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ragzonacamrencruise · 7 months ago

Note

For the first sentence of a fic ask

Katara’s choking sound filled the room which gained the attention of her friends until Katara stopped and turned to face Azula with a shocked face.

hello bestie!

this is too funny . . .

okay so hear meowt-

***

THE PROPOSAL

Katara’s choking sound filles the room, which gaines the attention of her friends until Katara stops and turns to face Azula with a shocked face.

Azula, sitting closest to Katara in the enormous dining hall, is half way down slurping her noodles when she notices the racket. Her own eyes grow wide as she witnesses Katara holding her throat and gasping for air, but not getting any.

Now, for the people who've been following Azula around in the palace since she was a little kid, they know it's common knowledge that Azula, would quite normally, enjoy watching the person choke themselves into oblivion instead of rushing to help them.

And in this case, Katara being the one who's the traditional healer of the group, no one else knew what to do in this situation. They could only sit and watch their friend choke helplessly. The waterbender's eyes begin to water as she looks all around frantically.

So, it's safe to say that it comes as a surprise when Azula calmly places her chopsticks near her almost empty bowl, stands up, walks behind the now standing Katara and envelops the choking waterbender in a hug from behind.

Everyone's too shocked to speak as Azula places a fist right under Katara's now matured chest and pushes it into the waterbender forcefully. Katara jumps up high in her arms at the impact. But Azula simply does it again.

And again.

Until Katara coughs something out of her mouth and it comes flying out to hit Sokka on the head, who's sitting exactly opposite to Katara. The waterbender gasps in a lung full of air and then lets out a string of coughs, her hands desperately holding on to Azula's strong arms wrapped around her stomach, keeping her from collapsing.

Azula flattens one of her palms over Katara's back and rubs soothing circles. "There, there, peasant. We don't want you dying on us now, do we?"

Katara wipes around her mouth with the back of her palm, trying to calm down from the sudden adrenaline rush of almost dying. Sokka, being the naturally curious person that he is, bends down under the table to pick up whatever the hell hit him on his head. When he brings it out to the light, he gasps out loud.

"It's a Water Tribe betrothal pendant!!"

Katara looks at the round, blue, glimmering, piece of jewellery in Sokka's fingers. She immediately extends her hand to take it from him.

"It's not stone!" Katara exclaims, running her eyes all over the pendant. "It's some kind of . . ."

"Copper." Azula states as she removes herself away from Katara's person and takes back her seat, picking up her chopsticks non-chalantly to gobble down the rest of her noodles.

Katara turns to her immediately. "What?"

"It's Copper." Azula says with a roll of her eyes. "Clearly you peasants have no knowledge about this metal's existence. It's crystalized Copper. And very difficult to carve, by the way. I spent literally hours trying to get that thing carved."

The waterbender blinks, not believing what she's hearing. "Y- You made this?!"

"Yes."

"Why?!"

"For you, of course." Azula shrugs, filling her mouth with noodles.

Katara could only let her jaw hang.

"You're giving my sister a betrothal necklace?!" Sokka's voice is a high-pitched shriek.

Azula looks confused. "What are y'all yapping so much about? Isn't it traditional to betroth a girl when she's 16 in the Water Tribe? I know I'm an year late, but it still counts, right?"

"You're asking me to marry you?!" Now Katara's voice is an octave higher.

"Wow, you filths really are dense in the head." Azula wipes around her mouth with a napkin kept at the table like the proper royalty that she is.

"No!" Katara exclaims.

Azula looks at her with her brows furrowed together. "No, what?"

"No, I will not be marrying you! Are you crazy?!"

The princess stands up, having done with her meal. "I was three years ago. But not anymore." She says with a smirk, before bowing curtly and leaving a hall full of dumbstruck people.

....

Katara flips the pendant in her hand, deep in thought. She looks down at it, tracing the intricate carvings that adorn it with a finger. She's lying on her stomach, on the bed inside her room in the Fire Nation Palace, having had an eventful supper. She frowns when she notices something strange.

