process that witnessed a decline in the public role of women, with both reflective of fundamental changes in society that we cannot yet specify. The existence and power of a goddess, particularly of Ishtar, is no indication or guarantee of a high status for human women. In Assyria, where Ishtar was so prominent, women were not. The texts rarely mention any individual women, and, according to the Middle Assyrian laws, married women were to be veiled, had no rights to their husband's property (even to movable goods), and could be struck or mutilated by their husbands at will. Ishtar, the female with the fundamental attributes of manhood, does not enable women to transcend their femaleness. In her being and her cult (where she changes men into women and women into men), she provides an outlet for strong feelings about gender, but in the final analysis, she is the supporter and maintainer of the gender order. The world by the end of the second millennium was a male's world, above and below; and the ancient goddesses have all but disappeared.

-Tikva Frymer-Kensky, In the Wake of the Goddesses: Women, Culture, and the Biblical Transformation of Pagan Myth

#Tikva Frymer-Kensky #Ishtar #female oppression #mesopotamian mythology #goddess erasure #ancient history #religious history

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creekfiend · 2 years ago

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Re: my tags on the plurality post I just reblogged. I realize this may not be well known information so. Here is the You're Wrong About ep about "multiple personality disorder"

There is a very good transcript available on that page if you are not able to listen to the podcast.

The tl;dr is that the entire phenomenon of "MPD" as we conceptualize it popularly is extraordinarily closely linked to both the phenomena of "repressed childhood abuse memories" and, necessarily, the satanic panic. There is this idea of like, certain types of abuse which somehow cause the "self" to "shatter" in some objective way that can itself be used as concrete evidence OF that abuse... and that's pretty much from 1 book in the 70s that became a huge cultural phenomenon. There's a citation in the podcast transcript here for a book which picks that apart called Sybil Exposed by Debbie Nathan where you can learn more about that specific case. It's also worth mentioning that the "MPD as a result of childhood abuse/repressed memories of childhood abuse" thing actually became a significant issue in legal matters where psychologists were coercing people into inventing repressed abuse memories in order to provide "evidence" to incarcerate people. It was a whole thing.

Here is an excerpt from the transcript that I like:

Sarah: Yeah. And immediately, it becomes just a cultural phenomenon. The author gets bushels of letters, almost all of them from American women and girls. And a lot of them write about feeling like they don't have multiple personality disorder, but they feel like they have all these different selves and different people they are at different times. And it's like, yeah, because being a woman in 1973 means that you in a very obvious way, sociologically are being torn between all of these positions in society. It's like, you want to be a good daughter, but you want to have sex and you want to maybe have a job or stay home and iron a little, I don't know. Mike: And probably a lot of unaddressed traumas too. I mean, probably a lot of the people had seen terrible things and we're still dealing with the trauma of it. And this gave them somewhat of a voice to their trauma or a lens through which to view their trauma that, you know, something happened to you that day and I'm still dealing with it because it's not like in 1973, society was great at being like, let's listen to people who say that they have trauma.

So like, none of this is to say that DID "isn't real" or that any way of framing having a lot of conflicting parts of oneself or different internal selves or whatever is bad or not useful. It is self evidently very useful for many people.

However. Our cultural understanding of what it means to have "other personalities" specifically AS A RESULT OF TRAUMA, as like, this objective THING that takes place inside your brain when something is DONE to you... is like a VERY culturally specific concept.

And obviously DID/plural/system stuff is often quite distinct from "MPD" style framing of multiple selves. Specifically the psychologist obsession with MPD often revolves around the "solving" or integration of selves, whereas plural/system people I know tend to decry that. Theres many other differences also. HOWEVER I think that learning about the history of how this has been framed and who invented a lot of the commonly accepted "facts" about it is like... really important. In terms of being able to control your own experience of conceptualizing your internal state. Regardless of what framing and models you find to be useful or true. Like... as people whose brains are constantly being pathologized and moralized we should ABSOLUTELY know about & be concerned about patterns of psychological abuse which may play into concepts we have of how our brains work. You know?

