#might make something later on but i have no clue lol

[apologetic-artist]

Welp, my gay alien ass is a year older now, that's pretty awesome sauce 😌

That's all I've gotta say, yippeee :3

[crimzoncrow]

🌹

I can’t pick just one for this wip, so have two!

If this spell messes with Kon's memories, if it makes him think that there's always been something where there was nothing—Tim can never in good conscience get into a relationship with him.

I love you, Tim is going to loop in his brain until he dies and every single time it'll just remind him of this and how none of it is real.

[meanbossart]

You know the Hag casts Vicious Mockery, right? Some of her lines are really fucking mean, lol. To Astarion, she says, "Deep down, you like to be leashed, don't you?" and there's another about the stink of rats on him. To a male drow player, she says something like, "On your knees, boy, just like the matriarchs taught you." She's got something for every race and class, and special stuff for companions.

Anyway. What is something personal and deeply hurtful that she might say to Drow to derail him?

What are his triggers in general, if any? Stuff that will anger him "randomly", in the sense that someone close to him might not understand why he was triggered (and perhaps he might not understand either)?

I had know no clue actually LOL since I found out you can cast silence on her and kill her in two turns I have never given that woman much time to get a word in 😂

DU drow is, unsurprisingly, pretty volatile. Earlier in the campaign when he's fresh off the nautiloid I could think of a few things that may set him off quickly (later, and in ANE, he's much more subdued though, and it depends more on who says it and the kind of day that he's having lol)

Some things that get particularly on his nerves:

-Belittling him, implying that his body and attitude are just a front for his weaknesses. The fastest way to buy a fight with him is to just laugh at everything he says and does and not take him seriously at all. -He's at times insecure about making his loved one's (Astarion & Shadowheart's) lives worse by being around them. Present him any example of how that may be true and you'll have a very sad/angry drow. -Treat him like a wounded animal that just needs a hug and a pet and he'll get all better, it will annoy him even if you have good intentions. -Insist on something after he says "no". Even a little bit. Even if it's silly. You can speedrun any of these by being a female drow. SO for the actual crux of the question, here's a few strong contenders for Vicious Mockery lines that Ethel could blast DU drow with (CONTENT WARNING: IT'S AUNTIE ETHEL.) :

-"Bark, bark, bark, little dog, It don't make you look any scarier"

-"You trying to kill me or fuck me? Or kill me to fuck me? Or fuck me to kill me, pork-chop? "

-(Imitating a crying baby) "That's what you sound like to everyone around you, little boy."

-"Daddy's gonna be so, so disappointed. I'd clench up my hole, if I were you."

-"Such big swings for a drooling, inbred lech."

[queerfables]

Why all the crowd scenes look the same, aka: Something is WRONG in Soho

I'm not even gonna tease and draw this out because it's so cool it doesn't need the fanfare. Ready?

Season 2 takes place over the course of 5 days. During that time, most of the passersby in Soho - maybe even all of them - stay exactly the same. It's the same people every day, wearing the exact same clothes, and they wander through the neighbourhood in paths that don't make any sense. You won't be able to unsee it. I can't believe it's taken us this long to realise.

Don't believe me? Rewatch the scene from 2x03, I Know Where I'm Going where Shax confronts Crowley outside the bookshop, appearing in a series of different guises. Pay attention to the people going past.

I've marked out five people you see on screen when Crowley first exits the bookshop at 39:37:

Numbers 1, 2 and 3 are following the path right. Number 4 follows the path left. Number 5 crosses the road.

Here the five people are again, at 40:19, when Crowley goes to return to the bookshop:

Number 5 is still visible in the distance, in the direction she walked in. This makes sense! But numbers 1, 2, 3 and 4 are rounding the same corner they just passed. It's as though 1, 2 and 3 all decided to turn and head back the way they came just 40 seconds ago, and number 4 has circled the block to join them.

This on its own would be super weird, but they're not the only people to do that in this scene. The man in the purple sweater from the first picture crosses the road, then appears back next to the bookshop, then starts walking back the way he came again.

Here's the part that made me absolutely certain, though. At 40:05, a man wearing an orange hoodie with blue sleeves walks past Crowley, who is heading towards the bookshop entrance.

The camera cuts to a view from behind Crowley, and a moment later, at 40:08...

He reappears in front of Crowley and walks past him again.

It's such a distinctive outfit, there's no mistaking it. They are absolutely fucking with the background characters and they are absolutely doing it on purpose.

Your turn. There are at least three other characters in this scene who pass by multiple times. Watch it again and try to spot them.

This scene is really chaotic and obvious, but the phenomena I'm talking about is much bigger than just one scene. Let's go back to the first thing I said: the background characters don't change. All our leads do. Maggie and Nina wear distinctive outfits, clearly demarcating each new day. Even Crowley and Aziraphale, who in season 1 were like cartoon characters with wardrobes full of identical clothing, vary their looks. Crowley changes his (very subtly) each day; Aziraphale is less rigid on timing, but he has a few different coats that he switches between. The background characters, on the other hand, wear the same outfits every single day. They walk by on the street but they never actually seem to have a destination. They sit in the coffee shop or pub and don't eat or drink anything, and nearly everyone leaves together exactly on closing time. It's eerie.

For reference's sake, here's a rough timeline of season 2, with pictures of Maggie and Nina's outfits to show the passing of time. I had to outsource this section because my post was too image heavy, lol. The main point I wanted to make is that five days go by.

Five days, and all the same faces keep showing up in the background, and almost none of them change their clothes. I'm not entirely sure what it means, but there's no way it's an accident. It might, in fact, be a game changer. To me this is proof positive that something is not as it seems. I've been a massive Clue skeptic, adamant that I'd only be convinced by the most unambiguous evidence, and honestly? This is enough to move the dials. It's too big for me to ignore. Whatever grand explanation of Good Omens we come up with has to account for this. I don't have it yet, but my current working theories are that Crowley and Aziraphale are under some seriously heavy surveillance, that time warping is involved, or that reality itself is not what it seems.

It would take a really long time for me to go through all of the background characters who turn up over and over but I do want to show you what I'm talking about. To wrap up, then, I'm going to pick out some memorable characters and walk you through a few of their appearances through the week. I highly recommend looking out for this yourself on your next rewatch and seeing how many other characters you can recognise.

Yellow Skirt

The first person I kept coming back to as being not quite right. You probably remember her from the first episode - she's the one who waves and walks past Maggie and Nina the night they're locked in together. Incidentally, she's also Person Number 3 in the scene with Shax.

Day 1 (2x01 - 36:20):

Day 2 (2x02 - 42:03)

Day 3 (2x03 - 06:36)

Day 5 (2x06 - 30:00)

Coolest Leather Jacket In The World

It's not so easy to recognise people wearing lots of nondescript dark colours, but I love his hair and his jacket, so he stood out to me. I think there might be a lot more people who are wearing fairly nondescript clothes who I just can't recognise from episode to episode.

Day 2 (2x02 - 16:44)

Day 4 (2x04 - 41:20)

Day 5 (2x06 - 29:20)

Dressed In Mustard

Ms Mustard shows up everywhere. If you want to see what I mean about their paths not making sense, pay attention when she comes on screen, because she'll often show up a few times in succession and walk very purposefully to nowhere in particular. The thing that she is doing, essentially, is behaving like an extra in a tv show. Which of course she is, but you're supposed to make that invisible by not having the same person go back and forth in the same scene, or changing up their outfit each in-universe day to give the sense time is passing. Not doing that is a really deliberate choice.

Day 1 (2x01 - 22:37)

Day 2 (2x02 - 42:03)

Day 3 (2x03 - 01:49)

Day 3 (2x03 - 37:07)

Day 5 (2x06 - 29:59)

Swishy Dress

This character shows up a lot in the first episode. I've struggled to find her in later episodes, though. None of the characters seem to follow the same patterns or show up to equal extents each day, which makes me think this isn't a straightforward time loop. I haven't actually cross referenced character appearances to in world times, though. Possibly this is a project for someone who's more across the time-related shenanigans than me.

Day 1 (2x01 - 22:43)

Day 3 (2x03 - 07:01)

Yellow Vest

I've only seen this guy a handful of times, always around the French restaurant. I wonder if there's significance to that.

Day 2 (2x02 - 41:06)

Day 4 (2x05 - 12:49)

Fuzzy Blue Coat

Another background character who shows up frequently. The blue doesn't stand out quite as much as the yellows and reds some characters wear, but it's very distinctive.

While we're getting a lot of shots of the street, it's worth noting that I'm pretty sure the vehicles we see are also just the same few cars repeating each day. A lot of them are in neutral silvers and monochrome, but there's a couple of blue cars, one red, and one black and white that I'm fairly sure I've seen over and over through the season.

Day 1 (2x01 - 22:45)

Day 2 (2x02 - 42:04)

Day 3 (2x03 - 02:00)

Day 5 (2x06 - 40:10)

Day 5 (2x06 - 48:56)

Day 5 (2x06 - 50:06)

One final note: Whatever this is, Nina's employee who you see in the background at the coffeeshop sometimes isn't affected by it. He's wearing different outfits each day. On the other hand, some of the other shopkeepers do seem affected. I'm fairly sure Mr Brown and Mrs Sandwich wear the same outfits a few different days, only changing because of Aziraphale at the ball.

And that's it! Thanks for reading and I hope your mind is blown as much as mine is.

EDIT:

Hey I don't mind anyone pointing out production reasons that this might be the case or disagreeing with my analysis (over-analysis, some might say 😉). Please be kind about it, though. I'm not ignorant of the practical limitations involved in film making, but some of these costumes were really distinctive in a way I thought might be intended to draw attention.

For those of you who do find this theory convincing, I feel I should mention that I was working under the assumption that this stuff would have taken a few days to film, even filming it all together. That would strongly suggest that the actors were deliberately costumed the exact same way over multiple days of shooting, which made me think it had to be purposeful. @coranax was kind enough to point out, though, that behind the scenes videos said the extras were filmed separately to the main actors because of Covid protocols. In that case, they could have done it in just one day and that weakens my confidence in its intentionality.

Finally, all of my points about the scene with Shax in 2x03 stand. That was not a case of accidental continuity errors, it was really elegantly choreographed to enhance the tension in the scene. I say that with confidence because the extras are doing exactly what Shax is doing: circling Crowley, appearing where he doesn't expect them, creating a whirlwind sense of being off balance and out of control. I think it's really cool and effective, whether there's a deeper meaning to it or not.

[daistea]

ur au with the whole courting before the incident™ ... EXCELLENCE. your service to the community is appreciated and loved

THANK YOU!!

honestly it’s one of my favorite aus. It could go in so many lovely directions.

Like, you love Mithrun, you’re one of the only ones who know who he truly is, what he’s truly like. And you still accept that and want him. And that’s all he wants, is to be wanted.

But I don’t think he’d realize that at the time. He’s too wound up in his resentment toward his family, and in masking himself constantly. But subconsciously he drifts toward people who fulfill that need in him, so you’d be close. Whatever you decide, whether you’re dating or just friends, you’re one of the few people he genuinely cares about.

Tbh I don’t think he loved that elf girl. I think he just saw that his brother liked her, and he wanted to possess that. Big brother, the one who gets to inherit everything, the one who gets to live a canary-free life, the one who gets the girl. Not cool. It drives him crazy. Maybe at the time he sees that image in the mirror, you and him are arguing about something so he’s already in a bad mental state. Or you’re not dating at this time and he loves you but hasn’t realized it yet. Whatever the situation, he shatters the mirror and proceeds to disappear from society for five years.

There are searches, but he’s not found. The years pass. Even his brother has no clue where he is.

Meanwhile, Mithrun is living it up lol. But the years pass for him too and the place becomes more twisted and the illusions of his friends (and the illusion of you) don’t visit anymore. Idk someone once said they might actually be there with him, but based on what the demon said to chilchuck about making copies of his wife and kids, and also Marcille’s dad, I think he just makes weird little copies/shapeshifters.

