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easy-there-leftovers · 7 months ago

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A Question Unasked

Written with season 1 Spencer in mind

Summary: In which your ambitious, workaholic nature makes Spencer wonder if you've got a crush on Hotch. This slight hitch in his plan causes him to miss a few signs.

[A/N]: Can be seen as a filler from Spencer's perspective of certain scenarios from "Mixed Messages" and a prequel to "As Cool As I Think I Am", but can also just be a standalone

Pairing: Spencer Reid x fem! (mentored by Hotch!) reader | cw: slight spoilers for s1e04, allusion to inappropriate workplace dynamics (it's not true, relax lol), slight description of canon-typical violence, mildly inaccurate timeframe | word count: 4k

Spencer looks up from his endless stacks of files on his desk to look at the girl on the other side of his desk. Only a single carpeted walkway really separating them.

He could easily just get up and walk right to her. Ask the burning question that's been on his mind since the Arizona case, but he can't.

Why is that?

He's been your friend for a while, and he's known you for a while longer.

With his eidetic memory, he remembers so clearly when you first started working together. He remembers your starched blazer and pressed blouse, a stark contrast to his swimming-in-sweaters look, and how that alone let anyone know that you were serious about uniform and protocol.

You were, without a shadow of a doubt, one of the prettiest girls he had ever seen, and a fresh graduate just like him.

You were smart, beautiful, and started working at the BAU as early as he did.

And because you were new and young, one of the senior agents had been assigned to supervise your progress. So much like how he was mentored by Gideon, you had been mentored by the unit chief himself; Aaron Hotchner.

He'd like to think that he learned a lot from Gideon. He wasn't the type to hold his hand throughout a case, which he is thankful for, but he had been there to encourage him to think more outside the box. To let his mind be more flexible and creative. To see things from every conceivable angle. Leaving no stone unturned.

He supposed you learned a lot from Hotch as well. With your calm exterior, polite demeanor, and calculating mind that occasionally colored your less polite vocabulary-- He didn't know what Aaron must've been like in his junior years, but he supposed that having you as his colleague was essentially the same experience.

What he does know, however, is how close you are to your boss. Or is it your work?

Either way, you being glued to your work almost always meant that you were glued to him by proxy. You two being the first ones in and the last ones out showed that you spent three-percent more of your time with each other than the rest of the team, and two-percent more than with him.

Granted that had changed as of late, but still!

That didn't leave him a lot of time to ask you if---

"Dr. Reid, if you keep staring at me, I don't think you'll be able to finish your action reports on time." You had said without lifting your eyes from your folder.

Having been caught, he cleared his throat with a small 'sorry,' and directed his head back down to his still endless stack of files. The action earning a couple of chuckles from the bullpen where the rest of your colleagues had certainly seen, or at least heard, the exchange.

Not long after however, he saw Hotch from the corner of his eye lean over the railing outside his office. Calling for you both to meet him inside with his usual stern expression.

Spencer noticed how you got up, eyes still zeroed in on one of your files, and continued on your way up and into the unit chief's open door.

A clear sign that you had been invited there often enough that you didn't need to see where you were going.

You expected it.

He sighs and makes his way into the office as well. Dreading what the meeting could even be for, though he's confident he hasn't done anything wrong.

***

"As you might have noticed in our previous cases, I've paired you two to work on the more analytical aspects of it together. With these changes, we've been able to work twice as fast, and we’re thankful for the help."

Whatever Spencer had been expecting, it was not this. His raised eyebrows evidently agreed with him.

It wasn't everyday that Hotch complimented someone like this, much less in the proper environment. And if your respectful posture, but shining eyes in slight pride were anything to go off of, this was something new for you too.

As he was about to voice his thoughts, you had spoken up.

"Sir, Dr. Reid's knowledge in a wide array of subjects has certainly helped with our investigations. Though I'm afraid I haven't done much aside from ensuring it's accuracy and-"

"No! I mean--," He looked to see you already looking at him in slight confusion before continuing.

"She's been a huge help so far and has allowed me to exchange ideas with her to build a more accurate profile. Not to mention that her ability to mediate between departments has been beneficial to gaining access to pertinent information! So I think she's done plenty for the investigations as well." His voice dwindles as he realizes he's rambling on praises and he suddenly feels warm under the scrutiny of both his boss and his colleague.

He just didn't want anyone thinking you weren't doing anything by being humble. Especially since you're both so young.

Thankfully, it's Hotch who speaks up again after a beat.

"So what I'm hearing is that you're both satisfied with this arrangement?"

You both nod carefully and he smiles a small smile at that.

"Then we'll be carrying on with this pairing into the foreseeable future. Should there be any concerns about this arrangement, see to it that it goes through me. We can't afford to lose either of you." He says it with a finality that prompts both Spencer and you to leave with a nod, but the thought is instantly corrected when he speaks again.

"Oh and agent?" He looks only at you, but Spencer looks back as well out of instinct. "A private word, if you please."

Spencer sees you nod without a second thought and he takes it as his cue to hurriedly leave.

***

It hasn't been that long, Spencer argues with himself, since he left the unit chief's office. The blinds aren't drawn, he would know since he'd been looking at them periodically, so he also knows that nothing untoward is happening.

Yet something is bothering him about it.

From his position on his desk, he can see you and Hotch discussing something on his table very seriously, but he also sees how your eyes rarely leave the face of your superior. He can't quite see your expression due to the distance and the light, but he has this sinking feeling that it's a lot like the one from earlier.

He scoffs at the thought. If he wasn't thinking so rationally, he would've thought-

"Does she like Hotch?"

"Who likes Hotch?"

The new voice makes him whip his head back so fast to see Morgan with a confused face. Upon further examination, he sees him holding something that was definitely supposed to be flicked at him if he hadn't been caught so off guard.

He internally debates to voice his opinion, but he does anyway.

"Do you think that she likes Hotch?" He gestures with his eyes to their supervisor's office.

"You're asking me if I think 'little miss perfect' has a crush on a man that's hitched?" Derek echoes back with the use of your nickname. One that he coined as a playful jab at your no-frills behavior.

Spencer cringes when he hears it back though. He didn't ask this to get you in trouble, but it might come across that way now.

"Who has a crush on married man?" Elle joins in, and he only shrinks into his seat more.

"I'm not asking if she has a crush on him! I just want to know if she might like him and--what it is that she likes about him..."

The two exchange looks before looking back at him. Fully knowing that that's not the reason why he's asking, but they humor him anyway.

"Reid, what makes you think she likes him and not literally anyone else?"

"Well. there's her preference for prolonged eye-contact, a common indicator of interest for one. Her being in constant proximity to him, a sign that shows comfort in certain contexts, and then there's the amount of time they spend together."

The last one might be a bit of a reach, considering how you all work in the same area, but at this point he just wanted someone to tell him that he was either absolutely right, or crazy.

"Kid, that's crazy."

Duly noted.

"I'll say.” Elle chuckles out her response. “I haven't thought about it all, but those signs don't really mean anything. It just sounds like she has a habit of looking at whoever's talking to her." She notes, sharing her experience of being on the receiving end of your rather intense gaze.

His other friend adds onto that.

"And the whole closeness thing? You've seen her, she's like a computer with the way she works. She's a workaholic. And Hotch is another. It's just math, Reid."

Spencer furrows his eyes at the man's statement but before he can ask further, he sees you coming out of the office and staring at the small crowd that has now formed at his desk.