And because people are not good at taking posts like this in good faith: I know that people describing having multiple selves has been a thing in many places over many time periods, I think the experience of having more than one 'self' is real (I mean what is a self anyway, per my last reblog, right) and I have friends who are plural/systems/etc. I myself absolutely feel that I have many facets to my "self" which I do often find it helpful to conceptualize as discrete entities when I'm working through stuff. I don't personally find the framing of plurality or systemhood useful *for my self* but you know if you read this blog that means nothing in terms of whether I think it's useful or real for other people.

I just.

As a psych abuse survivor I really want us to be intentional and precise about these things and make sure we have all the information we need to make sure we aren't reinforcing some really narsty shit that's been used to hurt a lot of people.

And also to be like, whose word am I taking for this? What rules do I think this phenomenon follows and why do I think that has to be true? Like it is one thing to put words to an experience or a framework, right, and it is another to go "well the system blog I read says that one self has to be fronting at a given time so now I have to figure out which of my selves is doing that" or whatever like... with ALL frameworks for internal experiences ("diagnoses" lol) I think it's important to be like, am I taxonomizing this by describing how it is for me, or am I trying to sort my experiences into these boxes as described by someone else? And like, the latter is not good for people in general I don't think. And of course in any group or community you will get people who are prescriptive about who belongs in what categories and how your experience has to look in order to belong there or use whatever terminology. And that's not true. You can use whatever frameworks you want and if they don't fit later you can modify or discard them!

Wow I hope this is coherent. Anyway going to go ahead and make this puppy unrebloggable because lmao but I am happy to talk about it with people so please feel free to leave replies or asks as long as no one is yelling at me and accusing me of like, denying experiences. Because I am extremely not doing that. Ty

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codeonedigest · 1 year ago

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SFRA Technical Benefits Tutorial for Salesforce Programmers | Store Front Reference Architecture

Full Video Link https://youtube.com/shorts/XTrRxcaEV5I Hi, a new #video on #sfra technical benefits #salesforce #storefront #reference #architecture #sfcc #cloud #salesforce is published on #codeonedigest #youtube channel. @java #java #awsclo

** SFRA Storefront Reference Architecture ** Salesforce B2C Commerce launched the Storefront Reference Architecture (SFRA) in 2018 to provide a starting point for retailers to build state-of-the-art shopping experiences quicker and easier than before. It was built on mobile-first optimized UX which is much more efficient, robust, scalable, and modern compared to the older SiteGenesis model. **…

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fabuloustrash05 · 10 months ago

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hold on I just remembered that I sent you, like, an essay on Karai Being Cool Actually I'm So Smart And Impartial while I was recovering from dentist anesthesia the other night. but I don't know what was actually in it. like my memory's garbage even when I'm not high. so like,, what did I say????? was it coherent or did I just kinda cry about her in your inbox lmao

Imma just copy and paste it all for you:

tbh I like how stubborn Karai is; in my mind, it's a core character trait, right up with Raph's anger issues (emotional disregulation and lack of healthy coping skills), Don's... creepiness (communication problems, fear of rejection, and lack of role models to teach him how healthy relationships work), Leo's reckless self-sacrificial streak (BIG time parentification and self-esteem reliant on perceived worth to others), and the messy, conflicted emotional rollercoaster that is April's life (idc what the writers were trying to do, she is SO accurate to how it feels growing up autistic as a girl shouldered with unreasonable expectations). Sometimes the most interesting thing about a character is what's "wrong" with them, and... Personally, I have kind of a nihilistic view on people, so that's what I tend to focus on, as the starting point from which they can grow as individuals and learn to deal with their issues. To me, Karai's stubbornness and repeated "obvious" mistakes read as her desperately trying to maintain control and comfort in an unfamiliar situation that isn't getting better and will never be what she used to know and has adapted to survive in. It will get better eventually, sure, but she doesn't know that. To make matters worse, after everything that happened with her adoptive father, her ability to trust her elders who could warn her of what's ahead has been compromised, whether she acknowledges it or not; essentially, this means she has to find out everything the hard way before it sticks, and even then, it might just be a fluke, so she still might not get it the first few times. Soon, it becomes a pattern. There is a certain level of comfort in knowing you are wrong and will be hurt for it, if that's what you think you deserve. It's... Familiar, I guess? It feels very real, when you've been through a similar process of fighting your own growth and healing, especially at that age. So personally, although it is frustrating, I think it makes sense this way because that feeling of frustration is the point, y'know? It's ugly, it's uncomfortable, and it is so earnestly human.