You’re there! He spends the most time with you. And snake girlfriend doesn’t complain because he doesn’t wish for her to. But he sees this illusion of you and how you’re portrayed in his mind and these little subconscious things. And he’s like damn. I think I’m genuinely in love with them and have been this whole time.

And that’s when things hit their peak and ya know, munch munch crunch crunch

AND THEN LIKE he’s found. He’s different. Whether you help in his recovery or not is up to you. I think he’d actually push you away at this time because it hurts, but idk he might also just not care.

40 years later you see him again!! Mithrun is chill about most stuff from his past, he’s got a normal relationship with his brother now. I imagine it would be a little difficult with you though because the last thing he realized before getting his desires eaten was that he had a desire for you.

Also it would be funny if you’re like ‘wow you got hotter’ and he’s like ‘what’

[becauseimanicequeen]

The Timelines in 4 Minutes

Since the Olympics are finally over, and I have three episodes of 4 Minutes to go on, I thought I would spend some time trying to figure out the timelines.

I'm someone who figures out what I want to say by writing it out, so this post will most likely be me "thinking out loud" and drawing conclusions as I go, and then, at the end, I'll have a clearer view of the timelines (hopefully).

(This is most likely going to be one long-ass post, so beware.)

Let's start with some initial notes before I dive into the fun stuff.

The contents of this post may be influenced by some of my theories (pre-premiere theories, episode 1, episode 2, episode 3), and I might come up with new ones as I write this post (they will be highlighted in purple so possible readers of this mammoth post can choose to ignore them if they want, lol), but my focus is primarily on the timelines themselves and, perhaps, on the passing of time throughout the episodes as well.

As I start this post, I believe there are 3 timelines (which are subject to change as I continue to write):

The present timeline, which is what starts off both the 1st and the 2nd episodes (these are events from the future from our current vantage point).

The 4-minute timeline, which is where Great changes things (I've previously called this the OOBE timeline, since I believe Great is having an out-of-body experience and is "reliving" his past).

Then there's a possible third timeline (I've previously thought it might've been the real past, which showed us events that actually happened in the past paralleled with the 4-minute timeline) but I'm most unsure about this one, so I'll just call it the 3rd timeline until my thoughts are more clear about it.

Now... Where the hell do I start?

Time

It might be a good idea to start with the clues that there are different timelines at play and then dive deeper into the episodes to figure out what's happening.

Besides the obvious clues that Great is sent back in time when he has his moments of the 4-minute phenomenon (4MP), there are other clues that different timelines are at play.

The first clue shows up in the Korn and Tonkla scene from the 1st episode and all the way through to the scene where Korn drops Great off at his place after their family dinner.

This is where I'll be crazy about the details (but I'm a hundred percent sure they matter, especially since this whole show is about time), but if we look at Korn's watch when he arrives at Tonkla's place, it says 7:15-ish pm.

Later, when Tonkla wants a second round, it says 8:55 pm.

Then they get interrupted because Korn's dad wants him home for dinner. They have their family dinner, and then, when Korn drops Great off at his condo after dinner, Korn's watch says 7:15-ish while the clock on Great's phone says 07:13.

(Great already has issues with time, which I believe is the effect of him having a cardiac arrest at 11:00 in the present, but the time anomaly in this particular sequence is different than Great seeing 11:00 and counting when he's alone.)

This whole sequence is meant to be the same day Great hit Manee with his car. All of them (even the dad and Great's mom) are wearing the same clothes they wore when introduced throughout that very same day. Yet, the times on the visible watches and clocks tell us something strange is going on.

(Could this just be me overanalyzing the watches and clocks? Sure. But the interesting thing is that the time is still consistent in the sequence with Korn and Tonkla. It would make sense that they talk, then fuck, and then lie there butt ass naked and cuddling for a total of 1 h 40 min. And, again, considering this show is about time, I trust that the creators have been meticulous about those details, even if it means changing the time on the watches and clocks for every new take if needed.)

Considering what I wrote above, I might start calling the 3rd timeline Tonkla's timeline, because I feel like it revolves around him.

Either way, I will focus on the 4-minute timeline and the third one in particular because I don't see a possible 4th one right now (I might by the end of this post, though, lol).

The question is, then, how we can determine which scenes belong to which timelines. I will get to that further below, because first...

Let’s look at some more details I’ve noticed.

Blurry Edges

One of those details is the dreamy, blurry edges (I'm sure there's a technical term for this, but I have no idea what that might be, I'm just guessing that they're adding it in post-production, but don't quote me on that). Much of the show has a dreamy feel overall, but I'm talking about the blurry edges in particular.

I've noticed blurry edges in the following scenes:

When Great feels iffy in the elevator (ep 1)

I'm pretty sure there's some of it happening in the scene when Tyme is treating Manee, both in the ER and in the OR during the surgery (ep 1)

At the family dinner when Great's mom tells him he should go see Manee at the hospital (ep 1)

When Great feels iffy at the hospital before his second 4MP (ep 1)

When Great is sitting in Title's car talking about where View is (ep 2)

I'm not sure about this one since it's hard to tell because it's dark, but it might be used in the scene where Title beats the shit out of Dome (ep 2)

When Great brings Dome into the hospital (ep 2)

When Korn is having a meeting with Fasai and her dad (ep 2)

When Great feels iffy and has his fourth 4MP at the basketball court (ep 3)

When Win reads through Tonkla's brother's social media posts and comments, which is a memory of him doing it (ep 3)

And I'm pretty sure we're getting more of this since there were scenes in the trailer that had those blurry edges as well, for example:

The pattern I'm seeing with these scenes (if we exclude the first scene in the elevator, Korn's meeting with Fasai, and Win's memories, the latter might've had blurry edges just because it was his memory, btw) is that each scene has something to do with Great's 4MP, before the rewind and/or after the rewind.

(Perhaps the reason for the blurry edges showing up in Korn's scene is because he's the possible third character that's having an OOBE. And if this theory is true, there's a possibility that there's yet another timeline/reality/perspective present that entwines with both Tonkla's and Great's timelines.)

There are also the tilting camera shots (mostly showing up in scenes with Great), which I might get into next week as I continue to build on this post.

But, what does all this with the blurry edges mean?

I have no fucking clue.

Perhaps it's just meant to show that things aren't what they seem. Perhaps it's meant to show which characters are experiencing OOBEs (Great, Tyme, and possibly Korn)? Perhaps it's meant to show moments that are affected by Great changing them through his 4MP? Again, I have no fucking clue, yet (but it might start to get clearer as we get more episodes).

So, moving on...

Different Realities/Parallel Worlds/POVs?

There is another aspect to this whole timelines discussion I'm having with myself that I want to bring up. And that's the clues I've found that support the possibility of different realities/parallel worlds/different point-of-views. I'm not sure what to call them, yet.

So, let's dive into the moments I'm referring to and try and figure it out.

The second time Great experiences his 4MP, he goes to the ER's front desk and we're shown the nurse's actual desk where there's a clock that we're supposed to focus on because it's telling us that time will do weird shit again.

The moment Great has been sent back in time (after being in Manee's room), he's standing in the same position, looking down at the clock on the desk, and realizes it's happened again (just like when he hit Manee). However, this time, the things on the desk are different.

The time on the clock is the same, but the mirror is in a different position, 75 has turned to 74 (I'm not sure what these numbers mean), 77F has turned to 76F (which I'm guessing are Fahrenheit degrees), and the pink, blue, and yellow papers are lying on top of the folder the second time around.

If Great was sent back in time to the exact moment he was in before he went to Manee's room, the things on the desk would've been in the same place, right? So, he might not even have been sent back to the reality he was in before this 4MP happened.

Another clue is the sunrise and the sunset artworks on the wall at the hospital. We often see them by the entryway:

Then, in the 2nd episode, it looks like at least the right one is hanging outside Manee's room (which we've seen isn't anywhere near the front desk since Great had to walk around a bend to get to her room in the first episode).

Could they have more than one of those artworks in the hospital? Sure. So, take this with a grain of salt.

(Btw, I find those artworks so fascinating because sunrises are usually cooler (more blueish) while sunsets are usually warmer (more red/orangeish). But from our perspective, looking at them straight on, the warmer artwork has the sun setting in the west while the cooler artwork has the sun rising in the east. And, since the eye in left-to-right reading cultures often automatically goes from left to right, it's interesting that the sunset comes first and then the sunrise. Perhaps it's to show that the world is turned upside down now that Great is having these weird experiences. Or perhaps it's to show that the time between the sunset and sunrise will be important for Great and Tyme since Great watches Tyme pass those artworks (from sunset to sunrise) the first time he has visions of them having sex. But, I digress...)

Another set of clues is in the scene with Great and Tyme sitting on the bleachers by the basketball court and Great has another 4MP in the third episode.

The first time we see this wide shot, there are 5 people (excluding Great and Tyme):

4 of them are wearing white shirts (one with a darker cardigan), and they sit on Great's side. One wears a blue shirt and sits on Tyme's side. This is where Great asks Tyme why he didn't call before coming to the University.

As they continue to talk (and the camera shot is closer to them), you can see the top of the head of a girl walking towards the bleachers. There's also another person walking by, waving, but he's walking right past them rather than towards the bleachers.

Then, as Great thanks Tyme for the Thai tea and gets up to leave, we get this wide shot. The only difference here is that the girl who walked towards the bleachers is now sitting next to her friend. That seems logical, right?

But, then Great has his rewind, and he comes back to the moment where Tyme reminds Great to get his wound treated. Great tells Tyme about his precognition and Tyme tells Great that he will consult with one of his doctor friends. Then, as Tyme stands up to leave, we get this wide shot:

The two girls at the bottom left are in the same position but the girls two steps above and to the far left are different, the boy and the girl next to them are new, and the boy with the white shirt to the right is the same boy that sat on Great's side previously.

Coincidence?

Well... After Tyme tells Great that he can call him Tyme rather than Doctor, and Great says that they should grab something to eat after he gets his wound treated, we get this shot:

Now we're back to the original two girls to the left, there are new boys wearing black on the bottom left, and the boy in blue is back again. That's a lot of moving around in such a short time.

The only things that stay consistent in all of the shots are the bags (except for one of them) and bottles.

So, what's going on? Is this another one of those things that happened at the hospital where Great was sent back to a reality where things were different from the reality he was in before the 4MP?

Is the show giving us different perspectives? For example, Great's perspective before his 4MP, Tyme's perspective when he says he'll talk to Den, and Great's perspective again when Tyme has left? That could work for the hospital example as well since it was from Great’s perspective before the 4MP but turned into Tyme’s after the 4MP as he asked the nurse at the front desk who the guy that bumped into him was.

Or is the show just underlining how strange everything is during the 4-minute timeline (and Great's possible OOBE)?

Well, the latter might not be it because clues like this don't just show up when Great is around.

In the first episode when Korn comes to Tonkla's place, Tonkla's laptop shows he has something blue and yellow on his screen:

Then the screen is black as if it's been turned off:

Later, when it cuts to them lying naked on the sofa, it's just white:

Also, notice how the small spotlight behind the desk is positioned differently and pointing in another direction on the desk than in the first image above.

Could it be that Tonkla simply used the laptop and moved the lamp between them having sex and lying there? Sure. Again, if we look at Korn's watch from the beginning of this whole sequence (7:15-ish pm) to when Tonkla wants a second round (8:55 pm), we know he had 1 h 40 min to rearrange things and do stuff on that laptop.

But, you know, unless the house is on fire, who would move from that spot on top their sugar daddy who is lying there deliciously naked? And especially to do some stuff on a laptop? Fuck technology (the not-so-good kind of fuck) and fuck your sugar daddy instead (the deliciously bad kind of fuck). We all know Tonkla wants to. But, I digress...

Take this detail with a grain of salt if you want to (or a whole fistful). For me, though, this shows that there's a possibility that changes and inconsistencies like this aren't just happening around Great. And (to my crazy mind, at least), that it might be two timelines showing up throughout this particular sequence between Korn and Tonkla.