"Is something going on here?" You ask with tense brows. Eyes flickering to and fro.

He couldn't really think of something on the spot, but thankfully Derek had one at the ready. "Was just caught trying add my stack on to pretty boy's plate."

He sees you let out a small 'hm,' and you eventually turn your back to them to reach your desk.

He sighs in relief as he feels a firm pat on his back from Morgan.

"Next time, try looking at what she does when you're the one talking." He says before leaving to go to his own desk as well.

Spencer doesn't know what good that would do, especially now that he's worried one of his colleagues have caught wind of him liking you, but he at least takes note of it.

--------

He does not, in fact, take note of it until very later.

The team had been called to San Diego to deal with someone they had been calling, "The Tommy Killer." An unsub that had a preference for gluing his victims' eyes open.

As they were reviewing the scene in the jet, they had noticed a few stanzas of a literary work had been left behind at the scene.

"It's a ballad from the late 1600s. A Dialogue Betwixt Death and a Lady." Spencer had mentioned from where he stood.

"A 17th Century ballad?" Morgan had asked him incredulously from his seat, but it’s you who answers.

"One where a woman tries to bribe Death with all that she has in exchange for a little more time to live. Naturally, he doesn't allow it. Claiming that she was undeserving of an exception that even kings were denied of."

Spencer looks up from his own copy to see you still looking at your own from beside Hotch. With your brows furrowing in thought, he almost sees the actual gears in your brain turning.

"So what, are we looking at a literature professor of some kind?" Elle asks which immediately perks him right up.

"Well, actually anyone with access to the internet today. You should see what comes up when you type in the word, "Death" into a search engine." He laughed absentmindedly.

"Reid, no wonder you can't get a date."

Morgan's words made him frown, but he brushes it off.

Hotch, as previously discussed, then called on for the both of you to look deeper into the messages. To see if there was anything new that could be inferred.

He nods at him, and looks up. Expecting you to still be looking at Hotch as well.

Instead, your eyes meet his, but you quickly look back onto your file.

Reid thinks it's just a coincidence.

***

"Creepy, huh?" JJ had asked you two as she approached where transcripts of the written messages were tacked onto a board.

Spencer had been focusing so hard that he was caught off gaurd by her sudden appearance. Fully expecting the area to just be for you and him so he told her what first came to mind.

"Actually, conversations between Death and his victims was a fairly popular literary and artistic theme throughout the Renaissance."

Though perhaps the delivery wasn't as as good as he thought it was as JJ only stared back at him with an unreadable expression.

He thought it was interesting, really, but he supposed his slight stutter and breathy laugh at the end must have distracted her from his point.

He turned to look at you for help, but you too had been focusing on the messages and wouldn't be available to do that. So he just agreed with JJ’s sentiment, which seemed to be enough for her to leave.

He sighed out in relief.

"The lady never answers. Have you noticed it yet, Dr. Reid?" You turn to him as you ask.

He immediately refocuses on to the case and tries his best to reply after his prior blunder. "Oh uh-- Right, the dialogue in the ballad seems to be fractured. Well, it's more of a monologue than a dialogue seeing that there is no exchange of information."

A small smile graces your lips at that, and you gesture with a nod to go report your findings.

"So it is. Let's get going."

He follows you to where Hotch and Elle were discussing the sexual aspect of the crime and sees you take your place next to your mentor. The same position you were in when he was blowing out his birthday candles, as he also inserts himself into the discussion.

"Sir, we believe what the unsub has written at the scenes are most of the first three verses of the same ballad." You deliver, prompting your mentor to raise his brow at that.

"Most of?"

"Yeah, it's only one side of the conversation." Spencer adds. "There's no betwixt." He takes pride in your shared effort, which makes itself known by the smile that adorns his face.

Unfortunately, his satisfaction, isn't met with a positive reaction either as he sees Elle desperately trying not to make eye-contact, and your supervisor staring at him very pointedly.

He's thankful though at the little chuckle that you quickly try to hide behind a cough and a cover of your mouth to appear more professional. Quickly looking down at the ground.

He's happy that at least someone thought his joke was well-placed.

He continues to explain your theory about how the Lady in the narrative never answers, and that's enough for both Hotch and Elle to at least think about it.

Their attention is quickly stolen away however at an incoming call about a failed attempt nearby the precinct.

Quickly excusing themselves to get onto the scene as soon as possible, you see them call Gideon on their way out. Watching them as they leave the department doors.

But Spencer keeps his eyes on you as the thought just dawns on him.

You were the first one on the team to laugh at his jokes.

***

The more cases he works for the BAU, the more he realizes how much of his work isn't theoretical anymore. He feels it in the weariness in his eyes, the weight on his chest, and the shake of his hands.

Or maybe the shake is from the cold.

After all, he had dressed for the warm, California air. So now that he was in the cool, air-conditioned jet, he was seriously regretting not packing a sweater, at the very least.

He makes his way to the back of the aircraft after another successful investigation, and that's where sees you.

You had opted to shed your typically structured blazer on the seat beside you, leaving you in a softer blouse, both in color and form, that made everyone around you know that you were officially off duty.

It's a nice look on you, he thinks. A slight departure from your usually stern and hardened exterior. He wouldn't mind seeing a more relaxed version of you every once in a while.

A version of you that looked more your age and not constantly under the pressure of doing well.

He momentarily wonders if that's part of your mentor's influence as well.

He freezes a bit, as if catching himself in some depraved daydream, and takes a few steps back to return to the more vacant areas of the craft.

Before he can get any further though, you see him and beckon for him to come over with a tired wave of your hand.

"How's the flight treating you, Dr. Reid?" You ask, drowsiness lacing your tone as he sits on the seat opposite of you.

"Oh, it's the same as always, I guess. A little colder than usual, but that's to be expected. By the way, we’re actually lucky that we haven't experienced some semblance of turbulence yet on our flights, considering that the likelihood of it has increased by seventeen-percent in the last decade."

You laugh at that. "You really know just what to say, huh?"

He doesn't see it as funny as you do, so it seems. "I'm sorry. I didn't mean to scare you or--" "There's no need to apologize, sir. I find everything you have to say interesting, whether you mean it to or not."

He stays silent at that, suddenly nervous, and tries to make himself comfortable. He does so in the hopes that he can finally steel himself to ask you that question.

He talked to Elle earlier when they were waiting for the unsub's call. Asked her if she thought it was weird that he knew what he knew, and if it had anything to do with his inability to get a date. She had reasoned with him that it was because he didn't ask, but it couldn't be that simple, could it?

He mulls it over in his head before sighing. Opting to give up and just wait for a more opportune time.

Besides, jury’s still out that you could very well be pining over his boss.

The action, however, seems to remind you of something.

"Before I forget," You look into your baggage, rummaging around before finally finding what it was you were looking for.

You ask him to close his eyes, which he obediently does, and you place a thick rectangular box into his awaiting lap.

The sudden shift in weight causes his eyes to open, and he is certainly surprised to see what was on there.

"What is this?"

"It's your birthday. There wasn't a good time to give it to you, so might as well."

He takes the box into his hands and shakes it a little.

From the sound alone, or near lack thereof, there could be a multitude of things inside it. He looks at you questioningly and you only smile and gesture for him to open it.

He takes his time in doing so, and he doesn't know how or why, but he finds your reactions to his movements much more amusing than whatever could be in the box. As if you were more excited for him.

