#might write those too eventually

[alasblogpoetry]

Coolth.

Earth a lifeless cement - Dirt frozen over, Trees bare and dead.

Wind a motionless freeze - Air is as if claws Cling onto our skin.

Sun a heartless deceit - A disk blank and white, An absence of heat.

Fire - its faint orange tongues barely touching our skin.

Layers of sweaters - heavy but transparent to coolth.

Submerged, by woods, by deathly coolth of morning, by thirst for warmth.

Together a freezing love - Forget the fire and layers, We hug.

Warmth.

(to MK, AK, DB, and Art)

[mattodore]

birthday boy 🎂

[sciderman]

I would say you’re more of a Mr peanut butter type yeah

doggy doggy what now?

[stergeon]

can someone please write this doropetra fashion designer/journalist modern au for me. i spent too long thinking about the devil wears prada today and now i have all the beats mapped out for this story i Do Not have enough time in the world to write.

please help. please. i'll give you everything. all of it. it's all right here. take it. mention me if you swap the names to sell the movie or streaming rights. i just want it to exist.

pitch: dorothea is a hot-nasty fashion mogul and petra is a journalist-turned-reluctant model who captures dorothea's attention (and her heart).

btw this is a Really long post so look out. also i know nothing about the fashion industry and Will Not Learn so don't tell me anything.

setting: various major cities in the USA. NYC, LA, Enbarr (you know, Enbarr, that major city somewhere between florida and texas. we've all been there).

cast

most everybody is in their mid-to-late 20s at the start.

petra: the last journalist with integrity in a world that's actively trying to eliminate journalism as a field. worked her ass off writing listicles and bullshit SEO articles for years until she caught a break and got in with a "Real Publication." she now works her ass off there. unfortunately there's rumors of her team getting laid off due to AI crap so she's stressed af trying to line up her next gig, just in case.

dorothea: hotshot young fashion mogul with a cult of personality around her. was a complete unknown barely out of college when she designed manuela casagranda's absolutely breathtaking met gala dress and her company blew up overnight. now does high-profile lines that are popular with movie star types and bougie social media influencers. notorious for being very, very friendly with her preferred models.

edelgard: petra's finance major/arts minor friend from college and her former roommate. nepo baby with Lots of connections. got petra her first big job writing PR crap for a division of the hresvelg business empire. caused a scandal by getting romantically involved with her TA (byleth) in grad school but they're still together. complains about her PA (hubert) and her lout of a stepbrother (dimitri), both of whom she's constantly texting or otherwise having to corral.

shamir: petra's boss/editor. admires petra's guts and her writing chops, as well as her ambition. somewhat of a mentor to petra, but is absolutely no-nonsense when it comes to work. she's been in this business a long time. there's no fucking around. leonie is another journo on the team. ignatz and linhardt also work with them doing layouts, formatting, and photo/video editing.

manuela: a famous singer from dorothea's hometown who basically adopted dorothea as a protégé after dorothea sent her sketches of designs she'd made. essentially responsible for dorothea's career. they have a bit of a contentious relationship these days as manuela's a bit jealous of dorothea's rising star and because dorothea's been ungrateful in recent years despite how much manuela's stuck her neck out for her. still, she's always there to give dorothea terrible advice when she needs it. her evolving relationship with dorothea is kind of a b-plot.

bernadetta: a reclusive, but well-connected social justice blogger and internet activist. one of petra's good buddies who regularly sends her scoops.

ingrid, ferdinand, sylvain, catherine, felix: models who commonly work with dorothea.

Jeritza: a nobody fashion photographer who thinks he's somebody. he's absolutely awful.

claude and hilda: paparazzi who work for tmz, buzzfeed, whoever will take em. petra thinks they are the scum of the earth. they are.

act 1

we open with petra on yet another bullshit assignment for her crappy job writing articles about things that don't matter. this one is a profile piece about a local fashion photographer, the mononymous Jeritza, who might be somebody someday and seems to think he already is. leonie was supposed to do the article but she flubbed it by offending Jeritza, who now won't give her the time of day, so shamir asks petra to please step in last-minute. petra's mad, but she gets her hustle on and goes anyway. it's not like she can be too picky with gigs in this economy.

by the time she gets to the shoot, she's late, and Jeritza is throwing a tantrum. the model isn't working out. Jeritza cannot work in these conditions. Jeritza fires the model and is about to freak the fuck out when petra walks in the door. oh, Jeritza says. i can work with you. petra did NOT sign up to be a model, has never wanted to be a model, has no interest in this whatsoever. but let's be real: it is a great angle for the piece. this could get clicks. shares, even. so she does it.

the shoot is a massive success, which is to say Jeritza is delighted with the results, but as it's just for a local streetwear company, the impact on culture is negligible. petra writes her article, which gets some attention due to the very funny portrait it paints of the histrionic artiste that is Jeritza. it's not much buzz, but it's just enough buzz to get shared around in fashion circles—enough for it to wind up in dorothea's inbox, courtesy of manuela. "Thought of you!! XD XD This is so funny!!" manuela writes. dorothea replies "lol" and is about to move on with her day when she decides to give the article a courtesy skim and scrolls down far enough to see the pictures.

oh. who is that model?

a few days later, petra's out at a bar getting drinks with edelgard and bitching about life when she gets a call from an unknown number. she figures it's probably spam, but they leave a voicemail. the transcription mentions it's from a dorothea arnault, whoever that is. edelgard almost shits a brick. DOROTHEA ARNAULT? you need to call her back. right now. petra's like okay jeez, i will. what's the big deal. edelgard facepalms. she forgot that petra doesn't follow fashion even a little bit ("isn't the gucci, like, the area between your butthole and your—?" "no petra it is not"). embarrassing for her, but there's no saving some people.

edelgard briefs her on the arnault situation. dorothea's studio is huge right now. edelgard's family business has been sponsoring some of her recent fashion shows and everybody who's anybody is trying to get an arnault outfit for their next event. while dorothea's very popular on social media, she's very tight-lipped about her private life. a profile on her could be a huge break for petra.

okay, petra thinks, what the fuck, okay. i'll call her back.

dorothea picks up on the fifth ring. uh-oh: she sounds hot.

hel-looo, miss macneary, she says, it's nice of you to pick up the phone. i saw that little article you wrote recently. you're sooooo funny. [her voice is sweet and smooth like butter. she sounds like she's twirling her hair as she talks. she doesn't say how she got petra's number. petra doesn't think to ask.] and those photos of you... my, my. you're quite the looker, aren't you? and you don't even model professionally? that's a terrible shame. you'd do well, you know. i'm in berlin right now but i'll be in enbarr's fashion district on tuesday afternoon. why don't you come by the studio? we're doing a shoot for some designs i'm releasing soon... a secret summer collection. oops, i shouldn't have told you about that, should i? well, i'm sure i can trust you to keep my secret. and maybe i could even trust you to write something nice about me? i think they'd suit you, you know, these new pieces i've got. if you have any interest in trying your hand at modeling again, i'd love to see you in them. 11 o'clock. ciao!

petra gets a handful of words in edgewise. most of them are yes. she keeps her phone held to her ear for too long after dorothea hangs up. she wishes she'd been sober for this conversation. she's not really sure what she just agreed to. she doesn't want to forget the sound of that voice.

she shoots a text to shamir. edelgard buys her a shot the instant she steps back into the bar.

tuesday comes and petra's nervous. she packed and repacked for this. checked twenty-five times that she brought her tape recorder and her good camera. arnault is gonna think that camera's a joke, but it is what it is. she's trying to play it cool, hyping herself up the whole time she's on the train. it's gonna be fine. just keep the tape rolling. write the profile. she doesn't have to model, she can just do what she does best. listen. pay attention. write honestly. move on.

sure.

if petra thought dorothea sounded hot, she's wholly unprepared for how hot she is in person. she's spellbinding. drop-dead gorgeous. positively unreal. and on top of that, she's so charming. she's graceful. smart. funny. flirty. and she keeps touching her—little touches on her hand, her arm. chaste things. friendly things. things that could be accidents.

she's exactly petra's type.

