#migration 2023 movie

[readingforaneternity]

So I watched the Migration movie today and I was enjoying it up until I met this Jamaican bird named Delroy.

The issue isn’t that he’s Jamaican, bc I’m Jamaican American and I love to see representation of my culture. But it was the voice actor that completly ruined the rest of the movie for me.

His accent was off. And for those of you who don’t know Patois and the Jamaican accent in general, it may be hard even realize, but it sucked.

My issue is that they casted an American who did it. Not even a Jamaican American who was raised with Jamaican family. I’m sure there are so many Jamaican actors and actresses that could have embodied the role so much better.

I don’t only want to see proper POC representation in live actions. I want it in animation too. And that includes language, dialects, and accents.

[thejdblog]

🪶-Illumination's Migration(2023)- 🦆

[starcanary49]

Pam from the cartoon Migration🦆🍀

[ankle-beez]

[snugglybitch]

As a reddit refugee on Tumblr.com, I've really been enjoying the thoughtful and sincere discourse on Barbie (2023). Even posts that levy criticism seem to do so in good faith and with care for the larger message as a whole. It has felt indulgent to read paragraphs upon paragraphs on femininity, patriarchy, girlhood, aging, and the difficult beauty in finding common ground in our differences...

So, out of curiosity, I popped over to Reddit on browser to see what redditors were saying about Barbie. Short, quippy acerbic comments like "wow, you know it's bad when Ken overshadows your Barbie movie" and "Ken was the only relatable character" and other "revelations" focusing on the man-hating messaging of the film overwhelmed the discussion threads.

I forgot. I forgot how exhausting that platform was. How, despite all its left leaning dogma, it is still dominated by its target males-twelve-to-twenty-four demographic, which rewards shallow, short takes that rage bait and put the onus on the reader to make the good-faith argument, and you spiral, and spiral, and spiral.

In a way, a perfect microcosm of exactly what Barbie (2023) is criticizing. But those redditors will never see that. And it's no one's job to make them see it. I just forgot how quickly comments like those would weigh me down and sit in the back of my mind, waiting for a quiet moment to irritate me all over again.

I guess, all this to say, I love Barbie talk on this hellsite.

[redleaderblockhead]

New hyperfixation just dropped

[daniarts19]

Well, last fanart 2023 and soon will be a happy new year 2024.

So this year was better than 2022 and stuff, the good things I’m now in a illustration class in a real art school in the city, I know someone in the family left us on the beginning of December and I get to know new people and art I did see from them their talents and all their care for the world.

My fanart is more a multiverse kinda style since I wanted to combine Across the Spiderverse/Once Upon a Studio with a few references the star making with their magic.

Hope you like it and Happy New Year.

Ruby Gillman Teenage Kraken © DreamWorks Animation

Mario © Nintendo

Elemental © Disney and Pixar

Nimona © Annapurra Pictures

Total Drama © Fresh TV

Wish © Disney

Leo © Happy Madison

Migration© Illustration Entertainment 

[rascalentertainments]

Migration: Surpasses Wish and another film in A surprise box office hit.

Disney:

Disney: OBVIOUSLY THE ANSWER IS DUCKS. PEOPLE WANT TO SEE DUCK MOVIES, WE NEED TO MAKE A DUCK MOVIE. AND MAKE IT A MUSICAL.

(😂😂)

[goofyahhraccoon]

Upcoming Animated Movies In 2023

which are you most looking forward to?

[blackcassiope]

I've drawn a picture of Chef Taiyee from Illumination's animated film "Migration". I know that his original name is simply "The Chef" but the French Wikipedia has named him as ‘le Chef Taiyee’ even though he wasn't actually heard in the film (the proof: https://fr.wikipedia.org/wiki/Migration_(film)#Synopsis ).

From now on, I'll always call him ‘Chef Taiyee’ to make fanart searches easier and to avoid people to see drawing which has no connection with the Chef from the movie when they only wanted to see ‘Chef’ fan-art.