24 Hour vs AM/PM Clock Settings

And on the topic of inconsistencies... Another thing I want to point out is the inconsistencies with the digital clocks when it comes to them being 24-hour clocks or set to the am/pm thing.

The hospital seems to have a 24-hour setting in some cases:

But not in others:

This could be in the morning, of course, and the darkness outside Manee's window might just be because of the thunder/lightning storm (but I still think it's night rather than morning).

And then we also have Great (who, to be fair, has a special relationship to time in this show), who sees 11:00/11:02 both in the morning and at night:

And the am/pm thing is on his phone when Korn drops him off:

Even though his phone seems to have the 24-hour setting:

More than once:

But, again, Great clearly has issues with time and clocks/watches. So, this might just be a way to show how confusing it is to him.

But, what if it isn't? What if it's an indication that several realities are entwining? (Okay, I feel like I'm going with the term "realities" when it comes to this.)

My Timelines So Far

So, what are my conclusions after watching the first 3 episodes?

At this point, I think there are 3 timelines:

The present timeline.

The 4-minute timeline.

The real past/Tonkla's timeline (which is meant to show us the real past events that happened, most of it from Tonkla's perspective).

Having Tonkla's timeline be the real past is possible considering the inconsistencies in time during the Korn and Tonkla scene and then the Korn and Great scene in the 1st episode.

And before someone says this doesn't make sense because of all the missed calls Korn has (if anyone is still reading this, lol)... Well, that's because Korn exists in both timelines and the scene when he looks at the missed calls in that bathroom in the 3rd episode:

Could be the 4-minute timeline rather than Tonkla's timeline (the real past). That could make sense because all we've seen of Tonkla since Korn told him off over the phone is him waiting by his phone for Korn to call.

We never saw Tonkla call Korn again after being told off.

On the flip side, if Korn is in the real past when he looks at those missed calls in episode 3, it would make sense that when he wants to call Tonkla while he's waiting for Great at the bar (in the 4-minute timeline), the icons on the top right of his phone are different from the phone he looked at in the bathroom:

(Am I getting too crazy about this? Yes. Do I care? No, because it's fun.)

Could he be using different phones? Yes. Could those icons change depending on where he is and what settings he's using? Sure (I'm not familiar with Samsung phones so I have no idea what most of those icons mean). But it could also mean that we're seeing Korn in different timelines in these two scenes, which makes it possible for Tonkla's timeline to show us the real past.

(I personally prefer the option that the scene with Korn looking at the missed calls is from Tonkla's timeline (the real past) while Korn almost calling Tonkla in the bar, and then smiling at his phone as he's going to the bathroom, is from the 4-minute timeline where Tonkla's brother (who I believe is Dome) hasn't been killed.)

Also, I think showing us the real past is a smart way to show us what leads up to Tonkla beating the shit out of someone.

(I believe that scene is from the real timeline, and whoever he's beating with that rock, might have an effect on the things that are happening right now. I'm not sure what kind of effect, though. Perhaps it's a possible third person experiencing an OOBE and "living" in the 4-minute timeline. Perhaps Great is going through this OOBE to prevent that murder from happening after he wakes up (if he ever does). I'm not sure at this point.)

So, that's where I'm at with the timelines after 3 episodes.

And, when it comes to the inconsistencies in certain scenes, the easy answer is that they are just meant to show that this whole 4-minute timeline is an inconsistent mess of (what I believe to be) Great's OOBE.

But, I would personally find it more interesting if these inconsistencies (like all the people around Great and Tyme changing in that scene at the basketball court) are evidence that there is more than one character experiencing an OOBE and that the inconsistencies shown are there because the characters have different perspectives of the events happening.

Now, I had planned to make a flowchart of the scenes in each episode divided into the three different timelines I've written about above. But, I want to get this post out before the 4th episode drops tomorrow, and I just don't have time to make the flowchart before that (or enough images left in this post to fit something like a flowchart in it before I hit the pesky limit). So I'll wait with that chart until next week instead (when I'll continue to build on this post in a reblog).

Waiting to create and post the flowchart until after the new episode tomorrow also gives me another episode to nerd out about. It's a win-win for me.

[seraphinitegames]

The Wayhaven Chronicles - Update 22/March/2024

So, I decided where Chapter One is going to end! It should leave people very excited for what’s to come in the rest of the book (and later demo releases), hehe! ;D

I think it does give a very good clue at what might be the source of the problem for the love interests and the MC throughout Book Four, too…

It’s gonna get exciting, guys! :D

Knowing where the demo is going to leave off, I also started looking back at the character creator. After actually playing through what I had a while back, I realized I really wasn’t so keen on what I do normally, and it really needs streamlining.

And I think (hopefully!) I have a plan for how to do that now.

I will try to see if I can get some screenshots or a video of it and post it up so you can get a hint of what it looks like after my redo so far, if my internet ever wants to play ball again!

With only one option per page being possible, I need to make sure people can get through the character creator as fast as possible so they can get playing! And I think putting in big descriptions of what each choice is or means is where some of the flow is coming from. Definitely need to scrap those.

Also realised what I was doing wrong in the previous ‘character creator’ screens for the personality/skill stats and why they weren’t high enough when you picked that they were, in fact, the highest! So, I’ve fixed that for this one, and I will do it for the other books when I can get the time to go back to my spruce up of the previous books too.

Obviously when Book Four releases people will be able to import their character—and I also had a thought on that as well!

With the villain romance being an option, I figure as a player I might already have a character I’ve played through past books with that would work, but I might already be on a romance path (the villain romance only being available on the non-romance ‘friend’ route) so can’t pursue the villain’s storyline.

So I’m thinking of adding in an option where you can modify an imported character with a few choices (such as romance choice). The game will play out as though the character has always had the new options though, so I need to make sure that’s clear. But it’s definitely something I think could work as an option for those that wanted it.

It was definitely a more code-focused week this week, which makes my brain a bit mushy, lol! So I’m very excited to dive back into writing, as well as get the first demo section ready to be sent to the editor and readers…the first time people apart from me will actually see the start of Book Four, hehe!

Hope you all have an incredible weekend! We'll be offline as usual, so I'll update you all again next week! <3

[makeste]

Plus One For All

so guys. can we talk about how there’s somebody chilling out inside of Katsuki’s mind who’s not supposed to be there.

hello there Mister All Might Vestige sir. you should not exist, just FYI. you’re not some Nighteye-type plot hallucination. because if you were, you would not be appearing here as Cloud Might, a version of yourself whom Katsuki has never met and has no frame of reference for. ergo he did not imagine you. ergo you are, in fact, real.

which means Katsuki has One For All.

because that’s the only way he could have a Vestige -- which is indisputably what this is -- inside of him. he has OFA. so. where did he get it. how does he have it. and why is it only making its presence known now.

let’s discuss.

okay so I’m going to try and lay this all out as clearly as possible while also attempting to be as succinct as I can. but knowing me, I’m probably going to wind up sacrificing the latter in pursuit of the former. I’ll do my best though. here goes.

1. Heroes Rising is canon.

which is a fact we’ve recently been reminded of not once, but twice -- first with the appearance of Katsuma and Mahoro in chapter 405, and then in chapter 406 with the “Bakugou no Kacchan” callback. the timing of this almost certainly isn’t coincidental. Horikoshi wants this to be fresh in our minds.

mind you, it is extremely unusual for movies, even technically!canon ones, to actually be relevant to the plot. but BnHA may be one of the few exceptions. we’ve already seen movie 1 impact the series both with Star & Stripe’s backstory, and with Deku’s new gauntlets. so there’s precedent, and it’s something I am paying very close attention to.

2. Deku giving OFA to Bakugou is canon.

just in case anyone here hasn’t yet seen or been spoiled for Heroes Rising, that is in fact what happens in that film! so yeah, that certainly seems like an extremely relevant detail right about now.

3. we never found out why and how Deku got OFA back at the end of the movie.

okay so I was looking for a clip to link before we discuss this next part, but I unfortunately couldn’t find one that hadn’t been edited to avoid copyright issues, so you’ll just have to make do with this.

skip ahead to about 7:10 for the relevant part. for the purposes of this theory, we’re just going to ignore everything All Might says here, because tbh he has no fucking clue what’s actually going on and is just guessing wildly lol. however, I do want you to take note of one thing which will be important later. and that’s the fact that, when OFA “returns” to Deku’s body, it’s only his body which starts glowing, and notably not Kacchan’s. the latter just keeps lying there unglowingly. nothing to indicate any kind of transfer is actually happening between him and Deku, in other words.

moving on.

4. OFA and AFO are probably the same quirk.

as summarized here and here. which is relevant because if they are the same quirk, or close to it, then OFA can most likely do anything AFO can do. so file that away for later.

5. AFO was able to split his quirk and give it to Tomura while still keeping a piece of it for himself.

what’s more, he was able to do the same with Garaki/Ujiko’s quirk, and presumably other quirks as well. while it’s possible that this quirk duplication has nothing to do with AFO and is simply something Garaki was able to figure out using ~*~Science~*~, I think it’s more likely that the two of them used AFO’s quirk in some way to accomplish this feat. particularly since Tomura not only received AFO, but a bunch of its stored up quirkdata as well, such as the information stored in Ragdoll’s stolen Search quirk.

6. OFA responds to Deku’s feelings and desires.

or at least this is the case according to Banjou in chapter 213. recall this interesting conversation on how Deku first activated Blackwhip.

he was thinking that he wanted to capture Monoma, and so OFA obediently activated his “capture Monoma” quirk. despite him being unaware he even had said quirk. it responded to his need, even though he wasn’t consciously trying to activate anything.

now then, let’s revisit that scene in Heroes Rising one more time.

7. during the climax of Heroes Rising, Deku was NOT thinking, “I need to give OFA to Kacchan.”

here’s the scene one more time for reference. this time you’re gonna want to skip to about 3:57.

here’s where we are going to get extremely technical, because this scene right here is the key to everything. Deku’s lines in this scene are, and I quote: “a way we can protect [everyone]... there’s just one way...!” but he very notably does not specify exactly what that “one way” is.

until we get to this scene a minute or so later, which spells it out for us very clearly.

two One For Alls. as in, “with two One For Alls, we could win this battle and save everyone.”

that’s what he was thinking at the moment of the “transfer.” NOT, “give OFA to Kacchan.” but, “we need two One For Alls.��

which, I think, may have made all the difference.

8. OFA created a copy of itself to share with Kacchan, so that both of them could have OFA and use the two OFAs to defeat Nine.

let’s recap. OFA is AFO. AFO can clone itself. so it stands to reason that OFA can presumably clone itself as well. and that’s exactly what Deku wanted to do. make a second One For All.

he didn’t know that he could do that. but as previously established in the Blackwhip incident, OFA is more than capable of making its own executive decisions in key moments just like this in order to help him out.

which would mean that what we saw at the end of Heroes Rising was not OFA being transferred from Bakugou back over to Deku. it was actually just Deku’s OFA briefly self-activating (possibly in response to his delirious apology to All Might -- kind of a “no worries bro, you’ve still got your quirk actually, so go back to sleep and stop stressing over it” type of thing). and Kacchan’s OFA doing... absolutely nothing. it didn’t actually transfer back into Deku. it didn’t actually go anywhere.

let me repeat that: it didn’t actually go anywhere.

in other words, Kacchan still has OFA. and has had it ever since Heroes Rising. he just didn’t realize it. and neither did anybody else.