#sorry I didn’t respond I’ve been busy and haven’t had a chance to fully read it till now #I still think Karai is stubborn and arrogant but not in the good way #it was charming in the first two seasons but by season four she has little to no growth #She goes through the same exact experience in every episode and never learns her lesson #At that point she’s not arrogant and stubborn she’s just stupid #she was given countless warnings from her father and brothers and even got her face burnt off but she still kept going #she never learned a lesson and stayed the same for the entire series #her only development was becoming a good guy #kernelbastard #asks #answered #tmnt 2012 #tmnt #teenage mutant ninja turtles #tmnt karai

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sleepynines · 10 months ago

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50 for the prompts list?

50. Rebirth

2B sits along a corridor windowsill, hugging her knees to her chest as she gazes out the bunker into the deep expanse of space. It is a beautiful view, but the patterns of shining stars that lay beyond the window don't provide her much comfort.

She remembers when 9S pointed them out to her, once. He'd told her the names of different stars and constellations, the faraway planets, even the tiny glimmers of galaxies that are just visible in this part of space. But…that 9S is long since gone.

2B tentatively places her hands against the glass, as if reaching to touch the stars. She doesn't remember the details of what 9S had shared, only the way his eyes sparkled brightly as he'd relayed his knowledge to her.

Her thoughts are interrupted when she notices movement in the glass beside her hand. A familiar reflection stops behind her.

“Excuse me, ma’am?”

2B turns slowly, lowering her legs from the sill’s ledge and smoothing out her skirt as she faces the voice’s source. She swallows at her rising panic when she discovers 9S standing timidly before her.

“Sorry to bother you, but do you know where I can find the control room? I have orders to see the Commander, but I don't know where she is…”

She stares at him for an awkwardly long moment before pointing in the proper direction. “That way. The door is on your right,” she says quietly.

“Thank you!” He flashes a hopeful smile. “My name is 9S, by the way. My model type just reset so I don't have any memory data. I'd like to meet more people around the ship!”

9S gazes at 2B expectantly. 2B stares back in thick silence.

“So,” he says, still maintaining his bright tone, “I hope we can get to know each other! What's your name?”

In that instant 2B kicks off the windowsill and turns abruptly away. She can only ignore his faltering smile and his injured expression as she walks farther down the corridor. 2B rounds the corner just in time, barely making it out of his sight before she chokes out a single, strangled sob.

She'd known 9S would relaunch today. That was why she was sitting at the window near his room, waiting to get a glimpse of him. She'd just wanted to see him, to reassure herself that he's back and familiar in some form, even if he doesn't remember. It's an impulse she has yet to resist.

But this time he'd noticed her. And she'd ruined it.

Emotions are prohibited, she reminds herself and straightens her posture. It's the only way she can get through this another time.

Soon enough she'll be reintroduced on a mission with him. They'll be partnered together for an Earth descent. She'll have another chance to save him, and then…

She'll wait for him at the windowsill again once she fails to protect him.

#2b9s #9s2b #my fics #I'm sorry for responding so late 😭 more than half a year later #I hope you're still around to read this anon #sleepynines

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megashadowdragon · 25 days ago

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an analytical breakdown of sukuna

There is an interesting pattern of how Sukuna's characterization as an “enlightened” hedonist is done. Of course, he does whatever he pleases every time he's on panel. But more importantly, the central theme is how his ideals are consistently treated by the story as “correct.”

Gojo didn't have a real sense of self → got locked up. Yuki worked with Tengen and didn't fight with her own domain → got bisected and had to blow herself up. Yuji, a cog, fights for a system, and God knows I don't have to mention how much my boy has been beaten down.

Gojo is the pinnacle of the current Jujutsu system, and Tengen is the symbol of the old Jujutsu order. The implications of the both of them being affected by Sukuna from a meta perspective are obvious for the larger story.