Here are the tags I suggest to avoid confusion in your searches (even if you're used to calling him ‘Chef’): #migration2023 #chef_taiyee #chef_taiyee_migration2023 #chef_migration2023

NB: The tattoos are not the same as the tattoos he wears in the movie. I took the tattoos that might look like them.

[monkey-network]

Good Stuff: Best Movies of 2023

This was NOT a great year for blockbusters, huh? This was probably Disney's worst in years, multiple flops including what was meant to be their centennial anniversary film. It looked remarkably by the numbers, but think of the conglomerate's losses... Anyway, this to me was a pretty great year for films. Like 2022, I'm amazed at the variety we got that says more about the shifting tides of people's interest in movies. It was the most times I've been to the theater. We got a big worker's strike over the summer, especially large push back against degenerates trying to push AI to do more than just shitposting. And it was enough for me to know Adam Sandler, Godzilla, and Hayao Miyazaki could get the better of Disney. With this said, let this be a first for Good Stuff and count down my favorites of this year.

12. Renfield

My suspicions were on the money and I'm glad I gave this a shot in the theaters. Cage was the best Dracula I could've asked for in what you might say was an Adult Swim-esque dark comedy. It definitely has that style of gruesomeness and humor given Robert Kirkman and the Writer/Director behind Moral Orel made this. Unfortunately, Ben Schwartz stuck out like a sore thumb even if he fulfills his purpose in this, reminding me of Christopher Mintz-Plasse in KickAss; I feel he or Jason Schwartzman would've been better suited. Plus it can feel all over the place, an identity crisis that you can't even grasp after it finishes. Then again, I just had fun watching and would gladly rewatch for Cage and Hoult who are the highlights of this.

11. Migration

Call it blasphemous, but I enjoyed this more than the Mario movie. It's essentially Rio mixed with National Lampoon's Vacation, with a lovable cast, solid animation, and an eazy breezy road trip story. I've always looked to Illumination for simple enjoyable romps and I got what I expected here. Gave me Amphibia vibes in a way, replace frogs with birds. Everything surrounding the villain is my only real issue, he was an obvious and very nothing bad guy, but it's overall better paced than Super Mario Bros where it felt like you watched an eternity in 3 minutes. Still don't get the air of folk looking down on this for just being serviceable when it's honestly become my favorite Illumination movie next to the first Despicable Me.

10. Killers of the Flower Moon

Sad to say this is the weakest Scorsese movie for me, mainly because it felt like we're following the wrong main character. Lily Gladstone is incredible in this, among the other great performers, but she felt sidelined in favor of DeCaprio and De Niro's perspectives. It's like if in 1995's Casino, we just follow Ginger throughout the moment Sam introduces her. I liked the turmoil Leo's character goes through, but it paled in comparison to Mollie who was more affected by his and Hale's actions. That does not mean it's all bad. This can be a beautiful, dynamic, and ruthless movie that just made me feel bad for watching it; running with the words "harsh reality" throughout the 3 and a half hour runtime.

9. Good Burger 2

I watched Good Burger 1 & 2 this Thanksgiving weekend, and just had a blast. These are the kind of movies that are charmingly stupid but not insultingly so. Kel Mitchell's Ed is emblematic of how much dumb fun this duology is where he's actively comical but not smoothbrained to ruin your time. This I say is like Home Alone 2 where it is just beat for beat the 1st movie with minor developments but that doesn't really matter when it's just as well put together. It never feels like Kenan nor Kel missed a beat and the drama not overstaying its welcome. It is just "Good Burger Again" without it feeling like diminishing returns compared to other rehashing sequels.

8. Leo

Can you believe this got better publicity than Disney's Wish? Even YMS could appreciate this movie, that's how you know Sandler has his recognizable game when you least expect it. But Leo is a surprisingly good comedy that has actually sincere moments. Being Happy Madison's 2nd ever animation, it's like Adam waited to refine the production as opposed to putting a cash grab together like one would expect. It's not all good, especially trying to be a musical, but seeing it once you'd be impressed how much good it does with the risks it takes.