9. Kacchan’s OFA went dormant once Nine was defeated.

okay, so. remember all of this exposition from chapter 304?

basically, if someone who already has a quirk receives OFA, using it will slowly destroy their body until it kills them. the Vestiges learned this from All Might while he was researching the past generations of OFA in chapter 241, incidentally. Heroes Rising takes place right around this same time (immediately following MVA if I recall). so by the time the film’s climax rolled around, the Vestiges would have known that giving OFA to Kacchan could have devastating consequences down the line if they did not take action immediately after the fight.

so they did.

once Nine was defeated, the Vestiges shut the whole thing down. the crisis was averted, and they no longer had need of a second OFA. they have this boy who is way too similar to Deku in terms of his willingness to put himself in harm’s way in order to achieve his goals. and they absolutely do not want any harm befalling this boy. more on that momentarily.

so they go dark. and they even seal his memory so that he’s no longer aware of even having the quirk. they are essentially in sleep mode. and if circumstances hadn’t eventually become desperate enough to force their hand, they might have remained inactive for the rest of Katsuki’s life.

now, you might be wondering to yourself, “why is OFA willing to go to such unusual lengths in order to protect Katsuki?” and well, the answer to that is pretty simple.

10. Kacchan does not have the same version of OFA as Deku.

Deku is ninth gen. Katsuki, however, is tenth gen. which means that his version of OFA has one additional Vestige. a Vestige whose presence immediately explains why OFA is so goddamn determined to protect him at all costs.

:’)

long story short, while Deku’s version of OFA has proven itself all too willing to enable him in his increasingly suicidal mission, Katsuki’s version of OFA is very much a different story, on account of it being under the management of what I’m guessing is the most willful Vestige ever to exist. and said management being just the slightest bit unhinged when it comes to Katsuki’s safety in particular. seriously, you can’t tell me this is not exactly how a Deku!Vestige would behave. “oh hell no. no OFA for you!! and no memories either, because you can’t be trusted, goddammit. we never should have done this. what the hell were we thinking. if anything happens to him I will kill everyone in this room and then myself.”

so yeah. dormant.

right up until they literally couldn’t afford to be anymore.

11. OFA can self-activate in moments of crisis to protect its user.

Sports Festival. chapter 33. Deku vs. Shinsou.

aw yeah. it’s all coming together.

12. OFA reactivated itself in order to save Katsuki’s life.

I would now like to briefly draw your attention to this scene from chapter 405, in which Edgeshot explains how Katsuki was finally saved. please note my man is very clear that he did not restart Katsuki’s heart himself. he was basically just performing quirk CPR up until Katsuki’s own quirk returned him to life apropros of nothing.

“what brought you back... was the power you’ve honed.”

except... that should have been impossible. because Katsuki was dead. meaning he should not have been able to activate his quirk on his own, on account of the whole “being dead” thing.

however, if he by chance had a quirk with just enough of a mind of its own to activate in critical situations in order to help its user. situations like being forced under mind control. or, perhaps, being stabbed through the heart. well then. that would certainly go a long way towards explaining all of this.

and oh hey, when exactly was it that we saw this guy, again?

oh? it happened at the exact moment when his heart was stabbed through? you don’t say. well that certainly is interesting.

in summary:

Deku cloned his quirk in Heroes Rising and gave Kacchan a copy of OFA. owing to the hyperprotective Deku!Vestige inside Kacchan’s copy of OFA, it shut itself down once Nine was defeated, and all of Katsuki’s memories of having OFA were deliberately wiped, or sealed away. OFA itself remained inactive until TomurAFO stabbed Katsuki through the heart, at which point OFA was forced to reactivate itself to save his life. which it did, by forcibly restarting his heart.

that’s it. no idea how close to the money any of this is, but I think it would explain most of the lingering mysteries and questions about what exactly is going on with Katsuki. and I’ll throw in one last observation as well -- Katsuki has a nine in his name (BaKUgou), but not a ten. which I know sort of contradicts what I was saying earlier about him being the tenth gen, lol. but he both is and isn’t. if Deku split his quirk, Kacchan would in theory receive everything that’s currently in Deku’s quirk right now, and that includes Deku’s own power that he’s been adding to the mix. so he’d still have the Deku!Vestige. but he’s also still ninth gen, because he and Deku are sharing that distinction now. or at least I think the argument could be made at any rate.

so yeah. I’ve been obsessing over all of this for the past few days lol. what do you guys think?

[hwasdvlly]

Starlight | c.jongho

❀ summary: he gets an answer that changes his life.

❀ pairing: jongho x fem!reader

❀ genres: romance and fluff

❀ word count: 0.9k words

❀ warnings/tags: none. established relationship, idol!jongho, non-idol!reader, very emotional yet so cute

❀ a/n: wowie! it has been sooo long since i last posted. i wanted to do create something that'll make everyone cry lol but still enjoy it

“Hyung, I don’t think I can do this.”

A handsome gentleman in a suit with adorable bear-like features is a nervous wreck. Jongho did his best to clean himself up and tried remembering his speech all night. Hongjoong hears the anxiousness in the maknae’s voice. As a kindhearted captain, he brings Jongho into his arms. “You’ll do great. We are all proud that you found your happiness. Now, you want to make it official. The guys and I are positive that Y/N will say yes.” Hongjoong pats Jongho’s back for reassurance. 

For years, the youngest member of ATEEZ has been in love. He met you during his early idol days. He was walking down the streets of Seoul and discovered a brand-new cafe. Jongho steps in to grab beverages for his members. But his heart began to flutter when his warm brown gaze laid on a beauty dressed in a simple uniform and welcomed him. Jongho shyly greeted you with adorable blushing cheeks and purchased cups of americano. 

You never knew he had a music career. Jongho laughed it off later on when he revealed what he does for a living. To you, it felt unreal to date a celebrity because it can be complicated. Nevertheless, you loved Jongho. Indeed, there were circumstances to overcome, and Jongho tried not to have his reputation go downhill. But as the relationship got more intimate and the love grew stronger, he believed it was time to put a ring on your finger.

Plus, you are ATEEZ’s best friend and little sister. Everyone adores you, and Jongho will talk about you every minute of his life. Atinys can tell he is madly in love, but it’s precious. 

Jongho and his hyungs set out a plan for the proposal in a public area. It’s their concert stage where hundreds of Atinys, Jongho’s family, and your family will attend. Weeks before the day, Jongho gave you and your loved ones free concert tickets, but he purposely did it so you could be with him. And, of course, to have fun. You are his number-one fan, after all.

When it was close to the end of the event, the guys wore casual clothes, and Jongho wasn’t present. San speaks through his handheld microphone. “Where’s our maknae guys?” He questioned as if he had no clue. They all have confused expressions, pretending they don’t know what is happening. Mingi speaks, “He said something about wanting to look presentable.” He reasoned, which had the audience believe him. 

On cue, Jongho exists backstage in his stunning suit, appearing like a classy movie actor. Wooyoung gapes, “Why are you so dressed up?!” He asked in the most dramatic acting. The guys couldn’t resist their laughter because Wooyoung would not take things seriously. Jongho meets up with his hyungs and starts to explain with sincere words. 

“It’s because I am about to do something that’ll might change my life. As you may all know, there is someone who has a special place in my heart. I was hesitant to do this, but I realized Y/N means so much to me that I don’t see anyone else to make me feel alive and know what love is. Yes, I have Atinys, my family, and these people or whatever.” He nonchalantly waves his hands, gesturing to the members. The crowd laughs at their slightly hurt faces. 

Jongho chuckles but continues with his speech. “So, I took the time to think about what I want my future to be like. I also want to ask a significant question.” His eyes roam to the sideline of the stage, where he spots you, your family, and his family together.

He shifts his body to approach you. Jongho lends out his hand to have you go on stage. Your eyes widened at his silent offer. You skittishly move your legs to have your hand link with your boyfriend. Jongho has a sunny smile and makes you walk to the center of the stage. The members stand around the couple. They are smiling so much, and their excitement is skyrocketing. 

The man looks into his lover’s eyes to say, “Y/N, there are millions of reasons why I see you as the brightest starlight in my world. I am curious to know if you’ll answer my question.” He lets go of your hand to go down on one knee and pulls a small box out of his pocket.

With an adrenaline rush, you have your jaw dropped, and the people in the building are uproaring. Jongho sees your glassy eyes. He brings the microphone to his lips. “Will you be my wife, Y/N?” He finally asked. 

In a simple response, you nodded your head earnestly. “Yes!” You said. 

Your boyfriend felt his overwhelmed emotions washed away. He is so relieved that he did it. He gently puts the beautiful ring on your finger—an item dedicating two soulmates to live a forever happy life. A round diamond with a rose gold band. Jongho brings you into his arms as he buries his face into your neck. He tries to hide his tears, but the hyungs can see he is emotional. Not to mention, the guys have water coming out of their eyes. 

Jongho peeks over your shoulder to see the fans cheering. He even notices his family and yours are proud. His mother is crying tears of joy, his little brother is clapping for him, and his father has a merry expression. Jongho lifts his head off your shoulder to have his forehead against yours. He stares into your tearful eyes but you are smiling.

The man softly presses a kiss onto his now wife-to-be’s lips. 

[mayabruhbruh]

What do you think of the possibility of Will and Chance happening? I feel like it would be really poor writing tbh but I feel like they will give Will a different love interest because they’ll try to make all of the audience „happy“ But that would just truly not align with the writing so far I feel like.

Love your analyses btw<3

THANK YOUU! That's so kind :) And great ask! This is definitely a topic that the ST fandom needs to discuss.

The default question when people have little to no hope in Byler is, well, who the hell is Will going to end up with? Because it’s become increasingly evident that they’re trying to set him up for a romance. The “im not gonna fall in love”, the “it’s not my fault you don’t like girls”, even the gif shown above. It all can be interpreted to mean that Will is going to find his person soon.

So... to be completely honest, I had no idea who Chance was until this ask popped up and I had to look him up💀. It’s been a while since I’ve been on here, so I’m a little rusty on the deep lore lmao. So, in the off chance that others might also be confused, here’s a (rare) gif of him I found.

I think that’s him with the Hawkins cap on the right. Correct me if I’m wrong.

I’m not sure where the rumors that this guy was going to become a bigger part of the show came from, but that seems highly unlikely to me. I feel like they would have either hinted at it in the fourth season (like how they’re giving Patrick here quite a sizeable role so that he’ll be memorable to us later when he gets vecnafied) or they would have announced him as a more prominent character already like how they did for s5 with Holly, that one new kid character, and also how they did Amybeth for s4. Idk, maybe it’s unreasonable to think they would have to do that, but it feels quite too out-of-the-blue. Especially for a character that would take on the role of becoming our central character’s love interest, which is a BIG DEAL. Especially if it’s queer lol.

Secondly, I firmly believe that it would be a disservice to Will’s own desires to meet someone new.

Will said this explicitly in the van scene, and as of now, we’re still under the impression that Mike is his person. Forget about Mike’s issues and feelings for a second, and think about what Will is saying here. He feels like a mistake for being different, but Mike makes him feel like he’s not a mistake at all, that he’s better for being different. Mike gives him courage to fight on. Fuck. Tbh, it makes me wonder how long he’d felt this way. As a byler, you might be inclined to think his feelings have been on for forever, but narratively, he could have easily just realized his own feelings very recently, most likely sometime between season 3 and 4. It doesn’t mean the feelings weren’t there before, but realistically neither Will nor the general audience were aware of it before now.

Moving on.

Has anyone heard of the rule of Chekhov’s gun? It’s an incredibly clever and widely-used tool in screenwriting and storytelling in general that helps to clue the watchers in for what’s to come next.

Think of Lucas’ wrist rocket in season 1. When they introduced it as a flimsy-looking, no-good weapon that he’d put too much pride in at first, it gives us a good laugh and we move on. But really, it very meticulously set us up to subconsciously anticipate to see it again later. That’s what Chekhov’s gun is all about. Set-ups, foreshadowing, hidden treasures.

Another great example would be the painting reveal of s4. Obviously, after finding out that Will was painting something, bylers immediately figured it was for Mike and BEGGED and HOPED and PLEADED that we’d be able to finally see it, but to the general audience it was just another something that they’d have to pick apart and realize was actually of importance as the season progressed. (It’s also a good way of showing that the writers are fully capable of engrossing the entire fan base and general audience in his and Mike’s story. Just knowing Will had painted something and that it was for Mike created this sense of PLEASE TELL ME WHAT IT IS AND WJATS GOING ON and whatnot that watchers are simply so susceptible to it’s insane.)