He finally peers into the now open box to see some sort of purple cloth. A ribbon of geometric designs cutting through its middle and he stares at it in wonder.

"It's a scarf!"

You smile at him, and he was thankful that the rest of the team were either asleep or just not paying attention as it allowed the both of you to savor the moment with at least some semblance of privacy.

"I've noticed that you had a tendency to wear a lot of layers. I wasn't sure if it was because you were cold, or you just liked dressing that way, so I made an educated guess and got you something practical."

And just like that, he's over the moon.

He immediately goes to put it on with a wide smile, paying no mind that it paired so badly with the short sleeves of his button up.

Not that he would know, nor care.

And just when he had been feeling cold earlier too! "Thank you so much. This means a lot to me, especially since you don't usually give gifts."

You shake your head. "I don't, but it's not everyday one spends their twenty-fourth at the BAU."

He continues to observe the cloth that now hung around him. Smoothing his hands over it as he does with an expression unreadable to you.

You worry a bit and hurriedly mention, "I'm sorry if it isn't your color. I see purple show up on your mismatched socks more than any other color, so I just assumed. If it's any consolation, purple is a great color to contrast the warmer hues in brown eyes?"

He flushes at your admission, but matches your urgency to set you straight. "No! Please, I actually really like it-- It's beautiful."

You breathe out a sigh in relief and nod slowly at that.

"Speaking of the color, did you know the origin of purple dye is actually quite fascinating?" His voice filled with enthusiasm. With his eyes, bright, and filled with a child-like fascination that makes your chest feel warm at the sight.

"Historically, purple dye was incredibly rare and valuable, which is why it became associated with royalty and nobility. The earliest known purple dye, known as Tyrian purple, was produced by the ancient Phoenicians around 1200 BC. It was derived from the secretions of a particular type of sea snail, the bolinus brandaris, found in the Mediterranean Sea."

He paused for a moment, wondering if he was boring you, but sees that you're still very much paying attention to him.

"The process to obtain this dye was incredibly labor-intensive and complex. It required thousands of these sea snails to produce just a small amount of dye. The snails would then be collected and left to decompose in large vats. After several days, a gland from the snail was extracted and crushed to produce a purple mucus. This mucus would then be exposed to sunlight, undergoing a chemical reaction that transformed it into the deep, rich purple dye we commonly associate with our modern day equivalent."

As he kept going, he suddenly remembered what Morgan had told him all those weeks ago.

"Next time, try looking at what she does when you're the one talking."

So he does just that.

He observes the way that your shoulders are more relaxed, how your eyes never stray from him, and how the small upturned curve of your lip makes itself known as you rest your cheek onto your propped up fist.

How he has your undivided attention and yet you don't even look the least bit bored of what he has to say. Only silently appreciating and subtly nodding along with the slow blink of your eyelids.

All clear signs of unguarded comfort, and or interest, in his presence.

Had you really been looking at him like that all this time?

Now the idea of you liking your boss seems silly. Especially when you’re looking at him the way he imagines himself looking at you.

"I did know that, actually, Dr. Reid. At the time, Tyrian purple wasn't only desirable for its rarity, people said it was also incredibly lightfast. That it was resistant to fading under the sun and the weather. Not to mention all that hard work that just to get a single gram of it. Then again, modern studies do claim that its lightfastness was, in fact, not an accurate feature as it's color diminished when it was exposed to light and UV radiation."

You laughed a little again, as if remembering some anecdote, and that sound was steadily becoming one of his favorite sounds. Following only after your speaking voice.

"Fortunately for you, doctor, I could only afford a synthetically purple-dyed scarf. Though that means that you won't ever have to worry about it fading under the sun."

Hands up in faux surrender, you give him a tired smile that he returns with one of his own.

A calming silence enveloped the both of you as you continue to bask in each other's presence.

At some point you doze off, draping your blazer on top of yourself to shield yourself from the cold, and that's when he starts considering Elle's words again.

"Do you ever ask anyone out?"

"No,"

"That's why you can't get a date."

He nods to himself, and reclines a little more into his seat. Snuggling into his new scarf that still has the faintest smell of you.

Maybe he will ask you out on a a date later.

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kettlefire · 7 months ago

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Age is but a Number (DPxDC)

Daniel Fenton was only thirteen months old when he took his first steps. Only fifteen months old when he said his first words. He was two years old when he uttered his first sentence.

Danny could walk back his whole timeline from the moment he opened his eyes into this world. Except, none of those moments counted. They held no true weight for Danny's life.

No, there were certain moments that mattered. That had a clear shift to his life. Not every moment, not every milestone mattered.

Danny was five years old when he first felt the sting of disappointment at his parents missing a school event. He was six years old when the lab door was closed in his face for the first time, but not the last time.

He was eight when his young mind realized who was the one raising him. The one feeding him, waking him up, getting him dressed, and dealing with his tantrums.

Danny was ten when he learned to love and hate his parents for the true first time. Seeing both the good and the bad in them, and still loving them despite it.

He was eleven when he watched his sister crack under the pressure. Stood teary-eyed in the doorframe of her bedroom as he watched her cry and sob. He was twelve when he got into his first real fight with his mother, hiding away at Tucker's place for a few nights.

Danny was fourteen years old when he stepped into his parents' portal. When he accidentally hit the on switch. When a combination of ectoplasm and electricity ruined his life.

He was only fourteen when he experienced death for himself. Felt his life force leave him, and flood him at the same time.

Danny was still only fourteen when his world changed. New powers and abilities appear out of thin air. When a crazed billionaire latched on to him. When Danny had taken the mantel of a hero without meaning to.

He was still just fourteen when his life was filled with constant fighting. Both ghostly and human. Things got more tense between Danny and his mother. School was a weight that Danny wasn't sure he could handle.

Danny was fifteen when he had an existential crisis. The weight of a looming crown he was meant to take on the moment he turned eighteen or died fully. Having witnessed timelines where his family was gone. Having recognized a pattern of repetition in a life that Danny didn't want.

He was still fifteen when he made an impulsive decision. It was stupid and rash. Something expected from an angsty teenage boy, and not from an heir to a throne and a town to protect.

There had been no big fight. No big showdown. His parents still didn't know his secret. Danny hadn't bothered telling Tucker, Sam, or Jazz about his great plan. One moment, Daniel Fenton was in Amity Park. The next moment, he was gone without a trace.

Danny is just a fifteen year old boy, perched on a hill miles away from home. He didn't know what he was doing or what he was going to do. He didn't even know what state he was in.

He had just flown through the sky, a bag of emergency supplies slung over his shoulder. Danny had no intentions of stopping. That was until he stumbled cross a state line, and felt it.

A strong sense of caring and love. A feeling that Danny could only compare to the love he felt from Jazz. There was a strangeness in the air, but also a feeling of home. It drew Danny in like a moth to a flame.

Danny was just fifteen, curled up on a damp hill. Staring up into the night sky, and wishing for things to be different.

Not completely different. He didn't want to get rid of Phantom. Didn't want his life to go back to how it had been. Danny wanted things to get better. He wanted to feel like a kid again, something he realized he hadn't felt in a long time. Despite Jazz's best efforts to shield him.

The first tear had left Danny before he even realized it. A shaking hand wiped the tear away, silently cursing at himself for being such a baby.

Except that wasn't the only tear. It was like a dam, he never knew was there, had broken. Tears streaked down Danny's cheeks faster than he could wipe them away. Choked muffled sounds quickly turned to harsh gasping sobs.

