#mike wheeler is actually so me

[donatellovstheworld]

i’m unapologetically a mike defender

[kidovna]

reality

[mikesbasementbeets]

Sometimes I think it's just scary to open up like that. To say how you really feel. Especially to people you care about the most. Because what if... what if they don't like the truth? // Sometimes people don’t really say what they’re really thinking. But, you capture the right moment… it says more. // I didn't say it. // You didn't have to.

[remake of my very first gifset one year later]

[mlchaelwheeler]

inspired by this iconic post <3

[emblazons]

So I went to the “Netflix and Chills” event in Los Angeles for Halloween to watch S02E02 in a theater, and let me tell you: if you ever doubted The Duffer Brothers built these episodes with film and not TV in mind (and all that entails), I am here to expel the notion.

Seeing everything from El being “born” from the rift at Hawkins Middle to the Shadow Monster descending on Will has he trick or treats and runs to Crazy Together on a movie screen…god. Just show the entire show in theaters over a year of weekends I’ll buy all the tickets myself

More details + DB pre-ep comments under the cut:

ANYWAY. The event was free and you got a ton of cool things for free too, including a full sized Eddie funko (of which I got two because there were extras at the end) and a Tiki Demogorgon + Hellfire Cup (not pictured but I got both lol). They also had Mike’s Ghostbuster fit + El’s end of S1 / start of S2 throwback fit in the store!

The duffers also gave a little trivia at the start of the episode? I didn’t get the whole clip because we were meant to have our phones entirely off BUT you can listen to a bit here!

Anyway it was amazing (esp hearing the opening in surround sound lmao omg) and also all the perfect scenes that Trick or Treat, Freak has work SO well on a big screen I can never stress this enough lol it’s like a whole new show

[gaysforbyler]

I LOVE how Mike’s face is the second biggest on this poster. Literally name one thing he did this season besides get into arguments with every person he loves and get bonked on the head a couple times (ilyyyy my useless little guy)

[florallylly]

i've seen model steve harrington aus. i've seen child steve harrington aus. i present: child model steve harrington

note: this came from my own desperate need to see this conceptualized and i SWEAR i've searched, i just can't find any content with child model steve so. :(

bc little steve harrington was remarkably cherub-like. his large brown eyes and soft pout ensured endless cooing and fussing from his mom's friends. and when he blushed and ducked his head in shyness, they only complimented him more. when he got home that day, his mom smiled at him.

so steve decided that he would put up with the cheek pinching and the squealing. he sat upright in his chair, sitting on his hands so he wouldn't fidget and ruin the image. because he'd do anything to keep his mom smiling at him. if he was being particularly good that day, she'd let him lay his head on her lap on the drive back home.

but everything changed at his father's birthday gala. a nearly eight year old steve harrington sat prim and proper in his seat, but a smile lit up his face--his cheeks round and his dimples showing up. he raised his hand up to cover his giggle, but he couldn't help but laugh at some silly old man with a loose toupee. then he sees his mom approaching, and his face quickly smooths over, going back to the more polite smile he usually adopted when it came to these events.

he'd ruined it. he hadn't continued being the sweet boy his mom wanted. but then, she smiles at him. and introduces him to the man behind her, who says he's a designer. the man holds out his hand, but when steve puts his hand into his palm, he doesn't shake it. the man simply holds his hand, his eyes scanning steve's face. steve tries not to squirm under the attention. but the man nods and smiles at his mom, and he gives two brief cheek kisses to steve, whispering in his ear "you're going to be a star, darling." steve looks at his mom, confused, but she waves him off to continue talking to the man.

a few months later, steve's mom whisks him off on a trip to france. and steve is so excited to go, nearly vibrating in his seat as the airplane prepares to take off. but instead of the eiffel tower and the seine, steve is taken to a studio. he's posed and changed. once again, he's being fussed over, but instead of wealthy socialites, gossiping make-up artists squeal over him. he's "perfect for the shoot" and "the most darling little boy." steve doesn't understand, but his mom is still smiling, so he lets the nice ladies brush powder over his face.

and he looks in the mirror. his hair is a little more tousled and his lips have a slight tint to them and his eyes seem to take up much of his face. he's put into new clothes, and he feels like a doll in their hands. and when he's put in front of the camera, he simply follows the photographer's directions. afterwards, he's bundled into the car and his mom can't stop gushing about how good he was.