but petra is a journalist with integrity, dammit. she's going to be professional. and to her credit, she is professional. arnault makes it hard, but she manages. she blends in, listens, stays focused, stays out of the way. the model's cute—ingrid something-or-other. she can't remember but she got it on the tape recorder. told petra her instagram handle like six times, too, so she won't have any trouble finding her. the shoot is almost wrapped when dorothea asks if petra would be interested in modeling for her. she's not at all offended when petra politely declines. she poses when petra asks to take her photo for the profile. thanks her for coming out and talking to her. says goodbye with a polite handshake and that dazzling smile. she thinks about that smile and that touch throughout the whole train ride home.

skip ahead to friday. petra is working on the story and transcribing the audio recording when she gets a text from dorothea. so lovely meeting you on tuesday [heart emoji] [kiss emoji] [heart emoji] i know it's last minute, but the final pieces of the summer collection are coming in tomorrow and i think you'll like them for your profile. i'll fly you up tomorrow morning to meet me at my studio in manhattan, unless you're busy, of course~

petra is not busy tomorrow. shamir is considering opening a new style division of their publication.

the flight is the train ride but worse. keep the tape rolling, macneary. listen. pay attention. write honestly. move on.

she's resolute. committed. her resolve doesn't waver even when she gets off the plane, ready to call an uber, and there's a guy in a suit with a sign that says MACNEARY on it. it doesn't waver when the guy stops her and says no, he's not looking for another macneary, he's here for her, courtesy of ms. arnault. it doesn't waver throughout the ride—the chauffeured ride, in a fancy car, just her and the guy—from jfk through the streets of nyc, seeing the skyline she's only ever known from movies and on tv. it doesn't waver when she's escorted into a skyscraper in the garment district and guided up to the floor where ms. arnault is waiting for her.

it wavers when she sees her. when dorothea says her model couldn't make it that day and she could really, really use petra's help, it falls completely.

you can guess how the rest of that trip goes. petra barely remembers it herself. she gets back home to enbarr, trying to recover from the whirlwind week she's had by doing what she does best—working. she can scarcely believe any of it was real. she has to believe it when she gets back to her shithole apartment, sets to the task of transcribing the audio from her tape recorder, and realizes it was rolling the whole time.

the whole time.

and there's absolutely no denying any of it after dorothea sends her the photos for her review.

you look so good in these, she tells petra when she sends her the first photoset. i think you look better out of them, she says when she sends the second.

petra considers her options. considers freaking out. considers not replying. considers moving to australia. she considers and reconsiders and does none of those things.

what she does do is send dorothea the audio recording. dorothea sends her some photos of her own.

they meet up again in LA on the day the profile drops.

act 2

if that first week was a whirlwind, the summer is a hurricane. petra's being lauded for the quality of her profile on dorothea, as well as for being the only member of the press who can get close to ms. arnault. it's borderline scandalous, how she's also modeling the summer line despite not even being a real model. it's a thinly-guised affair—almost completely un-guised when their flirting gets a little too overt during a show in tokyo. who cares. petra's entranced. dorothea takes her everywhere, her personal reporter, lavishing her with gifts, showing her the world. she's keeping her busy between all this travel and all this passion. they go to show after show, shoot after shoot; petra works her ass off, keeping the tape rolling, listening, paying attention. so what if she doesn't have time to answer shamir's texts right away the way she normally would. the website's getting more traffic than it ever has, carried by petra's inside scoop on the world of dorothea arnault. shamir can cut her a break.

and she's surprised by how much she likes dorothea. how much she likes spending time with her. dorothea's all the things petra thought she was: glamorous, bubbly, charismatic. but she's also so brilliant, so hard-working, busting her ass every single day of her life. and she's sweet, too. she lavishes petra with attention, gives her all kinds of little gifts and things—nothing too expensive as to make petra uncomfortable (the jetsetting is bad enough as-is), but small, practical things she actually likes and could use. she asks petra about herself almost as often as petra asks questions about her. it's not petra's job to talk beyond getting the conversation flowing, to put more of herself into the discussion than there needs to be to get dorothea to open up. she's here to listen. to pay attention. write honestly and move on.

but she's finding she doesn't really want to move on.

one night they're hanging out in dorothea's fancy hotel room eating room service and drinking wine when dorothea makes a crack about how little petra knows about fashion. petra admits that she really didn't intend to get into it, that it just kind of happened. that what she really wants to do is investigative work, writing about events, exposing corruption, that sort of thing. no offense to dorothea! it's been fun doing this, don't get her wrong, but she's got goals, other things she wants to do—once dorothea gets tired of her, she jokes. sort of jokes. dorothea laughs. she smiles at her and asks why she wanted to be a journalist.

and petra's honest again. honest like she hasn't been before. she tells her a little about her childhood, her family life. about growing up in brigid (you know, the country on planet earth) and moving to enbarr as a teenager after her father died. seeing her super-smart, brilliant mother and grandfather go from these auspicious jobs in their home country to shitty ones that just barely pay the bills here, all in the name of long-term security. how they taught her to work hard and always act with integrity, no matter what she's doing. she tells her about the struggles of learning a new language, how it made her become a good listener, how she fell in love with writing because it gives her time to think about her words, to express herself the way she wants to. she wanted to be a journalist to speak for those who can't raise their voices loud enough on their own.

dorothea smiles at her the whole time she's talking. petra's not used to being on this side of the table, to being listened to like this. she almost doesn't know how to handle it; she's apologizing, feeling embarrassed for having said so much, but dorothea says don't be sorry. that's beautiful. she's lucky to have such wonderful people in her life who love her and support her. and she likes hearing petra talk.

things are different after that night.

act 3

the start of the Drama Arc. the summer's coming to an end. petra and dorothea are still spending so much time together, jetsetting around the world. petra's working on a piece that's a backstage look at the arnault company's leadup to milan fashion week. the stress is getting Real and the cracks are starting to show. petra's missing deadlines, blowing off shamir, blowing off edelgard, blowing off her family. she's barely in enbarr these days, jetlagged to hell, lost between time zones. her pal bernadetta reaches out and says hey, there's something Big i'm working on that i could use help digging into, can you give me a hand? petra says sure, i'll take a look. she doesn't. she forgets somewhere between london and são paolo.

things are still hot between her and dorothea, but she's starting to see the cracks in her, too. she's getting to see more of her, more of what lies beneath all that glam and bubbly personableness. you don't go from being a nobody to a mogul in your 20s by being nice, and what petra slowly discovers is that dorothea isn't just not nice, she is ruthless. she's nonstop, working her ass off, and anyone who can't keep up with her gets left behind. she hints at her past sometimes: at her shitty childhood, at growing up in poverty, at being orphaned, at having spent years in foster care. but she never opens up. she's 100% focused on the future, and it's all she wants to talk about. dorothea wants to live her dreams, yes, but more importantly, her goal is self-preservation.

petra finds this out when they're at a shoot one day. petra's off to the side, fucking with her piece of shit camera when who storms up to her but ingrid, and she's pissed as shit. she chews petra out. calls her an asshole. says she stole her job. asks what the fuck is wrong with her, doing that while posting her articles, publicly announcing to the world that she never even wanted to be a model. petra's floored. she doesn't even know what she's talking about. she asks ingrid to start over.

that "second date" of theirs in manhattan, way back when? turns out dorothea was telling the truth when she said her model couldn't make it that day. ingrid was supposed to be modeling. she was dorothea's #1 for ages. she'd just come off back-to-back-to-back shoots when she got sick, really sick. stuck-in-shanghai-and-probably-not-going-to-be-able-to-board-a-flight-to-manhattan-tomorrow sick. she told dorothea so, said she'd try her best. dorothea said not to bother and didn't call her again.

it'll happen to you, too, ingrid tells petra, once you aren't useful to her. you're giving her all this press now, but if you ever do anything else, she'll drop you like she drops everyone else.

ingrid storms off, leaving petra standing there, holding her stupid camera. she looks at dorothea, standing across the room, running the show, correcting this and that, getting everything perfect, exactly the way she wants it. petra looks at her and wonders. wonders what would happen if she wrote something dorothea didn't like. if somebody new caught her eye.

they get dinner that night and it's tense. dorothea's stressed. she's carrying on about this and that, talking about the shoot, texting and responding to emails, slamming back glass after glass of wine. petra's quiet, letting her talk. too quiet, apparently, because dorothea eventually takes her head out of her phone and asks her what's up. nothing, petra says, just thinking about everything going on, about the shoot today. dorothea rolls her eyes. i know, she says; on top of everything else, ingrid was there, and she wanted to have a whole conversation with me, like i wasn't busy and like she didn't fuck me over the last time i saw her. she texted me earlier, too. the audacity of this bitch, she gripes, going back into her phone, still mad. a little later into dinner, manuela calls and dorothea answers it; she's bubbly and sweet, all hi how are you omg it's been so long, i miss you, sorry i've just been so busy~ i've gotta go but we'll catch up soon. she hangs up and shoots petra a look. she's so needy, dorothea says, laughing. petra tries to laugh too and can't quite manage.