7. Nimona

Like Migration, everything surrounding the villain is the one big issue I have with this, especially when it comes to affecting the film's message. At the same time, she pales in comparison to the dynamic pairing of Ballister Blackheart and the titular shapeshifter. Nimona is my favorite character of 2023, her energy and confidence matched by the struggle she bears existing alone and the facade made to band-aid it. Her and Ballister's journey alone made me glad this got out of development hell, being Blue Sky's final production posthumous. To me it wasn't about being a take that to Disney, it was about the fact a movie like Nimona got to exist as great as it did. Hoping Stevenson is satisfied with their adaptation, because it definitely earned its flowers.

6. Emesis Blue

Offhand, it openly sucks that Letterboxd refuses to let this stay on the site to log, but it can't be overstated how much of a marvel this was. Repurposing not just the characters, but the lore and mechanics of Team Fortress 2 into a feature length horror thriller. The animation's top notch where it can have godly framing that was on par with the known legends of horror film making. SFM animations can be beautiful on their own, shitpost or otherwise, but Emesis Blue goes a step beyond by having a compelling story fitting for the universe on top of, again, every frame being a painting.

5. Shin Kamen Rider

I've never really saw any Tokusatsu shows. Not that I hate the genre, just could never get into it while recognizing the glorious looking chaos found in clips. Knowing Hideaki Anno directed was what got me into seeing this film and it opened my mind quite a bit. This was the legacy film that definitely had Anno's touch in both the action and drama. While the climax can notably drag, you never feel left out of what was essentially the original Kamen Rider's origin story. It doesn't have the complex VFX of stuff like Marvel, but the costumes and fight scenes makes me wish we got more of this in America beyond Power Rangers.

4. TMNT Mutant Mayhem

Advertising before release really didn't make this appear like a promising film. If there's anything I learned from this year though, appearances can be deceiving. Like Nimona was for her movie, the creative choices for this made it the TMNT movie I never knew I wanted. To me this felt akin to the Lego Batman movie where it's not only a good love letter of the franchise for more than its fanservice, but this spin on the characters is able to have a new sincere view of them without overhauling everything about the TMNT. That and it has the greatest needle drops I've had in a long while like how do insert He-Man Fabulous Secret Powers and expect me to hate this?

3. Godzilla Minus One

I call this a great year for films because it marks the first time I got to see a Toho produced Godzilla, with subtitles, in an real movie theater. Needless to say, it felt like I got to enjoy the 1954 film again anew. Not a remake mind you, but the parallels were uncanny and this spins here work just as well, if not more here than with the original in a couple places. Both are still strong movies nonetheless. Minus One is a refurbish that dishes out what people always wanted and uniquely giving a little more while never sacrificing why the OG is that timeless. With it getting more than a limited release, I'm glad this got to be more than a niche celebration of the kaijuu king.

2. Oppenheimer

This film's been meme'd to heaven, hell you could say it got meme'd to success thanks to its dual release with Barbie, but it didn't undermine getting hooked to watching this anyways. This really has become my favorite Nolan film, a compelling biopic that doesn't exactly herald its titular lead in the best light thanks to the paradoxical storytelling. Oppenheimer gives us the largest ensemble I know, and delivers in the most breathtaking moments I never knew I could get. Cillian killed it among the many who made the three hours of people sitting and talking in rooms actually tense and intriguing to thread. Plus it gave us the beauty of Josh Peck being the guy to detonate the test bomb like cherry on top of this cinematic cake.

1. The Holdovers

I remember watching Alexander Payne's Sideways with Paul Giamatti as a high schooler but couldn't appreciate it until rewatching this year. It's one of the best mid-life crisis comedies you could see, still fresh in its easy going presentation and music. The same can be said for this film, made to feel like it came from the late 70s or 80s with the old opening logos that I didn't think you could do in these times. Out the gate, this was the holiday story I was shocked would be as relatable as it was, with the trio of Giamatti, Randolph, and Sessa each having their story that resonated with me strongly. With the right amount of time, Payne offers an remarkably cozy, down to earth movie where from reserved to outgoing, it did a lot for me emotionally. Like Netflix's Klaus, I kinda want this to be a traditional rewatch for the holiday seasons. One that everyone should try at least once, especially if they feel the disillusionment of the season where this might lift their spirits one way or another.