Danny was only fifteen when he finally broke. Curled up on a random hill in a random state in the middle of nowhere. A glowing young teenager whose glow only seemed to dull with each gut-wrenching sob. Yet the stars seemed to twinkle even brighter than ever on this countryside.

So lost in the whirlwind of emotions that Danny was too young to fully decipher, he never noticed the approaching vehicle. Didn't so much as flinch when it came to a stop near him.

Danny's pain radiated with each sound he made. With each tear that left his toxic eyes. There was seemingly no end to it all. Until a single voice managed to pierce through Danny's bubble.

"Oh, dear... It's just a boy. Quick, grab a blanket!"

A small, frail voice was all it took. A voice weathered with age, and a tremble to it. Danny's whole body froze, head lifting to look at the speaker.

Except his vision had been quickly covered for a brief moment as an old flannel blanket was suddenly wrapped around Danny's shoulders. It smelt of dirt, hay, and warmth.

A kind old woman quickly followed to take a seat beside the glowing teenager. A warm, loving smile on her lips as she brought a thermos to Danny. An equally old and warm man seemed to follow behind her.

Danny's sobbing had quieted as quickly as it had started. The teen was completely bewildered, stunned to silence. This old couple, the embodiment of the American dream, didn't so much as blink at the sight a glowing boy crying on their land.

She had called him a boy. She had called him a boy. Danny was just a boy to her. His hands trembled as he accepted the thermos, taking a drink from the still hot coco inside.

Danny's stunned silence must have spoken volumes. The old man had given out a chuckle, moving to stand beside his wife.

"Don't worry, bud. Our son is just as strange as you."

Danny was just fifteen years old when he stumbled onto the Kent farm. When John and Martha Kent stumbled upon a crying glowing boy. When a sweet old couple hadn't cowered in fear but instead embraced Danny. Offering kindness and comfort with no strings attached.

He was only fifteen when he found himself a new home. A new life. One where he didn't have to be anything more than a teenage trying his best. When his powers weren't needed, only appreciated. Never expected.

A life where a warm home-cooked meal and a mother's kiss seemed to greet him every morning and night. Where a father's touch seemed to linger in every tractor lesson, every game of catch, and every time Danny learned more about the farmer lifestyle.

Danny was fifteen when he found his family. When he met the equally kind son of an amazing couple. When he had someone willing to teach him how to handle his powers, but never expected him to.

But Danny was seventeen when his past came back. When a town and people he cared about, all came flooding back in. When the guilt and shame of abandoning them came flooding back in.

When his new picture, perfect life started to crumble around the edges. When he realized life never went well for a Fenton and Fenton-adjacent. The perfect safe bubble had to burst eventual.

And well, that's a story for another day.

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easy-there-leftovers · 7 months ago

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As Cool As I Think I Am

Summary: The 5 times Spencer tries to be cool, and the 1 time he doesn't care.

Alternatively; Spencer never thought he was cool, but he found himself wanting to be just for you.

[a/n] Recommended to be read after, "A Question Unasked", and is a roundabout sequel to "Mixed Messages."

Pairing: Spencer Reid x fem! (mentored by Hotch!) reader| cw: slight spoilers for s1e04, s1e06, s1e08, s1e10, and s1e18 | description of canon-typical violence, timeframe switches because I can, and Spencer being an oblivious, lovesick idiot (can't believe this version of him survived all of this lol) | word count: 7.2k

Amazing. You had called him, “amazing” during the Arizona case and that was all that had been occupying his mind as of late. He had been called brilliant before. Been described as bright, gifted, hell, he was called a genius even. Yet that was the first time anyone had said anything positive about him.

Removed from his intellectual capabilities.

It made him think that there was more that he could offer than just his never-ending stream of knowledge and incessant rambling.

You had seen that in him.

Seen that he was 'amazing.'

But he certainly wasn’t feeling that way now.

“On SWAT we broke shots down into three steps." Spencer nodded as he listened.

"One: Front sight. Focus on the front sight, not on the target. Two: Controlled trigger press. Three: Follow through. After the shot, you come right back to the target. Now, what did you do wrong?”

He sighs with his eyes closed. “I didn't follow through.”

“Right. You came off the target to see where you hit.”

Hotch had been observing him for the past few minutes to prepare him for his assessment tomorrow, and yet it still felt like he was making no discernable progress.

He had memorized every trick, every form, every physics interplay that could better the ballistics of his shot and yet he still couldn't do it.

"Hotch, my firearms qualification is tomorrow morning. I barely passed my last one." He had said, putting the gun down.

He feels his unit chief gently push him aside to demonstrate and he gets in position.

"Front sight," He aims his gun.

"Trigger press," He presses down on the trigger, resulting in a gunshot to the target.

"Follow through." He finally says. Keeping his eyes forward with his finger still depressing the trigger until he holsters his gun again.

"You do those three things, you'll hit your target every time." Spencer shakes his head.

He tries to replicate the steps again, but only fails miserably.

He has been doing that. He is doing that. And yet he still keeps missing.

If this wasn't part of his job, maybe he wouldn't have cared all too much about his gun proficiency. Or lack of.

And yet it was.

And it was imperative that he learned it to keep his place on the team, but he had been losing hope.

"They're going to take away my gun."

Sensing his frustration, Hotch empathizes with him.

"Profilers aren't required to carry." He groans at that.

"Yeah, but she does and she's great at it."

God, you must've thought he was pathetic.

Aaron laughs internally at that. He knows exactly who the younger one is talking about.

He had seen the way that Spencer had been watching his 'protege,' and it didn't take being a profiler to know that he was absolutely smitten. If he hadn't known any better, he would've thought that Reid's frustrations stemmed from wanting to seem more experienced in front of you.

And Hotch saw no problem with that, at least for now. On the contrary, the two of you working together seemed to have bolstered his focus on the case. Making the team more efficient with their investigations.

He also thinks that it helped because you seemed to return Reid's sentiment, which is why he had brought you along to help him.

So when Spencer turns and sees you walk in, he blanches.

As much as he really liked your presence (you were friends, right?), he really didn't want to embarrass himself in front of you.

He does that more than enough on his own.

But it seemed like your mentor didn't care.

Hotch says your name with a greeting before excusing himself which tells Spencer that he had planned this from the start. He sighs at that. Chest feeling heavy at the pressure.

He sees you give him a polite smile, which he's come to recognize to be your way of easing him, and he returns it.

"I've heard about your progress." Spencer rolls his eyes at that.

"More like regress. I'm sorry that you have to be here." You snort at his joke but shake your head to assure him.

"I'm right where I want to be. "

His heart fills, even though he knows that not what you meant.

"Why don't you go ahead and show me how you fire that gun?"

He nods and waits for you to put on your ear muffs and goggles before he returns to his position. Calming himself down as he remembers Hotch's words.

Front sight, trigger press, follow through.

He fires three bullets and sees them all hit the whites of the target, which makes him sigh for the umpteenth time.

He puts the gun down and lowers his ear muffs to look at you. Seemingly deep in thought, chin resting on your hand, with eyes travelling slowly up and down his form. Observing.

Scrutinizing.

Assessing.

He can't help but feel naked under your gaze.

He always knew you were smart. The cases you've helped solve were more than proof of just that, but he knew that even you couldn't solve the mystery that was his aim.

He couldn't expect that of you. He relies on you so often already.

He briefly wonders how there's such a different between you and him. You joined the same year, joined the same unit, and worked with the same people on the same cases. How was it that you seemed calmer, cooler, and more prepared for anything more than he ever was?