Okay, back to the van scene. Will’s confession.

Now, I’m not saying that the writers intentionally used this foreshadowing tool for us to find and understand immediately. There are plenty, plenty of instances where writers use Chekhov’s gun principle and it flies over peoples heads purposefully. What I’m trying to say is that, thematically and narratively, they would never have introduced Wills feelings for Mike if not for it to have importance to the story, or for nothing to happen with it at all. It’s a set up. And a maddeningly good one, at that. Because queer stories already do tend to fly over people’s heads, and also because there’s the added drama between Mike and Eleven that makes it seem quite impossible for any of these feelings to be addressed in the midst of such emotional chaos. But whatever. I think I’m rambling.

Basically, whether they end up together or not, whether Mike reciprocates these feelings, Will is forever established to be in love with Mike. The confession was simply too grand and emotional and earnest for him to just switch up abruptly next season when he meets someone new that he might have a better chance with. Even if there were to be a whole new arc for him where he learns to let go of Mike or something crappy like that, it would be terrible writing on their end and poor use of a well-set-up Chekhov’s gun reference. It would be like introducing the gun in the display case in scene one, then two scenes later just tucking it away into a storage closet for the remainder of the story. Like… what?

And plus, it’s HIGHLY unlikely that Will would end up with that sort of storyline next season when he’s literally WITH Mike for presumably a majority of the time (based on the set pics so far).

So that’s my debunking of the Chance rumors :) and I didn’t even get to mention how incompatible they’d be just naturally as characters. Chance, a Jason-following jock that hates Dungeons and Dragons, fantasy and nerdy things, and willingly assisted in beating up the Hellfire Club when they were trying to find Eddie. What about that at all screams Will’s type? And if you’re thinking “unconventional couple enemies to lovers”, just don’t. This isn’t a rom-com, especially for a queer plot line lol. I think it’s safe to say there’s no “chance”😉 that they will ever happen. And either way, it’d be a bummer if they did. Cus it would just be Will defeatedly settling for someone that isn’t Mike.

UGH! It makes me sad that the one thing that is firmly being teased by the writers (Will’s love playing a major role in the plot to come) is constantly being questioned and framed as different questions. “Will Mike reciprocate?” “Does this mean Mike and Eleven break up?” “Who will end up with who?” SHHH Frankly, to me this is already a win. It’s become obvious that Will having feelings for him will come up again soon, and the rest of the evidence that accounts for Mike’s end already speaks for itself, so I prefer to just sit back and watch it all unfold.

Again, thanks so much for the ask!! This was so fun to dissect and feel free to keep sending questions into my inbox. It might take me a second to post my response but I’m determined to get through all of them. Love you guys!! <3

[bao3bei4]

ON THE TSHIRT METHOD TO WRITING ESSAYS IN YOUR OWN TIME: 

i have had a couple people mention to me that they would like to write essays too, but they are a little out of practice. so i thought i should gather some scattered thoughts into one place. this is not a systematic guide. i am young and inexperienced and still working out things for myself, but this is my basic process and some things that have helped me, summarized. 

my biggest single piece of advice is to write with your proverbial pussy. you are not writing for a grade so don't act like it. forget rigor, forget academic style, etc. read what you're interested in, and write following up on the threads that you're interested in. don’t sweat the details. just do you.

if you still need more advice..... here’s a long winded post. 

step zero: if you have no clue what you want to say yet 

read. and read a lot.

but be realistic. be kind to yourself. your attention is a precious resource, and it is getting eaten up by shit out of your control all the time. if you’ve had a busy day, you may still have the brain power left to read. i almost never do. lol. so make sure to carve out time on a day off, if possible. otherwise you might end up completely fried, reading the same sentence over and over, and ending up scrolling on your phone LMAO. <-- painful lesson also to this end, if you haven’t picked up a denser book in a while, start with shorter articles, especially ones written more recently. if your attention wanders, try getting a physical book instead. the most important thing is just starting things you’ll actually read.  i’ve seen a lot of people (and been that person) who was like. “oh i’m going to start with THE canonical text in a subject i’m interested in” which makes sense right? but that book is inevitably long and dense and convoluted and boring. you can come back to it later. this shouldn’t feel like a chore! 

genuinely this is the most helpful thing you can do is just. read anything. it may be difficult at first (or always), but it is still the easiest way to engage with the foremost experts from around the world and the entirety of written history on any subject you are interested in. there’s not really a substitute to this. 

note: you may say that people can and do come up with brilliant ideas independently of their access to written works. this is true! but if you are one of them, you should skip this section/post, because you already know what you want to say.  okay that was a little too facetious. let me revise: when i say that, without reading, it will be hard to come up with more complex ideas than what you have now, that isn’t necessarily pejorative. maybe your current ideas and impulses are original and meaningful and complex. if they aren’t, however, you don’t have to resign yourself to it.  your experiences in real life are the most valuable thing you can bring to the table, but it can be very difficult to articulate and contextualize them without community—whether that be irl, or the simple textual company of other writers. you can let other people help you and teach you.  basically, this is a long winded way of saying something extremely simple: reading is not the only way to gain knowledge, or even the best. but it is an extremely consistent and relatively egalitarian way.** **scihub and libgen and sometimes the public library are your friends. (my local library’s book coverage is spotty) who cares about piracy. LMAO. 

you may surprise yourself by how nicely you fall into little spirals. you read one thing. and you are enamored with the way the author approaches their subject. so you end up reading everything else they’ve written, and then you start on the authors they list that inspire them in their interviews. maybe you just read one article that’s a little dry but it cites something else that seems far more interesting. read that next. and so on. 

if you are struggling to read that’s okay. you have options. start a book club (or just get a friend who also wants to read more). if that sounds like too much work, pick a friend to keep updated on all your new facts. you just want to get used to reading something, and telling someone your favorite parts again. skim books. skip the boring parts. drop them entirely and find a more interesting one. no one’s going to quiz you. this is for your own enjoyment. 

also important here: read books that make you want to write. sometimes this is because the methods and/or prose of the author are so exciting, you want to do something just like that. sometimes it’s because the content is so exciting, you want to say something about that too. sometimes they speak so powerfully to your own life, you want to tell people this is me!! i see this!! there are books i just enjoy reading, sure, and i do read them. but you know how, like, a good movie makes you want to tell stories too? good theory should do that too, in my opinion. 

step one: you have some ideas now. 

these ideas don’t have to be set in stone. but you should have an idea now of what you might talk about. personally, for me, i have two interconnected types of essay ideas. 

interventions. this is like [tumblr voice] Why Is Nobody Talking About This. i see some sort of hole. maybe i know how to fill it, maybe i don’t. 

free associations. basically i read one thing, or some analysis of one thing. and then it reminded me of another thing. and i’m like. i want to tease apart their connections, their similarities, and their differences. 

there are more types of ideas, i’m sure. but these are the ones i consistently have. with me, the second kind is more common. very rarely do i find that my thoughts are that original. rather, i’ve found that one of my strengths as a writer is being able to make connections that other people haven’t made, or haven’t made in depth before. IN MY OPINION. 

so i find it quite flexible. maybe i watch a movie, and it reminds me of my own life, because i think two women in the movie could be sad queer freaks. and i’m a sad queer freak. or it could be that i think scum villain could be analyzed through the framework of freudian psychoanalysis. you get the idea. 

at this stage of the process, i don’t have a thesis, necessarily. but i have a couple phrases i’m drawn to. i have a bullet point or two. i have vibes. 

to use an example from this blog, one of my friends hui once mentioned that that one fan image was going around again. we were going ughhh it’s victorian not chinese! together and they said “you should write a meta on it.” i wasn’t sure quite yet what i had to say. but i knew a couple things. 

this is, incidentally, because i had done some research into chinoiserie before, because i had cited the zuroski book for a paper i had to write for an english class some years before on pride and prejudice and its use of descriptions of material culture, an essay that in turn was inspired by my random yet deeply felt conviction that jane austen hated me personally and wanted to kill me.  this is why i encourage reading a lot. i think. 

to work on this stage, make lists. lots of them. i have a .txt file where i keep every essay idea i have. a lot of them are a sentence. or they're lists of books or theorists i think i could make something out of. or they're theses that feel true, but i’m not sure why yet. 

it took me a while to get to this point. just like with writing fic, there was a period when i first started where i was like. i only have one idea. i’m going to write it, and then i’m never going to write again. and then i had just one more idea. after a while. eventually you will find you have so many ideas and the world is full of possibilities. it’s a muscle you have to flex. like reading. and telling people about what you’re reading. 

actually, i feel like there was a step 0.5 here that i completely skipped. 

step zero point five that i skipped: how to generate ideas

my very truly complete “first time writing something semi-academic that was original” (with a loose definition of the word original) was literally just me reading literary criticism of one book, and saying “i think this author’s thoughts can be applied to this other book” and found some textual evidence that supported that the process could be replicated. 

this is like, writing with training wheels on. eventually i got better at it (see aforementioned chinoiserie essay. i hope you agree.). but that was a good place to start for me. it made the proverbial blank page less intimidating, knowing i had a scaffolding. 

i suggest trying this. see how it goes for you. read around until you find some piece of criticism, or just some theory about how something works, that you like. and using your newfound hammer, go look for some nails. 

note: i know this expression is meant to like. be a negative thing. but you do have to start somewhere. it’s okay if it sucks. it’s just for your practice and your enjoyment. 

be cautious of stances. weak writing (in my OPINIONNNN) tries to unilaterally defend or condemn a behavior. what you need to do is treat your writing as a bit. and then you need to run with it. you need to take it farther than what is reasonable. if this bit is truly actually deeply true, then what does it mean about yourself? it’s like using a new set of pronouns as a joke or something. you know what i mean? (that was an example of what i’m trying to communicate here)

what else is key to look out for... look for oppositional pairs or tensions. look for perverse incentives and vicious circles. look for embarrassing ideas. that is, what would be extremely embarrassing if it was true? (or to admit that it was true) you may go—tshirt, here you’re just describing things that are sexy. yes, exactly, that’s the point. you want things that thrill. 

just keep reading and making notes until everything echoes with something else. now you’re ready for step two. 

step two: refine your ideas further. 

let me do this by demonstration. once more extending my earlier example of my chinoiserie essay, i knew that i really wanted to take zuroski’s points and basically... steal them. this is called “citation,” i guess. but i thought the following insights were useful to me: 

british women were invested in chinese material objects 

they incorporated them into their own subjectivity

past a certain point, they no longer “consumed” these signifiers, but these signifers became theirs 

critique of one was able to stand in for critique of the other

and from being on fandom twitter, i already had the following insights: 

people deliberately blurred the lines between china and england when it came to fans and tea

people also liked talking about victorian modesty when it came to china 

so it seemed like victorian england and china had a privileged relationship, in a lot of people’s minds in fandom. 

so it didn’t really seem a stretch to say... how can we look at one history, and apply it to our present? 

it was a bit of the combo of the two: i saw something i didn’t see people were talking about, and it reminded me of something else i’d read before. 

something that helps me a lot is tweeting about my essay ideas. if you have me on my private account, you already know this. it forces me to explain myself to someone who doesn’t know what i’m talking about in a very succinct way. oftentimes, i tweet something out while i’m brainstorming, and then i steal the phrasing back into my essay. see? tweets can be writing too. 

this is microdosing on step zero’s “read something and practice telling a friend about it.” now you’re writing something and telling a friend about it. 

step three: okay now you can like. open a google doc 

make an outline. i know i know i know. i’m sorry. you can start just barfing thoughts if you want, but eventually everything that was on the top of your head will be out. and now you can start thinking about structure. the reason the outline is important is because it makes clear the logical progression from one idea to the next. 