they're still going everywhere together in the leadup to milan fashion week, and petra's still working on the piece, but she's feeling a little gross and she's quieter than ever. she lets herself believe that maybe it's fine, maybe it's okay, maybe she's not really that cold and ruthless. but then dorothea shows her one day.

everything's been going wrong: there's equipment stuck in customs, marketing materials haven't been delivered from the printers yet, the studio they rented for pre-shoots is double-booked. then a model's late to the shoot and another one is complaining and dorothea is done, so done. she fires them on the spot, gets on the phone and calls two new ones who will get the job done and done without question. petra's quiet. listening. paying attention. keeping the tape rolling as dorothea justifies herself aloud, without prompting. don't judge me, she says. i do what i have to do, and everyone else should, too. i know no one is going to take care of me. i've got no reason to take care of anyone else.

she's a mess all night. angry. stressed. shutting herself off. petra's seen her get like this a few times, but this is the worst it's ever been. she's in her phone all night. practically snaps at petra when she asks if she can help her with anything. shrugs away from petra's touch.

they go to bed and petra barely sleeps. she just lies awake, thinking. thinking about dorothea. thinking about herself. thinking about how she's been blowing off her friends, her family, her boss. thinking about how swept up she's been in all this crazy stuff she doesn't even really care about, putting off her own career. feeling guilty about ingrid. feeling guilty about blowing off shamir and bernadetta. worrying about who she's become around this woman. wondering what happened to her integrity.

fashion week goes great. flawlessly. petra heads back to enbarr afterward. she's almost ready to publish her piece, but she's gotta make up with shamir first. she apologizes. says she's so sorry. sorry for blowing her off. sorry she missed her deadlines. shamir is pretty fucking done with her and has told her as much already, but petra's earnest, and her piece is ready, and she wants to give the girl one more shot. she tells petra alright, i'll forgive you, but i need this piece tonight or we're done. i can't keep waiting on you and your schedule.

okay, petra says, you'll have it tonight.

she's worried. nervous. there's so much on her mind. the piece is ready but it's not going to make dorothea happy. she wants to call her first. she tries and gets her voicemail. tries again. nothing. texts her instead, a few times. hey, she writes, i need to talk to you. call me when you get the chance. it's about the profile. it's important. i'm on a deadline.

nothing. the hours are ticking by. she calls her. texts her. it's really important, dorothea. i need you to talk to me. please.

nothing.

petra's left wondering. wondering what to do. whether she should hit send on this email or hold off. wondering what she wants out of this.

and what is this, anyway? a summer fling? are they dating? girlfriends? they've never put a name on anything. do they have a future? can petra even think about building a future with someone she doesn’t trust to keep her along if she ever should need help? maybe dorothea’s hot and smart and maybe she’s got incredible drive but if she doesn't share petra's values, if she’s not going to be able to live for more than herself, and be true to herself, can petra accept that? does dorothea even know herself well enough to be able to be authentic?

time runs out and petra sends her piece to shamir. dorothea leaves her on read.

the piece is published. it's a huge hit, and not just in fashion circles, because it's a perfect portrait of dorothea arnault, and who doesn't love a biography of a wunderkind. it's honest. it's real. it talks about everything: her light, her darkness, the ups and the downs of being with her. it's raw. personal. revealing. it's all her brilliance and all her evils, captured in the way only someone who really loves her could do.

when it drops, petra expects dorothea to call and rip her a new one. she doesn't expect her not to call at all. but dorothea's radio silent. a few days later, some dickhead paparazzi petra has the misfortune of knowing (hilda and claude) send her a picture of dorothea in LA, running around with some red-headed douche (ferdinand).

sorry, dorothea texts her eventually. i've been soooo busy. i've missed you, but we'll catch up soon.

sure, petra writes, knowing they won't. i'll see you soon, she writes, knowing it's goodbye.

act 4

petra goes back to her career. back to her friends. crashes on edelgard's couch for a while. spends time with her family. starts addressing the connections she fucked up, fixing things with shamir, trying to gain momentum again. despite the profile on dorothea being such a success, it takes a long time for her to get back on her feet. but it's okay, 'cause if she's busy, she doesn't have to think about her.

months go by. every couple of nights, dorothea drafts a text to petra and deletes it.

it's february now, which means new york fashion week is here, and although petra is branching into investigative stuff nowadays, shamir calls in a favor and asks her to help cover it. petra knows she might see dorothea there. knows it’s a risk. decides she’s gonna be so strong and brave, and she can’t really afford to pass it up anyway because it’s a big career opportunity, a chance to revisit fashion after her profile last year. so she goes.

and they see each other. and nothing happens. they don't even say hello.

but that night, when petra’s in her hotel room, spiraling, dorothea calls her. she's in a hotel up the street. she asks petra to come over. for all her sense, her morals, her logic, petra is no more than a lesbian, so she says yes.

they don't talk. they jump right to making out sloppy style and fucking nasty and holy shit, it’s just like it was when they first met: hot and intense and so good, so perfect. except it’s not, it’s not, because this isn’t going to work out no matter how much they want it to, and they both know it. they get into a big fight after dorothea makes a crack about the profile and petra loses it. she puts dorothea on blast for being such a piece of work, saying she can’t ever be with her no matter how much she wants to because dorothea won't ever put someone else first and she’ll never figure out how to be anything other than alone.

then petra drops another bomb. over the past few months, she's made up with bernadetta, and it turns out that the big scoop bernie uncovered is about exploitative business practices a certain scummy fashion company engages in. a certain scummy company that dorothea's company is partnered with. said company's dealings wouldn't get their business partners in legal trouble, but public perception would certainly change. she's been working on an exposé about it. she's going to release it soon. really really soon. like as soon as she gets back to enbarr.

dorothea looks like she's been hit by a truck. she begs petra not to release the story about the company. it’s going to fuck her brand. she'll be ruined. she offers petra whatever she wants. gets nasty, even, defensive. then she fucking breaks. she doesn’t fully open up, but it’s the closest she’s ever come to doing it. she says she's sorry, sorry for hurting her, sorry for shutting her out, sorry she cut and ran like she always does when she might catch feels, when she might be vulnerable for once. she says she's sorry and she asks her please, please, not to release the story.

petra doesn’t give her an answer. she just goes back to her hotel.

once she gets back, she doesn't sleep. she stews for ages, pacing, going back and forth, trying to figure out what to do. act with integrity and drop the story as-is. don’t drop the story and protect the person she cares about, in spite of herself. amend the story so maybe dorothea won’t catch heat...? no, that wouldn’t be acting with integrity either. she can’t win either way.

and dorothea’s having a think, too, which is to say she’s a fucking WRECK. realizing how bad she’s fucked up her life. realizing that petra liked her for her. wanted to get to know her for more than her name and her money and her connections. told her things about herself she didn’t even realize were true. and she hurt her at every single turn. for the first time in her life, she had a chance at something real with a good person who really loved her and she fucking blew it. there’s so much dissonance as she tries to defend her own actions to herself and can’t because petra’s wormed her way into her head, the only person who ever Really questioned her, the only person who ever made her question.

she's always figured things out alone. she's always had to figure things out alone. this time, though, dorothea's not sure she can handle it. so she does the only thing she can think to do: she goes to manuela with her tail between her legs. manuela's a little pissy at first as dorothea's been blowing her off for a while now, but she's also worried, because dorothea has never come to her like this. not once. and she's offered for her to, a lot.

when manuela hugs her, dorothea breaks. she ugly-cries into manuela's arms. tells her how bad she's fucked up. how much she hates herself. how sorry she is for being a dickhead when manuela's only ever wanted to be there for her. manuela comforts her. chastises her for being an asshole, yeah, but shores her up, too. tells her if she's really sorry, she'll figure out how to change. tells her that she's there for her, and she'll keep being there for her, so long as she tries. dorothea's blown away. she thought she'd lost her shot at having love in her life, but she was too blind to see there are other types of love she's been shutting herself away from, too.

