#mines about to die

[insomniphic]

Guys what do I have to do for someone to buy me a nitro on discord 😭😭😭

[lavendervirgos]

Sitting between your dom's legs in front of a mirror, your back to their chest and their hand in between your legs, getting you off. But only as long as you're looking at yourself in the mirror. If you look away or close your eyes, they stop and whisper into your ear: "I want you to look at yourself. Look at how close you are to cuming. Look at how pretty you are like that. So pretty falling apart on my fingers." while they force you to keep your legs open and make you cum all over their fingers.

[tylerposey]

EMILIO SAKRAYA & DIMITRI LEONIDAS "Death's Bed" — Those About to Die (1.07)

[freitag1607]

1.05 / Battle of the Labyrinth

[jaypentaghast]

Interview with the Vampire (2022) | Season 1, Episode 6 & Season 2, Episode 8

[ofswordsandpens]

percy, mentally ill: I feel like I deserve to die. It's a punishment because im a horrible person. Does that sound crazy?

jason, also mentally ill: No that tracks bro samesies

[thatrandomblogsays]

RIP Annabeth, I just know Percy sacrificing himself for you, after knowing you for a week, after telling you that you’ve done more for him this week than his father ever has, is permanently altering the brain chemistry of your avoidant attachment self

[felixlefebvre]

ALESSANDRO BEDETTI as HERMES in THOSE ABOUT TO DIE (2024).

[ourflagmeansgayrights]

actually can we stop talking about “deserve” when it comes to characters dying in fiction. not everything is a fable with a moral lesson to be learned. romeo and juliet didn’t “deserve” to die. bambi’s mom didn’t “deserve” to die. izzy dying in the finale doesn’t mean ofmd is saying that certain types of queer people “deserve” to die. fictional death can serve more narrative purposes than just punishment for the character doing the dying.

[veronicathegoddess]

aww what's that baby? you want more? you want me to give you more than just the tip? aw you're such a desperate little thing aren't you? begging me to push it all in. you look so cute like this, desperate and needy to be fucked properly. isn't that right? yeah it is. you just want me to push it in and fuck that little head silly. stretch you out until you can't think about anything except how full you are. how deep i am inside you that your useless little brain is falling out. yeah i know you want it that bad baby but you're gonna have to beg much prettier than that for it. gotta show me you really want it, now go on and beg for me darling

[deadpoets]

DEAD POETS SOCIETY (1989) dir. Peter Weir

[bbbbbbbbatman]

It's hilarious to think of Bruce who considers Clark to be his best friend, trusts him implicitly, and thinks Clark is the person who knows him better than anyone outside his family, but when timkon or jondami start dating he realizes that there is a very real possibility that they could become...*shudders*...in-laws, and is horrified.

[lonelyzarquon]

When something goes missing, you can always recreate it by the hole it left.

[curseofdelos]

mentally I'm still here:

Nico insisting that neither of them are going to be sacrificed/left behind to satisfy the prophecy is a perfect encapsulation of his growth over the series and it makes me SO soft to think about

Nico as a character - particularly in BoO - doesn't have a lot of self-preservation. He doesn't really care what happens to him as long as the mission gets done. We see this most explicitly after he almost fades into nothingness after the Bryce Lawrence incident:

And again when he considers shadow travelling into Octavian's tent to assassinate him:

(Nico himself notes here that it was unlikely he would survive another jump. If Will hadn't stopped him, he probably would have died.)

In both cases, Nico was willing to risk death for the sake of ending the war. He puts very little value on his own life, and repeatedly argues to Reyna, Hedge, and Will that the possibility of saving camp (a place he never felt welcome at, might I add) is worth the risk of losing his life.

Even before Nico went on the quest with Reyna and Hedge, the others were concerned about his safety. Percy tried to remind him how unpredictable his shadow travelling could be, and Hazel notes that he has been acting strangely lately:

It's not quite clear what Hazel is worried about here, but my interpretation of this scene is that she's concerned that Nico isn't thinking - or perhaps, isn't caring - about what effect the constant shadow travelling will have on his wellbeing. Between Tartarus, the jar, and the Cupid incident, Nico's mental state is at its worst at this point in the series, and I think Hazel is worried he'll do something reckless - something he can't come back from.

And so in TSATS, when Nico is told that he's going to have to leave something of equal value behind in order to save Bob, the old him would have had zero issue sacrificing himself if that's what it took to ensure Will and Bob's survival. This version of Nico, who's been going to therapy w/ Mr D and opening up more and built a little support system for himself, can't fathom it.

Nico in BoO did not have a future. He had fully convinced himself that nobody cared about him or would miss him if he was gone - not Percy who fought for him at every turn in PJO, not his sister Hazel, not his new friends Jason and Reyna. He was ready to leave both camps behind because he couldn't see himself ever being happy there. He couldn't see himself being happy at all.

But now, in TSATS, he has a boyfriend that he loves, he has friends that he loves, and he has a community in Camp Half-Blood. He has experienced so much loss that losing someone else is his worst fear. The old Nico would have considered sacrificing himself to protect Will and Bob. At the very least, he would have kept that option in his back pocket as a 'just in case'; he wouldn't have sworn on the Styx that he wouldn't stay behind.

This Nico, however, is doing much better - not perfect, but better. He loves Will, and he wants a life with him, and he's not willing to give that up for anything. Nico has hope for the future, and he's clinging to that hope with everything he has. He sees a light at the end of the tunnel, and he wants to reach it. He's not willing to sacrifice himself because it means losing that future.

Gone is the cynical pessimistic Nico who assumes the worst because the worst is all he thinks he can have. Here is the Nico who has had a taste of happiness and is willing to fight to keep it. He's not going to sacrifice himself because he wants to live. He's not just fighting for Will here; he's fighting for himself too.

And seeing him go from "if it kills me, it kills me" to "it's not going to be me" makes me so ASDFGHJKL

[raayllum]

s1 rayllum is "i like you (platonically) and i don't want to. i want to trust you but i'm not sure if i should."

s2 rayllum is "i'm starting to realize that i need you and that terrifies me. you're becoming my family."

s3 rayllum is "you're my first best friend and my person. i need you. i'm trying to figure out how i need you."

s4 is "you can hurt me irreparably and i'll still be here, because i know that's not the real you."

s5 rayllum is "i never want to hurt you, please let me help you, i'd do anything if you just asked. please ask. please know."

s6 is "i love you and i'm trusting that's enough. i'm trusting that you know. it is. you do. you always have."

[isabellaofparma]

Those About to Die (2024– )