The carvings look exactly like her mother's betrothal necklace. Not even a single line out of place. She touches her mother's necklace and gasps softly.

Azula must have one hell of a brain if she can carve something out just from memory.

Then she thinks back to everything that conspired during their meal.

She must've slipped the pendant in my noodle soup when I wasn't looking, or something, to surprise me.

The pendant's beautiful. Too beautiful. She would've mistaken it for glass if it didn't radiate such a glossy blue glow, refracting candle light through it in a translucent haze. It's mesmerizing.

But the thing that nags her the most is, why would Azula of all people give her a betrothal necklace?! Does she like her, or something?!

Sure, Katara couldn't help but get lost in the princess's elegance from time to time, and blush like crazy whenever the firebender got even remotely close to her, thankful for her complexion hiding her flustered state, but that is beside the point.

Katara sits up. There's no way in hell she's going to sleep without talking something through with the very firebender that proposed to her. Determined, she gets up, wears her night robes and walks out of her room to the princess's chambers.

....

"Your highness?" Katara calls out softly, peeking inside a dimly lit, enormous room. Her eyes look all around before falling on the princess's frame by the table, sitting on a chair and reading a huge book by the candlelight hanging above her head.

The firebender takes a second longer to acknowledge Katara, her eyes hurriedly running over the last few lines on the page she's reading, before looking up. "I figured sooner or later you'll be here."

"Ha ha." Katara laughs humorlessly as she walks into the room and shuts the door behind her.

Azula places a peacock feather over the page she was reading and closes the heavy book. "State the purpose of your visit this late at night, peasant."

Katara scowls. But she's unable to hold it much longer when she spots the princess pulling out another chair by the table, gesturing her to take a seat.

The waterbender's bare feet make no noise when she walks up to the table, adjusting the chair a little bit, before sitting down, close to the firebender. It's the beginning of winter and nights, even in the Fire Nation, are getting pretty chilly.

When she finally settles down, with her knees almost touching the side of Azula's thigh, she looks up in contentment. The princess is still waiting for her answer, when Katara's eyes fall on her.

Katara takes in a deep breath. "I still haven't thanked you."

Azula frowns. "Whatever for?"

"For saving my life."

Azula clicks her tongue, in irritation. She turns back to the book before her. "Leave. I still need to complete this chapter and I need peace and quiet."

"No, I mean it. Thank you, your highness . . ."

Azula doesn't answer as she flips open the heavy book again.

"The remedy for choking is still not known by many." Katara says softly. "Where did you learn it?"

Azula's eyes find Katara, without ever turning away from the book. "I read about it somewhere." She explains before letting her eyes fall to the book before her again.

Katara hums. She unintentionally falls silent as her gaze finds itself helplessly drawn to the princess's perfectly crafted face. She traces curves and crevices sculpted in astonishing precision, even when the firebender is devoid of any make up. Her golden brown eyes shimmer in the candle light's flicker, and the sight puts Katara in a trance.

"You can stare all you want after you marry me." Azula says without turning away from her book, and that jolts Katara awake.

"Who says I'm marrying you?" The waterbender is quick to deny, her face getting heated rapidly. "I never said yes to your proposal, remember? If you can even consider that a proposal. You didn't even ask me properly!"

"Your father." Azula states.

"My father? What about him?"

"Yeah . . ." The princess looks up from the book. "He met with Zuzu to negotiate a stable course of action, considering the amount of overwhelming peasants from the Water Tribe opposing the idea of working together with the Fire Nation."

Katara's eyes are wide and attentive as she can almost predict where this is going.

"So," Azula continues. "They put their heads together and came up with this; a marriage alliance. And as Zuzu is already planning on marrying Mai . . . You're stuck with me. Personally, I think it's okay, considering how nothing really is satisfying you barbarians."