apparently, he's a natural. and then she goes back to fussing over him, focusing more on appearance than his behavior now. but she takes him out shopping and they eat at an upscale restaurant along the champs-elysses. and steve is happy.

and then they go back home, and his mom is so much stricter than before. she has him try out all kinds of different hair products, determined to find the best combination to keep it looking shiny and soft. she controls his food intake and what he wears and makes him use weird creams and serums on his face. but this is what makes his mom happy, so he's happy to let her.

his mom is also on the phone a lot more lately, whispering harshly about the quality of brands and steve just assumes she's being picky about the clothes she buys. later, his mom picks him up and holds him, and asks if he'd like to move to italy. she looks at him intently and it's obvious what answer she wants, so steve nods. she smiles and holds him close, and it's the most loved steve has felt in a while.

so they move to italy, and suddenly steve is a lot more busy. he's put in front of more cameras for more people he doesn't know. but he's smiling and pouting and doing whatever they want him to do. his compliant attitude and polite nature have photographers and designers alike singing his praises, and steve always looks to his mom for approval. but she's been arguing with his dad a lot lately, so she's upset more often than not. but that's okay, the make-up artists are always kind to him.

but then one day, his mom takes a phone call in the middle of the shoot. and when it finishes, she's gone. steve goes back in, close to tears, but the make-up artists still hanging around look after him until a car is sent to pick him up. this becomes a trend. and eventually, steve goes alone to his shoots. he's always taken care of by the crew and someone is always there to pick him up, but it's not fun without his mom there.

but he knows that she's always enjoyed him taking pictures, so he continues to do so, hoping that she'll come watch him again sometime soon. and he busies himself with befriending the chatty make-up artists and the bossy photographers and the eccentric designers. and he's such a cute little thing that they can't help but dote on him.

steve is never catapulted into child stardom, as his mom is picky with his jobs, only choosing luxury brands and well known designers for him. but within the industry, they call him the "little prince."

and then steve is catapulted into puberty, but his intense skin regimen prevents him from getting acne, save for the occasional zit. and his diet and religious exercise schedule help maintain his look. and he's still doing remarkably well, especially now that he's fully aware that he is a Model.

and steve has truly grown into his looks. with time, he's grown more comfortable in front of the camera and made numerous friends. nearly all of them are older than him, but they're fun and loud and it fills up the space that normally surrounds him. and they're the ones who get him hooked on american movies. steve remembers living in america, but he's been in milan so long that everything he recalls is vague.

but he watches them and falls in love with the american high school experience. so when he finally catches his mom off the phone and actually in the house, steve asks if he can go to school in america. and his mom laughs. but steve keeps asking, which devolves into begging. and his mother snaps, slapping him across the face and calling him ungrateful. she cries and begs for forgiveness, cowed into shame by steve's desperate attempt to hold back tears.

and so she lets him go to school in hawkins, indiana. an odd choice, but his parents just so happened to own a property there. (in truth, both of his parents expected him to change his mind within the year). but steve finds his place at hawkins high, because even though nobody in hawkins has ever heard of versace, steve is pretty. he's pretty and charming and he knows the right thing to say. after all, he's spent his whole life perfecting his mask.

and even if his mom ended up moving back home with his dad, leaving steve all alone in that big empty house, steve is happy. he's finally hanging out with people his age and high school is so far removed from the glitz and glam of the fashion industry. and he's settled and content with tommy and carol by his side. while he misses his friends back in milan, steve finds himself longing for the clothes more often. hawkins was certainly the opposite of milan, what with the nearest mall being two hours away and only equipped with a macy's and jcpenny.

through it all, steve is determined to be normal. he laughs along with jokes he doesn't quite get and rolls his eyes at carol's cue, and he joins the swim team. and he joins the basketball team. and he goes to parties and kisses girls and wears dumb little polos with his letterman jacket and does everything that he saw in the movies.

but nancy wheeler is different. steve can't forget his time in italy and who he is and was, and he's reminded of his old life in everyone and everything in hawkins. but not nancy wheeler. she's all hawkins and all his. and then the upside down happens.

and then nancy wheeler breaks his heart.