Spencer firmly believes that intelligence cannot be quantified. And if anyone ever doubted him, he would just point at you and say that you had him beat everywhere despite what any number might have to say otherwise.

Case and point. you had been talking to him about something very important and thoughtful and he had been zoning out the entire time.

"I um,–– what?"

You shake your head and gesture to his gun once more. "Show me your form again."

He takes his gun hesitantly, but readies himself the same way he did earlier. The only exception being that his finger isn't on the trigger.

He hears that telltale, almost bored, 'hm' of yours before you speak again.

"Tuck your chest in."

He's read countless firearm manuals and instructions and he's never heard of that before.

"I'm sorry?"

"Tuck your chest in." You say it again, but it's still not making sense to him.

Unable to voice or even act upon his confusion, he watches as you wait with an impassive face before asking,

"Can I touch you?" He lets out a shaky, but immediate 'yes' and you move to stand beside him.

Given your calm and nonchalant demeanor, he anticipates a more impersonal touch. For lack of a better word. He expects a shove. Maybe a push, to correct him into the right place.

So when your hand comes to softly rest on his stomach, fingers splaying across the expanse of his undefined abdominal muscles, he feels his breath hitch. Upper body slightly crumpling in on himself as he does.

He's surprised he hasn't dropped his gun.

"Dr. Reid,"

He's also surprised that his heart hasn't stopped. With how you said his name, and how close you are– he can already feel your soft breath gracing his ear–

"You're an autodidact, aren't you?"

A self-taught person, he thinks.

"I–– I am." Curse his shaky voice.

"You know, there are some things that can't be learned by just reading textbooks and looking at diagrams."

He feels you tap his stomach and he suddenly feels hot.

"Feel this?" He feels you engulfing his senses, that's for sure. But he nods slowly.

"Remember it. Your center of gravity is different from the subjects in those graphics. So the form you need to take is likewise different."

And just like that, all too quick for his liking, you move away. Hand leaving him just like whatever depraved thought might've been running around his head.

He hesitantly looks back at you, and you gesture to his gun again. Noticing how your free hand is resting on the gun in your holster.

A Glock 19, he remembers.

"Go ahead and shoot like that now."

He does, in the same way that he's compelled to follow your voice like always–

Front sight, trigger press, follow through.

And fires three shots.

To his surprise, he manages to shoot the target's chest. Not quite centered, he admits, but its a vast improvement from his previous attempts.

"I– I did it." He feels the disbelief on his face when he looks at you again. He's expecting you to look just as shocked as he does. After all, you saw just how egregious his aim was. So it surprises him when he turns and is greeted instead with the small smile on your face.

Not the same polite smile that you usually give when you're at work, no. It was a soft, genuine smile, or so he thinks.

"I never doubted your capabilities, Dr. Reid."

He beams under your praise. Blooming like a flower under the warm radiance of the Sun. Once again subject to that brain-freezing sensation from a few weeks ago.

If he just remembers everything you told him today, which wasn't a lot, he theoretically should pass his firearm qualifications with no problem.

And maybe, just maybe, he'll get to see you smile at him again.

After all, he had always wanted for you to look at him. Actually look at him.

Maybe if he passes his test this time, you will.

----

The following day, he doesn’t pass his test.

And he is much more embarrassed now than he ever was before.

He returns to the bullpen with his head down. Already expecting everyone to know of his failure.

He really didn't want to see if you were one of the ones that had been looking at him.

What he doesn't see is that you were.

But you weren't disappointed at all. You wanted nothing more than to reassure him. To tell him that you could always help him again, and that you didn't mind the extra work if it weren't for the stares that you had been getting back.

Seemingly turning your what-would've-been act of friendship and care into an expectation and responsibility.

"Make a wish!"

"Come on, man. Blow, baby, blow!"

"I thought you were full of hot air, Reid."

"They're trick candles, Spence, okay? They–– They're going to come back on every time."

While Spencer is glad that he’s spending his birthday with actual people, there's one in particular that he's missing.

He also feels sort of embarrassed that he's having a full-on birthday at his workplace. Though he is very thankful that his friends care about him enough to do this.

"Hope you like chocolate." JJ says with a laugh and he is only now recognizing the cake. Previously too caught up in blowing out the undying flames to even notice the festive dessert that supported them.

"Where's the cake from?" The blonde only gives him a look that he can't quite understand, but he is immediately distracted when he feels a draft from where Hotch passes by him.

He looks in the direction he came from and lo and behold, he found the very person he was missing.

He gets up, wanting to at least get a greeting from you, but he's interrupted by Gideon asking him something before he can even try.

"You having fun?"

He knows that he's asking him, but he can also see how his eyes aren't quite addressing him back. Instead, looking up a few inches above him.

He gives a tight lip smile when he realizes just what he's looking at.

God, he felt pathetic.

“Yes, definitely. I am definitely– having fun.”

"Make a wish?" He asks another question and that’s when Spencer sees what he's doing now.

Ever since he first exhibited signs of interest in you, he knew that his mentor would be the first to clock them. He couldn't even hide it if he tried. If there was anyone on the team that he knew would figure it out this quick, it would've been him.

He expected it.

What he didn't expect was for Gideon to show disapproval for it.

For you.

Back during the Arizona case, he remembers how Gideon had interrupted you when you were explaining something. And that's when he realized you were going to have a hard time.

You were going to have a hard time because of his own rapidly growing interest.

Because he froze when you said one nice thing about him, then proceeded to wow him with your observational skills.

He didn't want Gideon to think that you were being a distraction to him, so he instead chose to show just how well the two of you had worked together. Even going as far as to double down and reiterate your statements to convince him of that.

And it seemed to have worked, but now he wasn't so sure.

"Can I take this hat off?"

He wanted nothing more than to do just that before you notice him, but his mentor just shook his head.

"I wouldn't."

He doesn't know it's because Gideon knew you found it cute.

By the time that he notices the elder doesn't really care about the conversation anymore, probably too distracted by the TV behind him, his gaze finally focuses on you.

The very person that he had intended to talk to.

The one he intended to talk the entire time before he got sidetracked.

You still hadn't turned to look at him though, or make an attempt to greet him. Not even a laugh to mock him for the huge, 'Happy Birthday' hat that sat on his head to make him look like a dunce!

Instead, you were staring at something. Or rather, someone.

He turns his head to look just where you were and there he sees his unit chief, your mentor, on the receiving end of your intense gaze.

Just like always.

He shakes his head and decides to just go talk to you, but he is once again interrupted. This time by Hotch with a solemn expression on his face.

“Sorry guys. Party’s over.”

You immediately spring into action at his words, completely missing his hand that was just about to come up to wave at you. He tightens his lips into a thin smile.

Spencer's starting to doubt Morgan and Elle's words.

–––––––––––––

The sentiment is rectified when he finally receives the one thing he had been looking forward to on his birthday, and it wasn't the gift.

Not even the greeting.

It was being able to be in your presence. Being able to spend time with you. The you that wasn't so stressed or strict about work, or the case, or your boss.

It was just him and you. You and him. And the scarf that seemed to warm him just as much as his heart warmed at the sight of your smiling face.

God, what he would do to have this with you forever.

Spencer is well aware that likes you.

Hell, even the rest of team knows it by now, but he's starting to fear that his unconscious mind is more aware of that than his conscious one.

Case and point, he had been having dreams.