Moreover, the expressions on Sukuna's face are vastly different when you consider the panel where we objectively know he's staring at Jogo's burning corpse vs when he's talking to him. There are stronger grounds to state that the conversation happened in Jogo's head too.

In fact, that was the point of putting the word enlightened in quotation marks in one of the very first tweets of this thread. The idea that he's enlightened comes from the iconic "tenjō tenge" line being delivered by the narrator/Nanami, not by Sukuna himself.

Consider how he is based on a Shinto deity of the same name. This piece of information also plays a substantial role in our perception of his enlightenment.

Of course, this is explained by how Gege plays around with the traditional idea of enlightenment. More on this later. detective critics · Mar 17, 2023 This assertion that he adapts to the perceptions of those viewing him is supported by his very characteristic matrix. One of his abilities, Cleave, literally adapts to his opponents.

Moreover, when he temporarily got control of Yuji's body, the primary threat was Mahoraga.

And what is Mahoraga's special ability? That's right, it's to adapt. It all fits perfectly.

At the risk of getting lost in a tangent, this sequence concretely foreshadows Sukuna's connection to angels as well.

The Cherubim are called the "many-eyed," and, along with the Seraphim, are depicted in flames. This is because of their close proximity to God. His radiant fire is reflected in the depictions of the Seraphim and Cherubim. Sukuna has many eyes, and he also has flames...

Much to Jogo's surprise. In fact, Sukuna even reasons that a cursed spirit wouldn't know about this, meaning humans, who are privy to Christian lore, would be able to make the connection.

Further, in said lore, angels appear to humans as and how it's necessary.

Not to mention, Sukuna explicitly states he's not going to change back to his four-armed form, because his current form is more suited to fight sorcerers. He has forever been seen adapting to the situation, the reiteration of this concept is almost obsessive.

So far, we've explored Sukuna's character before a certain turning point in the series, which is none other than Sukuna leaving Yuji's body and occupying Megumi's.

Ever since then, we've learned a lot about Sukuna. The difference is that we learn about him FROM HIM.

detective critics · Mar 17, 2023 Sukuna is the ultimate example of what you get when you optimize CE. In fact, Kenjaku models his plans after the revival of the Heian era, when Sukuna ruled as the King of Curses.

Yuki explicitly states she wants to research Maki as an example of away from CE. detective critics · Mar 17, 2023 This contrast also extends to Maki's portrayal as a true enlightened being vs Sukuna's enlightenment obviously being an imposition of perception, and it further emboldens me to claim that Sukuna has as much characterization from a meta perspective as Maki. detective critics · Mar 17, 2023 Final point: In the latest chapter, Sukuna summons Mahoraga. But this time, Mahoraga's wheel, the symbol of perfect adaptability, appears over his head like a halo.

This likely points to Sukuna's newly gained agency; to adapt or not is his privilege. detective critics · Mar 17, 2023 To wrap up this thread, I believe Sukuna is one of the more overlooked characters in JJK right now in terms of quality of writing, and hope I substantiated that belief in this thread.

#jjk meta #ryomen sukuna

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allaboutmarketing4you · 2 months ago

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How great leaders inspire action

Simon Sinek | TEDxPuget Sound

Simon Sinek explores how leaders can inspire cooperation, trust and change. He's the author of the classic "Start With Why."

He has a simple but powerful model for inspiring leadership all starting with a golden circle and the question “Why?” His examples include Apple, Martin Luther King, and the Wright brothers -- and by contrast TiVo, which (until a recent court victory tripled its stock price) seemed to be making a big effort to stay afloat.

Video Transcription. It is worth watching and listening to the video, as well as reading the transcript, for future memory:

"How do you explain when things don't go as we assume? Or better, how do you explain when others are able to achieve things that seem to defy all of the assumptions? For example: Why is Apple so innovative? Year after year, after year, they're more innovative than all their competition. And yet, they're just a computer company. They're just like everyone else. They have the same access to the same talent, the same agencies, the same consultants, the same media. Then why is it that they seem to have something different? Why is it that Martin Luther King led the Civil Rights Movement? He wasn't the only man who suffered in pre-civil rights America, and he certainly wasn't the only great orator of the day. Why him? And why is it that the Wright brothers were able to figure out controlled, powered man flight when there were certainly other teams who were better qualified, better funded -- and they didn't achieve powered man flight, and the Wright brothers beat them to it. There's something else at play here.