i know i usually bounce around in my writing (a tendency which has been magnified here because this is so casual LMAO), but i always want to make sure that my points are substantiated. if we want to talk about how a causes b, we should prove a, we should prove the causal link, and only then can we infer b, for instance. it doesn’t really matter what order that happens in (or even that we set about it that way), but the more complicated your idea is, the longer checklist you need. it’s just a checklist. that’s all. 

as you start writing, you’ll probably need to read some more. you’re going to want to say something you think is true, but you’re going to realize that you haven’t proved it (or you can’t). go look to see if someone else has proved it. 

maybe you’re right. add that evidence in. maybe you’re wrong. now your essay has a new direction. there is a living thing beneath you. actually, on that idea— 

i tend to structure my outlines (if i’m not sure yet what my point is) by pasting a bunch of quotes in a document, and reorganizing them until they make sense, they seem to flow. and then i start explaining why, until i realized i have begun to walk off in a new direction. always embrace that new direction. eventually you will find that you have not been taking twists and turns, but actually you were dizzily walking along a straight path. (unless you have been unfocused and you are trying to say too many things at once. ask a friend to read your essay if you’re not sure which is the case.) 

quotes are the smallest unit of your analysis. work with evidence. or, at least, i do. it makes writing an essay like solving a mystery. the idea of just spontaneously generating something new fills me with terror. rather, i want to autopsy something, trace its steps, and then discover how it came to be dead. this may not be true for you. but it’s true for meeeee and this is my post. 

tl;dr

0. read something and tell someone about it/post it out

0.5. come up with a bit and run with it

1. think "why is no one talking about this" or start free associating

2. come up with weird connections and tell someone about it/post it out

3. collect all of your posts and ideas into a gdoc and organize them.

anyway i like reading posts like this because i’m incredibly nosy. so i tried to write out the sort of thing i like to read from other people. i don’t suggest you actually try to replicate it (if anyone would even want to.) practically basically i just encourage you to try any single part of this that you think was interesting or relatable or helpful. personally, i suggest reading a book and posting your favorite lines from it. if you do this a couple times, i think you will find the seeds of an essay waiting for you in your own posts. 

[brucewaynehater101]

Fake Uncle is brilliant! Love it!

Bruce: so the uncle was real?

Tim: yup

Bruce: but he's an evil uncle???

Tim: yup

Bruce: why did you never tell me??

Tim *blinks: it never came up. Duh.

Well, for the Drakes. I was thinking they'd be aliens as well. But even within their culture they were aloof. Like maybe as strategists but not someone with a family circle. They had no clue what to do with a child. But, their king handed them a baby with his final breath. Earth looked safe, so that's where they went.

I'm sure they were baffled by earth human customs. I imagine raising children is different on earth. They were, however, good at negotiations, so they worked their way up the social ladder, hoping to give Tim a better life (not quite princely, but close).

I really like the idea about them searching for artifacts to teach Tim about their home!!! Good idea!! I'll have to use that!

The Drakes tried, but I think they mostly threw money at Tim. New bike? Sure. Want to learn Mandarin? Why not? Want a new nanny cause the last one was rude? Of course, your highness! Immediately!

New nannies happened all the time because timbo was a brat and fired them for petty stuff as a little kid.

Kori would be a fun add-on! Maybe she offers Tim slightly wrong advice culturally.

K: -and do this! It's very important!

T: does it.

Staff: Noooooo! This is WRONG!

T and K: confused.

Tim was trained that he was a prince, but he also was taught that it was very, very unlikely that he would take the throne. (The Drakes died later)

EXACTLY! That's along the lines I was thinking, but I'm not super great at making up funny traditions yet. Lol.

You are CORRECT about Tim "not being able to change rules" and "unstable position". It makes sense for the AU.

Ridiculous subjects are in the plan!

Subject: I have brought you this gift Your Highness. *bows with jar of slime.

Tim*is concerned: it's moving?!

Subject *shocked: Of course, Highness! I would only bring you alive Grummk!

Tim: .....ok....thank you?

Damian would be fascinated and JEALOUS me thinks.

I am so vibing with the Drakes trying their best and being so clueless as well. I'd love to see a scene or two of Janet and Jack just arguing with each other as toddler Tim causes chaos in the background.

Janet: "Is he climbing the tree in the backyard?"

Jack: "Yeah. I saw an article about human kids and trees or something."

Janet: "Is he climbing the tree that the gardener sectioned off for safety?"

Jack: "Yes?"

Janet: ".... I'm sure it'll be fine."

Tim ended up with a broken arm.

I liked the court scene you had! Stuff like that would be hilarious to read ^^

Are there any differences between Tim/the Drakes and humans? It would be funny if it's something small, especially that all humans have (like the ability to taste cinnamon or something). Just traits that Tim is able to get away with by leaning into his "I was neglected by my 'parents' and thus have no clue how to do normal human things like the human I totally am." Any physical traits (like a blue birthmark) could be cool as well.

Tim, if you wanted, could also bond with Kara and Clark about being an alien raised on Earth.

I think Damian could become an advisor for Tim. That would be kind of cute to see. They could also bond about being heirs of empires that they thought they would never actually inherit.

Dick could charm/be a court performer if he wanted to do that. Alfred would definitely get his hands on the kitchen staff to ensure Tim is properly being fed. Barbara would beef up Tim's security.

Cass would probably play pranks on Tim's "army" while Steph gathered blackmail on the planet's high society (and pull pranks on the ones that pissed her off).

I don't know enough about Helena Bertinelli, but maybe she would treat it as a fun vacation to intimidate rich people?

Duke might be interested in learning more about Tim's home world and what it's like to space travel. He would also be the one to accidentally set half the castle on fire.

I don't know if you'd like your AU to have all the Bats, but there's some stuff they could do.

[sonicblueartist]

Rayman x Reader

A/N: He is the Rayman from the games, there is no other choice for this story, sorry~ But you can think either romantic or platonic for this :)

I'll try to make this as fluffy as I can. My angst loving soul don't know how to write fluff lmao

Writing Rayman from the games is something else for me. In really good ways

Nothing written in this story has anything to do with games plot. I wrote it all myself ;)

Summery: We both try to escape from some weird creatures

Warnings: Intense cursing

Words: 2.6k

Masterlist

Taglist: @blorbostation @eateableworm @livelaughluvvfaithyy @darkchanx @astoraa @shiroisotto64

Btw does anyone want to be in the tag list?

Dear anons; I would really appreciate it if you could choose an emoji while sending your asks and requests (and stick with it) so I can tell you apart. Thank you~

Couldn't choose between all these moments for the gif so I added every one of them (probably gonna regret that later lol Because I no longer have any good gifs for him any more but whatever.)

Seeing Rayman angry is just a cherry on top.

I am going to post this but I feel bad for not writing fluff/comfort/pure lovely moments like I planned to, so I might write down something cute for him soon~

I really wanted to write something cartoon-ish too because, you know, Rayman is very much 'cartoon-ish', he is made for that. I guess at least I made that come true instead of a full fluff.

Also, I may have relieved my exam stress on him 👀💦

On The Run

What's happening? You don't have a clue. You only knew that Rayman ran past you in the forest ten minutes ago without even stopping to say hi, he looked really panicked too you have to say. And quickly after Rayman's hand came back, finding your own and quickly sweep away your taken aback body before the spears met with you. And, well, you were suddenly included in a chase you don't have a clue about.

You two run for your dear little lives, in the meantime dodging a few spears thrown to pierce through your guts and quickly jump behind a few bushes out of breath. Hearing angry yells and screams increasing you both held your breath in. A few seconds later all of them ran past you. You heaved a relieved sigh.

What with this all about? Well, obviously you don't have all the details but you knew someone who did. You can finally question him about all this. With a scowl you turn to face him, finding him invading your personal space, not that you minded (it was funny, really), sticking to your side desperately, maybe that's not the right word to use but he was definitely, on purpose or not, sticking to you like a little kid would do to their mother, still eyeing for any intruders. If you weren’t so angry you would find that cute. Honestly at that moment, you didn't give a fuckthought. Your blood boils in anger. You weren't mad at him. You were tired and worried. Okay, maybe your tired body turning your worry into anger a bit. But you are angry at his reckless side. How wouldn't you be? You know he did something again that bothered these people. (It could also be the fact that because all people on this planet are either crazy or whatever) But it's not like he is doing that on purpose. But he still needs to be more mindful of his surroundings.

You whisper shouted, nudging his chest with your finger, causing him to look at you, "What the fuck did you do this time Rayman?!" You panthed out with a glare. Asking nicely? What is that?

He stared at you surprised (maybe a bit hurt) and huffed out, "What do you mean this time? I didn't do anything!" He scoffed, a hand over his heart with an offended tone.

You rolled your eyes at that and glanced outside, you quickly duck seeing more of them walking past the bush. You cursed under your breath. Thankfully they were dumber than they look.

You glanced at him, "Why do they want you?" You whispered with a hiss.

He smirked, "Who knows! I mean I can't blame them. Everyone wants me!" Here he goes again, you were being dead serious and he starts joking.

You stared at him with the most dumbfounded and sour expression you ever weared, "They fucking want your guts out, you idiot! Don't start with me with those cheesy lines!”

He mushed his lips and stared at you. You stared back with a raised brow. He couldn't hold his stare much longer with how you're glaring at him and finally grumbled out defeated, hiding away from your intense stare, "Okay, okay fine! It might be... a little bit my fault."

You scoffed, "A little bit?”

"I admitted didn't I?”

"What did you do?"

He avoided you with a comedic sweat, "Ahhh…”

"Rayman. What Did You Do?”

"You're going to be so mad." He chuckled nervously.

You can't be more mad then you already are. But again, your expression softened with how actually nervous he looked about all this. You knew he felt guilty. You know him after all. You let out a long silent sigh and reached out to hold his hands, pressing your thumbs over the back of them, kind of stroking to ease him up, "Rayman, I promise I will not yell at you anymore then I already did. Just tell me. I need to know." You sounded more like reassuring yourself then him. Did you forgive him? No? You don't know what you are even forgiving him about! But you did actually soften up on him.

He didn't believe that but confessed anyway, "I uh... might... accidentally woke up a whole civilization??" He sounded unsure of himself.

You stared at him, and he stared back.

"What... the fuck?" What does that suppose to mean?

He laughed, "I said the same thing until you find me and drag me away, my divine savior~" Wasn't that the opposite?

You sighed and grabbed the bridge of your nose, "I feel like I am gonna regret asking this but... how?"

He tapped his chin, "Well, I also have no idea! I was walking around the forest a few hours ago then I found myself in the underground. I guess the ground may have shifted or the place I was standing in collapsed. Either way I find myself exploring the cave to find a way out and, well, that's how I find the burrow. And here we are!" He continued despite seeing your progressive disturbed expression, "They were really aggressive and grumpy, I think they want some kind of revenge for disturbing their sleeping ritual or something—”

You reach your hand and shut him up with a tired face, "Okay, I think that's enough information. We are gonna think of something now. We need to avoid them and find a way back to send them whatever place they come crawling from. Okay..." You muttered to yourself.

Rayman grabbed your hand off of his mouth and muttered your name.

"Not now, I am thinking.”

"But-”

You sushed him, "No, nope, sush, no talking! I don't wanna listen! Just lemme think!”

He stared at you unamused but his expression quickly changed to something nervous. He called out your name again this time a bit louder.

You groaned, rubbing your face, "Ray, What part of "be quiet" don't you understand? What do you want?! You want them to find us?!”

He choked out, "Ahh, about that…”

"Look I only wanted a peaceful day today, getting chased by a crazy herd, not what I had in mind- annnd.... They find us, didn't they?" You sighed.

He nodded, "Pretty much." Soon enough all kinds of sharp-tipped spares were extended towards from all sides. You both quickly raised your hands in the air, surrounded by them. You cursed under your breath not amused at all.

"Well, this could have gone much worse.”

You soon find yourselves in a cell, soon to be turned into a chewing toy. Surrounded by many of them readying the meal you will be in today.