"Hey!" Katara exclaims. "If anyone's a barbarian, it's you people! You started the hundred year war and butchered an entire nation!"

Azula stares at her. "Out of all the things I said, that is what you choose to respond to?"

Katara pushes her chair back and jumps up, her knees bumping Azula's thigh. "Whatever! I'm gonna talk to my dad first thing in the morning to cancel this supposed 'marriage alliance'."

"Suit yourself." Azula says, turning back to her book as Katara storms out of her chamber in anger.

....

The next morning, Katara finds herself grumpily sitting in the dining hall for breakfast all alone, as all others have already had theirs. The meeting with her dad dragged on longer than she would've liked.

It's stupid, considering the fact that Katara never really entered her father's chambers to discuss the crisis at hand. She just paced outside his room, for a long time, contemplating what to say and how to say it. To be honest, she wasn't really that opposed to this marriage alliance anyway. She came here just out of spite. She was turning on her heels, already loosing her nerve and giving up, when her father came out, ready to head for breakfast. And it certainly did not help when she randomly blurted out 'I don't want to marry Azula' out of no where when he greeted her with a good morning.

Her father had just laughed it off stating it's just jitters and he's "seen the way you look at Azula".

Katara had then spent her whole morning contemplating living under a rock from embarrassment, but then her stomach growled and she dragged her feet to the dining hall reluctantly.

Her brooding comes to an end when she finds the object of her crisis walk into the hall, her hair up in a small topknot and the rest of it long and falling freely over her shoulders, her signature bangs still in place. Katara's eyes follow the princess as she takes a seat opposite to her, clad in a simple, light red, yukata with short sleeves.

The waterbender notices Azula's skin coated with a slim layer of sweat, making her glisten in the morning sunshine wafting in through the hall. She averts her gaze hastily.

She's not supposed to be feeling this way towards her! Even when she's supposed to marry her!

"Slept in?" The princess's mocking voice makes Katara look back up at her.

"Not really." The waterbender replies politely. Then she catches the drift of what Azula's implying. Didn't she tell her yesterday night that she was gonna call off the marriage alliance? It really is a slap in the face for Katara when she realizes that she never broke off the betrothal. And she's not ready to make peace with the fact that she doesn't really want to break it off.

Their breakfast arrives and Azula's upon it even before the servant places it on the table. Katara looks at her with amusement. "One would think you were starved for weeks." The waterbender teases at the way Azula gobbles up the food.

"Never go easy on breakfast." Azula swallows a mouthful as her manners of not talking while eating kicks in. "Especially after a good workout and training."

"Training?" Katara raises an eyebrow. That explains the sweat.

"Yeah. Every morning. You don't?"

"Not really." Katara chooses to say again, trying not to pay attention to the way the princess's arms flex when she's using them, fresh out of a workout.

They both fall silent, only opening their mouths to eat. When they're done, Katara wipes her hands and face in the hot napkin placed on the table and stands up to leave. So does Azula. The waterbender walks out of the hall, slowing down near the doorway to wait for Azula when she comes out.

But she never comes.

Instead, Katara hears someone speaking beyond the dining hall inside what she thinks is the kitchen. And because it's so quiet in the morning with only the chirping of birds to keep her company, she frowns softly as she follows through the kitchen to where the voices are coming from.

She hears Azula speak, so she braces herself against the wall beside the entrance to the kitchen, out of sight from anyone who might want to look outside.

". . . but the flavours were thick. Make sure you simmer down on the basil and lift up curry leaves. It would provide useful and time saving and, dare I say, delicious. And, Zata? We need to incorporate more from other nations if we're supposed to excel at anything we do. This goes to cuisine as well . . . And prepare stewed sea prunes for lunch, will you? I'm told it's the Water Tribe princess's favourite." The princess is saying.

"Yes, princess." Katara guesses it's Zata who agrees with the firebender.

"Keep up the work." Azula says finally.