even after three years, his parents continue to ask when he'll go back to modeling, but he's different now. the upside down and billy hargrove beat that starry eyed little kid who thrived in the spotlight. and nancy wheeler proved that adoration and love is fleeting, so what would even be the point of trying anymore? his dad was a little more approving of steve's retirement/hiatus, saying that steve must want to go to college so he can take over the family business.

but when steve doesn't get into college, he's once again badgered by his mom to go back. but he's grown and changed and he's not sure that he can pretend anymore, so he says no. and they cut him off. enter: scoops era.

the measly scoops salary is not nearly enough to cover all of the new bills and expenses steve has, but he's not willing to leave hawkins. so he reaches out to his friends back in italy, and they refer him to their american connections. steve doesn't model at the same level as before, but he poses for a couple of zines and one artist who got a little too handsy at his exhibition. but he's able to make it through until the mall blows up.

this routine continues and he starts working at family video with robin at his side, but he keeps his side job a secret from the kids, using the excuse of visiting his parents to leave town for his shoots. he's not ashamed, but he knows he wouldn't "be normal" anymore if they found out.

but how does he explain his near mental breakdown at the sight of his healing demobat scars. they're raised and ugly, ruining what should have been a perfect body. and even though he uses scar cream everyday, they refuse to fade away completely. and how could anyone stand to be near such an ugly thing when all his life, steve was meant to be pretty? after all, love and adoration is fleeting.

[whynotimtired]

I don't want to be mean but you all sound batshit when you try to convince milkvans byler is real by talking about pure subtext and color theory and "Mike was checking Will out in this scene!!!" there's CLEAR plausible deniability in your own interpretation of someone's acting. The duffers intentionally kept it all vague enough that most people wouldn't figure it out until they get the chance to shove it into people's faces and if the majority of people look at the scene you're analyzing and go "aww they're finally friends again yay" and you go "Mike was blatantly checking wills ass out in the beginning" when...he was taking a breath to settle and prepare to reconcile with someone he's been "off" with for a year... you end up sounding a little insane. Those types of takes are subjective, and you can make a funny video with zooms implying that that's what he was doing but actively trying to convince someone your headcannon is canon will almost always make you sound deranged.

There's a reason you don't go up to milkvans and go "b-but blue meets yellow in the west" and start talking about the intricacies of making film and how everything is on purpose, that stuff isn't for normies. Analysts love that shit but to someone who just watches the show for fun they hear you say all that and go "you're reaching" because you took someone who is at a zero and shoved them into a thousand without showing them why you ACTUALLY ship byler and just tried to prove that it's real

[apocalyptic-byler]

THIS SCENE IS GONNA DESTROY ME

[bugsbenefit]

hellfire in s5, and how it's Really not looking good for the members

the hellfire club is, in my opinion, one of the most obvious set ups for s5 and i never see enough people acknowledge how blatant the show actually is with it. because it's a directly addressed ongoing issue that slowly worsens over time and directly threatens three main characters (Dustin, Lucas, and Mike), at Least

there's a clear structured progression of the threat getting worse, with a major part of the s4 Hawkins plot being only Jason and his team chasing Eddie down, and by the last episodes of the show the rest of the town sides with them and joins the objective. however, we never get any consequence of the town agreeing with Jason, aside form the kids parents getting reaction shots looking insanely worried. the only thing even resembling partisan participation is a dogwalker (the same man that agreed with Jason first and then caused every other member in the town hall to also agree) informing Jason and co about there being someone in the Creel house. a single character ratting someone out is not pay off for a scene that rallies the entire town with anger and fear. especially because he was the First one to agree with Jason, arguably the next reaction, in parallel to the town house scene, will have everyone else also involve themselves

and everything Jason actually said in the town hall looks INFINITELY worse by the end of the season because he not only died the same day (how odd that must look), the town was also hit by a severe earthquake. (and hell-gates open in town but we don't know how people will react to that yet, or if it will even be immediately obvious to them)

like. it's a Terrible look. and with Eddie being dead now, the main target that represented the hellfire club in s4 and got the primary share of blame is now officially un-prosecutable

s4 also goes out of it's way to associate Lucas, Dustin and Mike explicitly with the hunt on Hellfire, ages before the whole town gets involved