dorothea leaves manuela's, still feeling like shit, but with plans to get lunch or at least call each week, and with the promise that she's going to do better, be better.

she makes an effort, too. she cuts ties with the skunks. changes her business practices. starts being more charitable, less ruthless, less aggressive. it’s a slog and it sucks and she’s bad at it but fuck she’s going to try. even if petra never takes her back, even if petra just thinks dorothea’s trying to cover her own ass again and protect herself from the impact of the story, it doesn’t matter. she’s going to be better. she’s going to try to do things right, because someone believed in her, someone thought she could be better. and she’d never thought so highly of herself, never thought she could be more until petra came into her life and saw the potential in her.

petra releases the story a week or so later, unrevised. she texts dorothea before she does. says she’s sorry. dorothea says it’s alright. she understands.

the story drops and it’s a clusterfuck. an absolute PR disaster. the scummy company folds overnight. a bunch of related fashion companies, including dorothea’s, are in huge hot water. dorothea’s on the press circuit, doing damage control. petra’s watching an interview with her, listening to her spouting off her PR beats. fully expecting dorothea is going to deny everything, throw everyone she can under the bus to keep her shit afloat. so she just about has a heart attack when dorothea admits she’s fucked up. admits she made the wrong decisions, did stuff she knew was scummy. takes accountability. is honest for once. honest in a way petra didn’t think was even possible for her.

dorothea outlines her plans for how she’s going to be better, the changes her company’s making, how things are going to be different. says she’s making a commitment. if it all folds, so be it. at least she’ll be able to sleep at night.

because capitalism is the way it is, the company doesn’t go under. they’re in the red for a while and the "Controversies" section of her wikipedia page is now significantly longer, but the news cycle goes on and consumers forget and a few months later, pieces from dorothea’s summer line are all the rage with the kids on tiktok. petra’s more than a little bitter about it, but mostly she doesn’t give it any thought. she did her part. wrote honestly. spoke the truth. kept her integrity. she’s become a big name since that scoop, too, with her career really taking off. she's writing books and shit, appearing on tv, what have you, doing the investigative work she's always dreamed of doing.

she’s in london one night on the final leg of a press tour, sitting in her hotel room, when she gets a call.

it’s dorothea. she’s in london too. would petra like to get brunch tomorrow?

yeah she would. bitch loves a mimosa.

they get brunch and it’s tense. they try small talk but don’t really know what to talk about. dorothea makes it more awkward by cracking a joke about petra writing an article about her after this brunch and petra only kind of laughs.

but then dorothea apologizes. earnest. honest. like she’s never been with petra. tells her she’s sorry. tells her how she changed her life and made her think about herself differently, made her think she could be a better person. made her Want to be a better person. convinced her it’d be worthwhile to try. and she has. she’s made so many steps since they last saw each other. doing better. living kinder. living true. says she doesn’t expect anything from petra at all. just wanted to say sorry, and thank you for seeing the best in me.

petra says you’re welcome.

dorothea pays for brunch and they go their separate ways. dorothea holds it together until she gets to her hotel room and then she loses it, bawling her eyes out like she has never ever done, like she’s never let herself do. but it’s okay. she loves petra, that hot journo with the cute accent and more morals than sense, but dorothea knows she doesn’t deserve her, and she’s going to be okay with that. she’s going to live better anyway, for herself, because she’s worth it.

act 5

a year and a half goes by before dorothea and petra run into each other at a formal Thing. they talk, cordial, business-like, just catching up. dorothea makes a crack about the tmz photos of petra with three or four different high-profile supposed gfs over the past year and a half, calling her a heartbreaker. petra laughs, a real laugh. says dorothea's one to talk. asks if she's been keeping up with her? how often does she google her? dorothea says she does it more often than she'd like to admit. petra blushes, laughs again, flattered.

she asks if dorothea's been breaking more hearts lately herself and dorothea says nah. she's been focusing on her business. she's got this non-profit going now too, and it's been taking off. just landed some pretty big investments that will bring arts programs to schools that don't have funding for them. she looks proud of this. she is. she's actually spending more time doing that these days than her fashion stuff, which makes her a little sad, but it's not so bad because it's given her a bit of a mystique: the designer whose work was once Everywhere, now dropping limited release lines every few seasons instead of keeping up with the fast fashion whirlwind. it's different but it's good. she likes it. she's happy.

petra says she's glad to hear that. that she's happy for her. makes a reference to the new line dorothea's rumored to be dropping this fall. dorothea's eyes almost pop out of her head. you know about that? yeah, petra says, i google you. she's known about the non-profit, about everything dorothea's been telling her about. she's a journalist. she likes knowing things. but she likes knowing about her. knowing that she's doing well. and it's really good now, knowing that she's happy. she tells dorothea she's happy for her. that she's proud of her. that she knew she could do it.

dorothea doesn't cry. just says thank you. she gets called away by somebody else, and petra does too, pulled in the opposite direction. dorothea thinks about hugging her first. almost touches her hand. elects not to. says it was good to see her. then they're both whirled elsewhere and they don't see each other again.

but that night when dorothea's in her hotel, she gets a text. it's from petra. would she like to get coffee tomorrow?

FIN

[enhanced-operatives-division]

Greetings Starstruck enjoyers, I bring a fic that has been brewing in my head on and off for a couple months, hope you enjoy :]

[a-shadowedvales]

when jane's powers return in season four (and because they were regained by her confronting and accepting her past, rather than being retraumatised with it!) they're stronger than they ever were. when she starts getting a handle back on them, she very quickly comes to realise not only have they affected her, but her mother, too. one of the biggest losses that came about with her losing them was the fact that she could no longer visit terry in the void; while there was no real communication there, it did allow jane to sit with her, and gain a little more connection than she could in the real world. when she first visits the void after their return, it takes her three hours to find terry, something that is both unexpected and incredibly worrying. but when she does, it's something of a miracle. jane's increased strength and control over the void actually wakes terry up from her catatonic state, but only in the void. there's no way to help her mother physically, but she does do so (unbeknownst to her) mentally. terry is reborn in jane's newfound control over the vale of shadows; she becomes the woman she once was, and while her body remains frozen in a "good dream", her mind connected to jane's own allows her some freedom. jane is able to speak to her mother in the void, is able to be held by her, and while it's still unfair and jane cannot stay in there forever, it's something. this only lasts for about eight months, as each visit slowly begins deteriorating terry's physical and mental state, and jane's health begins declining after spending hours upon hours in the void each and every day.

when jane finds out these visits are actually killing her mother on the outside, she deems to stop, but terry expresses the importance of them being able to speak, that she'd prefer to die on the outside, if it meant she could have just a few months with her daughter like this. terry and jane's connection was always so strong, which ultimately led to terry "waking up" in the void, but even jane's newfound strength cannot save her from the harsh realities. each visit nearing the end of those eight months, terry fades more and more, becomes weaker in the void, and her real body eventually gives up. jane's in the void when her mother eventually passes on, and physically feels their connection weaken, like some part of her suddenly becomes lost in the shadows, a part she'll never find again. jane falls into a depressive state for weeks after her mother's death, given she's technically lost her a second time, but soon comes to realise she was lucky to have even shared those eight months together. it was better than nothing at all. there is a proper burial and funeral, (and when jane dies, she's buried next to her mother) which allows jane some sense of closure. she never fully recovers from losing terry, nor from the fact that she never had a proper relationship with her, but she does eventually find some peace with it all.

[thaliagrayce]

Errand Boy, Assistant, Ambassador

Link: ao3 Pairing: Jason Grace/Nico di Angelo Fandom: Percy Jackson & the Olympians Tags: Pre-Relationship, Role Reversal, Ambassador of Pluto!Jason Grace, Champion of Hera!Nico di Angelo

Word Count: 7,835

Summary:

“Woah!” The other boy righted him and patted his shoulder. “Careful, you might…” The end of his sentence trailed off into nothing as he caught sight of the glower Nico was sending his way. He looked way too normal to be in a place like this. He had blond hair that looked like it was supposed to be short, but had been forgotten about for a while. His eyes were so blue they were almost electric, and they were getting wider and wider as he stared. Nico almost looked behind him to see if there was anything more interesting than a scrawny and hopelessly lost half-blood, but didn’t have time to get too confused. “Nico di Angelo,” the boy whispered.

(or; the first few meetings of Nico di Angelo, Champion of Hera, and Jason Grace, Ambassador of Hades.)