"You have to jinx it, didn't you?" Before he can open his mouth again you threatened showing a rock, "If you open your mouth one more time I swear I’ll force this inside your mouth—”

He raised his hand, "Jeez, alright, alright. I am sorry! What got into you today?” He knew you wouldn't actually do that. You love him too much for that. (But, did you have it in you? Yes. Would you actually do that if he was someone else? Most definitely. Is he afraid of this fact? Absolutely. He definitely know to not underestimate you.) He couldn't help but admit that it sounded so absurd coming from you in that moment though. It also shouldn't amused him but it did.

You forced a short laugh, "What got into me? Oh, lemme think." You sarcastically mumbled, mocking him and tapped your chin as if you were thinking.

He frowned, not letting you start sorting it all out, "Okay, okay. I get it. I said sorry, didn't I? It was lame of me to even ask that. Sorry for trying to be nice.” He stuck his tongue out playfully.

"A sorry not gonna save us from becoming a MEAL OF THE DAY!!" You groaned.

He hummed and shrugged, "I wouldn't worry much. After all this isn't the first time I was imprisoned.”

You stared at him, "We saved your ass when you were imprisoned."

"Saved me?" He smirked, "If I remember correctly, which I know I am, you and Globox were also imprisoned for the sake of saving me, I am touched really. Though it was a weak plan, assuming being held captive was part of your idea~"

You grumbled grimacing, "It was Globox's idea. I didn't have anything better to do so I just followed along. BUT we did save your ass didn't we? That's what counts! Besides, I'm not seeing you having any bright ideas!!”

"Who said I didn't have any?" He grinned, noticing your pause.

You give him a face, "If you had a plan this whole time... WHY DIDN'T YOU JUST SAY SO?!" God, so that’s why he has been acting so relaxed! He has always been some kind of a laid back person, but this would be too much (Not counting the fact that he knows when to strike). In fact, he should have been happy that he had a reasonable explanation for this situation because you were about to slap him hard for how careless he had been so far and how careless he had been all day.

"Calm down! It was a work in progress and now I am not gonna jinx it again. So, are you in or not?”

You give him a side glare at him and turn away.

He sighed, "Look, I am sorry. Sincerely, coming from the deepest of my heart. I really didn't mean to cause all this. It's also my fault that you are involved in my mess too. So, at least let me help to fix it, okay? You can kick my ass after this." He kind of dragged you away, yes, but it was to save you and you were thankful that he did (how wouldn't you?) but that doesn't mean he is also the one to start all these.

You heaved a sigh, and shook your head with a soft smile, "Lead the way, eggplant." You grinned seeing his little eye roll. You definitely gonna remember the last thing he said.

“I will save us. That’s a promise.” He sounded even more genuine.

“Yeah, yeah. You better be. I don’t wanna end up as a snack before bedtime. So, care to tell me the plan?”

He grinned mischievously, a determined glint in his eyes, "You will find out soon enough. You know me. It's not that complicated to figure out. Even better when you know they are not too smart to figure out."

You raised a brow not fond of him still depriving you of an explanation. But you guessed it was better to leave like that seeing those creatures still roaming all around.

Soon after your 'nice' conversations you both find yourselves tied up together in a cauldron full of water with a fire burning underneath. The creatures throwing chopped vegetables on you.

Your unamused expression hardened, "How much longer are we going to wait?" You grumbled. "They are slowly cooking us alive!"

"Yeah, I won't be a good dinner for them. You have more areas where they can chew off." You swear he was laughing behind you. You growled and hit him in the head with your own, you had no other option. Your arms were tied. "Don't start again! I'm serious! I'm starting to get worried. My feet are burning!”

He hissed in pain, "Sorry, force of habit... or maybe coping... either way..." he took a sharp breath, "My plan gonna work."

"You are not even doing anything! What kind of plan is that? Just admit already that you have no idea how we can get out of this station!”

"No, because I do. I'm just waiting for the right moment.”

You rolled your eyes, "Yeah, yeah. And I believe that. I am sure you do-- Wait a fucking moment." You hissed. You can't belive you forget about his ability, "You fucking have control all over your body! Whatever the floaty, gravity bending thing you do! You can easily get out of this rope!! They only tied our bodies, not hands or feet! Fuck! Why didn't you do something about this earlier Rayman?! Are you trying to piss me off on purpose! I swear---" Your words are stuffed inside your mouth, literally. One of the creatures got annoyed (or tired) of your talking and harshly pushed an apple in your mouth. Your eye twitched in annoyance. Rayman glanced back with a stuffed laugh. Okay, maybe you did deserve this but you are not gonna admit that. You gave him a death glare and he quickly looked away. But you still heard his stuffed snickers and feel his shaking body.

He nudges your side with his hand and your eyes quickly widen, "For your concern, ya think I would forget about something my own body capable of since forever? I already handled that. And for your nice question, like I said, I am one step ahead of you, darling~" he quickly hid the key before one of the creatures could see and cautiously examined the surroundings carefully.

He whispered, "When I came back here there was no way out of this place but the hole I fell down from. Thankfully, I was able to crawl back out but there is no sight of that hole anymore so I am gonna assume they blocked it. So there is only one option left for us to choose. What we're gonna do is, use the real door. The one I couldn't pass before. And for that we needed the key. Though one of us is gonna need to distract them while the other opens the door. Then we both escape and lock them in here, like it should have been." You're gonna kick his ass for not telling you about this sooner and made you believe that he actually didn't have any clue. Though you didn't know which one is good, his acting for the sake of the creatures (you have no idea what they are) not notice? Or him playing with you just for fun. Actually... you were happy that he did have a plan. Because it would be the worst tragicomic death in the hero's history.

His eyes widened when he felt your weight on his back... more than normally. You two were back to back forcefully pressed together yeah but... you were leaning on him? In relief? Comfort? He didn't know. But he couldn't help his lips turn into a soft smile.

"Well, I might ruin our moment here..." he trailed off. "I love hot baths as much as the next person but we should get moving. I don't think I like vegetable soup especially if we are in it.”

He felt the vibration of your laugh on his back causing his smile to widen. He glanced back at you with a smirk, his hand helping you to remove the red apple as he whinked.

"You ready to kick some little ass?" Those green creatures were nearly half of your height. You still can't believe how you two get caught that easily. You two were unprepared. But this time will be different.

You smirked, "It's always so nice to fight alongside you.”

"That's good to hear because I really needed that." He hummed as he slowly unwrapped the tight rope from around both of you, "You know, thinking our situation it's both humiliating and funny as hell. It could be our little secret. How's that sound?”

"Like heaven, and also the thought of what I can do after I get back home. Sleep all day long. Sounds good, huh?" You snickered knowing that's exactly what he will do too.

"After kicking my ass?”

You held back a laugh, "You want to be beaten up that much?” You pressed your back on his on purpose this time with a smirk.

He glanced back at you, "I think all the fighting we are gonna do here will be enough.”

"Agreed." You both jumped out of the cauldron within a fighting stance, raising up your fists.

You bawled, "Who wanna have some of these?" You showed your fists.

The creatures stood staring. Soon all screamed a war cry running towards you. You two smirked and launched.

[fractualized]

Alright. Let's break down this "oh" of an ending. NEGATIVE NANCY, COMING THROUGH

Spoilers, ho!

Ending a story is hard, if they're long or short. Whether you wrap up key threads or leave them open, you want some kind of takeaway that puts a period on things. Even in comics, where we know these characters will go on and on, ideally a story will end in a way that just... fits. Even amateur fic writers have loads of WIPs just sitting there because exactly how to end this damn thing eludes them.

I don't know if Rosenberg had an ending in mind when he started The Man Who Stopped Laughing. I don't know if he decided he'd figure it out by the end of it's year-long run. I don't know if DC Editorial lets people do that; it sounds insane, but if you've been paying attention to their current level of editorial "oversight," which I imagine is supposed to make concurrent titles mesh together reasonably well, I wouldn't be shocked if they let people wing it. Or, more likely, perhaps DC Editorial swooped in and made Rosenberg change the ending he had planned and that's why the result falls flat.

In any case, after 11 issues of enjoying myself, I'm left feeling deflated.

But let's start where #12 does, with the Joker who's been told he's John Keyser, a toxin'd henchmen that the real Joker made into a doppelganger for funsies. He approaches a hotdog vendor.

I'm stuck on "Hello. I've been looking for you"?? I didn't catch that on my first read. Joker has a favorite hotdog vendor? lol

Shut up, Waffles!! All we have is your word for it!!

In any case, hey, Keyser Joker has already been Jokering this long, so yeah, why not keep going? And why not with help from poor woobie Jason, fresh from nearly getting himself killed in Gotham War?

Bruce did not fix Jason at the end of Gotham War, so his adrenaline is still triggering fear in his brain. But Keyser Joker has a solution for that!

It's a tiny dose of Joker toxin to take the edge off of Bruce's programming. Joker makes a point of saying that the effects are only temporary, though. (And like, I assume this is just the quick-fix solution Rosenberg came up with to pull off his own ending when told Bruce's plans for Jason over in the other titles.) Jason is skeptical of this "help," naturally, but Keyser Joker brings up their matching interest: getting rid of the other Joker.

Jason, why you gotta ruin Albert's good time? 🙄

Cut to Red Hood dragging a clown henchman through the streets of Gotham.

But "his" face being blacked out and some of the dialogue clue the reader in: things aren't what they seem.

DERAIL TIME: what is up with this batmobile?

Like from some other angles, it looks sportier, but in most of the panels it looks like an old Buick? lol ANYWAY.

With the flaily way this person jumps off the bike and runs, I was sure that this was Keyser Joker and we might see Batman interact with him. Alas.

It's Ravager, who survived last issue's explosion. She's helping Jason 1) distract Batman and 2) get Albert out of harm's way, far from Keyser Joker's plan.

Naturally Keyser Joker is planning something more destructive than he's led Jason to believe. Also like…

The idea that Keyser Joker really is this John guy, not the real deal, is still not sitting fucking right with me. Seeing him here in another costume, with a goofy death train with mismatched eyes just like his, it feels like a signal that he actually is Joker and Waffles is either lying or mistaken somehow. Like compared to the other Joker, who we haven't seen in a costume? Who left Gotham for weird reasons? I really thought there was going to be a reverse reveal.

And since it doesn't come, I guess it's a good time to mention that! There is no reverse reveal of who the real Joker is. Things get a little muddy later, but…. hrm. HRM.

That said, the other Joker does something pretty dang Jokery: he shows up in a dirigible with his face on it.

Killer Moth and a bunch of clown goons (that aren't supposed to be available because of Gotham War but WHATEVER) attach the dirigible to the train and it's pretty chaotic!

I love when villains are like, "Look I may kill people, but an endangered gorilla?! Get outta here!" 😂

Jason also arrives in style.

I guess he was observing Ravager's distraction?? Which feels like it defeats part of the purpose of having her do the distraction. But then he couldn't have this cool entrance in which he bludgeons people with a motorcycle. Trade offs!

Meanwhile, Real Joker makes it to the front of the train to confront Keyser Joker. One of Real's goons offers to shoot Keyser, but Real Joker wants to make this personal and kills the poor hench so he can do it himself.

Jason coming in like YEEEEEAAAAHHHHH 😎

Then he gets the bad news.

Keyser is as casually suicidal as your average Joker! Also "Real" Joker never acknowledges Red Hood's identity, afaik. It's always Keyser Joker. Details like this got me thinking that reverse reveal was coming, AND YET.

That aside, next comes a fun comedy beat.

Real Joker going right for the hair!

Jason isn't going to let this be the end of it, of course, and once again Killer Moth must suffer at his hands.

Jason shoots so many clowns. Just never the one he wants. 😞

Waaaaaaaaaaaaaait wait wait. You're telling me that Bruce knew about the imminent TWO JOKERS situation. But he decided to prioritize a report of Red Hood dragging a clown through the streets. When in the same breath he's saying there are other people coming to the scene with him, so he obviously could've sent someone else? On the same day Batman #139 is like "oooh Bruce is totally onto Joker now"? This is what you're telling me?? Augh.