Lucas is put on edge by the basketball's team hostility towards his friends constantly and has to actively lie his way out of the line of fire multiple times. the basketball team is also looking for Dustin to question him about Eddie's whereabouts, even going to his house where a confrontation only doesn't happen because he's not home. and they even manage to go out of their way to drag Mike into it despite him being out of town, when Jason starts a conversation with Nancy specifically to threaten her and then asks about Mike right after

which leads to the other thing; not only are all the kids already on Jason's radar, he's also getting more and more direct with the fact that he doesn't just want to have a nice chat with them (culminating in actually physically attacking Lucas by the last episode)

and if them setting all of the kid members of hellfire up for a bad time wasn't obvious enough, it's also fascinating to see the posters of hellfire we get over the season also show a clear shift in focus

when we see the hellfire club year book photo for the first time the focus is on Eddie. he's who Jason sees as the main culprit and when we get a close up of the burning poster we see Eddie

but when we see the hellfire club photo again 4 episodes later the focus isn't on Eddie anymore. not in dialogue and not visually

the shot is from the Wheeler's pov (Karen's specifically), and the only part of the picture that's in focus is the far right corner, with Mike and Lucas. (makes sense that's her son that's currently being implicated in satanic murders). Eddie never gets unblurred, he's not who the audience is supposed to look at in this shot. verbally Jason is also explicitly blaming the whole club now. it's not just Eddie who's "crazy" and killed Chrissy, it's the whole club who's responsible (it's also very notable that he's handing out yearbook photos of the whole club, not just Eddie. a really distinct prop choice. everyone in town now not only thinks hellfire is directly responsible for multiple ritualistic murders, they also know Exactly who's in the club)

and looking back at the season in hindsight, there's actually more than enough instances that would make the members of Hellfire look kind of guilty, or shady at best, even if someone were to do some research. there's multiple instances of hellfire members lying to the basketball team about hellfire member's whereabouts which definitely doesn't make them look more innocent in the team's eyes. not only do Eddie's band members try to brush them off, Nancy pretends to not even know about Hellfire when Jason asks about Mike, and Lucas goes out of his way to keep Dustin and Eddie's locations from them by deliberately lying and sending them to wrong locations

and that's on top of the entire montage of Dustin and Mike trying to find a substitute player for a single game on the same day a student with no previous affiliation to Eddie Munson dies at his trailer? that looks Horrible in hindsight. especially with them asking pretty much every other student, from almost every club, while both prominently wearing hellfire shirts. if anyone actually remembers them and thinks about the events post Chrissy's death they could definitely make some assumptions

it's just bad looks all around. and that's not even mentioning how they have the potential to look even worse in s5. if it got out Lucas was with Max when she somehow died and broke all her bones? would look horrible. or Dustin now associating with Eddie's dad? and we don't even know how he'll fulfill Eddie's wish to "look after the little sheep"

and even Mike, who didn't even have the chance to attract suspicion post e1 due to being out of town has a whole thing going on with his image paralleling Eddie, with being the other DM and having his s4 style be directly in reference to Eddie's looks

while there's building hostility towards the hellfire members, and the focus (both visually and vocally) switches more to the members Other than Eddie, by the end of the season there just hasn't been a chance for the townsfolk to respond to Jason's speech yet. they all agreed with him, but everything immediately went to shit the same night. however, even the last few minutes of the show, that always have the most direct foreshadowing for the next season, include a shot focusing on the rise of religion and the fearmongering that started with Jason's speech

which serves as a great reminder that the entire town hall just agreed with Hellfire being a satanist cult they need to stop

s4 ends with the hellfire set up being one of the most explicitly obvious plot threads that are about to be a problem for multiple main characters in s5. like the few other obvious established about-to-be struggles: the gates opening, Vecna still being alive, Max being "gone"; we've gotten a full set up there but no payoff yet

and then there's obviously the question of what the people would even DO in s5? they all agreed that Hellfire needed to be stopped, so... what now?

on one hand there's the interesting concept of the town refusing to help the protagonists but they could also be acting as a hostile force against them

say anyone tried to warn the town about the upside down or it's creatures, the chances of people listening to them talk about actual "demons" and reacting in any positive way is probably near 0. even if you saw a Demogorgon nibble on your neighbour an hour ealier, would you really listen to someone you think intentionally opened the Hellgate that let the creatures through in the first place?