Hey y'all! I know I usually put the content of the fic itself here, but this one is a little long for tumblr, so it's just the link to ao3. Happy Jasico Bingo month! I hope you like it :3c

[starbuck]

“bro, SHOULD we?”

[rainofthetwilight]

alright so ive decided the first three chapters of as the years pass by are getting rewritten!!

updates with each will be slow, but ill try to somehow release them all at once to not confuse things since there are some things i need to add, plus i realized how i wasnt actually focusing on jenna and ethan properly so yeah a rewrite here we come lmao

[polkadotpatterson]

Sappy end-of-year-and-start-of-new-one post incoming! tl;dr life is so good now and I wish you all the same amount of happiness I feel <3

2022 was, no contest, the best year of my life, and it came after what was in many ways the worst year of my life. I never really let it show here, but I was barely a functional person in 2021. My physical and mental health were at their absolute lowest, and looking back I’m astonished I was able to get as many fics out as I did. Blaseball did so much to pull me through that year, from talking with the friends I made to pouring my emotions into writing to listening to garages songs that deeply resonated with me, and I’m grateful for all of it.

Things started turning around at the end of the year, and I went into 2022 cautiously optimistic. I started getting diagnoses and treatments, and went from miserable medical mystery to… functional person! I left an online community that was causing me too much stress, gained self-confidence and the brain energy for more introspection, figured out I’m aroace, and just in general feel like I understand myself a lot better now. Apparently it’s legal and normal to be this happy, and this is how people are supposed to feel! Who would have thought? Still sounds fake sometimes, but I’m sure not complaining. 

Ironically, with more energy I got less writing done, but I’m okay with that. I’ve gone from “gotta get words out everyone has to see my words” to just vibing. I still love writing and it’s still what I want to do forever, but I’m less concerned about doing it as an Actual Job someday, because there’s a lot more to look forward to in my life.

Plus, I still wrote some pretty cool stuff! Me and the blesties did a super awesome zine together and I’m so proud of us, so go check out The Salt if you haven’t already!

And I got cats! Kiki and Jasper are my sweet beloved children and they’ve been such wonderful additions to the family. The house felt so empty without cats, and having these two around has done so much to help heal my heart. I love them dearly, even though I worry about them; they had a rough start to life and they might never be fully free from health problems, but even just a little time with them has been a blessing.

2022 has been my year of feeling just so incredibly happy and loved, and it was already the best year of my life even before the latest development! Because now I also have a partner, and our relationship has been even more wonderful than I could have ever imagined. Blaseball has given me a wonderful qpp in @mossy-kit​ and a wonderful blest friend in @kosmosxipo​ and a wonderful group of other talented writers who are also very cool people, and a wonderful group of Moist people to hang out in our brand new server with and get to know better and play games with! (If I’ve ever interacted with you, you are probably included in this list. Hi blesties.) I just. Man. I am so unbelievably grateful.

I hope everyone’s 2023, and every year afterwards, is as good as my 2022, because we all deserve it. If this was a rough year for you, know that the next one can always be better. It was for me! I spent so long believing things wouldn’t get better, and life proved me wrong. To quote my favourite blaseball song on this beautiful Sun 2 Sunday: Start to believe in getting by. 

And then, start to believe in so much more! Life can be so, so wonderful. May the new year be kind to us all <3

[todayisafridaynight]

ORHGH YOU'RE SO RIGHT THE SEGA CARNIVAL LEVELS OF SONIC RIDERS HIT SO HARD they're so fun and cool and colorful and I love them 😭 anyway I remember idling in Yakuza 5 and looking at my phone for a bit while standing in a bar as Saejima and my head SNAPPED up when I heard Dreams Of An Absolution play in the bar because I was like SILVER THE HEDGEHOG'S THEME FROM SONIC 06??? (I was a Sonic kid growing up fjdjdk)

SONIC KIDS UNITE OH MY GODDDDD SIMILAR REACTION THO !!!!! I FORGET WHEN I REALIZED IT EXACTLY BUT I WALKED INTO THE STORE AS KIRYU AND THE SECOND I HEARD DREAMS OF AN ABSOLUTION I SCREAMED AND JUST STOOD LISTENING TO IT WITH A STUPID GRIN ON MY FACE (i also stood around Way Too Long Than What Was Appropriate when playing YK1 cause i just kept looking at the sonic displays in the sega arcade....) like oh my god......... THAT song that everyone memed on for a good half decade in MY yakuza game ??? i love you..

BUT YAYAYAYA I LOOOVVE THE CARNIVAL LEVELS SO MUCH THE MUSIC IS SO FUN TOO when i was growing up For Some Reason i had an allergy to just. Maintaining Save Files (im lying its cause we had like three memory cards and i wanted to keep makin animal crossing towns but you need A Whole Memory Card for one town) because i kept deleting my saves over and over HOWEVER the benefit to this is that i'd always be excited to do the grand prix and unlock the carnival levels

GENUINELY SO WORTH IT theyre so fun and cute and have SO MUCH LOVE for the other sega ips !!!!!!!

[tequatls-favorite-spoon]

[@sunsrefuge] Re: your tags about Onyx & Aurene; it sounds like their relationship develops very slowly but interestingly!! reading your tags on Onyx’s conflicted feelings about her being a dragon but also so innocent was a super good read!! <3

would you maybe wanna share more on how their relationship develops over the course of the story?? 👉👈 Are there any moments you’ve written in for them to bond extra??

AH TYYYYY!!! i love thinking about onyx and aurene i love them sm

ok so ngl, i kinda. just came up with that stuff? like, as i was typing on that post lol. but anyway, i do have more thoughts to ramble about!!!

so first off i think onyx’s caution comes from her having seen the worst of the dragons so far. so many people died to mordremoth and zhaitan, and so she’s determined to destroy every last one, both as revenge and bc she’s lost people close to her, with trahearne being INCREDIBLY recent. (onyx was in love with him and i haven’t decided if they got together before he died) she doesn’t want anyone else to go through what she has.

so she has a lot of reservations and is currently going thru a lot, but also aurene is just a baby! she’s so little and curious and sweet, and onyx doesn’t really know what to think at first. like i think she was surprised when aurene hatched that she was so… little. so fragile. so innocent. mordremoth’s magic caused her to hatch, but how can something that’s so small be just like the monsters she’s faced?

she isnt like mean to her tho. she treats her like, cordially at first, bc she knows that having aurene on their side is good practically and strategically, but then she gets Attached. having the telepathic connection helped a lot too! i think onyx could feel aurene’s general emotions a lot, like when she was having fun or how much she cared about onyx

i think onyx stopped by to see aurene more than in canon? like i’m pretty sure you only go to do the tests and stuff in game, but i think onyx liked to go and just. be there with aurene. like holding her in her lap as aurene slept and stuff. she probably said that she wanted to keep a close eye on her just in case, but i think she used a lot of this time to process trahearne tbh.. she’d sit there petting aurene, and just thinking. (probably also crying tbh)

it didn’t take very long for onyx to think of herself and aurene as mother and daughter. like i think she realized that she felt that way before pof. but i don’t think that onyx has like. verbalized that to aurene? like i think aurene kinda knows cuz of the whole mental link thing, but i think onyx doesn’t want to overstep. like, glint is aurenes mom! absolutely! but. she didn’t get to raise her, onyx did. but at the same time, she doesn’t want aurene to like. forget glint? (kinda a side note, but now i’m just thinking about caithe telling aurene about glint and agh my heart ;-;)

still, onyx feels like aurene and her are family, no matter what. now, i haven’t actually finished eod yet (i am on the last bit i know i should just finish it but also i changed onyx’s hair to look accurate while i finally play lws1 and i don’t want to use my statuettes on more hair kits :/ ) but! i’ve seen some of aurene and soo-won’s dialogue after the dragons end meta! and i think aurene feels lonely? cuz she’s the last elder dragon, the last of her kind. onyx’s heart breaks when she feels that from aurene. because she can imagine how painful that must be! (and also feel it from aurene…) but at the same time, i think onyx is going to want to sit down with aurene for a bit, maybe hold her head in her lap as best she can, and tell her that she will never be alone as long as onyx can help it. onyx and caithe are her moms and they love her! and onyx really wants aurene to know that!!! she may be big and sparkly and powerful now, but she’s still onyx’s baby, her daughter, and onyx will do whatever she can to be there for her.