Well, we can't rely on Batman right now, clearly, so it's up to Jason.

Meanwhile, Keyser Joker has told the other one that he actually does have a secret way off the runaway train safely. After they fight some more, the tune starts to change.

Alright so, this "deal," which would sort of start them back at square one, doesn't bother me because obviously it's on shaky-ass ground and one of them is definitely killing the other before this issue is over. What does bug me is the "franchising" line, for two reasons:

1) Is this supposed to imply that Real Joker is the one who was behind Joker Incorporated in the Batman Incorporated issues, not a third one?

2) I was just SO SURE it was another indication we were getting a reverse reveal. Joker absolutely does not love the franchising idea. That's kind of been the point of this whole series. The genuine Joker in Keyser Joker's hallucination/memory said that having two Jokers around is stupid. HRRRRMMM.

Anyhow, they leave the train together, though the escape plan is literally just jumping off, which has more issues than they bargained for.

So do you think, assuming the Gotham War writers actually communicated at least a little, that Zdarsky asked Rosenberg what he needed Jason for at the end of TMWSL, and Rosenberg was like, "oh I need him to heroically crash a toxic blimp and almost die?" And then Zdarsky was like, "er, I need him to heroically fly a plane into a magic meteor and almost die?" And then they just shrugged and closed the Zoom?

But yeah, the blimp crashes, and I'm sort of confused because I thought that earlier Bruce was saying that even if the toxin gets into the water, it'll still make it's way to the city. So for one thing, it's still exploding in the air and it's still gonna drift. And the parts that dissolve in water are still gonna drift. There's a part to the equation missing here.

But these two are just thrilled at the excitement.

Until the sudden yet inevitable betrayal.

BUT WHO WAS JOKE

Shortly after this, Ravager shows up with Manhunter, who also survived last issue's explosion. (It just doesn't come up at all. Like it doesn't have to, I guess, but it's just weird that there's not a word or wound about it.) Ravager dives into the water looking for Jason, because she instinctually knows he did something grand and dumb. She finds him among the clown bodies and brings him to shore.

Nothing can kill this man! He came back from the dead with nine lives! And also maybe that Lazarus resin from TFZ is still helping, I dunno.

Elsewhere along the shore, what's left of both Jokers' crews find themselves waiting in the same spot for the Joker they expect to be triumphant.

You know what. I'm soured on Waffles now. Leave him.

And then, from the water…

And that's it. That's how it ends. With a sort of snide cop-out?

Like, it's Joker's POV, so yeah, you could say the dickish tone is just him. But following this story for a year, and then seeing it end with simply the old "you'll never know which Joker prevailed," it doesn't feel clever or whatever this is going for. It just feels obnoxious.

Honestly, it feels like the same takeaway as freaking Three Jokers. 😐 That it doesn't matter who Joker is. All the lead-up to this, where maybe we get a tiny bit of depth and development, even if just in this story, eh. Doesn't matter! We're ending this with blah payoff.

On the other hand, the part of about about there being more questions, about this ending not being tidy, makes me think that this is leaving open the possibility that Keyser Joker actually was the real one. After all, we don't get a flashback to the actual events. The events we see are part of a hallucination, and Keyser never said he had clear memories of being the real or the fake one. He just went from assuming he was the real one to taking Waffles' word for it that he was the henchman.

Also, Keyser Joker was always the Joker giving narration. And the narration boxes for the Final Joker at the end remain in his style. So it seems like we actually have a huge indication of which Joker prevailed-- unless we're meant to assume that if the other Joker prevailed, he merely took over the narration.

I mean, this is what we have. So if I can just choose what I want to believe, I'm going to believe both that Keyser was actually the real guy and that he won. But it puts a real sour taste in my mouth to be super engaged with a story and wanting an ending that says something about Joker's character… and the ending is just that one murders the other and you don't know who, neener neener. It's anticlimactic. It's a predictable direction that I thought SURELY Rosenberg wouldn't go in. It feels like a dick move.

And... what else is there to say? So ends my year of consistently buying a comic, I guess. Nothing else has really grabbed me like TMWSL did, though City of Madness looks promising. After the multiverse and Gotham War stuff, I'm not about to start picking up Zdarsky's Batman. #139 had plenty I should enjoy, but it's soured by Zdarsky deciding to bring a canonical take to the three Jokers concept for some ungodly reason.

A new three Jokers take feels extra stupid after a year of a story about two Jokers. And the second Joker in TMWSL isn't even taken into account in Zdarsky's story. Based off that #135 scene, it really looks like he's going to say that Darwin Halliday accidentally copied TKJ Joker somehow. lmao Why. Why do we have to do this. Why can't this just be one of the things that gets retconned away. I just want my murderclown to be fun.

I need to get back to my list of unread older comics. Or read One Operation Joker! I didn't think I was interested, but I think a random goofy premise is actually just what I need.

[wreckingtickles]

Shoto Todoroki (mha) Headcanons

Having been raised apart from his siblings and his father being what he was, Todoroki's only memories of tickling as a child are tied to his mother; but after she was driven to the brink and hospitalized (how the fuck the author decided that the system that made Endeavor no. 2 was fine at some point after the Stain arc and that no charges should be pressed will forever baffle me), young Todoroki was cut off from that form of affection, among many others.

So when he was reintroduced to it by his classmates, everyone was surprised by his reaction, including Todoroki himself: not only is he very ticklish, he is completely unprepared when it cones to dealing with the sensation, and unable to stifle his reaction in the slightest: when he tries, he closes his eyes, giggles, and squirms in place, but the adorable display tends to be short-lived. His laughter is every bit as adorable as Izuku's, and unlike the latter's, it almost seems completely genuine, like he's just that happy, even though tickling can feel like torture to him.

It goes without saying that the first to tickle him was Kirishima, breaking down that physical barrier and confusing Todoroki quite a bit - is it torturous, or does it make him feel giddy? Izuku would be next, and even Shoji on one occasion after a massage; and after he started getting close to Bakugo, the two did clash ticklishly a couple of times. Tickling also ended up playing a part in his attempts to reconnect with his siblings, Fubuki and especially Natsuo in particular - defeating the golden child with tickles really made him feel like a big brother.

But unlike most of his male classmates, the other main exception being Midoriya, Todoroki is quite the popular lee with the girls as well, who love seeing the stoic, handsome boy giggle, attention that would end up eliciting the envy of Kaminari and Monoma.

But as surprised as everyone when he was revealed to be a viable lee, the few who have witnessed him as a ler were downright shocked. Initially, as expected, he didn't have a clue what to do, but with pointers from Kirishima, and a few from Izuku and even Bakugo, he became an absolute menace to those three, learning their most vulnerable spots and targeting them without holding back, having no compunction about summining ice restraints if he feels like it or driving his lees to their limit. And with his attitude seeming so dispassionate even as he mines their worst spots for hysteria, he flusters his three lees to no end, but even more so once he starts to remark on what he's doing and how they're reacting in that matter-of-fact manner of his.

Kirishima might be his most frequent lee since he'll just ask for it, but his favorite is no doubt Izuku: I see Todoroki as a homoromantic ace (and as an aside, the character I could most easily see as transmasc), and that he'd catch feelings for Izuku feels inevitable. So the poor greenette might have ended up laughing a whole lot as part of Todoroki's attempts at skinship.

Oof, that was a lot. Onto his worst spots!

As you can see, I'm keeping them SFW (much like his Auction chapter), but each spot also has two ratings, because his left and right sides are ticklish in different ways. His left side is generally more ticklish than the right, with one very notable exception. Kirishima probably didn't notice this split at first, this feels more like something Izuku would get curious about, and Bakugo would later wind up exploiting lol While his total isn't that high as a result, a tickler who knows what he's doing that targets his weaker spots will break him in no time, and Todoroki's low stamina is felt all the more in a ticklish setting.

Oh, Todoroki has the misfortune of being feather-ticklish, though not as much as Midoriya, but an easy way to break him is temperature play: ice cubes on his left side and, well, lickles and roasting on the right just destroy him.

Smiling (4.5-5.5): Todoroki's chest and B-side aren't very ticklish, but still somewhat responsive to feather-like tickling.

Giggling (6-7): Todoroki's ears, neck, and thighs are giggle-worthy, as is his left hip (curiously less sensitive than the right) and his right underarm (much less sensitive than the left). The way he scrunches up his nose when his ears or neck are tickled make them most of the girls' favorite spots.

Laughing (7.5-8.5): Todoroki's midsection is very ticklish and yields consistent results whether you're tickling the left side or the right - but his lers are likely to be doing both at the same time if they're there. These happen to be the least feather-sensitive areas on his body.

Howling (9-10): These spots absolutely wreck Todoroki, he can't handle having them tickled, and they're the only target that immediately cause Todoroki to look like he's being tortured (which is generally what the lers targeting them want, whether they're Natsuo, Bakugo, or particularly mean Kiri and Izuku). Interestingly, his right side breaks the pattern of his right... side being less sensitive, as it's his second most ticklish spot overall, only trumped by his right foot. Also, each red spot is the favorite of one of his most frequent ticklers: Kirishima is more likely to linger on his armpits, Izuku on his sides (though, having mapped out his most ticklish spots, he is fond of mixing and matching when Todoroki needs skinship), and Bakugo on his feet (definitely NOT because targeting them makes him feel better about his own super ticklish tootsies); Natsuo will hit anything within reach.

[crowngamer901]

My Splatoon OCs' GrandFest outfits: The Concepts and the Final Models

(I’m looking at the last three with the names and I’m realizing how bad my hand-writing looks lol)

(Also I have no clue how long of a post Tumblr will allow me to make so this may be broken up into multiple posts/reblogs)

So a while back, everyone was designing GrandFest outfits for their OCs. Me, being a Blender user, was like "WHOA THAT'S SUCH A COOL IDEA I WANT TO JOIN IN!!!!" but obviously I have no modeling-from-scratch skills yet. The only thing I know how to do in Blender is how to attach Splatoon 2 clothing to a Splatoon 3 model and how to use Edit Mode to cut away pieces from a model.

BUT I WAS DETERMINED TO DO SOMETHING REGARDLESS OF MY ART SKILLS

So I quickly rendered the first render with Autumn (who wears a custom hairstyle of Haircut + Megalobraid here), Jewel, Derek, Monica, and Hunter - my agents - with the intent of just making outfits for them. I saved the aforementioned render to my iPad, opened Procreate, and began drawing. I wasn’t really going for any kind of theme for any of the outfits, and wanted to do some really custom clothing that didn’t exist in-game. I did, however, take inspiration from some of the clothing that already existed but that was about it.

It took two days to finish (as you can tell by Jewel and Derek having one date and Autumn, Monica, and Hunter having a different date) but it was fun! So fun, in fact, that I decided to make more outfits. 10 MORE OUTFITS, IN FACT. But that comes later, as one day I got bored and decided to actually attempt to model the outfits in Blender! And that was also fun! Yeah, it took the whole day but more importantly it was fun! So fun, in fact, that it only pushed me to make those 10 more outfits. So now we have everyone else’s outfit concepts (with actual existing clothing in mind), and the resulting Blender versions.

BEHOLD!

Jewel/Agent 3 (with a bonus bald pic showing her earrings)

Derek/Agent 5 and Kelly, with their matching rings (I LOVE THIS SHIP SO MUCH)

Found family brother-sister duo of I-Wei and Priscilla

Autumn/Agent 4 (with her usual hair) and Monica/Agent 8 with matching glasses

Hunter/Neo Agent 3 and Stitches, the two shortest characters in the line-up

Alecs, Kimberly, Ezra, and Morgan

And last but not least, Jeremy and Kaden

(Everyone's expressions in these screenshots match the ones I picked for the drawings)

I am SO HYPED to actually render everyone in their outfits but first I gotta go texture the GrandFest venues *cries*

Happy to answer any questions you might have about their outfits (like what clothing I used for everyone)