but then there's of course the active antagonistic angle they could also take. Jason was calling for Hellfire to be actively opposed and stopped, not passively. and the show Does go out of it's way to show the overcrowded weapons store in multiple shots post Jason-speech

we're supposed to know these people are armed going forward. whether they're buying them to go hunting, or wanting to go shoot Eddie Munson, the weapons are there now... also ignore the 7 separate hellfire wanted posters in the opening shot of the store alone 💀(it's actually 9, i didn't circle the two that are cut off in the bottom corner. that whole board is just plastered with that one photo)

(the implication of what the guns are for couldn't be more obvious if they tried. again, also the scene where Jason tries to intimidate Nancy and directly asks about where Mike is. also the scene where Erica and co try to hide from the basketball team members in the store. the scene features, guns, hellfire posters everywhere, and characters specifically asking about the whereabouts of a member while other people are actively hiding)

and the weapons could play out in a positive way in s5 too, say the lady from next door gets hands on involved and takes shots at the Demobats in her front yard

but the reactionary, scared, and angry town that blames a specific small group of people for everything that's happening could also lead to MCs having to actively worry about getting shot by someone they've seen at the supermarket for 10+ years on top of the supernatural threat

TLDR: re Hellfire, none of these members will have a good time in s5

Edit (because i forgot to include these images and am silly)

Hellfire even makes it on the local news by the end of the season

and in line with the focus shifting from Eddie to the other hellfire members, the news anchor then goes to say that Eddie Munson is presumed dead after the earthquake but that that isn't enough for the town. the news even mentions the conspiracy theory that the hellfire murders CAUSED the earthquake. so anyone who hasn't heard Jason's speech, now they're getting it from a "reputable" source too. call that high quality journalism, let's throw the local highschoolers under the bus

we're supposed to remember the fear of the "satanic cult killing children" that Jason spread to the town. it's still there. and it's not just in the local town hall anymore, its being broadcast on live television. so just in case you didn't catch wind of who caused a "gate to hell" to open in your suburban neighbourhood the first time, the news anchor thankfully tells you who everybody Says is responsible, it's the 14-18 year old satanist serial killers duh

[kidovna]

thought about will byers yesterday and cried

[bangtanthoughts]

do you guys ever just sit and think about the fact will is the connection to the upside down so there's a chance if they ever want to kill vecna once and for good will is gonna have to die and like will is aware of that and he's gonna be ready to sacrifice himself just like he was in s2 cause i do all the time and i NEED a scene of mike losing his shit when will tries to sacrifice himself for everybody and trying to rescue him before it's too late

[robynrocksforbrains]

Mike Wheeler is important and there's nothing wrong with analyzing him

Since y'all wanna be insufferable bitches about it I'm gonna explain to you why he's important, why Will loves him, why his struggles should be acknowledged, and why his character depth is pivotal to byler endgame being a satisfying conclusion for both Mike AND Will. Deal with it!

We are not seeing smoke where there isn't a flame. We are seeing smoke where there is a literal fucking forest fire.

Starting off with something a lot of people aren't ready for but I've seen more people talking about: Mike is the main character of s1 at the very least. He is the character that brings us into the world of stranger things. He is the character that the writers chose for this. Mike is the main character of s1 and it was an instant hit. The writers love Mike. Contrary to popular belief, giving a character an arc where they are struggling and their behavior changes from what is normal for the character we know and love does NOT mean the writers hate that character. It means they deliberately chose to give that character complexity and depth. Your inability to like characters that do anything wrong ever is not the fault of the writers. Your decision to act as if a character is not important is not reflective of the actual narrative because it in fact is in direct opposition to the narrative. So just to be clear, if you genuinely believe that Mike isn't important, or that the writers hate him, or don't care about him, or that his story "takes away" from any other character's - ESPECIALLY WILL'S - you are simply wrong.