[piratefalls]

so for ~research purposes~ i went and looked at the notes of posts i've saved (and also reblogged, i just like to reread/rewatch things too) that have a lot of notes, and the reblog to like ratios are insane. like i've saved one post that has almost 7k notes, but only 2k of those are reblogs. another just shy of 1k total, only 255 of them reblogs. one at 66k total, 25k reblogs.

it's a wonder anything shows up on my dash with ratios like that.

[iknityounot]

(Long post, sorry y'all)

A little more than two years ago now, my grandmother passed away. She and my grandpa had moved down to my home town a few years before so we could take care of them. I brought them groceries once a week, helped them write checks, fixed tvs, and found lost things. I was really close with my grandma.

In addition to her hilarious personality and dry wit, one of my favorite things about her was that she was a painter and a crafter like me! She used to crochet, and I took her to the craft store a couple of times so she could get more yarn and books on crochet. But her arthritis and the shaking in her hands kept getting worse, so she eventually had to stop.

She kept her most recent project, a granny square blanket, safely packed away in a plastic bin. She told all of us she was going to finish it one day.

Her hands never got better, and when she got sick, and we found out it was cancer, she rapidly deteriorated.

After she passed, I went to work helping my mom clean out my grandparents apartment so we could move my grandpa in with her. In our frantic cleaning, I found that bin again:

DOZENS of granny squares, dozens of half used skeins. I asked my mom what she wanted me to do with it, and she said she didn't care. I set it aside and later took it home.

Maybe a month later, that tumblr post about the Loose Ends Project was going around. It felt like a sign--I was never going to learn to crochet in order to finish my grandmother's blanket. But they might be able to help!

So I filled out the interest form. They got back to me SUPER quick. And maybe 2 weeks later, I was paired with volunteer in my state (only 2 hours away!) and the box of yarn, granny squares, and my grandmother's crochet hook were in the mail. That was at the end of January this year.

Over the next couple of months, my "finisher" emailed me regular updates on her progress, and asked me questions on my preferences for how she constructed the final blanket.

At the end of August, the blanket was done!

I had always intended the blanket to be a gift for my mother. So I cleaned it up, put it in the only bag I had big enough to fit it, and drove to my mom's. I gave the blanket to her and she was gobsmacked. I explained to her all about Loose Ends, and how someone volunteered to finish the piece for us. She was speechless. (I was quite pleased with this, because I am not the best at giving gifts, so this was a pretty exciting reaction!)

She said that it was the most thoughtful gift she had ever been given. She said "your grandma would love this". To which I replied, "yeah, I know she really wanted to finish it a couple of years ago". But that was when my mom dropped the bomb of a century on me--she told me that my grandma had started making those granny squares OVER 30 YEARS AGO. She had started the blanket when my grandpa was staying in the hospital, but that was back when my mom was younger than I am now! My grandma had packed them all away, planning on finishing it, when my grandpa was sent home from the hospital. Then it went from house to house, from condo in Chicago to their apartment in my hometown. All that time and my grandma had wanted to finish it, but couldn't. First because she was busy, then because she forgot how to do it, then because of her arthritis, and then because of the cancer. My mom said she had given up on expecting my grandma to finish it. 

She said I brought a piece of her childhood with her mom out of the past.

And really, all of this is to say, if you have seen or heard about the Loose Ends Project and have an uncompleted project or piece from a loved one who has passed away--these are your people. They were so kind and treated my project with such care. That box probably would have been found by my own grandkids one day if I hadn't heard about Loose Ends.

Five stars, absolutely worth it!

(From what I understand, you can sign up to volunteer too! If you have time to share, it might be worth checking out!)

[seiwas]

omg i ran out of tags 😭 sorry for being so extra op 😭

but i just!! love the development he's had and how he no longer thinks about just himself and is starting to think about a life with you 🥺

your pacing in the bits that say 'he's so in love with you' and 'he likes you so so much' is immaculate!!!! truly felt that deep in my core and idk how you do it 😭 your writing truly has Magic!!!

and the end bit!! with october and the ring 😭 it just brings me back to their conversation: 'why grow something you're going to let go of' (or smth) and how maybe he's an answer to that :--( that!! the love has grown and both of them will have to let go but!! the fact is that the love has grown!! and it's there!! and it's the journey to that 🥺 idk i could be rambling but!!

op!! this is just truly!! thank you for writing this 🥺 i don't even know how to fully express how much i love your works!! i'll be thinking about this for a while, just like i think about all the other works of you're i've loved for a while 🥹

pairing : nanami kento/reader

rating : M tags : Strangers to Lovers, the butterflies are a metaphor, Caretaker Nanami, stalking mention, Soft Nanami Kento, vanilla sex, Nanami is a closet romantic i stand by that, bonding over reading and not talking about feelings

summary:

this never factored into his plan; meeting you is completely incidental. then again, isn't everything?

chaos theory (wc 4500) - ao3 mirror

[sincerelyneo]

could i request a mark smut 😣😣 where reader and mark just had an intense argument but in the end, they cant be mad at each other for long so they just fck it out of each other 🤐🤐🤐🤐

mad at you | l.mk

“then i try to leave, but baby i just can’t stay mad at you”

💿now playing: mad at you by why don’t we

❯ summary: Mark learns that you’ve made a ‘selfish’ decision that’s bound to put a strain on your relationship. Next thing you know, you're knee-deep in an argument that somehow ends with you sprawled out beneath him; because, let’s be honest, he’s never really been any good at staying mad at you.

❯ pairings: idol!mark x fem!reader

❯ genre: angst, smut, established relationship, make up sex

❯ words: 4.3k

❯ tags: 18+ minors dni!, lots of arguing, swearing, reader is lowkey dramatic, makeup sex, unprotected sex (don't do this!), nipple play, dry humping, brief clit play, slight needy mark bc i can't help myself, creampie, reader uses she/her pronouns, reader and mark argue and resolve it by fucking.

an: i love writing angsty arguments (testament to my real relationships lol) so thank you so much for this request. it lowkey brought me out of writer’s block.

The honeymoon stage lasts approximately thirty months or two and a half years – which would make sense considering you and Mark were approaching your third year together and have argued more recently than you ever had. 

But this time it’s different. You’ve never seen Mark like this, so angry that his face is bordering red and his jaw ticks so hard it might crack as the both of you drive in complete silence from your work dinner. He doesn’t even bother sneaking his usual glances at you when he pulls up at stoplights, the hand he likes to place on your thigh is gripping the wheel instead, and the only noise in the car is his rugged and frustrated exhales. 

You could feign ignorance about why he's upset, but you know the reason all too well. And while a part of you acknowledges his right to be angry, another, more prideful part, resists the idea of apologising, especially when you think his reaction seems so disproportionate to your mistake.

So you sit in the passenger seat, arms crossed and body frozen, contributing to the cold silence settling between the two of you. You prepare yourself for the earful of a lecture you’re about to get when he pulls up outside your shared apartment. 

He parks the car, slams the door shut, and strides towards your building without a backward glance. You scoff at his pettiness; he's never been so angry that he wouldn't at least wait for you to get out of the car with him. He doesn't even slow down when you trail behind. And when he nearly lets the elevator doors close without you, any chance he has of receiving an apology from you flies out the window, you think. 

He does, however, show some decency by leaving the front door open for you as you both step out of the elevator and head towards your apartment – how chivalrous. 

The chivalry doesn’t last long because the minute he hears you clasp the door shut, he’s glaring at you, arms crossed tightly over his chest, and you can't help but notice that he's rolled up the sleeves of his dress shirt in frustration. If he weren't on the brink of yelling at you, you'd be tempted to make him do more than just roll up those sleeves — you'd want the fabric torn off and thrown on the floor in an instant.

“Paris, Y/N?!” Mark seethes, voice deep and uneven. “You signed a fucking contract to work in Paris?!?”

You pause, attempting to gather your thoughts, but the momentary silence doesn't offer much clarity. Eventually, you settle on, "It's just a six-month gig..." – a statement that seems to send him into a frenzy. 

“Just six months?” He rubs his jaw repeatedly in disbelief, “That’s six months that we won’t get to see each other, did you even think about that huh?”

You scoff, “You’re one to talk, need I remind you that your job takes you away from me for months at a time.”

"That's not fair," he protests. "You knew exactly what you were getting into when you agreed to date me. I didn’t agree to not seeing my girlfriend for months because she’s gallivanting away in Paris without me."