Nightmares, actually.

Nightmares that he can't help but think will happen if he takes his eyes off of you for even a second.

Morgan had asked him earlier when he was making coffee if something was causing him to lose sleep. If you had been causing him to lose sleep, he had asked with a teasing smirk.

And while normally he would've flushed and stumbled at his implication that a night of you had been keeping him up, he admits to what's been plaguing his mind.

Naturally, he doesn't tell him the full nature of his night terrors. But his friend doesn't need him to. Not with the way that his eyes try to find yours every chance he gets, focus going in and out of the conversation like an adjusting lens.

Spencer fears that one day, no matter how strong or smart or clever you are, it's his negligence that'll place you on the receiving end of a killer's weapon.

And that there's nothing that he can do to stop them from landing the finishing blow.

He knows that it's not rational, but he also knows that dreams are rarely, if not never, rational. Studies show that around seventy to eighty-percent of dreams contain bizarre or irrational elements. This included unusual settings, impossible scenarios, and illogical developments to be featured in the unconscious brain.

Doesn't mean that he's alright with seeing it so often, though.

What's worse is that he knows that it can very much happen during the BAU cases. And that he can't even prepare himself for that scenario.

He's practically deadweight on the field with his still erratic aim and bambi legs, he's surprised you aren't sick of him yet.

He laughs a bit at the thought. Clutching a portion of his scarf—the only thing that has been keeping the nightmares at bay— as he promises himself that he won't leave your side.

Especially not in the confounding forest of McAllister, Virginia.

Which is why he's stuck in his current position.

“Dr. Reid, I need you to check back downhill and see if the deputies have returned.” He looks at you incredulously.

“What? No! I can’t leave you here– ”

He doesn't know what exactly you found in the abandoned house, but he knew that it wasn't wise to leave you with no one but a high schooler.

You might think he's not all that different from the kid, but he's at least trained to be an FBI agent.

“We need the rest of the sheriffs and the crime scene team here.”

You looked dead into his eyes, yet he still didn't relent. No matter how reasonable your request was.

In any other situation, he might've thought you were cool. That you were handling the situation like a natural, and that you were very responsible for taking charge when he was there with his heart threatening to beat out of his chest.

But he didn't want to leave you. Not when you looked like you've just seen a ghost.

He grasped your shoulders, firmly but gently, and practically begged for you to come with him.

Stating that what you were feeling was a completely normal physiological response. That your body was sending neropinephrine to your brain to help regulate the stress and compensate for whatever was happening inside of you and that it would be safer to stay together––

But when he sees you ice him out– concealing all remaining traces of shock or fear or worry– he freezes.

His eyes raked across your features, biding his time. Committing every micro-reaction, every hair out of place, every faux-calm movement of your eyes before he had to let you go with a nod. Leaving hurriedly to find anyone that can help and constantly looking back at you to assure his consciousness that you were fine, and that you would be fine.

When he saw that the other sheriff wasn't there yet, much less anyone for that matter, he immediately went back. Running uphill fast to get to you.

To make sure that you were alright, that you were alive, and that no one was coming to hurt you.

Which is how he found himself here.

Gun held to his head by the very high schooler that, he thought, wouldn't have been of help if another dangerous person had shown up.

When you raised your hands and dropped your gun in surrender, he was scared of what would happen to you both if he didn't act quick.

But he was even more scared of what could happen to you if he doesn't talk his way out.

Fast.

So that's what he did.

––––––––––

He didn't get to check on you, he realizes.

He knew you were able to knock the kid out, he was there when he helped you distract him, but he must’ve been wheezing because he was the first one to get ushered out and checked on.

He wants to tell them to check on you. That you had landed pretty badly when the unsub was able to push you back, but he can hardly even hear his own thoughts.

The siren of the police car, the medic talking to him, the rest of the team discussing the case's outcome, and his own heart in his ears were simply too much for him.

By the time that things had settled down, he notices that you still aren't there with him. He worries and whips his head around wildly before his eyes find yours already looking at him.

Doing so with an expression of regret or grief etched onto your face.

He sighs in relief, and gives you the best smile he can give to assure you that he's okay despite having been worried sick.

He needed you to know that he was fine. That it wasn’t your fault. That he was glad you're okay too.

That he was so impressed with what you had done despite the circumstances, and that you had handled the situation way better than he knew anyone on the team ever could.

So when you seem to turn away from him, he briefly wonders if something was actually wrong.

He tries to look back on what might've happened. Wonders if there's something he didn't see when he came back, or when he was away––

And that's when he realizes something.

Could he have put you in more danger when he came back to check on you? That he had accidentally sabotaged your takedown?

He sighs. He must've looked so pathetic in front of you getting grabbed like that–– but he's not sorry.

He had been doing that for your safety and for his own peace of mind–– he wasn't going to apologize for caring about you.

He'll make it up to you somehow.

The next time you go on another case together, which you two inevitably will, he'll make it up to you.

That, he promises.

He actually doesn't get to work with you again. So he decides that he can make it up to you by narrowing down the unsub's identity.

In fact, he hasn't seen you at all since the team first arrived at the crime scene.

You had been working with Hotch and Morgan on more field operations, leaving him with Elle and Penelope doing background checks on possible suspects. And while he wasn't with you, he'd like to think that he's still enjoying the company.

Well, that's what he would like to think.

He has no problems working with Elle. She was a nice colleague that seemed to occasionally humor his rants and got the job done quickly. And Penelope was someone that the both of you really got along with. Occasionally having this back and forth unique to the three of you.

But they weren't you.

Still. What he thought about you can wait later. He still has to think about his escape route if the two break out into a fight.

Right now, the three of them had staked out one Michael Russo who they anticipated would call his hitman, the suspected Unsub. They were hoping to get a name from what they could pick up from his end of the call, and they did.

Problem was,

"Russo's got eleven associates named Vincent." Spencer raised his brows at that.

Vincent is a name of Latin origins. He shouldn't be surprised that the mob had a handful of people with that name, but it was kind of too on the nose at this point.

"Oh, make that ten. Vincent Cellito died last summer. But here's something––Vincent Sartori."

He really wants to find this guy, so he chooses to keep looking through the list. Ignoring the growing tension between the two girls.

"Currently doing six at Dannemora for racketeering."

Spencer then speaks up again, "How about this Perotta? There's not much on him."

Garcia makes quick work to pull up what seemed to be deleted records and that's where they find something interesting.

"Alcohol addiction at 14, violent outbursts, assaults,–– Once threw a Molotov cocktail at someone sitting in their car." She can't believe what she's reading.

"Several notations for aggression," He adds, but this is where he sees something truly wrong.

"He once scheduled a visit to an infirmary to gain access to a–– boy who looked at him for too long?"

He really didn't want to meet this guy.

"No fear, no remorse, quick temper. And he was smart enough to stay off the radar as an adult," Elle interprets. "Paranoid personality. Could be our guy."

And he really didn't want you to meet him either.

All the evidence is stacking up against him though, so you just might have to. He just wished that nothing bad would happen when you did.

––––––––––

While right now they weren't sure if he was the unsub, he was definitely someone who fit their profile. He saw some LEO's bring in a guy who had essentially been cuffed at every limb, accompanied by Hotch and Gideon, but he had yet to see the others.

He sees Morgan, who is walking alongside Elle (she went to see what all the commotion was about) but with who he sees next, he feels his stomach drop. Heart rate spiking in contrast to an all time high that he's practically sure he has tachycardia.