In s1 and s2 Mike is established as an extremely caring person. He's loving, loyal, brave, intelligent, and trying his best. He is also established to be hot headed, someone who speaks without thinking quite often, someone who is capable of hurting his friends despite that being the last thing he wants to do. He is all of these things and more. He is a human. He is a kid. So in s3, when suddenly he is entirely different, it is completely logical to assume that there is a reason for that. He did not just wake up one day and decide he wanted to be an asshole, push Will away, make his friends feel abandoned, and echo the same sentiments their bullies held. Something is happening with him. He has so much going on in his head and it is painfully obvious. He's holding something in, he's hiding from everyone and from himself. We see glimpses of what he's trying to hide after Will calls him out on his behavior. Will gets through to him. Mike is usually unresponsive to tough love, except for when it's coming from Will. After their fight, it is obvious that he's trying to be better. But he still doesn't wanna face certain things, and he doesn't know how to navigate that. Because he's 13 years old.

There is a reason for all of that internal conflict. There is a reason it comes pouring out of him at certain times. He's crumbling. He is quite literally falling apart because he's holding on to too much. It's not a stretch to assume that, it just takes basic media literacy. Why would the writers have Mike act this way if he was just supposed to be a one dimensional character? Why would Finn be directed to portray Mike the way he does if there was nothing more going on? There are times where Mike looks like he's in physical pain because of his internal conflict. There is a reason for that. And acknowledging that DOES NOT mean people are taking away from Will. That's the most idiotic thing I have ever heard. Do y'all seriously not understand that more than one character can have emotionally complex storylines? Genuinely asking, is this a new concept for you?

Will's love for Mike

Will is head over heels in love with Mike. That is very much established. So when you're dismissing the emotional depth of Mike's individual arc because you think acknowledging it "takes away from Will" you are actually diminishing the significance of a huge aspect of Will's emotional arc. By taking away the significance of Mike, you take away from the significance of Will.

Let's do a quick recap of the very significant role Mike has played in Will's entire life:

Mike is Will's first friend.

They have grown up together and it can be assumed that they've reached important milestones together.

Mike has always been a safe person for Will. He's been a constant in Will's very chaotic and unfair life. Until the summer of '85, Mike had always been something good in Will's life. (That's not to say he is no longer something good, but it can be assumed that the summer of '85 is the first time Mike has been a causal factor in Will's unhappiness)

When Will went missing, Mike did not hesitate to search for him. It wasn't even a question of if. The moment he knew Will was missing he knew exactly what he'd be doing that night. He spearheaded the search amongst the party. He was the leader.

When Will came back, Mike was the only person that didn't treat him like he was gonna break. He cared for him, and he was there for him, but he didn't treat him differently; Will tells us as much. Which means we can infer that the way Mike was with Will in s2 - how gentle and loving he was - was nothing new. He had just always been like that.

When Will was possessed, Mike stayed by his side. Even when it was scary, even when it could've gotten him killed, he stayed. Because once again, for him, it wasn't even a question. That's just where he knew he needed to be. He was in the shed when they were trying to get through to Will. He was set apart from Lucas and Dustin, but he also wasn't equated to family. And his retelling of the story of the day they first met was the final push Will needed to find a way to communicate.

After a year of things being "weird" between them, Mike tells Will that he didn't deserve to be treated the way he had been. Mike tells him that he wants them to be okay again, and for the rest of the season he puts in the work.

Things get rough in s3, and at the beginning of s4, and despite all of that, Will confesses his love (albeit veiled). In a moment where Mike is feeling awful about himself, he tells him that he loves him and needs him, and he tells him why. And to him it doesn't matter that he's breaking his own heart to do it, because it's Mike. Mike, who makes him feel like he's not a mistake at all, and that he's better for being different. For Will, there was no other option. The person he loves was hurting and he knew how to help, and so he did.

Mike is the first person Will tells about Vecna still being alive. Because they're back to being a team. He knows he can trust Mike, and Mike seems to be very determined to prove him right.

SO.

These are all real and canon aspects of Mike's presence in Will's life. Will falling in love with Mike isn't something that just happened for no reason. Will fell in love with Mike because of who Mike is. When you acknowledge that, and when you acknowledge the reasons they've set out for why Will loves him - the reasons Will literally told us - you can better understand Will. But when you dismiss all of these things about Mike, you are dismissing a large portion of Will's emotional and romantic arc. You aren't being a Will Warrior. You are erasing so much of him and his feelings and his lived experience. That is not the hill you wanna die on.

Will loves a person. Not a feeling. Yes, he says that Mike makes him feel like he's not a mistake and that he's better for being different. But that's not why he loves him. He feels that way because he loves him.