About three and a half years ago, I made a discovery. And this discovery profoundly changed my view on how I thought the world worked, and it even profoundly changed the way in which I operate in it. As it turns out, there's a pattern. As it turns out, all the great inspiring leaders and organizations in the world, whether it's Apple or Martin Luther King or the Wright brothers, they all think, act and communicate the exact same way. And it's the complete opposite to everyone else. All I did was codify it, and it's probably the world's simplest idea. I call it the golden circle.

Why? How? What? This little idea explains why some organizations and some leaders are able to inspire where others aren't. Let me define the terms really quickly. Every single person, every single organization on the planet knows what they do, 100 percent. Some know how they do it, whether you call it your differentiated value proposition or your proprietary process or your USP. But very, very few people or organizations know why they do what they do. And by "why" I don't mean "to make a profit." That's a result. It's always a result. By "why," I mean: What's your purpose? What's your cause? What's your belief? Why does your organization exist? Why do you get out of bed in the morning? And why should anyone care? As a result, the way we think, we act, the way we communicate is from the outside in, it's obvious. We go from the clearest thing to the fuzziest thing. But the inspired leaders and the inspired organizations -- regardless of their size, regardless of their industry -- all think, act and communicate from the inside out.

Let me give you an example. I use Apple because they're easy to understand and everybody gets it. If Apple were like everyone else, a marketing message from them might sound like this: "We make great computers. They're beautifully designed, simple to use and user friendly. Want to buy one?" "Meh." That's how most of us communicate. That's how most marketing and sales are done, that's how we communicate interpersonally. We say what we do, we say how we're different or better and we expect some sort of a behavior, a purchase, a vote, something like that. Here's our new law firm: We have the best lawyers with the biggest clients, we always perform for our clients. Here's our new car: It gets great gas mileage, it has leather seats. Buy our car. But it's uninspiring.

Here's how Apple actually communicates. "Everything we do, we believe in challenging the status quo. We believe in thinking differently. The way we challenge the status quo is by making our products beautifully designed, simple to use and user friendly. We just happen to make great computers. Want to buy one?" Totally different, right? You're ready to buy a computer from me. I just reversed the order of the information. What it proves to us is that people don't buy what you do; people buy why you do it.

This explains why every single person in this room is perfectly comfortable buying a computer from Apple. But we're also perfectly comfortable buying an MP3 player from Apple, or a phone from Apple, or a DVR from Apple. As I said before, Apple's just a computer company. Nothing distinguishes them structurally from any of their competitors. Their competitors are equally qualified to make all of these products. In fact, they tried. A few years ago, Gateway came out with flat-screen TVs. They're eminently qualified to make flat-screen TVs. They've been making flat-screen monitors for years. Nobody bought one. Dell came out with MP3 players and PDAs, and they make great quality products, and they can make perfectly well-designed products -- and nobody bought one. In fact, talking about it now, we can't even imagine buying an MP3 player from Dell. Why would you buy one from a computer company? But we do it every day. People don't buy what you do; they buy why you do it. The goal is not to do business with everybody who needs what you have. The goal is to do business with people who believe what you believe.

Here's the best part: None of what I'm telling you is my opinion. It's all grounded in the tenets of biology. Not psychology, biology. If you look at a cross-section of the human brain, from the top down, the human brain is actually broken into three major components that correlate perfectly with the golden circle. Our newest brain, our Homo sapien brain, our neocortex, corresponds with the "what" level. The neocortex is responsible for all of our rational and analytical thought and language. The middle two sections make up our limbic brains, and our limbic brains are responsible for all of our feelings, like trust and loyalty. It's also responsible for all human behavior, all decision-making, and it has no capacity for language.