Your eyes narrow and your nostrils flare, “So what? If you would have known, you wouldn’t have wanted to be my boyfriend?”

His eyes widen and he shakes his head. His hands fly to his hair and he tugs at the strands as he huffs out a breath. 

“How the fuck did you get that conclusion from what I said?” He asks, voice sounding baffled. “The reason I’m so mad is because I like being your boyfriend, but I’m not going to see you for the next six months.”

“You’re being a hypocrite right now.”

He rolls his eyes and scoffs, “Right, because I’m always the one being unreasonable.”

“Yes, you are,” you scorn, “This job is my dream, don’t you see how selfish you're being?”

“I’m selfish?” He gasps, “That’s rich considering you didn’t even consult me when making this decision, I had to find out from your smug little co-worker in front of everyone. You were thinking solely about yourself, Y/N.”

You're on the verge of screaming. How is he not seeing things from your perspective? He's usually so understanding, so open to hearing your side. But the razor-sharp look in his eyes tells you that there's no getting through to him. He's convinced you're wrong, and nothing will change his mind.

“It’s for my job, Mark,” you cross your arms and shrug. 

“And how many times have I told you that you don’t need to work? How many times do I need to tell you I can look after the both of us?”

“And how many times have I told you that I don’t want that? I don’t want to have to always rely on you!” You snap. 

Your teeth grit as the words spit out of your mouth. They seem to hit Mark, deep, his eyes softening for a fleeting moment before sharpening again. He swallows thickly and blinks before running a hand through his hair. 

“Then what are we doing, Y/N?” He asks deflated, “What are we if you don’t want to rely on me?”

You're not sure what compels you to say it – whether it's the way you're all worked up, the entire context of the argument, or some inner recognition that you're the one who's fucked up this time despite you both having stuff to apologise for. Still, you escalate the situation from zero to one hundred without a second thought. 

“Oh, so you want to break up?”

He shakes his head and tongues the inside of his cheek, “When did I say that?!”

The fight only gets worse after that, the two of you blowing up after every sentence. You run around in circles, throwing accusations and insults at each other to the point the original premise of the argument is lost along the way of a thousand new arguments. It’s like every little thing you’ve both done to irk each other over the last month is brought up; and by the end of it, the two of you swear you’re done with each other. 

Sure, you've had your fair share of arguments, but the biting finality of the word "done" as it leaves his lips sends a sharp pang through your stomach – it hurts like hell. You've reached your limit with this endless cycle of back-and-forth; you've had enough of him. Storming past him, you head towards your shared bedroom.

Mark sighs and reaches out for your arm, but you pull away. He doesn't like this, doesn't like the chilliness he feels from you. He doesn't want to end the argument like this; it's never gone this far without a resolution before.

“You can’t just storm away when we argue Y/N, it’s childish.”

“If you don’t like it then leave!” You slam the door shut after you and lock it. 

Mark hates this more, not being able to talk this out because you’ve put a wall between the two of you. Then your words register in his mind and he’s the most hurt he’s ever felt. You want him to leave. Fuck that, he thinks. He’s not going to watch his relationship go down the drain over a petty argument. 

He knocks on the door a few times, then jiggles the doorknob, calling out your name and pleading for you to let him in. But you remain unmoved, denying him even the satisfaction of hearing your voice telling him to go away. This only adds to his frustration. He's the one you've upset, and yet here he is, begging for you to open up so he can fix things.

After a few more tries he scoffs, your words echoing in his mind once more. Leave. It crosses his mind as he makes his way to the front door of the apartment. He swings it open, ready to clear his head and crash at Johnny's for the night. But just as he's about to step out, he catches sight of a picture of the two of you on the coffee table where he keeps his keys. 

It’s from your honeymoon phase when it was easier for the two of you to say you’d never let anything come between you – when love seemed to blind you both. Mark picks up the photo, memories flooding back to the day it was taken. It was the day you met his parents and shared your aspirations of becoming a fashion designer. You reassured them that you had your own dreams and weren't just with their son for his wealth – though his parents wouldn't have minded either way; they would have been content with any girl that made their son happy. And you made Mark happy – you make Mark so fucking happy. 

Which is why he can’t believe he’s even considering leaving you in this apartment on your own after a fight. He shuts the front door and makes his way to the couch. He's eager to resolve things with you now, but both of you are too caught up in emotions, spouting shit you'll likely regret in the morning. So he opts to grab a few sofa pillows and a blanket from the storage closet instead. He strips down from his dress shirt and pants, throwing them to the floor before lying back and resting his eyes with a heavy mind.

Regret doesn't hit you until 2:00 am the following morning, when you're met with the chill of an empty space beside you as you reach out to cuddle your boyfriend, only to find him absent. Sure you thought he was overreacting to the news, but you're also painfully aware that your own words were uncalled for. You shouldn’t have asked him to leave – you didn’t want him to. 

As you heard the front door open and then close with a clink, a thick lump formed in your throat. The realisation that you had driven him away hit you hard, and you lost all motivation. You lay on your bed, makeup still intact, as you sniffled and sobbed quietly into your pillow. And even now, after tossing and turning from your mind running laps, you’d only managed to sleep for a few minutes. 

You stretch your stiff legs and reluctantly leave your bed, unlocking your bedroom door with sleepy eyes. You're taken aback when you see Mark sleeping soundly on the sofa, his breath steady with his eyes closed. You thought he had left, but there he is, covered only by the blanket from the storage closet. It breaks your heart to see him like this; he's likely cold, and he'll probably have a stiff neck in the morning for practice. And you know it's all your fault.

The guilt eats away at you, and without hesitation, you rush to the bedroom to grab his pillows and an extra blanket. Realistically, you should wake him up and insist he sleeps in bed, but the fear of his lingering anger keeps you from doing so. Instead, you kneel in front of him, attempting to swap the sofa pillows for his own bed pillows.

However, your efforts prove futile because Mark is a light sleeper – a detail you foolishly overlooked in your worried state of mind. He blinks as he wakes up once, then twice, appearing confused to find you in front of him in the living room instead of beside him in bed.

“Baby?” He whispers, his eyes hazy as he tries to make sense of what you're doing. It doesn’t take him long once he spots the sofa cushion in your hand to put the pieces together.  

You bite your lip and sigh, “I know you're mad at me, but I didn’t want you to wake up stiff in the morning.”

Mark's chest constricts. How could he possibly stay mad at you when you're so cute, fussing over him like this? He notices the smudge of black makeup beneath your eye, and his heart tightens once more – this time with sadness rather than affection.

His hand reaches out to touch your cheek, and you’re shocked at the touch. “You’ve been crying?” He asks and you bow your head. 

"I thought you left..."

Mark wants to laugh at the irony. You asked him to leave, and yet here you are, upset at the idea of his departure. He swears if he weren't so in love with you, he'd rant about how much you mess with his head, pushing him to the edge only to pull him back again.

“Would never leave you, baby, you know that,” his voice is soft and comforting as the rough edge of his fingertips finds your jaw. 

You can't control it; tears fall freely from your eyes. He's being incredibly considerate and gentle with you, even after you acted like a bitch. Honestly, you almost wish he'd just yell at you instead. But he doesn’t, his eyes widen and he immediately sits up straight letting the blanket fall to the floor as he pulls you up to sit on his lap. 

He shushes you, his hands finding your waist where he rubs soothing soft circles into the fabric of your tank top, “Hey, why are you crying? I’m here…please don’t get upset, Y/N.”

His kindness only amplifies your guilt. 

"I'm so sorry," you stifle in short sobs, your voice almost cracking. "I should've talked to you about the job offer before signing the contract... I-I didn't mean to act so selfishly. I just... I wasn't thinking."

Mark gives you a half-smile as he runs a hand through your hair. "It's okay, baby... You got caught up in your dream. I'm sorry for not realising that. I'm the one being selfish by always expecting you to put me first."

"No—"

He interrupts you to continue his apology. "You were right, you know. I always expect you to wait for me while I'm on tour. I never considered it from the other side, with me waiting for you... But I will. I'll wait because I know how much this job means to you."

Your face buries itself in the crook of his neck as you cry even harder, and he tuts gently while rubbing your back.

"Please don’t cry, Y/N," he murmurs softly. "I hate seeing you upset."

"Can’t help it," you muffle. "I hate that I upset you…"

Mark pulls you away from his neck, needing to look into your eyes as he speaks. "It's normal for couples to argue, baby. We just need to promise to communicate better, okay?"