Mike is a fully fleshed out character with his own feelings and struggles and fears and traumas and motivations. He's not a plot device. He's not just an accessory to Will's arc. He's not a character that was written only to be Will's love interest. He's Will's love interest because he's Mike.

If Mike didn't matter, and if Mike didn't play a significant role in byler, then they would be able to write in a love interest for Will in s5 and have it be somewhat satisfying. But they can't do that. Will's love for Mike has so much depth because Mike has so much depth. It is genuinely crazy that this has to be stated and that I have to back up this claim because it is simply a canon fact.

So yes, the rain fight affects Mike's character development and his involvement in it is important. Yes, the van scene literally could not exist without Mike and therefore his involvement in it is incredibly important. Yes, every single byler moment has an impact on Mike, and Mike has an impact on it because they are BYLER moments. Yes, Mike will have a lot of significant moments - with Will AND on his own - in s5 because his arc deserves and needs as much attention as Will's in order to execute byler endgame in a satisfying way.

No, none of these facts negate Will's importance or take away from his story. If anything, they add to it because Mike and Will's arcs are corresponding and intertwined.

Mike's struggles

To name a few

Dysfunctional family

Has been bullied his entire life

Extreme self worth issues

Inferiority complex

Hero complex

Lack of self preservation

Suicidal ideation (has been on display since SEASON ONE)

Internalized homophobia

To get this out of the way: Mike's internalized homophobia is allowed to be discussed. Discussion of it is not the dismissal of Will's internalized homophobia. Surprise surprise, two queer kids in the 80s have internalized homophobia! Who'd'a thunk it?! Their internalized homophobia presents in different ways but it is there for both of them. I personally relate to the way Mike's is portrayed way more than I relate to Will's. So why is it that we can't discuss it without being accused of erasing Will's experience? Or without people saying that we're "copy and pasting" Will's story? Because quite frankly, that feels dismissive of my - and likely many others' - real and lived experience. So please for the love of all things that are good just stop with this talking point because it will never hold up.

Moving on

I'm not gonna do a full breakdown of all of Mike's issues. Because contrary to popular belief, there are a lot. And that would be exhausting and I'd get carried away and it's not the point of this post. The point of this post is to defend the acknowledgement and mere existence of them.

If you're a byler that for some reason thinks Mike only exists to be Will's love interest and his trophy as compensation for his trauma, let me ask you this: Have you considered how awful it would be to have a queer character's individuality and emotional depth completely ignored for the sake of focusing on the queer character that "really matters"?

If Mike's own issues, with his queer identity and otherwise, aren't thoroughly explored... What's the point of all this? If Mike really is insignificant in this storyline and his individuality has no effect on it.. where's the emotional payoff? If his perspective doesn't matter... Why have the writers gone to such great lengths to ensure we don't have that piece of the puzzle yet?

Analyzing Mike and understanding Mike is very important to understanding byler. Once again, I think it's crazy that this needs to be said.

I also think it's important to note that characters can have similar struggles. There's no rule against that. Just like real life. Characters having similar struggles is not a bad thing, and acknowledging that their struggles are similar is not dismissive of either character. We're talking about STRANGER THINGS. Jonathan and Nancy's thing is "we've got shared trauma". They have literal matching scars. Shared experiences are some of the main building blocks for this show's romances. Byler has a TON of shared experience, basically their entire lives. We already know that. So wouldn't it be so beautiful for them to learn that they've been struggling with the same thing this whole time? That the entire time they felt alone in what they were going through when really they had each other and they never even knew it? Wouldn't it be so beautiful for Mike's acceptance of Will and Will's love for him was also a step toward accepting himself? Wouldn't it be beautiful for Will to learn that his love makes Mike feel like he's not a mistake? None of that would be in the realm of possibility if Mike didn't have emotional depth and if his individuality wasn't important.

And that leads me to my concluding point...

A satisfying execution of byler endgame hinges on Mike's individual emotional arc being handled well

God I hope this isn't controversial to say. I sincerely hope most people haven't forgotten that.

Here's a hypothetical:

Imagine season five has been released. You're watching it, and you notice that Mike has been relegated to just a supporting character for Will. We don't get any of his perspective. We don't get any explanation for his s3 and early s4 behavior. His breakup with El doesn't have any real tangible effect on him, it's really just used for El's character development. We never see him pining for Will like we saw Will pining for him. And then suddenly Mike is learning about the painting and then suddenly he's confessing his love and then suddenly byler is canon and official.