Katara hurriedly makes herself scarce from the vicinity as she hears the princess's footsteps staring to echo out.

Katara's sure her blush is visible for miles when she makes her way to the royal gardens to cool off.

....

The lunch, as expected, fills the whole dining hall with the aroma of stewed sea prunes and Katara doesn't even have to look at the bowl before her to know it.

Azula's sat directly opposite to her and the waterbender can no way in hell meet the golden brown gaze annoyingly fixed on her. She struggles to make it through one spoonful of stew without blushing like a maniac.

This is so absurd! Get it together, Katara! It's not like she gave you the whole world! She just made you your favourite dish. It's not a big deal!

But . . . it's Azula we're talking about! When has she ever done something this nice to someone else?!

"Is it not to your liking?" She hears a voice in front of her and she has no other choice than to look into those scrutinising eyes.

Azula's eyebrows are merged together, deep in thought, watching Katara struggle to eat her lunch, unaware of the problem. The waterbender, however, is hyper-aware of it, the smell of the stew reminding her every second that it was because of Azula.

Katara offers her a small, nervous smile. "It's good, your highness."

Their friends are present in the dining hall, so Azula doesn't press the issue further. But her face remains thoughtful the entire duration of their lunch.

Katara is the first to leave the hall, having gulped down the hot stew directly from the bowl, in an attempt to get out of there soon. She can heal her burned tongue later. She just needs to . . . get out.

She hurries off to her chambers, plopping down heavily on the bed, shutting her eyes close.

....

The royal gardens, that evening, sees Katara watering the plants, temporarily trying to get a certain firebender out of her insistent thoughts. The setting sun casts a warm glow over the flowers and trees, beautiful and sophisticated. A cool breeze flows in the garden and the waterbender is grateful for it, given the way her body heat seems to rise up eveytime she thinks about the fire princess.

Katara bends the water from a nearby pond and lifts it up, gently letting it fall, spraying over the fire lilies. She smiles, feeling rejuvenated with such a simple act. When she's about to turn around to water the other part of the garden, something, or rather someone catches her eye as she looks up.

She almost has a heart attack when she realizes it's Azula, leaning against a courtyard pillar, watching the waterbender do her thing. Katara freezes, eyes locked on the fire princess helplessly.

Azula, realising her presence is no longer unnoticed, pushes herself away from the pillar and steps into the garden, her gaze never leaving the waterbender. She walks towards Katara, gaining distance by the second and the waterbender's no longer in control of her own breathing.

The setting sun hits the firebender's eyes, and Katara's put in yet another trace with the way it gleams, looking at her in a way that makes her stomach flutter.

When she finally does get close, close enough for Katara to feel her warmth, Azula lifts her hand up, gently moving a strand of hair away from the waterbender's shoulder to expose her neck. She eyes her mother's necklace already placed on Katara's delicate neck and shifts her gaze to the waterbender's sparkling blue ones again.

"Marry me, Katara." Azula says, ever so softly. It's a command, but it sounds so desperate and so loving, that the waterbender's heart starts raging against her ribs. Katara can only let her lips fall open in a silent gasp, dumbstruck with the way Azula's making her feel.

The firebender searches her eyes, waiting a second longer for her to answer, before letting out a soft, glum sigh of defeat, turning around and walking out of the garden as quick as her own lightning.

Katara finds it difficult to catch her breath, even after a few minutes of just standing there.

....

That night, Katara finds herself standing before the giant doors of Azula's chambers again. She thinks of knocking, but then decides to just screw it and opens the door.

She enters the room and shuts and locks the door behind her. When she turns around, she notices that Azula's sat in the same table over the same book. Her wide golden brown eyes fall on Katara as she watches her with a rare glimmer, completely uncharacteristic of her.

When Katara walks inside, Azula stands up to meet her halfway. The flicker of the candlelight hanging above right beside them, bounces off of something shimmering, catching the firebender's sharp eyes right away.