His fingers stroke your cheeks again, and you lean into his touch. The warmth of his hand feels so comforting as if he was made to soothe your skin, the only person capable of bringing you relief. You bite your lip and nod against his palm, because you're more than willing to work on your communication if it means never feeling like this again.

"Now, give me a smile. You know, the pretty one I like," he says with a laugh. "If I'm not going to see you for the next six months, I don’t want one of our last moments together to be so... sad."

You smile at him and press your forehead against his with a whisper. "Me neither.”

You’re so close to each other that you’re practically sharing the same breath, if you had said that two hours ago you wouldn’t have believed yourself. But here you are, lips so close that your heavy breathing practically begs him to kiss you.

Mark feels it too, so when he does, it's like the softness of his lips is a bandage, mending the angry tension between the two of you. It patches up the last few hours that have transpired, and when he pulls away, it feels as if nothing even happened.

His hands grip your hips firmly, his fingers pressing down as he guides your body to grind against his clothed crotch. His lips find yours again, accompanied by a groan that escapes into your mouth. It's only when you feel him harden beneath you that you remember he was half-naked on the sofa – clearly after you locked him out of the bedroom.

Suddenly feeling suffocated by your own clothes, you pull away from him to strip off your tank top, tossing it over your head before discarding it somewhere in the living room. You yearn to meet his lips again – the only place you truly feel safe – but Mark wants to savour the way you look. Your clothed cunt eagerly grinding against his hard-on, hips chasing a high so eagerly that your bra strap has slid loosely down your arm.

You're a vision, Mark thinks, one that has him salivating and desperate to fuck you. He almost curses at himself for nearly ruining it all, for nearly walking out on the most beautiful person on the planet, the best sex he's ever had – and not only that but also the funniest, sweetest person he knows he'll ever meet.

He leans into your neck, his nose nuzzling into you as he whispers softly, "I'm sorry... so sorry, Y/N." His hand leaves your hips to cup your breast over your bra, massaging the mound with just enough pressure to elicit soft moans from your lips.

“‘s okay,” you whimper. 

Your head falls back as his hand snakes around to unclasp it. He wastes no time brushing his intrusive fingers down your chest, wearing a filthy smirk because he knows just how sensitive you are there. The tip of his finger circles around your nipple until he’s right in the centre, feeling it harden under his touch. He pinches it, and you jolt forward on his cock, making his boxers tighten, and he groans.

He loves how responsive you were to him, watching you writhe over him as he touched you in torturous pleasure. Just the way you arch your back into his touch has pre-cum leaking out of his cock. 

He leans in this time, sucking on your nipple and opening wide to get as much of the tender tissue of your breast in his mouth as possible. He holds your waist in place to keep you grinding on him to entice enough friction for him to feel good too. 

And when he looks down to see where the two of you meet, he moans when he sees the wet patch leaking through your shorts onto his boxers. 

“Fuck, so wet for me, baby. Just for me.”

You whimper, and his hand slips into the hem of your shorts. You’re glad you never wear panties to bed because his fingers find your clit immediately, relieving you of some of the neediness you’ve been feeling from grinding down on him. He rubs small circles as his mouth licks and sucks and nips at your bud. 

“Mark…” 

“Shhh baby,” he coos, “wanna make it up to you. Please let me make it up to you, let me make you feel good.” 

You whimper with a nod of your head, humping into his hand, legs opening wider to give him easier access to the place you’re most sensitive. You let out mild pants, hips bucking more aggressively from the stimulation on both your nipple and clit.

And when Mark notices you getting close, he pulls off your tit to look up at your face. It’s his favourite part — watching your features contort when the bliss is at its highest. It makes his chest swell with pride knowing he’s the one making you cum, knowing his touch is enough to make you shake and moan. And if he wasn’t such a selfish lover, he’d think the sight is something everyone should see at least once.

As you come down from your orgasm, your eyes flutter open to meet him. Mark doesn’t know whether it’s from seeing your orgasm paired with the argument from earlier but he’s the hardest he’s ever been. 

You notice it too, looking down and giggling. “Now it’s my turn to make it up to you.” 

He lets out a soft huff, and a muscle in his jaw twitches with his Adam's apple bobbing in his throat before he nods. You free his cock from his boxers and shimmy yourself out of your shorts. You let out identical gasps when your bare cunt brushes against the tip of his cock. 

Slowly, you sink onto him, fully feeling him inside of you. Your head falls forward, your forehead resting against his shoulder as you take in the size of him, the way he fills you just right — the way he always does. 

The stretch as you take him in never gets old, eliciting the same whimpers and whines. You can feel his hands resting on your hips, then slipping to the bend of your waist, silently urging you to move as he presses you downwards.

You lift your hips, slow and steady as you let the sensations wash over you, drawing a low groan from deep in his chest. His grip on your body tightens as you sink back down, blunt nails digging into your skin. The sounds he makes only drive you further into finding a teasing rhythm because his voice is just so pretty. The sounds are soon muffled to your disappointment when his mouth presses into your skin, so his tongue can slide along the top of your breast — making the disappointment fade away real quick. 

You let out a breathy cry, hands rising from where they’ve been resting, flattening against his chest, to wrap around his shoulders. The slow pace you’d adopted was becoming not enough. And you could tell from the way Mark is rutting his hips up to meet you, he shares the same sentiment. 

Your mouths collide as you pick up the pace, using his shoulders to leverage yourself as you bounce up and down on his cock. When he breaks from the kiss, an unrestrained groan slips past his lips, low and rough, followed by another, and you have to bite back a whimper of your own.

Mark can’t help the noises, he just loves the way you swivel your hips in a way that makes him see stars. He loves watching you work yourself on him for pleasure – he loves when you ride him.

And right when you squeeze around him, he rewards you with a loud, obscene groan, a sound that makes you dizzy and limp. Everything about Mark is intoxicating and downright addicting, and you were in no hurry to kick that addiction. In fact, you craved more of it – needed more. 

You grab his hands and guide them across your body. He squeezes them at your hips, smoothing across your thighs, your stomach. His hands were everywhere, eyes dark and desperate, wordlessly begging for you to give him what he needed, the same thing he’d been kind enough to already give you. 

So you rock yourself forward, providing a new type of friction that makes you whine helplessly into his skin. Blunt nails mark into the plush of your thighs, a futile attempt at grounding himself. The upward thrust of his hips and the strained catch of his breath tells you that he's growing impatient. You know the pace was slow, but damn it, it felt so fucking good to feel him like this, every inch of him sliding into you, hitting all the spots that makes your brain stop working. It also felt like a sick little way to get revenge...

“Faster,” you hear him say. “Please baby, need it faster.”

You could feel his hips bucking up to meet you. Then his thumb finds your clit, working in circles and making you squeeze around him with a shrill, gasping cry. It was his attempt at bargaining with you, doing anything to make you speed up and shamelessly fuck yourself on his cock. Maybe if he pleases you, you’ll let him cum.

“Please fuck me properly baby, need it,” he rasps, “You want me to forgive you right?”

And then you remember what led you here in the first place. You’d upset him and now you’re teasing him – you suppose it’s only fair if you pick up the pace a little more, fuck him messily and desperately enough to have him dizzying towards his climax. 

And once you do, his thrusts grow sloppier, and your thighs start aching. It feels too fucking good so all that you can do is cling to him and let him take the lead, strong hands guiding you as he sucks against your neck. And even though you’re supposed to be the one making him cum, you find yourself buried in the crook of his neck, gasping as your walls clench and nails dig into the skin of his strong back. 

The slight stinging sensation is enough to work Mark over the edge, and you feel him twitch inside of you, sending shock waves up your spine as he fucks his cum inside of you with a final powerful thrust. You roll your hips to help him along, taking all you can get from him and he moans his appreciation as you do. 

You remain tangled up in one another as you come down from your respective highs with foreheads pressed close. You wrestle to find his hand, lacing your fingers with his as he rubs his thumb over your knuckles. He kisses your nose, then your lips, with a tenderness that makes your heart feel like it’s being squeezed. 

You don’t want to move just yet, so you release your hands and wrap them around his neck, nuzzling your nose against his before you speak.

"Mark?" You mumble, your voice tired and hazy. He hums in response.

"I’m sorry," you say softly.

You feel his smile against your mouth before he kisses your lips. "It’s okay, baby. I don’t even remember what we were fighting for."