In other words, when we communicate from the outside in, yes, people can understand vast amounts of complicated information like features and benefits and facts and figures. It just doesn't drive behavior. When we can communicate from the inside out, we're talking directly to the part of the brain that controls behavior, and then we allow people to rationalize it with the tangible things we say and do. This is where gut decisions come from. Sometimes you can give somebody all the facts and figures, and they say, "I know what all the facts and details say, but it just doesn't feel right." Why would we use that verb, it doesn't "feel" right? Because the part of the brain that controls decision-making doesn't control language. The best we can muster up is, "I don't know. It just doesn't feel right." Or sometimes you say you're leading with your heart or soul. I hate to break it to you, those aren't other body parts controlling your behavior. It's all happening here in your limbic brain, the part of the brain that controls decision-making and not language.

But if you don't know why you do what you do, and people respond to why you do what you do, then how will you ever get people to vote for you, or buy something from you, or, more importantly, be loyal and want to be a part of what it is that you do. The goal is not just to sell to people who need what you have; the goal is to sell to people who believe what you believe. The goal is not just to hire people who need a job; it's to hire people who believe what you believe. I always say that, you know, if you hire people just because they can do a job, they'll work for your money, but if they believe what you believe, they'll work for you with blood and sweat and tears. Nowhere else is there a better example than with the Wright brothers.

Most people don't know about Samuel Pierpont Langley. And back in the early 20th century, the pursuit of powered man flight was like the dot com of the day. Everybody was trying it. And Samuel Pierpont Langley had, what we assume, to be the recipe for success. Even now, you ask people, "Why did your product or why did your company fail?" and people always give you the same permutation of the same three things: under-capitalized, the wrong people, bad market conditions. It's always the same three things, so let's explore that. Samuel Pierpont Langley was given 50,000 dollars by the War Department to figure out this flying machine. Money was no problem. He held a seat at Harvard and worked at the Smithsonian and was extremely well-connected; he knew all the big minds of the day. He hired the best minds money could find and the market conditions were fantastic. The New York Times followed him around everywhere, and everyone was rooting for Langley. Then how come we've never heard of Samuel Pierpont Langley?

A few hundred miles away in Dayton, Ohio, Orville and Wilbur Wright, they had none of what we consider to be the recipe for success. They had no money; they paid for their dream with the proceeds from their bicycle shop. Not a single person on the Wright brothers' team had a college education, not even Orville or Wilbur. And The New York Times followed them around nowhere.

The difference was, Orville and Wilbur were driven by a cause, by a purpose, by a belief. They believed that if they could figure out this flying machine, it'll change the course of the world. Samuel Pierpont Langley was different. He wanted to be rich, and he wanted to be famous. He was in pursuit of the result. He was in pursuit of the riches. And lo and behold, look what happened. The people who believed in the Wright brothers' dream worked with them with blood and sweat and tears. The others just worked for the paycheck. They tell stories of how every time the Wright brothers went out, they would have to take five sets of parts, because that's how many times they would crash before supper.

And, eventually, on December 17th, 1903, the Wright brothers took flight, and no one was there to even experience it. We found out about it a few days later. And further proof that Langley was motivated by the wrong thing: the day the Wright brothers took flight, he quit. He could have said, "That's an amazing discovery, guys, and I will improve upon your technology," but he didn't. He wasn't first, he didn't get rich, he didn't get famous, so he quit.

People don't buy what you do; they buy why you do it. If you talk about what you believe, you will attract those who believe what you believe.

But why is it important to attract those who believe what you believe? Something called the law of diffusion of innovation, if you don't know the law, you know the terminology. The first 2.5% of our population are our innovators. The next 13.5% of our population are our early adopters. The next 34% are your early majority, your late majority and your laggards. The only reason these people buy touch-tone phones is because you can't buy rotary phones anymore.

We all sit at various places at various times on this scale, but what the law of diffusion of innovation tells us is that if you want mass-market success or mass-market acceptance of an idea, you cannot have it until you achieve this tipping point between 15 and 18 percent market penetration, and then the system tips. I love asking businesses, "What's your conversion on new business?" They love to tell you, "It's about 10 percent," proudly. Well, you can trip over 10% of the customers. We all have about 10% who just "get it." That's how we describe them, right? That's like that gut feeling, "Oh, they just get it."