"What happened to you!?"

He got up from his seat to run over but you just shake your head.

You had come back with your clothes and hair in disarray, a bleeding nose, and a a busted lip. A complete disparity to the normally clean-cut and professional look that you had strived to maintain.

Even when you had been tackled to the ground a few cases back, the damage wasn't nearly as bad as this.

It's Derek that answers his question for him though.

"Perotta hit your girl up in the head, Reid." He chooses to ignore the joke. Too worried as he tries to check on your head but you just softly squeeze his hands to reassure him before you push them away.

Still not looking at him as you finally speak.

"It wasn't that bad. He hesitated. It could've been worse."

He doesn't like your answer.

If you had just been hit in the head and yet your nose is bleeding, that was a clear sign of a concussion. And the cut on your lip had to be from a fall. On asphalt or onto another material, it didn't matter to him since both are just as bad.

As he expresses that, you just tell him to drop it and then move away from him.

Before he can say more however, Hotch comes back into the room with his usually stern expression. A bit of worry lacing his tone, Spencer notes, as he orders you.

"Go home."

He's staring you down, but it seemed you had a lot more to say to that.

"Sir Hotchner, I would be of much more use in here. It is imperative that all available resources are focused on the retrieval of James Baker." He sighs because you're right, but that doesn't seem enough to satisfy you.

The boy-genius hates it when you use reason to get your way.

"Fine. Help Reid and the others with the evidence. We can narrow down his area of operation from there. They should be arriving soon."

You shake your head adamantly. "Sir, I can handle the interrogation--"

"No you can't!"

Spencer surprises himself with his outburst, but you don't even turn to look at him.

It's Hotch that gives him a very pointed stare though before continuing,

"Reid is right, agent. We'll handle the interrogation, so please busy yourself here." He says it with a finality that is indicative of his departure but you stop him one last time. Hand going up to rest on your mentor's collar.

He sees you gesture to your own, and Spencer hears an intention in your voice that he can't quite understand.

"Let's not give him a weapon, sir. He's pretty strong."

He sees his boss nod, and he takes off his tie. Putting the cloth into your awaiting hand, and you grip it out of instinct.

Reid zones out as he sees this interaction in disbelief. Did you normally touch the others like this?

You had completely brushed off his concern, not even looking at him. And yet when it was your unit chief that told you to do so, you had simply followed?

He thought he was starting to become an exception to you, but had he been reading the signs wrong? It could very much be a possibility as he was never good at doing so.

Even later when he had been sifting through the bags from the suspect's van, you still didn't respond to him. Even going as far as to ignoring Penelope's offer to watch the tapes they had found in Perotta's van. Shaking your head, 'no' with a faraway look in your eyes.

Just what had exactly happened while he wasn't by your side?

At this point, Spencer’s convinced that you would never like him.

If not for you having eyes on literally anyone else but him, then definitely because he had disappointed you. Desecrated the honor that came with being an FBI agent.

Just because he had been distracted.

A whirlwind of emotions had been flurrying inside him since the very beginning of this case, but he swears that he had never meant for this.

He doesn't even remember how it happened. Which baffled him, given his memory. But he thinks it's because he couldn't have cared less about the past few hours.

He had been stuck babysitting Lila only because you had told him so. Entrusted him with her because you thought that he was the best person to guard her, to comfort her.

He didn’t know it was because you had a feeling he’d be safer by her side.

And some part of him was flattered that you had said all this about him. Especially when all Lila would hear from him were endless praises of your name, of your work, and your caring nature.

But another part of him felt ignored. Pushed aside.

He doesn't know when it had happened, but Hotch had stopped pairing you together some cases ago. Saying something about you needing physical training, though he sincerely doubted that.

He thought that things were going well between you two. He had just been trying to find the perfect window where you would see him in a good enough light.

A good enough light that would make you say 'yes' to going on a date with him.

He didn't even care that the pretty blonde was interested in him. He only agreed because you stressed her safety more than any other target thus far. But the attention that she was giving him?

That was all that he wanted from you.

All he'd been wanting for months.

And when he had kissed her, all he could think about was you. How it would've felt if it was you in his arms, how you would react if it had been you that he was touching.

But then immediately after, how you would react to him kissing another girl.

God, he was pathetic.

He knew that you had been having a hard time lately. And he also knew that it had a lot to do with your work, how he did his, and his safety. That was all you ever stressed about when you were with him.

If he was safe.

You'd think he'd learn that by now, but he hasn't. Which is why even when he knew all this, his heart still ached as he sees you cry into Morgan's arms. Sobbing like no tomorrow. All because of something he did.

All because he took all your hard work, that had been focused on keeping him alive, and essentially throwing it right back at your face.

His negligence did that.

And he supposes that now, he can't do anything to get into your good graces anymore. Not when Derek Morgan seemed to better at doing his job as a federal agent, and his job as your friend.

When he finally gets changed into dry clothes and enters Lila's house, he doesn't miss the way that you turn from him. He also doesn't miss the glare the other agent was giving him. Nor the careful hand that had been rubbing up and down your arm.

Something that he wished he could've been doing instead.

––––––––––

God, he wanted to be anywhere but here, considering this is where it all went downhill.

"Did you give Lila Archer a collage?" Gideon had started the interrogation, so even if he did want to leave, he couldn't.

"What?"

"There's a photographic collage above Lila Archer's sofa. She says you gave it to her."

But the faster that they could get this done, the faster he could apologize to you.

"So? I didn't make the damn thing." Parker had laughed out, clearly not comprehending the severity of the situation.

"So you just happened to give her a work of art containing most of her life in it?" Spencer pushed but was surprised to see his ex-classmate seemingly have no recollection of the situation at all.

Something was wrong.

If it wasn't him, then who––?

"I––no, no. Look, I lied. I just wanted her to like me. I met her here, and she was a fan of art. Someone gave me the piece to give to her, but I told her it was from me."

It can't be––

"I said I found it, and I thought she'd love it."

"And who gave it to you?" Morgan had finally asked.

"Her name's Maggie Lowe. She uh––She works on Lila's show."

When Spencer hears this, he immediately goes to call you on his phone. Maggie Lowe had gone to Juilliard with Lila and was the production assistant that he swore he saw go in and out of her trailer.

If he wasn't so distracted, he would've fucking noticed that.

But his phone doesn't even ring for a few moments before the call is declined.

What the fuck was happening?

Before he could ask anyone else, he heard Derek speak up.

“Sweet girl, listen to me. We have a name, and it’s ‘Maggie Lowe.’ We’re on our wa—" Spencer tries to talk to you through Morgan's phone, but is knocked off balance when the man turns around in shock.

"Christ man—we're on our way back over there, okay? Stay put and we’ll let Hotch and JJ know.”

"Let me talk to her!" He practically begs, but before anyone could even understand what he was saying, the call is ended from your side.

"Reid, what the hell were you trying to do?"

He's shocked at his own actions too, but that's not what's on his mind right now.

"She dropped my call but she answered yours? And since when did you start calling her that?"

He knew it wasn't fair, especially after what he had done, but just when did you and him happen?

"Since you started being a dumbass. Get over yourself, kid."

Everyone then started making their way to the two SUV's parked outside, but Spencer took the one that Morgan was driving.

He wasn't done with this conversation.

He tries to call you again, but this time, it looks like the line is busy. What was going on, where were you? He tries Lila's phone, even though he's sure she won't pick up and nothing either.