Now wouldn't that just be awful? Wouldn't that be unfair to the audience, to Mike, and to Will? For us to never learn just how much Mike had to go through to even be able to say it out loud? For Mike to never get the chance to prove to himself through word and action that he is the heart? For Will to never get an explanation for why things did get so "weird" between them? It would leave us with one big, nagging question: What was the point of everything Mike has said and done throughout the entire show if his conclusion is that lackluster?

Disregarding Mike for a moment (I know that's incredibly ironic given what the entire point of this is but just bear with me) - how would that be a satisfying conclusion for Will? I mean, Will's s4 arc was basically dedicated to showcasing his struggle with his sexuality and with his love for Mike. We were shown just how deep that love is. We were shown how patient, unselfish, unwavering, and beautiful that love is. So how would it be satisfying for Mike's love for him to not be shown with just as much depth? How would it be satisfying for Mike to just be a one dimensional character whose s5 arc is essentially "break up with girlfriend, wait to find out best friend is in love with him, say he loves him back, then they live happily ever after"? I think Will deserves for his love to be returned with the same intensity at which he gives it. And I think it should be clear to the audience and to Will himself.

Back to Mike!

Mike has been through so much shit. I don't think anyone that is denying that actually believes he hasn't been through shit. Because you'd actually have to watch the show on mute and with your eyes closed to think this kid hasn't had just the worst time. It's so ignorant to act as if this stuff hasn't affected him. There's stuff we've seen but there's stuff we also haven't seen. There are issues he has that date back to his childhood pre-canon. Just like Will, Mike has been a queer kid growing up in 80s smalltown conservative america. Acknowledging the pain he 100% carries because of that is so important. His perspective has been withheld from us, not because it's unimportant, but because it's the final puzzle piece. If we had Mike's perspective in s4, byler wouldn't be a "will they won't they" (even though we all know they will). If we got his perspective in s4, byler would be a "100% certain without a doubt they will". But the thing about his perspective is that it's so much more than just loving Will. It's fear. It's pain. It's insecurity. It's doubt. It's the belief that his happiness just doesn't matter all that much. All of that has to be explored. All of that has to be laid out in the open for us in order for byler endgame to feel earned. Mike's emotional payoff will lead to byler's emotional payoff.

Mike has known he loves Will. In s5 we will see him make a deliberate and active effort to overcome the things keeping him from doing something about it. And then he will do something about it.

And so when it finally happens. When both Mike and Will finally know that their feelings are requited, and when their arcs end with us knowing that they will face whatever life has in store for them together, that will feel earned. That will feel like the logical conclusion for both of them. Not just for Mike. Not just for Will. For both.

And Mike is just as important to that conclusion as Will is.

And one last thing...

Some people are going to talk about Mike more. Some people are going to talk about Will more. Because newsflash, people have preferences. Some people just relate to Mike more, or they find his emotional arc extremely compelling, or they just like him. It isn't an attack on Will or any other character. No one is saying Mike is more important than any other character (I'm sure there are people that say that but they are a vocal minority and they are simply wrong). We are just saying that he is important. If you wanna engage in media analysis, please understand that "main character" or "central character" does not mean "only important character" and "only character that should be analyzed". If you wanna talk about Will and only Will, that's fine. But you don't get to act like people that talk about other characters are doing a disservice to your fave, because that's not how any of this works.

[groovinrightalong]

Byler dads…

[emblazons]

"Did she...talk to you at all?"

Mike Wheeler & Will Byers in S04E09 - The Piggyback

[oceanic-sunsets]

english teacher Mike Wheeler who comes across as this Serious Intimidating and pretentious jerk until you discover he's just a nerd who all the Troubled and 'Difficult' kids surprisingly love and look up to. No one knows how he does it. (he was, once, that angry troubled teen).

art teacher Will Byers who absolutely every student loves. You cannot hate him. Queer kids are especially drawn to him and he's the best at reassuring them and helping them feel comfortable and safe. He's always followed by at least two or three students and he gets the most notes, gifts and hand-made crafts during holidays.

and yes they're married