The problem is: How do you find the ones that get it before doing business versus the ones who don't get it? So it's this here, this little gap that you have to close, as Jeffrey Moore calls it, "Crossing the Chasm" -- because, you see, the early majority will not try something until someone else has tried it first. And these guys, the innovators and the early adopters, they're comfortable making those gut decisions. They're more comfortable making those intuitive decisions that are driven by what they believe about the world and not just what product is available. These are the people who stood in line for six hours to buy an iPhone when they first came out, when you could have bought one off the shelf the next week. These are the people who spent 40,000 dollars on flat-screen TVs when they first came out, even though the technology was substandard. And, by the way, they didn't do it because the technology was so great; they did it for themselves. It's because they wanted to be first. People don't buy what you do; they buy why you do it and what you do simply proves what you believe. In fact, people will do the things that prove what they believe. The reason that person bought the iPhone in the first six hours, stood in line for six hours, was because of what they believed about the world, and how they wanted everybody to see them: they were first. People don't buy what you do; they buy why you do it.

So let me give you a famous example, a famous failure and a famous success of the law of diffusion of innovation. First, the famous failure. It's a commercial example. As we said before, the recipe for success is money and the right people and the right market conditions. You should have success then. Look at TiVo. From the time TiVo came out about eight or nine years ago to this current day, they are the single highest-quality product on the market, hands down, there is no dispute. They were extremely well-funded. Market conditions were fantastic. I mean, we use TiVo as verb. I TiVo stuff on my piece-of-junk Time Warner DVR all the time.

But TiVo's a commercial failure. They've never made money. And when they went IPO, their stock was at about 30 or 40 dollars and then plummeted, and it's never traded above 10. In fact, I don't think it's even traded above six, except for a couple of little spikes.

Because you see, when TiVo launched their product, they told us all what they had. They said, "We have a product that pauses live TV, skips commercials, rewinds live TV and memorizes your viewing habits without you even asking." And the cynical majority said, "We don't believe you. We don't need it. We don't like it. You're scaring us."

What if they had said, "If you're the kind of person who likes to have total control over every aspect of your life, boy, do we have a product for you. It pauses live TV, skips commercials, memorizes your viewing habits, etc., etc." People don't buy what you do; they buy why you do it, and what you do simply serves as the proof of what you believe.

Now let me give you a successful example of the law of diffusion of innovation. In the summer of 1963, 250,000 people showed up on the mall in Washington to hear Dr. King speak. They sent out no invitations, and there was no website to check the date. How do you do that? Well, Dr. King wasn't the only man in America who was a great orator. He wasn't the only man in America who suffered in a pre-civil rights America. In fact, some of his ideas were bad. But he had a gift. He didn't go around telling people what needed to change in America. He went around and told people what he believed. "I believe, I believe, I believe," he told people. And people who believed what he believed took his cause, and they made it their own, and they told people. And some of those people created structures to get the word out to even more people. And lo and behold, 250,000 people showed up on the right day at the right time to hear him speak.

How many of them showed up for him? Zero. They showed up for themselves. It's what they believed about America that got them to travel in a bus for eight hours to stand in the sun in Washington in the middle of August. It's what they believed, and it wasn't about black versus white: 25% of the audience was white.

Dr. King believed that there are two types of laws in this world: those that are made by a higher authority and those that are made by men. And not until all the laws that are made by men are consistent with the laws made by the higher authority will we live in a just world. It just so happened that the Civil Rights Movement was the perfect thing to help him bring his cause to life. We followed, not for him, but for ourselves. By the way, he gave the "I have a dream" speech, not the "I have a plan" speech.

Listen to politicians now, with their comprehensive 12-point plans. They're not inspiring anybody. Because there are leaders and there are those who lead. Leaders hold a position of power or authority, but those who lead inspire us. Whether they're individuals or organizations, we follow those who lead, not because we have to, but because we want to. We follow those who lead, not for them, but for ourselves. And it's those who start with "why" that have the ability to inspire those around them or find others who inspire them.

Thank you very much."

Source: TED

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