He has half a mind to ask Morgan to call you, in case you were just being petty and ignoring him, but he feels his phone vibrate. He suddenly hears his phone ring, and he hurriedly answers without checking the caller ID.

Hoping that it would be you on the other hand as he called out your name.

"Nope, sorry hon, it's me." It was Garcia's voice, but it sounded like she was shaking. Sensing the urgency in her voice, he instinctively puts his phone on speaker.

"Reid, I need you to listen to me very carefully— I've already alerted officials in the area, but your unsub? Is in Lila Archer's house."

You can't keep doing this, he thinks. You can't keep scaring him like this, because he's starting to feel so sick.

He looks to his friend in the driver's seat and sees him nod when they make eye contact. Speeding up as they thank Penelope before she ended the call.

At this point, he could care less with how pathetic he might've looked. No longer caring about how uncool you thought he was, or whatever might've been going on between you and Morgan, or if you still had a crush on your boss— none of that.

They had left you behind with Lila and no one else.

Spencer had always feared that one day, no matter how strong or smart or clever you are, it's his negligence that'll place you on the receiving end of a killer's weapon. And that there's nothing that he can do to stop them from landing the finishing blow.

If the reason you were alone and held captive by some psychotic shooter was because he had pissed you off enough to even dismiss his help?

He might never forgive himself for it.

When they arrive, he immediately gets out of the car. Ready to run in and ambush Maggie by himself if he has to when Lila runs into his arms. Holding a gun in her hand as if it were a bomb.

A Glock 19 that he's seen you use since his first official cases on the team.

He notices Morgan, Elle, and Gideon were already out, but Hotch and JJ have still yet to arrive.

He knows that he should wait until further instructions. That there wasn't a protocol for this specific situation. Or maybe there was, but his IQ of 187 had always been slashed down to 60 whenever you were involved.

When he hears a gun fire from inside the house, he's the first one that starts running.

He's thankful that he wasn't alone when he did though.

By the time that Maggie had been apprehended, you were already well on your way to the nearest hospital. According to the clock from inside your room, and the news report that had been playing, a full twelve hours at the very least had passed since then.

You tried to remember what had happened. Tried to remember how you screamed for help once you had subdued her. How she shot you when you tackled her.

Probably with the intention to kill you, then herself had you not talked her out of it.

You groan as you feel the blooming pain in your side. Probably from the GSW that you're going to have to note in your action report.

And then you remembered how you realized what you felt for Spencer and the rest of the team.

You shake your head despondently.

When you look back on every situation where you had essentially put yourself on the line for his sake, you notice that you had really been doing that out of your own volition.

That you had been doing it because you didn't want him getting hurt.

You just didn't like that the the team was turning it into some sort of responsibility.

And sure. Maybe the others were complicit in pairing you up, or guilty for giving you odd looks, but they probably wouldn't have done that if it wasn't something you were already going to do.

God, you felt so pathetic.

You don't think you can handle looking at Spencer now. Not after your existential crisis, and certainly not after what you said before he left.

But luck has a way, so it seems, to constantly elude you.

You note this as you see the very man that you had been thinking of slowly opening the door and perking up when he sees your eyes on him.

Well, as perked up as he could be. Given the circumstances.

"How uh—, How are you? A-Are you...okay?"

You take in how he looks when he asks. Dark rings encircling his eyes, (he had been up all night waiting for you), usually neat hair in a mess (he had been running his hands through them nonstop), and shirt all crumpled from being hunched over for so long (a different one, because he just couldn't stand the vague scent on chlorine in his old one.)

Your heart sinks at the sight and you beckon him closer with your strong hand. Echoing his question.

"Are you okay, Dr. Reid?"

He lets out a shaky breath when he finally hears your soft voice again, slowly approaching you as he does. He was so worried that the last words he would hear from you would be your disappointment, but he persists.

"Can you please answer the question? I don't like it when you pretend like you're okay when you're obviously not."

His hand finds its way to trace little patterns on the back of yours. Occasionally looking up at to see if he was hurting you, before continuing when he sees that he isn't. Feeling too shy to do anything more.

You roll your eyes at the gesture. Flipping his hand to rest on the hospital bed and slipping yours on top of his. Giving it a soft squeeze.

"I could be better." You then squeeze his hand again. "Is this what you were trying to do?"

He thinks for a while, as if not really understanding your question, before nodding vigorously.

You smile at the sight but then feel your regret from a few hours ago come rushing back.

"I'm really sorry. For...everything." You don't think he knows what you're apologizing for, but you do it anyway.

If not now, when?

Spencer laughs a little at that but shakes his head. "Morgan told me about what you said. Back at Lila's. Well, more like he told everyone while we were waiting for you to wake up."

You nod. Suddenly feeling guilty for trying to make contact so you try to let go, but he only entangles your fingers once more. Intertwining them as much as he can since this is the closest that he can afford to have you right now.

He feels his lips tightening into a thin smile before he says what's been haunting him for the past few hours.

"I'm sorry that you had to deal with me for so long. I never meant to burden you like that or make your job harder."

"No, Spencer please," you start, rubbing the only part of his hand that you could reach with your thumb.

"You were never a burden. I was just—caught up in a bunch of things."

He doesn't miss how your usual eloquence evades you. Which gives him a bit of an idea as to how unscripted and vulnerable you were being with him right now.

And as much as he should hate this for you, he'd love it if you would learn to be a bit more vulnerable in front of him. Even if it was a departure from your usually starched blazers, pressed blouses, and clean-cut exterior.

He still thought you were cool just like this.

"Have I ever told you that I thought you were really cool?" You weakly snort at that.

"If by 'cool,' you mean constantly worrying about how everything could go wrong, then yeah. I'm super cool."

He shakes his head at that, but it looked like you weren't done.

"I think you looked cooler, though. Especially when you were next to the pool trying to dry your gun. You looked like a wet rat."

He groans at the mention but you continue to tease him.

"Hey, you were a handsome wet rat. Still a rat, but... you know. From Vegas. Arguably not as bad as the ones from New York. Now though, you're a handsome dry rat."

Now that, he just wines at. You weren't being fair.

How could you make him go through all this and then say that?

Did you know what kind of effect you have on him?

The two of you continue to sling back jokes at the other, a common thing you used to do before things went south. And just enjoying each other's presence.

Holding his hand as you absentmindedly started massaging it. He didn't even notice how his hand had been shaking since the moment you first held onto it.

He was so so glad you were alive. That you were still here, with him. And there's no place he would rather be than where you were.

"So. How about you start telling me what you've been up to while I've been knocked out, hm? What have you learned, genius?"

He's learned a quite a lot, while you were away.

He learned that he should probably encourage you to have more breaks. Learned that you should both talk to each other, and everyone, a bit more. And he learned that you two weren't so different after all.

He's also learned how much he really liked your smile, your laugh, your soft touch, and the way that his name fell from your lips.

He doesn't tell you any of this, however.

Opting to instead tell you about the numerous facts he's picked up during the case, and how much he hated Hollywood.

[a/n] And with that, this marks the end of this specific timeline! I've honestly loved writing with this reader's specific personality in mind, and I'm looking forward to how she'll mellow out when she learns to be more honest.

I have a few ideas for one shots regarding this specific dynamic, but if you enjoyed it as much as I did, please tell me what you thought about this short series! And if you have any idea on what you'd like to see next from these dumbasses, send an ask my way!

Thank you so much for liking them thus far.

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