Azula lifts her hand to Katara's neck, an ecstatic expression filling her face. She touches the cool, smooth, carved, crystal Copper hanging from the necklace on the waterbender's neck, and lifts her gaze to the matching blue eyes looking at her with longing.

Their eyes stay locked for a moment longer, before Katara opens her mouth to gasp, "Yes."

Azula's hand immediately reaches out to grab the waterbender's waist, as she pulls her flush against her. Katara swears she can practically taste Azula's smile when she leans forward and kisses her, deep and long.

By the time they break apart for air, Katara's brain is stuck in one giant daze, blinking up at Azula, hanging onto her shoulders desperately, unable to form coherent words except, "Your highness..."

"Bed. Now." Azula's voice is deep, bathed in dark hunger, and the waterbender can do nothing but nod frantically.

Katara didn't know that almost dying would end her up with a fiancé, but she isn't complaining much now at all.

....

"You really didn't like the stew, huh?"

"No. I loved it."

***

butterflies. straight up butterflies when i wrote this.

this could've been longer. but i tried to make it simple 😭🖐🏻 its funny because i was already thinking of their dynamic in marriage proposals and BAM the perfect opportunity presents itself in the form of an ask inbox.

thank you for the ask bestie! @waterfire1848

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only-the-shippers-can-bully-nrmt · 23 days ago

Text

(Original Japanese on the left with translations under the break, Fan Translation in the middle, and Official Translation on the right.)

Saw some things flying around that have (unintentionally or otherwise) been giving people the wrong idea, so here are the comparisons to show that, yes, Miles was referring to Phoenix near the end of the second Miles Edgeworth Investigations game. Miles does bring up Gregory too, but Gregory being "that man" during the famous "shines brilliantly" scene was actually a change in the official English release that does not line up with the original Japanese version (even MTLs will get across the Wright meaning).

Also, "shining brilliantly in one's eyes" can be both how a son might look up to his father but also how a ruffly prosecutor might strongly/romantically see his courtroom partner; the line is simply intense enough to not easily carry the label of an "average" relationship. We don't need to elaborate when we tell family members/friends/significant others "I love you" (even if it's at the same time) for similar reasons, and I don't see anyone arguing that this means that Miles must see Phoenix like a father because he grouped them together in some form.

TL;DR: The official translation mucked up some context and stuff happened because of it. Keep shipping and feel free to use this as a reference post because the shippers did not misinterpret anything. We can have a conversation about how the change affected the moment, but the original context is still important and Phoenix was part of it.

Besides the translations, there are other points under the break as well, including a bonus of one of the nice and harmless additions the official translation changed/added with the "saved me from myself" line:

Translations (provided by a friend of mine who knows Japanese; edited at times to sound more natural in English or help get across the intended meaning)

........以前、ある男が言っていました。

……..In the past, a certain man once said:

被告人の唯一の味方になってあげられるのが弁護士だと。

the only one willing to be the defendant's ally is their lawyer.

依頼人を信じることで、《真実》に近づいていく････

By believing in the defendant, the truth draws closer....

その男の姿は、私の目にもまぶしく映りました。

The image of that man was so bright in my eyes, it was engraved into my mind.

There's a bit more added here for clarification's sake and people like me who have a habit of taking metaphors too literally; essentially, the first part that's in the game is saying that the sight of "that man" was so blinding that it stuck in Miles's mind/memory eternally, so the translation in the fan version is correct in a direct translation and what it means is closer to the official.

(fun fact that if you go for an MTL, a translator may translate what in English was "image"/"sight" as "appearance" or "figure" which is technically accurate but obviously not the intent when translated, just as "so bright"/"shining brilliantly" may become "dazzling"; doesn't mean I won't mention it for people to imagine/have fun with though :3c "That man's figure was so dazzling in my eyes." my god)

法廷で戦う��と、同じように････

In the same way my father fighting in court does….