If there's anything to learn from this year, it's that the meta has definitely shifted. Even when the many on my list didn't make billions like the Avatar films, the variety and risks made spoke more than the big dogs like Disney and WB putting out unprofitable blockbusters that ranged from very by the numbers to you don't need to see The Flash to know how god awful it just was. More people are & should branch out beyond the major mainstream names. Not that the big dogs aren't ever gonna make great films in the coming years, but we should appreciate more than the big budget features you can tell are playing it safe. Time can be patient for great cinema, sleeper hits or not, so take advantage while you're young.

[ilovescaredysquirrel2]

Last movie review of 2023, Migration!

Okay I think this might be one of the best animated movies of 2023! "Ruby Gillman Teenage Kraken" and "Under the Boardwalk" were the two best, and "Migration" and is the third best. These movies were so incredible and well done. I fell in love with the visuals and scenery, and the animation for Migration overall. The characters were definitely a 10/10 though! I mostly loved how Gwen was more than just the cute sidekick, but she was the cute sidekick who was also sassy and a little bit daring too. Her brother (i think his name was Dax?) was an optimistic and daring character too! He was fearless and also a good character too. I really loved how they focused on Pam and Mac as well, and made them good parents but also showed their struggles on protecting the family. Pam was so optimistic, she kind of reminded me Ginger from Chicken Run. She was such an icon! My favorites had to be Pam and Gwen! I also loved Delroy and Uncle Dan! They were so funny! Awkwafina also played a unique character too (she voiced a tough greaser pigeon).

I also would like to talk about the villain's design and personality. He didn't speak, they just had an evil chef who just growled and tried to get the ducks. They didn't show much human interactions in the movie but the only bad human was the chef character. He looked like the a super rich chef guy, with gold on him and stuff (He had white hair with gold bands). I liked his funny face too! Also, the other humans didn't seem to be that bad either, it was one person who wanted to eat the ducks. They weren't portraying all the humans as animal-eating monsters.

Another thing is that the art style and everything looked a little different from Illumination's usual movies, seeing really big eyed cartoony birds that were the main focus. Dreamworks, Illumination, and Aardman are dethroning Disney and I'm all here for it! I hope Ghibli does too when the "Boy and the Heron" dub comes out. I'm just happy that Illumination is going to be known for something other than annoying minions. Also, before you say anything, the short film that was before Migration WAS a Despicable Me one but it focused more on that Vector guy and him getting off the moon, as well as showing the minions as comic relief which was fine (tbh Vector himself is funnier). Seeing that animated short made me think of when Disney used to do stuff like that, and I'm happy that Illumination did that. I mostly just enjoyed Migration and I think it was beautiful!

Last of all, the thing I loved most was probably that salsa dance scene when they played that Beyonce song that goes like, "I'm a survivor" but it was a jazzy version of it and it just blended with the movie so well! Whoever chose that song deserves a raise! Also, that was such a cute scene between Mac and Pam. I love how they showed that adults have flaws once in a while, and focus on the adult ducks as much as the kids. This movie was so so cute!

Into 2024, I'm hoping that I would get to see the movie "Butterfly Tale", which according to my best friend who's in Canada and got to see it (I'm an unfortunate American who missed out). If you have any info about Butterfly Tale, please tell me! The best movies this year I'd say are Butterfly Tale, Ruby Gillman, Migration, and Under the Boardwalk. Tell me YOUR favorite animated movies of 2023! Go on! Don't be afraid to express your opinion in my comments, even if it's different from mine!

[lukmarc10]

why isn't anyone talking about this film? it looks so cute and fun

[trendfilmsetter]

DUNE: PART TWO raked in $32.2M for its opening debut. Check out the Friday Domestic Box Office for March 1st, 2024

[prayforleonardo]

🎬 Viné al Cinepolis a ver 'Migration' o 'Patos'

#MigrationMovie #Migration