(without the clarification it's more like "In the same way my father fought in court...." but as above, message is clearer this way)

しかし、それはあくまでその男や父の生き方です。

However, that's just the way that man and my father lived their lives.

This is the big one since it makes a clear and blatantly obvious separation between "that man" and Gregory himself.

Here's another translation in a reblog of the post I linked, which follows even closer to the fan translation and is more straightforward.

My asks are open for any further translation clarifications people may want to make (don't want to bog down reblogs when edits can simply be made) but this was a long-winded way of saying that the fan translation was super on point with accuracy and the only thing of note is the "burning into memory" that the official one has to help get the point across (though I think more was definitely lost the way it was done).

Other Points

1 - Staying on the official translation, its use of "that man" is rather... bizarre, even if one hasn't seen the original. Such a use is typically for:

someone the game wants the audience for figure out on their own (so the character knows it but the player needs to go talk to the person themself once they figure it out)

someone who the character speaking isn't really familiar with (like, "oh yeah, that guy, I kind of remember now")

someone the game tries to keep secret a little longer for the sake of mystery (example being the fan translation where Ray refers to Gregory without a name drop for the build up that Ray worked for him)

Miles using the phrase and then saying "my father" in the very next sentence made me do a double take because I was totally caught off guard by how it was done.

The shot of Miles sepia toned in the courtroom (the fourth shot) doesn't even make sense anymore if he's only talking about Gregory since obviously he's never seen Gregory from across the courtroom while Miles has been behind the prosecutor's bench (nor do they do a camera slide as if Miles is only imagining himself across the courtroom from him; it flashes to white instead). It only makes sense if he's taking about Phoenix.

2 - Looking at it from a fan's perspective, it makes 150% sense why "that man" would immediately be associated with Phoenix in the context of the moment. Not only did the last case of the first game have that exact thing too ("In a situation like this… what would that man do…? What would he who can turn any desperate situation around do…?"), thus making it a near-perfect continuation of that, but "a defendant's only ally being their attorney" was a huge part of the original trilogy.

In fact, the official translation actually actively makes it weirder to leave Phoenix out of that bit because of the change "a friend to the friendless" it did, which catapulted me back so violently to Turnabout Sisters - the first serious case in the entire series - that it could've put me in a coma.

This is even disregarding how important the whole "trusting clients" and "finding the truth" stuff was in cases, especially 2-4.

It's like, "ah yes, Mr. Fender, that was yours and my father's life, not mine and also no one else's; honestly, not a single other important person in my life who I could have mentioned comes to mind" lol)

3 - From my own personal perspective, I'm not stirring up a fuss over shipping, it's not about that (though shippers getting thrown under the bus absolutely sucks). I'm far more baffled that it takes the already-not-around Phoenix and chucks his mention away for later.

4 - Anyone lamenting the loss of "shining brilliantly" for something else without the context has every right to be confused and should not be criticized for it. Shipper or otherwise, most wouldn't imagine for a second that the end of Miles's arc/self-reflection would have a significant change that takes 50% of the original meaning out.

This taken into account with my comment about the visual aid of Miles behind the prosecutor's bench in sepia during that very line furthers this. Obviously people will (still) think it's about Phoenix.

5 - I only linked to one of the comments/posts I saw in case I was accused of making things up. I don't actually recommend approaching/confronting anyone because I don't think it's worth the time/effort, so this is more for anyone who felt gaslit/like they'd gotten it wrong or wanted the actual evidence. I did check the blog of the person who I linked and they made a long answer to a person who was complaining about the people complaining about said post, but hadn't made an edit to their original post telling people that there were misinterpretations being made.

That's not actually me being aggressive in any way (it's their business and their blog), but pointing out that it's not something important to people like that. I'll also grant that some might simply not know enough about the fan translation/original meaning to get it, so don't stress about it is all I'll say. :)

6 - Here's the "saved me from myself" line as promised, congrats on listening to me babble and making it all the way down here~